Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
(excl. title page and bibliography; no table of contents please); BA Sem.: 8-10 pages;<br />
MA/MARS <strong>Seminar</strong> 10-12 pages. All references should conform to MLA stylesheet!<br />
Obviously the criteria for an academic essay at MA level are higher than those for the<br />
BA.<br />
Set text: Primary and secondary material will be made available via Blackboard (both<br />
texts are in the public domain).<br />
050 755 Klähn<br />
The Great American Novel: From Poe to Pynchon, 5 CP<br />
4 st. mo 16-19 (14-tägig) GB 5/38 Nord<br />
The idea that the novel (as form of art) is an outstanding and unprecedented<br />
example of modern aesthetics, is brilliantly put forward by the German philosopher<br />
Hegel. In the wake of his blueprint definition, a whole scenario of theories of the novel<br />
has evolved in the following two centuries. Consequently, the American search for a<br />
non-traditional self-definition began to focus on a (post)romantic longing for being<br />
“absolutely modern” (to use, once again, a European term [Baudelaire] and felt<br />
obviously induced to succeed in this field with an unsurpassable output of quality.<br />
Including basic novels from the 19th and 20th century (Poe, Melville, Hawthorne,<br />
Twain, Fitzgerald, Hemingway, Hawkes, Pynchon, DeLillo), the seminar will analyse<br />
the basic traits and constructive modes of this American “Greatness”, always looking<br />
for unique elements of composition.<br />
Assessment/requirements: Übung: two presentations; <strong>Seminar</strong>: one presentation and<br />
an essay.<br />
050 742 Müller, M.<br />
American Originals, Adaptations, Appropriations, 5 CP<br />
2 st. mo 16-18 GB 03/42<br />
The originals from American literature that we will read in this course – and discuss in<br />
their historical contexts – have all generated (filmic) adaptations/and adaptations<br />
and/or literary spin-offs. This not only indicates their persistent influence but also<br />
helps legitimize their status as “a classic.” Thus, in this course we will discuss the<br />
phenomenon of “enduring literary appeal” and, with the help of some secondary