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the purpose driven music paradigm - Escape Babylon's Demons

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The scriptures testify to instrumental <strong>music</strong>’s power to influence emotions in ways<br />

both beneficial and harmful to people. If we conclude hat instrumental <strong>music</strong> isn’t<br />

morally neutral, <strong>the</strong>n we must admit that doesn’t love all types of <strong>music</strong> as <strong>the</strong><br />

Purpose Driven Music Paradigm teaches.<br />

Music is <strong>the</strong> universal science used to create emotion<br />

The origin of <strong>the</strong> word <strong>music</strong> comes from Greek word mousike. The Greek word<br />

mousa applies to development from a principle, to every sphere of activity where <strong>the</strong><br />

spirit passes from potency to act and clo<strong>the</strong>s itself in a sensible form. Music<br />

combines words determining ideas (poetry); melody communicating sentiment and<br />

rhythm characterizing expression. Music separated from poetry is like a soul without<br />

a body. Poetry gives clarity to <strong>the</strong> thoughts and emotions expressed by <strong>music</strong>. Poetry<br />

and <strong>music</strong> should work toge<strong>the</strong>r as ministers of thought.<br />

All <strong>the</strong> ancient sages of worldly wisdom such as Pythagoras, Zoroaster, Confucius,<br />

Plato believed instrumental <strong>music</strong> was <strong>the</strong> universal science to be used to create<br />

emotion. Interestingly, <strong>the</strong> same belief is echoed today by <strong>the</strong> guru of <strong>the</strong> <strong>purpose</strong><br />

<strong>driven</strong> <strong>music</strong> <strong>paradigm</strong>, Rick Warren. Warren has capitalized upon <strong>the</strong> emotional<br />

power of <strong>music</strong> in order to increase church attendance.<br />

Professionally trained <strong>music</strong>ians like Dr. Max Schoen point out <strong>the</strong> following:<br />

“<strong>music</strong> is <strong>the</strong> most powerful stimulus known among <strong>the</strong> perceptive senses. The medical, psychiatric<br />

and o<strong>the</strong>r evidence for <strong>the</strong> non-neutrality of <strong>music</strong> is so overwhelming that it frankly amazes me that<br />

anyone should seriously say o<strong>the</strong>rwise. (Dr. Max Schoen, The Psychology of Music, 1940)<br />

Dr. Howard Hanson, an American composer, conductor , teacher and a Director of <strong>the</strong><br />

Eastman School of Music at <strong>the</strong> University of Rochester wrote in <strong>the</strong> American Journal<br />

of Psychiatry, Volume 99, page 317:<br />

“<strong>music</strong> is a curiously subtle art with innumerable, varying emotional connotations. It is made up of<br />

many ingredients and, according to <strong>the</strong> proportions of <strong>the</strong>se c omponents, it can be soothing or<br />

invigorating, ennobling or vulgarizing, philosophical or orgiastic. It has powers for evil as w ell as for<br />

good.” ( Quoted from “A Musician’s Point of View Toward Emotional Expression” at <strong>the</strong> 98 th annual<br />

meeting of <strong>the</strong> American Psychiatric Association, 1942)<br />

Leonard Bernstein is quoted in Newsweek, October, 29, 1990, page 79 saying :<br />

“<strong>music</strong> is something terribly special…it doesn’t have to pass through <strong>the</strong> sensor of <strong>the</strong> brain before it<br />

can reach <strong>the</strong> heart…an F-sharp doesn’t have to be considered in <strong>the</strong> mind; it is a direct hit, and<br />

<strong>the</strong>refore, all <strong>the</strong> more powerful.”<br />

Brian Wilson of <strong>the</strong> Beach Boys is quoted regarding <strong>the</strong> persuasive power of<br />

instrumental <strong>music</strong> as recorded on page 210 of <strong>the</strong> “The Rock Story by Jerry Hopkins

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