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the purpose driven music paradigm - Escape Babylon's Demons

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delighting to us, but not to Him? Isaiah 66:1-5 teaches that <strong>the</strong> Lord doesn’t delight<br />

in mainstream worship claiming to glorify <strong>the</strong> Lord if that worship includes elements<br />

displeasing to him. It also reveals that <strong>the</strong> persecuted minority cast outside<br />

mainstream worship will be in joy when <strong>the</strong> Lord appears while <strong>the</strong> mainstream<br />

claiming to be glorifying <strong>the</strong> Lord will be ashamed at his appearing.<br />

Thus saith <strong>the</strong> LORD, The heaven is my throne, and <strong>the</strong> earth is my footstool: where is <strong>the</strong> house that<br />

ye build unto me? and where is <strong>the</strong> place of my rest? For all those things hath mine hand made, and<br />

all those things have been, saith <strong>the</strong> LORD: but to this man will I look, even to him that is poor and of<br />

a contrite spirit, and trembleth at my word. He that killeth an ox is as if he slew a man; he that<br />

sacrificeth a lamb, as if he cut off a dog’s neck; he that offereth an oblation, as if h e offered swine’s<br />

blood; he that burneth incense, as if he blessed an idol. Yea, <strong>the</strong>y have chosen <strong>the</strong>ir own ways, and<br />

<strong>the</strong>ir soul delighteth in <strong>the</strong>ir abominations. I also will choose <strong>the</strong>ir delusions, and will bring <strong>the</strong>ir<br />

fears upon <strong>the</strong>m; because when I called, none did answer; when I spake, <strong>the</strong>y did not hear: but <strong>the</strong>y<br />

did evil before mine eyes, and chose that in which I delighted no t. Hear <strong>the</strong> word of <strong>the</strong> LORD, ye<br />

that tremble at his word; Your brethren that hated you, that cast you out for my name’s sake, said,<br />

Let <strong>the</strong> LORD be glorified: but he shall appear to your joy, and <strong>the</strong>y shall be ashamed.<br />

Personal background surrounding <strong>the</strong> issue<br />

My church background is diverse involving churches in <strong>the</strong> nor<strong>the</strong>astern and<br />

sou<strong>the</strong>astern U.S. I have been active in Free Methodist, Independent Baptist, Young<br />

Life, Businessman Lunch Bible Studies, Home Churches, “Willow Creek Seeker Style<br />

Churches”, Independent Evangelical, Sou<strong>the</strong>rn Baptist, Presbyterian (PCA),<br />

Fellowship Bible and Calvary Chapel churches since I first became a Christian at 22<br />

years of age in 1979.<br />

Educationally, I’ve earned a B.S. in Industrial Engineering and have worked<br />

professionally in Industrial Engineering and in teaching middle/high school in both<br />

secular and Christian Schools.<br />

After completing 26 graduate credit hours of study while enrolled in Columbia Biblical<br />

Seminary’s Master of Divinity program, I backslid in my life with Christ for a few years.<br />

My faith was miraculously and mercifully restored by <strong>the</strong> Lord in 2001. I believe that<br />

<strong>the</strong> power of secular instrumental <strong>music</strong> was one of <strong>the</strong> factors Satan used to lead<br />

me astray as a professing Christian.<br />

Before I was a Christian I was severely addicted to Burton Cummings and <strong>the</strong> Guess<br />

Who. From 1974 until 2000, I bought many hundreds of pop, soft & hard rock, jazz,<br />

blues, soul and vocal recordings. I have seen many live concerts including K.I.S.S.,<br />

Alice Cooper, Chicago, Paul McCartney, Burton Cummings, The Guess Who, Doobie<br />

Bro<strong>the</strong>rs, Seals & Crofts, Outlaws, Hootie & <strong>the</strong> Blowfish, Sammy Hagar, John<br />

Mellancamp, Neil Young, Tim McGraw, Martina McBride and B.J. Thomas among<br />

o<strong>the</strong>rs. It was a B.J. Thomas Christian album named “Home Where I Belong” that<br />

introduced me to Jesus Christ and Christianity. Throughout <strong>the</strong> 1980’s into <strong>the</strong> early

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