What happened with the art of the strike? An art ... - Tensta konsthall

Routledge, 2012, pp. 126-136; "The
Leviathan, or Language in Besiegement:
Lydia Ginzburg’s Prolegomena to Critical
Discourse Analysis". In: Van Buskirk,
E.S., Zorin, A. & Ginzburg, L. (red.)
(2012). Lydia Ginzburg's alternative
literary identities: a collection of
articles and new translations. Peter
Lang : Oxford, 2012, pp. 193-234; "Skin to
Skin: Language in the Soviet Education of
Deaf–Blind Children, the 1920s and
1930s". Studies in East European
Thought (2008).
Pär Stolpe (b. 1943) was a curator at
Moderna Museet and led the museum’s
support of the striking miners in 1969. He
was also responsible for the museum’s
experimental project Filialen, which
aimed to renew the museum exhibitions
over three years at the beginning of the
1970s. He worked with Pontus Hultén in
the City of Stockholm’s committee of
experts for Kulturhuset (The Culture
House) at Sergels torg. Over several years
during the 1980s, he participated in the
cultural-political debate through posts in
Dagens Nyheter, Aftonbladet, LOtidningen
and at the radio and on TV. He
has worked at Pistolteatern, Sveriges
in Paris, professor in Art and Technology,
and responsible for the international cultural
exchange program at the Nordic Council in
Copenhagen. He is currently running
HotHouse A3 for young filmmakers and
photographers in Stockholm.
Margareta Vinterheden and Alf
Israelsson have their roots in
Malmberget. Vinterheden comes from a
miners family and Israelsson has worked
as an engineer at LKAB. They have
worked with film since the 1960s. Their
film production includes Indifference
(1967), Gruvstrejken 69/70 (Miners strike)
(1970), the portrait of workers in Man
måste ju leva (One has to live) (1978) and
Blinka lilla stjärna (Twinkle twinkle little
star) (1987), a film about children playing
the violin. Vinterheden has also done
research on women's situation in the film
industry. She attended the directing
program at DI (today StDH) and she has
a degree in Psychology. She has kept her
connection with Norrbotten through her
work as a psychologist within
Malmfälten's psychiatry in Gällivare/
Kiruna. She has also worked as a
neuropsychologist at a memory disorders
unit in Stockholm. Israelsson is working
8
Radio, Svenska Institutet, Statens
Kulturråd, Sjöhistoriska museet,
Riksutställningar, and SVT.
Gustav Strandberg is a doctoral student in
philosophy at Södertörn University where
he is working on a dissertation project on
the Czech philosopher Jan Patockas’s
political phenomenology. Besides the work
on the dissertation, his main research
interests are in phenomenology and
political philosophy as well as the issues
that arise at the intersection of these
disciplines. Among his previous publications
following can be mentioned: "Med Arendt
bortom Arendt – Jan Patockas läsning av
Människans villkor” (Axlbooks, 2011) samt
"Carl Schmitt och det politiskas intensitet"
(Daidalos, 2012).
Carl Henrik Svenstedt is a filmmaker,
writer, and a contemporary debater. He has
published around 20 books: prose, poetry,
and journalism. The most recent is the novel
Sprängskiss and the poetry collection
Befintligt ljus. His film production consists
of documentaries, and experimental art
films; the most recent ones are Tidens gång
and Änglastämman. He has been the
director of the Swedish cultural centre CCS
within the field of technical design.
Louise Waldén has a PhD in Technology
and Social Change, and is also a researcher
in gender studies specializing in women’s
history regarding everyday life. She was
involved in starting the women’s group
Grupp 8. She produced the record album
Sånger om kvinnor (Songs about women)
(together with Suzanne Osten) and the
exhibitions Kvinnor at Moderna Museet
and Kvinnfolk at (among other places)
Kulturhuset in Stockholm.
Kjell Östberg is a professor and a
principal scientific officer at the Institute
of Contemporary History at Södertörn
University. His research has touched
upon subjects regarding new and old
social movements. Among his writing is
1968 – När allting var i rörelse.
What happened with the art of the strike?