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Giovedì, 24 febbraio 2011 ore 18<br />

VII. From <strong>the</strong> Eighties until Tomorrow: The French FRACs<br />

Fondazione Antonio Ratti, Villa Sucota, Via per Cernobbio, 19, 22100 Como, Italia. www.fondazioneratti.org<br />

<strong>Alain</strong> <strong>Quemin</strong> (* Lyon, 1967) graduated in sociology, economics <strong>an</strong>d demography at <strong>the</strong><br />

University of Paris X-N<strong>an</strong>terre <strong>an</strong>d has a PhD in Sociology <strong>from</strong> <strong>the</strong> Ecole des Hautes<br />

Etudes en Sciences Sociales (EHESS Paris). He is Professor of Sociology at <strong>the</strong> University<br />

Paris-Est <strong>an</strong>d since 2005 Member of <strong>the</strong> Institut Universitaire de Fr<strong>an</strong>ce .<br />

He is member of National Committee of CNRS in <strong>the</strong> 36th section (sociology <strong>an</strong>d law)<br />

since 2004 <strong>an</strong>d member of <strong>the</strong> Institut Universitaire de Fr<strong>an</strong>ce since 2005.<br />

Former Chairm<strong>an</strong> of Research in Sociology of Art, International Sociological Association<br />

<strong>an</strong>d <strong>for</strong>mer vice-president of research group in <strong>the</strong> sociology of art of <strong>the</strong> Europe<strong>an</strong><br />

Sociology Association.<br />

His research topics include sociology of <strong>the</strong> art market <strong>an</strong>d its actors; sociology of<br />

contemporary art; sociology of work; sociology of globalization. <strong>Alain</strong> <strong>Quemin</strong> currently<br />

works on <strong>the</strong> <strong>the</strong>me of <strong>the</strong> internationalization of contemporary art (visual arts), a<br />

sector where, despite <strong>the</strong> commonly accepted discourse on globalization <strong>an</strong>d hybridity,<br />

a sociological <strong>an</strong>alysis demonstrates that <strong>the</strong> territorial <strong>an</strong>d particularly <strong>the</strong> national<br />

determin<strong>an</strong>ts remain particularly strong. His current research focus on <strong>the</strong> international<br />

movements of m<strong>an</strong>y visual artists towards <strong>the</strong> strongest cities in <strong>the</strong> contemporary art<br />

field. He is also undertaking a research on <strong>the</strong> New York galleries (especially on <strong>the</strong> role<br />

of women), on visitor studies <strong>an</strong>d on <strong>the</strong> sociology of <strong>the</strong> works of art.<br />

Bibliography<br />

Montrer une collection internationale d’art contemporain . La part des différents pays<br />

sur les cimaises du Centre Pompidou, Editions du Centre Georges Pompidou, 2007<br />

Trente <strong>an</strong>s d’enquête sur les publics du centre Georges Pompidou (contribution à ouvrage<br />

collectif), Editions du Centre Georges Pompidou, 2007<br />

L’art contemporain international. Entre les institutions et le marché, Editions Jacqueline<br />

Chambon/Artprice, 2002

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