Serena Porrati - Fondazione Antonio Ratti
Serena Porrati - Fondazione Antonio Ratti
Serena Porrati - Fondazione Antonio Ratti
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<strong>Serena</strong> <strong>Porrati</strong><br />
PORTFOLIO Marzo 2012<br />
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Perception of the natural environment is led by cultural, economic and symbolic ideas. I am interested in all<br />
forms of non-human life; wild forms or elements that co-exist, interact or interfere with this mechanism. I consider<br />
them important phenomenon hidden by our contemporary culture, therefore a compelling area of study.<br />
My research if focused on small side aspects and elements of the environment we live in in order to deconstruct<br />
or simply undermine the symbolic ‘orders’ of civilization. I would like to develop “mechanism of vision” able to<br />
generate unconventional ways to distinguish information from physical reality. The overall aim of my research<br />
is to expand or destroy the idea of nature, highlighting the animal in the human and creating multiple suggestions<br />
to re-interpret existence.<br />
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Selected works 2007-2012
INDEX<br />
Patterns of decay and dissolution<br />
Nietzsche in Turin<br />
L’impero del sole<br />
Faccio fatica, a volte a vivere da anarchico. (the Pytolacca series)<br />
Belvedere<br />
Snow balls<br />
Explorers<br />
Se siete abbastanza vicini per vedere, siete troppo vicini per evitarla<br />
Inexpressible island<br />
Con temporary hills<br />
Babylon<br />
Beyond nature<br />
CV
PATTERNS OF DECAY AND DISSOLUTION<br />
b/n S8mm film r/t 9’17<br />
In winter, fibrous flowering plants dry up and progressively fall toward the ground. This decaying process generates temporary and segmented<br />
shapes, made of tangled stems that stand out with their complexity. The film is made of a few sequences where both frame and camera movements<br />
are dictated by the trail of these short-term structures. The film is an implied manifestation of the invisible forces that generate the landscape. This<br />
work was influenced by Johannes Weigelt and his research on Taphonomy, the study of how organisms decay and become entombed.
PATTERNS OF DECAY AND DISSOLUTION still frames
NIETZSCHE IN TURIN<br />
2010-today, archive projet<br />
http://nietzscheinturin.tumblr.com/<br />
For over a year I had been examining local newspapers and free presses looking for images, chronicles and advertising that arise the “nature versus<br />
culture” dilemma or dichotomy. This collection is displayed in two formats: an open on-line database and a wall installation. Trough this process<br />
I render social perception of the environment and convey how experience of nature is deeply mediated by culture. This archive re-think humanity<br />
as an element of the physical world and embodies contrasting feeling of wanting to be with humans but also outside civilization; to be detached<br />
from it in order to deconstruct it. The title “Nietzsche in Turin” recalls the anecdote of January 3, 1889, when Nietzsche witnessed the whipping<br />
of a horse at the other end of the Piazza Carlo Alberto, ran to the horse, threw his arms up around its neck to protect it, and then collapsed to<br />
the ground.
L’ IMPERO DEL SOLE<br />
2011 series of 6 bas-reliefs 18x15<br />
The bas-reliefs were made in a local wood-carver shop during a residency in the Alps. For one month the sky had always been overcast. However the rays of sunlight passed<br />
sometimes through the clouds lighting the slopes. The closed forms represented are an intimate analysis of this phenomenon of the landscape. The series is currently displayed<br />
in the sculptor’s shop.
L”IMPERO DEL SOLE details
FACCIO FATICA, A VOLTE A VIVERE DA ANARCHICO (THE PHYTOLACCA SERIES)<br />
2011, series of 7 steel sculptures, variable dimensions, installation view<br />
The steel sculptures investigate the idea of decline. Social decline indicate a change over time from previously efficient to inefficient organizational<br />
functioning, from previously rational to non-rational organizational and individual decision-making, from previously law-abiding to law violating<br />
organizational and individual behavior. Decline is also an innate process, essence of every natural living thing. From a distance in time and space,<br />
the decline is a permanent condition that regenerate every form of matter.
FACCIO FATICA, A VOLTE A VIVERE DA ANARCHICO The Phytolacca Series<br />
installation views
BELVEDERE<br />
2011 site-specific installation, night video-projection on a wood-crafted screen<br />
A massive projection on a wooden screen is built on the mountain slope beside a waterfall. It shows magnified biomorphic forms and mysterious<br />
botanical creatures. It is a sculpture collection made by a mountaineer carver. Symmetrical and harmonious compositions, visually striking are<br />
framed by the diagetic and concrete sound of the waterfall. The installation create a speech where the environment becomes representation and<br />
vice versa.
BELVEDERE still frames
SNOW BALLS<br />
2008-2011, artist book reproduced on 20 slides<br />
Sex is a physiological and primordial practice that humans have in common with non human animals. I asked twenty friends to write a description<br />
of open air places where they engaged in a sexual experience. Each page contains a story. The book is a collage of fragile memories, a collection of<br />
blurred images, environment details that recall a primitive approach to life. It makes me imagine what animals see when they make love.
SNOW BALLS book details
EXPLORERS (ENTERING TERRA INCOGNITA)<br />
2011 S8mm film, r/t 4’59”<br />
For one entire day on the beach I filmed the very moment in which people approach and dive into the sea water. The work depicts human innate<br />
attraction to nature but also his fear / lack of confidence for the unknown.<br />
Western symbolic culture struggles to deal with the imponderable, the invisible and the absolute forces around us, however it is an action that<br />
each individual unconsciously does every day.
EXPLORERS (ENTERING TERRA INCOGNITA) still frames
SE SIETE ABBASTANZA VICINI PER VEDERE, SIETE TROPPO VICINI PER EVITARLA<br />
2011 public sculpture, rain water and clayey soil<br />
In the wooden area where I live heavy rainfall generates puddles that last for weeks. The mud under the water becomes soft and malleable like clay.<br />
I collected and raised this matter with my hands to create a geometric presence that stands in the middle. The sculpture is accessible to all however<br />
it will last depending on the weather conditions.
INEXPRESSIBLE ISLAND<br />
2010, S8 mm film on digital, r/t 10’<br />
I shot these sequences travelling trough Arizona, and New Mexico. I imagined the film as a journey diary. The film is recorded at slow speed, each<br />
scene lasting just a few frames. The resulting piece is an in-camera edited film composed by chaotic flow of flashing images and glimpses. Even<br />
though the human figures are almost absent, the scenes are characterized by a constant presence of man-made objects. They all recall the human idea<br />
of nature and the human daily dealing with wild entities; cultural approaches that have economic and social implications. The work takes its name<br />
from the extremely rocky island in the Antarctic, a place known to be one of the most isolated and unwelcoming places on earth for humans.
INEXPRESSIBLE ISLAND still frames
CON TEMPORARY HILLS<br />
2010-2012, series of 80 b/n digital photographs<br />
Temporary-hills rise from the ground as signs of the ongoing human activity of land-use and landscape moulding.<br />
These small or wide man-made forms, inadvertently become islands of biodiversity, habitat for a fast-growing vegetation; a possibility for the city<br />
wilderness to thrive. They originate and last for weeks, months or years, depending on the economy of the territory or local political implications.<br />
They eventually become a recurring but not codified element of whatsoever urban landscape. Their simple shapes, always different, suggest an idyllic,<br />
ancestral landscape.
CON TEMPORARY HILLS selection from the series
BABYLON<br />
2010 video color, miniDV, r/t 15”<br />
www.landscapingbackward.blogspot.com<br />
A home based documentary set in the post-industrial/post-agricultural landscape of Milan suburbs. The rural scenes are mixed to a series of portraits<br />
and interviews that highlight inhabitants everyday life and their relation with a changing natural environment. The documentary is set in a wild<br />
wood area that will be removed to build a road.
BABYLON still frames
BEYOND NATURE<br />
2007, 8 and S8mm films on digital video,<br />
r/t 15’30’’ integral version, 4’40” trailer<br />
Beyond Nature is an assemblage of sequences and fragments selected from old “found” family movies filmed from the 1950s through the ’80s,<br />
in European, American, and South American locations. The original Super8 and 8mm films have been converted into a digital format and cut<br />
and edited into a collage that re-frames each shot almost denying the human presence. The resulting piece foregrounds the natural landscape<br />
in which they were originally filmed. The edited images assume the form of a journey which is not simply a compilation of landscapes, but a<br />
representation of the possibilities that reside within human ideas of landscape. The film portrays a passage through the idea of a territory; a place<br />
that is real and “documented” but at the same time virtual, because it exists in the past and in vanishing memories. In this sense, even though<br />
the film is dominated by “nature,” it is totally permeated with human essence.
BEYOND NATURE still frames
SERENA PORRATI<br />
Born in 1981, Milan, IT<br />
Mail: serena.porrati@gmail.com<br />
T:+39.329.67 13 258<br />
www.serenaporrati.com<br />
E D U C A T I O N<br />
2011 MA Art and Science, Central St.Martins (currently enrolled).<br />
2007 Reciprocity student at the University of California San Diego, MFA program.<br />
2007 Second level degree in “Art and New Technologies” at the Academy of Fine Arts of Brera, Milan.<br />
2004 Graduation “Fine Art” at the Academy of Fine Arts of Brera, Milan.<br />
2002 Academic Semester c/o Staatliche Akademie der Bildende Kunste Stuttgart, Germany.<br />
W O R K S H O P S<br />
2011 Defauld Masterclass in Residence: on art, cities and regeneration curated by AGM culture<br />
and Ramdom association, Lecce.<br />
2011 Alberto Garutti “Milano e Oltre: creatività giovanile verso nuove ecologie urbane” Bovisa, Milan.<br />
2011 Andrea Carretto e Raffaella Spagna “Aperto 2011_Art on the Border”, Ponte di Legno, BG.<br />
2007 Lev Manovich “Visualizing Cultures” San Diego, CA<br />
2007 “The Object” Haim Sainback, C/O MFA visual art facilty, UCSD, San Diego, CA<br />
2007 Herryet Dodge Khann “Media and Filming” C/O MFA visual art facilty, UCSD, San Diego, CA<br />
2006 Alberto Grifi, Brera Art and new Technologies department, Milan.<br />
2004 “Visual, Sound and Comunication Design” workshop c/o Domus Academy of Milan.<br />
S O L O E X H I B I T I O N S<br />
2011 “Faccio fatica, a volte, a vivere da anarchico”, Senzatitolo Gallery, Rome.<br />
2002 “La Materia del tempo” curated by Ken Damy, Museo of contemporary photography, Brescia.<br />
M A I N G R O U P E X H I B I T I O N S<br />
2011 “Aperto 2011_Art on the Border”, Ponte di Legno, BG.<br />
2011 “The Wall (Archives)” curted by Pietro Gagliano’ e Giusy Ferrero, Archiviazioni, Lecce
2011 “Next Stop Bovisa” in occasion of Milano e Oltre, curated by Connecting Cultures, Milan.<br />
2011 XV Bjcem, the 15th “Biennale de la Mediterranée” Thessalonki.<br />
2010 ”Good Luck vs. Bad Luck” curated by ZERO Istanbul, “Ap(art)man No.3, Istambul<br />
2010 “Casabianca” curated by Anteo Radovan, Zola Pedrosa, BO.<br />
2009 “La seconda luna”, curated by Carola Bonfili and Denis Isaia, ex Municipio, Laives, BZ.<br />
2009 “Moving Lines, Art at the boundaries of mobility”, Künstlerkreis Ortenau, Galerie in Artforum,<br />
Offenburg.<br />
2008 “Video REPORT ITALIA” 2006_07 GC.AC, curated by Andrea Bruciati, Galleria d’Arte<br />
Contemporanea, Monfalcone, GO.<br />
2008 “Take a deep breath” curated by Francesca Referza, Spoltorensemble 2008,<br />
XXVI edition, Spoltore PE.<br />
2008 “Day Return ticket”, curated by Francesca Referza and Massimo Arioli, Galleria Senzatitolo, Rome.<br />
2007 Exhibition of the first international photography prize MoCA “Arte Laguna”, curated by Igor Zanti, Brolo Centro<br />
D’Arte e Cultura di Mogliano Veneto, TV.<br />
2007 Open studios, Visual Art Department, UCSD<br />
2006 Biennial of Photography “International Exhibition of Photography, new generations, curated by Ken Damy, Brescia.<br />
2004 “Salon 1° 2004” 150 students of Brera, Museo della Permanente, Milan.<br />
2004 “Il sacro” collective young artists, curated by Angela Madesani e Andrea dall’Asta, Galleria S.fedele, Milan.<br />
2003 “Platform n.01” from (from the Biennial of) Athens to Venice, Teatro Fondamenta Nuove, Venice.<br />
2003 “Biennial Young people artists of Europe of the Mediterranean”, BJCM, XI Edition, Athens.<br />
2002 “Officine02” curated by Ken Damy, Mole Vanvitelliana, Ancona.<br />
2002 “Premio Tenchio”, spazio ex Ticosa, Como. (First prize)<br />
2002 “Brend New Talent” URBAN ART c/o Palazzina Liberty, Milan.<br />
2002 “Sommer Austellung 2002” curated by Chris Newman c/o Staatliche Akademie der Bildende Kunste<br />
Stuttgart, Germany.<br />
S C R E E N I N G S<br />
2012 “Artists’ Shorts. An Unfinished World” Modern Art Oxford, Selected by Coron Kelly, Emily Smith and Melanie Pocock<br />
2012 “Is It Really Now?” A cura di Dario Bonetta, Artra Gallery, Milan.<br />
2010 Milano Noir e Giald book, c/o La Fabbrica del Vapore, Milan.<br />
2010 “Risvegli” curated by Agenzia x Milan, Parco comunale, Cassolnovo, MI.
2010 “Viaggi in immagini” curated by Francesda di Nardo, ex carcere delle murate, Florence.<br />
2010 “Meeting Place” curated by Carlo Cislaghi Giardini del chiostro di Santa Chiara,Termini Merese.<br />
2009 “Cox noir e giald, dodici variazioni del nero” curated by Agenzia XC.S.O.A.COX18, Milano.<br />
2008 “Clouds of sounds inner park” curated by Andrea Lissoni, Fair_Play film and video award, Cinema Lux Lugano<br />
2008 “Day Return Ticket” by Massimo Airoli e Referza Francesca, Galleria Senzatitolo, Rome.<br />
2007 “Filmmaker Doc12” International Film Festival, Paesaggi Umani session, Spazio Oberdan, Milan.<br />
2007 “CINEMI Lunghi, corti, cortissimi, documentari e animazione” curated by Francesco Ballo,<br />
Fabbrica del Vapore, Milan.<br />
2007 “Open Studios”, MFA building facilities, University of California San Diego, San Diego. CA.<br />
P R E S S / I N T E R V I E W S<br />
- “Ultime da Viafarini DOCVA” Milovan Farronato, Artribune n.3 November-December 2011<br />
- “Hic sunt leones” Pericle Guaglianone, Artribune n.3 November-December 2011<br />
- “Unleaded arte contemporanea” interview by Francesca Referza, You Dem TV July 2009<br />
- “Piante disturbate” by Valeria Cerambolini, Tutto Milano, Repubblica, November 2007<br />
- “L’altro lato”, intrview by Claudia Ceroni, Rai RadioDue, May 2009