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B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of

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c<br />

Michael combs<br />

Sculptor<br />

educAtion: BFA, <strong>MFA</strong>, <strong>School</strong> <strong>of</strong> Visual Arts<br />

one-person exhiBitions include: Parrish Art Museum,<br />

Southampton, NY; Salomon Contemporary, East Hampton, NY;<br />

Art Dubai, United Arab Emirates<br />

group exhiBitions include: James Cohan Gallery; Rose Art<br />

Museum, Brandeis University, Waltham, MA; Nicole Klagsbrun<br />

Gallery; Exit Art<br />

collections include: 21c Museum, Marianne Boesky Gallery<br />

puBlicAtions include: The New York Times, The New Yorker,<br />

Artforum, Sculpture, ARTnews, Newsday<br />

weBsite: www. combssculpture.com<br />

henrietta condak<br />

Art director; designer; principal, Condak Design<br />

educAtion: The Cooper Union<br />

puBlicAtions include: Graphis, Eye, Art Direction, Print,<br />

Communication Arts<br />

AwArds include: Gold and silver awards, Art Directors Club;<br />

Society <strong>of</strong> Illustrators; AIGA<br />

Michele c. cone<br />

Art historian, writer<br />

educAtion: BA, Bryn Mawr College; MA, Institut d’Art et<br />

d’Archeologie, Sorbonne; PhD, New York University<br />

Books include: French Modernisms: Perspectives on Art Before,<br />

During, and After Vichy; The Roots and Routes <strong>of</strong> Art in the<br />

20th Century; Artists Under Vichy<br />

puBlicAtions include: ARTnews, Art Criticism, Art Press,<br />

Art Bulletin, Art in America, Telos, artnet<br />

Michael J. connor<br />

Curator. Formerly, curator, FACT, Liverpool; head <strong>of</strong> exhibitions,<br />

British Film Institute<br />

educAtion: BA, with honors, University <strong>of</strong> North Carolina,<br />

Chapel Hill<br />

curAtoriAl projects include: “Tiny, Funny, Big and Sad,”<br />

British Film Institute; “Screen Worlds,” Australian Centre for the<br />

Moving Image, Melbourne; “1001 Nights,” Postmasters Gallery;<br />

“The New Normal,” Independent Curators International/Artists<br />

Space; “JODI: Computing 101B,” “Welcome to the Infinite Fill<br />

Zone,” FACT<br />

puBlicAtions include: RealTime, Austin Chronicle, alternet.org.<br />

Exhibition catalogs include: DIVE; The New Normal; JODI:<br />

Computing 101B; Marina Zurkow<br />

Wade convay<br />

Creative director, R/GA. Formerly art director, Number Seventeen;<br />

designer, Concrete Communications<br />

educAtion: Diploma, with distinction, Conestoga College; BFA,<br />

with honors, Art Center College <strong>of</strong> Design<br />

clients hAve included: Barnes & Noble; Walmart; Colors;<br />

Melcher Media; Nike; Panasonic; Wieden + Kennedy, Tokyo Lab;<br />

Bluelounge<br />

AwArds And honors include: Gold Award, Art Directors Club;<br />

gold, silver and bronze awards, The One Show Interactive; gold, silver<br />

and bronze awards, CLIO Interactive; silver and titanium<br />

awards, Cannes Lions; Webby; ANDY<br />

andrew cooks<br />

Fine artist<br />

educAtion: <strong>MFA</strong>, Victorian College <strong>of</strong> the Arts<br />

one-person exhiBitions include: Jewish Museum <strong>of</strong> Australia,<br />

Melbourne; Jenny Port Gallery, Melbourne; FMK Gallery, Budapest<br />

Herring Island Environmental Sculpture Park and Gallery, Melbourne<br />

group exhiBitions include: Wave Hill; National Academy<br />

Museum <strong>of</strong> Design; International Print Biennale, Sapporo; Institute<br />

<strong>of</strong> Modern Art, Brisbane; McGrath Gallery; Liget Galeria, Krakow<br />

collections include: National Gallery <strong>of</strong> Victoria; Arena<br />

Collection, Vienna; Topper Institute<br />

AwArds And honors include: Hungarian Ministry <strong>of</strong> Culture<br />

and Education; Australia Council; Dyring Award, Art Gallery <strong>of</strong><br />

N.S.W., Sydney. Artist residencies include: Agora am Donaukanal;<br />

Cité Internationale des Arts, Paris; Hungarian Academy <strong>of</strong> Fine<br />

Arts, Budapest; Victorian Tapestry Workshop<br />

weBsite: www.andrew-cooks.com<br />

Mark corotan<br />

Art director, computer graphics artist, Curious Pictures; animator.<br />

Formerly, lead animation designer, R/GA<br />

educAtion: BFA, <strong>School</strong> <strong>of</strong> Visual Arts<br />

clients include: Nokia, Nike, Subaru, Verizon<br />

film festivAls include: Anima, MetroCAF<br />

puBlicAtions include: Exposé 2, Corel Painter Official<br />

Magazine<br />

AwArds include: First Place, fine arts, Philippine National<br />

Science Society<br />

weBsite: www.sundang.com<br />

Rodrigo corral<br />

Graphic designer<br />

educAtion: BFA, <strong>School</strong> <strong>of</strong> Visual Arts<br />

clients include: W.W. Norton, Random House, Simon &<br />

Schuster, Bantam Doubleday, Kemado Records, World Bar, Four<br />

Seasons, St. Francis Wine<br />

puBlicAtions include: Critique, How, Abitare, The New York<br />

Times, Print, Communication Graphics, Entertainment Weekly<br />

AwArds And honors include: Art Directors Club Young Guns,<br />

New York Bookbinders Guild, American Center for Design, AIGA<br />

50 Books/50 Covers<br />

Dave cortés<br />

President, art director, Inu Art. Formerly, sculptor, McFarlane Toys<br />

clients include: Marvel Toys, ToyBiz, DC Comics, Hasbro,<br />

Fischer-Price, Mezco Toyz<br />

puBlicAtions include: The New York Times<br />

Grace cosgrove<br />

Editor, producer, director, singer, songwriter. Formerly, principal<br />

editor, 48 Hours<br />

educAtion: BA, University <strong>of</strong> California, Los Angeles<br />

film projects include: The Anthem Project<br />

television projects include: CBS Sunday Morning; CBS<br />

Evening News; Edward R. Murrow: Voice <strong>of</strong> America; sound, picture<br />

editor, Katharine Graham: Pillar <strong>of</strong> the Post<br />

clients include: Travel Channel, Williams Sonoma, Firehouse<br />

Films, Lifetime, Syfy<br />

46 • the faculty 2011 www.sva.edu

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