B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
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Michael combs<br />
Sculptor<br />
educAtion: BFA, <strong>MFA</strong>, <strong>School</strong> <strong>of</strong> Visual Arts<br />
one-person exhiBitions include: Parrish Art Museum,<br />
Southampton, NY; Salomon Contemporary, East Hampton, NY;<br />
Art Dubai, United Arab Emirates<br />
group exhiBitions include: James Cohan Gallery; Rose Art<br />
Museum, Brandeis University, Waltham, MA; Nicole Klagsbrun<br />
Gallery; Exit Art<br />
collections include: 21c Museum, Marianne Boesky Gallery<br />
puBlicAtions include: The New York Times, The New Yorker,<br />
Artforum, Sculpture, ARTnews, Newsday<br />
weBsite: www. combssculpture.com<br />
henrietta condak<br />
Art director; designer; principal, Condak Design<br />
educAtion: The Cooper Union<br />
puBlicAtions include: Graphis, Eye, Art Direction, Print,<br />
Communication Arts<br />
AwArds include: Gold and silver awards, Art Directors Club;<br />
Society <strong>of</strong> Illustrators; AIGA<br />
Michele c. cone<br />
Art historian, writer<br />
educAtion: BA, Bryn Mawr College; MA, Institut d’Art et<br />
d’Archeologie, Sorbonne; PhD, New York University<br />
Books include: French Modernisms: Perspectives on Art Before,<br />
During, and After Vichy; The Roots and Routes <strong>of</strong> Art in the<br />
20th Century; Artists Under Vichy<br />
puBlicAtions include: ARTnews, Art Criticism, Art Press,<br />
Art Bulletin, Art in America, Telos, artnet<br />
Michael J. connor<br />
Curator. Formerly, curator, FACT, Liverpool; head <strong>of</strong> exhibitions,<br />
British Film Institute<br />
educAtion: BA, with honors, University <strong>of</strong> North Carolina,<br />
Chapel Hill<br />
curAtoriAl projects include: “Tiny, Funny, Big and Sad,”<br />
British Film Institute; “Screen Worlds,” Australian Centre for the<br />
Moving Image, Melbourne; “1001 Nights,” Postmasters Gallery;<br />
“The New Normal,” Independent Curators International/Artists<br />
Space; “JODI: Computing 101B,” “Welcome to the Infinite Fill<br />
Zone,” FACT<br />
puBlicAtions include: RealTime, Austin Chronicle, alternet.org.<br />
Exhibition catalogs include: DIVE; The New Normal; JODI:<br />
Computing 101B; Marina Zurkow<br />
Wade convay<br />
Creative director, R/GA. Formerly art director, Number Seventeen;<br />
designer, Concrete Communications<br />
educAtion: Diploma, with distinction, Conestoga College; BFA,<br />
with honors, Art Center College <strong>of</strong> Design<br />
clients hAve included: Barnes & Noble; Walmart; Colors;<br />
Melcher Media; Nike; Panasonic; Wieden + Kennedy, Tokyo Lab;<br />
Bluelounge<br />
AwArds And honors include: Gold Award, Art Directors Club;<br />
gold, silver and bronze awards, The One Show Interactive; gold, silver<br />
and bronze awards, CLIO Interactive; silver and titanium<br />
awards, Cannes Lions; Webby; ANDY<br />
andrew cooks<br />
Fine artist<br />
educAtion: <strong>MFA</strong>, Victorian College <strong>of</strong> the Arts<br />
one-person exhiBitions include: Jewish Museum <strong>of</strong> Australia,<br />
Melbourne; Jenny Port Gallery, Melbourne; FMK Gallery, Budapest<br />
Herring Island Environmental Sculpture Park and Gallery, Melbourne<br />
group exhiBitions include: Wave Hill; National Academy<br />
Museum <strong>of</strong> Design; International Print Biennale, Sapporo; Institute<br />
<strong>of</strong> Modern Art, Brisbane; McGrath Gallery; Liget Galeria, Krakow<br />
collections include: National Gallery <strong>of</strong> Victoria; Arena<br />
Collection, Vienna; Topper Institute<br />
AwArds And honors include: Hungarian Ministry <strong>of</strong> Culture<br />
and Education; Australia Council; Dyring Award, Art Gallery <strong>of</strong><br />
N.S.W., Sydney. Artist residencies include: Agora am Donaukanal;<br />
Cité Internationale des Arts, Paris; Hungarian Academy <strong>of</strong> Fine<br />
Arts, Budapest; Victorian Tapestry Workshop<br />
weBsite: www.andrew-cooks.com<br />
Mark corotan<br />
Art director, computer graphics artist, Curious Pictures; animator.<br />
Formerly, lead animation designer, R/GA<br />
educAtion: BFA, <strong>School</strong> <strong>of</strong> Visual Arts<br />
clients include: Nokia, Nike, Subaru, Verizon<br />
film festivAls include: Anima, MetroCAF<br />
puBlicAtions include: Exposé 2, Corel Painter Official<br />
Magazine<br />
AwArds include: First Place, fine arts, Philippine National<br />
Science Society<br />
weBsite: www.sundang.com<br />
Rodrigo corral<br />
Graphic designer<br />
educAtion: BFA, <strong>School</strong> <strong>of</strong> Visual Arts<br />
clients include: W.W. Norton, Random House, Simon &<br />
Schuster, Bantam Doubleday, Kemado Records, World Bar, Four<br />
Seasons, St. Francis Wine<br />
puBlicAtions include: Critique, How, Abitare, The New York<br />
Times, Print, Communication Graphics, Entertainment Weekly<br />
AwArds And honors include: Art Directors Club Young Guns,<br />
New York Bookbinders Guild, American Center for Design, AIGA<br />
50 Books/50 Covers<br />
Dave cortés<br />
President, art director, Inu Art. Formerly, sculptor, McFarlane Toys<br />
clients include: Marvel Toys, ToyBiz, DC Comics, Hasbro,<br />
Fischer-Price, Mezco Toyz<br />
puBlicAtions include: The New York Times<br />
Grace cosgrove<br />
Editor, producer, director, singer, songwriter. Formerly, principal<br />
editor, 48 Hours<br />
educAtion: BA, University <strong>of</strong> California, Los Angeles<br />
film projects include: The Anthem Project<br />
television projects include: CBS Sunday Morning; CBS<br />
Evening News; Edward R. Murrow: Voice <strong>of</strong> America; sound, picture<br />
editor, Katharine Graham: Pillar <strong>of</strong> the Post<br />
clients include: Travel Channel, Williams Sonoma, Firehouse<br />
Films, Lifetime, Syfy<br />
46 • the faculty 2011 www.sva.edu