B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
B - SVA MFA INTERACTION DESIGN- THESIS SYLLABUS - School of
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Joe Marianek<br />
Graphic designer, Pentagram<br />
educAtion: BFA, Rhode Island <strong>School</strong> <strong>of</strong> Design<br />
clients include: Wolters Kluwer, Harmony Pharmacy, Citigroup,<br />
Friends <strong>of</strong> the High Line, Polshek Partnership Architects, Cleveland<br />
Clinic<br />
puBlicAtions include: I.D., Art <strong>of</strong> the Book, New Masters <strong>of</strong><br />
Poster Design<br />
AwArds include: Print, Type Directors Club<br />
Jack Mariucci<br />
Executive vice president, executive creative director, DDB Needham,<br />
New York<br />
educAtion: San Francisco Academy <strong>of</strong> Art<br />
Accounts include: Michelin, Avis, Bulova, Hershey’s, Volkswagen,<br />
Weight Watchers, Citicorp, Nabisco, Polaroid, IBM, Sony, American<br />
Tourister, Clairol, Seagram<br />
AwArds include: Gold and silver awards, Art Directors Club;<br />
Gold Award, Effie; Stephen E. Kelly Award<br />
Gerald Marks<br />
Video director, printmaker, digital artist<br />
educAtion: Columbia University, studied with Vladimir<br />
Ussachevsky<br />
printed editions for: Andy Warhol, Marisol, Robert Indiana,<br />
Helen Frankenthaller, Roy Lichtenstein, Alan D’Arcangelo, Red<br />
Grooms, Tibor de Nagy Gallery, Leo Castelli Gallery<br />
clients include: Sony, Atlantic Records, American<br />
Cinematographer, Metropolitan Transit Authority, The Rolling<br />
Stones, Scholastic, Nashville Ballet<br />
exhiBitions include: Sony ExploraScience, Beijing; New York<br />
Hall <strong>of</strong> Science; American Museum <strong>of</strong> Natural History; Alternative<br />
Museum<br />
AwArds And honors include: Visiting scholar, Spatial Imaging<br />
Group, Massachusetts Institute <strong>of</strong> Technology; Public Theater/New<br />
York Shakespeare Festival. Artist residencies: Mid-American Science<br />
Museum, Exploratorium<br />
MaryJo Marks<br />
Art historian. Formerly, assistant director, Leo Castelli Gallery<br />
educAtion: BA, Yale University; PhD, CUNY Graduate Center<br />
Ruth Marshall<br />
Fine artist<br />
educAtion: BFA, Royal Melbourne Institute <strong>of</strong> Technology, Australia;<br />
<strong>MFA</strong>, Pratt Institute<br />
one-person exhiBitions include: Dam, Stuhltrager Gallery; Art<br />
Under Construction; University <strong>of</strong> Maine Museum <strong>of</strong> Art, Bangor<br />
group exhiBitions include: Contemporary Istanbul Art Fair;<br />
Hunterdon Art Museum, Clinton, NJ; Scottsdale Museum <strong>of</strong><br />
Contemporary Art, AZ; San Jose Museum, CA; Rupert Ravens<br />
Contemporary, Newark, NJ; Slick Art Fair; Longwood Art Gallery;<br />
Museum <strong>of</strong> Arts and Design; Scope Art Fair; Bridge Art Fair; Indiana<br />
State Museum, Indianapolis; Massachusetts College <strong>of</strong> Art and<br />
Design; Textile Museum, Washington, DC<br />
collections include: Brooklyn Museum, Columbia University,<br />
Yale University<br />
puBlicAtions include: Surface Design Journal, Yarn, The New<br />
York Times, coolhunting.com, Craft Activism, NY Arts<br />
AwArds include: Anne & Gordon Samstag International Visual<br />
Arts Scholarship; BRIO Award, Bronx Council on the Arts<br />
Micaela Martegani<br />
Curator; writer; founder, director, moreart.org<br />
educAtion: Laurea in Storia dell’ Arte, Universitá del Sacro Cuore,<br />
Milan; MA, New York University<br />
puBlicAtions include: Abitare, Tema Celeste, Arte In (Venice),<br />
D’Ars (Milan), La Provincia, Juliet<br />
curAtoriAl works include: “Costantino Nivola in Springs,”<br />
Parrish Art Museum, Southampton, NY; “The Italian Metamorphosis,”<br />
Solomon R. Guggenheim Museum; “Art Creates Communities: Project<br />
in Chelsea,” The Bohen Foundation; “Rewarding Lives: An Exhibition<br />
<strong>of</strong> Timeless Photographs,” American Express Headquarters<br />
AwArd: Lila Acheson Wallace Fellowship<br />
Gina Marten<br />
Editor<br />
educAtion: BA, MA, CCNY<br />
presentAtions include: “Student Writers as Language Codebook<br />
Authors,” CUNY Association <strong>of</strong> Writing Supervisors, Borough <strong>of</strong><br />
Manhattan Community College; “Needs <strong>of</strong> Writers in the Social<br />
Sciences,” Tutor Development Workshop, CCNY; “Magnetic Poetry<br />
and the Teaching <strong>of</strong> Grammar,” Faculty Development Workshop,<br />
CCNY<br />
Ruth Marten<br />
Illustrator, fine artist, tattooist<br />
educAtion: Diploma, <strong>School</strong> <strong>of</strong> the Museum <strong>of</strong> Fine Arts, Boston<br />
clients include: Alfred A. Knopf; St. Martin’s Press; Simon &<br />
Schuster, Inc.; Time; Doubleday; HarperCollins; Vogue; Bergdorf<br />
Goodman; Sony; Bertelsmann; Tommy Boy Records; Ferragamo;<br />
Bloomingdale’s<br />
one-person exhiBitions include: Isis Gallery, London; Adam<br />
Baumgold Gallery; Littlejohn Contemporary<br />
group exhiBitions include: Hosfelt Gallery; Adam Baumgold<br />
Gallery; Tang Museum, Skidmore College, Saratoga Springs, NY;<br />
John Michael Kohler Art Center, Sheboygan, WI; Aldrich<br />
Contemporary Art Museum, Ridgefield, CT; Bellwether Gallery;<br />
Revolution Gallery, Ferndale, MI; Collection Lambert, Avignon,<br />
France; Palo Alto Art Center, CA<br />
collections include: Saatchi Collection, M.H. de Young<br />
Memorial Museum<br />
Author: Histoire un-Naturelle<br />
puBlicAtions include: Town & Country, Money, The New<br />
Yorker, Forbes, Time, Vogue, Juxtapoz, New York magazine,<br />
Paper, Art in America; contributor, Paul Klee and the Decorative in<br />
Modern Art; Tenderheaded<br />
AwArds include: Anonymous Was a Women, Augustus Saint-<br />
Gaudens Medal<br />
97 • the faculty 2011 www.sva.edu
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