Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
Chapters 44-95 - Germanic Mythology
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Veit hún Heimdallar<br />
hljóð um fólgið<br />
undir heiðvönum<br />
helgum baðmi.<br />
She knows Heimdall's<br />
hearing is hidden<br />
beneath the bright-accustomed<br />
holy tree.<br />
Near one of the mead-cisterns in the lower world, Gorm's men see a horn<br />
ornamented with pictures and flashing with precious stones.<br />
Among the treasures taken care of by Mimir is the world's foremost sword and a<br />
wonderful arm-ring, smithied by the same master as made the sword (see Nos. 87, 98,<br />
101). 1 Near the gorgeous horn, Gorm's men see a gold-plated tooth of an animal and an<br />
arm-ring. The animal tooth becomes a sword when it is taken into the hand. 2 Nearby is<br />
treasury filled with a large number of weapons and a royal robe. Mimir is known in<br />
mythology as a collector of treasures. He is therefore called Hoddmímir, Hoddrofnir,<br />
Baugreginn. 3<br />
Thus, on their journeys in the lower world, Gorm and his men have seen not only<br />
Náströnd's place of punishment in Niflhel, but also the holy land, where Mimir reigns.<br />
When Gorm and his men desire to cross the golden bridge and see the wonders to<br />
which it leads, Gudmund prohibits it. When they desire to cross the river, in another place<br />
farther up, in order to see what is there beyond, he consents and has them taken over in a<br />
boat. He does not deem it proper to show them the unknown land at the golden bridge,<br />
but it is within the limits of his authority to let them see the places of punishment and<br />
those regions which contain the mead-cisterns and the treasure chambers. The sagas call<br />
him the king on the Glittering Plains, and as the Glittering Plains are situated in the lower<br />
world, he must be a lower world ruler.<br />
Two of the sagas, Helgi Thorisson's and Gorm's, cast a shadow on Gudmund's<br />
character. In the former, this shadow does not produce confusion or contradiction. The<br />
saga is a legend which represents Christianity, with Olaf Tryggvason as its apostle, in<br />
conflict with heathenism, represented by Gudmund. It is therefore natural that the latter<br />
cannot be presented in the most favorable light. With his prayers, Olaf destroys the<br />
happiness of Gudmund's daughter. He compels her to abandon her lover, and Gudmund,<br />
who is unable to take revenge in any other manner, tries to do so, as is the case with so<br />
many of the characters in saga and history, by treachery. This is demanded by the<br />
fundamental idea and tendency of the legend. What the author of the legend has heard<br />
about Gudmund's character from older sagamen, or what he has read in records, he does<br />
not, however, conceal with silence, but admits that Gudmund, aside from his heathen<br />
religion and grudge toward Olaf Tryggvason, was a man in whose home one might fare<br />
well and be happy.<br />
Saxo has preserved the shadow, but in his narrative it produces the greatest<br />
contradiction. Gudmund offers fruits, drinks, and embraces in order to induce his guests<br />
to remain with him forever, and he does it in a tempting manner and, as it seems, with<br />
1 The master being Völund.<br />
2 The word biti = a tooth (cp. bite) becomes in the composition leggbiti, the name of a sword.<br />
3 Hoddmímir, Hoddrofnir, Baugreginn, names of Mimir found in Vafþrúðnismál 45, Sigrdrífumál 13, and<br />
Sólarljód 56, respectively.