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Chapters 44-95 - Germanic Mythology

Chapters 44-95 - Germanic Mythology

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Veit hún Heimdallar<br />

hljóð um fólgið<br />

undir heiðvönum<br />

helgum baðmi.<br />

She knows Heimdall's<br />

hearing is hidden<br />

beneath the bright-accustomed<br />

holy tree.<br />

Near one of the mead-cisterns in the lower world, Gorm's men see a horn<br />

ornamented with pictures and flashing with precious stones.<br />

Among the treasures taken care of by Mimir is the world's foremost sword and a<br />

wonderful arm-ring, smithied by the same master as made the sword (see Nos. 87, 98,<br />

101). 1 Near the gorgeous horn, Gorm's men see a gold-plated tooth of an animal and an<br />

arm-ring. The animal tooth becomes a sword when it is taken into the hand. 2 Nearby is<br />

treasury filled with a large number of weapons and a royal robe. Mimir is known in<br />

mythology as a collector of treasures. He is therefore called Hoddmímir, Hoddrofnir,<br />

Baugreginn. 3<br />

Thus, on their journeys in the lower world, Gorm and his men have seen not only<br />

Náströnd's place of punishment in Niflhel, but also the holy land, where Mimir reigns.<br />

When Gorm and his men desire to cross the golden bridge and see the wonders to<br />

which it leads, Gudmund prohibits it. When they desire to cross the river, in another place<br />

farther up, in order to see what is there beyond, he consents and has them taken over in a<br />

boat. He does not deem it proper to show them the unknown land at the golden bridge,<br />

but it is within the limits of his authority to let them see the places of punishment and<br />

those regions which contain the mead-cisterns and the treasure chambers. The sagas call<br />

him the king on the Glittering Plains, and as the Glittering Plains are situated in the lower<br />

world, he must be a lower world ruler.<br />

Two of the sagas, Helgi Thorisson's and Gorm's, cast a shadow on Gudmund's<br />

character. In the former, this shadow does not produce confusion or contradiction. The<br />

saga is a legend which represents Christianity, with Olaf Tryggvason as its apostle, in<br />

conflict with heathenism, represented by Gudmund. It is therefore natural that the latter<br />

cannot be presented in the most favorable light. With his prayers, Olaf destroys the<br />

happiness of Gudmund's daughter. He compels her to abandon her lover, and Gudmund,<br />

who is unable to take revenge in any other manner, tries to do so, as is the case with so<br />

many of the characters in saga and history, by treachery. This is demanded by the<br />

fundamental idea and tendency of the legend. What the author of the legend has heard<br />

about Gudmund's character from older sagamen, or what he has read in records, he does<br />

not, however, conceal with silence, but admits that Gudmund, aside from his heathen<br />

religion and grudge toward Olaf Tryggvason, was a man in whose home one might fare<br />

well and be happy.<br />

Saxo has preserved the shadow, but in his narrative it produces the greatest<br />

contradiction. Gudmund offers fruits, drinks, and embraces in order to induce his guests<br />

to remain with him forever, and he does it in a tempting manner and, as it seems, with<br />

1 The master being Völund.<br />

2 The word biti = a tooth (cp. bite) becomes in the composition leggbiti, the name of a sword.<br />

3 Hoddmímir, Hoddrofnir, Baugreginn, names of Mimir found in Vafþrúðnismál 45, Sigrdrífumál 13, and<br />

Sólarljód 56, respectively.

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