the ocular harpsichord of louis-bertrand castel - Gewina

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76 Maarten Franssen Tieck, Ludwig [& Wackenroder, Wilhelm Heinrich], Phantasien iiber die Kunst, fiir Freunde der Kunst. Hamburg, 1799. Voltaire, Frangois-Marie Arouet, Elemens de la philosophie de Neuton, mis h la portee de tout le monde. Amsterdam, 1738. -, Correspondence. Theodor Besterman ed. 107 vols. Geneve: Institut & Mus6e Voltaire, 1953-1%5. Watelet, Claude-Henri, L'art de peindre. Poeme, avec des reflexions sur les differentes parties de la peinture. (1760) Nouvelle 6dition, augment6e de deux poemes sur l'art de peindre, de Mr. CA. du Fresnoy et de Mr, I'Abbd de Marsy. Amsterdam, 1761. SECONDARY LITERATURE Barry, Kevin, Language, music and the sign. A study in aesthetics, poetics and poetic practice from Collins to Coleridge. Cambridge: Cambridge University Press, 1987. Chouillet-Roche, Anne-Marie, "Le clavecin oculaire du Pere Castel," Dixhuiti^me Sikcle 8, 1976, 141-166. Erhardt-Siebold, Erika von, "Synasthesien in der englischen Dichtung des 19. Jahrhunderts. Ein asthetisch-psychologischer Versuch," Englische Studien 53, 1919-1920, 1-157 & 196-334. -, "Some inventions of the pre-Romantic period and their influence upon literature," Englische Studien 66, 1931-1932, 347-363. —, "Harmony of the senses in English, German, and French Romanticism," Publications of the Modem Language Association of America 47, 1932, 577- 592. Fischer, Ottokar, "Uber Verbindung von Farbe und Klang. Eine literarpsychologische Untersuchung," Zeitschrift fiir Asthetik und allgemeine Kunstwissenschaft 2, 1907, 501-534. Hakfoort, Casper, Optica in de eeuw van Euler. Opvattingen over de natuur van het licht, 1700-1795. Amsterdam: Rodopi, 1986. Neubauer, John, The emancipation of music from language. Departure from mimesis in eighteenth-century aesthetics. New Haven/London: Yale University Press, 1986. Schier, Donald S., Louis Bertrand Castel, anti-Newtonian scientist. Cedar Rapids, Iowa: The Torch Press, 1941. Topper, David, "Newton on the number of colours in the spectrum," Studies in History and Philosophy of Science 21, 1990, 269-279. Weliek, Albert, "Zur Geschichte und Kritik der Synasthesie-Forschung," Archiv fur die gesamte Psychologic 79, 1931, 325-284. -, "Renaissance- und Barock-Synasthesie. Die Geschichte des Doppelempfindens im 16. und 17. Jahrhundert," Deutsche Vierteljahrschrift fiir Literaturwis-
Castel's ocular harpsichord 77 senschaft und Geistesgeschichte 9, 1931, 534-584. -, "Farbenharmonie und Farbenklavier. Ihre Entstehungs-geschichte im 18. Jahrhundert," Archiv fiir die gesamte Psychologic 94, 1935, 347-375. -, "Das Doppelempfinden im 18. Jahrhundert," Deutsche Vierteljahrschrift fiir Literaturwissenschaft und Geistesgeschichte 14, 1936, 75-102.
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THE OCULAR HARPSICHORD OF LOUIS-BER
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Castel's ocular harpsichord 17 outs
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The first announcement of the ocula
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Castel's ocular harpsichord 21 perm
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Castel's ocular harpsichord 23 From
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Page 37 and 38: gcxDdbye to melody and harmony. Cas
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the ocular harpsichord of louis-bertrand castel - Gewina

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