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University Microfilms International - Arizona Campus Repository

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23<br />

made about the same time is . . . remarkably similar to The Batchelars<br />

Banquet" CP* xxxv). The translator of Les Quinze Joyes employed a method<br />

of translating similar to that which has already been described as<br />

Tofte's. "The Englishman adds as well as amplifies," says Wilson;<br />

"perhaps we should call him an adapter rather than a translator"<br />

Cp. xxi) . Although the evidence is too slight to assign The Batchelars<br />

Banquet to the Tofte canon without reservation, the subject matter of<br />

the French original and the style and method of the English translation<br />

support Wilson's tentative attribution.<br />

Following the publication of Ariosto's Satyres in 1608, Tofte's<br />

only verifiable published translation from French appeared in print.<br />

Honours Academie. Or the famous pastorall of the faire Shepheardesse,<br />

Julietta was published at London by Thomas Creede in 1610. 25<br />

The title<br />

page advertises that the book is "A worke admirable, and rare,<br />

Sententious and grave: and no lesse profitable; then pleasant to<br />

peruse. Wherein are many notable Discourses, as well as Philosophical1,<br />

as Divine: Most part of the Seven Liberall Sciences, being comprehended<br />

therein: with divers Comicall, and Tragicall Histories, in Prose, and<br />

Verse of all sorts."<br />

Honours Academie is without doubt Tofte's most ambitious effort,<br />

containing nearly 350 pages of text in a handsome folio edition. It is<br />

a complex and carefully prepared work, an industrious translation of<br />

Cinquiesme et Dernier Liure des Bergeries de Julliette, the fifth part of<br />

a long romance by Nicholas de Montreux published at Paris in 1598. 26<br />

The<br />

book is dedicated to Lady Anne Heme, wife of Sir Edward Herne; she was

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