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Allesandro Longo complied the most complete edition of Domenico ...

Allesandro Longo complied the most complete edition of Domenico ...

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one becomes aware <strong>of</strong> ano<strong>the</strong>r person observing your defenseless body with such intent, as if<br />

<strong>the</strong>y were attempting to permanently etch its contours into <strong>the</strong>ir mind. “Come una forma<br />

divina!” (“like a divine form”) has a dynamic marking <strong>of</strong> piano (s<strong>of</strong>tly), along with <strong>the</strong> tempo<br />

marking, poco trattenendo (a little held back). It is as if <strong>the</strong> narrator is searching for <strong>the</strong> correct<br />

words to explain away <strong>the</strong> actions <strong>of</strong> <strong>the</strong> lover.<br />

EXAMPLE 3.2 measures 15-18<br />

Section 2 is comprised <strong>of</strong> five vocal phrases that are progressively intensified with <strong>the</strong><br />

addition <strong>of</strong> a layer <strong>of</strong> harmonic texture to each new phrase. The accompaniment segues into<br />

section 2 (Example 3.2) beginning in measure sixteen with a strummed chord that is to be played<br />

fortissimo (extremely loud). The composer has bracketed <strong>the</strong> notes <strong>of</strong> <strong>the</strong> chord to indicate how<br />

<strong>the</strong> pitches should be distributed between <strong>the</strong> left and right hands. The tempo marking is<br />

Indugiando (take one’s time) is written above <strong>the</strong> last two beats <strong>of</strong> <strong>the</strong> previous measure and a<br />

28

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