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Naravane, Vishwanath S. An Introduction to Rabindranath Tagore. Missouri: South Asia Books, 1978 Rebay, Luciano, ed. Introduction of Italian Poetry: A Dual-Language Book. New York: Dover Publications, Inc., 1969. Streicher, Johannes. Ultimi Speldori: Cilea, Giordano, Alfano. Roma: Istituto Nazionale per lo Sviluppo Musicale nel Mezzogiorno, 1999. Stevens, Denis, ed. A History of Song. New York: W. W. Norton & Co., 1960. Phillips-Matz, Mary Jane. Puccini A Biography. Boston: Northeastern University Press, 2002 Slonimsky, Nicolas. Baker’s Biographical Dictionary: 20 th Century Classical Musicians. New York: Schirmer Books, 1997 Scores Alfano, Franco. Tre Poemi di Rabindranath Tagore da “Il Giardiniere.” Milan: G. Ricordi & Co., 1919. La Leggenda di Sankuntala, piano vocal store reduction by Raffaele Delle Ponti. Milan: G. Ricordi & Co., 1921. Sei liriche di autori diversi. Milan: G. Ricordi & Co., 1925 3. “Al chiarore della mattina…” Tre Liriche di Tagore. Wien: Universal Edition, 1929 (Drei Gesänge, Deutsch von R.S. Hoffman) Tre Liriche. Milan: G. Ricordi & Co., 1936. Nuove Liriche Tagoriane. Milan: G. Ricordi & Co., 1936. Tre Nuovi Poeme. Milan: G. Ricordi & Co., 1943; reprinted 1949, 1953. È giunto il nostro ultimo autunno. G. Ricordi & Co., 1943 Risurrezione, piano vocal score reduction by Carlo Carignani. Milan: G. Ricordi & Co., 1944. Due Canti Napoletani, piano vocal score. Milan: Zerboni, 1946. Tre Liriche. Milan: Zerboni, 1946 Sette Liriche. Milan: Curci, 1947; renewed 1975. Cinque Nuove Liriche Tagoriane (da “Gitaniali„). Milan: G. Ricordi & Co., 1948 Luce, piano vocal score reduction. Milan: Zerboni, 1948 63
BIOGRAPHICAL SKETCH A native of Baltimore, Maryland, Luvada A. Harrison’s academic and performance background is both distinguished and varied. Undergraduate matriculation occurred at Towson State University where she received a Bachelor of Science in Vocal Music Education. After some time establishing early performing credentials, she returned to achieve a Master of Music in Vocal Performance from the well regarded opera program at Binghamton University. Most recently, she has completed the course work and treatise requirements for a Doctorate of Music degree in Opera Performance from the College of Music at Florida State University in Tallahassee. Advanced professional performance study has included the Verdiana Concorsa in Busetto, Italy sponsored by the Bel Canto Foundation of Chicago, where she studied with worldrenowned tenor, Carlo Bergonzi. As recently as summer 2004 she was a scholarship participant and performer on the Italian Art Song Program at the Barga Institute in Barga, Italy. Other Arts in Education performances include work for the New York City Opera Company, the Metropolitan Opera Guild and the “Meet the Artist” series at Lincoln Center. Top honors in Vocal Competitions sponsored by the Bel Canto Foundation of Chicago, the Mary O’Hare Vocal Competition of Washington, D.C., Opera Renaissance Guild of Brooklyn, N.Y., and Baltimore Symphony Young Artists Competition are evidence of her craft and vocal prowess. Particularly noteworthy was a semi-finalist ranking in the prestigious Luciano Pavarotti/Opera Company of Philadelphia Competition. In New York City she has performed as soloist at both Carnegie Hall and Lincoln Center’s Alice Tully Hall. Her orchestral and oratorio performances encompass the ranges and styles typified by a repertory which includes: Handel’s Messiah; Beethoven’s Ninth Symphony and Missa Solemnis; Mendelssohn’s Elijah; Rossini’s Stabat Mater; Honegger’s Le Roi David; and the Requiems of Brahms, Dvorak, Mozart and Verdi. She has delighted operatic audiences with roles such as First and Second Lady in Mozart’s Magic Flute; Fiordiligi in Mozart’s Cosi fan Tutte; Lady Billows in Britten’s Albert Herring and Magda in Menotti’s The Consul. Other roles in her repertory that highlight her vocal and theatrical gifts include Rosalinda in Strauss’s 64
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THE FLORIDA STATE UNIVERSITY COLLEG
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TABLE OF CONTENTS List of Examples
Page 5 and 6:
5.5 measures 68-70 ................
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EARLY YEARS AND EDUCATION Posillipo
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Up until this time, Alfano and his
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immerse himself in Leipzig’s cult
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with his aunt. The uncertainty that
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God of compassion, make him finally
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EXAMPLE 1.3 Katiusha’s Aria: “D
Page 19 and 20: cosmopolitan composer. Backed by on
Page 21 and 22: moon-lit nights.” 18 Alfano’s h
Page 23 and 24: ehind by Puccini. When he realized
Page 25 and 26: his life working as a composer and
Page 27 and 28: THE ART SONGS OF ALFANO Alfano belo
Page 29 and 30: Felicità is Alfano’s first liric
Page 31 and 32: EXAMPLE 2.4 measures 9 -14 The last
Page 33 and 34: tremolo in the right-hand that is a
Page 35 and 36: acket is used to indicate that the
Page 37 and 38: EXAMPLE 3.5 measures 34-35 The acco
Page 39 and 40: limited edition of Gitanjali that w
Page 41 and 42: Se ti domanda chi glielo dona, oh!
Page 43 and 44: measures of the lirica are supporte
Page 45 and 46: EXAMPLE 4.5 measures 68-71 When sec
Page 47 and 48: death, the parting of two people wh
Page 49 and 50: The simple physical gesture of hold
Page 51 and 52: EXAMPLE 5.4 measures 51-54 Section
Page 53 and 54: the added direction of lontano (dis
Page 55 and 56: EXAMPLE 6.1 measures 1-4 Luce begin
Page 57 and 58: EXAMPLE 6.4 measures 24-25 The acco
Page 59 and 60: CONCLUSION As one of the most impor
Page 61 and 62: APPENDIX ART SONG CATALOGUE The fol
Page 63 and 64: Location: University of Alberta, Ca
Page 65 and 66: 123623). Gmin (modal quality); g'-
Page 67 and 68: Diff: fluctuation of tempo markings
Page 69: Articles BIBLIOGRAPHY Gattti, Guido
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