Allesandro Longo complied the most complete edition of Domenico ...

Diff: fluctuation of tempo markings,
varying dynamic levels,
chromaticism
Location: Orchestral score: Grinnell
College; University of Iowa;
Southern Illinois University;
Harvard University; Piano/Vocal
Score: University of Kansas
a. Lungo la via del mare “Alla
Contessa Adele Moroso Della
Rocca” (“To the Contessa Adele
Moroso Della Rocco”). b'-g";
6/4, Largo (in 2), half-note = 40 e
meno (40 or less); 3+min; 5pp.
b. I miei piedi son stachi.. “Alla
Signora Bianco Magnani” (“To
Mrs. Bianco Magnani”). d b '-f";
¾, Largo (quarter-note=46);
3min; 4pp.
c. Scrivimi, amor mio... (“Alla
Signora Mariuccia Pigorini”)
(“To Mrs. Mariuccia Pigorini).
c'-g"; 6/4, 9/4, ,3/4, Larghetto
(quarter-note = 80-84); 5min;
5pp.
16. Sette liriche. (Rabindranath Tagore
except for the last song, the poet is
Rilke-Errante). cmp1945 Rome.
Curci Edition, Milano © 1947;
renewed 1975 (e. 4422 C.)
For: soprano or tenor
Mood: varying degrees of love
Voice: disjunct; independent of
accompaniment;
Piano: blocked chords, rhythmic eighthnote
motion mainly in l.h.; repeated
sixteenth-note pattern, harp-like
motion, triplet pattern in l.h.;
crossover action; tremolos; six-note
chord progressions
Diff: compound meters, rhythms;
phrasing; breath control, ensemble
Location: SUNY at Buffalo; Kunitachi
College of Music
a. Si addensano le nubi…(R.
Tagore) (E. 4422 C.) b b '-a b ";
4/4,6/4, Grave (quarter-note =
56-58); 4pp.
b. Venne e mi sedette accanto…
(R. Tagore) (E. 4423 C.) e b '-g";
4/4, Mosso (quarter-note =132);
6pp.
c. Scendesti dal tuo trono… (R.
Tagore) (E. 4424 C.) d'-f#"; ¾,
4/4, Lento (quarter-note = 92),
when voice enters: Più Lento
(quarter-note = 88); 4pp.
d. Se taci… (R. Tagore) ( E. 4425
C.) c'-g#"; 6/4, 9/4, Lentamente
(quarter-note=84); 4pp.
e. Non so… (R. Tagore) (E. 4426
C.) d'-a b "; 4/4, Tranquillo; 6pp.
f. Non hai udito i suoi passi…
((R. Tagore) (E. 4427 C. ) d#'-
a b "; 4/4,6/4, Lento; 6pp.
g. La notte e l’anima (Rilke- trans.
Errante) (E. 4428 C.) d b '-a b ";
Lento, non troppo (quarternote=50
circa); 2/4; 4pp.
Location: SUNY at Buffalo; Kunitachi
College of Music Library
(Tokyo, Japan)
17. Cinque Nuove Liriche Tagoriane
(Rabindranath Tagore da Gitaniali
(Songs of Offerings))”Alla gentile
signora ANNA BACCHELLI” (To
the gentle Mrs. Anna Bacchelli.)
cmp1947. Ed. G. Ricordi & Co.,
Milano © 1948 (n.ed. 127653)
For: mezzo soprano
Mood: various degrees of love
Voice: disjunct, leaps and skips; meter
changes, triplet figures; fluctuating
tempo markings, difficult rhythms;
dynamics; ability to color the voice
Piano: fingering indication, rhythmic,
independent of vocal line, triplet
figures, syncopation, some two-note
harmonies, some blocked chords, use
of extreme ranges of piano, broken
chords, arpeggiated chords; degree
of skill needed
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