- Page 1 and 2: 461 GOTTHOLD EPHRAIM LESSING 1729 -
- Page 3 and 4: GOTTHOLD EPHRAIM LESSING / 463 Laoc
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- Page 7 and 8: Laocoön / 467 * * * The law of the
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- Page 21 and 22: 481 FRIEDRICH VON SCHILLER 1759 -18
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- Page 35 and 36: MARY WOLLSTONECRAFT / 495 Unlike ot
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Phenomenology of Spirit / 543 ment
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Phenomenology of Spirit / 545 becau
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Lectures on Fine Art / 547 the form
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Lectures on Fine Art / 549 by refle
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3. That is, the different historica
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Lectures on Fine Art / 553 minate o
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Lectures on Fine Art / 555 medium a
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WILLIAM WORDSWORTH / 557 as a natio
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Preface to Lyrical Ballads / 559 si
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Preface to Lyrical Ballads / 561 mo
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Preface to Lyrical Ballads / 563 no
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Preface to Lyrical Ballads / 565 th
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Preface to Lyrical Ballads / 567 ar
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Preface to Lyrical Ballads / 571 re
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Preface to Lyrical Ballads / 577 pe
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SAMUEL TAYLOR COLERIDGE / 579 More
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SAMUEL TAYLOR COLERIDGE / 581 thold
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SAMUEL TAYLOR COLERIDGE / 583 cism
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Biographia Literaria / 585 (and a m
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Biographia Literaria / 587 by awake
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Biographia Literaria / 589 works th
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PERCY BYSSHE SHELLEY / 591 and our
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PERCY BYSSHE SHELLEY / 593 of his a
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A Defence of Poetry / 595 and the R
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A Defence of Poetry / 597 are usual
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A Defence of Poetry / 599 The trage
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A Defence of Poetry / 601 For the e
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A Defence of Poetry / 603 The crow
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A Defence of Poetry / 605 The poetr
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A Defence of Poetry / 607 But poets
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A Defence of Poetry / 609 the poetr
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A Defence of Poetry / 611 exultatio
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RALPH WALDO EMERSON / 613 The secon
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RALPH WALDO EMERSON / 615 (1860), b
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The American Scholar / 617 Ralph L.
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The American Scholar / 619 and utte
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The Poet / 621 torical evidence; an
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The Poet / 623 line, 1 running up f
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The Poet / 625 sensually treat, as
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The Poet / 627 which can dwarf any
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The Poet / 629 the thing is reflect
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The Poet / 631 contained; 6 — or
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The Poet / 633 Swedenborg, of all m
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The Poet / 635 world. This is like
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EDGAR ALLAN POE / 637 In 1838, stil
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639 The Philosophy of Composition C
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The Philosophy of Composition / 641
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The Philosophy of Composition / 643
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The Philosophy of Composition / 645
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KARL MARX and FRIEDRICH ENGELS / 64
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KARL MARX and FRIEDRICH ENGELS / 64
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Economic and Philosophic Manuscript
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Economic and Philosophic Manuscript
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The German Ideology / 655 but denie
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657 From The Communist Manifesto 1
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The Communist Manifesto / 659 The b
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661 From Grundrisse 1 * * * In the
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Capital, Volume 1 / 663 on the cont
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Capital, Volume 1 / 665 their eyes,
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Capital, Volume 1 / 667 socially ne
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Capital, Volume 1 / 669 operates in
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Capital, Volume 1 / 671 omy discard
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Capital, Volume 1 / 673 once be sup
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Letter from Friedrich Engels to Jos
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CHARLES BAUDELAIRE / 677 predicted,
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CHARLES BAUDELAIRE / 679 idler on t
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The Paint er of Modern Life / 681 m
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The Paint er of Modern Life / 683 t
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The Paint er of Modern Life / 685 g
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The Paint er of Modern Life / 687 a
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The Paint er of Modern Life / 689 p
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691 MATTHEW ARNOLD 1822-1888 In an
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MATTHEW ARNOLD / 693 sir philip sid
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695 The Function of Criticism at th
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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The Function of Criticism at the Pr
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Culture and Anarchy / 715 see thing
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Culture and Anarchy / 717 a former
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Culture and Anarchy / 719 splendid
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WALTER PATER / 721 dominant idea of
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WALTER PATER / 723 of projecting ni
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Studies in the History of the Re na
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Studies in the History of the Re na
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Studies in the History of the Re na
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STÉPHANE MALLARMÉ / 731 Writing w
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STÉPHANE MALLARMÉ / 733 Indeed, F
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Crisis in Poetry / 735 A witness to
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Crisis in Poetry / 737 would be at
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Crisis in Poetry / 739 An order of
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HENRY JAMES / 741 sites for learnin
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HENRY JAMES / 743 claims. In perhap
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The Art of Fiction / 745 incomplete
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The Art of Fiction / 747 note, for
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The Art of Fiction / 749 lection of
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The Art of Fiction / 751 me to be t
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The Art of Fiction / 753 his idea,
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The Art of Fiction / 755 to him; bu
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The Art of Fiction / 757 Besant’s
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FRIEDRICH NIETZ SCHE / 759 itself.
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FRIEDRICH NIETZ SCHE / 761 inhabit
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FRIEDRICH NIETZ SCHE / 763 apart fr
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On Truth and Lying in a Non- Moral
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On Truth and Lying in a Non- Moral
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On Truth and Lying in a Non- Moral
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On Truth and Lying in a Non- Moral
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The Birth of Tragedy / 775 ation, w
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The Birth of Tragedy / 777 regardin
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The Birth of Tragedy / 779 plain th
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The Birth of Tragedy / 781 predomin
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The Birth of Tragedy / 783 Only in
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OSCAR WILDE / 785 At the same time,
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OSCAR WILDE / 787 martyred by arrow
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OSCAR WILDE / 789 bibliography Wild
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The Decay of Lying / 791 age, the s
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The Decay of Lying / 793 judge from
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The Critic as Artist / 795 Arnold
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The Critic as Artist / 797 critics
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The Critic as Artist / 799 passion
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The Critic as Artist / 801 desire
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The Critic as Artist / 803 tell one
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The Critic as Artist / 805 just as
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SIGMUND FREUD / 807 we can look out
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SIGMUND FREUD / 809 account, was no
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SIGMUND FREUD / 811 simple “key
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SIGMUND FREUD / 813 bibliography Th
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The “Uncanny” / 825 which, inhi
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The “Uncanny” / 827 it so comfo
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The “Uncanny” / 829 he reminds
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The “Uncanny” / 831 returned. W
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The “Uncanny” / 833 reached the
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Sie fühlt dass ich ganz sicher ein
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The “Uncanny” / 837 animistic s
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The “Uncanny” / 839 by some imp
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Fetishism / 841 We have already ask
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Fetishism / 843 that women have a p
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FERDINAND DE SAUSSURE / 845 under t
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FERDINAND DE SAUSSURE / 847 and phr
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FERDINAND DE SAUSSURE / 849 sible t
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Course in General Linguistics / 851
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Course in General Linguistics / 865
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867 W. E. B. Du BOIS 1868-1963 W. E
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W. E. B. Du BOIS / 869 who maintain
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Criteria of Negro Art / 871 In the
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Criteria of Negro Art / 873 French.
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Criteria of Negro Art / 875 by the
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LEON TROTSKY / 877 I had a classmat
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LEON TROTSKY / 879 and toward the d
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Literature and Revolution / 881 The
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Literature and Revolution / 883 (th
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Literature and Revolution / 885 the
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Literature and Revolution / 887 It
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Literature and Revolution / 889 Gre
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Literature and Revolution / 891 by
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VIRGINIA WOOLF / 893 across London
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VIRGINIA WOOLF / 895 Writing with
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A Room of One’s Own / 897 pages.
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A Room of One’s Own / 899 privacy
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A Room of One’s Own / 901 spondin
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A Room of One’s Own / 903 What, t
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GYÖRGY LUKÁCS / 905 There must be
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GYÖRGY LUKÁCS / 907 and the simul
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The Historical Novel / 909 Arato an
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The Historical Novel / 911 torical
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The Historical Novel / 913 polemic
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The Historical Novel / 915 the Rhin
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The Historical Novel / 917 Despite
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The Historical Novel / 919 ishable
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Boris Eichenbaum / 921 ideology, th
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Boris Eichenbaum / 923 malists’ a
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925 From The Theory of the “Forma
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The Theory of the “Formal Method
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The Theory of the “Formal Method
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The Theory of the “Formal Method
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The Theory of the “Formal Method
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The Theory of the “Formal Method
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The Theory of the “Formal Method
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T. S. ELIOT / 951 ture, from litera
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T. S. ELIOT / 953 Cathedral (1935),
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Tradition and the Individual Talent
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Tradition and the Individual Talent
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Tradition and the Individual Talent
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The Metaphysical Poets / 961 lected
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The Metaphysical Poets / 963 plied
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prejudicing their case by the adjec
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After this brief exposition of a th
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969 JOHN CROWE RANSOM 1888-1974 The
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Criticism, Inc. / 971 discrete poet
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Criticism, Inc. / 973 before long,
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Criticism, Inc. / 975 sort. Debate
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Criticism, Inc. / 977 and not exter
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Criticism, Inc. / 979 Aristotle con
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Criticism, Inc. / 981 understanding
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Martin Heidegger / 983 In the early
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Language / 985 and Art Works (1985)
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Language / 987 speak of an abyss wh
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Wandering ones, more than a few, Co
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everything else, also going to deny
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Language / 993 The third and fourth
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Language / 995 the gathering middle
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Language / 997 merely a higher mode
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Antonio Gramsci / 999 Gramsci was b
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Antonio Gramsci / 1001 to move away
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The Formation of the Intellectuals
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The Formation of the Intellectuals
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The Formation of the Intellectuals
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Zora Neale Hurston / 1009 American
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Characteristics of Negro Expression
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Characteristics of Negro Expression
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Characteristics of Negro Expression
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Characteristics of Negro Expression
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Characteristics of Negro Expression
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Characteristics of Negro Expression
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What White Publishers Won’t Print
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What White Publishers Won’t Print
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ERICH AUERBACH / 1027 These are the
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ERICH AUERBACH / 1029 Auerbach’s
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Mimesis / 1031 reader about Autolyc
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Mimesis / 1033 not only of speeches
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Mimesis / 1035 perceptible except t
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Mimesis / 1037 It would be difficul
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Mimesis / 1039 because the moral, r
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Mimesis / 1041 proper place in the
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Mimesis / 1043 patterns and themes,
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Mimesis / 1045 in events not only a
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WALTER BENJAMIN / 1047 of the most
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WALTER BENJAMIN / 1049 Marxist late
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Work of Art . . . Technological Rep
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MIKHAIL M. BAKHTIN / 1073 myelitis,
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MIKHAIL M. BAKHTIN / 1075 include V
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Discourse in the Novel / 1077 Towar
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