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De Viggiani, N., Daykin, N., Moriarty, Y. and Pilkington, P. and ...

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The first six months of the project involved applying for Ethics approval, meeting with venue contacts <strong>and</strong> discussing<br />

the project, <strong>and</strong> convening the Steering Committee for the first time. During this time Research Quality Approval was<br />

granted by the Ministry of Justice <strong>and</strong> Research Ethics Approval from the National Offender Management Service <strong>and</strong><br />

the University of the West of Engl<strong>and</strong> Research Ethics Committee. The MoJ required some adaptation of the<br />

quantitative element of the research design to address issues of reliability <strong>and</strong> generalisability, essentially by removing<br />

comparison sites given numbers were not sufficient to make reliable comparisons across sites. Two extra programmes<br />

of music intervention were subsequently added to replace the comparison sites. Fuller details are provided below.<br />

During this first six months, meetings were held with stakeholders <strong>and</strong> gatekeepers in all project sites to discuss the<br />

processes involved in running the music programmes <strong>and</strong> conducting the research. <strong>De</strong>tailed correspondence is ongoing<br />

with the first three venues, the YOIs, regarding security <strong>and</strong> scheduling, as these will be the first sites involved in the<br />

project.<br />

An inaugural Steering Committee meeting was held on the 26 th May. The Committee is composed of a variety of people<br />

who work within the Youth Justice sector, both from a managerial <strong>and</strong> h<strong>and</strong>s-on perspective. In particular, the meeting<br />

focused on the changes to the research design <strong>and</strong> the length of the music programmes, which were shortened on the<br />

advice of the Committee who felt that it would be unrealistic to recruit a group of participants consistently for nine<br />

weeks due to short sentences.<br />

A full time Research Associate (two year contract) has been recruited to the project to undertake the bulk of the<br />

fieldwork <strong>and</strong> analysis, employed by UWE to work from closely with the research <strong>and</strong> LMN teams.<br />

The Project Management structure is summarised below:<br />

UWE Research Team LMN Programme Team Project Steering Group<br />

Dr Nick de <strong>Viggiani</strong><br />

(Principal Investigator)<br />

Patsy Lang<br />

(LMN Project Manager)<br />

Prof. Norma <strong>Daykin</strong><br />

Project Administrator<br />

(Arts & Health specialist)<br />

Dr Paul <strong>Pilkington</strong><br />

Finance Support<br />

(quantitative research<br />

specialist)<br />

Yvonne <strong>Moriarty</strong><br />

(Research Associate)<br />

Administrative Support<br />

(UWE generic provision)<br />

Musicians<br />

Production Assistant<br />

Ali Smith<br />

(LMN SW Director)<br />

Professor Rod Morgan<br />

(former Chair of Youth Justice<br />

Board <strong>and</strong> former Chief Inspector<br />

of Police & Probation)<br />

Caroline Thompson<br />

(HoLS, HMP Eastwood Park)<br />

Andres Sierra<br />

(Musician <strong>and</strong> Trainer LMN)<br />

Chris Syrus<br />

(Writer, Ex-Offender, Events<br />

Manager: ‘Foundation 4 Life’)<br />

Pauline Kinton<br />

(YJB Regional Representative)<br />

Tom Isom<br />

(YOT diversionary activity<br />

worker)<br />

Vic Pomeroy<br />

(Retired Education Manager,<br />

HMP The Verne)<br />

MENTAL HEALTH AND WELLBEING OUTCOMES<br />

The LMN music programme aims to improve health <strong>and</strong> wellbeing, <strong>and</strong> sense of identity. Music is a process which<br />

bonds people, increases interaction, allows for self expression, alleviates stress, increases confidence <strong>and</strong> allows for a<br />

means of self-expression when other methods are perceived not to work. All these things contribute to the potential<br />

166 | P a g e

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