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Finding Their Voices - Amherst College

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“‘Beauty’s’ Immense Octoquinquartocuplexal Philharmonic Orchestrian Combination.” 18<br />

In some years these groups were particularly active and successful, as in 1872-1873 and<br />

1876-1877. In others, as in 1874-1875, they were relatively inactive. From 1877-1879<br />

the orchestra was formed entirely out of members of the class of ’79, leading to the<br />

dissolution of the group after their graduation. The repertoire and instrumentation<br />

remained largely the same as that of 1861 throughout the decade.<br />

Founding Members (1870 orchestra):<br />

Elisha P. Bartholomew ‘72<br />

George W. Edmond ’73 (nongrad)<br />

Andrew J. Hirschl ’73 (Secretary and Treasurer)<br />

Loranus E. Hitchcock ‘72<br />

Charles W. Mallory ‘71<br />

Raymond D. Mallary ‘72<br />

Samuel P. Butler ‘71<br />

Henry H. Sawyer ’71 (Leader)<br />

James A. Barnes ’71 (nongrad)<br />

c. 1888-1890<br />

A relatively short-lived, but moderately successful group. Its largest employment<br />

was to play music for dances. It also served as the orchestra for minstrel entertainments.<br />

Founding Members:<br />

Thomas W. Jackson ’91 (leader)<br />

Rufus M. Bagg ‘91<br />

Herbert Lewis ‘91<br />

George H. Lounsbery ‘92<br />

Giles W. Howland ‘90<br />

High ’91 [either Frank Grant High or John Lincoln High. Only last name<br />

mentioned]<br />

Arthur B. Ingalls ‘90<br />

Ralph W. Crockett ‘91<br />

Smith ’91 [unknown]<br />

George L. Degener ‘92<br />

Donizetti Glee Club<br />

Years active: c. 1862 – 1865 (Spring)<br />

Founder: David O. Mears ‘1865<br />

An early vocal group, founded by David O. Mears sometime in 1862. Its<br />

namesake was Gaetano Donizetti (1797-1848), an Italian composer most famous for his<br />

light operas, which were in vogue at the time in Boston and New York. It began as a<br />

quintet, all but one member in the class of 1865. By the 1864-65 academic year the<br />

group had expanded to eight members, including one dedicated flute player and a pianist.<br />

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18 This linguistic abomination, probably recorded in jest, can be found in the 1873-1874 Olio (Sept. 1873).<br />

$ 167$

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