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Finding Their Voices - Amherst College

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performances. With one single exception very near its founding, 68 the Chapel Choir<br />

seem to have been a target of ridicule in student publications. A survey of such student<br />

writing reveals just how bad the group was seen to be.<br />

The Horae Collegianae of 1838 gives a scathing account of a recent performance:<br />

After all, the audience was no great shakes; but the music was. Its like we have<br />

seldom heard, its equal never. True some wickedly inclined persons have spoken<br />

rather disparagingly of it, comparing it to the winds bursting from the cave of<br />

Aeolus; 69 to the clatter set up by Alcides to frighten the Stymphalian birds; 70 to<br />

the music of the ungreased spheres; to a solo on a conch-shell with a chorus from<br />

the pig-sty; to a simultaneous cackling of all the Hadley geese; and to several<br />

other things not to be mentioned among respectable people; but it is very clear<br />

they could have had 'no music in their souls,' and one greater than us has<br />

pronounced upon such the suitable malediction. 71 No lover of music, we are sure,<br />

will be apt to forget his entertainment on that day.<br />

The 1848 <strong>College</strong> Cucumber gives a tongue-in-cheek announcement of an<br />

upcoming Choir concert, suggesting that the choir does as much as it can to make its<br />

concerts miserable:<br />

The Chapel Choir give notice to, and warn the natives of North Pelham, that they<br />

will hold one of their Diabolical Concerts, with Bull Fiddle and Flute<br />

accompaniment, in the open air on the first rainy day. Children half price. Vocal<br />

Babies thrown in. 72<br />

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!<br />

68 The Shrine, 1, no. 6 (November 1832): 185. Student and Alumni Publications Collection, Box 13<br />

(ACASC). The author compliments the group for the recent quality of their performances.<br />

69 Aeolus was the ruler of the winds in Greek mythology.<br />

70 This refers to the rattle given to Hercules (alternately named Alcides) by Hephaestus, the Greek god of<br />

smiths, to aid him in defeating the Stymphalian birds, giant man-eating avians with bronze beaks and<br />

deadly sharp metallic feathers. Hercules could not pass into the swamp in which they lived, and thus<br />

needed something loud and abrasive enough to startle the birds into the air, where he would shoot them<br />

down with arrows. The rattle gave such a terrible noise that it scared the birds into the air from miles away.<br />

71 A reference to Shakespeare’s The Merchant of Venice: “The man that hath no music in himself, Nor is<br />

not mov’d with concord of sweet sounds, Is fit for treasons, stratagems, and spoils.”<br />

72 The <strong>College</strong> Cucumber, 1, no. 1 (1848): 3. Student and Alumni Publications Collection, Box OS1<br />

(ACASC). Bull Fiddle is another term for a Double Bass. The line about Vocal Babies suggests that<br />

crying babies would be let in to the concert for free.<br />

! 45!

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