Finding Their Voices - Amherst College

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The Donizetti Glee Club is most notable for the tour it took across the White Mountains in the summer of 1862, where, after paying for food, travel, and lodging, each member was happily able to record a profit of $1. This was the first known tour of any Amherst musical group. At some point in the group’s career it employed a voice teacher. 19 The group dissolved in 1865 after most of its members graduated. Three of its remaining members, including Michael Burnham (later a trustee of the college), would go on to join the Amherst College Glee Club in its first season the very next semester. 20 Known Members: 1862-1863 David O. Mears ’65 (leader) Stephen B. Rand ‘66 Robert McEwen ’65 (nongrad) Edward P. Frost ‘65 Charles E. Lane ‘65 1863-1864 David O. Mears ’65 (leader) George L. Putnam ‘65 Edward P. Frost ‘65 Charles E. Lane ‘65 Stephen B. Rand ‘66 Zabdiel Sidney Sampson ’65 (pianist) 1864-1865 David O. Mears ’65 (leader) George L. Putnam ‘65 Edward P. Frost ‘65 Charles E. Lane ‘65 Stephen B. Rand ‘66 Michael Burnham ‘67 Herbert J. Cook ’69 (flautist) Zabdiel Sidney Sampson ’65 (pianist) Euterpean Club (See College Orchestra, c. 1870-1879) ‘H.B.’ Quintette (aka Amphion Sextet) 21 Years active: 1874–1876 A vocal group originally colloquially named “H.B.,” for unknown reasons. Formed early in the fall semester of 1874 by a group of men who happened to room together, it soon became the most popular music group on campus. The group gained an extra member in the spring of 1876, the addition warranting a rebranding to the “Amphion Sextet.” In this incarnation the group performed for the Northampton Lunatic Asylum, 22 and was apparently well known for its “humorous [musical] selection and $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 19 David Otis Mears, David Otis Mears, D.D.: an autobiography, 1842-1893 (Boston: The Pilgrim Press, 1920), 29. 20 The founder wrote an autobiography that detailed a small amount of the group’s history: Mears, David Otis Mears, D.D.: an autobiography (cited above). 21 A brief history of the group is given in “Early Glee Clubs,” The Amherst Student (March 18, 1893): 177- 178. 22 “The Amphion Sextette gave a gratuitous entertainment to a large number of the inmates of the Lunatic Asylum in Northampton […]. The singing was heartily appreciated by the large and somewhat discriminating audience.” – The Utica Morning Herald and Daily Gazette (May 10, 1876). $ 168$
perfect imitation of the bagpipes.” 23 Two singers in this group introduced Sumner Salter ’77 to their voice instructor from Springfield, Frederick Zuchtmann. The rest, as they say, is history (or, as they say, “explored extensively in chapter one.”). Known Members: 1874-1875 Frank Bowler ’76 (leader) Robert B. Clark ‘76 William B. Clark ‘76 L.I. Blake ‘77 Rufus B. Tobey ‘77 1876 Spring Frank Bowler ‘76 Robert B. Clark ‘76 William B. Clark ‘76 L.I. Blake ‘77 Rufus B. Tobey ‘77 William Ives Washburn ‘76 Mandolin Club (See Banjo Club) Orphean Quintette (aka ’78 Quintette Club) Years Active: 1875-1878 A vocal quintette made entirely of members of the class of 1878. It found moderate success, and, although it often performed with the Glee Club, it also frequently performed on its own in the area around Amherst. Known Members: Herbert S. Johnson ‘78 John D. Willard ‘78 William W. Sleeper ‘78 Daniel H. Colcord ‘78 Edward Ayres ‘78 The Paean Band (aka College Band) 24 Years Active: 1824-1836 Founder: John Kelley ‘25 Amherst’s first secular musical group. Originally a loose group of instrumentalists organized by John Kelley, class of 1825, it soon came into more formal organization under the name of the “Paean Band.” The original incarnation of the band consisted of clarinets, french horns, a bugle, and a trombone. Many of these instruments were purchased with faculty and student donations. The only condition for these donations was that the Band perform for all major college occasions, which they gladly $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 23 Ibid, May 24. 24 Primary resources (all in Music at Amherst Collection, ACASC): Box 1 Folder 11: Paean / College Band Record Book, c. 1824-1834; Box 1, Folder 13: Letter written by C.M. Montague (alumni of the Band) on its activities + 1852 Band reunion poster; Box 1, Folder 14: College Band Oratorio Concert program, c. 1834 $ 169$
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Finding their Voices: Student Activ
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Figures and Musical Examples All Am
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A Beginning: The Doctor and the War
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Seelye was convinced that in Bigelo
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whenever Bigelow was on steady fina
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the official curriculum. Fortunatel
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the development of music education
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on this scare source material, it i
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Henry Ward Beecher, who would later
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elow their titles. 18 This collecti
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years. The impermanence of these gr
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! Figure'1.1'*'Amherst'College'Banj
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College Orchestra 1860-1862 Instrum
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Delta Kappa Epsilon Glee Club 1876-
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One final disclaimer is necessary b
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grant a request of the Beethoven So
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and vocal scores; planned scenery a
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Orchestra, inaugurated in late 1871
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Association was eventually able to
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deemed an enormous success, and the
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It is rumored that President Seelye
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music and how they viewed the respo
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would not be able to pay, Zuchtmann
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in late 1883 in the student newspap
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performances. With one single excep
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Somehow the college authorities fai
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student, but when the organ arrived
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of his material from the 1869 New A
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Figure 1.2 - Old Doc with his cello
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involved with his students. 91 He r
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The Board of Trustees began address
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singing schools or even provide pri
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I intend to fill in some of these a
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The most difficult part of such a p
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Ritter from 1867-1891), who gave le
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accepted as an equivalent for some
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wrote an essay on the subject in 18
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e reconciled, —a proper subordina
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into the art they profess the disti
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Figure 2.1: Mount Holyoke Banjo Clu
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sighted view of music as an entirel
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oard agreed with Taylor, and the ch
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performances, where they would play
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a group well represented in the adm
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The evening was passed with pleasur
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ody. The president had constant tro
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highly involved in the group’s ac
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Figure 2.3 - The first issue of Dwi
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are not now prepared to state. A sy
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accumulations during its twenty yea
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chorus pieces by Mendelssohn, as we
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Mr. Paine to place high Music on it
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“neither Guido nor his immediate
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Music is a science, and Music is a
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influence need be limited to the in
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numbers seem to have somewhat overw
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Paine’s training many of these co
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Chapter Three Music in America We n
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throne. Under his rule Henry’s re
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the use of music between the two th
Page 121 and 122: Wherefore, although we look far and
Page 123 and 124: entirely by the congregation. Every
Page 125 and 126: Ravenscroft’s The Whole Booke of
Page 127 and 128: a series of Biblical examples and p
Page 129 and 130: By the late seventeenth century som
Page 131 and 132: World.” 184 The old style had cle
Page 133 and 134: Figure 3.1 - Examples of notation i
Page 135 and 136: HUMAN HORROR, Secretary. Billings c
Page 137 and 138: Feminine and Trivial: American Perc
Page 139 and 140: instrument was convenient for many
Page 141 and 142: should aspire, his Messiah and othe
Page 143 and 144: and Haydn Society. What might today
Page 145 and 146: Upon Mason’s arrival in Boston in
Page 147 and 148: Perhaps indicative of the prominenc
Page 149 and 150: Woodbridge’s lecture alone did no
Page 151 and 152: unification of the country’s 39 d
Page 153 and 154: Following this concert, the orchest
Page 155 and 156: thousand springs that the Giver of
Page 157 and 158: Looking back to Amherst College, we
Page 159 and 160: Afterword William Bigelow’s trial
Page 161 and 162: practice or ensemble work should co
Page 163 and 164: Appendix A. Dictionary of Amherst C
Page 165 and 166: Amherst” and “The Senior Song,
Page 167 and 168: Years Active: 1885-1929 In late 188
Page 169 and 170: Cinyrea Years active: c. 1856? - 18
Page 171: “‘Beauty’s’ Immense Octoqui
Page 175 and 176: Figure'A.1'-'The'serpent'used'by'th
Page 177 and 178: Figure'A.3'-'The'Amherst'College'Or
Page 179 and 180: Figure'A.5'-'Calliopean'Quartette,'
Page 181 and 182: Figure'A.7'+'The'Amphion'Sextette,'
Page 183 and 184: Figure A.9 - The Amherst College Gl
Page 185 and 186: Figure A.11 - The Glee Club at Lake
Page 187 and 188: Appendix B. Summary of Amherst Coll
Page 189 and 190: art of Music given in Amherst Colle
Page 191 and 192: Appendix D. Edward Hitchcock Jr., P
Page 193 and 194: of his glory with the English Peopl
Page 195 and 196: known as the “Mysteries,” and i
Page 197 and 198: shepherds abiding in the field, kee
Page 199 and 200: exciting majestic a work as Handel'
Page 201 and 202: Committee [4] and received by a maj
Page 203 and 204: institution to the President's hous
Page 205 and 206: On commencement day the band perfor
Page 207 and 208: C.B. Pratt - Assos. Master W.P. Pai
Page 209 and 210: The instruments were examined and f
Page 211 and 212: Friday morning, July 4 th [35] The
Page 213 and 214: Chas. K. Whipple [Charles King, 183
Page 215 and 216: E.P Russell - Ass. Master A.R. Thay
Page 217 and 218: April 27th 1830 - The Band met in t
Page 219 and 220: Mortimer Blake - Secretary Daniel L
Page 221 and 222: Band met and played quite well cons
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Amherst College, Oct. 13, 1834 Coll
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Appendix G. Religious status of the
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Appendix H. Report by the Harvard P
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those of Homer, and Plato, and Newt
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4. The next thing to be secured, is
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Appendix I. Melody and original wor
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Boston Musical Gazette 1, nos. 1-7
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Ryan, Thomas. Recollections of an O
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Leaver, Robin A. Luther's Liturgica
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Finding Their Voices - Amherst College

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