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FOREIGN RIGHTS AUTUMN 2013 - Hanser Literaturverlage

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L I T E R A RY C R I T I S I S M<br />

L I T E R A RY C R I T I S I S M<br />

Albert Camus‘ writing revolves around the<br />

great existential questions: freedom, guilt,<br />

and responsibility. Martin Meyer marks the<br />

100 th birthday of one of the most important<br />

twentieth century writers and thinkers.<br />

If you were ever looking for the equivalent of<br />

Ireland’s Bloomsday for the German-speaking<br />

world, you could do worse than choosing<br />

Ulrichsday, August 7 th , the date which this year<br />

marks the centenary of the inception of Robert<br />

Musil’s novel The Man Without Qualities.<br />

Born into a poor family near Algiers a century ago, there was nothing to indicate that<br />

Albert Camus would one day shape the attitude of a whole generation. His novels and<br />

dramas, his philosophical essays and political commentaries deal with the large-scale<br />

questions of human existence but steer clear of those radical ideologies to which other<br />

intellectuals of his time succumbed. The Plague and The Outsider, The Myth of Sisyphus<br />

and The Rebel hold an unbroken fascination – and in Martin Meyer’s view Albert Camus<br />

is without doubt one of the most significant 20 th century authors. His book takes an explicatory<br />

stance on Camus’ work, cross-referencing lesser-known texts and casting light on<br />

the author’s works and biographical background. The book provides a broader context for<br />

those already familiar with Camus as well as offering multi-faceted orientation for those<br />

who are not. In this, his anniversary year, Martin Meyer rediscovers Camus as a great<br />

contemporary.<br />

Martin Meyer<br />

Albert Camus<br />

Die Freiheit leben<br />

Albert Camus<br />

Freedom as a Way of Life<br />

372 pages. Hardcover<br />

Publication date:<br />

August <strong>2013</strong><br />

Martin Meyer<br />

was born in Zurich in 1951.<br />

He studied philosophy,<br />

literature and history. In<br />

1974 he became editor of<br />

the features section of the<br />

Neue Zürcher Zeitung, and<br />

has been its chief editor<br />

since 1992. <strong>Hanser</strong> most<br />

recently published Tagebuch<br />

und spätes Leid (on Thomas<br />

Mann, 1999) and Piranesis<br />

Zukunft (Essays on Literature<br />

und the Arts, 2009).<br />

On that day in 1913, Robert Musil opened his workbook and started to draw a map, annotated<br />

with the description of a maze of streets, squares and buildings in Vienna’s Third<br />

District. Seven years later he moved into this neighbourhood, where he could look from<br />

his study window over the Salm Palace, which served as a model for the house of his<br />

protagonist.<br />

Today the shadow of this early modernist novel falls alone and aloof across the landscape<br />

of 20 th century European literature – visible from afar, uniquely outstanding and yet alien<br />

and inaccessible. Inka Mülder-Bach invites us to rediscover The Man Without Qualities<br />

from a different perspective. Unlike previous interpretations, this essay looks beyond the<br />

characters, inner musings and contexts, concentrating instead on the terra incognita of<br />

its structure. Inka Mülder-Bach shows how the novel is built on a micrological structure,<br />

conveying and unravelling a world that has become impenetrable.<br />

»With regard to both the exactness of its textual analyses and the precision of its theoretical<br />

references Inca Mülder-Bach’s Musil study constitutes a singular formation in<br />

the landscape of contemporary literary criticism. Its object of study is novelistic form,<br />

understood in conformity with Musil’s own understanding as an indispensible instrument<br />

of social analysis and ethical reflection. There is no page of Mülder-Bach’s book that<br />

fails to surprise with new insight. Under the guidance of the author’s subtle art of interpretation<br />

even Musil’s most dedicated readers will discover the novel as if for the first<br />

time. Mülder-Bach’s critical intelligence solicits the novel’s intricate structure and thereby<br />

discloses the full complexity of Musil’s account of modernity. Rumors to the effect that<br />

Musil deserves recognition along with Proust and Joyce as one of the supreme modern<br />

novelists receive compelling confirmation in this outstanding study. Readers who only<br />

have access to The Man Without Qualities in English (and this group worldwide outnumbers<br />

Musil’s German readers) deserve an English translation of Inca Mülder-Bach’s<br />

breakthrough study.« David E. Wellbery, University of Chicago<br />

Inka Mülder-Bach<br />

Robert Musil<br />

Der Mann ohne Eigenschaften.<br />

Ein Versuch<br />

über den Roman<br />

Robert Musil and The Man<br />

Without Qualities<br />

An interpretive essay<br />

544 pages with illustrations<br />

and index. Hardcover<br />

Publication date: July <strong>2013</strong><br />

Inka Mülder-Bach<br />

was born in 1953 and is<br />

Professor of Modern German<br />

Literature and Literary<br />

Studies at the University of<br />

Munich. She is the author<br />

of numerous publications<br />

on 18th to 20th century<br />

German literature and the<br />

editor of the collected works<br />

of Siegfried Kracauer.<br />

14 N O N - F I C T I O N<br />

N O N - F I C T I O N 15<br />

F O R E I G N R I G H T S HANSER<br />

F O R E I G N R I G H T S HANSER

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