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A PROVINCE TO BE EXPLORED - Visita Milano

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Western<br />

Brianza<br />

The Luini-style fresco in the<br />

parish church of S. Giulio<br />

Curious facts<br />

Artists in Barlassina<br />

Barlassina has been the birthplace of<br />

leading painters, architects and sculptors<br />

from the second half of the 19th<br />

century to contemporary times, the<br />

best known being Emilio Longoni (1859-<br />

1932). After training at the Brera Academy,<br />

he became a strongly committed<br />

painter in his choice of subjects and<br />

themes with a social content. After becoming<br />

close to pointillism, he progressively<br />

manifested a spiritual and symbolist<br />

inspiration, especially in his landscapes.<br />

Mario Asnago (1896-1981) was<br />

an architect active from 1923 on and<br />

worked for more than 40 years with<br />

Claudio Vender (Milan, 1904-1986). The<br />

two professionals produced a large<br />

body of work in Barlassina, including<br />

the chapel of Morandi (1935), V illa<br />

Vegni (1956), V illa Conti (1959), the<br />

extension of the Scuole Elementari<br />

(1961-1964), the Scuole Medie (1965-<br />

1970) and a small villa in via Rossini,<br />

now partially altered (1969). Valentino<br />

Vago (1931) was known as the “painter<br />

of light” and, in the last 15 years, also<br />

focused on painting murals; in 1978-<br />

1979 he decorated the premises of the<br />

Cassa Rurale e Artigiana (now Banca<br />

di Credito Cooperativo) in Barlassina.<br />

busts and a bas-relief depicting P ope Clement X III,<br />

previously known as Carlo Rezzonico.<br />

The 20th-century architecture notably includes<br />

the buildings of the primary and junior high<br />

schools in via Colombo. Constructed in 1934 and<br />

1960 by Mario Asnago and Claudio Vender, respectively,<br />

these mark the passage from the early to late<br />

Rationalism. They also built the nearby Casa Ve -<br />

gni in via Trento 12. Palazzo della Cassa Rurale<br />

e Artigiana, the work of Franco Asnaghi and Dario<br />

Caini, dates from of 1978.<br />

The entire west section of the municipality<br />

forms part of the P arco Naturale R egionale delle<br />

Groane. The “ex Tiro a Segno” area is a venue for<br />

summer events and a cycle path links the town to<br />

the S. Andrea woods, passing by farmland and<br />

through wooded areas.<br />

This first major work was fo llowed by<br />

many more and, in 1981-82, he frescoed<br />

the octagon and presbytery of<br />

the c hurch o f S . G iulio; i n 1 992, th e<br />

chapel of the Casa di Riposo Luigi Porro<br />

and the foyer and conference room<br />

of the Scuole Elementari; and, in 2006,<br />

the new wing of the municipal cemetery.<br />

Beatrice Angela Cazzaniga (1940),<br />

who moved to Argentina with her family<br />

in 1950, graduated in Sculptural<br />

Arts from the Faculty of Art, Philosophy<br />

and Letters of Tucumàn State university<br />

(1967-1970), later becoming a<br />

professor of Sculpture and an active<br />

member of the American Institute of<br />

Art. She has received numerous regional<br />

and national prizes and awa rds<br />

for her sculptures. Claudio Borghi<br />

(1954), who teaches Sculptural Arts<br />

at the Liceo Artistico in Busto Arsizio<br />

and works with the Scuola Civica di Arti<br />

Visive in Pavia, has participated in<br />

numerous national and international exhibitions.<br />

In Barlassina, he has c reated<br />

a large sculpture in the park for the<br />

Banca di Credito Cooperativo, the<br />

Monument to the Fallen of all W ars<br />

and the baptismal font in the parish<br />

church.<br />

Monza and its province<br />

46

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