Herb Lubalin

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BY PHILL GRIMSHAW Light abcdefghlIklmnopqrstuvwxyz ABOLNHIJKLMIIOPORSTUVWXYZ &fif10*#%$(" 1 ?"---,. ,) 125450890 Bold akdefghijklmnopqrstuvwxyz ABOENHIJKLMNOPOKSTUVWXYZ &fif10*#%$(1?"---,.:;) 1234508,0 "I still had 'tlou The playful ITC Noovo grew out of P still had 'Nouveau' coming out of my Manchester and then got A master's i n design f rom the Royal College of Art in London, works by prefer— ence on paper rather than on the (o "when I was missing the smell of per smooth the edges in ITC Rennie Mack intosh, Or mshaw reveled in drawing Noovo at A relatively small size, retaining the resulting rough edges Noovo is highly stylized, it works AS Glass font at the same time he drew Noovo, an two fonts can CASilg be used togeth e ill Grimsh aw's work on ITC Rennie Mackintosh, when, as he says, "I ars!" Gni pater. He drew Novo after a series of computer—intensive projects, anent MA nd slight fluctuations of line weights in the final font. Although r. ea text fac ' coming out of mg ears." shay, who studied type and lettering under Tony Forster in ker pens and the feel of paper" After the decision to AS well AS in display. Cirimshaw WAS working on his Stained although the letterforms are entirely different, the c -6 H ki r s vv &Q -0 .4 *# %VI 2 4 5 ,6 r( 8 9 0 art- - ___J ■- AgC17EF6-T-41 -11/kil'\!0(17'sql3TTiVliOcT -2,&1 -0-6/a*#76 %1 2,S4.5 6r(890 MEC' 114 31 rrre;g-6114o sv4.3.)sts th-e 4Ash ‘)-6K\r;-6 of Pr Ck, sketchy Calli - KAphy 12y A C01414-61111A14, tkicooli In of( spiAtmKs of itlk All ovK the pAfQ-eK.11/ kAIN4 is coc#11t, q cAllivzAph-eK(Phill 0
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Herb Lubalin

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