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Appendices.pdf - NAACP Legal Defense and Educational Fund, Inc.

Appendices.pdf - NAACP Legal Defense and Educational Fund, Inc.

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Specific Strategies u u u <br />

Verbal<br />

uQuestion 1<br />

In Reading, the first question will always ask for the general<br />

theme of the passage. The correct answer must encompass<br />

the main points without being overly broad. Options A <strong>and</strong> B<br />

are details, not the main theme. Option E, “a brief history of<br />

impressionism,” is too broad. The passage focuses on only<br />

one impressionist painter, Mary Cassatt. Option C looks<br />

attractive, <strong>and</strong> while Cassatt is depicted as an independent<br />

<strong>and</strong> confident woman, which might be considered traits of a<br />

feminist, that term is not used in the passage <strong>and</strong> requires an<br />

inference that is not supported by the passage. Option D is<br />

best. The phrase “development as an artist” includes<br />

Cassatt’s background, education, artistic style, subject<br />

matter, <strong>and</strong> influence on the art world.<br />

u Question 2<br />

The answer to this question is found directly in the reading<br />

passage (lines 14-15): “she felt stifled by the rigid curriculum.”<br />

“Stifled” in this sense means repressed or held back. Option G<br />

restates this idea. Option F is not true (Cassatt’s father did not<br />

want her to study in Europe), <strong>and</strong> Option H, while a true statement,<br />

does not explain why she left her studies. Cassatt had<br />

not yet decided to study with French Impressionists (Option J),<br />

so that cannot be the reason. Option K is not mentioned.<br />

u Question 5<br />

This question requires you to read all of the options <strong>and</strong><br />

choose the best one. Option A was true of all impressionists,<br />

not just Cassatt. The passage provides no evidence that her<br />

friendship with Degas made her unusual among impressionist<br />

painters (Option B). Option C is not true; by joining the<br />

impressionists (called “outsiders” in line 24), she left, not<br />

remained in, the artistic mainstream of her day. Option D is<br />

true of many artists, so it is not what made Cassatt unusual.<br />

Option E is the best answer. Lines 55-57 state, “As a woman<br />

<strong>and</strong> as an American, Cassatt stood virtually alone among the<br />

impressionist painters.” In other words, she was unusual as a<br />

successful female American impressionist painter.<br />

u Question 6<br />

Art collections in the United States are mentioned in the last<br />

paragraph. Cassatt introduced impressionist art from Europe<br />

to her wealthy American friends, thus influencing many of<br />

them to buy it. Option H best summarizes this idea. None<br />

of the other options explain how Cassatt influenced art<br />

collections in the United States.<br />

u Question 3<br />

The mother-child theme in Cassatt’s work is discussed in lines<br />

45-48. It was first suggested by Edgar Degas, a fellow artist,<br />

which is Option C. The other options are not mentioned in the<br />

passage.<br />

u Question 4<br />

The question asks for a description of Cassatt before 1865.<br />

Cassatt began her studies at the Pennsylvania Academy of<br />

Fine Arts in 1861. Four years later, in 1865, she left the academy<br />

to study in Europe. Option F cannot be correct; she was<br />

never interested in fashion <strong>and</strong> social st<strong>and</strong>ing. Options H, J,<br />

<strong>and</strong> K are descriptive of dates much later than 1865. Option<br />

G, “an independent thinker,” best describes the young woman<br />

who left the social world of the upper classes <strong>and</strong> returned to<br />

Europe against her father’s wishes.<br />

25

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