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Distinctly Dutch - New York State Museum

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new york stories<br />

Berenice Abbott’s “Changing <strong>New</strong> <strong>York</strong>”<br />

By Craig Williams<br />

Right: Bread Store on Bleecker<br />

Street (February 3, 1937). This<br />

type of family business was still<br />

common in Abbott’s time.<br />

NYSM H-1940.7.49<br />

Bottom Right: Washington<br />

Square (August 12, 1936). These<br />

19th-century town houses at the<br />

northwest corner of the square are<br />

now part of <strong>New</strong> <strong>York</strong> University.<br />

NYSM H-1940.7.48<br />

Below: Tempo of the City (May<br />

13, 1948). At the corner of Fifth<br />

Avenue and 42nd Street, Abbott<br />

photographed office workers and<br />

shoppers on one of city’s busiest<br />

intersections. NYSM H-1940.7.7<br />

Senior Historian<br />

Craig Williams is<br />

curator of photography<br />

at the <strong>New</strong> <strong>York</strong><br />

<strong>State</strong> <strong>Museum</strong>.<br />

In the 1930s, amidst the hardships<br />

of the Great Depression,<br />

the <strong>State</strong> <strong>Museum</strong> had a<br />

remarkable opportunity. The<br />

federal government’s Works<br />

Progress Administration funded<br />

many of the <strong>Museum</strong>’s activities<br />

in science and history. It also<br />

supported unemployed artists<br />

and scholars across <strong>New</strong> <strong>York</strong><br />

state. The <strong>Museum</strong>’s director,<br />

Charles Adams, linked these<br />

WPA-sponsored programs<br />

to bring exhibitions to the<br />

<strong>State</strong> <strong>Museum</strong>.<br />

The first of these occurred<br />

in the summer of 1938 with<br />

“Changing <strong>New</strong> <strong>York</strong>,” Berenice<br />

Abbott’s remarkable photographic<br />

documentation of <strong>New</strong><br />

<strong>York</strong> City. Abbott had returned<br />

to <strong>New</strong> <strong>York</strong> City from Europe in<br />

1929, and the changes she saw<br />

in the city’s landscape inspired<br />

her. First on her own and later<br />

with support from the WPA’s<br />

Federal Art Project, Abbott<br />

carefully photographed the<br />

city. The loan exhibit of these<br />

photographs was a great<br />

success at the <strong>State</strong> <strong>Museum</strong>.<br />

Recognizing the richness of<br />

Abbott’s documentation of <strong>New</strong><br />

<strong>York</strong>, Adams was convinced that<br />

the <strong>State</strong> <strong>Museum</strong> should have<br />

a set of her prints. With the<br />

support of Abbott and her<br />

partner, Elizabeth McCausland,<br />

Adams obtained the backing of<br />

Governor Lehman to acquire a<br />

set of the Abbott prints from<br />

the WPA in 1940. Many of<br />

these original prints are being<br />

featured in the <strong>Museum</strong>’s<br />

current exhibition, Berenice<br />

Abbott’s Changing <strong>New</strong> <strong>York</strong>:<br />

A Triumph of Public Art. n<br />

20 n Legacy

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