Distinctly Dutch - New York State Museum
Distinctly Dutch - New York State Museum
Distinctly Dutch - New York State Museum
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new york stories<br />
Berenice Abbott’s “Changing <strong>New</strong> <strong>York</strong>”<br />
By Craig Williams<br />
Right: Bread Store on Bleecker<br />
Street (February 3, 1937). This<br />
type of family business was still<br />
common in Abbott’s time.<br />
NYSM H-1940.7.49<br />
Bottom Right: Washington<br />
Square (August 12, 1936). These<br />
19th-century town houses at the<br />
northwest corner of the square are<br />
now part of <strong>New</strong> <strong>York</strong> University.<br />
NYSM H-1940.7.48<br />
Below: Tempo of the City (May<br />
13, 1948). At the corner of Fifth<br />
Avenue and 42nd Street, Abbott<br />
photographed office workers and<br />
shoppers on one of city’s busiest<br />
intersections. NYSM H-1940.7.7<br />
Senior Historian<br />
Craig Williams is<br />
curator of photography<br />
at the <strong>New</strong> <strong>York</strong><br />
<strong>State</strong> <strong>Museum</strong>.<br />
In the 1930s, amidst the hardships<br />
of the Great Depression,<br />
the <strong>State</strong> <strong>Museum</strong> had a<br />
remarkable opportunity. The<br />
federal government’s Works<br />
Progress Administration funded<br />
many of the <strong>Museum</strong>’s activities<br />
in science and history. It also<br />
supported unemployed artists<br />
and scholars across <strong>New</strong> <strong>York</strong><br />
state. The <strong>Museum</strong>’s director,<br />
Charles Adams, linked these<br />
WPA-sponsored programs<br />
to bring exhibitions to the<br />
<strong>State</strong> <strong>Museum</strong>.<br />
The first of these occurred<br />
in the summer of 1938 with<br />
“Changing <strong>New</strong> <strong>York</strong>,” Berenice<br />
Abbott’s remarkable photographic<br />
documentation of <strong>New</strong><br />
<strong>York</strong> City. Abbott had returned<br />
to <strong>New</strong> <strong>York</strong> City from Europe in<br />
1929, and the changes she saw<br />
in the city’s landscape inspired<br />
her. First on her own and later<br />
with support from the WPA’s<br />
Federal Art Project, Abbott<br />
carefully photographed the<br />
city. The loan exhibit of these<br />
photographs was a great<br />
success at the <strong>State</strong> <strong>Museum</strong>.<br />
Recognizing the richness of<br />
Abbott’s documentation of <strong>New</strong><br />
<strong>York</strong>, Adams was convinced that<br />
the <strong>State</strong> <strong>Museum</strong> should have<br />
a set of her prints. With the<br />
support of Abbott and her<br />
partner, Elizabeth McCausland,<br />
Adams obtained the backing of<br />
Governor Lehman to acquire a<br />
set of the Abbott prints from<br />
the WPA in 1940. Many of<br />
these original prints are being<br />
featured in the <strong>Museum</strong>’s<br />
current exhibition, Berenice<br />
Abbott’s Changing <strong>New</strong> <strong>York</strong>:<br />
A Triumph of Public Art. n<br />
20 n Legacy