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Distinctly Dutch - New York State Museum

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museum news<br />

Exhibition Explores Hudson’s Voyage<br />

and Its Legacy<br />

This cannon (NYSM H-1937.4.1) was made<br />

in 1630 in Amsterdam and may have been<br />

sent to Fort Orange that same year. In 1663,<br />

at the outbreak of the Second Esopus War,<br />

Jeremias van Rensselaer demanded the<br />

return of a cannon previously lent to the<br />

<strong>Dutch</strong> West India Company, and this one<br />

may have been sent by mistake. The logo of<br />

the company is found on the cannon’s barrel.<br />

The cannon remained in the van Rensselaer<br />

family, and according to tradition, was only<br />

used to announce the birth of a male heir,<br />

until it was bequeathed to the <strong>Museum</strong> in<br />

1939 by Mrs. William B. van Rensselaer.<br />

Must-See<br />

Exhibitions<br />

1609<br />

Opens July 3<br />

Mapping the Birds<br />

of <strong>New</strong> <strong>York</strong>:<br />

The Second Atlas of<br />

Breeding Birds in<br />

<strong>New</strong> <strong>York</strong> <strong>State</strong><br />

Through August 16<br />

Berenice Abbott’s<br />

Changing <strong>New</strong> <strong>York</strong>:<br />

A Triumph of Public Art<br />

Through October 4<br />

An upcoming exhibition at the <strong>State</strong><br />

<strong>Museum</strong> investigates, presents, and<br />

celebrates 400 years since the 1609<br />

voyage of Henry Hudson.<br />

The aptly named 1609 opens July 3 and will<br />

be the featured exhibition at the <strong>Museum</strong> during<br />

its eight-month stay. The exhibition introduces<br />

visitors to information about Henry Hudson,<br />

Native People of <strong>New</strong> <strong>York</strong>, and the <strong>Dutch</strong> period<br />

in <strong>New</strong> <strong>York</strong> by dispelling some commonly held<br />

myths and showing the legacy these groups have<br />

left to residents of <strong>New</strong> <strong>York</strong> state and to the<br />

nation as a whole.<br />

The <strong>New</strong> <strong>York</strong> <strong>State</strong> <strong>Museum</strong> collaborated<br />

with the <strong>State</strong> Archives, <strong>State</strong> Library, and Office<br />

of Educational Television and Public Broadcasting<br />

on 1609, and these institutions provided additional<br />

expertise, documents, and artifacts for the<br />

exhibition. Archaeologist Dr. James Bradley, an<br />

expert on Native Americans, Russell Shorto,<br />

an authority on colonial <strong>Dutch</strong> history, and Steven<br />

Comer, a Mohican Indian living within the original<br />

territory of the Mohican people, consulted on the<br />

project. The exhibition will also feature paintings<br />

by Capital District historical artist L.F. Tantillo.<br />

1609 presents two very different 17th-century<br />

worlds: the world of Henry Hudson and the <strong>Dutch</strong><br />

and the world of the Native People of <strong>New</strong> <strong>York</strong>.<br />

The exhibition investigates the myths that Hudson<br />

deliberately set out to discover a new land and that<br />

Native People were happy to see these newcomers.<br />

It looks at the interaction of these two cultures<br />

living in <strong>New</strong> Netherland and addresses the fallacy<br />

that Europeans took advantage of Native People<br />

and destroyed their culture. The exhibition gives<br />

visitors a view of the trade-oriented existence of<br />

<strong>New</strong> Netherland’s residents, both European and<br />

Native, and show how Native People adapted to<br />

these new people and materials in their world.<br />

The exhibition concludes with an educational<br />

and fun view of all things <strong>New</strong> <strong>York</strong> left to us by<br />

the <strong>Dutch</strong> and Native Peoples of four centuries past.<br />

Visitors can explore and discover the origins in <strong>New</strong><br />

<strong>York</strong> of contemporary cultural mainstays, such as<br />

street plans, community names, holiday celebrations,<br />

cultural diversity, and religious and cultural tolerance.<br />

In addition, the exhibition takes a look at two harsh<br />

realities of this cultural interaction: the introduction<br />

of European-style slavery and the displacement of<br />

<strong>New</strong> <strong>York</strong>’s Native People from their homelands. The<br />

exhibition will be on view through March 7, 2010. n<br />

– Michelle Stefanik, Exhibition Planner<br />

Upcoming<br />

Exhibitions<br />

Through the Eyes<br />

of Others<br />

African Americans and<br />

Identity in American Art<br />

Opens September 8<br />

This Great Nation<br />

Will Endure<br />

Opens October 2009<br />

For more details on<br />

the exhibitions, go to<br />

www.nysm.nysed.gov.<br />

Summer 2009 n 3

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