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Essence and Cause in Plotinus

Essence and Cause in Plotinus

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dialectic through the method of division reveals what the Forms are, i.e., it reveals their<br />

def<strong>in</strong>ition. The method of division is therefore a suitable c<strong>and</strong>idate for the activity of unfold<strong>in</strong>g<br />

the Forms, for it can reveal the way <strong>in</strong> which each Form is related to the others (<strong>and</strong> hence to the<br />

whole of the <strong>in</strong>telligible world).<br />

Let us focus now our attention to the notion of cause. For, it would be natural to ask<br />

what k<strong>in</strong>d of causal role is to be ascribed to the Forms. Given the complexity of this problem, it<br />

is only possible to draw a map of the suggestions presented <strong>in</strong> some of the texts analysed <strong>in</strong> this<br />

paper. 27 In particular, accord<strong>in</strong>g to our text (2), it is possible to f<strong>in</strong>d the follow<strong>in</strong>g<br />

characterisation of the Forms’ causality. The general idea is that there are (at least) two ways <strong>in</strong><br />

which one can say that Forms are causes. The first is that Forms are causes for sensible items. It<br />

is a possibility that Plot<strong>in</strong>us is here referr<strong>in</strong>g to someth<strong>in</strong>g like the Platonic view that sensible<br />

items partake of Forms: Forms provide the ontological grounds of particulars that partake of<br />

them. But it is more plausible to suspect that Plot<strong>in</strong>us could offer his personal elaboration about<br />

the relationship between Forms <strong>and</strong> sensible items: the essence of a sensible object could be<br />

determ<strong>in</strong>ed by reflection of an <strong>in</strong>telligible Form. 28 If this is correct, then it is <strong>in</strong> this latter sense<br />

that, accord<strong>in</strong>g to Plot<strong>in</strong>us, Forms are the ontological grounds of the particulars. However, given<br />

that it is not Plot<strong>in</strong>us’ primary concern to go <strong>in</strong>to the details of the relationship between Forms<br />

<strong>and</strong> sensible items <strong>in</strong> the last l<strong>in</strong>es of our text (2), we can turn to the second way <strong>in</strong> which Forms<br />

are causes.<br />

This second way <strong>in</strong> which Forms are causes is still difficult to def<strong>in</strong>e. We are deal<strong>in</strong>g<br />

with a different k<strong>in</strong>d of causality, as sensible items are not <strong>in</strong>volved: this is the k<strong>in</strong>d of causality<br />

that one f<strong>in</strong>ds when one unfolds a Form.<br />

When we focus on this second way <strong>in</strong> which Forms are causes, a complex picture<br />

presents itself. For our present purposes, it suffices to del<strong>in</strong>eate only some of its traits. A<br />

characteristic feature of Plot<strong>in</strong>us’ Forms is that they do not depend on other th<strong>in</strong>gs that are not<br />

<strong>in</strong>telligible be<strong>in</strong>gs. Still, at the same time, Forms should not be taken <strong>in</strong> isolation: they are to be<br />

taken <strong>in</strong> their mutual relations (<strong>in</strong> particular <strong>in</strong> their relations with the primary genera) <strong>and</strong><br />

hence <strong>in</strong> their <strong>in</strong>terconnection with the whole of the <strong>in</strong>telligible world. Hence, there is a certa<strong>in</strong><br />

k<strong>in</strong>d of dependence of the Forms on the <strong>in</strong>telligible world. Accord<strong>in</strong>gly, when one comes to<br />

grasp the essence <strong>and</strong> the cause <strong>in</strong> the unfold<strong>in</strong>g of the Form, one underst<strong>and</strong>s what the Form is<br />

by grasp<strong>in</strong>g how it is related to (<strong>and</strong> dependent on) other Forms (<strong>in</strong> particular, the primary<br />

genera). One thereby grasps the connections <strong>and</strong> the <strong>in</strong>terrelations between different elements<br />

of the <strong>in</strong>telligible world. If one were to push this view even further, one would be tempted to see<br />

<strong>in</strong> Plot<strong>in</strong>us a holistic view of universals. 29 However, this thesis needs to be more extensively<br />

argued for, <strong>and</strong> it constitutes an <strong>in</strong>terest<strong>in</strong>g <strong>and</strong> fruitful start<strong>in</strong>g po<strong>in</strong>t for a new research. 30<br />

27 The topic of the Forms’ causality is discussed (among others) <strong>in</strong> Wagner [1982] <strong>and</strong> <strong>in</strong> D’Ancona Costa<br />

[1992].<br />

28 This po<strong>in</strong>t is discussed <strong>in</strong> Kalligas [1997], 399-400.<br />

29 Plot<strong>in</strong>us’ holism has been recently discussed <strong>in</strong> Emillson [2007], 199-207.<br />

30 I would like to thank the many colleagues <strong>and</strong> friends who read previous drafts of this paper <strong>and</strong> made<br />

extremely helpful suggestions. I am particularly grateful to David Charles, Paolo Crivelli, Michel Frede,<br />

Pavlos Kalligas, <strong>and</strong> the anonymous referee.<br />

17

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