22.05.2014 Views

Essence and Cause in Plotinus

Essence and Cause in Plotinus

Essence and Cause in Plotinus

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Essence</strong> <strong>and</strong> <strong>Cause</strong> <strong>in</strong> Plot<strong>in</strong>us’<br />

Ennead VI.7 [38] 2:<br />

an outl<strong>in</strong>e of some problems<br />

Dr Annamaria Schiaparelli<br />

The Queen’s College, Oxford<br />

This piece will appear <strong>in</strong> 2008 <strong>in</strong> ʹDef<strong>in</strong>ition <strong>in</strong> Ancient Philosophyʹ, edited by<br />

David Charles (OUP).


ESSENCE AND CAUSE IN PLOTINUS’ ENNEAD VI.7 [38] 2:<br />

AN OUTLINE OF SOME PROBLEMS<br />

Annamaria Schiaparelli<br />

The Queen’s College, Oxford<br />

Introduction<br />

The notions of essence <strong>and</strong> cause are widely discussed <strong>in</strong> philosophy: they are central themes of<br />

philosophical speculation <strong>in</strong> Antiquity as well as nowadays. However, these notions are also<br />

highly problematic: although many attempts have been made, it is still difficult to fully capture<br />

<strong>and</strong> underst<strong>and</strong> them. Furthermore, when one tries to analyse the relation between essence <strong>and</strong><br />

cause, the task becomes even more challeng<strong>in</strong>g.<br />

In Antiquity, the notion of def<strong>in</strong>ition was closely connected to that of essence: at least<br />

from Aristotle onwards, it was generally assumed that the def<strong>in</strong>ition reveals or expresses the<br />

essence.<br />

Given the complexity of these philosophical problems, <strong>in</strong> this paper I shall conf<strong>in</strong>e the<br />

discussion to some aspects of the notions of essence <strong>and</strong> cause (<strong>and</strong> their relation) as they are<br />

presented <strong>in</strong> Plot<strong>in</strong>us’ Ennead VI.7 [38] 2. In some passages of this treatise, Plot<strong>in</strong>us’<br />

philosophical speculation has two aspects: there is an important Platonic background (as one<br />

would normally expect), but Plot<strong>in</strong>us seems also to make use of certa<strong>in</strong> Aristotelian theses about<br />

knowledge of the essence <strong>and</strong> knowledge of the cause. S<strong>in</strong>ce scholars have already explored the<br />

significance of the Platonic background, 1 I shall focus on the <strong>in</strong>fluence of Aristotle’s viewpo<strong>in</strong>t<br />

on Plot<strong>in</strong>us’ discussion. For this reason, some Aristotelian texts will also be presented. My aim<br />

is to br<strong>in</strong>g evidence <strong>in</strong> support of the view that Plot<strong>in</strong>us is <strong>in</strong>terested <strong>in</strong> apply<strong>in</strong>g (at least part<br />

of) the Aristotelian conceptual apparatus <strong>in</strong> his analysis on the causality of Forms.<br />

1. The Platonic background: the causal structure of sensible phenomena<br />

S<strong>in</strong>ce, as I have said, the Platonic background of Plot<strong>in</strong>us’ views on causation has been widely<br />

explored, I shall restrict myself here to a brief outl<strong>in</strong>e of that background.<br />

Some of the ma<strong>in</strong> themes of Plot<strong>in</strong>us’ discussion <strong>in</strong> VI.7 [38] 2 are <strong>in</strong>troduced <strong>in</strong> the<br />

first chapter of the treatise, where Plot<strong>in</strong>us engages himself <strong>in</strong> certa<strong>in</strong> exegetical problems<br />

aris<strong>in</strong>g from Plato’s Timaeus. In VI.7 [38] 1, the start<strong>in</strong>g po<strong>in</strong>t of Plot<strong>in</strong>us’ philosophical<br />

speculation is Plato’s description of the activity of the craftsman (<strong>and</strong> the other gods) when the<br />

world’s body (i.e., the sensible universe) was formed. 2 Plot<strong>in</strong>us is also concerned with the<br />

1 E.g., Hadot [1988], D’Ancona Costa [1992].<br />

2 A detailed reconstruction of the significance <strong>and</strong> the role of the demiurgos <strong>in</strong> the Neoplatonic tradition can<br />

be found <strong>in</strong> O’Meara [1975].<br />

1


formation of the human body <strong>and</strong> its sense organs. However, Plot<strong>in</strong>us does not seem to be<br />

<strong>in</strong>terested <strong>in</strong> the details of how this formation came about. For example, he is not <strong>in</strong>terested <strong>in</strong><br />

how the gods assembled head <strong>and</strong> limbs. Rather, he addresses the question of whether the fact<br />

that a human body has sense organs depends on some forethought present <strong>in</strong> the gods’ m<strong>in</strong>ds. 3<br />

The answer is clear <strong>and</strong> straightforward: Plato’s suggestion that there is some plann<strong>in</strong>g <strong>in</strong> the<br />

gods’ m<strong>in</strong>ds should not be taken literally. For, accord<strong>in</strong>g to Plot<strong>in</strong>us, there is forethought <strong>in</strong> the<br />

case of neither liv<strong>in</strong>g th<strong>in</strong>gs nor the universe (VI.7 [38] 1.30).<br />

The question of what causes the sensible universe to have a certa<strong>in</strong> structure is left<br />

open: if Plot<strong>in</strong>us dismisses the idea of there be<strong>in</strong>g any forethought <strong>in</strong> the case of <strong>in</strong>telligible<br />

world, he needs to provide us with an alternative suggestion. If this is the case, then one of<br />

Plot<strong>in</strong>us’ tasks is to search for an account of how <strong>in</strong> the sensible world there are certa<strong>in</strong><br />

characteristics. He needs to provide an account of the causal structure of sensible phenomena.<br />

His view can be only partially summarised here: his <strong>in</strong>terest<strong>in</strong>g proposal is that the natural<br />

phenomena’s causal structure will provide us with a certa<strong>in</strong> image of the <strong>in</strong>telligible world. This<br />

image will not be complete for two reasons: the first is that (given the nature of our soul) we<br />

could never reach a complete grasp of the <strong>in</strong>telligible world; the second is that the sensible<br />

world conta<strong>in</strong>s a number of cont<strong>in</strong>gencies that are foreign to the <strong>in</strong>telligible world.<br />

The issues that arise from Plot<strong>in</strong>us’ exegetical task <strong>in</strong> VI.7 [38] 1 <strong>and</strong> 2 are <strong>in</strong>tertw<strong>in</strong>ed<br />

with a philosophical reflection on the notion of causality. S<strong>in</strong>ce it rema<strong>in</strong>s unclear from the<br />

outset what type of causality Plot<strong>in</strong>us has <strong>in</strong> m<strong>in</strong>d, I shall need to mention some more Platonic<br />

background. In particular some passages <strong>in</strong> the Phaedo will be briefly exam<strong>in</strong>ed. I shall focus<br />

only on the issues that are related to our discussion.<br />

In a well known section of this dialogue, Plato says that Socrates was look<strong>in</strong>g for the<br />

causes of sensible th<strong>in</strong>gs <strong>and</strong> natural phenomena. However, he was not look<strong>in</strong>g for their<br />

material or mechanical causes. As a result of his <strong>in</strong>vestigations, Plato offers two accounts of the<br />

notion of aitia. Both accounts are said to present a safe (a)sfalh=) aitia. However, the first is a<br />

safe but trivial (a)maqh=) aitia whereas the second is a safe <strong>and</strong> cleverer (komyote/ra) aitia. In his<br />

description of the safe but trivial aitia, Plato claims ‘the one th<strong>in</strong>g that makes the other th<strong>in</strong>gs<br />

beautiful is the presence of or the association (…) with absolute beauty’. That is to say, it is<br />

only by referr<strong>in</strong>g to the Form <strong>and</strong> to the relation between the Form <strong>and</strong> a particular that we can<br />

have a better grip on what causes the particular to have a certa<strong>in</strong> characteristic (Phaedo 100c6-7,<br />

101c4-5). 4<br />

The case of the safe <strong>and</strong> cleverer aitia is different. For example, if one were to ask <strong>in</strong><br />

virtue of what a body becomes hot, the answer would no longer be (that it becomes hot) <strong>in</strong><br />

virtue of its association with heat. This answer would be true but trivial. The appropriate answer<br />

is that a body becomes warm <strong>in</strong> virtue of a certa<strong>in</strong> relation with the fire (Phaedo 105b8-c1). It is<br />

clear that the difference between the two accounts of aitia can be expressed along the follow<strong>in</strong>g<br />

3 The Timaeus’ passage that Plot<strong>in</strong>us seems to have <strong>in</strong> m<strong>in</strong>d is the follow<strong>in</strong>g: ‘Our present subject must be<br />

treated <strong>in</strong> more details <strong>and</strong> its prelim<strong>in</strong>aries, concern<strong>in</strong>g the generation of bodies, part by part, <strong>and</strong><br />

concern<strong>in</strong>g soul, <strong>and</strong> the reason <strong>and</strong> the forethought of gods produc<strong>in</strong>g them-of all this we must go on to<br />

tell on the pr<strong>in</strong>ciple of hold<strong>in</strong>g fast to the most likely account.’ (Ti. 44c 4- d1, Cornford translation).<br />

4 The role of the Forms <strong>in</strong> Plato’s Pheado has been the subject of much discussion: see (e.g.) Vlastos [1968],<br />

Bostock [1986], F<strong>in</strong>e [1987], Matthews/Blackson [1989], Irw<strong>in</strong> [1995].<br />

2


l<strong>in</strong>es: the account of the safe but trivial aitia mentions the relation between a particular <strong>and</strong> the<br />

Form directly responsible for a certa<strong>in</strong> characteristic that the particular possesses. The account<br />

of the safe <strong>and</strong> cleverer aitia presents a more complex picture, which <strong>in</strong>troduces a third factor<br />

alongside the particular with its characteristic <strong>and</strong> the Form. (It rema<strong>in</strong>s unclear whether the<br />

third factor is a further Form.)<br />

In both accounts, the notion of aitia is not fully characterised. It presents (at least) two<br />

problems. The first is that it is difficult to f<strong>in</strong>d a suitable translation: the English word cause is<br />

perhaps the closest. However, the notion of causality that is here <strong>in</strong>volved suggests someth<strong>in</strong>g<br />

more than a form of rational explanation. This br<strong>in</strong>gs us to the second problem. One is then led<br />

to wonder <strong>in</strong> what sense, for Plato, Forms are aitiai of the characteristics that particulars possess<br />

by participat<strong>in</strong>g <strong>in</strong> them. Several answers are possible, <strong>and</strong> it is hard to choose between them.<br />

Still, the follow<strong>in</strong>g can be argued with some plausibility. The Forms play the metaphysical role<br />

of provid<strong>in</strong>g the ‘ontological ground’ of particulars (<strong>in</strong> the sense that particulars depend on the<br />

Forms for their be<strong>in</strong>g <strong>and</strong> for be<strong>in</strong>g what they are): it is <strong>in</strong> this sense that Forms can be called<br />

causes of particulars. 5 Furthermore, these metaphysical entities have an epistemological<br />

function: as we read <strong>in</strong> Republic V, Forms are the objects of knowledge. And it is <strong>in</strong> virtue of<br />

their epistemological function that they do the explanatory work.<br />

In Plot<strong>in</strong>us’ discussion we f<strong>in</strong>d a trace of these problems. For, <strong>in</strong> the context of<br />

VI.7 [38] 1 <strong>and</strong> 2, the notion of aitia is not fully characterized. Hence, one wonders what notion<br />

Plot<strong>in</strong>us has <strong>in</strong> m<strong>in</strong>d when he speaks of aitia. Plot<strong>in</strong>us does not seem to dist<strong>in</strong>guish between<br />

different senses of this term. This strikes us as particularly perplex<strong>in</strong>g, for there is evidence that<br />

Plot<strong>in</strong>us is acqua<strong>in</strong>ted with the Aristotelian discussion about the different ways <strong>in</strong> which<br />

someth<strong>in</strong>g can be the cause of someth<strong>in</strong>g else.<br />

Plot<strong>in</strong>us’ outlook on the causal structure of the sensible world can be summarized by<br />

say<strong>in</strong>g that sensible items <strong>and</strong> natural phenomena are ontologically dependent on the <strong>in</strong>telligible<br />

world. Therefore, it is at the <strong>in</strong>telligible world that we should look if we want to f<strong>in</strong>d the causes<br />

of sensible phenomena (<strong>in</strong> the Platonic sense of ‘ontological ground’). Plot<strong>in</strong>us presents some<br />

details of how this has to be understood <strong>in</strong> a difficult discussion <strong>in</strong> VI.7 [38] 2.<br />

2. <strong>Essence</strong>s <strong>and</strong> causes <strong>in</strong> Ennead VI.7 [38] 2: The identity between someth<strong>in</strong>g <strong>and</strong> its cause<br />

At the beg<strong>in</strong>n<strong>in</strong>g of VI.7 [38] 2 Plot<strong>in</strong>us holds that <strong>in</strong> the <strong>in</strong>telligible world there is no<br />

dist<strong>in</strong>ction between Forms <strong>and</strong> their causes: he expresses this po<strong>in</strong>t by say<strong>in</strong>g that <strong>in</strong> the<br />

<strong>in</strong>telligible world the ‘that’ (oÀti) co<strong>in</strong>cides with the ‘why’ (dio/ti). 6<br />

5 This <strong>in</strong>terpretation is based on Vlastos’ detailed reconstruction of the central section of the Phaedo <strong>in</strong> his<br />

[1968], the <strong>in</strong>fluential paper ‘Reason <strong>and</strong> <strong>Cause</strong>s <strong>in</strong> the Phaedo’.<br />

6 When Plot<strong>in</strong>us draws the dist<strong>in</strong>ction between the ‘that’ <strong>and</strong> the ‘why’, he uses Aristotelian term<strong>in</strong>ology: the<br />

dist<strong>in</strong>ction between dio/ti <strong>and</strong> oÀti was <strong>in</strong>troduced <strong>in</strong> APo. 78 a 22. From l<strong>in</strong>e 9 to the end of the chapter,<br />

Plot<strong>in</strong>us uses dia\ ti¿ <strong>in</strong> place of dio/ti. Grammatically, dio/ti is equivalent to dia\ tou=to, oÀti (‘on account of<br />

this, that...’). They both refer to the same philosophical notion, i.e., the notion of cause. In this context dio/ti<br />

<strong>and</strong> dia\ ti¿ seem to be merely stylistic variants.<br />

3


However, for us <strong>in</strong> the sensible world it is not possible to grasp the structure of reality<br />

<strong>in</strong> the way <strong>in</strong> which it is present <strong>in</strong> the <strong>in</strong>telligible world. For, we have a different mode of<br />

th<strong>in</strong>k<strong>in</strong>g. In general, it is a characteristic of our mode of th<strong>in</strong>k<strong>in</strong>g that we do not ga<strong>in</strong> knowledge<br />

by immediate apprehension. Our mode of th<strong>in</strong>k<strong>in</strong>g <strong>in</strong>volves a transition from one thought to<br />

another. In virtue of this characteristic, we do not grasp someth<strong>in</strong>g <strong>and</strong> its cause together. That<br />

is to say (paraphras<strong>in</strong>g Plot<strong>in</strong>us), we need to dist<strong>in</strong>guish (at least conceptually) between the<br />

‘that’ (oÀti) <strong>and</strong> the ‘why’ (dio/ti).<br />

In VI.7 [38] 2, Plot<strong>in</strong>us seems to <strong>in</strong>troduce a parallel between the <strong>in</strong>telligible world <strong>and</strong><br />

our (sensible) world. He says:<br />

Text (1) VI.7 [38] 2<br />

¹EkeiÍ d' e)n e(niì pa/nta, wÐste tau)to\n to\ pra=gma kaiì to\ "dia\ 10<br />

ti¿" tou= pra/gmatoj. Pollaxou= de\ kaiì e)ntau=qa to\ pra=gma<br />

kaiì to\ "dia\ ti¿" tau)to/n, oiâon ti¿ e)st<strong>in</strong> eÃkleiyij.<br />

But there all are <strong>in</strong> one, so that the object <strong>and</strong> the reason why of the<br />

object are the same. But <strong>in</strong> many cases here too the object<br />

<strong>and</strong> the reason why are the same, as for example what an eclipse is.<br />

Let us beg<strong>in</strong> the analysis of these l<strong>in</strong>es with some philological <strong>and</strong> term<strong>in</strong>ological<br />

remarks. No variant read<strong>in</strong>gs are pr<strong>in</strong>ted <strong>in</strong> the editions of Henry <strong>and</strong> Schwyzer. In this chapter,<br />

Plot<strong>in</strong>us seems to use <strong>in</strong>terchangeably dia\ ti¿, dia\ tou=to, <strong>and</strong> aiãtion, the last of which I translate<br />

with ‘cause’ whilst reserv<strong>in</strong>g ‘the reason why’ for the other two. However, <strong>in</strong> my discussion I<br />

shall follow Plot<strong>in</strong>us’ lead <strong>and</strong> use ‘cause’ <strong>and</strong> ‘reason why’ <strong>in</strong>terchangeably. I have rendered<br />

pra=gma with ‘object’: <strong>in</strong> a dar<strong>in</strong>gly loose paraphrase, one could render to\ pra=gma kaiì to\ "dia\ ti¿"<br />

tou= pra/gmatoj as ‘x <strong>and</strong> the cause of x’.<br />

One read<strong>in</strong>g of the passage suggests the follow<strong>in</strong>g <strong>in</strong>terpretation. In the first sentence of<br />

our text, Plot<strong>in</strong>us states that <strong>in</strong> the <strong>in</strong>telligible world (e)keiÍ) there is identity between someth<strong>in</strong>g<br />

<strong>and</strong> its cause. This is a consequence of the fact that (<strong>in</strong> the <strong>in</strong>telligible world) there is the unity<br />

of all th<strong>in</strong>gs (this unity is one of the basic tenets <strong>in</strong> the Plot<strong>in</strong>ian metaphysics). It seems<br />

plausible to suggest that when he talks about identity between someth<strong>in</strong>g <strong>and</strong> its cause <strong>in</strong> the<br />

<strong>in</strong>telligible world, Plot<strong>in</strong>us means that x <strong>and</strong> the cause of x are identical; s<strong>in</strong>ce <strong>in</strong> the <strong>in</strong>telligible<br />

world there is no dist<strong>in</strong>ction between someth<strong>in</strong>g <strong>and</strong> its essence, then Plot<strong>in</strong>us’ claim seems to<br />

be that (<strong>in</strong> the <strong>in</strong>telligible world) essences <strong>and</strong> cause are identical. In the second sentence,<br />

Plot<strong>in</strong>us turns his attention to the sensible world (e)ntau=qa). In particular, he is concerned with<br />

one aspect of the sensible world. He seems to be <strong>in</strong>terested <strong>in</strong> the cases <strong>in</strong> which there is identity<br />

between someth<strong>in</strong>g <strong>and</strong> its cause (to\ pra=gma kaiì to\ "dia\ ti¿" tau)to/n). This identity would be a<br />

feature that the sensible world shares with the <strong>in</strong>telligible world. Furthermore, Plot<strong>in</strong>us’ words<br />

suggest that the example of the eclipse should constitute a paradigmatic case that will show how<br />

it is possible to speak about identity between someth<strong>in</strong>g <strong>and</strong> its cause <strong>in</strong> the sensible world.<br />

It is very likely that when Plot<strong>in</strong>us refers to the case of the eclipse, he has <strong>in</strong> m<strong>in</strong>d a<br />

piece of Aristotelian doctr<strong>in</strong>e. Let me briefly recall this piece of doctr<strong>in</strong>e. It is well known that<br />

the case of the eclipse is one of Aristotle’s favourite examples <strong>in</strong> his discussion of the practices<br />

4


of def<strong>in</strong>ition <strong>and</strong> demonstration <strong>in</strong> the Posterior Analytics. 7 In APo. 90 a 14-16, Aristotle writes:<br />

‘For <strong>in</strong> all these cases it is clear that what it is <strong>and</strong> why it is are the same. What is an eclipse?<br />

Privation of light from the moon by the screen<strong>in</strong>g of the earth. Why is there an eclipse? Or why<br />

is the moon eclipsed? Because the light fails it when the earth screens it’. Furthermore, Aristotle<br />

uses the example of the eclipse <strong>in</strong> the Metaphysics when he exam<strong>in</strong>es the general structure of an<br />

explanation. In Metaph. H 4, 1044 b 10, he writes: ‘The formal pr<strong>in</strong>ciple is the account, but it is<br />

obscure if it does not <strong>in</strong>clude the cause. E.g., what is an eclipse? Deprivation of light. But if we<br />

add ‘‘by <strong>in</strong>terposition of the earth’’, this is the account which <strong>in</strong>cludes the cause.’ The<br />

Aristotelian doctr<strong>in</strong>e, which Plot<strong>in</strong>us refers to, is well known, <strong>and</strong> has been <strong>in</strong>terpreted <strong>in</strong> many<br />

different ways. 8 On the <strong>in</strong>terpretation of it adopted here, Aristotle claims that the ‘what it is’ of<br />

the eclipse is the privation of light from the moon because of the screen<strong>in</strong>g of the earth. Then,<br />

the cause of the eclipse is the screen<strong>in</strong>g of the earth.<br />

Let us go back to our text (1), <strong>and</strong> let us see whether it is possible to say someth<strong>in</strong>g<br />

more about the claim that ‘<strong>in</strong> many cases here too the object <strong>and</strong> the reason why are the same, as<br />

for example what an eclipse is’. It is important to notice that, at the beg<strong>in</strong>n<strong>in</strong>g of l<strong>in</strong>e 11, it is<br />

clearly stated that the <strong>in</strong> the sensible world the identity between someth<strong>in</strong>g <strong>and</strong> its cause holds<br />

<strong>in</strong> many cases (pollaxou=). One then wonders <strong>in</strong> what other cases (<strong>in</strong> the sensible world) this<br />

identity holds. A highly attractive possibility is that Plot<strong>in</strong>us refers (at least) to the other cases<br />

mentioned by Aristotle. Thus, if this is correct we have a collection of th<strong>in</strong>gs <strong>in</strong> the sensible<br />

world for which the identity with their causes hold. At this po<strong>in</strong>t, one would be tempted to<br />

<strong>in</strong>quire even more <strong>in</strong>to the nature of this collection of th<strong>in</strong>gs. However, this would not be a<br />

fruitful route to take: for, as we shall see shortly, Plot<strong>in</strong>us is ready to make this collection even<br />

wider.<br />

Let me consider aga<strong>in</strong> this <strong>in</strong>terpretation of our text (1). This read<strong>in</strong>g suggests that<br />

Plot<strong>in</strong>us <strong>in</strong>troduces the parallel between <strong>in</strong>telligible <strong>and</strong> sensible world to make an ontological<br />

dist<strong>in</strong>ction. If this is the case, then Plot<strong>in</strong>us is dist<strong>in</strong>guish<strong>in</strong>g between <strong>in</strong>telligible realities <strong>and</strong><br />

items <strong>in</strong> the sensible world. He is say<strong>in</strong>g that the <strong>in</strong>telligible realities are one <strong>and</strong> the same with<br />

their causes (l<strong>in</strong>es 10-11). He then adds that <strong>in</strong> many cases items <strong>in</strong> the sensible world also are<br />

one <strong>and</strong> the same with their causes (l<strong>in</strong>es 11-12).<br />

However, as it st<strong>and</strong>s, the claim that items <strong>in</strong> the sensible world are one <strong>and</strong> the same<br />

with their causes can raise a difficulty. For, <strong>in</strong> a Plot<strong>in</strong>ian perspective, the cause (i.e., the<br />

ontological ground) of a sensible item cannot itself be a sensible item. A sensible item has its<br />

cause (i.e., its ontological ground) <strong>in</strong> the <strong>in</strong>telligible world. It is not possible that the sensible<br />

item is one <strong>and</strong> the same with its cause <strong>in</strong> the same sense <strong>in</strong> which a Form is one <strong>and</strong> the same<br />

with its cause. Hence, the claim that there is identity between items <strong>in</strong> the sensible world <strong>and</strong><br />

their causes needs to be properly qualified. In order to try <strong>and</strong> give a better underst<strong>and</strong> of<br />

Plot<strong>in</strong>us’ claim let us give a closer look at this concise <strong>and</strong> difficult passage.<br />

7 Aristotle talks about the eclipse <strong>in</strong> two different contexts. In one case, he <strong>in</strong>vestigates the eclipse as an<br />

astronomical event. In the other, he def<strong>in</strong>es the eclipse as deprivation of light, <strong>and</strong> he uses this example <strong>in</strong><br />

his discussion of the relationship between cause <strong>and</strong> essence. We are <strong>in</strong>terested <strong>in</strong> the latter.<br />

8 A detailed reconstruction of this Aristotelian doctr<strong>in</strong>e is to be found <strong>in</strong> Charles [2000].<br />

5


It is possible that Plot<strong>in</strong>us is here say<strong>in</strong>g someth<strong>in</strong>g along the follow<strong>in</strong>g l<strong>in</strong>es. In the<br />

<strong>in</strong>telligible world, everyth<strong>in</strong>g is <strong>in</strong> unity. Hence, <strong>in</strong> particular, the object <strong>and</strong> its cause (i.e., its<br />

ontological ground) are <strong>in</strong> unity. In the sensible world also there is unity between an object <strong>and</strong><br />

its cause: just consider the eclipse, where the cause (i.e., the screen<strong>in</strong>g of the earth) is <strong>in</strong> the<br />

essence (privation of light from the moon because of the screen<strong>in</strong>g of the earth). However, there<br />

are some important differences between the object-cause unity as it presents itself <strong>in</strong> the<br />

<strong>in</strong>telligible world <strong>and</strong> the object-cause unity as it presents itself <strong>in</strong> the sensible world. For, on<br />

the one h<strong>and</strong>, <strong>in</strong> the <strong>in</strong>telligible world the object-cause unity is the unity of the object with its<br />

ontological ground. On the other h<strong>and</strong>, <strong>in</strong> the sensible world (given that the ontological ground<br />

of an object <strong>in</strong> the sensible world is a Form, <strong>and</strong> therefore is on a different level from it) the<br />

object-cause unity is not the unity of the object with its ontological ground, rather it is a unity<br />

with a cause which is not an ontological ground. In this sense, the cause of an object <strong>in</strong> the<br />

sensible world is itself sensible.<br />

It is important to notice that when Plot<strong>in</strong>us states that <strong>in</strong> the <strong>in</strong>telligible world there is<br />

identity between an object <strong>and</strong> its cause, he emphasises the fact that <strong>in</strong> the <strong>in</strong>telligible world<br />

everyth<strong>in</strong>g is <strong>in</strong> unity (e)n e(niì pa/nta). This claim plays an important role, for it <strong>in</strong>dicates a<br />

crucial feature that characterizes the <strong>in</strong>telligible world. This claim suggests (as we shall see<br />

below) someth<strong>in</strong>g along the follow<strong>in</strong>g l<strong>in</strong>es: <strong>in</strong> the <strong>in</strong>telligible world everyth<strong>in</strong>g is someth<strong>in</strong>g<br />

like a constituent part of a unified whole, <strong>and</strong> each ‘part’ is <strong>in</strong>terconnected with the whole. (It is<br />

not possible to talk about complete <strong>and</strong> absolute unity because <strong>in</strong> Plot<strong>in</strong>us’ system complete or<br />

absolute unity belongs only to the One that at the level above the Intellect: <strong>in</strong> the Intellect we<br />

f<strong>in</strong>d a reflection of the unity that is proper to the One). It is then possible to suggest that,<br />

accord<strong>in</strong>g to Plot<strong>in</strong>us, <strong>in</strong> the sensible world some form of unity (similar to that of the <strong>in</strong>telligible<br />

world) is preserved. However, given the ontological difference between the <strong>in</strong>telligible <strong>and</strong> the<br />

sensible world, there will be a difference <strong>in</strong> the unity of someth<strong>in</strong>g with its cause. A possible<br />

suggestion is that <strong>in</strong> the sensible world, there a weaker form of unity because it is based on<br />

conta<strong>in</strong>ment, <strong>in</strong> the sense that you f<strong>in</strong>d the dia\ ti¿ <strong>in</strong> the ti¿ e)st<strong>in</strong>: <strong>in</strong> the sensible world the ti¿<br />

e)st<strong>in</strong> conta<strong>in</strong>s features that are not present <strong>in</strong> the <strong>in</strong>telligible world. By contrast, the unity of an<br />

object with its cause <strong>in</strong> the <strong>in</strong>telligible world is strict identity. It is very likely that the unity of<br />

an object with its cause <strong>in</strong> the sensible world is a reflection of the unity between a Form <strong>and</strong> its<br />

cause <strong>in</strong> the <strong>in</strong>telligible world. Furthermore, the difference between the k<strong>in</strong>d of unity that is<br />

present <strong>in</strong> the <strong>in</strong>telligible world <strong>and</strong> the unity of the sensible world can be also expla<strong>in</strong>ed by<br />

referr<strong>in</strong>g to the process of ‘derivation’ from the One (which is the pr<strong>in</strong>ciple of unity): the<br />

<strong>in</strong>telligible world is closer to the One than the sensible world, i.e., it is a higher level of be<strong>in</strong>gs<br />

<strong>and</strong> thus it possesses a k<strong>in</strong>d of unity that is stronger than what we f<strong>in</strong>d <strong>in</strong> the sensible world. In<br />

any case, for our present discussion the follow<strong>in</strong>g should be noticed: it rema<strong>in</strong>s that an<br />

important difference between the <strong>in</strong>telligible <strong>and</strong> the sensible world is that <strong>in</strong> the <strong>in</strong>telligible<br />

world everyth<strong>in</strong>g is <strong>in</strong> unity, whereas <strong>in</strong> the sensible world the unity seems to obta<strong>in</strong> only<br />

between an object <strong>and</strong> its cause.<br />

There is another possible <strong>in</strong>terpretation of text (1). For, if Plot<strong>in</strong>us <strong>in</strong>troduces the<br />

parallel between <strong>in</strong>telligible <strong>and</strong> sensible world to draw some k<strong>in</strong>d of epistemological<br />

dist<strong>in</strong>ction, then another <strong>in</strong>terpretation opens up. The idea is that Plot<strong>in</strong>us is talk<strong>in</strong>g about an<br />

6


object, which comes to be apprehended <strong>in</strong> two different ways. When an object is known <strong>in</strong> the<br />

Intellect (e)keiÍ), there is identity between it <strong>and</strong> its cause. Strictly speak<strong>in</strong>g, at the level of the<br />

Intellect there is no dist<strong>in</strong>ction (not only between an object <strong>and</strong> its cause, but also) between<br />

know<strong>in</strong>g <strong>and</strong> be<strong>in</strong>g: for someth<strong>in</strong>g to be known is the same as for it to be. The dist<strong>in</strong>ction<br />

between know<strong>in</strong>g <strong>and</strong> be<strong>in</strong>g, as it applies to the Intellect, is drawn by our discursive thought.<br />

When an object is apprehended <strong>in</strong> the sphere of our discursive thought (e)ntau=qa), a separation<br />

between the notion of cause <strong>and</strong> that of essence is <strong>in</strong>troduced. However, this second read<strong>in</strong>g<br />

faces some difficulties. For example, one would be committed to the view that <strong>in</strong> the Intellect<br />

we f<strong>in</strong>d someth<strong>in</strong>g like the eclipse. And, to say the least, this is controversial. Moreover, given<br />

that here (e)ntau=qa) too there is identity between an object <strong>and</strong> its cause, one wonders what the<br />

difference is between here (e)ntau=qa) <strong>and</strong> there (e)keiÍ). Given these difficulties, we can conclude<br />

that this <strong>in</strong>terpretation is more problematic <strong>and</strong> should not be endorsed.<br />

Let us consider aga<strong>in</strong> Plot<strong>in</strong>us’ claim that here (<strong>in</strong> the sensible world) there is (a certa<strong>in</strong>)<br />

identity between an object <strong>and</strong> its cause. This claim is far from be<strong>in</strong>g <strong>in</strong>tuitive <strong>and</strong> it has to be<br />

argued for. Plot<strong>in</strong>us f<strong>in</strong>ds support for his claim <strong>in</strong> a piece of Aristotelian doctr<strong>in</strong>e. One wonders<br />

why Plot<strong>in</strong>us f<strong>in</strong>ds the Aristotelian example attractive. For, Plot<strong>in</strong>us is certa<strong>in</strong>ly <strong>in</strong>terested <strong>in</strong> the<br />

epistemological implication of the Aristotelian doctr<strong>in</strong>e, i.e., the claim that at least <strong>in</strong> some<br />

cases to know the essence is to know the cause. However, Plot<strong>in</strong>us cannot <strong>in</strong>troduce an essence<br />

of the Aristotelian k<strong>in</strong>d: he cannot accept some the fundamental tenets of the Aristotelian<br />

essentialism. On the contrary, it is well known how Plot<strong>in</strong>us strongly criticises some of the basic<br />

aspects of the Aristotelian notion of essence. 9 Hence, one wonders what it is that Plot<strong>in</strong>us<br />

appeals to <strong>in</strong> order to expla<strong>in</strong> the relation between someth<strong>in</strong>g <strong>and</strong> its cause. I am not sure I can<br />

provide a satisfactory answer to all these difficult problems, but I shall try to see what<br />

suggestions can be offered by our text.<br />

It seems to me that Plot<strong>in</strong>us’ idea will become clear later <strong>in</strong> the cont<strong>in</strong>uation of our<br />

passage, especially at l<strong>in</strong>es 12-19. Nevertheless, it is important to mention <strong>and</strong> briefly<br />

characterise this idea <strong>in</strong> advance. At l<strong>in</strong>e 18, Plot<strong>in</strong>us refers explicitly to the Forms that are<br />

play<strong>in</strong>g an important role <strong>in</strong> the argument (as well as <strong>in</strong> the chapter <strong>and</strong> <strong>in</strong> the entire treatise).<br />

When Plot<strong>in</strong>us is talk<strong>in</strong>g about Forms <strong>and</strong> their causes <strong>in</strong> the <strong>in</strong>telligible world, he has <strong>in</strong> m<strong>in</strong>d<br />

someth<strong>in</strong>g like Platonic Forms. Let me try to clarify this po<strong>in</strong>t. Platonic Forms are revisited as<br />

thoughts <strong>in</strong> the Div<strong>in</strong>e M<strong>in</strong>d. They are ontologically similar to Platonic Forms, for they are selfsufficient;<br />

they also are (<strong>in</strong> a certa<strong>in</strong> way) cause of be<strong>in</strong>g for the sensible th<strong>in</strong>gs. But there is<br />

someth<strong>in</strong>g more: Plot<strong>in</strong>us’ Forms bear a certa<strong>in</strong> relation with each other, with the primary<br />

genera, <strong>and</strong> with the totality of the <strong>in</strong>telligible world. That is to say, Plot<strong>in</strong>us’ Forms are<br />

<strong>in</strong>terconnected <strong>in</strong> the order that is present <strong>in</strong> the <strong>in</strong>telligible world. For this reason, the whole of<br />

the <strong>in</strong>telligible world is perfect <strong>and</strong> complete (VI.7 [38] 3, 21).<br />

It is also true to say that Plot<strong>in</strong>us’ Forms share a feature with the Aristotelian natural<br />

k<strong>in</strong>ds. For (at a discursive level) Plot<strong>in</strong>us’ Forms are known <strong>in</strong> a way that is similar to the one<br />

whereby Aristotelian natural k<strong>in</strong>ds are known, i.e., <strong>in</strong> a way that shows the identity between<br />

essence <strong>and</strong> cause.<br />

9 This po<strong>in</strong>t is discussed <strong>in</strong> (e.g.) Chiaradonna who notices that Plot<strong>in</strong>us criticised <strong>in</strong> particular the fact that<br />

Aristotle identified the essence with certa<strong>in</strong> predicates of the sensible (i.e. corporeal) be<strong>in</strong>g; [1999], 36.<br />

7


Thus, Plot<strong>in</strong>us is <strong>in</strong>terested <strong>in</strong> Aristotle’s essentialism, <strong>and</strong> <strong>in</strong> particular <strong>in</strong> the example<br />

of the eclipse, because they constitute a useful device to illustrate his important <strong>and</strong> difficult<br />

view that <strong>in</strong> the sensible world there is a certa<strong>in</strong> k<strong>in</strong>d of unity between object <strong>and</strong> cause. Given<br />

that this unity is a reflection of the unity between a Form <strong>and</strong> its cause, they also illustrate how<br />

Forms <strong>in</strong> the <strong>in</strong>telligible world depend on the primary genera <strong>and</strong> are reciprocally connected.<br />

3. Three further claims<br />

It is useful to read <strong>and</strong> analyse the sequel of our text (1) to see more <strong>in</strong> detail what k<strong>in</strong>d of move<br />

Plot<strong>in</strong>us is prepared to do.<br />

Text (2) VI.7 [38] 2<br />

Ti¿ ouÅn kwlu/ei<br />

kaiì eÀkaston dia\ ti¿ eiånai kaiì e)piì tw½n aÃllwn, kaiì tou=to<br />

eiånai th\n ou)si¿an e(ka/stou; ma=llon de\ a)na/gkh: kaiì peirwme/noij<br />

ouÀtwj to\ ti¿ hÅn eiånai lamba/ne<strong>in</strong> o)rqw½j sumbai¿nei. ÁO 15<br />

ga/r e)st<strong>in</strong> eÀkaston, dia\ tou=to/ e)sti. Le/gw de\ ou)x, oÀti to\ eiådoj<br />

e(ka/st% aiãtion tou= eiånai –tou=to me\n ga\r a)lhqe/j– a)ll'<br />

oÀti, ei¹ kaiì au)to\ to\ eiådoj eÀkaston pro\j au)to\ a)naptu/ttoij,<br />

eu(rh/seij e)n au)t%½ to\ "dia\ ti¿".<br />

(i) Then, what prevents also that each th<strong>in</strong>g be the reason why <strong>in</strong> the<br />

others too, <strong>and</strong> this be the essence of each th<strong>in</strong>g? Rather it is necessary:<br />

(ii) <strong>and</strong> for those who try to grasp the essence <strong>in</strong> this way th<strong>in</strong>gs work out<br />

correctly. For what a th<strong>in</strong>g is, (sc. this) is the reason why. But I do not<br />

mean that the form is the cause of be<strong>in</strong>g for each th<strong>in</strong>g—this is of course<br />

true—but (iii) that if you also unfold each Form back upon itself, you will<br />

f<strong>in</strong>d the reason why <strong>in</strong> it. 10<br />

Let us beg<strong>in</strong> the analysis of this text with some philological <strong>and</strong> term<strong>in</strong>ological<br />

observations. At l<strong>in</strong>e 15, Plot<strong>in</strong>us uses the Aristotelian technical expression to\ ti¿ hÅn eiånai that<br />

<strong>in</strong>dicates the essence. At l<strong>in</strong>e 18, the text presents a m<strong>in</strong>or textual variant <strong>in</strong> that the family of<br />

codices x omits ei¹. If we accept the read<strong>in</strong>g <strong>in</strong> x, the clause would sound grammatically harsh.<br />

None of the scholars I have consulted adopts this read<strong>in</strong>g.<br />

In our text (2), Plot<strong>in</strong>us puts forward several philosophical suggestions. Let us focus on<br />

the po<strong>in</strong>ts that are relevant to our discussion, namely (i) the (revisited) identity between an<br />

object <strong>and</strong> its cause, (ii) the thesis whereby certa<strong>in</strong> attempts to grasp the essence provide the<br />

correct result, <strong>and</strong> (iii) the claim that <strong>in</strong> the analysis of each <strong>in</strong>dividual Form, it is possible to<br />

f<strong>in</strong>d its cause. Let us now analyse each of the three claims <strong>in</strong> turn.<br />

10 The division of the text is m<strong>in</strong>e. At l<strong>in</strong>e 17, I read aiãtion (not as an adjective mean<strong>in</strong>g ‘responsible’ but) as<br />

a substantive mean<strong>in</strong>g ‘cause’. An analysis of the orig<strong>in</strong> <strong>and</strong> the usage of aiãtion (<strong>and</strong> dia\ ti¿) can be found<br />

<strong>in</strong> Frede [1987].<br />

8


4. The identity between objects <strong>and</strong> their causes revisited<br />

Let us beg<strong>in</strong> our analysis with (i) the (revisited) identity between an object <strong>and</strong> its cause. So far<br />

Plot<strong>in</strong>us claimed that <strong>in</strong> many cases it has been recognised that <strong>in</strong> the sensible world there is<br />

identity between an object <strong>and</strong> its cause; he referred to the eclipse as an example of these cases.<br />

In what follows, Plot<strong>in</strong>us restates this identity <strong>and</strong> widens his claim: the identity between an<br />

object <strong>and</strong> its cause holds also <strong>in</strong> the other cases.<br />

L<strong>in</strong>es 12-14 are cryptic. Although the syntax is not convoluted, the style is extremely<br />

concise <strong>and</strong> the mean<strong>in</strong>g is difficult to disclose. The sentence has an <strong>in</strong>terrogative form.<br />

However, when one reads it carefully <strong>in</strong> its context, one realizes that it is not a genu<strong>in</strong>ely open<br />

question, as a negative answer is expected.<br />

In l<strong>in</strong>es 12-14 there are two ma<strong>in</strong> problems. The first concerns the expression e)piì tw½n<br />

aÃllwn (l<strong>in</strong>e 13). The second (related) problem concerns the mean<strong>in</strong>g of the two clauses eÀkaston<br />

dia\ ti¿ eiånai <strong>and</strong> kaiì tou=to eiånai th\n ou)si¿an e(ka/stou. Let us beg<strong>in</strong> with the expression e)piì tw½n<br />

aÃllwn that I have rendered as ‘<strong>in</strong> the others’ <strong>in</strong> order to ma<strong>in</strong>ta<strong>in</strong> the ambiguity of the Greek<br />

text. It is not clear what tw½n aÃllwn refers to. There are several c<strong>and</strong>idates. First, as some<br />

scholars suggested (e.g., Henry <strong>and</strong> Schwyzer <strong>in</strong> apparatu, Harder, <strong>and</strong> Hadot), tw½n aÃllwn can<br />

<strong>in</strong>dicate all the sensible th<strong>in</strong>gs other than the eclipse (that was already dealt with). This is the<br />

most natural read<strong>in</strong>g of the Greek. However, this does not provide a sufficient underst<strong>and</strong><strong>in</strong>g:<br />

for, the set of all the th<strong>in</strong>gs other than the eclipse is very large <strong>and</strong> crowded. Moreover, it does<br />

not consider the fact that, at l<strong>in</strong>e 11 <strong>in</strong> text (1), Plot<strong>in</strong>us has already mentioned many cases (such<br />

as the eclipse) for which the identity holds.<br />

It is a second possibility that tw½n aÃllwn refers to the examples mentioned at the<br />

beg<strong>in</strong>n<strong>in</strong>g of the chapter (at l<strong>in</strong>es 6-8), where one reads ‘but there (e)keiÍ) there is man <strong>and</strong> the<br />

reason why it is man (…) <strong>and</strong> eye <strong>and</strong> the reason why it is eye’. If this is correct, then one needs<br />

to underst<strong>and</strong> what the examples of man <strong>and</strong> eye would add to the argument. They are clearly<br />

arbitrary examples of <strong>in</strong>telligible th<strong>in</strong>gs that are present <strong>in</strong> the Intellect together with their<br />

causes. 11 Although this option has the advantage that it restricts the set of ‘the other th<strong>in</strong>gs’ (tw½n<br />

aÃllwn) to <strong>in</strong>telligible be<strong>in</strong>gs, it is not a straightforward read<strong>in</strong>g of the Greek; for, the referent of<br />

tw½n aÃllwn is far away <strong>in</strong> the text. Another objection comes from the fact that Plot<strong>in</strong>us has<br />

already said that, <strong>in</strong> the case of the <strong>in</strong>telligible realities, the identity holds.<br />

A third possibility is that Plot<strong>in</strong>us has <strong>in</strong> m<strong>in</strong>d the other cases (apart from the eclipse)<br />

mentioned by Aristotle, e.g., the example of thunder. This third option seems less likely: it<br />

sounds highly conjectural <strong>and</strong> the evidence is extremely scanty. Moreover, as I argued above, it<br />

is likely that Plot<strong>in</strong>us referred to the Aristotelian list above, i.e., at l<strong>in</strong>e 11 <strong>in</strong> our text (1), when<br />

he mentions that the identity between a th<strong>in</strong>g <strong>and</strong> its cause holds <strong>in</strong> many cases (pollaxou=).<br />

Let me then suggest that tw½n aÃllwn refers to items <strong>in</strong> the sensible world. However, tw½n<br />

aÃllwn refers to all the cases other than those of the Aristotelian list (because they were already<br />

11 The read<strong>in</strong>g that the expression tw½n aÃllwn refers to <strong>in</strong>telligible be<strong>in</strong>gs has been accepted by Schwyzer <strong>and</strong><br />

Cilento. Brehier, MacKenna <strong>and</strong> Armstrong leave the ambiguity that is present <strong>in</strong> the Greek. Fic<strong>in</strong>o does<br />

not translate the expression e)piì tw½n aÃllwn.<br />

9


considered). I shall try to expla<strong>in</strong> better this po<strong>in</strong>t. The idea is that there is a collection of th<strong>in</strong>gs<br />

for which the thesis of the identity between essence <strong>and</strong> cause holds. This collection conta<strong>in</strong>s<br />

items from the Aristotelian list together with other items <strong>in</strong> the sensible world. Still, at this<br />

stage, it rema<strong>in</strong>s difficult to give a full-fledged description of this collection.<br />

Let us now focus on the clauses eÀkaston dia\ ti¿ eiånai <strong>and</strong> kaiì tou=to eiånai th\n ou)si¿an<br />

e(ka/stou. Suppose that Plot<strong>in</strong>us is talk<strong>in</strong>g about sensible items, as suggested above. Then he is<br />

say<strong>in</strong>g that each (sensible) item is its cause, <strong>and</strong> this (i.e., its cause) is its essence.<br />

It seems that here Plot<strong>in</strong>us is mak<strong>in</strong>g two identity statements. He is say<strong>in</strong>g that a<br />

(sensible) item is one <strong>and</strong> the same with its cause. He then adds that the cause is one <strong>and</strong> the<br />

same with its essence. This portion of the text suggests (at least) two <strong>in</strong>terpretations.<br />

First, Plot<strong>in</strong>us is talk<strong>in</strong>g about cause <strong>in</strong> the sense of ontological ground. If this is the<br />

case, then Plot<strong>in</strong>us is say<strong>in</strong>g that a sensible item is one <strong>and</strong> the same with its ontological ground.<br />

However, as I have already said, the claim that there is strict identity between a sensible item<br />

<strong>and</strong> its cause (<strong>in</strong> the sense of ontological ground) is extremely problematic. For this reason, this<br />

<strong>in</strong>terpretation is very difficult to accept.<br />

There is a second <strong>and</strong> more likely <strong>in</strong>terpretation. Plot<strong>in</strong>us is talk<strong>in</strong>g about cause (not <strong>in</strong><br />

the sense of ontological ground, but) <strong>in</strong> the sense of ‘sensible cause’. If this is the case, we need<br />

to underst<strong>and</strong> what he means when he says that each (sensible) item is one <strong>and</strong> the same with its<br />

cause. As we noted above, the object-cause unity <strong>in</strong> the sensible world is different from the<br />

object-cause unity <strong>in</strong> the <strong>in</strong>telligible world. For, <strong>in</strong> the sensible world, the unity of an object<br />

with its cause is based on conta<strong>in</strong>ment (<strong>and</strong> not on strict identity as <strong>in</strong> the <strong>in</strong>telligible world).<br />

Hence, a sensible item is one <strong>and</strong> the same with its cause only <strong>in</strong> a certa<strong>in</strong> qualified way. That is<br />

to say, the cause of a sensible object is <strong>in</strong> the object. Accord<strong>in</strong>gly, the cause is the essence of the<br />

object <strong>in</strong> the sense that the cause is <strong>in</strong> the essence of the object.<br />

It is possible to offer a conclud<strong>in</strong>g suggestion for the <strong>in</strong>terpretation of the expression<br />

kaiì tou=to eiånai th\n ou)si¿an e(ka/stou. It seems to me that the passage will be clearer if we<br />

underst<strong>and</strong> the kaiì not as ‘<strong>and</strong>’ (i.e., as a conjunction) but as ‘or rather’ (i.e., with an epexegetic<br />

value). Then, the whole sentence would be constructed as follows: What prevents each th<strong>in</strong>g<br />

be<strong>in</strong>g its cause, or rather this (i.e., cause) be<strong>in</strong>g the essence of each th<strong>in</strong>g? In other words, the<br />

claim that each (sensible) th<strong>in</strong>g (conta<strong>in</strong>s <strong>in</strong> some way or other) its cause is more precisely<br />

formulated <strong>in</strong> the claim that the cause is <strong>in</strong> the essence of each th<strong>in</strong>g. 12<br />

5. Grasp<strong>in</strong>g essence <strong>and</strong> cause: An Aristotelian attempt?<br />

Let us move to (ii), namely to the thesis that certa<strong>in</strong> attempts to grasp the essence provide the<br />

correct result. It is easy to see that l<strong>in</strong>es 14-15 can be understood <strong>in</strong> more than one way. The<br />

expression peirw/menoi lamba/ne<strong>in</strong> occurs elsewhere <strong>in</strong> the Enneads: it occurs at VI.2 [43] 1, 5<br />

where it refers to Plot<strong>in</strong>us <strong>and</strong> his pupils. It occurs also at V.8 [31] 9, 12 <strong>and</strong> at VI.4 [22] 16, 6<br />

where it refers to others than Plot<strong>in</strong>us <strong>and</strong> his pupils. The expression peirw/menoi lamba/ne<strong>in</strong> is<br />

12 Here Plot<strong>in</strong>us seems to suggest that there is (a certa<strong>in</strong> k<strong>in</strong>d of) identity between an item <strong>and</strong> its essence.<br />

This position rem<strong>in</strong>ds us of another Aristotelian thesis, namely claim that we f<strong>in</strong>d <strong>in</strong> Metaphysics Z 6,<br />

accord<strong>in</strong>g to which there is identity between someth<strong>in</strong>g <strong>and</strong> its essence.<br />

10


used <strong>in</strong> a generic way <strong>and</strong> very little can be known about its referent. I shall put forward two<br />

alternative suggestions.<br />

A first option is the follow<strong>in</strong>g. One could choose to render the clause peirwme/noij ouÀtwj<br />

to\ ti¿ hÅn eiånai lamba/ne<strong>in</strong> as ‘when we try to grasp the essence <strong>in</strong> this way’. 13 In this case, the<br />

participle peirwme/noij refers to Plot<strong>in</strong>us <strong>and</strong> (possibly) to his pupils. Then, the next clause (i.e.,<br />

o)rqw½j sumbai¿nei) says that th<strong>in</strong>gs work out correctly.<br />

Unfortunately, this read<strong>in</strong>g faces a difficulty that arises from a term<strong>in</strong>ological<br />

consideration: one wonders why Plot<strong>in</strong>us is adopt<strong>in</strong>g the (technical) Aristotelian expression<br />

to ti¿ hÅn eiånai. If he were simply expla<strong>in</strong><strong>in</strong>g his own doctr<strong>in</strong>e, he could have kept the term ou)si¿a<br />

that occurs on the previous l<strong>in</strong>e. 14 One is advised to see whether a preferable <strong>in</strong>terpretation can<br />

be found.<br />

A second option is the follow<strong>in</strong>g. One could choose to translate the clause<br />

kaiì peirwme/noij ouÀtwj to\ ti¿ hÅn eiånai lamba/ne<strong>in</strong> as ‘<strong>and</strong> when they try to grasp the essence <strong>in</strong><br />

this way’. In this case, the participle peirwme/noij refers to others than Plot<strong>in</strong>us <strong>and</strong> his pupils.<br />

We know that it is st<strong>and</strong>ard Aristotelian doctr<strong>in</strong>e to say that when one knows the essence, one<br />

knows also the cause (APo. 90 a 31-4, 93 a 4-5). Thus, it is likely that peirwme/noij refers to<br />

Aristotle <strong>and</strong> (more <strong>in</strong> general) to the Peripatetics hold<strong>in</strong>g this view. 15 If this is the case, the<br />

usage of the Aristotelian jargon to\ ti¿ hÅn eiånai is most appropriate: it expla<strong>in</strong>s why Plot<strong>in</strong>us<br />

shifts from ou)si¿a (l. 14) to to\ ti¿ hÅn eiånai (l. 15). Moreover, this read<strong>in</strong>g would fit very well with<br />

our previous passage (text 1) as it cont<strong>in</strong>ues the reference to the Aristotelian position. In other<br />

words, when Plot<strong>in</strong>us says kaiì peirwme/noij ouÀtwj to\ ti¿ hÅn eiånai lamba/ne<strong>in</strong>, he means ‘<strong>and</strong><br />

when the Peripatetics try to grasp the essence <strong>in</strong> this way…’ The expression ‘<strong>in</strong> this way’<br />

renders the adverb ouÀtwj, <strong>and</strong> it is important to clarify what it means <strong>in</strong> this context. The<br />

adverb ouÀtwj refers to what precedes: it refers to the thesis whereby there is identity between<br />

cause <strong>and</strong> essence of a th<strong>in</strong>g (tou=to [sc. dia\ ti] eiånai th\n ou)si¿an e(ka/stou). The entire clause can<br />

be spelled out as follows: when the Peripatetics try to grasp the essence <strong>in</strong> this way, i.e., <strong>in</strong> a<br />

way that captures also the cause, th<strong>in</strong>gs work out correctly (i.e., they grasp it correctly).<br />

For a moment, let me pause <strong>and</strong> exp<strong>and</strong> on the proposal that the participle peirwme/noij<br />

refers to Aristotle <strong>and</strong> (more generally) to the Peripatetics. This proposal conta<strong>in</strong>s some<br />

elements that are helpful for our discussion now <strong>and</strong> at a later stage of the paper.<br />

It is important that we (briefly) focus on Aristotle’s view about the relation between<br />

essence <strong>and</strong> cause <strong>and</strong> that we recall some of his conceptual mach<strong>in</strong>ery. Both <strong>in</strong> the Metaphysics<br />

13 This <strong>in</strong>terpretation seems to be implied <strong>in</strong> Armstrong’s <strong>and</strong> Cilento’s translation. In Sleeman-Pollet [1980],<br />

590, 11-12, the mean<strong>in</strong>g of lamba/ne<strong>in</strong> is ‘apprehend’. At l<strong>in</strong>e 15 I read ouÀtwj follow<strong>in</strong>g H-S 1 .<br />

14 Plot<strong>in</strong>us uses to\ ti¿ hÅn eiånai only four times <strong>and</strong> ma<strong>in</strong>ly when he is referr<strong>in</strong>g to a piece of Aristotelian<br />

doctr<strong>in</strong>e. This expression occurs at II.1 [40] 6, 29, where Plot<strong>in</strong>us discusses <strong>and</strong> rejects the Aristotelian<br />

‘fifth element’, <strong>and</strong> at VI.7 [38] 4, 18 <strong>and</strong> 26, where Plot<strong>in</strong>us is address<strong>in</strong>g some problems on the relation<br />

between essence <strong>and</strong> def<strong>in</strong>ition <strong>in</strong> Aristotle’s Metaph. Z 4-5. It occurs also at VI.7 [38] 3, 21, where the text<br />

reads as follows: kaiì h( ou)si¿a kaiì to\ ti¿ hÅn eiånai kaiì to\ dio/ti eÀn. It is highly plausible that the second<br />

kaiì has an epexegetical value; hence, the sentence is rendered as ‘<strong>and</strong> the essence, i.e. the form (to\ ti¿ hÅn<br />

eiånai) <strong>and</strong> the cause are one’.<br />

15 The same suggestion is present <strong>in</strong> Hadot [1988], 89 <strong>and</strong> 201. Hadot (hav<strong>in</strong>g the broader task of translat<strong>in</strong>g<br />

<strong>and</strong> comment<strong>in</strong>g the entire treatise) does not discuss alternative <strong>in</strong>terpretations on this po<strong>in</strong>t.<br />

11


<strong>and</strong> <strong>in</strong> the Posterior Analytics, Aristotle tells us how it is possible to f<strong>in</strong>d the cause: there are<br />

two alternatives. On the one h<strong>and</strong> it is possible to establish the cause through the search for<br />

def<strong>in</strong>itions: <strong>in</strong> this case, the cause will be <strong>in</strong>cluded <strong>in</strong> the def<strong>in</strong>itory account of the essence. For,<br />

Aristotle says that x’s essence is one of the causes of x (APo. 94 a 35-36), <strong>and</strong> that the def<strong>in</strong>ition<br />

reveals the essence (APo. 91 a 1). On the other h<strong>and</strong>, it is possible to f<strong>in</strong>d the cause through the<br />

practice of demonstrations: <strong>in</strong> this second case, the cause will be expressed <strong>in</strong> the middle term<br />

of the syllogism. The notion of cause is further analysed as follows: Aristotle says that ‘we<br />

underst<strong>and</strong> someth<strong>in</strong>g when we know its cause, <strong>and</strong> there are four sorts of cause (…) all of<br />

them are proved through the middle term’ (APo. 94 a 20-23; the italics is m<strong>in</strong>e). In both cases (<strong>in</strong><br />

def<strong>in</strong>itions <strong>and</strong> demonstrations), the crucial role is played by the middle term: for, it is <strong>in</strong> the<br />

middle term that we f<strong>in</strong>d the four sorts of cause. 16<br />

This brief digression conta<strong>in</strong>s two ma<strong>in</strong> po<strong>in</strong>ts of <strong>in</strong>terest. The first is that Aristotle<br />

theorized two methods by which it is possible to grasp the cause. S<strong>in</strong>ce for Aristotle the<br />

def<strong>in</strong>ition that mentions the cause is noth<strong>in</strong>g but a rearrangement of the demonstration<br />

(APo. 94 a 6-8), we can safely assume that the dist<strong>in</strong>ction of the four types of causes can be<br />

imported <strong>in</strong> Aristotle’s conception of essence. The second po<strong>in</strong>t concerns the notion of cause:<br />

Aristotle tells us how the notion of cause (expressed by the middle term) has to be <strong>in</strong>tended: he<br />

refers to his own (most famous) conception of the causes as he develops it <strong>in</strong> Phys. B 3,<br />

Metaph. A 3 <strong>and</strong> D 2.<br />

We know that Plot<strong>in</strong>us is <strong>in</strong>terested <strong>in</strong> the Aristotelian thesis of the <strong>in</strong>terdependence<br />

between knowledge of the essence <strong>and</strong> knowledge of the cause. One wonders to what extent the<br />

Aristotelian conception of cause can be ma<strong>in</strong>ta<strong>in</strong>ed by Plot<strong>in</strong>us. Unfortunately, our text does not<br />

offer enough evidence for a complete answer to this question. Nevertheless, the follow<strong>in</strong>g can<br />

be argued with some plausibility: Plot<strong>in</strong>us is <strong>in</strong>terested <strong>in</strong> preserv<strong>in</strong>g the epistemological thesis<br />

of the <strong>in</strong>terdependence between knowledge of the essence <strong>and</strong> knowledge of the cause, <strong>and</strong> he<br />

seems to feed <strong>in</strong> a modified conception of cause.<br />

It is clear that the second read<strong>in</strong>g of claim (ii), whereby the participle peirwme/noij refers<br />

to Aristotle <strong>and</strong> (more generally) to the Peripatetics, has two advantages: it avoids the<br />

difficulties of the first read<strong>in</strong>g, <strong>and</strong> it presents an <strong>in</strong>terest<strong>in</strong>g <strong>in</strong>sight <strong>in</strong>to the Aristotelian<br />

tradition. This <strong>in</strong>sight leads to some questions concern<strong>in</strong>g the role of the Peripatetic tradition <strong>in</strong><br />

Plot<strong>in</strong>us’ philosophy.<br />

Let us analyse now l<strong>in</strong>es 15-16, where the text reads: ÁO ga/r e)st<strong>in</strong> eÀkaston, dia\ tou=to/<br />

e)sti. Here the ga/r refers to the previous sentence <strong>and</strong> it has an explicatory role. There is more<br />

than one way to read this extremely dense portion of the text. I shall present three alternative<br />

read<strong>in</strong>gs. A first possibility is as follows: the expression oÑ e)st<strong>in</strong> eÀkaston has a strong sense, it<br />

means ‘what each th<strong>in</strong>g is’, <strong>and</strong> it <strong>in</strong>dicates the essence of that th<strong>in</strong>g. Then, the next clause, i.e.,<br />

dia\ tou=to/ e)sti, means ‘this (i.e., what each th<strong>in</strong>g is, i.e., the essence) is the reason why’. In this<br />

16 The formal, f<strong>in</strong>al, <strong>and</strong> efficient cause are undoubtedly present here. There has been disagreement among<br />

scholars as to whether the material cause has to be <strong>in</strong>cluded <strong>in</strong> the group. I follow Barnes’ <strong>in</strong>terpretation,<br />

accord<strong>in</strong>g to which the fourth type of cause <strong>in</strong>troduced here by Aristotle is the material one. Barnes [1994]<br />

contra Ross [1949].<br />

12


case, the entire sentence expresses the Aristotelian thesis of the identity between essence <strong>and</strong><br />

cause.<br />

There is a second possibility. The expression oÑ e)st<strong>in</strong> eÀkaston has a weaker mean<strong>in</strong>g:<br />

the e)st<strong>in</strong> expresses (not the relationship between a th<strong>in</strong>g <strong>and</strong> its essence, but) the relation of a<br />

th<strong>in</strong>g to its essential predicates (e.g., Socrates <strong>and</strong> man). The tou=to <strong>in</strong> dia\ tou=to/ e)sti picks up<br />

the relative clause oÑ e)st<strong>in</strong> eÀkaston, <strong>and</strong> it means ‘whatever each th<strong>in</strong>g essentially is, it is<br />

because of this that it is’ (e.g., ‘Socrates is a man, <strong>and</strong> man is the cause of Socrates’). In this<br />

case, l<strong>in</strong>es 15-16 are a concise summary of Plot<strong>in</strong>us’ position. 17<br />

It seems to me that there is a third possibility if one gives to the e)st<strong>in</strong> <strong>in</strong> oÑ e)st<strong>in</strong><br />

eÀkaston an even weaker mean<strong>in</strong>g. That is to say, the e)st<strong>in</strong> <strong>in</strong> oÑ e)st<strong>in</strong> eÀkaston is a generic<br />

expression of predication (cover<strong>in</strong>g both essential <strong>and</strong> accidental predication). The referent of<br />

tou=to <strong>in</strong> dia\ tou=to/ e)sti is to\ ti¿ hÅn eiånai that occurs <strong>in</strong> the previous l<strong>in</strong>e. Accord<strong>in</strong>g to this<br />

read<strong>in</strong>g Plot<strong>in</strong>us is say<strong>in</strong>g that ‘whatever each th<strong>in</strong>g is, it is because of this (i.e., the essence: to\<br />

ti¿ hÅn eiånai) that it is so’. There is further evidence <strong>in</strong> support of this read<strong>in</strong>g. For, at VI.5 [23]<br />

2.24-26, Plot<strong>in</strong>us says: ‘S<strong>in</strong>ce <strong>in</strong> all cases the start<strong>in</strong>g po<strong>in</strong>t is the what it is, <strong>and</strong> <strong>in</strong> the case of<br />

those who have def<strong>in</strong>ed well it is said that they know most of the accidental properties’. 18 It is<br />

extremely likely that here Plot<strong>in</strong>us is referr<strong>in</strong>g to the thesis that Aristotle offers <strong>in</strong> (e.g.) De<br />

An. 402 b 17-18: ‘to know the essence is helpful <strong>in</strong> the search of the causes of the substances’<br />

accidental properties’ (to\ ti¿ e)sti gnw½nai xrh/simon eiånai pro\j to\ qewrh=sai ta\j ai¹ti¿aj tw½n<br />

sumbebhko/twn taiÍj ou)si¿aij).<br />

To sum up briefly, so far I have offered three read<strong>in</strong>gs of l<strong>in</strong>es 15-16. One read<strong>in</strong>g, i.e.,<br />

the second, represents a concise summary of Plot<strong>in</strong>us’ position, whilst the other two, i.e., the<br />

first <strong>and</strong> the third, are refers to the Aristotelian view.<br />

It is hard to choose between these three read<strong>in</strong>gs, as each of them is grammatically<br />

justified <strong>and</strong> philosophically appeal<strong>in</strong>g. Still, I am more <strong>in</strong>cl<strong>in</strong>ed to endorse the third read<strong>in</strong>g,<br />

for the follow<strong>in</strong>g reasons: First, (as I have shown above) there is textual evidence for claim<strong>in</strong>g<br />

that Plot<strong>in</strong>us was <strong>in</strong>terested <strong>in</strong> this piece of Aristotelian doctr<strong>in</strong>e. Second, the third read<strong>in</strong>g<br />

expla<strong>in</strong>s better the reason why Plot<strong>in</strong>us <strong>in</strong>troduced the case of the eclipse, <strong>and</strong> made use of a<br />

certa<strong>in</strong> Aristotelian conceptual apparatus.<br />

In order to complete our underst<strong>and</strong><strong>in</strong>g of the passage, let us now move to l<strong>in</strong>es 16-19:<br />

‘But I do not mean that the form is the cause of existence for each th<strong>in</strong>g–this is of course true–<br />

but that, if you also open each <strong>in</strong>dividual form itself back upon itself, you will f<strong>in</strong>d the reason<br />

why <strong>in</strong> it.’ (Armstrong’s translation). The Greek text is the follow<strong>in</strong>g: Le/gw de\ ou)x, oÀti to\ eiådoj<br />

e(ka/st% aiãtion tou= eiånai –tou=to me\n ga\r a)lhqe/j– a)ll' oÀti, ei¹ kaiì au)to\ to\ eiådoj eÀkaston pro\j<br />

au)to\ a)naptu/ttoij, eu(rh/seij e)n au)t%½ to\ "dia\ ti¿".<br />

The expression le/gw de¿ suggests that Plot<strong>in</strong>us is about to offer an explanation of his<br />

position. This expression <strong>in</strong>troduced two clauses, namely to\ eiådoj e(ka/st% aiãtion tou= eiånai,<br />

<strong>and</strong> ei¹ kaiì au)to\ to\ eiådoj eÀkaston pro\j au)to\ a)naptu/ttoij, eu(rh/seij e)n au)t%½ to\ "dia\ ti¿". Let us<br />

17 This read<strong>in</strong>g was suggested to me by Michael Frede <strong>in</strong> a conversation.<br />

18 The Greek text is: e)peidh\ pantaxou= to\ ti¿ e)st<strong>in</strong> a)rxh/, kaiì toiÍj kalw½j o(risame/noij le/getai kaiì tw½n<br />

sumbebhko/twn ta\ polla\ g<strong>in</strong>w¯skesqai.<br />

13


consider the first clause. These l<strong>in</strong>es have been <strong>in</strong>terpreted <strong>in</strong> the follow<strong>in</strong>g way: the occurrence<br />

of to\ eiådoj at l<strong>in</strong>e 16 means ‘<strong>in</strong>telligible Form’. Accord<strong>in</strong>gly, <strong>in</strong> this clause Plot<strong>in</strong>us says that<br />

the Form is the cause of be<strong>in</strong>g for each sensible item that partakes of it. 19 Then, he qualifies this<br />

claim as true.<br />

I would like to suggest an alternative (<strong>and</strong> more dar<strong>in</strong>g) read<strong>in</strong>g: the occurrence of to\<br />

eiådoj at l<strong>in</strong>e 16 is used (not to mean ‘<strong>in</strong>telligible Form’, but) as the equivalent of to\ ti¿ hÅn eiånai<br />

(i.e., sensible or immanent form). In this case, the entire clause can be paraphrased as ‘x’s form<br />

is the cause of x be<strong>in</strong>g (say) F’. Then, at l<strong>in</strong>e 17, Plot<strong>in</strong>us says that this is true.<br />

However, accord<strong>in</strong>g to Plot<strong>in</strong>us, this is not the complete account of his doctr<strong>in</strong>e. Hence<br />

he adds the second clause: <strong>in</strong> order to provide a fuller presentation of his position, he suggests<br />

that we turn to au)to\ to\ eiådoj eÀkaston, i.e., to each <strong>in</strong>telligible Form by itself. It is important to<br />

notice the presence of au)to\ that marks the contrast between the occurrence of to\ eiådoj at l<strong>in</strong>e 16<br />

(which <strong>in</strong> my suggestion is used to mean the immanent form) <strong>and</strong> the occurrence of to\ eiådoj at<br />

l<strong>in</strong>e 18 (which is used to mean ‘<strong>in</strong>telligible Form’). In this last portion of the text, Plot<strong>in</strong>us<br />

focuses on the notion of <strong>in</strong>telligible Form, <strong>and</strong> he makes two (related) po<strong>in</strong>ts. The former<br />

concerns the possibility of unfold<strong>in</strong>g a Form (au)to\ to\ eiådoj eÀkaston pro\j au)to\ a)naptu/ttoij);<br />

the latter turns to the notion of cause (e)n au)t%½ to\ "dia\ ti¿"). Accord<strong>in</strong>g to this suggestion,<br />

Plot<strong>in</strong>us has someth<strong>in</strong>g like the follow<strong>in</strong>g <strong>in</strong> m<strong>in</strong>d: consider the Form. If you analyse the Form<br />

<strong>in</strong> a way that you fully underst<strong>and</strong> it, then you will f<strong>in</strong>d the reason why <strong>in</strong> it. That is to say, you<br />

will f<strong>in</strong>d <strong>in</strong> it the reason why of the particular (<strong>in</strong> a certa<strong>in</strong> way, i.e., by participation or because<br />

the immanent form of a sensible object is a certa<strong>in</strong> reflection of the <strong>in</strong>telligible Form). But,<br />

more importantly, <strong>in</strong> the <strong>in</strong>telligible Form you will f<strong>in</strong>d its reason why. More precisely, when<br />

one unfolds a Form, one shows what a Form is. The idea is that a Form is what it is because it is<br />

constituted <strong>in</strong> a certa<strong>in</strong> way <strong>and</strong> because it is <strong>in</strong> some relation with other Forms (<strong>in</strong> particular,<br />

with the primary genera). In this way, a Form is connected with the whole <strong>in</strong>telligible world.<br />

These two (related) po<strong>in</strong>ts are clearly stated a few l<strong>in</strong>es below <strong>in</strong> this chapter, where<br />

Plot<strong>in</strong>us draws some of his argument’s conclusions. For, at l<strong>in</strong>es 37-38 we read: ‘so much more<br />

there (e)keiÍ) must all th<strong>in</strong>gs—each of them—be <strong>in</strong> relation to the whole <strong>and</strong> each <strong>in</strong> relation to<br />

itself.’ (Armstrong’s translation slightly modified.)<br />

6. Def<strong>in</strong>ition <strong>and</strong> Logos as ‘Formative Pr<strong>in</strong>ciple’<br />

We saw that Plot<strong>in</strong>us’ reference to the case of the eclipse enabled him to make use of a certa<strong>in</strong><br />

Aristotelian conceptual apparatus. We know that when Aristotle discussed the case of the<br />

eclipse, he was <strong>in</strong>terested <strong>in</strong> the search for def<strong>in</strong>itions. It is then useful to spend some words on<br />

what Plot<strong>in</strong>us has to say about Aristotelian def<strong>in</strong>itions. A full treatment of this issue would<br />

require an extensive study on its own. Still, for the sake of the present discussion, it will suffice<br />

to notice that while <strong>in</strong> some cases Plot<strong>in</strong>us seems to accept a requirement that holds for a certa<strong>in</strong><br />

19 See Hadot [1988], 89, <strong>and</strong> Adamson [2002], 134. Adamson suggests that a modified read<strong>in</strong>g of this passage<br />

can be found <strong>in</strong> the Theology of Aristotle V.29.<br />

14


type of Aristotelian def<strong>in</strong>ition, i.e., that a def<strong>in</strong>ition has to <strong>in</strong>dicate the essence of the th<strong>in</strong>g<br />

def<strong>in</strong>ed, 20 <strong>in</strong> others he expresses unhapp<strong>in</strong>ess with this type of def<strong>in</strong>ition.<br />

Plot<strong>in</strong>us’ suggestion that <strong>in</strong> some cases a def<strong>in</strong>ition that <strong>in</strong>dicates the essence is not<br />

sufficient may give rise to perplexity. For, when we speak of def<strong>in</strong>itions, we usually dist<strong>in</strong>guish<br />

between conceptual def<strong>in</strong>itions (namely conceptual analyses of the th<strong>in</strong>gs to be def<strong>in</strong>ed) <strong>and</strong><br />

real def<strong>in</strong>itions (namely propositions that give the essences of the th<strong>in</strong>gs to be def<strong>in</strong>ed). It is<br />

well known that both Plato <strong>and</strong> Aristotle seemed to prefer real def<strong>in</strong>itions. Their approach<br />

appears to presuppose that real def<strong>in</strong>itions are the ‘strongest’ ones available. The <strong>in</strong>itial<br />

perplexity can be (at least partly) eased if we consider that Plot<strong>in</strong>us’ conception of def<strong>in</strong>itions<br />

differs from his predecessors’: it depends on his multi-level ontology <strong>and</strong> his own underst<strong>and</strong><strong>in</strong>g<br />

of the notion of logos.<br />

Some of Plot<strong>in</strong>us’ remarks on Aristotelian def<strong>in</strong>itions are expressed <strong>in</strong> a couple of<br />

passages that it is helpful to read. The first is <strong>in</strong> Ennead VI. 7 [38] 4 (that is to say, two chapters<br />

below the texts analysed <strong>in</strong> sections 2-5). The details of Plot<strong>in</strong>us’ overall argument are too<br />

complex to be discussed here, <strong>and</strong> I shall restrict myself to some po<strong>in</strong>ts of <strong>in</strong>terest for our<br />

present discussion. 21 Plot<strong>in</strong>us is try<strong>in</strong>g to answer the question ‘who this man here below is’; he<br />

says that he is look<strong>in</strong>g for the logos of man. Several possibilities are considered. In particular,<br />

he tells us that the composite of soul <strong>and</strong> body cannot be the logos of man. At 16-18, we read:<br />

‘For, this logos will be <strong>in</strong>dicative (dhlwtiko/j) of what is go<strong>in</strong>g to be, not the sort we say man<strong>in</strong>-itself<br />

is, but more like a def<strong>in</strong>ition (oÀr%), <strong>and</strong> the k<strong>in</strong>d of def<strong>in</strong>ition which does not <strong>in</strong>dicate<br />

the essence. For it is not even a def<strong>in</strong>ition of the form <strong>in</strong> matter, but <strong>in</strong>dicates the composite<br />

which already exists’ (Armstrong’s translation revised). 22 The expression ‘def<strong>in</strong>ition that<br />

<strong>in</strong>dicates the essence’ very closely rem<strong>in</strong>ds us of the way <strong>in</strong> which Aristotle characterizes a<br />

def<strong>in</strong>ition. For example, <strong>in</strong> Top. I 101 b 37-8 Aristotle says that a def<strong>in</strong>ition is an account that<br />

<strong>in</strong>dicates the essence (eÃsti d' oÀroj me\n lo/goj o( to\ ti¿ hÅn eiånai shmai¿nwn). In ancient Greek the verb<br />

dhlou=n can have the same mean<strong>in</strong>g as shmai¿ne<strong>in</strong>, namely ‘to <strong>in</strong>dicate’ or ‘to signify’ (LSJ).<br />

Thus, <strong>in</strong> the present passage, it would <strong>in</strong>itially seem that Plot<strong>in</strong>us accepts a strong type of<br />

account (i.e., an account that <strong>in</strong>dicates the essence). However, he later adds that (at least <strong>in</strong> some<br />

cases, e.g., <strong>in</strong> the case of ‘the man here below’) accounts that <strong>in</strong>dicate the essence will not be<br />

adequate: for, <strong>in</strong> these accounts there is no grasp of ‘the formative pr<strong>in</strong>ciple itself which has<br />

made (to\n lo/gon au)to\n to\n pepoihko/ta) for <strong>in</strong>stance man’ (l.25). The notion of logos as<br />

formative pr<strong>in</strong>ciple will be illustrated shortly.<br />

The second passage is Ennead II. 7 [37] 3, 7-10 (it therefore belongs to the treatise that<br />

chronologically precedes Ennead VI. 7). Here Plot<strong>in</strong>us dist<strong>in</strong>guishes between logos as a<br />

def<strong>in</strong>ition that <strong>in</strong>dicates the essence of the th<strong>in</strong>g (o(rismo\j dhlwtiko\j tou= ti¿ e)sti to\ pra=gma) <strong>and</strong><br />

a logos that produces the th<strong>in</strong>g (lo/goj poiw½n pra=gma). It is easy to see that (as <strong>in</strong> the text quoted<br />

above) the expression ‘def<strong>in</strong>ition that reveals the essence of the th<strong>in</strong>g’ is rem<strong>in</strong>iscent of the<br />

20 See, e.g., Top. 130 b 26, APo 73 a 38, Metaph. 1003 b 24.<br />

21 A more extensive discussion of this passage <strong>and</strong> its context can be found <strong>in</strong> Hadot [1988], pp. 207-223.<br />

22 The Greek text is as follows: ãEstai ga\r o( lo/goj ouÂtoj dhlwtiko\j tou= e)some/nou, ou)x oiâoj oÀn famen<br />

au)toa/nqrwpoj, a)lla\ ma=llon e)oikwÜj oÀr%, kaiì toiou/t% oià% mhde\ dhlwtik%½ tou= ti¿ hÅn eiånai. Ou)de\ ga\r<br />

eiãdouj e)stiì tou= e)nu/lou, a)lla\ to\ sunamfo/teron dhlw½n, oÀ e)st<strong>in</strong> hÃdh.<br />

15


Aristotelian discussion of a certa<strong>in</strong> type of def<strong>in</strong>ition (<strong>in</strong> the Aristotelian corpus, o(rismo\j can be<br />

used <strong>in</strong>terchangeably with oÀroj). 23 For present purposes, it will be enough to say that <strong>in</strong> this text<br />

Plot<strong>in</strong>us is argu<strong>in</strong>g aga<strong>in</strong>st the (seem<strong>in</strong>gly) Peripatetic view that corporeity is simply a universal<br />

conta<strong>in</strong>ed <strong>in</strong> the def<strong>in</strong>ition that <strong>in</strong>dicates the essence of bodies. Rather, it is a logos <strong>in</strong> the sense<br />

of a formative pr<strong>in</strong>ciple that produces bodies. 24<br />

To atta<strong>in</strong> a better underst<strong>and</strong><strong>in</strong>g of Plot<strong>in</strong>us’ view, we need to consider that for him it<br />

would be difficult to hold that someth<strong>in</strong>g <strong>in</strong> the perceptible world is what it is because it is a<br />

crude reflection of the content of the <strong>in</strong>telligible world. That is to say, it would be difficult (if<br />

not absurd) to hold that ‘a man here below’ is bestowed with sense perception because <strong>in</strong> the<br />

<strong>in</strong>telligible world there is the Form of Humanity that has sense perception. It is (partly) to face<br />

this difficulty that Plot<strong>in</strong>us <strong>in</strong>troduces his peculiar notion of logos. In the passages quoted<br />

above, when he speaks of ‘logos that produces the th<strong>in</strong>g’, he is referr<strong>in</strong>g to the role of the socalled<br />

‘formative pr<strong>in</strong>ciple’. Although the details of how this works are complex, the general<br />

idea is that the Intellect gives the logoi to the Soul, <strong>and</strong> the Soul <strong>in</strong>terprets what there is <strong>in</strong> the<br />

<strong>in</strong>telligible world: the Soul (<strong>in</strong> a process <strong>in</strong>volv<strong>in</strong>g several stages) uses the logoi to br<strong>in</strong>g order<br />

<strong>and</strong> determ<strong>in</strong>ation <strong>in</strong> the sensible world. 25 The notion of logoi as formative pr<strong>in</strong>ciples has<br />

certa<strong>in</strong> similarities with the Stoic notion of logoi spermatikoi. But whereas there are strong<br />

suggestions that Stoic logoi are corporeal, Plot<strong>in</strong>us’ formative pr<strong>in</strong>ciples are not so. 26<br />

We could say that accord<strong>in</strong>g to Plot<strong>in</strong>us, the Aristotelian doctr<strong>in</strong>e about real def<strong>in</strong>itions<br />

is (not wrong but) <strong>in</strong>complete. It is likely that Plot<strong>in</strong>us wants to add that <strong>in</strong> some cases (namely<br />

when we want to expla<strong>in</strong> how th<strong>in</strong>gs are at the level of the sensible world) we cannot simply<br />

refer to someth<strong>in</strong>g like def<strong>in</strong>itions that <strong>in</strong>dicate the essence. Plot<strong>in</strong>us th<strong>in</strong>ks that someth<strong>in</strong>g else<br />

must be added, namely formative pr<strong>in</strong>ciples that organize different qualities <strong>in</strong>to an ordered<br />

perceptible world.<br />

Conclud<strong>in</strong>g remarks on Division <strong>and</strong> <strong>Cause</strong><br />

Let me to conclude the analysis of Plot<strong>in</strong>us’ text (presented <strong>in</strong> sections 2-5 above) with some<br />

remarks. It seems to me that the notion of ‘unfold<strong>in</strong>g’ plays an important role <strong>in</strong> Plot<strong>in</strong>us’<br />

discussion. However, if one were to provide a full account of the notion of ‘unfold<strong>in</strong>g’, one<br />

would easily go far beyond the limits of the present paper. It will suffice to h<strong>in</strong>t at the some<br />

suggestions. At this stage of our analysis, one easily wonders what the method could be by<br />

virtue of which it is possible to ‘unfold’ what has been grasped. S<strong>in</strong>ce our text (2) does not<br />

provide an answer, let me make a tentative suggestion. In I.3 [20], Plot<strong>in</strong>us illustrates the<br />

method of dialectic that consists <strong>in</strong> the (Platonic) method of division (tv= diaire/sei tv=<br />

Pla/twnoj). This method was presented as the means by which it is possible ‘to dist<strong>in</strong>guish the<br />

Forms, to determ<strong>in</strong>e the essence of each th<strong>in</strong>g, <strong>and</strong> to f<strong>in</strong>d the primary k<strong>in</strong>ds’. In other words,<br />

23 Smith [1997] p. 58.<br />

24 Brehier’s <strong>in</strong>troduction to Ennead II. 7 conta<strong>in</strong>s a brief but <strong>in</strong>formative note on this chapter with references to<br />

Peripatetic texts.<br />

25 A more extensive discussion of the role of logoi <strong>in</strong> the sensible world can be found <strong>in</strong> Kalligas [1997].<br />

26 Witt [1931], p. 106.<br />

16


dialectic through the method of division reveals what the Forms are, i.e., it reveals their<br />

def<strong>in</strong>ition. The method of division is therefore a suitable c<strong>and</strong>idate for the activity of unfold<strong>in</strong>g<br />

the Forms, for it can reveal the way <strong>in</strong> which each Form is related to the others (<strong>and</strong> hence to the<br />

whole of the <strong>in</strong>telligible world).<br />

Let us focus now our attention to the notion of cause. For, it would be natural to ask<br />

what k<strong>in</strong>d of causal role is to be ascribed to the Forms. Given the complexity of this problem, it<br />

is only possible to draw a map of the suggestions presented <strong>in</strong> some of the texts analysed <strong>in</strong> this<br />

paper. 27 In particular, accord<strong>in</strong>g to our text (2), it is possible to f<strong>in</strong>d the follow<strong>in</strong>g<br />

characterisation of the Forms’ causality. The general idea is that there are (at least) two ways <strong>in</strong><br />

which one can say that Forms are causes. The first is that Forms are causes for sensible items. It<br />

is a possibility that Plot<strong>in</strong>us is here referr<strong>in</strong>g to someth<strong>in</strong>g like the Platonic view that sensible<br />

items partake of Forms: Forms provide the ontological grounds of particulars that partake of<br />

them. But it is more plausible to suspect that Plot<strong>in</strong>us could offer his personal elaboration about<br />

the relationship between Forms <strong>and</strong> sensible items: the essence of a sensible object could be<br />

determ<strong>in</strong>ed by reflection of an <strong>in</strong>telligible Form. 28 If this is correct, then it is <strong>in</strong> this latter sense<br />

that, accord<strong>in</strong>g to Plot<strong>in</strong>us, Forms are the ontological grounds of the particulars. However, given<br />

that it is not Plot<strong>in</strong>us’ primary concern to go <strong>in</strong>to the details of the relationship between Forms<br />

<strong>and</strong> sensible items <strong>in</strong> the last l<strong>in</strong>es of our text (2), we can turn to the second way <strong>in</strong> which Forms<br />

are causes.<br />

This second way <strong>in</strong> which Forms are causes is still difficult to def<strong>in</strong>e. We are deal<strong>in</strong>g<br />

with a different k<strong>in</strong>d of causality, as sensible items are not <strong>in</strong>volved: this is the k<strong>in</strong>d of causality<br />

that one f<strong>in</strong>ds when one unfolds a Form.<br />

When we focus on this second way <strong>in</strong> which Forms are causes, a complex picture<br />

presents itself. For our present purposes, it suffices to del<strong>in</strong>eate only some of its traits. A<br />

characteristic feature of Plot<strong>in</strong>us’ Forms is that they do not depend on other th<strong>in</strong>gs that are not<br />

<strong>in</strong>telligible be<strong>in</strong>gs. Still, at the same time, Forms should not be taken <strong>in</strong> isolation: they are to be<br />

taken <strong>in</strong> their mutual relations (<strong>in</strong> particular <strong>in</strong> their relations with the primary genera) <strong>and</strong><br />

hence <strong>in</strong> their <strong>in</strong>terconnection with the whole of the <strong>in</strong>telligible world. Hence, there is a certa<strong>in</strong><br />

k<strong>in</strong>d of dependence of the Forms on the <strong>in</strong>telligible world. Accord<strong>in</strong>gly, when one comes to<br />

grasp the essence <strong>and</strong> the cause <strong>in</strong> the unfold<strong>in</strong>g of the Form, one underst<strong>and</strong>s what the Form is<br />

by grasp<strong>in</strong>g how it is related to (<strong>and</strong> dependent on) other Forms (<strong>in</strong> particular, the primary<br />

genera). One thereby grasps the connections <strong>and</strong> the <strong>in</strong>terrelations between different elements<br />

of the <strong>in</strong>telligible world. If one were to push this view even further, one would be tempted to see<br />

<strong>in</strong> Plot<strong>in</strong>us a holistic view of universals. 29 However, this thesis needs to be more extensively<br />

argued for, <strong>and</strong> it constitutes an <strong>in</strong>terest<strong>in</strong>g <strong>and</strong> fruitful start<strong>in</strong>g po<strong>in</strong>t for a new research. 30<br />

27 The topic of the Forms’ causality is discussed (among others) <strong>in</strong> Wagner [1982] <strong>and</strong> <strong>in</strong> D’Ancona Costa<br />

[1992].<br />

28 This po<strong>in</strong>t is discussed <strong>in</strong> Kalligas [1997], 399-400.<br />

29 Plot<strong>in</strong>us’ holism has been recently discussed <strong>in</strong> Emillson [2007], 199-207.<br />

30 I would like to thank the many colleagues <strong>and</strong> friends who read previous drafts of this paper <strong>and</strong> made<br />

extremely helpful suggestions. I am particularly grateful to David Charles, Paolo Crivelli, Michel Frede,<br />

Pavlos Kalligas, <strong>and</strong> the anonymous referee.<br />

17


Bibliography<br />

Adamson [2002] P. Adamson, The Arabic Plot<strong>in</strong>us, Duckworth, 2003.<br />

Anton [1992-93]<br />

Armstrong [1966-88]<br />

Atk<strong>in</strong>son [1983]<br />

Barnes [1994]<br />

Blumenthal [1971]<br />

Brehéier [1924-38]<br />

Bolton [1993]<br />

J.P. Anton, ‘Plot<strong>in</strong>us <strong>and</strong> the Neoplatonic Conception of Dialectic’,<br />

Journal of Neoplatonic Studies, I, 1992-3, 3-30.<br />

Plot<strong>in</strong>us (7 vols), <strong>in</strong>tr. <strong>and</strong> transl. by A.H. Armstrong, Harvard<br />

University Press, 1966-88.<br />

M. Atk<strong>in</strong>son, Ennead V.1: On the Three Pr<strong>in</strong>cipal Hypostases,<br />

Oxford University Press, 1983.<br />

Aristotle. Posterior Analytics, transl. <strong>and</strong> comm. by J. Barnes, Oxford<br />

Clarendon Press, 1994.<br />

H.J. Blumenthal, Plot<strong>in</strong>us’ Psychology: His theory of Embodied Soul,<br />

Mart<strong>in</strong>us Nijhoff, 1971.<br />

Plot<strong>in</strong>. Ennéades. 7 vols, <strong>in</strong>tr., ed., trans., <strong>and</strong> notes by E. Brehéier,<br />

Les Belles Lettres, 1924-38.<br />

R. Bolton, ‘Division, def<strong>in</strong>ition et essence dans la science<br />

aristotelicienne’, Revue philosophique de la France et de l’Etranger,<br />

CLXXXIII, 1993, 197-222.<br />

Bostock [1975] D. Bostock, Plato’s Phaedo, Oxford Clarendon Press, 1975.<br />

Chiaradonna [1999]<br />

Chiaradonna [2002]<br />

Charles [2000]<br />

D’Ancona Costa [1992]<br />

Emilsson [1988]<br />

Emilsson [1991]<br />

Emilsson [1995]<br />

R. Chiaradonna, ‘OUSIA EC OUK OUSIWN. Forma e sostanza<br />

sensibile <strong>in</strong> Plot<strong>in</strong>o (Enn. VI 3, 4-8)’, Documenti e studi sulla<br />

tradizione filosofica medievale, X, 1999, 25-57.<br />

—— Sostanza, Movimento, Analogia. Plot<strong>in</strong>o critico di Aristotele,<br />

Bibliopolis, 2002.<br />

D. Charles, Aristotle on Mean<strong>in</strong>g <strong>and</strong> <strong>Essence</strong>, Oxford University<br />

Press, 2000.<br />

C. D’Ancona Costa, ‘AMORFON KAI ANEIDON. Causalité des<br />

formes et causalité de l’Un chez Plot<strong>in</strong>’, Revue de Philosophie<br />

Ancienne, X, 1992, 69-113.<br />

E.K. Emilsson, Plot<strong>in</strong>us on Sense Perception, Cambridge University<br />

Press, 1988.<br />

—— ‘Plot<strong>in</strong>us <strong>and</strong> soul-body dualism’ <strong>in</strong> Companions to Ancient<br />

Thought 2. Psychology, ed. by S. Everson, Cambridge University<br />

Press, 148-65.<br />

—— ‘Plot<strong>in</strong>us on the Objects of Thought’, Archiv für Geschichte der<br />

Philosophie, LXXVII, 1995, 21-41.<br />

Emilsson [2007] —— Plot<strong>in</strong>us on Intellect, Oxford University Press, 2007.<br />

19


F<strong>in</strong>e [1987]<br />

F<strong>in</strong>e [1994]<br />

Frede [1978]<br />

Jordan [1983]<br />

Hadot [1988]<br />

G. F<strong>in</strong>e, ‘Forms as <strong>Cause</strong>s: Plato <strong>and</strong> Aristotle’, <strong>in</strong> A. Graeser (ed.),<br />

Mathematics <strong>and</strong> Metaphysics <strong>in</strong> Aristotle-Mathematik und<br />

Metaphysik bei Aristotle, Haupt, 1987, pp. 69-111.<br />

K. F<strong>in</strong>e, ‘<strong>Essence</strong> <strong>and</strong> Modality’, Philosophical Perspective, 8. Logic<br />

<strong>and</strong> Language, ed. by J. Tomberl<strong>in</strong>, Ridgeview, 1994, 1-16.<br />

M. Frede, ‘The Orig<strong>in</strong>al Notion of <strong>Cause</strong>’, <strong>in</strong> Essays <strong>in</strong> Ancient<br />

Philosophy, Oxford Clarendon Press, 1987, 125-150.<br />

R.W. Jordan, Plato’s Arguments for Forms, Cambridge Philological<br />

Society, 1983.<br />

Plot<strong>in</strong>. Traité 38. VI,7, <strong>in</strong>tr., comm., <strong>and</strong> notes by P. Hadot, Cerf,<br />

1988.<br />

Harder [1956-71] Plot<strong>in</strong>us Schriften, <strong>in</strong>tr., ed., <strong>and</strong> trans. by R. Harder contu<strong>in</strong>ued by R.<br />

Beutler <strong>and</strong> W. Teiler, Felix Me<strong>in</strong>er, 1956-71.<br />

Henry/Schwyzer [1964, 1976, 1982]<br />

Henry/Schwytzer [1951, 1959, 1973]<br />

Plot<strong>in</strong>i Opera. 3 vols, <strong>in</strong>tr. <strong>and</strong> ed. by P. Henry <strong>and</strong> H.-R. Schwyzer,<br />

Oxford Clarendon Press (vol. 1, Enneads I-III); (vol. 2, Enneads IV-<br />

V); (vol. 3, Ennead VI) = H.-S. 2 editio m<strong>in</strong>or.<br />

Plot<strong>in</strong>i Opera. 3 vols, <strong>in</strong>tr. <strong>and</strong> ed. by P. Henry <strong>and</strong> H.-R. Schwytzer<br />

(vol. 1, Edition Universelle, Enneads I-III); (vol. 2, Edition<br />

Universelle, <strong>and</strong> Desclée de Brouwer, Enneads IV-V); (vol. 3 Desclée<br />

de Brouwer, <strong>and</strong> Brill, Ennead VI) = H/S 1 editio maior.<br />

Hocutt [1974] M.Hocutt, ‘Aristotle’s Four Becauses’, Philosphy, XLIX, 1974, 385-<br />

399.<br />

Kalligas [1997]<br />

Lloyd [1955]<br />

P. Kalligas, ‘Logos <strong>and</strong> the Sensible Object <strong>in</strong> Plot<strong>in</strong>us’, Ancient<br />

Philosophy, XVII, 1997, 397-410.<br />

A.C. Lloyd, ‘Neoplatonic Logic <strong>and</strong> Aristotelian Logic I’, Phronesis,<br />

I, 1955, 58-79 <strong>and</strong> 146-160.<br />

Lloyd [1956]<br />

—— ‘Neoplatonic Logic <strong>and</strong> Aristotelian Logic II’, Phronesis, II,<br />

1956, 146-160.<br />

Lloyd [1986] —— ‘Non-Propositional Thought <strong>in</strong> Plot<strong>in</strong>us’, Phronesis, XXXI, 258-<br />

265.<br />

Lloyd [1990] —— The Anatomy of Neoplatonism, Oxford Clarendon Press, 1990.<br />

Matthews/Blackson [1989]<br />

O’Meara [1975]<br />

Radice/Reale [2003]<br />

Ross [1949]<br />

G.B. Matthews <strong>and</strong> T.A. Blackson, ‘<strong>Cause</strong>s <strong>in</strong> the Phaedo’, Synthese,<br />

LXXIX, 1989, 581-591.<br />

Dom<strong>in</strong>ique O’Meara, Structure hiérarchiques dans le penseé de<br />

Plot<strong>in</strong>, Brill, 1975.<br />

Plot<strong>in</strong>o. Enneadi, transl. by R. Radice, <strong>in</strong>tr. <strong>and</strong> comm. by G. Reale,<br />

Arnoldo Mondadori Editore, 2003 (1 st ed. 2002).<br />

Aristotle’s Prior <strong>and</strong> Posterior Analytics, transl. <strong>and</strong> comm.. by<br />

D. Ross, Oxford University Press (1949).<br />

20


Schrenk [1993]<br />

Schrenk [1994a]:<br />

Schrenk [1994b]<br />

Schroeder [1992]<br />

L.P. Schrenk, ‘The Middle Platonic Reception of Aristotelian<br />

Science’, Rhe<strong>in</strong>isches Museum für Philologie, N.F. CXXXVI, 1993,<br />

343-359.<br />

—— (ed.) Aristotle <strong>in</strong> Late Antiquity, The Catholic University of<br />

America Press, 1994.<br />

—— ‘Proof <strong>and</strong> Discovery <strong>in</strong> Aristotle <strong>and</strong> the Later Greek<br />

Tradition: A Prolegomenon to a study of Analysis <strong>and</strong> Synthesis’, <strong>in</strong><br />

Schrenk [1994a], 92-108.<br />

F.M. Schroeder, Form <strong>and</strong> Transformation. A Study <strong>in</strong> the<br />

Philosophy of Plot<strong>in</strong>us, McGill-Queen’s University Press, 1992.<br />

Sleeman/Pollet [1980] J.H. Sleeman, G. Pollet, Lexicon Plot<strong>in</strong>ianum, Brill, 1980.<br />

Smith [1997]<br />

Vlastos [1969]<br />

Wagner [1982]<br />

Aristotle. Topics Books I <strong>and</strong> VIII. Translated with a commentary by<br />

R. Smith, Clarendon Press Oxford, 1997.<br />

G. Vlastos, ‘Reason <strong>and</strong> <strong>Cause</strong>s <strong>in</strong> the Phaedo’, The Philosophical<br />

Review, LXXVIII, 1968, 291-325.<br />

M.F. Wagner, ‘Vertical Causation <strong>in</strong> Plot<strong>in</strong>us’, <strong>in</strong> R.B. Harris (ed.),<br />

The Structure of Be<strong>in</strong>g: a Neoplatonic Approach, International<br />

Society for Neoplatonic Studies, 1982, 51-165.<br />

Wagner [1985] —— ‘Realism <strong>and</strong> the Sensible World’, Ancient Philosophy 1985,<br />

Wagner [1996]<br />

Witt [1931]<br />

White [1992]<br />

—— ‘Plot<strong>in</strong>us on the Nature of the Physical Reality’, <strong>in</strong> L.P. Gerson<br />

(ed.) The Cambridge Companion to Plot<strong>in</strong>us, Cambridge University<br />

Press, 1996, 130-170.<br />

R.E. Witt, ‘The Plot<strong>in</strong>ian Logos <strong>and</strong> its Stoic Basis’, The Classical<br />

Quaterly, XXV, 1931, 103-111.<br />

N.P. White, ‘Plato’ Metaphysical Epistemology’, <strong>in</strong> R. Kraut (ed.)<br />

The Cambridge Companion to Plato, Cambridge University Press,<br />

1992, 277-310.<br />

21

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!