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LD Eric Marchwinski used lighting to set the mood during Trey Songz’ more intimate songs.<br />

Marchwinski based his color choices on how the artist described the feeling of each song.<br />

logo would be very effective. The ‘Triple<br />

Ps,’ as we call them, appear throughout<br />

the set on all of the songs off of the new<br />

album, Passion, Pain & Pleasure.”<br />

Word Games<br />

plsn<br />

To provide more continuity in the<br />

show, Marchwinski used word association<br />

with feelings and emotions that the<br />

artist wanted to convey and chose the<br />

colors accordingly. “I found it much easier<br />

to take the artist’s descriptions, which<br />

are based in emotions, and translate that<br />

to color, rather than try to get the artist<br />

to think like a designer, or more cuebased.”<br />

After discussing it with the artist, he<br />

picked a color palette for each record,<br />

but kept the continuity by tying adjacent<br />

songs together with at least one color in<br />

<strong>com</strong>mon.<br />

“Although it’s somewhat subconscious,”<br />

he said, “I think it’s a very effective<br />

way to avoid ‘Color ADD.’ I value the<br />

extremely strong association between<br />

color and emotion. I’m sure you could<br />

write for days on that topic alone.<br />

“The cyc, the tubes and the rig provided<br />

many layers on which to paint with<br />

the intricate color palette,” he continued.<br />

“Some songs have a simple one color<br />

palette, including the spotlight, and other<br />

have up to a four-color scheme. The<br />

layers allow me to place color with purpose<br />

and not just throw it up onto any<br />

old fixture. Designing with purpose is<br />

one of the biggest things I have been<br />

working on over the course of beginning<br />

my career. It’s a great concept taught to<br />

me by the one and only Scott Pinkney.”<br />

The tour kicked off with a week of<br />

studio rehearsals in Atlanta, then three<br />

full days of production rehearsals in Mobile,<br />

AL at the first venue.<br />

“The tour has been phenomenal in<br />

every aspect,” Marchwinski enthused.<br />

“Our crew is fantastic, the band, the<br />

management...the whole team has really<br />

banded together to make this a really<br />

significant experience for everyone as<br />

Trey’s first headlining tour. I have learned<br />

leaps and bounds grown so much as a<br />

designer and a tech through being a<br />

working LD on this tour! Every show has<br />

been <strong>com</strong>pletely sold out to the very last<br />

seat, and we couldn’t ask for anything<br />

more.<br />

“To be the lighting designer for a sold<br />

out R&B tour has been a mind-blowing<br />

experience throughout every step of<br />

the process. I must again thank Nathan<br />

Almeida and Bob Morrissey from East<br />

Coast Lighting and Production Services<br />

for calling me and providing me with<br />

this opportunity and Steve Foster for being<br />

out here and working towards this<br />

dream with me for the past six years.”<br />

Trey Songz 2010 Passion Pain & Pleasure Tour<br />

Lighting: East Coast Lighting and Production Services (ECLPS)<br />

Audio: Eighth Day Audio<br />

Staging: All Access Staging & Productions<br />

Backline: Bergsten Music<br />

Soft Goods/Kabuki: Rent What?<br />

Radios: Road Radios<br />

Trucking: Stage Call<br />

Buses: Coach Quarters<br />

Crew<br />

Production Manager/FOH Engineer: Bryon “Hot Dog” Tate<br />

Production Coordinator: Becky Mendoza<br />

Lighting Designer: Eric Marchwinski<br />

Crew Chief: Nathan Almeida<br />

Lighting Technician: Steven Foster<br />

Monitor Engineer: Marlon John<br />

Audio System Engineer: Chris Berry<br />

Audio Technician: Derek Prescod<br />

Backline Technician: Joe Mora<br />

A Party Band Bus Driver: Kenny Forges<br />

Production Bus Driver: Gary Ramella<br />

Stage Call Driver Audio: Tommy Oplinger<br />

Stage Call Driver Lighting: Curtis Doster<br />

Tour Promoter: Jeff Sharp, AEG Live<br />

Tour Promoter Rep: Eddie Powell Jr., AEG Live<br />

Tour Accountant: Andrea Divine, AEG Live<br />

Team Songz Management: Kevin Liles, JoJo Brim, KWL Enterprises;<br />

Chris Celestine, TS Productions<br />

Gear<br />

1 Flying Pig Systems Wholehog III<br />

2 Flying Pig Systems Hog PC USB playback fader wings<br />

1 Flying Pig Systems DP 2000 DMX processor<br />

2 Flying Pig Systems Hog iPCs<br />

1 Flying Pig Systems Superwidget<br />

1 Flying Pig Systems Hog PC USB programming wing<br />

8 Martin MAC 2000 Profiles with custom gobos<br />

12 Martin MAC 700 Wash fixtures<br />

16 Martin MAC 250 Entours<br />

6 Martin MAC 250 Wash fixtures<br />

16 Martin Atomic 3000 strobes<br />

31 Martin Stagebar 54 S LED fixtures<br />

12 Philips Color Kinetics Color Blast 12s<br />

4 Philips Color Kinetics Color Blaze 48s<br />

1 Doug Fleenor A/B switch<br />

4 Doug Fleenor Opto-Isolators<br />

1 Applied Electronics 36ch 2.4K dimmer rack<br />

2 Motion Labs 24-way 208V power distros<br />

12 CM 1-Ton chain hoists<br />

48’ James Thomas Engineering 20.5” box truss<br />

11 Total Fabrications 93”x30” pre rig truss<br />

2 Reel EFX DF-50 hazer w/ fan<br />

30 ETC Source Four MFL PARs<br />

6 ETC Source Four 19° Lekos<br />

2 ETC Source Four 50° Lekos<br />

1 30x60 white muslin cyc<br />

2 30x30 15oz Encore black velour<br />

1 Sew What? 30x60 kabuki w/ diaper<br />

24 Rent What? 110V kabuki solenoids<br />

2 24’ aluminum tubes for solenoids<br />

6 SnapLocs outrigging braces<br />

2010 DECEMBER <strong>PLSN</strong> 25

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