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NEWS<br />
continued from front cover<br />
Rob Baxter. Nordstrom and Baxter discussed<br />
the idea of using conventional lights in a<br />
pre-rigged truss configuration, but there<br />
was the contentious issue of portability.<br />
To load-in and rig enough truss and lighting<br />
for the basketball events normally takes<br />
two days, a lot of stage hands, and a lot of<br />
space. The Staples Center is used for a lot of<br />
events between basketball games, and the<br />
gear was not allowed to live in the ceiling<br />
for these events.<br />
In their first meeting, Baxter proposed a<br />
folding truss system whereby the lighting and<br />
dimming could live in the truss while the truss<br />
could be folded and transported in a neat,<br />
<strong>com</strong>pact package. While he acknowledged<br />
that the bugs would have to be worked out,<br />
he advised that with a little R&D and a lot of<br />
patience that it could work. The Staples Center<br />
wasn’t entirely convinced until they tested<br />
a rental system to see how it would work.<br />
When Bryant first walked in and saw the<br />
test of the new lighting system on the court,<br />
he was impressed.<br />
“Oh s---,” Bryant said, laughing at the<br />
change. “This is going to change the edge in<br />
the building immediately. This is awesome.<br />
This is it,” he said.<br />
“It puts it all right here,” said Baxter, referring<br />
to the fact that the majority of the light<br />
is focused on the court while the house lights<br />
are much lower and have a blue color. (To see<br />
the video of Bryant seeing the system for the<br />
P R O J E C T I O N L I G H T S & S TA G I N G N E W S<br />
Lighting Creates a Whole ‘Nother Game for Lakers<br />
first time, visit www.plsn.<strong>com</strong>/Kobe)<br />
After the game, they were given the green<br />
light to go ahead with the system under the<br />
condition that they had to be able to load the<br />
entire system in and out in six hours.<br />
Baxter then designed a system of five eightfoot<br />
sections of truss that fold, stack and roll on<br />
a single truss section. The individual sections<br />
hinge and pin using Tomcats’ spigot and pin<br />
locking system. Each 40’ truss is wheeled into the<br />
vomitory and a rigger drops the hook on a prehung<br />
chain hoist. When the hook is connected<br />
to one side of the truss, the chain is raised until<br />
the first section of truss can be spigoted and<br />
pinned from an eight-foot ladder. Each section<br />
is connected until the entire 40-foot section is<br />
<strong>com</strong>pleted. Three 40-foot sections join to <strong>com</strong>plete<br />
one of two 120-foot sections of truss.<br />
The 120-foot section of truss houses 14<br />
light bars, each with 12 ETC Source Four PARs<br />
with a narrow lens, and 168 channels of Leprecon<br />
ULD dimmers modified with Socopex<br />
connectors. Each section of truss takes about<br />
15 or 20 minutes to assemble.<br />
From the first game, the changed atmosphere<br />
had a noticeable effect. “You can see<br />
the change in the crowd,” Baxter said. “They<br />
reacted tremendously to it.”<br />
There were a few <strong>com</strong>plaints from the audience,<br />
Baxter confided, just because the moving<br />
lights are so bright by contrast to the conventional<br />
lights, but the positive feedback far<br />
outweighed the negative.<br />
Ian Levitt, the director of game operations<br />
for the Lakers headed the lighting project,<br />
while Gary LeMond of IATSE 33 was the head<br />
electrician and crew head. Tad Inferrera, IATSE<br />
33, is the Lakers lighting director.<br />
ELS supplied the lighting gear (Rafael<br />
Garcia, sales/project manager; George Gray,<br />
rental/project manager) and Frank Dawson<br />
of Kish Rigging was the rigging project<br />
manager. Tomcat fabricated the truss (Will<br />
Todd, Tomcat USA project manager) and AC<br />
Power Distribution supplied the PD (James<br />
Davey, AC Power Distribution president/project<br />
manager). Gear was also supplied by TMB<br />
(Tommy Stephenson, TMB sales).<br />
In addition to lighting director Randy Nordstrom,<br />
Amy Richards and Jared Sayed assisted<br />
in the lighting design while Chip Foody was<br />
the chief electrician and system installer.<br />
Strong Buys<br />
Technobeam<br />
Rights<br />
AUSTIN, TEXAS and OMAHA, NEB.<br />
— High End Systems Inc. and Strong Entertainment<br />
Lighting have <strong>com</strong>pleted a<br />
transaction to enable Strong to manufacture<br />
and sell Technobeam®, a moving<br />
mirror luminaire, which HES released in<br />
1998. Strong has purchased all rights to<br />
Technobeam including all tooling and<br />
product trademarks. Also, Strong has<br />
sublicensed all intellectual property associated<br />
with Technobeam.<br />
Strong expects to reintroduce the<br />
product early this spring and continue<br />
using the Technobeam brand name.<br />
States John Wilmers, CEO of Ballantyne<br />
of Omaha, Strong’s parent <strong>com</strong>pany,<br />
“This will be the same Technobeam<br />
that the industry has <strong>com</strong>e to appreciate<br />
over the past eight years. It will be manufactured<br />
using the identical parts and<br />
tooling that High End used, making this<br />
one of the most reliable lighting instruments<br />
in the industry.”<br />
HES CEO Frank Gordon says, “In the<br />
past eight years, we have shipped more<br />
than 10,000 units and rarely experienced<br />
service issues. It truly has been a work<br />
horse for the industry.”<br />
Wilmers further <strong>com</strong>ments, “The reliability<br />
and quality of Technobeam makes<br />
this a consistent product with our overall<br />
offering. We have always been focused on<br />
products that are backed by best-in-class<br />
service and support people and practices.”<br />
Strong expects to be shipping and<br />
selling Technobeam in the next 60 days.<br />
HES operations personnel will work with<br />
Strong employees during the pilot build<br />
of the product.