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INSTALLATIONS<br />
High School<br />
Auditorium Gets<br />
High-Tech<br />
Facelift<br />
By ErinBlakemore<br />
Front and side lighting positions were added, requiring close coordination<br />
between acoustical clouds, fixtures, loudspeakers and catwalks.<br />
Tim Hamilton, lead tech on the renovation<br />
One-hundred and ninety-two circuits were distributed over the catwalks and the stage.<br />
32 <strong>PLSN</strong> february 2007<br />
www.<strong>PLSN</strong>.<strong>com</strong><br />
Complete refurbishment, acoustic<br />
overhaul and state-of-the-art lighting<br />
and video installations: it sounds<br />
like improvements made for a theatrical<br />
<strong>com</strong>pany of national significance, not a<br />
high school auditorium in Kentwood, Mich.<br />
But sometimes star treatment is found in<br />
strange places — and East Kentwood High<br />
School’s refurbished high school now contains<br />
technology and planning that puts it<br />
on par with many of the country’s top performance<br />
venues.<br />
Multifaceted — and Outdated<br />
Originally built in the late 1960s, the<br />
Fine Arts Auditorium at East Kentwood<br />
High School primarily serves a high school<br />
population of more than 2,500, providing a<br />
home for the school’s choral concerts, theatrical<br />
productions, band concerts and even<br />
a “Battle of the Bands.” However, the space<br />
has taken on larger significance for the <strong>com</strong>munity<br />
of Kentwood, which watches a busy<br />
slate of national and regional performances,<br />
from orchestral music to jazz to touring<br />
productions of operas, such as Carmen, and<br />
musicals. “We even had a circus in here one<br />
time, <strong>com</strong>plete with elephants,” notes Rick<br />
Westers, who has taught production at East<br />
In order to reverse the toll of decades of<br />
decay, the facilit y was stripped down to<br />
four walls and <strong>com</strong>pletely overhauled.<br />
Kentwood High for more than 20 years in addition<br />
to serving as a freelance sound engineer<br />
in the Kentwood area.<br />
But time was not kind to the Fine Arts Auditorium,<br />
which had be<strong>com</strong>e tired, outdated<br />
and more than a little worn down. Given its<br />
diverse functions and the opportunity for<br />
hands-on learning in a bona fide production<br />
environment at the high school, taxpayers<br />
and the school district approved funding for<br />
a <strong>com</strong>plete renovation and refurbishment of<br />
the Fine Arts Auditorium, unlike the “bandaid”<br />
approach adopted — and unfortunately<br />
afforded — by other school districts. In order<br />
to reverse the toll of decades of decay, the<br />
facility was stripped down to four walls and<br />
<strong>com</strong>pletely overhauled.<br />
Designed by GMB Architects & Engineers<br />
of Holland, Mich., the new facility was<br />
designed with acoustics in mind — Michigan-based<br />
acoustics and technical systems<br />
design firm Acoustics By Design was<br />
on board, and lead tech Tim Hamilton, CTS<br />
worked with Westers, the architects and a<br />
team of specialists to help design the facility’s<br />
innovative <strong>com</strong>ponents, from sound to<br />
video to lighting.<br />
Lighting Helps New Complex Shine<br />
After the innovative acoustics were <strong>com</strong>plete,<br />
it was time to address the stage magic<br />
— lighting. The lighting system was in dire<br />
need of expansion; in fact, the old system<br />
consisted of only one lighting position and<br />
several stage electrics. Light fixtures were<br />
old and run-down, while the dimming system<br />
was outdated from the perspectives of<br />
both performance and control protocol. But<br />
the biggest lighting obstacle for the East<br />
Kentwood Fine Arts Center was to be found<br />
above the stage — the house catwalk was<br />
positioned too close to the stage. This presented<br />
a lighting quandary:<br />
the existing fixtures<br />
were located at too steep<br />
of an angle to the front of<br />
the stage, and it was virtually<br />
impossible to light<br />
anything on the floor upstage<br />
with the current catwalks<br />
in place.<br />
Undaunted by the challenges of the existing<br />
catwalk system, Acoustics By Design,<br />
GMB Architects & Engineers and high school<br />
representatives began to brainstorm. Their<br />
first decision: abandon the existing catwalks<br />
and remove the room’s ceiling in order to<br />
address crucial questions of lighting design.<br />
The renovated space would call for an<br />
entirely new catwalk system that allowed<br />
access from both sides of the room. Front<br />
and side lighting positions and followspot<br />
locations were added in order to expand the