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INSTALLATIONS<br />

High School<br />

Auditorium Gets<br />

High-Tech<br />

Facelift<br />

By ErinBlakemore<br />

Front and side lighting positions were added, requiring close coordination<br />

between acoustical clouds, fixtures, loudspeakers and catwalks.<br />

Tim Hamilton, lead tech on the renovation<br />

One-hundred and ninety-two circuits were distributed over the catwalks and the stage.<br />

32 <strong>PLSN</strong> february 2007<br />

www.<strong>PLSN</strong>.<strong>com</strong><br />

Complete refurbishment, acoustic<br />

overhaul and state-of-the-art lighting<br />

and video installations: it sounds<br />

like improvements made for a theatrical<br />

<strong>com</strong>pany of national significance, not a<br />

high school auditorium in Kentwood, Mich.<br />

But sometimes star treatment is found in<br />

strange places — and East Kentwood High<br />

School’s refurbished high school now contains<br />

technology and planning that puts it<br />

on par with many of the country’s top performance<br />

venues.<br />

Multifaceted — and Outdated<br />

Originally built in the late 1960s, the<br />

Fine Arts Auditorium at East Kentwood<br />

High School primarily serves a high school<br />

population of more than 2,500, providing a<br />

home for the school’s choral concerts, theatrical<br />

productions, band concerts and even<br />

a “Battle of the Bands.” However, the space<br />

has taken on larger significance for the <strong>com</strong>munity<br />

of Kentwood, which watches a busy<br />

slate of national and regional performances,<br />

from orchestral music to jazz to touring<br />

productions of operas, such as Carmen, and<br />

musicals. “We even had a circus in here one<br />

time, <strong>com</strong>plete with elephants,” notes Rick<br />

Westers, who has taught production at East<br />

In order to reverse the toll of decades of<br />

decay, the facilit y was stripped down to<br />

four walls and <strong>com</strong>pletely overhauled.<br />

Kentwood High for more than 20 years in addition<br />

to serving as a freelance sound engineer<br />

in the Kentwood area.<br />

But time was not kind to the Fine Arts Auditorium,<br />

which had be<strong>com</strong>e tired, outdated<br />

and more than a little worn down. Given its<br />

diverse functions and the opportunity for<br />

hands-on learning in a bona fide production<br />

environment at the high school, taxpayers<br />

and the school district approved funding for<br />

a <strong>com</strong>plete renovation and refurbishment of<br />

the Fine Arts Auditorium, unlike the “bandaid”<br />

approach adopted — and unfortunately<br />

afforded — by other school districts. In order<br />

to reverse the toll of decades of decay, the<br />

facility was stripped down to four walls and<br />

<strong>com</strong>pletely overhauled.<br />

Designed by GMB Architects & Engineers<br />

of Holland, Mich., the new facility was<br />

designed with acoustics in mind — Michigan-based<br />

acoustics and technical systems<br />

design firm Acoustics By Design was<br />

on board, and lead tech Tim Hamilton, CTS<br />

worked with Westers, the architects and a<br />

team of specialists to help design the facility’s<br />

innovative <strong>com</strong>ponents, from sound to<br />

video to lighting.<br />

Lighting Helps New Complex Shine<br />

After the innovative acoustics were <strong>com</strong>plete,<br />

it was time to address the stage magic<br />

— lighting. The lighting system was in dire<br />

need of expansion; in fact, the old system<br />

consisted of only one lighting position and<br />

several stage electrics. Light fixtures were<br />

old and run-down, while the dimming system<br />

was outdated from the perspectives of<br />

both performance and control protocol. But<br />

the biggest lighting obstacle for the East<br />

Kentwood Fine Arts Center was to be found<br />

above the stage — the house catwalk was<br />

positioned too close to the stage. This presented<br />

a lighting quandary:<br />

the existing fixtures<br />

were located at too steep<br />

of an angle to the front of<br />

the stage, and it was virtually<br />

impossible to light<br />

anything on the floor upstage<br />

with the current catwalks<br />

in place.<br />

Undaunted by the challenges of the existing<br />

catwalk system, Acoustics By Design,<br />

GMB Architects & Engineers and high school<br />

representatives began to brainstorm. Their<br />

first decision: abandon the existing catwalks<br />

and remove the room’s ceiling in order to<br />

address crucial questions of lighting design.<br />

The renovated space would call for an<br />

entirely new catwalk system that allowed<br />

access from both sides of the room. Front<br />

and side lighting positions and followspot<br />

locations were added in order to expand the

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