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Spring 2009 Potomac Term - Potomac School

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...Yet!<br />

The child says, “I’ve succeeded.”<br />

The clay says, “CRACK! You’ve failed.”<br />

There is nothing more common, for artists<br />

of all ages, than failure. These frequent stern<br />

assessments do not come from other people, but<br />

from the materials at hand and from one’s own<br />

inner judgment. What good is it to pout over<br />

broken pottery? Will a trumpet soften and make<br />

itself simpler, just to soothe a trumpeter? The<br />

lessons from tools, materials and instruments<br />

are so much more direct than well-meaning<br />

advice from other people. Why? Because experience<br />

itself is teaching. Students of the arts<br />

must, ultimately, learn most deeply from their<br />

own experiments. They find their way forward<br />

by doing and undoing. Failure is a friend, a<br />

partner in the studio, showing students limits<br />

and possibilities.<br />

Failure teaches teach resilience, renewal, and<br />

revision. Think it through and start again. It’s never<br />

over, never done.<br />

A toddler sways; we know that he will one day<br />

stride and run. And when he topples, laughing, to<br />

the floor, do we pronounce, “He’ll never walk?”<br />

Aptitude appears in differing degrees, at different<br />

times in life.<br />

Perseverance. Let’s try again…<br />

“I cannot play that melody, yet!”<br />

“I cannot represent that character, yet!”<br />

“I cannot make that shape in clay… yet!”<br />

The student of arts is always growing<br />

toward new ideals and new achievements.<br />

Real growth is indirect and uncomfortable.<br />

“The most significant kind of learning in virtually<br />

any field creates a desire to pursue learning in that<br />

field when one doesn’t have to.”<br />

- Elliot Eisner<br />

Stanford University Emeritus Professor of<br />

Art and Education<br />

The Arts and the Creation of Mind, 2002<br />

<strong>Spring</strong> <strong>2009</strong> 13

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