A Collection of in English - the Theodore Presser Company
A Collection of in English - the Theodore Presser Company
A Collection of in English - the Theodore Presser Company
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ENGLISH LANGUAGE OPERAS<br />
Es<strong>the</strong>r<br />
Opera <strong>in</strong> three acts<br />
Libretto by Charles Kondek<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
Es<strong>the</strong>r was made queen by <strong>the</strong> Persian k<strong>in</strong>g Ahasuerus. When <strong>the</strong> k<strong>in</strong>g’s chief m<strong>in</strong>ister planned to kill all<br />
<strong>the</strong> Jews <strong>in</strong> an act <strong>of</strong> vengeance aga<strong>in</strong>st his arch-enemy, Es<strong>the</strong>r revealed to <strong>the</strong> k<strong>in</strong>g that she was Jewish,<br />
and pleaded for her people. Her triumph was hard-won: Ahasuerus could not revoke <strong>the</strong> exterm<strong>in</strong>ation<br />
edict, but <strong>in</strong>stead, allowed <strong>the</strong> Jews to arm <strong>the</strong>mselves. Their successful defense is commemorated to this<br />
day <strong>in</strong> <strong>the</strong> annual festival <strong>of</strong> Purim.<br />
Cast:<br />
Dur:<br />
Instr:<br />
The Gardens <strong>of</strong> Adonis<br />
Soprano, Mezzo-Soprano, Contralto, Countertenor, 4 Tenor, 2 Baritone,<br />
Bass-Baritone, Bass; Chorus, Children’s chorus.<br />
full even<strong>in</strong>g<br />
3(Picc. AltoFl.), 2(E.H.) 2(B.Cl.) 2 - 4 3 2 1; Timp. Perc. Hp. Str.<br />
Opera <strong>in</strong> Two Scenes and a Prologue<br />
Libretto by John Olon-Scrymgeour, after “Venus and Adonis” by William Shakespeare<br />
and <strong>the</strong> play <strong>of</strong> <strong>the</strong> same name by André Obey<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
Venus, accidentally wounded with one <strong>of</strong> Cupid’s arrows, falls <strong>in</strong> love with Adonis, who is not at all<br />
smitten, and is more <strong>in</strong>terested <strong>in</strong> hunt<strong>in</strong>g. The situation is not without humor, until Death enters <strong>the</strong><br />
picture, and Adonis’ fate is sealed.<br />
Cast:<br />
Dur:<br />
Instr:<br />
2 Soprano, Boy Soprano, Mezzo-Soprano, Tenor, Baritone, Bass<br />
full even<strong>in</strong>g<br />
3(Picc. AltoFl.) 2(E.H.) 2(A Cl./B.Cl.) 2 - 2(or4) 2 2 1; Timp. Perc. Pno. Hp. Str.<br />
Jenny, or The Hundred Nights<br />
One act opera<br />
Libretto by John Hollander, after <strong>the</strong> Noh play “Sotoba Kamachi” by Yukio Mishima,<br />
translated by Donald Keene<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
Opera without chorus<br />
Jenny, a 99-year-old woman, wanders at night <strong>in</strong> a London park. While young lovers are occupied on<br />
<strong>the</strong> park benches, she falls <strong>in</strong>to conversation with a young photographer, remember<strong>in</strong>g her youth and her<br />
loves. The young lovers <strong>of</strong> <strong>the</strong> present are confused with ghosts <strong>of</strong> <strong>the</strong> past, and <strong>the</strong> l<strong>in</strong>es between life and<br />
death become blurred.<br />
Cast: Coloratura Soprano, 2 Soprano, Mezzo-Soprano, 2 Tenor, 3 Baritone, 2 Bass;<br />
Chorus, Dancers<br />
Dur: 70’<br />
Instr: 4 2 4 2 - 2 2 3 1; 3Perc. Hp. Pno. Str. Viol<strong>in</strong>ist & Pianist on stage<br />
N<strong>in</strong>e Rivers from Jordan<br />
Prologue and three acts<br />
Libretto by Denis Johnston<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
Musically, dramatically, and symbolically, <strong>the</strong> opera deals with <strong>the</strong> unprecedented moral problems caused<br />
by <strong>the</strong> circumstances <strong>of</strong> <strong>the</strong> Second World War. Actual happen<strong>in</strong>gs and imag<strong>in</strong>ary events are juxtaposed.<br />
In <strong>the</strong> f<strong>in</strong>al analysis, <strong>the</strong> characters face personal responsibility for mak<strong>in</strong>g <strong>the</strong> choice between right and<br />
wrong, and <strong>the</strong> conclusion that, though we are all “dirty,” we are not all damned.<br />
Return to INDEX<br />
<strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
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