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EVENTS IN THE VILLA POLLUX 115<br />

more voluptuous impersonations followed ;<br />

for when another<br />

and less known ac<strong>to</strong>r named Hylas painted blue, and dragging<br />

a fish's tail behind him had acted the part of the seagod<br />

Glaucus, <strong>to</strong> rest the two chief performers, then Paris set<br />

forth the s<strong>to</strong>ry of Ariadne and Bacchus ;<br />

and Aliturus sank<br />

<strong>to</strong> yet lower depths in dancing the favourite pan<strong>to</strong>mime of<br />

Leda.<br />

Such were among the amusements of Nero's evenings, and<br />

part of the pleasure consisted in knowing that he and his<br />

guests were enjoying at their leisure a near view of the<br />

unequalled genius which enraptured the shouting myriads of<br />

Koine when witnessed from a distance after long hours of<br />

waiting <strong>to</strong> secure a place. Further, they had the advantage<br />

of watching the speaking faces of the miinists, which in the<br />

theatre were hidden by a mask. It is needless <strong>to</strong> add that<br />

Nero rewarded with immense donations the artists whose skill<br />

he so passionately admired. And yet for Paris it had been<br />

happier if, instead of dazzling the multitude, he had remained<br />

the humble slave of Domitia. For in later days Nero, envying<br />

him the tumults of applause he won, tried <strong>to</strong> emulate his<br />

skill. Paris did his best <strong>to</strong> teach him, but the attempt was<br />

hopeless. Nothing could then make the obese form of the<br />

Emperor graceful, or his thin legs agile. And since he could<br />

not rival him, he made the poor wretch pay the penalty by<br />

putting him <strong>to</strong> death.<br />

But no such d<strong>read</strong> foreboding was in the happy ac<strong>to</strong>r's<br />

mind as he witnessed the spell which he cast over the minds<br />

of his audience and audience it<br />

might fitly be called, for the<br />

ac<strong>to</strong>r had spoken <strong>to</strong> them in the eloquence of rhythmic gesture.<br />

<strong>The</strong> conversation turned naturally on the art of dancing.<br />

'<br />

Paris,' said Petronius, whose aesthetic sympathies had been<br />

intensely gratified,<br />

I know not whether you missed the usual<br />

'<br />

accompaniments of pipes and flutes, and still more the<br />

thundering reverberations of applause from the enraptured<br />

myriads, but I never heard you <strong>to</strong> greater advantage.'<br />

'<br />

Heard me ? Saw me, you mean,' said Paris, with a<br />

pleasant<br />

smile.<br />

'No<br />

'<br />

!' said Petronius, we have heard, not seen, you. You<br />

have not spoken a word, but your feet and your hands have<br />

surpassed the eloquence even of lips "tinct with Hyblean<br />

honeycombs." '

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