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THE SPOLIARIUM 339<br />

CHAPTER XL<br />

THE SPOLIARIUM<br />

1<br />

Sanguinem quoque gladia<strong>to</strong>rum bibunt, ut viveutibus poculis, coraitiales<br />

morbi ... At hercule illi ex homine ipso sorbere efficacissimum putant<br />

calidurn spirautemque, et una ipsam animam ex osculo vulnerum.' PLINY,<br />

N. H. xxviii. 2.<br />

A FEW days before the scene described in the last chapter<br />

there had been gladness in the bright but humble home of<br />

Pudens. He had risen <strong>to</strong> the rank of a priinipilar centurion,<br />

and was now in a position <strong>to</strong> ask the British king Caradoc for<br />

the hand of his lovely Claudia. He had only delayed his<br />

nuptials until he felt himself able <strong>to</strong> give his bride a secure<br />

and fitting home. Everything was fresh and beautiful in<br />

the adornments of the house. <strong>The</strong> atrium was full of<br />

flowers and statues, the door was hung with garlands, the<br />

frescoes in the tablinum and triclinium were all new. No<br />

mythological scene had been admitted, but the walls of the<br />

triclinium were painted with fes<strong>to</strong>ons of fruit and flowers<br />

and trellises of roses, among which little<br />

winged genii held<br />

their sports ;<br />

and the tablinum with scenes of street life and<br />

the <strong>to</strong>ils of agriculture, and purple vineyards, as perfect<br />

as the pencil of Dorotheus could make them. One little<br />

corner of the fresco was universally admired as a masterpiece.<br />

Pudens had asked the painter <strong>to</strong> imitate one of the<br />

vases of iridescent glass which were then in fashion, and,<br />

in honour of Claudia, <strong>to</strong> till it with lilies. Pudens had<br />

greatly admired a similar painting on the wall of the house<br />

of Germanicus on the Palatine (where it may be seen <strong>to</strong><br />

this day), and in reproducing it Dorotheus had surpassed<br />

himself.<br />

<strong>The</strong> betrothal had taken place some time before, and on that<br />

occasion Pudens had given <strong>to</strong> his future bride a golden necklace<br />

of old Etrurian workmanship, with pendants of amethyst.

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