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click to read pdf file - The Preterist Archive

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150 DARKNESS AND DAWN<br />

day in this house when all the noblest matrons of Rome<br />

are with you <strong>to</strong> sanction your presence, and you shall outshine<br />

them all. But there are guests coming <strong>to</strong>-night whom<br />

I should not care for Poppaea <strong>to</strong> greet, though I have asked<br />

them as companions of Nero. Surely you would not demean<br />

yourself by speaking <strong>to</strong> a Vatiuius or a Paris, <strong>to</strong> say nothing<br />

of a Tigellinus or a Sagitta.'<br />

'<br />

I need not see or speak <strong>to</strong> any of the others, Otho,'<br />

said<br />

'<br />

Poppaea but<br />

; surely I have a right <strong>to</strong> ask that when<br />

the slave sees the gilded letica with its purple awnings<br />

I may for one moment advance across the hall, and tell<br />

Nero that Poppaea Sabina greets the friend of her lord, and<br />

thanks him for honouring their poor house with his august<br />

presence.'<br />

'<br />

Well, Poppaea,' said Otho, ' if it must be so it must.<br />

You know that I can never resist your lightest petition,<br />

and I would rather give up the banquet al<strong>to</strong>gether than see<br />

tears in those soft eyes, and that expression of displeasure<br />

against Otho on your lips.'<br />

So, when Nero arrived, Poppaea met him, and, brief as<br />

was the interview, she had thrown in<strong>to</strong> it all the sorcery of a<br />

potent enchantress. A sweet and subtle odour seemed <strong>to</strong><br />

wrap her round in its seductive atmosphere, and every word<br />

and look and gesture, while it was meant <strong>to</strong> seem exquisitely<br />

simple, had been profoundly studied with a view <strong>to</strong> its effect.<br />

Poppaea was well aware that Nero was accus<strong>to</strong>med <strong>to</strong> effrontery,<br />

and that Acte had won his heart by her maidenly reserve.<br />

Nothing, therefore, could have been more sweetly modest than<br />

Poppaea's greeting. Only for one moment had she unveiled<br />

her whole face and let the light of her violet eyes flow through<br />

his soul. <strong>The</strong>re was one observer who fully unders<strong>to</strong>od the<br />

pan<strong>to</strong>mime. It was Paris, who <strong>read</strong> the real motives of Poppaea<br />

and was lost in admiration at so superb a specimen of<br />

acting. His knowledge of physiognomy, his insight in<strong>to</strong><br />

human nature, his mastery of his art, enabled him <strong>to</strong> see<br />

the truth which Nero did not even suspect, that this lovely<br />

lady with the infantile features was ' a fury with a Grace's<br />

mask.'<br />

She saw that her glance had produced the whole effect<br />

which she had intended. Nero was amazed, and for the moment<br />

confused. He had never experienced such witchery as

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