Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
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<strong>Glitch</strong> <strong>Aesthetics</strong><br />
<strong>Iman</strong> <strong>Moradi</strong><br />
Beautiful<br />
In the realm of the glitch though, full spectrum of glitch there are cases where the<br />
techno-fetishistic or exploratory motive is more prominent than the actual subject<br />
or content. The creation of <strong>Glitch</strong>-alike artwork doesn’t have to result in the<br />
conveyance of meaning, it can be fulfilling and satisfying as a process 8 in itself, or<br />
it can be for ‘Personal usage’ which ultimately leads to some form of<br />
‘Enlightenment’ 9<br />
Cory Arcangel provides one example of this in ‘Data Diaries’. In which he utilises<br />
raw visualisations of non-visual data, namely his computers random access<br />
memory. 10<br />
In this case, the use of the glitch can be perceived as an attempt to explore or<br />
facilitate the fetishisation of technology. In this work, conveying a particular<br />
meaning through choice of subject matter is conceivably not the ultimate goal.<br />
8<br />
Process is something that interests Tom Bett’s of Nullpointer and QQQ fame,<br />
9<br />
Brian Kearns of Cosmic locksmith. Personal correspondence, see appendix.<br />
10<br />
Benjamin Fischer also deals with alternative data visualisation and raw image data manipulation. His<br />
work Neurordnung particularly inspired myself.<br />
14