Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
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<strong>Glitch</strong> <strong>Aesthetics</strong><br />
<strong>Iman</strong> <strong>Moradi</strong><br />
2. <strong>Glitch</strong> Autopsy<br />
This chapter summarily deals with defining key characteristics of glitches and<br />
presents communication related glitch concepts and non-visual classifications<br />
based around them.<br />
2.1. Defining the <strong>Glitch</strong><br />
2.1.1. Terminology<br />
To go by the dictionary definition of the word “glitch” would be narrowing its<br />
scope too much. Even though this field of visual glitch exploration has a small<br />
following, the found glitches or the works created are vastly different.<br />
We need to reach a definition that tries to encompass the different works and<br />
practices prevalent in the production and presentation of glitch artwork.<br />
Therefore, it is important to define two terms that delineate the most popular<br />
related approaches. This dissertation deals mostly with the first but the first<br />
cannot exist without a study of the Second.<br />
The “Pure <strong>Glitch</strong>” and the “<strong>Glitch</strong>-alike”<br />
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