Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
Iman Moradi – Glitch Aesthetics
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<strong>Glitch</strong> <strong>Aesthetics</strong><br />
<strong>Iman</strong> <strong>Moradi</strong><br />
distinction between ‘light’ and ‘low’ form of art, was consolidated.” He then goes<br />
on to say “within this evaluative framework the newer technologically informed<br />
and commercial modes of culture, photography, the cinema, the amusement park<br />
- came to be regarded as manufactured diversion; mere ephemera, forms of pure<br />
spectacle. “<br />
Even today, in the post modernist, post industrial reality such evaluation<br />
continues to exist, in that glitch art can be considered as pure spectacle, as a<br />
vapour trace of digital technology, as digital ‘trash’. However, such interpretations<br />
have little impact on the philosophical or critical understandings of glitch art or<br />
indeed the practice of creating <strong>Glitch</strong>-alikes.<br />
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