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Iman Moradi – Glitch Aesthetics

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<strong>Glitch</strong> <strong>Aesthetics</strong><br />

<strong>Iman</strong> <strong>Moradi</strong><br />

5.1.4. Sensory experience<br />

“Art lies in the continual struggle to come near to the sensory side of objects”.<br />

Francis Bacon. Statements, 1952-1955<br />

At present, artistic manifestation of <strong>Glitch</strong>-alikes, rely heavily on audio-visual<br />

simulation. The <strong>Glitch</strong> in sensory experience is an area that has yet to be explored,<br />

not just in relation to art and science but even relation to e-commerce and<br />

delivering online sensory experiences, where some work has already been done.<br />

The coarseness or textural inconsistency of a fabric, which can be perhaps felt in<br />

real life but not on an e-commerce website, could in the future be conveyed<br />

using output devices that try to mimic those very qualities.<br />

Logitech’s “IFeel technology” on a range of their mice offered limited but<br />

interesting feedback in the form of vibrations that were triggered in relation to on<br />

screen topography.<br />

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