Iman Moradi – Glitch Aesthetics

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Glitch Aesthetics Iman Moradi 21
Glitch Aesthetics Iman Moradi Mondrian’s imperfections Within the lines, strokes, grids and stark geometric forms that Mondrian depicted in his paintings, we see that there are lines on the same painting that vary in terms of stroke and thickness. There are areas where the ink runs and splatters. His stroke could have been perfect but it is not, it is obvious that he deliberately put his own signature in the work by varying elements and disturbing the perfection. In his book ‘On abstract art’ (1997) Briony Fer, refers to a permanent state of differentiation which involves not only “shifts in the disposition of the planes and asymmetric grid” but also in terms of scale. 15 This subtle controlled variation and imperfection in a perfect work consistently appears in Mondrian’s work and it may have influenced how we see imperfection today. 15 In another book, visual awareness by Frederick Palmer (1972) reversals in scale between man and object, are said to disturb us. ‘disproportion of scale’ is particularly unsettling as it can arouse feelings of oppression and suffocation. 22
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