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Sexualisation of Young People Review

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<strong>Sexualisation</strong> <strong>of</strong> <strong>Young</strong> <strong>People</strong> <strong>Review</strong><br />

8<br />

people to believe in a reality that does<br />

not exist, which can have a particularly<br />

detrimental effect on adolescents. 14<br />

14. At the same time, marketers are<br />

effectively encouraging young girls<br />

to present themselves in a sexual<br />

way. Bratz dolls for example, are<br />

child‐friendly characters presented in<br />

a notably sexualised way. 15 Pencil cases<br />

and stationery for school children<br />

carry the Playboy bunny logo. Padded<br />

bras, thongs and high heeled shoes are<br />

marketed and sold to children as young<br />

as eight. Such blurring suggests that it<br />

is acceptable to impose adult sexual<br />

themes onto children, and potentially<br />

relate to children as sexual objects. 16<br />

Television, film and music<br />

15. Women on TV are far more likely<br />

than their male counterparts to<br />

be provocatively dressed 17 and<br />

scenes <strong>of</strong> violence against women<br />

are increasingly common. A recent<br />

report found that depictions <strong>of</strong><br />

violence against women on TV had<br />

risen by 120 per cent since 2004<br />

while violence against teenage girls<br />

rose by 400 per cent. 18 There is also<br />

a significant under-representation <strong>of</strong><br />

women and girls in non-sexualised<br />

roles in films. In the 101 highest<br />

earning family films between 1990–<br />

2004 over 75% <strong>of</strong> characters were<br />

male, 83% <strong>of</strong> narrators were male and<br />

72% <strong>of</strong> speaking roles were male. 19<br />

By missing the chance to present girls<br />

with a diverse range <strong>of</strong> characters<br />

to identify with, the visibility <strong>of</strong><br />

more hyper-sexualised heroines will<br />

inevitably have a bigger impact.<br />

14<br />

Coleman (2008)<br />

15<br />

Evidence provided to the review by the British<br />

Board <strong>of</strong> Film Classification (2009)<br />

16<br />

Buckleitner and Foundation (2008)<br />

17<br />

Eaton (1997)<br />

18<br />

www.parentstv.org/PTC/publications/reports/<br />

womeninperil/main.asp<br />

19<br />

Kelly and Smith (2006)<br />

16. Music channels and videos across all<br />

genres have been found to sexualise<br />

and objectify women. 20 Women are<br />

<strong>of</strong>ten shown in provocative and<br />

revealing clothing and are depicted as<br />

being in a state <strong>of</strong> sexual readiness.<br />

Males on the other hand are shown<br />

as hyper-masculine and sexually<br />

dominant. Research into the <strong>of</strong>ten<br />

sexual and violent content <strong>of</strong> music<br />

lyrics is comparatively thin on the<br />

ground. However, an important<br />

connection between sexualised music<br />

lyrics and their influence on shaping<br />

young people’s early sexual activity<br />

is that the causality is not just related<br />

to sexual content <strong>of</strong> lyrics, but also to<br />

their degrading nature. 21<br />

New technologies<br />

17. Over 80 per cent <strong>of</strong> young people<br />

use the internet daily or weekly 22 and<br />

around a third <strong>of</strong> 8–11-year-olds and<br />

60 per cent <strong>of</strong> 12–15-year-olds say<br />

that they mostly use the internet on<br />

their own. 23 Almost half <strong>of</strong> children<br />

aged 8–17 and a quarter <strong>of</strong> those<br />

aged between eight and 11 have a<br />

pr<strong>of</strong>ile on a social networking site<br />

such as Bebo, MySpace or Facebook. 24<br />

While sites set age limits (typically<br />

13 or 14), these are not generally<br />

enforced. Social networking sites<br />

allow children and young people<br />

to create online identities. Girls, for<br />

instance, report being under increasing<br />

pressures to display themselves in<br />

their ‘bra and knickers’ or bikinis<br />

online, whereas boys seek to display<br />

their bodies in a hyper-masculine way<br />

showing <strong>of</strong>f muscles, and posturing as<br />

powerful and dominant. 25 Sexualised<br />

20<br />

Andsager and Roe (1999); Seidman (1992);<br />

Sommers-Flanagan and Davis (1993)<br />

21<br />

Matino et al (2006). Quoted in Coy (2009)<br />

22<br />

Livingstone, Bober and Helsper (2005)<br />

23<br />

Ofcom (2009)<br />

24<br />

Ofcom (2008)<br />

25<br />

Ringrose (2010)

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