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What's On - Spring 2014 - Royal Welsh College of Music & Drama

What's On - Spring 2014 - Royal Welsh College of Music & Drama

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Lunchtime Guests<br />

Tickets 029 2039 1391<br />

www.rwcmd.ac.uk<br />

21<br />

Fri 7 February 1.15pm<br />

Guy Johnston cello<br />

Alasdair Beatson piano<br />

There’s a special energy<br />

behind everything Guy<br />

Johnston plays – this former<br />

BBC Young <strong>Music</strong>ian might<br />

have matured into one <strong>of</strong><br />

the UK’s most poetic and<br />

insightful cello soloists, but<br />

he’s lost none if his youthful<br />

verve. So what better<br />

showcase for him than<br />

this exuberant lunchtime<br />

concert? You’ll never hear<br />

Beethoven and Strauss on<br />

more swashbuckling form<br />

than in these buccaneering<br />

early cello sonatas.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Fri 14 February 1.15pm<br />

Andrea Lieberknecht<br />

flute<br />

Dag Jensen bassoon<br />

Catherine Milledge piano<br />

Put the two most contrasting<br />

wind instruments together –<br />

and they turn out to be<br />

perfect partners. Well, what<br />

did you expect when the<br />

performers are two <strong>of</strong><br />

World’s most admired<br />

instrumentalists? From<br />

romantic France to the<br />

tropical lushness <strong>of</strong> Brazil<br />

this is a concert <strong>of</strong> sunshine,<br />

shadows, and delicious humour.<br />

Liebknecht and Jensen serve<br />

it up with panache.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Tues 11 March 1.15pm<br />

Daniel Philips violin<br />

with Lesley Hatfield violin<br />

Alice Neary cello<br />

Who needs a piano? Three<br />

strings are all it takes to<br />

create a world – especially<br />

when they’re played by<br />

Daniel Phillips, founder<br />

member <strong>of</strong> the Orion String<br />

Quartet, and one <strong>of</strong> North<br />

America’s most respected<br />

violinists and teachers. Two<br />

colleagues join him today on<br />

three extraordinary journeys,<br />

from the otherworldly beauty<br />

<strong>of</strong> Ravel’s elegant Duo to the<br />

woodsmoke and paprika <strong>of</strong><br />

Bartók’s zingy miniatures.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Daniel Phillips is the RWCMD Jane<br />

Hodge International Chair in Violin.<br />

Fri 14 March 1.15pm<br />

David Pyatt french horn<br />

Chris Williams piano<br />

When composers write for<br />

the horn, they seem to unlock<br />

a special magic – few<br />

instruments can be both so<br />

tender, and so swashbucklingly<br />

brilliant. And David Pyatt - a<br />

former principal horn <strong>of</strong> the<br />

London Symphony Orchestra<br />

– is master <strong>of</strong> its every mood.<br />

So enjoy music <strong>of</strong> humour,<br />

ebullience, quiet beauty and<br />

pure romance in this lovely<br />

programme from one <strong>of</strong> the UK’s<br />

finest instrumentalists.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

*Transaction fees may apply<br />

Tues 18 March 1.15pm<br />

The Fitzwilliam Quartet<br />

First and last things: the<br />

Fitzwilliam Quartet studied<br />

Shostakovich’s late quartets<br />

with the composer himself<br />

– and no-one who’s serious<br />

about 20th century art<br />

should miss the chance to<br />

hear their interpretation <strong>of</strong><br />

his devastating 13th Quartet.<br />

The very first quartet by the<br />

teenage Mozart and Delius’s<br />

haunting, neglected Late<br />

Swallows put it into thoughtprovoking<br />

context.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Fri 28 March 1.15pm<br />

Benjamin Frith<br />

& Peter Hill piano duo<br />

The Rite <strong>of</strong> <strong>Spring</strong><br />

Imagine Stravinsky’s<br />

revolutionary ballet: now<br />

imagine it pared down,<br />

concentrated, and unleashed<br />

on an unsuspecting audience<br />

by two <strong>of</strong> the most powerful<br />

pianists on the contemporary<br />

music scene. Hearing The<br />

Rite <strong>of</strong> <strong>Spring</strong> performed in<br />

the composer’s piano version<br />

is an overwhelming<br />

experience; with Debussy’s<br />

equally inventive Jeux to<br />

round things <strong>of</strong>f, this should<br />

be a lunchtime to leave your<br />

ears ringing!<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Tues 1 April 1.15pm<br />

Adrian Thompson tenor<br />

Michael Pollock piano<br />

Habe Dank<br />

As part <strong>of</strong> the celebrations <strong>of</strong><br />

Richard Strauss 150th<br />

anniversary, a recital which<br />

recreates some <strong>of</strong> the songs<br />

which Strauss himself<br />

performed with the great<br />

Viennese tenor, Anton<br />

Dermota.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Fri 4 April 1.15pm<br />

Christopher Maltman<br />

baritone<br />

Simon Lepper piano<br />

Twilight <strong>of</strong> the<br />

Romantics: the songs<br />

<strong>of</strong> Joseph Marx<br />

Joseph Marx might just be<br />

the finest 20th century<br />

composer you’ve never heard<br />

<strong>of</strong> – but singers in the know<br />

treasure his beautiful, deeply<br />

romantic songs. In this<br />

magical recital, the<br />

incomparable Christopher<br />

Maltman rediscovers a whole<br />

world <strong>of</strong> intimate feeling and<br />

quiet rapture, placing Marx’s<br />

songs alongside miniature<br />

masterpieces by Korngold,<br />

Mahler and Strauss. You’ll<br />

never hear them sung better.<br />

Tickets £6 in advance<br />

£8 on the day*<br />

Dora Stoutzker Hall<br />

Also see page 13 for<br />

Lunchtime performances<br />

by Ensembles from the<br />

Mariinsky Orchestra<br />

Guy Johnston<br />

Andrea Lieberknecht<br />

Daniel Phillips<br />

The Fitzwilliam Quartet

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