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A journal of creative thought and feeling published by LIOS ...

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Words From the Presidents<br />

A Thought <strong>of</strong> Farewell<br />

By Lorne M. Buchman, Ph.D.,<br />

President <strong>of</strong> Saybrook University<br />

They said, “You have a blue guitar,<br />

You do not play things as they are.”<br />

The man replied, “Things as they are<br />

Are changed upon a blue guitar.”<br />

The Man with the Blue Guitar<br />

Wallace Stevens<br />

As many <strong>of</strong> you know, I will be leaving the presidency <strong>of</strong> Saybrook<br />

on October 9, 2009. I am leaving to become the next president <strong>of</strong><br />

Art Center College <strong>of</strong> Design in Pasadena, an institution with a<br />

mission centered on the education <strong>of</strong> artists <strong>and</strong> designers. I have<br />

a particular passion for the arts <strong>and</strong> for the challenges involved in<br />

the education <strong>of</strong> those who shape culture through their <strong>creative</strong><br />

work. But such “culture-shaping” is, <strong>of</strong> course, not limited to the<br />

artists <strong>and</strong> designers <strong>of</strong> this world, nor is the teaching <strong>of</strong> the <strong>creative</strong><br />

exclusively the province <strong>of</strong> the art school.<br />

Saybrook University <strong>and</strong> <strong>LIOS</strong> Graduate College, with their<br />

distinctive approach <strong>and</strong> focus, can certainly <strong>and</strong> accurately boast a<br />

mission to teach creativity <strong>and</strong> to educate people who shape culture.<br />

Indeed, I would assert that all great education, at some point, is<br />

a process <strong>of</strong> unleashing the <strong>creative</strong>. This discovery has been a<br />

huge part <strong>of</strong> my experience at Saybrook, <strong>and</strong> I want this farewell<br />

reflection to be a salute to all <strong>of</strong> you <strong>and</strong> your work—<strong>and</strong> how you<br />

change things as they are...upon a blue guitar.<br />

might enable a self-awareness that could change the world, is a<br />

product <strong>of</strong> a multilayered <strong>and</strong> complex set <strong>of</strong> paths. The Imperative<br />

is not the province <strong>of</strong> any one discipline—hence the significance <strong>of</strong><br />

the shared values <strong>of</strong> a multi-disciplinary Saybrook University.<br />

My deepest hope is that I have served Saybrook as one <strong>of</strong> its teachers<br />

<strong>and</strong> as a voice that helped it honor “its own being.” When I<br />

arrived here, a community was asking to reconnect with its inherent<br />

creativity <strong>and</strong> with its power to facilitate transformation for <strong>and</strong><br />

through its students. Together we found that core purpose <strong>and</strong><br />

then developed it through valuable partnerships with Leadership<br />

Institute <strong>of</strong> Seattle <strong>and</strong> the Houston Jung Center <strong>and</strong> the Center<br />

for Mind-Body Medicine. Now our reach is larger, our calling<br />

broader, but the fundamental has stayed the same. We seek to<br />

empower every student <strong>and</strong> each individual’s capacity to make a<br />

difference. We teach creativity.<br />

We are really only at the beginning <strong>of</strong> our journey to move this<br />

vision for the university forward. As I transition to new challenges,<br />

my connection with Saybrook University remains strong. A new<br />

president will come <strong>and</strong> will take the next necessary steps. I will<br />

perhaps join the Board <strong>of</strong> Trustees or simply stay close as a friend.<br />

Either way, we will nourish the institution as we nourish each<br />

student to find the courage to affect the world in a positive way.<br />

But guiding us always must be our commitment to the space we<br />

make for the <strong>creative</strong>—at Saybrook or in Pasadena—for the<br />

learning will always be alive in that purpose: “Things as they are /<br />

Are changed upon a blue guitar.”<br />

What is at stake in a Saybrook/<strong>LIOS</strong> education is more than the<br />

teaching <strong>of</strong> skill or the acquisition <strong>of</strong> facts —it is an imperative to<br />

honor each student’s power <strong>of</strong> self-discovery, to enable the learning<br />

<strong>of</strong> what resides within. As Ruth Richards <strong>and</strong> her colleagues point<br />

out in her important book on “Everyday Creativity,” that selfdiscovery<br />

is largely an opening to the creativity we hold, moment<br />

to moment, as human beings. Only through this kind <strong>of</strong> opening,<br />

moreover, can one make a difference in the world. In this spirit,<br />

Rollo May, one <strong>of</strong> the pivotal lineage holders <strong>of</strong> Saybrook,<br />

admonished us with a sacred responsibility: “If you do not express<br />

your own original ideas, if you do not listen to your own being,<br />

you will have betrayed yourself. Also you will have betrayed our<br />

community in failing to make your contribution to the whole.” I<br />

would only add—<strong>and</strong> I am sure Rollo May would agree—that the<br />

“contribution” holds significance no matter what the individual’s<br />

radius <strong>of</strong> influence. The scope is unimportant—the quality is all.<br />

Every student has the power to transform.<br />

I think it is important to recognize as well that the way to selfdiscovery,<br />

to the unleashing <strong>of</strong> the <strong>creative</strong>, to an education that<br />

The Old Man with the Guitar, Picasso, 1903<br />

3

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