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Sentiment Analysis based on Appraisal Theory and Functional Local ...

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1.1 <str<strong>on</strong>g>Sentiment</str<strong>on</strong>g> Classificati<strong>on</strong> versus <str<strong>on</strong>g>Sentiment</str<strong>on</strong>g> Extracti<strong>on</strong><br />

To underst<strong>and</strong> the additi<strong>on</strong>al informati<strong>on</strong> that can be obtained by identifying<br />

structured representati<strong>on</strong>s of opini<strong>on</strong>s, c<strong>on</strong>sider an example of a classificati<strong>on</strong> task,<br />

typical of the kinds of opini<strong>on</strong> summarizati<strong>on</strong> applicati<strong>on</strong>s performed today — movie<br />

review classificati<strong>on</strong>. In movie review classificati<strong>on</strong>, the goal is to determine whether<br />

the reviewer liked the movie <str<strong>on</strong>g>based</str<strong>on</strong>g> <strong>on</strong> the text of the review. This task was a popular<br />

starting point for sentiment analysis research, since it was easy to c<strong>on</strong>struct corpora<br />

from product review websites <strong>and</strong> movie review websites by turning the number of<br />

stars <strong>on</strong> the review into class labels indicating that the review c<strong>on</strong>veyed overall positive<br />

or negative sentiment. Pang et al. [134] achieved 82.9% accuracy at classifying movie<br />

reviews as positive or negative using Support Vector Machine classificati<strong>on</strong> with a<br />

simple bag-of-words feature set. In a bag-of-words technique, the classifier identifies<br />

single-word opini<strong>on</strong> clues <strong>and</strong> weights them according to their ability to help classify<br />

reviews as positive or negative.<br />

While 82.9% accuracy is a respectable result for this task, there are many<br />

aspects of sentiment that the bag-of-words representati<strong>on</strong> cannot cover. It cannot<br />

account for the effect of the word “not,” which turns formerly important indicators<br />

of positive sentiment into indicators of negative sentiment. It also cannot account<br />

for comparis<strong>on</strong>s between the product being reviewed <strong>and</strong> other products. It cannot<br />

account for other c<strong>on</strong>textual informati<strong>on</strong> about the opini<strong>on</strong>s in a review, like recognizing<br />

that the sentence “The Lost World was a good book, but a bad movie”<br />

c<strong>on</strong>tributes a negative opini<strong>on</strong> clue when it appears in a movie review of the Steven<br />

Spielberg movie, but c<strong>on</strong>tributes a positive clue when it appears in a review of the<br />

Michael Cricht<strong>on</strong> novel. It cannot account for opini<strong>on</strong> words set off with modality or<br />

a subjunctive (e.g. “I would have liked it if this camera had aperture c<strong>on</strong>trol.”) In<br />

order to work with these aspects of sentiment <strong>and</strong> enable more complicated sentiment

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