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Boxoffice-January.08.1955

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JANUARY


. . The<br />

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The remodeled Capri Theatre in San Diego, a new concept<br />

in theatre design . story of how this old neighborhood<br />

house was transformed into a luxury showcase<br />

is told in The MODERN THEATRE section this issue.<br />

ncn ^ I'V<br />

«r ytor.<br />

IN THIS ISSUE<br />

MOBIEM<br />

THBATM<br />

SECTIONS


Jr ^ocuAfCr along-<br />

NOW THEY'LL BE ASKIN(<br />

FOR YOUR AUTOGRAPH<br />

MR. EXHIBITOR!<br />

In our national magazine ads and in countless outlets of<br />

publicity we're telling the public about M-G-M's 1955<br />

MOTION PICTURE CELEBRATION. We're reminding<br />

them that when there's<br />

a community service to perform,<br />

the theatres have always been there. Soon you'll hear of<br />

many stunts, tours and promotions acquainting the public<br />

with the Celebration that salutes yoii! It's up to yoi/, Mr.<br />

Exhibitor, to capitalize on M-G-M's nationwide ballyhoo!


FREE AT YOUR<br />

M-G-M BRANCH!<br />

7 How to Sell<br />

I!<br />

HERE'S A MONEY-<br />

MAKING PLAN<br />

FOR YOU!<br />

Forward in '55!<br />

First a barrage of M-G-M publicity<br />

nationally that will glorify<br />

the theatre's vital part in show<br />

business. Then you. tie in your<br />

theatre locally. In this campaign<br />

book are materials to<br />

help you stimulate your boxoffice.<br />

Let's start off the new<br />

year with a showmanship<br />

effort for more business.<br />

Shown to the left is the<br />

big Celebration press<br />

book. At the right is a<br />

handy pocket-size "How<br />

To Sell The Celebration."<br />

Ail accessories are FREE.<br />

We furnish the advance<br />

promotion and the<br />

materials. You put on a<br />

local Celebration to stimulate<br />

your box-office!<br />

{( MOTION PICTURE<br />

THEATRE ^<br />

.X<br />

,($*«« fu/t ATTHe uones-<br />

.^^V<br />

CELEBRATION RELEASES!<br />

Ask your Branch for other fine films available!<br />

BAD DAY AT BLACK ROCK"<br />

January)<br />

CinemaScope— Color) • starring Spencer Tracy<br />

lobert Ryan . co-starring Anne Francis • Dean<br />

fagger • Walter Brennan . John Ericson<br />

ilrnest Borgnine • Lee Marvin . Russell Collins<br />

GREEN FIRE" (January)<br />

CinemaScope— Color) • starring Stewart Granger<br />

jrace Kelly • Paul Douglas . co-starring John<br />

Ericson . with Murvyn Vye<br />

MANY RIVERS TO CROSS"<br />

February)<br />

CinemaScope— Color) . starring Robert Taylor<br />

i^leanor Parker . with Victor McLaglen . Russ<br />

Pamblyn . Jeff Richards . James Arness<br />

JUPITER'S DARLING" (February)<br />

CinemaScope— Color) • starring Esther Williams<br />

toward Keel • Marge and Gower Champion<br />

jeorge Sanders . with Richard Haydn<br />

kVilliam Demarest<br />

"HIT THE DECK" (March)<br />

(CinemaScope— Color) • starring Jane Powell<br />

Tony Martin . Debbie Reynolds • Walter<br />

Pidgeon . Vic Damone • Gene Raymond • Ann<br />

Miller . Russ Tamblyn . with Kay Armen<br />

J. Carrol Naish . Richard Anderson . Jane<br />

Darwell<br />

"INTERRUPTED MELODY (March)<br />

(CinemaScope— Color)<br />

•<br />

Eleanor Parker • with<br />

Kellaway<br />

starring Glenn Ford<br />

Roger Moore • Cecil<br />

"THE GLASS SLIPPER" (April)<br />

(Color) . starring Leslie Caron . Michael Wilding<br />

with Keenan Wynn • Estelle Winwood • Elsa<br />

Lanchester Barry Jones<br />

"BEDEVILLED'<br />

(April)<br />

(CinemaScope— Color) starring Anne Baxter<br />

Steve Forrest . with Simone Renant • Maurice<br />

Teynac • Robert Christopher . Joseph Tomelty<br />

and Victor Francen<br />

I nt rKVJUIVjAL (Date to be Announced) •<br />

(CinemaScope— Color) . starring Lana Turner<br />

Edmund Purdom . Louis Calhern . with Audrey Dalton • James Mitchell • Neville Brand • Walter<br />

rlampden • Taina Elg . Francis L. Sullivan . Joseph Wiseman • Sandra Descher<br />

TO YOUR eoK-o/^F/ca/


EVERY BOLD AND INI<br />

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The SCO<br />

anc<br />

. . . 9. D LC<br />

YOUR<br />

SIGHTS<br />

HIGH<br />

FOR ^<br />

WARNERS<br />

STARRING<br />

HilfFll&nflDHY-iinymM.iMwni


!<br />

lENSATION ON THE IVIOTIUN fIWTUKfe a^KEEN :<br />

personal story of loves<br />

when the battle is far away<br />

ot ever been told like this before<br />

(W^i:-j.*.v- .» -'v ..^'-^<br />

PRESENTED IN Cinemascope WarnerColor-Stereophonic Sound<br />

SC»EEM PL^V Bv<br />

DtRECTEO BV<br />

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OWiG"mA1- MUS'C BV MAX 8TEINER


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. . . and<br />

'n<br />

GOLDEN OPPORTUNITY<br />

JI has heeii licarlciiiiig to note llic<br />

fine i)iess that motion |)iLtiiies are now receiving.<br />

Editorial comment has been most favorable and<br />

more and more newspapers are opening up<br />

their news pages to give increased coverage to<br />

news of films and their personalities. Doubtless,<br />

much of this is the result of the very excellent<br />

advertising copy that has been appearing in<br />

Editor & Publisher, under the sponsorship of the<br />

Council of Motion Picture Organizations. And<br />

we have an idea that at least a smidgen of credit<br />

is due to the alertness of publishers and editors<br />

who. at long last, have come to realize that "trade<br />

follows the movies" in their conmiunities, as<br />

everywhere else. And credit also should be given<br />

to the wide-awake exhibitors, who have had a<br />

hand in developing some of that "inspiration"<br />

that lately has come to their local papers.<br />

Two very good examples crossed our desk this<br />

week. One from Joe V. Gerbrach. resident manager<br />

of the Ames Operating Co.. with four houses<br />

in this college town. Mr. Gerbrach has gotten<br />

excellent breaks from the Ames Daily Tribune,<br />

with an entire page, profusely illustrated with<br />

scenes from current attractions, each Saturday<br />

for the past several weeks. And gratifying to<br />

BoxoFFiCE is Mr. Gerbrach's advisement, "In<br />

working up this material, many times we find<br />

items of interest in your publication that we pass<br />

along to the public."<br />

Wally R. Kemp, manager and co-owner of the<br />

Grand Theatre at Grand Island. Nebr.. pridefully<br />

calls attention to merchant cooperation,<br />

as well as newspaper cooperation, that he obtained<br />

for the opening, Dec. 31, of "A Star Is<br />

Born." For three successive days, large merchant<br />

displav ads plugged the picture and the theatre.<br />

And the newspaper devoted nearly a full-page<br />

of text, with a screamer headline in color, on<br />

one of the occasions. Fine as this is. the copv<br />

leading off a three-colunm full-length display<br />

ad placed by the Grand Island Baking Co. in<br />

that city's Daily Independent is really something!<br />

Because it pays such a fine tribute to communitv<br />

theatres and to the industry in general and. because<br />

it sets a worthy example for other managers<br />

and/or newspapers and merchants to follow,<br />

wo reprint that text in<br />

full.<br />

IF WE DIDN'T HAVE<br />

GOOD THEATRES<br />

What kind of a town<br />

would Grand Island be-*<br />

Let's go to the picture showf<br />

How many times hove you heord that in your lifetime^<br />

It's a sugqestion obout os American as oppic pief<br />

Everyone loves a good movie!<br />

Even in this day of stay-at-home TViewers, movies ore<br />

still about the most popular pastime you con find.<br />

When there's o good show on, you'tl find lots of people<br />

when there's on outstanding one . . . you'll still sec<br />

the "standing room only" sign out. Which proves that<br />

good movies still pock 'em in, despite the fact that tots<br />

of people have television in their front room and can wotch<br />

a movie most any time. The obvious reason is that the<br />

movie houses still hove good shows and people would rother<br />

pay their money to sec good entertainment thon to wotch<br />

a free mediocre show at home.<br />

Fact is, the movies still pull people away from their<br />

viewers when good programs are on, too. People iust like<br />

to go to the movies.<br />

Grond Island is fortunate in having three good y eararound<br />

movie houses, plus a drive-in for summer. Between<br />

them, they bring top productions to us. Many of the<br />

"colossols" in movies are ovoiloble here as rapidly as in<br />

the big cities.<br />

The movie houses ore on im portent cog in community<br />

life. They employ obout 30 full time workers besides being<br />

o troining ground for o lot of youngsters in business. Many<br />

youths get their first business experience as ushers, doormen<br />

and at other jobs in theatres where they learn to<br />

meet the public.<br />

Good theatres bring lots of people to town, too. People<br />

outside in the trade area recognize Grand Islond os a<br />

g;ood movie town.<br />

So we salute the movie business!<br />

Local theotres hove some fine shows coming up! And<br />

if you're looking for a good, safe, sane and enjoyable<br />

way to enjoy New Year's Eve, look at the billing of your<br />

favorite movie house!<br />

That old saying that ^'nothing succeeds like<br />

success" certainly is proving itself over and over<br />

again these days. With better pictures reviving<br />

the public interest in nioviegoing. it is good to<br />

see a change from the negative attitude that existed<br />

just a few short years back. Now, instead<br />

of public and press freely taking pokes at the<br />

industry, its people or its products, there is apparent<br />

an eagerness to say nice things for and<br />

about the movies.<br />

This is more than a good sign. It's a golden<br />

opportunity for more good showmen to cultivate<br />

their home town folks and to do everything they<br />

can to further develop and continue this highly<br />

favorable climate.<br />

The public and the press are important factors<br />

to this industry's well-being. \^ e've got Vm on<br />

our side now. Let's keep 'em that way— for years<br />

to come!<br />

Off to a Good Start<br />

The holiday season ushered in some of the current<br />

season's biggest pictures and they proved<br />

big hits across the nation. Opening grosses in<br />

a number of the key city first runs were termed<br />

"fantastic" and holdovers are continuing to pile<br />

up new records, even after youngsters have returned<br />

to school and family gatherings are back<br />

to normal. Scattered reports from smaller situations,<br />

subsequent runs in the neighborhoods<br />

and small towns, reveal parallel results from<br />

showing of earlier releases dating back to the<br />

beginning of the 19.51-.5.5 season. With a substantial<br />

miniber of e.\ccj)tionally good picturi's<br />

awaiting release, the outlook for the next quarter,<br />

at least, is most encouraging.<br />

\Ji^^ yO^lJtf^^t'^


DELAYING TRADE CONFERENCE<br />

FOR ARBITRATION IRKS ALLIE<br />

Ben Marcus Declares Talks<br />

Could Improve Relations<br />

If Given Priority<br />

CHICAGO—Giving priority to arbitration<br />

over an all-industry conference proposed<br />

several weeks ago by Al Lichtman.<br />

director of sales for<br />

20th Century-Pox, is<br />

a mistake, says Ben<br />

Marcus, president of<br />

National Allied. The<br />

conference could result<br />

in more fair and<br />

equitable distribution<br />

policies and better industry<br />

relations, he<br />

states.<br />

First word that distribution<br />

sentiment fa-<br />

Ben Marcus vored action on arbitration<br />

ahead of the<br />

proposed industry conference came out early<br />

in December. At that time a meeting at the<br />

Motion Picture Ass'n of America called to<br />

discuss plans for the conference was devoted<br />

almost entirely to the arbitration outlook.<br />

Nothing was done about either arbitration or<br />

the industry conference during the holidays.<br />

SKOURAS FAVORS CONFERENCE<br />

When Spyros P. Skouras returned from<br />

Europe just before Christmas, he also said<br />

he was in favor of an early conference and<br />

would attend if one was held. Early in the<br />

week, however, Lichtman admitted that distribution<br />

heads favored action on the arbitration<br />

problem first.<br />

Marcus, along with Abram P. Myers, general<br />

counsel and board chairman, conducted<br />

a meeting here Thursday i6i of the Emergency<br />

Defense Committee. While the decision<br />

of whether to push for the proposed government<br />

regulation bill will be taken by the<br />

entire Allied board when it meets in St. Louis<br />

next month, Thursday's meeting had its significant<br />

pointers along this line, too. Allied<br />

has been collecting data on film rentals,<br />

availabilities and other trade problems, and<br />

the complexion of the information forwarded<br />

from exhibitors will determine to a large<br />

extent the decision of board members on government<br />

regulation.<br />

STATEMENT BY MARCUS<br />

Marcus, in pres.sing for an indu.stry conference,<br />

i.ssued this statement:<br />

"The round table conference between the<br />

heads of production and distribution on one<br />

side and representatives of exhibition on the<br />

other could contribute greatly toward achievement<br />

of a greater understanding between all<br />

branches of the industry. It could result in<br />

more fair and equitable sales policies by distribution<br />

and much greater understanding of<br />

the distributors' problems by exhibition. This<br />

would tend to eventually help complement<br />

the final results for the setting up of arbitration.<br />

It is regrettable that production and<br />

distribution .seem to be thinking in reverse<br />

by placing arbitration prior to this muchdesired<br />

round table conference which met<br />

with such unanimous acceptance by all<br />

—<br />

Divorced Chains Rigl<br />

To Produce Is Soughi<br />

NEW YORK—Theatre Owners of America<br />

has asked the Department of Justice to meet<br />

with a small group of TOA officers to discuss<br />

allowing theatre circuits formerly affiliated<br />

with major distributing companies, and divorced<br />

from them by the consent decree, to<br />

engage in production of pictures.<br />

E. D. Martin, president, said Thursday (6)<br />

that the date of February 13 or 14 was suggested<br />

for the meeting. That is wher TOA<br />

will hold its mid-winter convention in Washington.<br />

He said the government would be told<br />

that TOA would expect "reasonable restraints"<br />

to be imposed on any production by<br />

the circuits to avoid the possibility of a<br />

monopoly.<br />

Martin also said he saw no reason why the<br />

circuits should not also engage in distribution.<br />

If and when the Justice Department grants<br />

the request for a meeting, he will name the<br />

TOA committee.<br />

MeanwhUe, the Exhibitors Film Financial<br />

Group, Inc., sponsored by TOA to supply<br />

finances for independent production, met at<br />

TOA headquarters Thursday to complete<br />

final details for registering the $100 par value<br />

common stock it will sell in all states.<br />

Application for Security Exchange Commission<br />

approval was filed the same day in<br />

Washington. E. D. Martin, president of TOA,<br />

and Benjamin Ti-ustman of Boston, legal aid,<br />

said they hoped for SEC approval within a<br />

branches of the industry, when first suggested<br />

by Mr. Lichtman."<br />

At the meeting Marcus said the EDC is<br />

quite disturbed about the manner in which<br />

Walt Disney is handling distribution of "20,-<br />

000 Leagues Under the Sea," particularly because<br />

there are not any optical prints made<br />

available for theatres not equipped with stereophonic<br />

sound.<br />

The EDC. he stated, has received complaints<br />

from member exhibitors to the effect<br />

E. D. Martin Favors<br />

Arbitration First<br />

New York "1 think it a good idea to<br />

hold back the round table talks proposed<br />

by Al Lichtman until arbitration is<br />

worked out," E. D. Martin, president of<br />

Theatre Owners of America, said Wednesday<br />

(5).<br />

He said arbitration should have priority<br />

because it is "the big matter," and that<br />

other matters could be taken up via round<br />

tables when arbitration is established.<br />

He added that he knew Ben Marcus, National<br />

.•\llied president, felt differently,<br />

but that he could not affree with Marcus.<br />

few days so that plans may be accelerj<br />

When approval is received, a series of<br />

ings will be scheduled throughout the<br />

which two or more of the temporary c<br />

of the company will attend. The firs<br />

be in St. Louis. When sufficient progre<br />

been made toward raising the autl<br />

capital of $10,000,000, stockholders wil<br />

to elect permanent officers.<br />

Martin and Trustman said the EFFG<br />

cation was drawn so broadly that the<br />

pany can indulge in any industry ai<br />

even distribution, but that the chief i<br />

to obtain financial backing from exh<br />

for independent production. They sai(<br />

had the "moral backing" of the large c:<br />

They did not believe it necessary to g<br />

partment of Justice approval.<br />

Temporary offices have been estal<br />

in the Boston headquarters of Sam Pii<br />

Later regular offices will be opened, inc<br />

one on the coast, and personnel engage<br />

First National Bank of Boston is dep<br />

of funds.<br />

Asked about the invitation of Ben i<br />

National Allied president, to TOA to<br />

,<br />

joint actions on exhibitor problems, :<br />

recalled that Walter Reade jr., former<br />

dent, had written Marcus a letter of i<br />

ance and said he had followed up the<br />

letter with one of his own. saying f<br />

awaiting a reply.<br />

that Disney representatives have nc<br />

any of their salesmen call on a great<br />

ber of exhibitors out in the territory<br />

result, many exhibitors have not bougl<br />

ney pictures at all, and numerous ones<br />

some of the films at a very late date. '<br />

fore, the EDC requested that Marcus c<br />

the Disney organization for the purp<br />

correcting this condition, which he w<br />

out to do soon at the February meeti<br />

In addition to discussing the bill pre<br />

at the Milwaukee meeting, they wil<br />

up Allied's plan to have theatre equi<br />

manufactured under its brand nam<br />

distributed by Allied, and Allied's pr<br />

bill for federal regulation of the fU<br />

dustry.<br />

COMPO Ad Says Big Fil<br />

Mean a Happy New Yec<br />

NEW YORK—Exceptionally fine r<br />

pictures will help to make the new j<br />

happy one, readers of Editor & Publishe<br />

told in a Council of Motion Picture Orgi<br />

tion's advertisement in the January 1<br />

:<br />

"The word from Hollywood," the ad<br />

"is that the new pictures coming up ii<br />

are even better than the notably fine<br />

that have been entertaining the Am<br />

people for the last several months."<br />

8 BOXOFFICE January i


IBITORS ATTACK TOLL TV<br />

FILING PROTEST TO FCC<br />

ea of Zenith for<br />

( Approval of<br />

u-See Plan<br />

N—The exhibitors joint<br />

oil TV on Thursday t6)<br />

to deny the joint petition<br />

and Teco, Inc. for approval<br />

television either without<br />

th written or expedited<br />

itted by the law f u'm of Cohn<br />

int committee attempted to<br />

nith arguments on behalf<br />

11 light for pay-as-you-see.<br />

Id that the joint committee<br />

ibitor organizations reprelately<br />

75 per cent of the<br />

)n picture theatres.<br />

lENTS ASSAILED<br />

rguments which the joint<br />

;d held that U) television<br />

ee," since the public must<br />

oducts to keep programs on<br />

FCC has legal authority to<br />

-you-see; (3) pay-as-youe<br />

more effective use of TV<br />

t4) it would be in the public<br />

irize pay-as-you-see imme-<br />

3Ut hearings.<br />

brief contended that pres-<br />

;e, in that the public is not<br />

dvertised products. Approxfamilies<br />

have bought apillion<br />

worth of TV receivers<br />

that they will not have to<br />

according to the joint comt<br />

of the pm-chasing by low<br />

ssion should now announce<br />

hat this third largest capihich<br />

they have made . . .<br />

5 represented to be and that<br />

; original capital investment<br />

jy in order to see programs,<br />

arise in this country which<br />

1<br />

omplaints of the 160 UHF<br />

the Senate interstate and<br />

e committee sound like a<br />

rXEE CHARGES<br />

littee said there is consider-<br />

;he FCC has legal authority<br />

iription television, citing the<br />

1 statements doubting that<br />

> "broadcasting."<br />

uled the Zenith assertion to<br />

subscription TV would aid<br />

t of new UHF stations, or<br />

ibstantial growth of TV sernow<br />

reached. Unapplied-for<br />

ireas which will not support<br />

was argued, and the joint<br />

sd out that Zenith, itself,<br />

. . .<br />

lish subscription television in<br />

politan areas." Zenith, the<br />

ingling "a bait before the<br />

once the Commission decides<br />

len blithely do exactly what<br />

oadcasters have done<br />

Subscription TV Receives<br />

Fast<br />

Brushoff by FCC<br />

Washington — Subscription television<br />

received a fast bruslioff in tlie Federal<br />

Communications Commission's annual report,<br />

released Saturday (1).<br />

The Commission noted pay-as-you-see<br />

only briefly, and repeated almost identical<br />

comments in previous annual reports<br />

to the effect that this sort of television<br />

presents unusual problems for the FCC.<br />

The report said that it is by no means<br />

clear whether subscription TV should be<br />

classed as a broadcast service or a common<br />

carrier, and where frequencies might<br />

be found for it.<br />

There was no mention of possible hearings<br />

to resolve these questions. Several<br />

petitions have asked for such hearings,<br />

and Zenith recently asked for immediate<br />

approval without hearings. Cohn & Marks,<br />

counsel for the Exhibitors Joint Committee<br />

on Toll TV asked the FCC to hold<br />

off on any such action until the Joint<br />

Committee can draft a response (o the<br />

Zenith petition.<br />

Prospects for any quick action by the<br />

FCC appear dim, in view of the annual<br />

report's treatment of pay-as-you-see.<br />

estabhsh sei-vice in those markets where the<br />

economics can support the continuation of<br />

the service."<br />

Zenith's plans not only relate to such cities<br />

as New York, Chicago, Los Angeles and Philadelphia,<br />

but experiments were conducted in<br />

Chicago "as a typical community where subscription<br />

television had a reasonable chance<br />

of success." If Zenith were sincere, it was<br />

argued, it would propose limited subscription<br />

TV to those markets now without television<br />

service, or at least they would not oppose<br />

proposals of UHF stations to limit pay-asyou-see<br />

to UHF channels.<br />

Zenith, when it asked for experimental authority,<br />

pleaded that it would be unable to<br />

provide the necessary information at a public<br />

hearing unless allowed to experiment and<br />

this, according to the joint committee, casts<br />

doubt on the good faith of the latest Zenith<br />

petition. Also, it was charged that Zenith had<br />

been chided by the Commission for<br />

violation<br />

of specific limitations placed upon the experimental<br />

authorization, and this was given as<br />

further reason why hearings must be held<br />

now before any authorization is issued.<br />

"Every segment of the interested public<br />

should not only have the right to appear and<br />

testify at such a hearing, but those who have<br />

stakes in the question of the establishment<br />

of subscription television should al.so have the<br />

opportunity to cross-examine the proponents,"<br />

the brief argued. Even in the simplest<br />

radio and TV cases. Congress has required<br />

the FCC to afford an opportunity for crossexamination,<br />

and "no less stringent" procedures<br />

are required in a proposal which<br />

would have a "tremendous impact ... on the<br />

entii'e broadcasting industry."<br />

The Zenith contention that hearings might<br />

take considerable time was recognized by the<br />

joint committee as true, "but when weighed<br />

against the tremendous social and economic<br />

upheaval which may follow the establishment<br />

of subscription television, the time element<br />

becomes relatively msignificant."<br />

The FCC within the next few weeks will<br />

announce hearings on subscription television,<br />

according to Commission sources on Thursday<br />

(6). It was also revealed that there is<br />

some sentiment within the Commission hi<br />

favor of dumping the entire problem into the<br />

lap of Congress.<br />

The FCC hearings predicted probably<br />

would take a long time to bring to a conclusion,<br />

since they would not center on the<br />

recent Zenith Radio petition for immediate<br />

approval, but would be a broad-scale investigation<br />

of the entire complex subject. Probable<br />

topics to be covered would include<br />

whether pay-as-you-see is broadcasting at<br />

all. whether the Commission actually has<br />

legal power to approve, whether pay-as-yousee<br />

would encourage or discourage free television,<br />

and whether one specific system<br />

should be chosen if approval is to be given<br />

at<br />

all.<br />

Broadcasters for Hearings<br />

On Subscription TV<br />

WASHINGTON—Opposition to FCC approval<br />

of subscription TV without hearings<br />

was expressed by the National Ass'n of Radio<br />

and Television Broadcasters in a letter to the<br />

Commission on Tuesday (4). NARTB president<br />

Harold Fellows addressed his letter to<br />

FCC chau-man George C. McConnaughey,<br />

and termed "the basic issue," the question of<br />

whether assignment of broadcast channels<br />

to pay-as-you-see would "serve the public<br />

interest."<br />

Fellows stressed the fact that the letter did<br />

not represent an NARTB position for or<br />

against pay-as-you-see, but merely represented<br />

that association's belief that the sub-<br />

. . . should<br />

ject requires "the utmost in regulatory consideration,<br />

in which opportunity<br />

be afforded interested parties to ah" the subject<br />

completely."<br />

Fellows said, "the various pending petitions<br />

denote the great variety of problems<br />

and details posed by this subject—including<br />

proposals which often differ as among themselves."<br />

Skiatron Starting Toll TV<br />

Test on WGTH-TV, Hartford<br />

NEW YORK—Skiatron Electronics and Television<br />

Corp., headed by Arthur Levey, has<br />

started ultra high frequency tests of its toll<br />

television system over WGTH-TV at Hartford.<br />

There are a large number of UHF converters<br />

in that area. Tests over WOR-TV have been<br />

in progress in the New York area for some<br />

time.<br />

The Skiatron system has a new IBM-type<br />

card for decoding signals. It measures eight<br />

by six inches. Reduction of the size of this<br />

is contemplated through the use of transistors.<br />

fanuary 8, 1955


Zenith Radio Head Charges<br />

Exhibitors Fear Toll TV<br />

Says groups opposing subscription television<br />

trying to delay it "because they know it will<br />

be competitor capable of delivering new motion<br />

pictures to public more efficiently and<br />

much more economically than is now possible."<br />

E, P. McDonald says niunber of theatre<br />

owners already have asked for franchises<br />

to operate Phonevision in<br />

their localities.<br />

Ohio's Censorship Law<br />

Ruled Unconstitutional<br />

Di.strict court of appeals issues permanent<br />

injunction barring enforcement; Ohio supreme<br />

court recently held law to be "unreasonable<br />

and unlawful," but failed by single<br />

vote to hold it unconstitutional.<br />

*<br />

Bigger Theatre Business<br />

Predicted by TOA Head<br />

E. D. Martin, on arrival in New York for<br />

of TOA conferences, said that people<br />

a .series<br />

now have more spending money and that<br />

they realize better pictures are being shown.<br />

•<br />

New York Legislature Gets<br />

'Quickie' Bingo Measure<br />

Democratic bill would remove criminal penalties<br />

for playing game while leaving it illegal:<br />

Republicans favor usual procedure of<br />

legalization by constitutional amendment approved<br />

by two legislatures and then by voters.<br />

•<br />

Census Trade Questionnaire<br />

In the Mails This Week<br />

Going out to almost every producer, distributor,<br />

exhibitor and service firm in the<br />

motion picture industry for detailed information<br />

on various operating aspects of the<br />

business in 1954.<br />

*<br />

United Artists World Gross<br />

In 1954 a 35-Year Record<br />

Robert S. Benjamin, board chairman, reports<br />

it as $43,100,000, compared with $38,-<br />

600,000 in 1953, $29,300,000 in 1952 and $15,-<br />

900,000 in 1951; last date was when present<br />

management assumed control.<br />

*<br />

President's<br />

Foreign Trade<br />

Expansion Program Hailed<br />

Industry, which gets over 40 per cent of its<br />

revenue from abroad, backs plan to extend<br />

reciprocal trade pacts for three years and to<br />

give Eisenhower more power to materially reduce<br />

present tariffs.<br />

*<br />

Licenses for Manufacturing<br />

Perspecta Sound Increase<br />

Worldwide total rises from 13 in August lastto<br />

16 as N. V. Philips of Holland, unit of big<br />

European equipment company, signs agreement<br />

to make the stereophonic sound units<br />

for theatres on continent.<br />

Couri Breaks 1st Run Gr/j<br />

But Cuts Record Verdic<br />

KANSAS CITY, MO.—The largest antitrust<br />

verdict ever handed down in a film industry<br />

suit was sliced by more than a million dollars<br />

this week by a federal court .iudge, but at<br />

the same time he handed down a stringent<br />

set of trade practices under which six major<br />

defendants may sell pictures in the two Kansas<br />

Citys.<br />

No longer, ruled Judge Albert Ridge, can<br />

distributors force the Electric Theatre in<br />

downtown Kansas City, Kas., to play features<br />

after first runs in Kansas City, Mo., as has<br />

been the practice for several decades. This<br />

clearance protection was the basis for the<br />

suit—the advantages given to downtown theatres<br />

on the Missouri side of the river over<br />

theatres in Kansas.<br />

$1,334,402 IS NEW FIGURE<br />

The decree was handed down in the suit<br />

brought by the owners of the Electric Theatre<br />

against six distributors. Originally, all<br />

eight majors were defendants, but 20th<br />

Century-Fox and Universal settled the case<br />

out of court a number of months ago. Damages<br />

in the jury-tried case totaled $2,406,602.79,<br />

so a reduction of more than a million dollars<br />

still gives the theatre owners $1,334,402.01, the<br />

new figure set by Judge Ridge. In addition, the<br />

court fixed attorney's fees which the plaintiff<br />

can recover from the distributors at $100,000<br />

plus $9,130.29 court costs.<br />

In addition to giving the Electric Theatre<br />

the right to play a feature no later than the<br />

earliest availability on which such features<br />

are offered in the Kansas City exchange area.<br />

Judge Ridge also decreed that this principle<br />

.shall apply to all prereleases, roadshows and<br />

previews. The Electric Theatre will not be<br />

required to bid for product against any thea-<br />

New Paramount Contracts<br />

To Wyler and Wilder<br />

HOLLYWOOD— Coincident with a<br />

forecast<br />

by Eton Hartman, Paramount executive producer,<br />

that business in 1955 "will be as good<br />

as the pictures themselves," came announcement<br />

from the studio that William Wyler<br />

and Billy Wilder, veteran producer-directors,<br />

had been signed to new multiple-pictm-e, nonexclusive<br />

contracts.<br />

Wyler, with Paramount since 1947, currently<br />

is making "The Desperate Hours."<br />

Wilder, whose last for Paramount was<br />

"Sabrina," will return — upon completion of two<br />

outside assignments "The Seven Year Itch"<br />

for 20th Century-Pox and "The Spii-it of St.<br />

Louis" for Warners. Each will participate in<br />

the profits from his Paramount-made celluloid<br />

under terms of the contracts.<br />

Hartman, noting that Paramount is "flattered<br />

and extremely pleased" about the<br />

Wyler-Wilder commitments, added in his 1955<br />

prognostication that "all economic factors<br />

in the free world point to promising conditions,"<br />

and that, given good product, "it<br />

remains only for the intelligent showmanship<br />

effort of exhibitors to make 1955 a record<br />

year." He predicted there will be still greater<br />

technological advancements in the fields of<br />

projection and sound and reaffirmed that<br />

"what benefits the exhibitor benefits us."<br />

tre in Kansas City, Mo., or in Jc<br />

county, Kas., the large suburban resic<br />

area adjoining the two Kansas Citys.<br />

If distributors decide to ask for bi<br />

product in Kansas City, Kas., they<br />

screen the picture for all bidders ant<br />

vide an opportunity for all bidders to be<br />

ent when the bids are opened and tc<br />

a right to inspect them.<br />

The distributors had asked for a jud<br />

notw^ithstanding the verdict, a new ti<br />

an amended judgment. In filing his<br />

giving the injunctive relief to the t<br />

owners. Judge Ridge, in effect, overrul<br />

motions on the condition that w'ithin 1<br />

the Electric Theatre Co. file an acce<br />

of the reduced verdict. The theatre co:<br />

is expected to accept the lower dama<br />

view of the strong relief granted by the<br />

The film companies, however, are ex<br />

to appeal both damages and the inji<br />

provisions.<br />

TO HEAR THREE MORE SUITS<br />

Three more suits involving the same :<br />

situation are still to be heard by the<br />

The Electric Theatre Co. is to file a<br />

suit against the distributors, seeking ds<br />

covering the last three years of ope<br />

The Avenue Theatre, another Kansa<br />

Kas., first run owned by W. D. Fultc<br />

has an operating interest in the Elec<br />

to file a second suit, and a third suit<br />

ing the closed State Theatre, also a<br />

property, has been filed in federal c(<br />

New Jersey.<br />

Fulton was a partner in the Brooksid<br />

atre Co., which several years ago<br />

$1,125,000 verdict against the majors.<br />

Laub Now Assistant He<br />

Of RKO Legal Departm<br />

NEW YORK—Joseph J. Laub ha<br />

named assistant general counsel of<br />

Radio Pictures by J. MiUer Walker<br />

president and general counsel. He toe<br />

his new duties January 1.<br />

Laub has been a member of the legi<br />

for the past six years and has beet<br />

assistant to general counsel in distri<br />

financial and corporate matters. For<br />

years he was with Donovan, Leisure, I<br />

& Irvine and specialized on corpora<br />

antitrust problems.<br />

NEW YORK—Arnold M. Picker, vice<br />

Arnold Picker on 3-Wee<br />

Tour of Latin Countries<br />

dent of United Artists in chai-ge of<br />

distribution, left Monday (3) for a<br />

Latin American tour of exchanges ii<br />

countries.<br />

During the trip Picker will attend 1<br />

ternational Film Festival at Punta di<br />

Uruguay, w'here "Romeo and Juliet"<br />

presented in a non-competitive si<br />

Havana was the first stop. Others ar«<br />

ama. Lima, Sanitago, Buenos Aires,<br />

video, Rio de Janeiro and Caracas.<br />

10<br />

BOXOFTICE ::<br />

January


nnouncement<br />

MOTION PICTURE I HIGH FIDELITY<br />

A NEW WORLD OF MOTION PICTURES


MOTION PICTURE f HIGH FIDELITY<br />

Paramount's Gift tc<br />

the Industry<br />

Wl<br />

A Statement Br Barney Balaran<br />

t-rii^<br />

MX*<br />

It is important at this time, I believe, to review what Paramount's<br />

development of the Horizontal VistaVision Camera means—and<br />

will continue to mean—to exhibitors in terms of increased theatre admissions<br />

and to the future of our industry.<br />

Paramount's first VistaVision picture, WHITE CHRISTMAS, has now<br />

played widely to solid top grosses, in many cases to all-time record-breaking<br />

results.<br />

More important —WHITE CHRISTMAS proves the wisdom of<br />

Paramount's policy as regards the Wide Screen.<br />

prom the start our Company was unwilling to rush into adopting any<br />

Wide Screen system technically not yet perfected and which would place an<br />

undue economic burden on our customer, the exhibitor.<br />

With faith in our Studio's fine scientific department, Y. Frank Freeman<br />

and I authorized expenditures of several millions of dollars in the eflForts to<br />

develop to perfection a system of photography and projection which would<br />

furnish to exhibitors everywhere the best photographed pictures in the ideal<br />

2-to-l<br />

proportion on the largest possible screen at the least possible expense<br />

to the theatres.


ic results, beyond our fondest dreams, are:<br />

le<br />

Horizontal VistaVision Camera—and the complete conversion of our<br />

) to this system.<br />

n VistaVision pictures already completed.<br />

few weeks ago, the top executives of our worldwide sales and adverdepartments<br />

came to Hollywood and viewed these ten productions,<br />

were extremely enthusiastic over what they saw. So eager were they<br />

ead the proof of the outstanding values in these pictures and of the<br />

ng merits of the<br />

Horizontal VistaVision Camera, that they urged the<br />

) to prepare a Special Film containing the highlights of the pictures.<br />

mning 20 minutes, this Special Film is nearing completion and is titled:<br />

Paramount Presents<br />

yistaYision<br />

MOTION PICTURE f HIGH FIDEHTY<br />

A Product Featurette<br />

^e are arranging trade showings of this film for exhibitors and will subntly<br />

furnish prints, unthout charge, to theatres for the entertainment of<br />

audiences.<br />

lincerely believe that this is a most important film. I think that, seeing<br />

1 will visualize for the first time A New IVor/d In Motion Pictures and<br />

5t potentialities. I am confident that, having seen it, you will agree that<br />

:a] technical and financial future of our industry rests upon the ultimate<br />

photographing and projecting of motion<br />

pictures standardized on the principles of the<br />

HORIZONTAL VISTAVISION CAMERA.<br />

President, Paramount Pictures Corporation<br />

(I


The exciting^ scope and lifelike clarity of Vista\ ision, the<br />

ideal system of photography and projection, will be seen in this<br />

featurette, comprising 20 minutes of highlights from<br />

First<br />

Paramount's<br />

10 Attractions in VistaVision<br />

—ALL LV COLOR BY TECHMCOLOK<br />

Irving Berlin's<br />

WHITE CHRISTMAS<br />

STRATEGIC AIR COMMAND<br />

RUN FOR COVER<br />

Alfred Hitchcock's<br />

TO CATCH A THIEF<br />

THE FAR HORIZONS<br />

Hal Wallis'<br />

3 RING CIRCli<br />

WE'RE NO ANGEL<br />

THE SEVEN LITTLE FOY<br />

Alfred Hitchcock's<br />

THE TROUBLE WITH HARR<br />

LUCY GALLAN<br />

Now Available ! rtu' First Paramnunt Shurr in \'israVision<br />

VISTAVISION visits<br />

NORWAY<br />

color by 1 CL'iiniti iloi<br />

Other VistaVision Shorts In I'rcnaration


•<br />

replaced<br />

. it<br />

ISTRY PREPARES TO FIGHT<br />

;CRIMINATORY LEGISLATION<br />

Censorship Seen<br />

as Lawmakers<br />

Many States<br />

Forty-five state legislaegular<br />

session this year,<br />

-no count is possible now<br />

rse to the motion picture<br />

introduced. The legislado<br />

principally with two<br />

oblems afflicting the in-<br />

1 censorship.<br />

ibers of the industry conish<br />

year" from the legis-<br />

VARIOUS STATES<br />

wn that censorship will be<br />

Ohio and Maryland. Just<br />

in Pennsylvania is any-<br />

V administration has taken<br />

neans that the old censorby<br />

a new one.<br />

the new board will be<br />

get its feet firmly under<br />

evision of the censorship<br />

id, though a Philadelphia<br />

unconstitutional,<br />

nsas are also in the cenn<br />

the belief is that they<br />

in the expectation of a<br />

ch would bring a further<br />

3. Supreme Court. In all<br />

ances are that the censorentually<br />

revised to contain<br />

language," that is, limitato<br />

films that are indecent<br />

lie Ohio and Pennsylvania<br />

ane person's idea of what<br />

icene may differ from that<br />

re will be tax problems in<br />

;ates where the legislatures<br />

ear.<br />

ESSIONS<br />

an their sessions Monday<br />

California, Idaho, Montana,<br />

;e.<br />

esday (4). They are Dela-<br />

Nebraska. North Dakota,<br />

Ivania, Rhode Island and<br />

the next day. They are<br />

.cut, Illinois, Maine, Maryts,<br />

Missouri, New Hamp-<br />

North Carolina and Ver-<br />

Thursday (6).<br />

; are:<br />

rizona. Arkansas. Georgia,<br />

and Washington.<br />

ti<br />

Cansas, New Jersey, New<br />

3lina, Texas and Wyoming.<br />

—Michigan, West Virginia<br />

ada.<br />

lOuisiana.<br />

:lihood of a special session<br />

legislature,<br />

izations on both the na-<br />

Johnston Foresees Film<br />

Business Gains in '55<br />

NEW YORK—Eric Johnston, Motion Picture<br />

Ass'n of America president, stopped off<br />

Eric<br />

Johnston<br />

in New York Tuesday (4) on his way to<br />

Washington from Spokane,<br />

where he spent<br />

the holidays, and predicted<br />

business for<br />

1955 would exceed the<br />

1954 record, which was<br />

about 11 per cent<br />

ahead of the previous<br />

year.<br />

Domestic business<br />

for 1954 was ahead of<br />

1953. One reason for<br />

liis optimism, he said,<br />

was the prospect for<br />

more important pic-<br />

tional and local level and the Motion Picture<br />

Ass'n of America will watch developments<br />

closely. The Council of Motion Picture Organizations<br />

will be ready to aid with campaign<br />

information based on its successful<br />

drive for the reduction of the federal admissions<br />

tax.<br />

Exhibitor organizations particularly have<br />

been contacting their state senators and<br />

legislators and know how they stand individually<br />

on issues. Organization records show<br />

which exhibitor is best qualified through past<br />

personal contact to approach a lawmaker<br />

when an adverse bill goes into the legislative<br />

hopper.<br />

Remarkable progress has been made in the<br />

past two years in establishing a grassroots<br />

approach to such problems.<br />

Exhibitors now pride themselves on knowing<br />

who and how to contact, and they are<br />

following a policy of stating honest facts,<br />

COMPO institutional advertisements in<br />

Editor & Publisher, trade publication of the<br />

newspaper field, are credited with having<br />

brouglit home to influential citizens on the<br />

local level the value of theatres as a stimulus<br />

to other business.<br />

Tennessee exhibitors are said to have done<br />

a particularly good job in establishing relationships<br />

with the lawmakers. While the rest<br />

of the merchants are collecting a 2 per cent<br />

sales tax, they are paying a 2 per cent tax<br />

on gross business and they have told the legislators:<br />

"Just leave us alone and we'll accept<br />

the tax and won't ask you for anything."<br />

They have a big majority of the lawmakers<br />

lined up on their side with actual pledges,<br />

and they do not expect any trouble.<br />

A similar situation, according to exhibitors,<br />

is said to exist in Illinois and Arkansas.<br />

On the other hand, exhibitors in Mississippi<br />

are worrying about a threat of a 10<br />

per cent amusement tax. They have succeeded<br />

In killing one In the past, but now<br />

tui'es scheduled to come from all companies.<br />

Total foreign business probably will be<br />

equal to that of 1954, he said, although it<br />

may be uneven, with increases in some countries<br />

and a decline in others.<br />

Johnston expects to leave about January<br />

22 or 23 for the Near East where he will discuss<br />

the Israel-Arab problem of use of the<br />

Jordan River waters. He will be away between<br />

three and four weelcs and also may<br />

visit Cairo.<br />

Robert J. Corkery, assistant vice-president<br />

of the Motion Picture Export Ass'n, will represent<br />

Johnston at the International Film<br />

Festival in Uruguay.<br />

Johnston arrived in New York Monday<br />

night and left the following afternoon for<br />

Washington.<br />

schools for Negroes are projected and money<br />

for them is said to be badly needed. All<br />

signs point toward a special session of the<br />

legislature to consider imposition of the tax,<br />

or other means of raising revenue, and exhibitors<br />

will have to fight hard to prevent the<br />

discriminatory legislation.<br />

Ohio Allied Meet Start<br />

Is Set Back to Feb. 28<br />

COLUMBUS—The convention of Independent<br />

Theatre Owners of Ohio has been set back<br />

one day and will start February 28 with a<br />

luncheon for registrants. William C. Gehring,<br />

general sales manager for 20th Century-Fox,<br />

and Abram F. Myers, Allied general counsel<br />

and board chairman, have accepted invitations<br />

to speak. Other speakers are to be<br />

announced later.<br />

A sneak preview of an April release is<br />

scheduled for that night in a local theatre.<br />

An MGM Workshop is scheduled for Tuesday,<br />

March 1, Delegates have been asked to<br />

bring managers with them so they can attend.<br />

Tables will be set up by counties and delegates<br />

have been asked to sit at tables with<br />

representatives and senators from their<br />

counties. The legislators will return to the<br />

state house at 1:30 pjn.<br />

Mort Blumenstock in N.Y.<br />

For Product Discussion<br />

NEW YORK—Mort Blumenstock,<br />

Warner<br />

Bros, vice-president in charge of advertising<br />

and publicity, came into town Wednesday<br />

(5) for a discussion of promotion plans on<br />

forthcoming releases.<br />

Product to be discussed includes "Battle<br />

Cry." "Unchained." "East of Eden," "The<br />

River Changes," "Strange Lady in Town" and<br />

•Jump Into Hell."<br />

muary 8, 1955 15


I<br />

You<br />

^/ T. « . / ^ i.^ ^^ Uiici'^occ With ZOthl<br />

1<br />

IAN.<br />

iH^^^ IRVING BERLIN'S<br />

_......-,-<br />

THIRE'TlirBUSIMESS UKE SHOW BUSINESS<br />

ETHEL MERMAN DONALD OXONNDR • MARILYN MONROE<br />

fc DAN DAILEY JOHNNIE RAY • MITZl GAYNDR<br />

Color by DE LUXE<br />

I go for you I'm Taboo<br />

go for me You're through<br />

OTTO PREMINGER presents OSCAR HAMMERSTEIN S<br />

CARMEN JONES<br />

HARRY BELAFONTE • DOROTHY OANORIOGE PEARL BAILEY ^LGA JAMES IDE ADAMS<br />

•<br />

*<br />

Color by OE LUXE • Released by 20th C^Sj|gpp|BBP»-- '^<br />

«^><br />

^<br />

WHITE FEATHER<br />

ROBERT WAGNER • JOHN LUND • DEBRA PAGET • JEFFREY<br />

Print by Technicolor • A Panoramic Production


and for Easter, . . the wonderful<br />

love story of ''A MAN CALLED PETER<br />

r^<br />

V<br />

><br />

PRINCE OF PLAYERS<br />

RICHARD BURTON • MAGGIE McNAMARA • JOHN DEREK • RAYMOND MASSEY<br />

CHARLES BICKFORD - ELIZABETH SELLARS and EVA LE GALLIENNE<br />

CiN<br />

Color by DE LUXE<br />

^<br />

•^f^<br />

A. \^ 4<br />

dj^*"<br />

THE RACERS<br />

KIRK DOUGLAS • BELLA DARVI • GILBERT ROLAND<br />

also starring Cesar Romero Lee J. Cobb Katy Jurado<br />

INEMIA<br />

Color by DE LUXE<br />

^h\<br />

v<br />

p<br />

TYRONE POWER • SUSAN HAYWARD • RICHARD EGAN<br />

Color by DE LUXE


Disney's 1954 Earnings<br />

Top '53 by Good Margin<br />

HOLLYWOOD—Both the gross income and<br />

consolidated net profit of Walt Disney Productions<br />

for the fiscal year ending Oct. 2.<br />

1954. were up .sharply over the preceding year.<br />

Pi-esident Roy O. Disney revealed Friday i7i<br />

in his annual report to stockholders.<br />

Net for the year was $733,852, equal to $1.12<br />

a share on 652,840 shares of outstanding<br />

common stock, compared to a profit of $510,-<br />

426. or 79 cents a share, in the preceding<br />

year. Provision for federal income taxes in<br />

the 1954 fiscal year amounted to $840,000,<br />

compared to $365,000 in 1953.<br />

Gross income for 1954 totaled $11,641,408<br />

an increase of $3,275,547 over the $8,365,861<br />

reported for the preceding 12 months. Disney<br />

pointed out in this connection that the gross<br />

film rental is not "strictly comparable" to<br />

that of prior years because, during 1954, certain<br />

pictures were released through the company's<br />

wholly owned subsidiary, Buena Vista<br />

Film Distribution Co., Inc. Feature picture<br />

income in 1954 was derived principally from<br />

"Peter Pan," "The Living Desert," "The<br />

Sword and the Rose." "Rob Roy." and the reissue<br />

of "Pinocchio."<br />

Revenues from merchandising, publications,<br />

music and non-theatrical film distribution<br />

were higher than in 1953, the company president<br />

added. Commenting on the weekly TV<br />

.show, "Disneyland," he said that while a<br />

profit is expected from this project. "Our real<br />

gain will be in the marketing value of our<br />

motion pictures." Cited for 1955 release were<br />

"Lady and the Tramp," full-length Cinema-<br />

Scope cartoon, "The African Lion," "The<br />

Littlest Outlaw," and three in the "People<br />

and Places" series— "Siam," "Switzerland"<br />

and "Morocco."<br />

WB Asking Stockholders<br />

For New Director Setup<br />

NEW YORK—Warner Bros, stockholders<br />

have been asked by management to amend<br />

the certificate of incorporation at the annual<br />

meeting February 2 at Wilmington, Del., to<br />

conform with bylaws providing for two classes<br />

of directors, one class serving two years and<br />

with the terms of each class expiring in<br />

alternate years.<br />

The bylaws provide for the election of three<br />

directors for two-year terms at one annual<br />

meeting, and five named for two-year terms<br />

at alternate annual meetings. Management<br />

has nominated Waddill Catchings, Robert W.<br />

Perkins, Albert Warner, Harry M. Warner<br />

and Jack L. Warner for election January 2.<br />

Chesapeake Stockholders<br />

Offered Stock Exchange<br />

NEW YORK—Stockholders of Chesapeake<br />

Industries have been notified they can exchange<br />

their $4 preferred stock for $6 dividend<br />

preferred stock share for share, including<br />

the $24 arrears on the $4 issue. No<br />

cash payment will be made to those accepting.<br />

Dividend payments in arrears on the<br />

$4 stock will be paid on stock not exchanged,<br />

according to William C. MacMillen jr., president.<br />

The offer is good to February 1.<br />

Lipperl Stresses Value<br />

Of Program Films<br />

CHICAGO—Program pictures "will continue<br />

to disappear" unless showmen are willing<br />

to pay higher rentals to make them<br />

profitable," Robert L.<br />

Lippert, president of<br />

Lippert Pictures, declared<br />

at a Wednesday<br />

(5) luncheon meeting<br />

^ T ^H^^BT ^^^^ circuit heads and<br />

HP'^ jflKK^ exhibitors here. It was<br />

\<br />

Robert L. Lippert<br />

'<br />

^^^'<br />

his first stop on a<br />

nine-city "personalized-selling"<br />

tour on<br />

behalf of "They Were<br />

So Young," produced<br />

and directed abroad by<br />

Kurt Neumann, which<br />

Lippert described as<br />

his company's biggest offering to date.<br />

Stipulating that today's market is primarily<br />

involved with high-budget features, the distributor<br />

and circuit operator nevertheless<br />

pointed out that many situations still require<br />

.second features, including more than 4,000<br />

drive-ins where programmers influence concessions<br />

sales.<br />

Such revenue represents 50 per cent of<br />

gross receipts for most ozoners, Lippert said,<br />

but if a single-bill policy were to be instituted<br />

concessions sales would be less than 20 per<br />

cent—and without them "90 per cent of the<br />

drive-ins would go out of business."<br />

Prom here Lippert treks to Minneapolis,<br />

St. Paul, Milwaukee, Detroit, Indianapolis, St.<br />

Louis, Kansas City, Denver and San Francisco.<br />

"They Were So Young" was produced and<br />

directed on location in Munich and Rome.<br />

The stars of the feature are Scott Brady, Raymond<br />

Burr and the German actress, Johanna<br />

Matz.<br />

Theatreman Is Automatic<br />

Winner in Letter Contest<br />

NEW YORK—When Mrs. Bert Bloom of<br />

Dorchester, Mass., was named the winner of<br />

the national "Young at Heart" letter-writing<br />

contest December 31, Max Nayor, manager of<br />

the Metropolitan Theatre in Boston, near<br />

Dorchester, also won the same award, a week's<br />

free trip to Bermuda and a chance to appear<br />

on the CBS-TV "Big Payoff Program."<br />

The contest called for a duplicate prize to<br />

go to the manager of the first-run theatre<br />

playing the Warner Bros, picture in the home<br />

area of the contest winner. That was Nayor.<br />

Colgate-Palmolive-Peet was another .sponsor<br />

of the contest.<br />

Warner Bros, said Mrs. Bloom and husband<br />

will take in Bermuda after appearing on the<br />

TV program, which will give her a chance<br />

to win a mink coat suitable for New England<br />

but not Bermuda weather. Nothing was<br />

said about whether Nayor can compete for<br />

the mink coat, what he would do with one if<br />

he won it and when he will take off for<br />

vacation land.<br />

RKO Control Rumo<br />

Get Into Whirlwind<br />

NEW YORK—RKO Pictures<br />

Cor;<br />

holding corporation, and RKO Rad:<br />

tures, the picture-making and distr<br />

company, went into the center of a wl<br />

of rumors at the yearend and boK<br />

still there during the first week of J<<br />

Inquiries brought the uniform answei<br />

all principals who could be reache<br />

comment" or "I don't know anything ah<br />

First rumor was to the effect that I<br />

Hughes was going to sell control oi<br />

Radio to a syndicate made up of S. H. 1<br />

head of Stanley Warner: Leonard Golc<br />

president of ABC-Paramount Theatres<br />

Schwartz, head of Distributors Co<br />

America; the first National Bank of ]<br />

and others.<br />

Second rumor was that Hughes and<br />

Odium had reached an agreement w<br />

Atlas Corp. would take over managen<br />

RKO Pictures Corp. and RKO Radio F<br />

IN DARK ON ATLAS DEAL<br />

On Monday (3) it was rumore(<br />

Hughes was in New York for confi<br />

with Odium. RKO Radio executives pr<br />

not to know about his presence and s<br />

had not been in the local offices. Atli<br />

resentatives also said they were in th<br />

on the matter.<br />

The Atlas office reported that Odlu<br />

on the coast and RKO said Jan<br />

Grainger, president, also was on the cc<br />

The rumor about the possible tran<br />

RKO Radio to a new syndicate caused<br />

eral raising of eyebrows. Three<br />

accustomed to sharing in film financin:<br />

quick to say In response to queries ths<br />

had not been approached. The reprf<br />

five of one, who didn't want his name<br />

tioned, wanted to know if the questione<br />

whether the Department of Justice<br />

agree to amendment of the Warne<br />

Paramount consent decrees so that S<br />

Warner and ABC-Paramount could ?<br />

the production business.<br />

The inquiring reporter admitted he 1<br />

information on this point. Then he ti<br />

get some, but did not get to first base<br />

Department of Justice at Washlngto)<br />

it had not been approached.<br />

PRICE OF SHARES GO UP<br />

RKO Pictures' offer to buy its stock<br />

per share came to an end with 1954<br />

about 500,000 shares owned by indiv<br />

other than Howard Hughes and Atlas<br />

However, the maneuvers aimed at conti<br />

not cease.<br />

On Friday (Dec. 31) 113,000 shares<br />

traded and the price went up to 8%.<br />

sales covered more than 20 per cent <<br />

total number shares owned by the ]<br />

The spurt was sudden, as on the pr<br />

Tuesday total sales were only 3,000 shai<br />

Since the original $6 offer for the stoc<br />

made la.st spring 952.987 .shares have<br />

turned in. The last public estlmat<br />

Hughes' holdings were 1,262.000 shares,<br />

Floyd Odium's holdings with his friend;<br />

estimated at 1,200,000 shares.<br />

It is understood that negotiations be<br />

Hughes and Odium whereby the latter<br />

take over management of RKO Pic<br />

without acquiring control, were still pe;<br />

The annual meeting of the corporal<br />

scheduled for June.<br />

18 BOXOFFICE :<br />

: January


YORK CRITICS<br />

5N AS THE<br />

ON THE<br />

AVATERFRONT<br />

PRODUCED BY SAM SPIEGEL<br />

^&fgSfga&&fgilS&l<br />

I YORK CRITICS<br />

5N AS THE<br />

MARLON<br />

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IN "ON THE WATERFRONT"<br />

I<br />

YORK CRITICS<br />

>N AS THE<br />

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ELIA<br />

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FOR "ON THE WATERFRONT"<br />

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chapter of what promises to be the greatest success story<br />

in the history of motion picture awards — the story<br />

of Columbia's "On The Waterfront"...


Hecbt-Lancaster Completes Four<br />

For UA, Plans 4 More for 1955<br />

NEW YORK—Hecht-Lancaster Productions,<br />

which ha.s completed four features for<br />

United Artists release and is preparing at<br />

least four more for 1955 and 1956, is planning<br />

to expand its operations to include<br />

legitimate stage productions in 1956, according<br />

to Harold Hecht, executive producer.<br />

The independent producing company, headed<br />

by Hecht and Burt Lancaster, also recently<br />

entered into a financial arrangement with<br />

United Productions of America, which will<br />

produce a feature-length cartoon, "The White<br />

Deer," also for UA release.<br />

Hecht, who left for a month's stay in<br />

Europe on the He de France January 5 to<br />

scout locations for the next Hecht-Lancaster<br />

feature, "Trapeze," a circus film in which<br />

Lancaster will star starting about August 1,<br />

will also discuss a possible co-production deal<br />

in England with Michael Balcon. This will<br />

be for production there of "Operation Heartbreak,"<br />

for which Hecht hopes to sign Alec<br />

Guinness, leading British star, as soon as his<br />

many film commitments can be arranged.<br />

In addition to these productions to be made<br />

abroad in 1955, Hecht is also planning "The<br />

Last Chukker" and "Until They Sail," based<br />

on the James Mlchener story, which Lancaster<br />

will direct. "The Way West," based<br />

on A. B. Guthrie jr.'s Pulitzer Prize-winning<br />

novel, previously announced, will be postponed<br />

until 1956 because it calls for early<br />

spring filming. Hecht has also Just bought<br />

"Elephant Bill" from J. Arthur Rank for<br />

$50,000 and will make this during 1956, he<br />

said. "The White Deer," which UPA is making<br />

over a two-year period, will not be ready<br />

for release until 1956.<br />

The features completed for 1955 release by<br />

United Artists are: "Vera Cruz," in Superscope,<br />

now plajang first runs; "The Kentuckian,"<br />

in Cinemascope, starring Lancaster,<br />

and "Marty," adapted from Paddy<br />

Chayevsky's TV prize play, which is in blackand-white<br />

and without star names. The<br />

latter cost only $400,000 to make, Hecht said.<br />

The first Hecht-Lancaster production for<br />

UA release, "Apache," which starred Lancaster,<br />

has grossed approximately $3,000,000<br />

to date and Is expected to exceed $3,600,000,<br />

according to Hecht. "Vera Cruz" is also expected<br />

to equal that gross in view of its smash<br />

opening dates In key cities.


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Jack Braunagel Takes<br />

New Post February 1<br />

KANSAS CITY—Jack Braunagel, co-chairman<br />

of TOA's drive-in committee and on its<br />

executive board the past three years, will become<br />

an executive associate<br />

of United The-<br />

atres of<br />

^^<br />

North Little<br />

\^^Wk:r. '^'iS^mr' ^'^^' ^^^' °" Pebruw<br />

^«^^ hRI ^^ ^' IJraunagel has<br />

?9^w» laifv rgsigned as drive-in<br />

manager for Commonwealth<br />

Theatres as of<br />

January 22, a position<br />

he has held since the<br />

circuit opened its first<br />

drive-in April 1948.<br />

This was the Tri-State<br />

Jack Braunagel at Joplin, Mo. Last<br />

year 29 drive-ins were<br />

under his supervision. His position with<br />

United Theatres will have to do with both<br />

drive-ins and conventional houses.<br />

Braunagel's other industry associations<br />

have been with Durwood Theatres for a<br />

year and 20 years with Paramount Theatres.<br />

He was a district manager for Paramount in<br />

Utah and Idaho, making his home for a<br />

time in the Morman town of Logan, Utah,<br />

where he was president of the Junior Chamber<br />

of Commerce. He came to Kansas City<br />

from Cincinnati where he was assistant to<br />

the general manager of Northio Theatres.<br />

In recent years Braunagel has attended<br />

many regional as well as national conventions<br />

where he was considered an authority<br />

on drive-in operation and in demand as a<br />

speaker for such occasions. His activities<br />

have been along progressive and aggressive<br />

lines and his dynamic personality helped<br />

him put over ideas he felt were sound industry<br />

practice. He and Mrs. Braunagel will<br />

move to Little Rock when he makes the<br />

change in business connection.<br />

U-I Buys Screen Rights<br />

To 'Runaway Bomber'<br />

HOLLYWOOD — Universal - International<br />

has purchased screen rights to "Runaway<br />

Bomber," a Saturday Evening Post story by<br />

Frank Harvey, the film version of which has<br />

been assigned to Aaron Rosenberg to produce.<br />

The melodrama centers around a B-52<br />

Stratofort, the crew of which has accidentally<br />

been killed, leaving the pilotless plane flying<br />

across the Pacific from Eniwetok to the U. S.<br />

—with a live H-bomb in its bay. The situation<br />

is resolved—satisfactorily, of course<br />

when a squadron of jet fighters is sent up<br />

with orders either to change the course of<br />

the runaway craft or shoot it down.<br />

COMPO Trying to Arrange<br />

Meetings on Projects<br />

NEW YORK—The Council of Motion Picture<br />

Organizations is attempting to set up a<br />

schedule of meetings of its triumvirate and<br />

of committees on its various projects, but<br />

is running into some difficulty because of<br />

meetings previously arranged by other industry<br />

organizations, according to Robert W.<br />

Coyne, special counsel.<br />

One such meeting would deal with plans<br />

for the national audience poll, now set to<br />

start in the autumn. Coyne was hopeful a<br />

schedule could be worked out soon.<br />

—<br />

20th-Fox Division Meet<br />

Discusses 9 Features<br />

NEW YORK—Merchandising policies for<br />

nine releases during the first quarter of the<br />

year were discussed at a two-day meeting<br />

of 20th Century-Fox division managers which<br />

started Friday (7). Al Lichtman, director of<br />

distribution, presided.<br />

Spyros P. Skouras, president, outlined plans<br />

for the year and discussed his recent sixweek<br />

trip to Europe.<br />

W. C. Gehring, executive assistant general<br />

sales manager; Arthur Silverstone, assistant;<br />

Alex Harrison, western sales manager, and<br />

Glenn Norris, eastern sales manager, spoke.<br />

Pi-omotion and advertising plans were presented<br />

by Charles Einfeld.<br />

Seven of the nine pictures are in Cinema-<br />

Scope and two on standard film. The conventional<br />

pictures are "A Life in the Balance,"<br />

a Panoramic Production starring<br />

Ricardo Montalban and Ann Bancroft, for<br />

February release, and "Our Girl Friday,"<br />

George Minter Production in color starring<br />

Joan Collins, Kenneth More and George Cole,<br />

scheduled for<br />

March.<br />

The Cinemascope productions are;<br />

"Prince of Players," "Carmen Jones," "White<br />

Feather," "The Racers," "Untamed," "That<br />

Lady" and "A Man Called Peter."<br />

Division managers present were: Martin<br />

Moskowitz, Atlantic; T. O. McCleaster, Central;<br />

J. M. Connolly, Northeast; M. A. Levy,<br />

Midwest; H. G. Ballance, Southern; Paul S.<br />

WUson, Southern assistant; Herman Wobber,<br />

Western; Reville Kniffen, assistant Western,<br />

and Peter Myers, Canadian.<br />

Du Art Will Build New<br />

Black-and-white Plant<br />

NEW YORK—Du Art Film Laboratories<br />

plans the construction of a new black-andwhite<br />

la'boratory to replace the present plant<br />

in 1955, according to AI Young, Du Art<br />

president.<br />

"There are those who would have you believe<br />

that black-and-white film will soon be<br />

as obsolete as a model "A" Ford. This is not<br />

so. Black-and-white film is still the mainstay<br />

of the industry. As a matter of fact, my<br />

associates and I feel so confident about this<br />

that we are going to spend in the neighborhood<br />

of a quarter of a million dollars rebuilding<br />

our present black-and-white plant,"<br />

Young said. He stressed that Du Art has been<br />

in business since 1923.<br />

Young related that construction was already<br />

under way with particular emphasis<br />

being placed on a new processing machine<br />

designed by Ralph D. Whitmore jr., chief engineer<br />

of Du Art, and built by HiSpeed<br />

Equipment, Inc. The entire unit is approximately<br />

11 feet in length and employs spray<br />

processing throughout, as opposed to the<br />

standard emersion technique. Only 400 feet<br />

of film is in this unit at a given time and<br />

the complete process takes four minutes. The<br />

arrival of the first unit is planned for February,<br />

he said.<br />

CBS Signs Bing Crosby<br />

NEW YORK—Bing Crosby has signed an<br />

agreement with CBS television for two onehour<br />

programs a year, according to Hubbell<br />

Robinson jr., vice-president in charge of network<br />

programs. The programs will be on<br />

film. The first program will be produced by<br />

Ralph Levy during the month of March. The<br />

second will be filmed during June or July.<br />

LETTERS<br />

Sees Detriment in<br />

TO BOXOFFICE:<br />

Kassler-Reade Plan<br />

In your issue of December 25, I read<br />

great deal of interest of the film inve;<br />

plan offered to exhibitors by Frank I<br />

and Walter Reade jr.<br />

It amazes me how the same peopl<br />

yelled about monopoly and how the<br />

companies had made eai effort to put<br />

out of business, and eventually went tc<br />

and had the government separate exh<br />

from distribution, now deliberately<br />

around and attempt to do the same th<br />

And by doing so, they will be aid<br />

putting the small independent distri<br />

like myself, out of business.<br />

Are they aware that these small ind<br />

ent distributors, that they are attempi<br />

put out of business, are the same tliat fii<br />

the first Filmakers' picture? And no<br />

the first and last of four pictures wer«<br />

and financed by these same small distri<br />

were the executives asked to sign coi<br />

and still no money was asked of them<br />

Does Mr. Kassler or Mr. Reade kno<br />

these same little distributors have gi<br />

their money and judgment on reissues,<br />

take up some of the slack due to the sir<br />

of pictures, and also to try to keep th<br />

TV as long as possible?<br />

ALBERT SWERDL<br />

Screen Guild Productions of N. E., In<br />

Boston, Mass.<br />

Funeral Rites Are Held<br />

For Elmer Pearson, 70<br />

NEW YORK—Funeral services wer<br />

Monday (3; at Westport, Conn., for<br />

Pearson, 70, former vice-president an<br />

eral manager of Pathe, who died the p<br />

Thursday after a heart attack. Int<br />

was in Mount Hope cemetery in Westc<br />

Pearson had retired. He joined the<br />

try as a salesman for a General Fi<br />

change. He was later manager of the<br />

Omaha exchange. He was vice-preside<br />

general manager of the company from<br />

1919. He had also been associated wit]<br />

graph, Lubin, Selig-Essanay, Universa<br />

National, Bray Studios and Video Varif<br />

Survivors are his wife, Frances Wc<br />

Pearson; two brothers, Roy and Charl<br />

sisters, Mrs. William Brownell and Mr<br />

Kassell, and a nephew, Donald Pears<br />

Hollywood Group of 14<br />

To Uruguay Festival<br />

HOLLYWOOD—Fourteen<br />

Hollywoo<br />

sonalities will plane out Wednesday (<br />

Punta del Este, Uruguay, to represe<br />

American film industry at the Uru<br />

Film Festival, which opens Friday (1<br />

continues through the balance of the<br />

In the party going from here will be<br />

director Delmer Daves, director F<br />

Markle. Dean Jagger, Van Johnson<br />

Lund, Mercedes McCambridge, Dorotl<br />

Guire, Wayne Morris, Pat O'Brien,<br />

Pidgeon, Lizabeth Scott. Elaine S<br />

Claire Trevor and May Wynn.<br />

U. S. films entered in the festival ai<br />

Caine Mutiny" (Coll, "Sabrina" (Par<br />

"The Living Desert" (Disney).<br />

22 BOXOFTICE January


, Ind.,<br />

jins Filmack<br />

;ing Director<br />

: Pitts, former director of<br />

f the Theatre Owners of<br />

appointed director of adlack<br />

aper<br />

Bars,<br />

ated<br />

last<br />

uaxrk<br />

City. Prior to that he<br />

tor of the Council of Molizations.<br />

rOA will be taken over for<br />

)ward Bryant, administraiffice.<br />

hibitor Wins<br />

ne Contest<br />

$500 grand prize in the<br />

model name for the new<br />

nachine designed by Raybeen<br />

awarded to James<br />

jer of the Ritz Theatre,<br />

Dassador" was the winning<br />

mer was Cecil J. Callaham,<br />

Jashville, Ark.; third, Mrs.<br />

3743 Albans Road. Hous-<br />

Tommy C. Thompson,<br />

1.<br />

iiim, Chattanooga, Tenn.;<br />

Lilian Toon, Capitol The-<br />

N. B., Canada.<br />

,he contest were awarded<br />

ar $100 on the purchase of<br />

)ewy-designed Cretors ma-<br />

;es was composed of Fred<br />

dent of Theatre Equipment<br />

lufacturers Ass'n : Walter<br />

ate past president of Thelerica:<br />

J. J. Fitzgibbons jr.,<br />

jresident of International<br />

lymond Loewy, designer of<br />

eman Rembusch of Syndilanklin,<br />

Ind., and Clark<br />

J<br />

of the Popcorn Institute.<br />

lir of Indianapolis (left),<br />

itor of Cretors popcorn<br />

Is a check for .S.'iOO to<br />

>n, manager of the Kitz<br />

grand prize award<br />

; contest.<br />

Court Now Holds Fate<br />

Of Minneapolis Runs<br />

By LES REES<br />

MINNEAPOLIS—After more than two<br />

weeks of testunony and arguments the trial<br />

of the Volk Bros.' $1,500,000 conspiracy suit<br />

against major distributors, the Minnesota<br />

Amusement Co. (United Paramount Theatres)<br />

and RKO Theatres has concluded in<br />

federal district court here.<br />

It now devolves upon Judge G. H. Nordbye<br />

to decide if the plaintiffs' local suburban<br />

Terrace theatre sustained monetary damage<br />

in con.sequence of alleged clearance discrimination<br />

against it and also if it shall have<br />

moveover clearance or a playing position one<br />

day after pictures have finished their first<br />

runs at the initial Loop theatres played. This<br />

latter would be in place of its present 28-day<br />

slot which it shares with ten other outlying<br />

houses here.<br />

The defense paraded an array of prominent<br />

film and theatre company executives to<br />

the witness stand before resting its case.<br />

Witnesses included Charles Reagan, MGM<br />

vice-president: Herb Greenblatt, BKO sales<br />

manager: Matthew Polan, RKO Theatres<br />

buyer-booker: Roy Haines, MGM western<br />

sales manager: Foster Blake, Universal-International<br />

western sales manager: Burtis<br />

Bishop, MGM midwest division sales manager:<br />

John Branton, MAC buyer-booker:<br />

M. A. Levy, 20th-Fox division sales manager:<br />

Ralph Maw, MGM district manager, and Jay<br />

Eisenberg and Leonard Kaufman, New York,<br />

of the MGM and Paramount legal staffs, respectively.<br />

They testified that the vast bulk of film<br />

rentals are derived from the downtown first<br />

run theatres by the producer-distributors:<br />

that, in comparison, the revenue from the<br />

subsequent run neighborhood houses is comparatively<br />

small: that the downtown theatres<br />

here must have at least 28-day protection in<br />

order for these houses to safeguard their<br />

economic existence and to insure the film<br />

companies' revenues, and that if the Volk<br />

Bros, receive an earlier clearance it also<br />

would have to be given to other leading<br />

neighborhood theatres in different sections<br />

of the city with resultant destruction of the<br />

protection and clearance system.<br />

These witnesses denied the existence of<br />

any conspiracy to deprive the Terrace of fair<br />

clearance. They pointed out that by using<br />

a succession of runs admission prices for pictures<br />

are gradually lowered so that, eventually,<br />

all of society's economic segments have<br />

a chance to witness the films.<br />

Questioned in regard to the Volks as "good"<br />

or desirable customers. Levy, speaking for<br />

20th-Fox, testified that in 95 per cent of<br />

the cases they sought adjustments of film<br />

rentals and that because of this he felt there<br />

was no comparison with other exhibitors, none<br />

of whom is so insistent on having the terms<br />

of their contracts reduced after playing his<br />

pictures.<br />

T'he decision in this case, it's pointed out,<br />

may affect clearance elsewhere throughout<br />

the nation.<br />

For the plaintiffs, Lee Loevenger, their<br />

counsel, has brought out evidence showing<br />

that the Terrace is superior in appointments<br />

and operation to the city's other outlying<br />

theatres and to the present two Loop moveover<br />

houses: that it frequently outgrosses<br />

and pays larger percentages and rentals for<br />

pictures than the latter; that an earlier run<br />

is necessary in order that present unsatisfactory<br />

earnings can be increased, and that<br />

the theatre is entitled to the earlier and<br />

exclusive run because of its superiority physically<br />

and otherwise.<br />

Loevenger also produced testimony showing<br />

that before and since the opening of the<br />

Terrace the Volks have sought in vain for an<br />

exclusive 14-day run or an earlier playing<br />

time than it now has day and date with<br />

other neighborhood theatres.<br />

This Is Cinerama Closing in A/.Y.;<br />

May be Withdrawn Elsewhere, Too<br />

NEW YORK—"This Is Cinerama" will end<br />

its Broadway engagement February 6. It<br />

opened Sept. 30, 1952, at the Broadway Theatre<br />

and in the summer of 1953 moved to the<br />

Warner Theatre. By closing date it will have<br />

played to an estimated 2,500,000 persons.<br />

The picture also will be closed in some of<br />

the 12 other key cities where it is playing.<br />

The Stanley Warner announcement relating<br />

to New York said the picture on closing "will<br />

be withdrawn immediately from circulation"<br />

and "it cannot and will not be shown in any<br />

local or neighborhood motion picture theatre."<br />

The company said it would select a date<br />

later for the local opening of "Cinerama Holiday,"<br />

second in the series. Presumably the<br />

picture will open at that time or shortly<br />

thereafter in other cities. No reason was<br />

given why the showing of the new picture<br />

might not follow immediately upon the closing<br />

of the first. It was said no changes in projection<br />

methods were planned.<br />

The other cities in which "This Is Cinerama"<br />

will close February 6 or thereabouts<br />

were not identified. It was said the selections<br />

will be made later. The other cities are Detroit,<br />

where it opened March 23, 1953; Hollywood,<br />

where it opened April 29, 1953: Chicago,<br />

July 29, 1953: Philadelphia. Oct. 5, 1953; Boston,<br />

Dec. 31, 1953; St. Louis. Feb. 10, 1954;<br />

Minneapolis, April 19, 1954; Cincinnati, June<br />

21, 1954, and Dallas, July 1, 1954.<br />

S. H. Fabian, SW president, said late in<br />

September that four or five additional cities<br />

might see the picture within a year.<br />

More than 9,000,000 persons by Oct. 1, 1954,<br />

had paid about $17,000,000 to see the Lowell<br />

Thomas-Merian C. Cooper presentation in the<br />

13 key cities since it opened in New York,<br />

according to Fabian. It has been playing in<br />

London and recently opened in Montreal.<br />

The company said it might have future<br />

plans complete by mid-January.<br />

muary 8, 1955 23


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lierces your heart . . . almost<br />

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REPORT FROM OHIO EXHIBITORS<br />

AT&T Has Extendi<br />

Nothing to Worry About in /955, TV lo 234 Cities<br />

// Good Pictures Flow Continues<br />

By ELSIE LOEB<br />

CLEVELAND— It looks like a good year<br />

ahead for motion picture theatre owners, in<br />

the view of many exhibitors in this territory.<br />

"If they (the producers) give us the pictures<br />

we can do the business." says Ted<br />

Vermes, owner of the Yorktown, Mercury and<br />

Eclair theatres. "The only trouble is that they<br />

come at too great intervals. Our patrons are<br />

spoiled. They want only the best. But if we<br />

give them the best they give us their patronage.<br />

Cut down the time between big picture<br />

releases and we'll get our patrons back as<br />

regular customers."<br />

"Theatre business is as good as the picture<br />

on the screen," in the opinion of Meyer S.<br />

Fine, president of the 20-theatre Associated<br />

Circuit. "We will have nothing to worry about<br />

in 1955 if we can have a steady flow of<br />

quality product."<br />

Leonard Mishkind and S. P. Gorrell of the<br />

General Theatres Circuit agree that "unquestionably<br />

we do business with big pictures.<br />

While the big screen and the new presentation<br />

media aroused latent interest in motion<br />

pictures, and brought the public back to the<br />

theatre for a look-see, these items of equipment<br />

do not bring the patrons back for a second<br />

look. It's the picture on the screen and<br />

its entertainment value that brings them<br />

back repeatedly. As to the future outlook, we<br />

must be optimistic. A defeatist attitude never<br />

led anyone to success."<br />

Helene Ballin. manager of the Schenley<br />

Theatre, Youngstown, is approaching the new<br />

year with caution. "I just know what to<br />

expect," .she says. "Our business has been<br />

too fluctuating the past several years to<br />

say, with any degree of confidence, just what<br />

to expect in 1955."<br />

Big Attendance Is Seen<br />

For 14 MGM Workshops<br />

NEW YORK—An attendance of more than<br />

5.000 exhibitors and other members of the<br />

industry has been predicted by Mike Simons,<br />

MGM director of customer relations, for the<br />

14 MGM Ticket Selling Workshops now definitely<br />

scheduled. The fii-st will start in Denver<br />

Wednesday (12) and the last one will<br />

occur June 13. There will be three this<br />

month, two in February, three in March and<br />

in April, two in May and one in June. However,<br />

as many as a dozen others may be added.<br />

Simons and Emery Austin, MGM exploitation<br />

manager, will attend all of them. They<br />

will be .supplemented by panelists, including<br />

exhibitors and other members of the industry,<br />

who will discuss local means of stimulating<br />

business.<br />

Cooperating with MGM in putting over the<br />

Denver gathering will be Pat McGee, a leading<br />

exhibitor in the teiTitory; Al Reynolds,<br />

general manager for Claude Ezell of Dallas:<br />

L. J. Williams, exhibitor of Union, Owensville<br />

and Herman, Mo., and Ray Smith, vicepresident<br />

of the Jamestown Amusement Co.<br />

Members of the Rocky Mountain Council of<br />

Joe Shagrin, owner of the Foster Theatre,<br />

Youngstown, hopes that local interest in TV<br />

will wane and that the public will come back<br />

to the theatre. "TV is now going into it's<br />

second year in this' area. And if the history<br />

of other areas is repeated, people will begin<br />

to get more discriminating in their TV programs.<br />

And that's when they will start to<br />

come back to us."<br />

Leo Jones of the Upper and New Star Theatre,<br />

Upper Sandusky, — thinks 1955 theatre<br />

business will be good "If," he says, "we can<br />

overcome the dissension within the industry.<br />

Given good product, equitably sold and properly<br />

exploited, our boxoffices will improve and<br />

the public relations between the theatre and<br />

the public will greatly benefit. Under present<br />

conditions our buying terms are so high that<br />

we can't afford to sell the product properly<br />

to the public. Let the small exhibitor buy his<br />

pictures flat so that he has enough money to<br />

spend on exploitation and then there'll be a<br />

Happy New Year for everyone."<br />

"Even if we do good boxoffice business with<br />

a top picture, there's no profit for theatres<br />

playing a subsequent run policy," says a leading<br />

circuit owner who does not want his name<br />

used. "We just can't live with the terms the<br />

distributors are asking for product today.<br />

As to the future, it all depends upon the<br />

distributors. If they will adopt a live and let<br />

live policy. I think we could have a profitable<br />

year."<br />

"The next six months look good," in the<br />

opinion of Dale Tysinger, manager of Shea's<br />

Theatre, Ashtabula. "Business conditions are<br />

good, unemployment is down to normal, the<br />

pictures announced for release during the<br />

first half of the year look good. All of these<br />

things add up to a feeling of optimism. But<br />

what the conditions will be after the first half<br />

of the year Is anybody's guess."<br />

Motion Picture Organizations will attend, according<br />

to Henry Friedel, MGM branch manager.<br />

The organization is scheduled to open<br />

its convention the next day.<br />

The other January workshops will be at<br />

Jackson, Miss., January 24, and Memphis,<br />

January 27. Richmond, Va., will have one<br />

February 8 and Detroit February 22. There<br />

will be one March 1 at Columbus, Ohio, another<br />

March 3 in Kansas City and a third<br />

March 9 in Dallas. Atlanta will be the site<br />

April 12, Buffalo, April 18, and Jacksonville.<br />

April 26. Billings, Mont., will be the site<br />

May 10. Charlotte, May 16, and Santa Fe,<br />

N. M.. June 13.<br />

E. G. Forsyth Elected<br />

Ontario MPTA Head<br />

TORONTO—At their first meeting for the<br />

new year the directors of the Motion Picture<br />

Theatres Ass'n of Ontario elected E. G.<br />

Forsyth of Toronto as the 1955 president in<br />

succession to Jack D. McCulloch of Petrolia.<br />

Forsyth is assistant general manager of Odeon<br />

Theatres (Canada), Ltd.<br />

Other officers include Lionel Les*er. Toronto<br />

independent, as vice-president: Manager<br />

Jack Clarke of Toronto Loew's as treasurer:<br />

Angus Jewell of Cannington, honorary<br />

secretary, and Arch H. Jolley, executive secretary.<br />

NEW YORK—Network<br />

television<br />

was extended to four more stations<br />

Long Lines Department of America<br />

phone & Telegraph Co. late in Decei<br />

make a total of 360 stations in 234 c<br />

the U. S. with network TV, accor<br />

Long Lines.<br />

The new stations connected to t<br />

Telephone System's nationwide netw<br />

facilities were: WFIE, Evansville, Ind<br />

derson, Ky: WBTW. Florence, S.<br />

WSFA-TV, Montgomery, Ala. The sta<br />

Evansville and Henderson receive tb<br />

network programs over a new 118-mi<br />

relay route running south from Terrc<br />

Ind. Service for the Florence stati<br />

provided over a new 102-mile extensioi<br />

Washington-Atlanta microwave rout<br />

Montgomery station began receiving<br />

over the Atlanta-Jacksonville radii<br />

route.<br />

Joined to the network in 1954 w<br />

television stations in 75 cities, includi<br />

stations in New Hampshire, New<br />

North Dakota and Wyoming.<br />

The year 1954 also saw color te<br />

made available to the American public<br />

first time with over 47,000 channel i<br />

cross-country communications routes i<br />

neered and re-equipped to carry colo<br />

stations in 101 cities, according to th<br />

end report of the Long Lines Depa<br />

It was only a year ago on Jan. 1, 19<br />

the first public color-cast, "The Tour<br />

of Roses Parade," was carried from Pa<br />

Calif., to 18 cities across the U. S.<br />

Black-and-white television also madi<br />

during 1954, with over 20.000 channi<br />

of TV facilities—an all-time yearly<br />

added during the year, bringing the<br />

about 69.000 miles. Long Lines als(<br />

that 1954 marked the 25th anniversar;<br />

first public demonstration of color "!<br />

June 27, 1929. a gi'oup of newspa<br />

porters gathered in the Bell Te<br />

Laboratories in New York to see a color<br />

an American flag rippling in the bree<br />

Skiatron Head Optimis<br />

On Future of Toll TV<br />

NEW YORK—An optimistic<br />

report<br />

future of subscription television was<br />

at the year's end by Arthur Levey, p:<br />

of Skiatron, in which he saw "prom,<br />

vastly improved TV program service<br />

public on the threshold of becor<br />

reality subject to approval by the<br />

Communications Commission." He s<br />

Skiatron system was ready to go into<br />

tion, and that surveys showed public<br />

ance of it by about 82 per cent of thi<br />

surveyed.<br />

Levey listed among major developm<br />

improved decoder.<br />

"A new decoder has been complet<br />

said, "combining simplicity of op<br />

compactness and flexibility. It will ac(<br />

date a unique IBM-type electronic ca<br />

a tamper-proof printed ciixuit, whi<br />

make available a month's programn<br />

30 events for the subscriber's selectic<br />

decoder, now measuring eight by six<br />

with a slot in the center for the inse:<br />

the electronic card, is expected eve<br />

thi'ough the use of transistors, to be<br />

to the size of a small jewel case."<br />

26 BOXOFFICE :: Januar;


; Tlieatre.<br />

ger Resigns<br />

I Circuit<br />

d Berger has resigned from<br />

ment Co. of Boston (Midatres,<br />

Inc.) after a 26-year<br />

r, who is 46 years old, is<br />

rs in the drive-in theatre<br />

upervised the building and<br />

le of Smith's first ozoners,<br />

Dad Drive-In in St. Louis,<br />

vith Smith at the age of<br />

Reading, Mass.,<br />

t of sound pictures. He<br />

uvich Theatre. East Green-<br />

:hen to the Bronx Opera<br />

rk. Later he went to the<br />

as district manager and<br />

general manager of the<br />

Bd extensively throughout<br />

ilans have been disclosed<br />

says he intends to remain<br />

y. He resides in Reading,<br />

ather of two children.<br />

)wan Transfer<br />

ew Address<br />

oger.s & Cowan, public reis<br />

located at 17 East 48th<br />

from 624 Madison Ave. It<br />

Beverly Hills, Calif. Rich-<br />

:utive vice-president. The<br />

d fashion, hotel and travel<br />

een specializing in the en-<br />

Majors Should Continue Policy<br />

Of Fewer Films, Says Dunne<br />

NEW YORK—"The major studios should<br />

continue their policy of fewer and better pictures<br />

on the premise that if you make 20<br />

features you are more likely to come up with<br />

five good ones than if you make 40." according<br />

to Philip Dunne, who has been with<br />

20lh Century-Fox since 1936—the period when<br />

the companies made yearly programs of 40-50<br />

pictures. In the company's cui'rent Cinema-<br />

Scope period, 20th-Fox will make a total of<br />

about 20-24 films in 1955.<br />

Dunne, who recently completed directing<br />

and producing his first feature, "Prince of<br />

Players." has a score of important writing<br />

credits at 20th-Fox, including "Stanley and<br />

Livingstone," "The Rains Came," "Johnny<br />

Apollo," "How Green Was My Valley," "The<br />

Late George Apley," "Forever Amber,"<br />

"Pinky," "David and Bathsheba" and "Way<br />

of a Gaucho," the latter the first he produced,<br />

as well as three Cinemascope pictures, "The<br />

Robe," "The Egyptian" and "Demetrius and<br />

the Gladiators." He first joined the ranks<br />

of 20th-Fox writers in 1936, when Darryl F.<br />

Zanuck signed him to a long-term contract<br />

and has been with the company ever since<br />

except for a four-year war period, when he<br />

was chief of motion picture production, Office<br />

of War Information Overseas Branch. Dunne<br />

first entered the film business in 1931 when<br />

he served with the old Fox Film Co. until<br />

1933. He then wrote for the screen at Universal,<br />

United Artists and MGM for three<br />

years.<br />

"Prince of Players," from the best-selling<br />

novel about Edwin Booth by Eleanor Ruggles,<br />

took 31 days to shoot and was made at a<br />

cost of only $1.500.000—not a high budget<br />

in these days of $3-$4.000,000 pictures, Dunne<br />

said. A $700.000-$800.000 cost is "the absolute<br />

minimum" for any feature produced on a<br />

major lot these days, according to Dunne.<br />

Following "Pi'ince of Players," Dunne will<br />

direct and produce another best-selling book,<br />

"Katharine," and then will write and probably<br />

direct "The View Fi'om Pompey's Head,"<br />

now No. 1 on the best-seller list. For "Katharine,"<br />

for which he hopes to cast Richard<br />

Burton as John of Gaunt, he will film some<br />

scenes in Scotland and Ireland. For "Pompey's<br />

Head," Dunne hopes to get Gregory<br />

Peck for the male lead.<br />

Dunne is here until Monday (10) to promote<br />

"Prince of Players" on radio and TV<br />

prior to the picture's opening at the Rivoli<br />

January 11. He is also seeing the new<br />

Broadway plays to look over acting talent for<br />

his forthcoming pictures. Casting Maggie<br />

McNamara in "Prince of Players," in which<br />

she plays several Shakespearean roles, was a<br />

departure from standard casting and one of<br />

the technical innovations in the picture was<br />

using more surround horns than usual, he<br />

said.<br />

lA<br />

PICTURES ANNOUNCES THAT PRINTS OF THE FOLLOWING<br />

; ARE NOW AVAILABLE IN OUR EXCHANGES FOR SCREENING<br />

ID<br />

BARBARA STANWYCK<br />

ARD G. ROBINSON<br />

Brian May Warner<br />

i( by HARRY KLEINER • Based upon a novel bj Donald Hamilton<br />

ited b( LEWIS ). RACHMIL • Oirecied b( RUDOLPH MATE<br />

SCOPE<br />

Color by TECHNICOLOR<br />

»«<br />

Randolph Scott<br />

l^fi Hfiiiilei LlN^ii<br />

with<br />

JOCELYN BRANDO • RICHARD BOONE<br />

SKIP HOMEIER • DONNA MARTELL • ALFONSO BEDOYA<br />

Screen Play by KENNETH GAMET<br />

A SCOTT-BROWN PRODUCTION • Produced by HARRY JOE BROWN<br />

Directed by BRUCE HUMBERSTONE<br />

color by<br />

TECHNICOLOR<br />

iff<br />

MENS Prison<br />

.UPINO JAN STERLING • • CLEO MOORE<br />

lEY TOHER PHYLLIS THAXTER<br />

•<br />

and<br />

HOWARD DUFF<br />

KILBUR and JACK OcWin • Produced bj BRYAN FOr • Oireded b» LEWIS StILER<br />

color by<br />

TECHNICOLOR<br />

-PAUL HENREID • PATRICIA MEDINA<br />

story and Scre«n Play by AU£N MARCH • Produced by SAM KATZMAN • Directed by FELIX FEIST<br />

nuary 8, 1955 27


. . Walter<br />

. . Vera<br />

'i^oCl^tMod ^eftont<br />

By<br />

IVAN SPEAR<br />

Joe Newman Schedules<br />

Two Sabre Features<br />

Here and there In the Holly woodlands:<br />

Megaphonist Joe Newman, w'ho recently completed<br />

the Jack Palance-Barbara Rush vehicle,<br />

"Kiss of Fire," for Universal-International, is<br />

supervising final editing of the film, following<br />

which he'll check in at Sabre Productions, in<br />

which his partner is Vic Orsatti, to ready<br />

"The Hong Kong Story" and "Mister Tex"<br />

for 1955 lensing ... In a co-production arrangement<br />

with Arthur Brauner, German<br />

. . .<br />

filmmaker. Gottfried Reinhardt will shoot<br />

"Before Sunset." based on a play by Gerhart<br />

Hauptman. at Brauner's studio in Berlin.<br />

Reinhardt. who also has "Rosalinda" and<br />

"The Tower of Ivory" on his independent<br />

docket, inked Hans Albers. German actor,<br />

for one of the top roles in "Sunset"<br />

Screencraft Productions, preparing a slate of<br />

commercial and theatrical shorts, has contracted<br />

for the use of the Vistarama anamorphic<br />

lens.<br />

Use of Musicians for Films<br />

Seen Greater Than Ever<br />

Entertainment on film, involving the use<br />

of music, has become "big business." Johnny<br />

Green, general music director at MGM and<br />

a vice-president of the Academy of Motion<br />

Picture Arts and Sciences, asserted at an<br />

annual seminar of the National Ass'n of<br />

NBC Signs Six-Year Deal<br />

For Oscar Award Rights<br />

If further proof were needed that the<br />

industry is veering more and more to the<br />

"if-you-can't-Iick-'em-jine-'em" theory as<br />

concerns television competition, such was<br />

supplied in the disclosure that the Academy<br />

of Motion Picture Arts and Sciences<br />

has inked a six-year deal whereby the<br />

National Broadcasting Co. snags exclusive<br />

radio and TV rights to the Academy's annual<br />

glamorfest, the Oscar presentation<br />

ceremonies.<br />

Announced jointly by Charles Brackett,<br />

Academy president, and Fred Wile jr.,<br />

NBC vice-president in charge of Hollywood<br />

network program, the contract involves<br />

big money—a minimum of $1,050,-<br />

000 plus options that could boost it to<br />

$1,300,000. NBC has telecast the yearly<br />

Awards event from the Pantages Theatre<br />

here for the past two years.<br />

Brackett said the Academy considered<br />

the deal "the most important public relations<br />

step ever taken" by the film trade.<br />

The first broadcast and telecast is slated<br />

for February 12. when—for the first time<br />

in Academy history—nominations announcements<br />

will be covered by NBC.<br />

After the upcoming awards ceremonies,<br />

the Academy will have the right of first<br />

refusal as concerns sponsor.ship. the<br />

forthcoming event already having been<br />

.set for bank rolling by Oldsmobile. which<br />

picked up the tab last year.<br />

Schools of Music, which yearend affair was<br />

held at the Academy Theatre.<br />

Because of the needs of both theatrical<br />

motion pictures and television, the demand<br />

for creative musicians in Hollywood is greater<br />

today than ever before. Green declared, and<br />

is increasing at an accelerated rate.<br />

He introduced five screen composers—David<br />

Raskin, George Antheil, Boris Kremenliev,<br />

George Duning and Miklos Rozsa—and unreeled<br />

excerpts from some of the motion<br />

picture background scores they have written,<br />

as well as those cleffed by Franz Waxman,<br />

Leonard Bernstein and Alfred Newman.<br />

Shah of Iran Commends<br />

American Film Trade<br />

During his recent whirlwind tour of the<br />

southland, the shah of Iran—hosted by the<br />

Ass'n of Motion Picture Producers at a<br />

luncheon at Paramount—took time out to<br />

say a few words in praise of Hollywood and<br />

the motion picture industry. The United<br />

Nations and the American film trade, said<br />

the potentate, are the major factors helping<br />

to keep peace "in our kind of civilization" and<br />

aiding in the furtherance of international<br />

understanding.<br />

"Films can have a direct appeal to all the<br />

people of the world." added the visiting dignitary,<br />

and can "bring moments of happiness,<br />

joy, relaxation and moments of education<br />

in the field of history, music, arts."<br />

y. Frank Freeman. AMPP board chairman<br />

and Paramount vice-president, acted as the<br />

industry's host in welcoming the shah and<br />

his empress to Hollywood. Cecil B. DeMille<br />

also spoke, citing the dramatic contributions<br />

that Iran has made to the history of the<br />

world. In addition to Iranian dignitaries and<br />

U. S. government officials, the luncheon was<br />

attended by film notables including George<br />

Murphy. Maureen O'Hara. Tony Curtis,<br />

Yvonne De Carlo, Charlton Heston, Walter<br />

Pidgeon, Barbara Stanwyck, Clifton Webb,<br />

Maurice Benjamin. Charles Boren. Richard<br />

Breen. Gloria DeHaven, E. L. DePatie. Arthur<br />

Freed. Howard McDonell. Fred S. Mayer.<br />

Geoffrey Shurlock and Morris Weiner.<br />

Score for 'An'ything Goes'<br />

To Be Used in Entirety<br />

Short takes fr^m the sound stages: The<br />

score which Cole Porter wrote for his Broadway<br />

hit of two decades ago, "Anything Goes."<br />

will be used in its entirety in Paramount's<br />

Vista Vision film version thereof—including, of<br />

course, the title tune as well as such standards<br />

as "I Get a Kick Out of You." "You're<br />

the Top." "All Through the Night" and "Blow.<br />

Gabriel. Blow." With Robert Emmett Dolan<br />

producing, the opus will star Bing Crosby.<br />

Donald O'Connor and Jeanmaire . . . Edward<br />

L. Alper.son, president of National Pictures,<br />

set Richard D. Spierman as vice-president in<br />

charge of the company's activities in England<br />

and on the continent. A veteran in the international<br />

field. Spierman has left for London<br />

to establish headquarters after conferring<br />

with Alper.son here. Upcoming under the<br />

National banner is "Magnificent Matador."<br />

lensed in Mexico in Cinemascope, which 20th<br />

Century-Fox will release.<br />

DIVE-IN PREMIERE—Lori Nelson,<br />

co-stars with Jane Russell. Gilbert<br />

and and Richard Egan in RKO Ra<br />

"Underwater!" receives her swim-fins<br />

water goggles from Willard Voit, of<br />

Voit Rubber Co,, in preparation for<br />

picture's Monday (10) world premiei<br />

Silver Springs, Fla. There the film<br />

be projected ten feet beneath the sui<br />

of the water for the edification of<br />

planeloads of stars, celebrities and<br />

press, flown from Hollywood and<br />

York for the event.<br />

Samuel Goldwyn Jr.<br />

Scripters for Two Films<br />

Assigr<br />

Shifting into high gear on the threeprogram<br />

he is charting for the year, i<br />

Goldwyn jr. made writing assignmei<br />

two of the trio of subjects. Jo and<br />

Napoleon, husband-and-wife scrivening<br />

will script "The Dancing Detective," I<br />

short story by Cornell Woolrich, while<br />

Petracca is at work on "Linnett Moore.'<br />

on an original by James Edward Gran<br />

Napoleons also wrote the original sere<br />

for "The Sharkfighters." which young<br />

wyn plans to send before the came<br />

March for United Artists release . .<br />

L. Lasky. who has had the property in<br />

aration for several years, booked Claud<br />

.<br />

yon to script "The Big Brass Band,"<br />

ramie musical to star Frank Sinatra<br />

his sixth straight assignment on the "I<br />

mule" series, Arthur Lubin will meg<br />

"The Navy Gets Francis" . . . "Jail B<br />

juvenile delinquency subject which Sam<br />

man is readying for Columbia, will be d<br />

by Fi'ed Sears.<br />

Gene Tierney to<br />

Co-Star<br />

With Humphrey Bogart<br />

Among the more-important casting r<br />

gleaned as 1954 faded into oblivion w<br />

setting of Gene Tierney to co-star<br />

Humphrey Bogart in 20th Century-Fox'<br />

Left Hand of God" . MUes w'ill<br />

the femme heart interest in Allied t<br />

CinemaScoper. "Wichita." starring Jot<br />

Crea . Abel. Kenneth Tobe<br />

Perry Lopez drew top roles in Warners'<br />

drama. "I Died a Thousand Times"<br />

Singer-actor Ray Middleton. under mii<br />

picture contract to Republic, will sha<br />

.<br />

which Van Heflin and Joan Woodwart<br />

stellar honors with John Payne. Mona<br />

man and Lee J. Cobb in that studio's<br />

From Texas" . . Phil Carey. Columbia<br />

ing man, goes into "The Calico Ponj<br />

previously set.<br />

28 BOXOFFICE :: January


; scheduled<br />

,<br />

Oklahoma<br />

^wood Stars Due<br />

IJelebration<br />

letro-Goldwyn-Mayer Holies<br />

will help exhibitors to<br />

GM's 1955 Motion Picture<br />

ion." Howard Dietz. vicege<br />

of advertising, publicity<br />

and Howard Strickling and<br />

affs on both coasts have<br />

irge Murphy, MGM studio<br />

nead, and George Sidney,<br />

;ar January 18 in Phila-<br />

M will salute William Goldlicates<br />

his nickelodeon muilliams<br />

will also be there<br />

her husband.<br />

to arrive in New<br />

en route to New Haven for<br />

Many River.s to Cross," in<br />

t Loew's Poli Theatre. He<br />

ton and other New England<br />

[ew York he will appear on<br />

le interviews.<br />

vho plays in "Bad Day at<br />

1 arrive here Friday (14)<br />

then go to Kingston, N. Y.,<br />

if the picture the next day<br />

:'s redecorated Community<br />

iterviews in New York will<br />

1 he will go to Philadelphia<br />

te to Goldman. Grace Kelly<br />

Gower Champion are also<br />

k it was decided to launch<br />

on in the southwest at the<br />

3f the managers of Video<br />

18 at Oklahoma City, with<br />

!ctor of customer relations:<br />

uthern sales manager, and<br />

City manager,<br />

M. Cliff White jr. is in<br />

ements for Video. Simons<br />

g MGM product. No Hollywere<br />

scheduled to attend.<br />

fear Bank Loan<br />

Allied Artists<br />

-Allied Artists ha.< signed a<br />

n agreement, expiring Jan.<br />

lecurity-First National bank<br />

rticipated in by the Bankers<br />

York, it was disclosed Mon-<br />

Broidy, AA president, and<br />

vs, executive vice-president<br />

16 agreement provides for a<br />

h a maximum of $1,750,000,<br />

mtees of up to $500,000 covis<br />

to producers releasing<br />

previous loan arrangement<br />

janks had a maximum of<br />

rrows also announced that<br />

ember 26 a loan agreement<br />

th DeLuxe Laboratories of<br />

which DeLuxe is lending<br />

cipal being payable over a<br />

in annual installments of<br />

nith Joins Staff<br />

ancaster<br />

-Terminating a year's aslecutive<br />

and producer with<br />

1 company. Bernard Smith<br />

y the Hecht-Lancaster orexecutive<br />

assistant, beginties<br />

Saturday (15). Smith<br />

;ory editor and producer at<br />

Symbol of<br />

viffilance<br />

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the security of the United States, and the Federal<br />

Bank Examiner to banking— Willmark Service<br />

has become equally as essential to the financial<br />

security of business.<br />

Since 1917, Willmark has been an active<br />

moral force in preventing cash irregularities and<br />

manipulations in thousands of businesses throughout<br />

the nation. The millions of dollars in annual<br />

savings that Willmark makes possible for American<br />

business, testify to Willmark's intrinsic worth as<br />

an indispensable part of modern business today.<br />

II<br />

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250 West 57 Street, New York 19,N.Y.<br />

A Nation-Wide Service Available in Every City and Town in the United States<br />

muary 8, 1955 29


McElroy and Harrison Buy<br />

Don George Theatres<br />

SHREVEPORT, LA.—One of the biggest<br />

theatre deals here in several years was transacted<br />

Fi-iday (31i with the sale of the last<br />

four theatres of the Don George Chain for a<br />

sum "in excess of a half-million dollars."<br />

They were purchased by Thomas L. Mc-<br />

Elroy, president of the McElroy theatres, and<br />

O. D. Harrison, local hotel operator and head<br />

of a wholesale tobacco company.<br />

The theatres are the Don, located in downtown<br />

Shreveport: the Venus, a Shreveport<br />

neighborhood theatre; the Davis, located in<br />

downtown Bossier City across Red River from<br />

Shreveport, and the Don Drive-In, located on<br />

the Minden road on the outskirts of Bossier<br />

City.<br />

George, president of the Don George, Inc.,<br />

formerly owned theatres not only in Shreveport<br />

and Bossier City, but in Alexandria,<br />

Natchitoches and Ville Platte, La. The last<br />

of the out-of-town theatres, the Don in<br />

Alexandria, was sold to Jimmy Thompson<br />

about a month ago.<br />

"I have been in the theatre business for a<br />

long time and hate to leave it." George said,<br />

"but other interests of mine have become too<br />

demanding of my time."<br />

George explained that his major Interest is<br />

in the television field. He is president of the<br />

Interim Television Corp., a group composed<br />

of the three companies operating television<br />

station KSLA until one of the firms is<br />

awarded exclusive rights to channel 12.<br />

The sale by George to McElroy of his last<br />

four theatres will provide the latter with his<br />

first downtown theatres. McElroy's present<br />

chain of local theatres—the Broadmoor,<br />

Glenwood, Centenary and Rex—are all neighborhood<br />

theatres. McElroy also owns the<br />

Gem Theatre in Monroe.<br />

McElroy and Harrison indicated they will<br />

probably form a new corporation in connection<br />

with the former George Theatres.<br />

McElroy Theatres, however, would be the<br />

operating company for the corporation.<br />

General operation of the theatres acquired<br />

from George will continue as it was conducted<br />

under George, McElroy said. The theatres<br />

also will continue under their present names,<br />

he said.<br />

Managers and other top personnel for the<br />

George Theatres under McElroy's leadership,<br />

however, will be provided from McElroy's<br />

present personnel. The lone exception will be<br />

the present manager of the Don Drive-In<br />

who will be retained in that position, Mc-<br />

Elroy said.<br />

Tom Dunn, McElroy's assistant in charge<br />

of the Rex, Centenary and Glenwood. is the<br />

new manager of the downtown Don Theatre.<br />

George's first theatre, the Glenwood. was<br />

built in 1934. He then acquired or opened in<br />

turn, the Davis, 1941; Don, 1947, and Don<br />

Drive-In, 1950.<br />

McElroy, beginning with the Broadmoor in<br />

1947, acquired the Centenary, Rex and Glenwood<br />

in 1950.<br />

While McElroy will operate the new theatres<br />

acquired from George, Harrison—his<br />

partner—will own the real estate. Harrison<br />

has been associated with McElroy in his various<br />

theatrical enterprises since 1947 when<br />

the Broadmoor, the first of the McElroy<br />

chain, was opened.<br />

N. J. Drive-ins Promote<br />

Safe Holiday Driving<br />

NETW YORK—New Jersey drive-ins carried<br />

safety messages on their marquees for the<br />

holiday period and New Year's Eve at the<br />

request of Gov. Robert Mejnier. The messages<br />

read: "Please drive carefully over the holiday.<br />

We need our customers when we reopen<br />

in the spring."<br />

The governor's request was relayed to the<br />

theatres through Walter Reade, president of<br />

Walter Reade Theatres. His four closed<br />

drive-ins posted the message, and a suitable<br />

message was posted by his Eatontown and<br />

Atlantic drive-ins which have heaters and<br />

operate all year. In all, about 30 drive-ins<br />

complied with the governor's request.<br />

CALENDARS EVEN<br />

JANUARY<br />

S M T W T F S<br />

1<br />

2 3 4 5 6 7 8<br />

9 10 11 12 13 14 15<br />

16 17 18 19 20 21 22<br />

23 24 25 26 27 28 29<br />

30 31


I trial<br />

I was<br />

'<br />

acquired<br />

; to Darnell<br />

! Chain<br />

Case<br />

; government this week<br />

nd in Geneva, acquired for<br />

J drive-in theatre, in its<br />

;hine Chain Theatres, Inc.,<br />

with a 1949 anti-trust de-<br />

reopened in U. S,<br />

ly, following a holiday reattorney<br />

Lewi.s Bernstein<br />

acquii'ed to build a<br />

1 defiance of the order proam<br />

acquiring more theatres,<br />

into the record various<br />

ions involving Darnell Thethe<br />

government contends<br />

trine interests to continue<br />

Schine chain. In respon.se<br />

Judge John Knight, Bern-<br />

3 seeks to prove there was<br />

igth transaction" when the<br />

a Schine subsidiary, disheatres<br />

to Darnell,<br />

y (outlawed in the 1949<br />

;mplated to be continued,"<br />

1 "The sale by Hildemart<br />

3t legitimate."<br />

11, former secretary of Darirnell<br />

rented the Geneva<br />

Pikeville Theatre Corp., a<br />

from Hildemart.<br />

the negative when asked<br />

lid in cash. Bernstein then<br />

rental was "not an actual<br />

to offset the debt of Dar-<br />

Pikeville contracted in the<br />

Idemart."<br />

this, along with the debts<br />

akkeeping entries." showed<br />

ued tie of Darnell to Schine<br />

lited Darnell with $151,000<br />

ubsidiaries in the $193,000<br />

;tein told the comt. "The<br />

luidated by cash, but by<br />

es dictated by Forrest E.<br />

ountant to Schine. Darnell<br />

1 Schine subsidiaries."<br />

ey Fi-ank G. Raichle. jr.<br />

?cted to questioning ba.sed<br />

:ial<br />

records.<br />

ik for themselves," Raichle<br />

necessary to go through all<br />

tipulate the books' contents<br />

icity is concerned."<br />

Exhibitors Fear Toll TV,<br />

Zenith Head Charges<br />

CHICAGO—Commdr. E. F. McDonald jr.,<br />

president of Zenith Radio Corp., charged that<br />

several groups of motion picture theatre<br />

owners are attempting to delay the coming<br />

of subscription TV. because they know it will<br />

be a competitor capable of delivering new<br />

motion pictm-es and other boxoffice entertainment<br />

to the public more efficiently and<br />

much more economically than is now po.ssible.<br />

McDonald had reference to the opposition<br />

filed Thursday (6i with the Federal Communications<br />

Commission by six organized groups<br />

of theatre owners opposing Zenith's request<br />

for immediate authorization of .subscription<br />

TV, and requesting full-blown hearings on<br />

the subject. His remarks were addressed to a<br />

national convention of Zenith wholesale distributors<br />

at the Shoreland Hotel.<br />

McDonald revealed that a number of motion<br />

picture theatre owners have already applied<br />

to Zenith for franchises to operate Phonevision<br />

in their localities, when and if it is<br />

approved by the FCC.<br />

"The far-sighted action of these individual<br />

theatre owners is in striking contrast to the<br />

obstructive efforts of the organized groups,"<br />

he said. "They have recognized Phonevision's<br />

tremendous potential value and are anxious to<br />

secure franchises for their localities. Even<br />

though we cannot grant them at this time,<br />

w-e welcome these applications, because we<br />

realize that successful operation of Phonevision<br />

will require the talents of men who are<br />

experienced in showmanship and who know<br />

the entertainment preferences in their localities."<br />

McDonald said that the only oppasition<br />

Zenith has heard to its proposal that subscription<br />

television be authorized immediately<br />

has come from the groups of theatre owners<br />

and from some television broadcast interests<br />

which now enjoy an absolute or near monopoly<br />

of telecasting in certain areas.<br />

"What these people are trying to do," Mc-<br />

Donald said, "is stifle a competitor which<br />

will be able to distribute education and<br />

entertainment more efficiently and economically<br />

than they. If somebody invented a<br />

method of delivering goods from any place in<br />

the country directly to one's home at less<br />

than a third of today's cost, it is a cinch<br />

that Congress and the Department of Justice<br />

would not let opposition from present transportation<br />

companies stop the coming of this<br />

new service."<br />

McDonald said that subscription television<br />

is merely a new means of distributing entertainment<br />

and education, that it can be delivered<br />

at le.ss than one-third the present<br />

price for entertainment, with the added convenience<br />

of coming directly into the home so<br />

that customers will not have to go to the<br />

theatre to get it.<br />

"Tills does not mean," he said, "that sub-<br />

.scription TV will kill the movie theatre any<br />

more than movies killed the legitimate stage,<br />

or than radio and TV killed the newspaper<br />

business. It will hurt some small theatres,<br />

just as every new business development hurts<br />

somebody, but that is all. No amount of home<br />

entertainment will satisfy the urge to get<br />

outside the home for an occasional fling.<br />

There will always be people who prefer seeing<br />

good movies and grand opera in the<br />

theatre, even though it will cost many times<br />

as much to see them in the theatre as at<br />

home.<br />

"To a large extent, subscription television<br />

will be making new customers for entertainment,<br />

which will not only be a bonanza for<br />

jjroducers and performers, but will also make<br />

new customers for theatres. Consider the<br />

spectacular success of Liberace as a theatrical<br />

drawing card after he was made<br />

famous by television."<br />

McDonald said it was to the everlasting<br />

credit of the television industry that there<br />

had been no attempt made to gang up on<br />

theatre television, and questioned the legality<br />

of such a move.<br />

"Some years ago," he stated, "many socalled<br />

four-wall theatres were in bitter opposition<br />

to drive-ins. Some ganged up on their<br />

new competitor, and eventually paid over<br />

millions of dollars in antitrust damages."<br />

.ppoints Hiatt<br />

MPEA Post<br />

mos Hiatt has been named<br />

o the treasurer of the Mort<br />

Ass'n to handle foreign<br />

impensation arrangements,<br />

president, reported<br />

i as assistant controller of<br />

rid Airways and as regional<br />

middle and far east of<br />

Hotels Corp., and he renan<br />

of the financial comt€rnational<br />

Air Transport<br />

ound includes the position<br />

:.KO-Pathe companies. He<br />

;d with the late Frederick<br />

an Films. He took part in<br />

distribution and wrote a<br />

:t for the Harvard Business<br />

if Iowa City, he was graduversity<br />

of Washington.<br />

PLANNING V-l WORLDWIDE DRIVE—Americo Aboaf (seated center), foreign<br />

general manager of Universal Pictures, sets final plans for the 1955 worldwide .Alfred<br />

E. Daff Drive with the company's foreign distribution executives. Left to right, they<br />

are: Josephine Griffin of the home office statistical department; Ben M, Cohen,<br />

assLstant foreign general manager and captain of the drive; Joseph Mazer, 16mm<br />

sales head; .Aboaf; Fortunat Baronat, foreign publicity director; Jack Dobbin, assistant<br />

to Felix Sommer, I'-I foreign finance executive; Felix Somer and Irving Weiss, foreign<br />

service manager.<br />

nuary 8, 1955 31


—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

Smash New Year's Weekend Business<br />

Boosts B'way; Music Hall Again Big<br />

NEW YORK—With smash business on New<br />

Year's Day and Sunday (2), the majority of<br />

Broadway fust run houses had excellent<br />

holdover weeks for the big pictures which<br />

opened just before Christmas although, of<br />

course, they were down from the terrific<br />

Christmas-New Year's school holidays period.<br />

Not a single new picture opened during the<br />

first week in January, the first time in a year<br />

that even the weekly-change Palace Theatre<br />

held over its feature—this time "Black Tuesday."<br />

Still leading the entire New York field was<br />

"Deep in My Heart" and the annual Radio<br />

City Music Hall "Nativity" stage pageant,<br />

in a fourth week which almost equaled the<br />

terrific third stanza. Right behind it were<br />

"20,000 Leagues Under the Sea." in its second<br />

smash week at the Astor, and "The Country<br />

Girl," which reported the biggest third week<br />

in the history of the Criterion Theatre.<br />

Excellent holdover weeks were reported for<br />

"Vera Cruz" at the Capitol and "Three Ring<br />

Circus" at Loew's State while "There's No<br />

Business Like Show Business" had a big<br />

third week at the Roxy. "The Silver Chalice"<br />

at the Paramount. "Green P^e" at the Mayfair<br />

and "Athena" at the Globe were down<br />

from the big opening weeks.<br />

The one new film, "Animal Farm." which<br />

opened before New Year's, had a good opening<br />

week at the Paris. Other art house fare<br />

that did big holdover business included<br />

"Romeo and Juliet," in its second week at<br />

the Sutton: "The Game of Love." in its third<br />

week at the Baronet; "Gate of Hell," in its<br />

third week at the Guild, and "Aida," which<br />

had a smash eighth week—above the preceding<br />

holiday week, at the Little Carnegie<br />

Theatre. "Tonight's the Night," in its second<br />

week at the Trans-Lux 52nd Street, and<br />

"The Belles of St. Trinian's." in its second<br />

week at the Plaza, also held up well but<br />

"Hunters of the Deep" was down in its third<br />

and final week at the Trans-Lux 60th Street<br />

Theatre. "This Is Cinerama," in its 82nd week<br />

of two-a-day at the Warner Theatre, has<br />

announced its last weeks.<br />

'Average Is 100)<br />

Astor 20,000 Leagues Under the Sea (Bueno<br />

Visfa), 2nd wk 1 75<br />

Baronet The Gome of Love (Times), 3rd v^k 120<br />

Capitol Vera Cruz ;UA), 2nd wk 160<br />

Criterion The Country Girl iPara), 3rd wk 190<br />

Fifth Avenue Hall of Fame Silent Film Festival<br />

(Ass'd Artists), 2nd wk 110<br />

55fh Street ^solden Age of Cinema Festivol<br />

(Brondon), 3rd wk 115<br />

Fine Arts The Detective (Col), 9th wk 115<br />

Globe Athena (MGM), 2nd wk 110<br />

Guild Gate of Hell fH&D), 3rd wk 150<br />

Little Carnegie Aida (IFE), 8th wk 160<br />

Loew's State Three Ring Circus (Para), 2nd wk. .170<br />

Moyfair Green Fire MGM), 2nd wk 125<br />

Normandie The Big Doy (H&D), 3rd wk., return<br />

run 115<br />

Palace Black Tuesday lUA), plus vaudeville .... 1 25<br />

Paramount The Silver Chalice (WB), 2nd wk....l20<br />

Paris Animal Form ;de Rochemonf) 1 30<br />

Plozo The Belles of St. Trinian's (Ass'd Artists),<br />

2nd wk 1 20<br />

you CAN ALWAYS DEPEND ON<br />

FOR THE BEST<br />

SPECIAL<br />

Radio City Music Hall Deep in My Heort (MGM),<br />

plus stage show, 4th wk 200<br />

Rivoli Carmen Jones (20th-Fox), I 0th wk 110<br />

Roxy There's No Business Like Show Business<br />

(20th-Fox), 3rd wk 150<br />

68th Street Fuss Over Feathers (Ass'd Artists),<br />

2nd wk 105<br />

Sutton Romeo and Juliet (UA), 2nd wk 160<br />

Trons-Lux 52nd Tonight's the Night (AA),<br />

2nd wk 120<br />

Trons-Lux 60th ^Hunters of the Deep IDCA),<br />

3rd wk 100<br />

Victoria A Stor Is Born (WB), 12th wk 125<br />

Warner This Is Cineroma (SW), 82nd wk 140<br />

World Sunderin (Prod. Rep.), 2nd wk 110<br />

"Leagues' Continues Hot Pace<br />

At Buffalo Century<br />

BUFFALO—"20,000 Leagues Under the Sea"<br />

continued to be an amazing twxoffice magnet<br />

at the Centiu'y, where it ended a second<br />

week with a handsome 280 and went into a<br />

third stanza. Shea's Buffalo also clicked with<br />

"There's No Business Like Show Business."<br />

"Three Ring Circus" held so well for two<br />

weeks in the Paramount that it was held<br />

three extra days. The Center held "The<br />

Silver Chalice" for a third week. "Sign of<br />

the Pagan" jumped off well in the Lafayette.<br />

Buffalo There's No Business Like Show Business<br />

(20th-Fox), 2nd wk 180<br />

Center The Silver Chalice (WB), 2nd wk 150<br />

Century 20,000 Leogues Under the Sea (BV),<br />

2nd wk 280<br />

Cinema Bread, Love and Dreams (IFE), 2nd wk..llO<br />

Lafayette Sign of the Pagan (U-l) 180<br />

Paramount Three Ring Circus (Pora), 2nd wk.,.165<br />

Teck A Womon's Face MGM), Dr. Jekyll ond Mr.<br />

Hyde MGM) 125<br />

'Show Business' Tops<br />

In Pittsburgh<br />

PITTSBURGH — Top attraction was<br />

"There's No Business Like Show Business"<br />

at the Harris Theatre, "Deep in My Heart"<br />

got off slowly but picked up to 35 per cent<br />

above average on the boxoffice barometer at<br />

the end of the first week in the Penn Theatre.<br />

Stanley Theatre offered "Hansel and<br />

Gretel" and "This Is Your Army." but very<br />

poor attendance forced this program off the<br />

screen. Later, "Hansel and Gretel" was returned<br />

to the Stanley for two special kiddy<br />

morning exhibitions. Schools had issued dLscount<br />

tickets, good for one week, and the<br />

youngsters and their parents protested removal<br />

of the picture; therefore, the special<br />

showings were arranged.<br />

Fulton Carmen Jones (20th-Fox) 115<br />

Harris There's No Business Like Show Business<br />

(20th-Fox) 160<br />

Penn Deep in My Heart (MGM) 1 35<br />

Stanley Hansel and Gretel (RKO), This Is Your<br />

Army (USA) 50<br />

Warner This Is Cinerama (Cinerama), 55th wk.. .115<br />

It's<br />

'Show Business,'<br />

'Leagues' at Baltimore<br />

BALTIMORE—The combination of holiday<br />

atti-actions, holiday prices and extra midnight<br />

shows helped boost gi-osses. The biggest business,<br />

however, was garnered by "20,000<br />

Leagues Under the Sea" and "There's No<br />

Business Like Show Business." Although the<br />

holiday crowds were substantial, they were<br />

not entirely up to some of the first run<br />

managers' expectations.<br />

Century Deep in My Heart (MGM), 2nd wk 100<br />

Film Centre The Detective (Col), 2nd wk 100<br />

Hippodrome 20,000 Leogues Under the Sea (BV),<br />

2nd wk 180<br />

Keiths Three Ring Circus (Para), 2nd wk 150<br />

Little Aida (IFE), 2nd wk 90<br />

Moyfair Hansel and Gretel (RKO), 2nd wk 90<br />

New—Desiree ;20th-Fox), 2nd wk 130<br />

Ployhouse Rear Window (Para), 11th wk 90<br />

Stanley The Silver Chalice (WB), 2nd wk 100<br />

Town There's No Business Like Show Business<br />

(20th-Fox), 2nd wk 1 70<br />

SCROLL MARKS A LONG RUN-<br />

F. Seadler, MGM advertising mai<br />

(right), makes presentation to ]<br />

Brandt, head of Trans-Lux Theatn<br />

recognition of 95-week engagemei<br />

"Lili" at the 5'Znd Street Theatre,<br />

Jinx Falkenberg >rcCrary looks on.<br />

Palace Holds UA Picti<br />

First Time in bVi Years<br />

NEW YORK—The RKO Palace, a<br />

change film and vaudeville theatre<br />

May 1949, held over a picture for tl<br />

time in its five and one-half years of<br />

tion when "Black Tuesday," United<br />

feature, started a second week Frid<br />

The vaudeville bill was changed, hov<br />

"The Green Scarf," an Associated<br />

release, made in England with Michai<br />

grave. Ann Todd and Leo Genn starr<br />

open at the Palace January 14. J<br />

British-made film, "The Beachcombe<br />

tributed by United Ai-tists with Rober<br />

ton and Glynis Johns starred, will c<br />

the Normandie Theatre January 15.<br />

Seat-Tipper Is Capturei<br />

In New York's Capitol<br />

NEW YORK—A woman detective i<br />

a male "seat-tipper" Sunday (2)<br />

at Ui<br />

itol Theatre after firing one shot ii<br />

floor of the orchestra, but with "Vers<br />

on the screen featuring a lot of gun<br />

the time, few in the audience knew ai<br />

was amiss. A seat-tipper is a thief w<br />

behiiid women in theatres, watches fo<br />

to place a handbag on a seat and th<br />

the seat and loots the bag.<br />

'Americano' NY Date S<br />

NEW YORK—The RKO-Robert S<br />

production of "The Americano," in '<br />

color, staiTing Glenn Ford, Ursula<br />

Cesar Romero and Frank Lovejoy, wi<br />

at the Mayfair Theatre January 19,<br />

ing a three-week run for MGM's<br />

Fn-e." in CinemaScope. Howard Hughe<br />

derwater!" in SuperScope, starring Jar<br />

sell, will open at the same theatre i<br />

ruary.<br />

Ardee Handles French Film<br />

NEW YORK—The newly formed<br />

Films. Inc., operated by Richard Da\<br />

distribute "Holiday for Henrietta,"<br />

feature produced by Julien Duvivier,<br />

U. S. The picture, which stars Dany<br />

HUdegarde Neff and Michel Auclai<br />

open at the Fine Arts Theatre, follow:<br />

current run of "The Detective."<br />

32 BOXOFFICE :: January


1 Asks Study<br />

^ Tax Issue<br />

—<br />

Averell Harriman, in his<br />

slature Wednesday, recomof<br />

a statute establishing a<br />

t members—one each to be<br />

assembly speaker, and the<br />

ider, three by the mayor of<br />

d three by the governor<br />

financial relations with<br />

y's<br />

Many New Taxes in Sight<br />

For New York Exhibitors<br />

^<br />

:or many years there has<br />

)ion as to whether or not<br />

!ing treated fairly by the<br />

to taxing powers and state<br />

nocratic governor said in<br />

e state-local relationships<br />

fork, with its eight million<br />

tutes a very special problation,<br />

which climaxed a<br />

h Harriman urged greater<br />

y to the localities of the<br />

anentizing of taxing powers<br />

"as far as practicable,"<br />

he death of the movement<br />

1947 enabling act. which<br />

'ork City to levy a 5 per<br />

ax (other cities and all<br />

owered to do likewise). At<br />

Y did so for 1955. The re-<br />

:ommission is awaited beife<br />

ends February 15.<br />

iman's message, which<br />

e of deep concern" about<br />

1 of the state government,<br />

le bad news for the motion<br />

He recommended that<br />

)r men be approached "diin<br />

"round about" as now,<br />

hildren's rates: that wage<br />

be "revitalized" and the<br />

1 "reflect as realistically as<br />

ist.s to maintain a standard<br />

if our American tradition."<br />

ne after taking account of<br />

iditions in the industries<br />

lis plea for a national mini-<br />

!5 hourly. Governor Harrin<br />

minimum wage schedules<br />

ate hikes for smaller-paid<br />

light be in the offing. He<br />

es in unemployment, work-<br />

)n and disability insurance.<br />

igs Postponed<br />

ctady Houses<br />

eree Hyman W. Sevits,<br />

ney. adjourned to January<br />

)n actions by owners and<br />

lenectady downtown houses,<br />

mated $2,742,000 over assess-<br />

; than a dozen years.<br />

by the W. W. Parley estate<br />

Farley, his Albany realtorthe<br />

building containing the<br />

eatres, covers 1936 and 1942<br />

e Fabian Operating Corp.<br />

f Co.. .seeks refunds taxes<br />

s and Plaza, covers 1942<br />

pia took over Proctor's and<br />

; both: also the State and<br />

)ol F\irley interests).


. . . Frank<br />

. . Jerry<br />

. . Charles<br />

BROADWAY<br />

^harles C. Moskowitz, vice-president and<br />

. . .<br />

treasurer of Loew's, Inc., planed to the<br />

Leo F. Samuels, president and general<br />

coast . . .<br />

sales manager of Buena Vista Film Distribution<br />

Co.; Charles Levy, publicity director, and<br />

James O'Gara, special representative, left for<br />

Canada for talks with Empire-Universal officials<br />

on distribution of "20,000 Leagues<br />

Under the Sea" and "The Vanishing Prairie"<br />

Herman Kass, eastern exploitation manager<br />

for Universal, went to Boston January<br />

2 to confer with exploitation representatives<br />

working on the New England saturation opening<br />

of "Six Bridges to Cross."<br />

.<br />

.<br />

Robert Dowling of City Investing Co. planed<br />

to London Pickman, Paramount<br />

advertising-publicity vice-president, got back<br />

from Hollywood December 31 after conferences<br />

on "The Country Girl" and "The<br />

Bridges at Toko-Ri" Schlaifer,<br />

president of the advertising agency, left for<br />

the coast for conferences on forthcoming<br />

advertising campaigns . . . P. T. Dana. Universal<br />

eastern sales manager, returned from<br />

a trip to Pittsburgh, Buffalo and Albany.<br />

Harry Goldstein, eastern publicity director<br />

for Allied Artists, and Irving Shiffrin and<br />

Michael Zala. exploiteers, left January 3 to<br />

work on out-of-town engagements on "Tonight's<br />

the Night." Goldstein w-ent to Boston<br />

for the January 14 opening at the Paramount<br />

and Fenway theatres, Shiffrin went to Philadelphia<br />

and Baltimore and Zala went to<br />

Richmond. John H. Burrows, associate producer<br />

for AA, is in New York for conferences<br />

with Morey R. Goldstein, vice-president and<br />

general sales manager.<br />

Jeanmaire, French ballet star who will<br />

share top billing with Bing Crosby in Paramounfs<br />

"Anything Goes," planed in from<br />

Paris with her new husband, Roland Petit,<br />

who will stage her dances in the film. Both<br />

left for Hollywood January 2 . . Tony<br />

.<br />

Curtis and Janet Leigh arrived by train from<br />

Hollywood January 6 to spend a New York<br />

vacation. Curtis will go to Boston for the<br />

January 19 opening of "Six Bridges to Cross"<br />

. . . Jerry Lewis, whose "Three Ring Circus"<br />

is playing at Loew's State, came in for a<br />

vacation December 31, accompanied by his<br />

wife and three children.<br />

E. R. Zorgniotti, executive vice-president of<br />

IFE Releasing Corp., left for Rome January 6<br />

for meetings with IFE executives and Italian<br />

film producers and to survey new product for<br />

U. S. release . . . Harriet Parsons, RKO producer<br />

of "Su.san Slept Here," is here from<br />

Hollywood to look over new Broadway plays<br />

P. Rosenberg, producer of Warner<br />

Bros.' forthcoming "Miracle in the Rain,"<br />

and Rudolph Mate, who will direct the Jane<br />

Wyman picture, got in January 4 to scout<br />

Manhattan location sites . . . Moss Hart, playwright<br />

who wrote the screenplay for "Prince<br />

of Players" for 20th Century-Fox, is in New<br />

York to visit his wife, Kitty Carlisle, starring<br />

in "Anniversary Waltz" on Broadway, and to<br />

promote the opening of the Cinemascope picture<br />

at the Rivoli January 11.<br />

Edward M. Saunders, assistant general sales<br />

manager for MGM, returned from a west<br />

coast vacation January 4 . . . Milton R. Rackmil,<br />

president of Universal and Decca Records,<br />

got back from Florida January 4 . . .<br />

Fritz Lang, director of MGM's "Moonfleet,"<br />

is in New York for an indefinite stay and<br />

SKOURAS<br />

RECEIVES AWARD—<br />

Spyros Skouras, president of 20th Century-Fox,<br />

receives from S. H. Fabian<br />

(left) and Harry Oppenheimer (right) a<br />

special award of the American Fund for<br />

Israel Institutions in recognition of his<br />

leadership on behalf of Israel. Skouras<br />

was guest of honor Wednesday (5) at a<br />

dinner concert held at the Waldorf<br />

Astoria attended by more than 1.000 persons.<br />

Fabian was dinner concert chairman.<br />

Oppenheimer is a vice-president of<br />

the Israel Fund.<br />

William Gibsen. author of MGM's "The Cob-<br />

. . .<br />

. . Marty Scher of the<br />

web." is back after studio story conferences<br />

Robert Oropall of Universal's .service department<br />

in New York, became a father December<br />

30 with the birth of a son, Robert<br />

Michael, to Mrs. Oropall at the Lawrence<br />

Hospital. Bronxville .<br />

United Artists accounting department. wa.s<br />

married to Gloria Pearlman January 2 in<br />

Brooklyn.<br />

Parade of Stars Staged<br />

For Asthmatic Home<br />

NEW YORK—The Parade of Stars for the<br />

benefit of the Jewish National Home for<br />

Asthmatic Children was held Saturday evening<br />

(8) at Town Hall under the chairmanship<br />

of Max E. Youngstein, vice-president of<br />

United Artists.<br />

The performers included: Denise Darcel,<br />

Martha Wright, Henry Morgan, Joey Adams,<br />

Joey Bishop, Jack Carter, the Chordettes,<br />

Lanny Ro.ss. Bobby Hackett, the Mariners,<br />

Jaye P. Morgan, Jan Arden, Louis Hunt, Earl<br />

Wrightson, Don Liberto and Bud Palmer,<br />

Robert Q. Lewis was master of ceremonies.<br />

Youngstein made a televised appeal in behalf<br />

of the National Home on the Herb<br />

Sheldon Show over NBC-TV Friday (7).<br />

Fulbright to Be Speaker<br />

At Brotherhood Dinner<br />

NEW YORK—Senator William J. Fulbright<br />

of Arkansas will speak at the Brotherhood<br />

dinner of the National Conference of Christians<br />

and Jews to be held at the Waldorf Astoria<br />

January 13. John H. Harris, national<br />

chairman of the amusements division of the<br />

Brotherhood campaign, said J. Robert Rubin,<br />

permanent general chairman of the amusements<br />

division, will be the guest of honor.<br />

More than 1.000 performers and executives<br />

from all branches of the entertainment industry<br />

will attend.<br />

Skouras Is Honored<br />

At Israel Dinner<br />

NEW YORK— Spyros P. Skouras,<br />

Century-Fox president, was guest of<br />

Wednesday night i5) at the annual<br />

concert of the American Fund for Isi<br />

the Waldorf Astoria. More than 1,00<br />

sons attended. Skouras was presented<br />

cial award by S. H. Fabian, dinner cha<br />

"in recognition of his leadership on<br />

of Israel through the American Fund<br />

Fabian said that Skouras' "devotion<br />

American Fund and to Israel comes f<br />

profound understanding that educatic<br />

culture are basic to the developmen<br />

democratic nation."<br />

Those who attended paid $100 a<br />

added $200,000 to the fund. The goal<br />

year's campaign was $1,857,000. The<br />

plat<br />

is used to support leading cultural and<br />

tional institutions in Israel.<br />

Among the<br />

ficiaries are three leading agricultural s<br />

the only maritime school, and th<<br />

school for commercial and industrial<br />

in Israel: the leading art and archs<br />

museums, theatres, the Lsrael Philha<br />

orchestra, music academies, institutio<br />

language and literature and trad<br />

schools.<br />

The gift consisted of two silver cuj<br />

signed and handmade by the artists<br />

Bezalel School, Jerusalem.<br />

One of the principal speakers, Israi<br />

bassador Abba Eban, said that in s]<br />

tensions in the Near East. Israel "will c<br />

its culture and its institutions, safegu<br />

security and its honor within the frar<br />

of this hostility."<br />

The concert portion of the progrj<br />

eluded Rise Stevens and Robert Merril<br />

ropolitan Opera stars: Pierre Monteu:<br />

ducting the Symphony of the Air. and<br />

Adams and Andre Eglevsky. stars<br />

New York City Ballet.<br />

Honorary chairmen for the event v<br />

Hurok. Fredric R. Mann, Edward A. N<br />

'<br />

and Samuel Rubin. Co-chairmen were<br />

Greenspan, William Heller, Henry Jof<br />

Harry C. Oppenheimer.<br />

Annual Ba<br />

Variety Club Clinic Nel<br />

$15,000 From<br />

NEW YORK—A check for $15,000 ha<br />

given to Dr. H. Houston Merritt by<br />

Andre Dubonnet as the first profits<br />

the United Epilepsy Ass'n Celebrity I<br />

the Starlight Roof of the Waldorf .<br />

Hotel New Year's Eve.<br />

Mme. Dubonnet, vice-president c<br />

women's committee of the association a<br />

chairman of the celebrity ball committe<br />

she expected the final accounting woul<br />

duce additional funds for the Variet;<br />

Clinic for Children with Epilepsy :<br />

Columbia-Presbyterian Medical Cente<br />

Hospital Gets $2,500<br />

NEW YORK—Harry Brandt, presid<br />

Brandt Theatres, acting on behalf<br />

Trans-Lux 52nd St. Theatre, has pre<br />

Monsignor John E. Reilly a check for<br />

the proceeds of the opening night rece<br />

"Tonight's the Night" at the Theatre L<br />

ber 22. This money will go toward th<br />

of the New- York Foundling Hospital,<br />

cares for homeless babies in the city.<br />

34 BOXOFFICE :: January


1 shed<br />

, such<br />

, division<br />

, at<br />

: reading<br />

. .<br />

. . . Inadvertently<br />

. . Ray<br />

ALO<br />

president of Baiisch &<br />

from the west coast glowhat<br />

Hollywood is glowing<br />

All doors were open for<br />

m that performed a near<br />

icing Cinemascope lens<br />

weeks after 20th-Fox prenaking<br />

such a lens to the<br />

just two years ago. On<br />

;udios, Mr. and Mrs. Halwford<br />

at work on "Female<br />

;her Williams in another<br />

Astaire in "Daddy Long<br />

al manager of Lieser Film<br />

starting to set up dates<br />

ver." the first of the picbutors<br />

Corp. of America<br />

lich Lieser will distribute<br />

Albany areas . . . Loew's<br />

Rochester is being used<br />

by Bausch & Lomb scienless<br />

heat and more<br />

jpe film. The problem of<br />

s dogged the B&L men<br />

in process came into being.<br />

i been devised to deflect<br />

! film has continued to<br />

Ing spotty defects. Now.<br />

is J. Mulroy, in charge of<br />

sales for B&L. the latest<br />

tryout at Lester Pollock's<br />

.<br />

LT-I exploiteer, got a swell<br />

le Pagan." in Jerry Evarts<br />

falo Courier-Express<br />

i alive, he would be rubevents<br />

in Rochester these<br />

;0.000 Leagues Under the<br />

demand that not a<br />

in the leading bookstores<br />

ry. The stores were sold<br />

; stocks after a rush that<br />

ig of Disney's screen ver-<br />

Theatre. "Thank Heaven<br />

laimed Mildred Wilson of<br />

of the library,<br />

been off the shelf for<br />

the Palace, the boxnusic<br />

that brought a glow<br />

lager Frank Lindcamp.<br />

. . .<br />

asil Theatres advertising<br />

f, had Jeannie Johnson,<br />

lelp promote "Sign of the<br />

the Lafayette . . . Work<br />

e of the month on remodfor<br />

When<br />

Cinerama representative for Paralywood<br />

for a sales promod<br />

a photo made of William<br />

the Buffalo Eveeceived<br />

a good plav in the<br />

cutives received a permanote<br />

compartment desk<br />

11, Perkins Theatre Supply<br />

ne of each executive was<br />

ndividual gift.s . . . Ollie<br />

jllough and Billy Keaton,<br />

-TV, threw a luncheon in<br />

first run managers to dision<br />

ideas. Local exhibitors<br />

Arthur Krolick. Charles<br />

Idler and Leon Serin, all<br />

eatres; George H. Mac-<br />

•ereton of Basil Theatres;<br />

! Shea circuit, and Robert<br />

T. Murphy and Phil Tadaro of the Century<br />

Theatre.<br />

Mayor Samuel B. Dicker of Rochester has<br />

proclaimed J a n u a r y "Go-to-the-Movies<br />

Month." Mayor Dicker praised the industry<br />

for its "progressive enterprise, optimism and<br />

spirit."<br />

Albany Grand Relights<br />

With One Stagehand<br />

ALBANY— Closed by strike since December<br />

6. the Grand was reopened Friday (31) by<br />

lessee-proprietor Paul V. Wallen after a dispute<br />

with the stagehands Local 14 had been<br />

settled by concessions on both sides. The<br />

relighting bill was topped by "Beau Brummell."<br />

The controversy was ended Monday last<br />

week when Local 14 and Wallen agreed that<br />

only one stage worker would be employed,<br />

the light board would be dismantled and the<br />

switching operations would be shifted to the<br />

front of the house. The latter, entailing<br />

added responsibility on the management end.<br />

required rewiring.<br />

Wallen had held out for one man, refusing<br />

to accept a replacement in the shift-overs<br />

which ensued after Henry "Dutch" Harris retired<br />

at the Strand after 52 years of service.<br />

Claiming that two stage workers had been<br />

payroUed for years and the agreement provided<br />

for same, the union put out pickets<br />

November 27. The projectionists joined the<br />

stagehands nine days later, by refusing to<br />

pass through the line.<br />

George Hoover to Attend<br />

Chas. Smakwitz Dinner<br />

ALBANY — International Chief Barker<br />

George C. Hoover will act as toastmaster at<br />

the Albany Variety Club's testimonial dinner<br />

for Charles A. Smakwitz in the ballroom of<br />

the Sheraton-Ten Eyck Hotel January 12.<br />

S. H. Fabian, Samuel Rosen and Harry Kalmine,<br />

executives of Stanley Warner Theatres,<br />

which promoted Smakwitz from Albany to<br />

Newark. N. J., as zone manager, are expected<br />

to be among the 200 in attendance. Chief<br />

Barker George H. Schenck reported.<br />

A number of other New York City industry<br />

leaders, including State Senator Fred G.<br />

Moritt, counsel-trea.surer of MacDonald Pictures,<br />

Ben Schrift, president of that company,<br />

and wife, will be present. A New Haven,<br />

Conn., delegation will include Zone Manager<br />

Harry Feinstein and assistant James Totman.<br />

M. A. Silver, Pitt.sburgh zone manager, also<br />

is slated to be a guest.<br />

Herman Disler will handle the entertaining.<br />

Naval Reserve Unit Names<br />

Githens Its Commander<br />

NEW YORK—W. French Githens, board<br />

chairman of Sound Masters and president of<br />

National Educational Films, has been made<br />

commanding officer of Naval Reserve Aviation<br />

Co. 3-11. The group consists of reserve<br />

photographic officers, many of whom are<br />

associated with film production in this area.<br />

Githens during World War II was in charge<br />

of motion picture photography for U. S.<br />

Naval Facilities under the director of photography,<br />

U. S. Navy. He was also division officer<br />

of the writers and directors division.<br />

Naval Photography Center, Anacostia, D. C.<br />

and he served on the staff of Admiral Nimitz.<br />

ALBANY<br />

T oca! exchanges adjusted their schedules<br />

Monday (3) to fit the 37 '--hour week pattern<br />

provided in the new contract with F43<br />

and B43, lATSE. Most of the offices moved<br />

their opening time from 8:30 to 9 a.m. . . .<br />

Columbia salesman Herb Schwartz became<br />

father of a baby son, his second boy . . .<br />

George Carroll, Warner auditor, who had<br />

been here since late in October, left for<br />

Montreal . Smith, WB manager, is<br />

owner of a sports jacket as a Christmas gift<br />

of his staff. Smith reported Alton "Tony"<br />

Anderson, manager of Schine's Pontiac in<br />

Saranac Lake and mayor there did "a terrific<br />

job" in arranging the recent world premiere<br />

of "The Silver Chalice" at that theatre.<br />

Jack Leon, projectionist at Conery's Ravena<br />

Theatre, was married to Joan Gardner at St.<br />

Patrick's Catholic church in Ravena. The<br />

couple honeymooned in New York City.<br />

Edward J. Wall's screen debut in a short<br />

showing him and Don Hartman. Paramount<br />

executive producer, discussing the company's<br />

new product, won the approbation of industry<br />

associates and others. The short was<br />

.screened here with "The Bridges at Toko-Ri."<br />

The short, running about 10 minutes, was<br />

made when Wall recently visited the Paramount<br />

studios in Hollywood for a preview<br />

and analysis of new pictures. Its chief use<br />

will be on area television stations. Frank<br />

Lynch. Gordon Bugie and others complimented<br />

Wall.<br />

Fabian's Palace charged $1 evenings. 75<br />

cents afternoons and 35 cents for children<br />

on "There's No Business Like Show Business."<br />

The competing Strand had the same scale<br />

for "Three Ring Circus." which ran nine days<br />

omitted from a list of persons<br />

at the Christmas party given by Trlstate<br />

Automatic Candy Corp. were Lewis Sumberg,<br />

property master of Variety Club, and wife,<br />

and Jim Blackburn. Palace stage manager.<br />

George H. C. Farley, who suffered a heart<br />

seizure last week, was reported Thursday in<br />

"excellent" condition. He is a patient at the<br />

Rex Hospital, Raleigh. N. C, where he was<br />

taken from a Florida-bound train while with<br />

his sons en route to Palm Beach to meet<br />

his wife and daughter. Farley, who is an<br />

Albany realtor, is owner of film exchanges<br />

and theatres.<br />

Al Swett, manager of the Stanley Warner<br />

Avon in Utica since November, 1951, will<br />

return to Albany on the 13th as manager of<br />

the Ritz. Mrs. Ottilie Fearing, assistant manager<br />

of the Stanley since April 1953. becomes<br />

manager of the Avon. Jack Swartout. manager<br />

of the Ritz since the American, Troy,<br />

closed, is retiring.<br />

Like Intermissions al Movies<br />

Intermission as a time for meeting friends<br />

is greatly favored by attendants at motion<br />

pictures in France.<br />

Kl NNER'S GLASS CLEANER<br />

Used by more theatres than any other cleaner because it<br />

cleans and polishes glass and chrome.<br />

EASIER . . . Sold by<br />

FASTER , . . Eastern Theatre Supply md<br />

and BETTER Ben Lust Theatre Supply<br />

KINNER PRODUCTS COMPANY ''^omS*'^*<br />

nuary 8, 1955 35


. . Starting<br />

. . The<br />

'<br />

Motion Picture Associates<br />

To Honor Four Pioneers<br />

PHILADELPHIA—Four men, with<br />

an aggregate<br />

of 200 years in the motion picture<br />

industry, will be honored at the dinner of<br />

the Motion Picture Associates Tuesday. January<br />

18, at the Bellevue-Stratford Hotel. The<br />

pioneers of the industry are William C. Hunt,<br />

Abraham Sablosky, Benjamin Amsterdam<br />

and Albert R. Boyd. Each of these men has<br />

played an important role in the development<br />

of the motion picture business in this area.<br />

The MPA dinner will be held in conjunction<br />

with the gala opening of the Nickelodeon<br />

in Franklin In.stitute on the afternoon of the<br />

18th. Actors, producers and directors from<br />

Hollywood and New York are expected to participate<br />

in the dedication ceremonies. Sponsored<br />

by William Goldman, Philadelphia motion<br />

picture leader, the Nickelodeon is planned<br />

as a shrine to the motion picture industry.<br />

In keeping with the theme of cinema history,<br />

the MPA dinner will honor its pioneers.<br />

The MPA is composed of men employed in<br />

Philadelphia theatre exchanges. Proceeds of<br />

the $25-a-plate dinner will go to the welfare<br />

committee of the MPA.<br />

George Jessel, himself an industry pioneer,<br />

will be toastmaster of the dinner.<br />

The four pioneers to be honored have functioned<br />

chiefly as exhibitors in the Philadelphia<br />

and New Jersey areas.<br />

Pioneer Profiles<br />

WILLIAM C. HUNT—Community and business<br />

leader in the Cape May County area of<br />

south New Jersey. He operates a circuit of<br />

theatres in the resort cities of Cape May,<br />

Pitman, Salem, Moorestown, Audubon, Jenkintown,<br />

Wildwood, etc., and at one time<br />

owned theatres in Camden and Philadelphia.<br />

Also publishes three newspapers, has served<br />

as state senator and has many other interests<br />

in the amusement field. His career<br />

started 48 years ago when he opened one of<br />

America's first nickelodeons in Camden.<br />

SYRACUSE<br />

T ines to the Eckel bexoffice went around the<br />

block for the holiday week booking of<br />

"Hansel and Gretel" ... At RKO Keith's<br />

"20,000 Leagues Under the Sea" was doing<br />

landoffice business, so Manager Sol Sorkin<br />

kept it for the New Year's Eve show, rather<br />

than having a special one-night stand of<br />

"Young at Heart."<br />

Copley, assistant manager at the Para-<br />

Bill<br />

mount, and wife celebrated the first birthday<br />

of their son Rick . January<br />

15 Jimmy Hogan, the Tip-Top Clown on the<br />

Jimmy DeLine show on WS"5fR-TV, will make<br />

a 15-minute personal appearance Saturday<br />

afternoons on the Paramount stage. There<br />

will be gifts for the children The University<br />

of<br />

. . .<br />

Pennsylvania Mask and Wig production,<br />

"Tempest In a Teapot," was given<br />

December 28 at the Astor Theatre.<br />

Outdoor displays were attractive. For "So<br />

This Is Paris" Manager Max Rubin of the<br />

Paramount had a Parisian kiosk as model<br />

Owned the Regent in Philadelphia at one<br />

time. Now 83, he and his wife Mabel have<br />

two sons, William D. and Guy B., and two<br />

daughters, Ruth M. and Evelyn.<br />

ABRAHAM SABLOSKY — Opened the 90-<br />

seat Bijou in Norristown. Pa., in 1904, and in<br />

.succeeding years added theatres in Wilmington,<br />

Del. In 1910 formed a partnership with<br />

John J. McGuirk and built the Cro.sskeys<br />

Theatre in Philadelphia. Built the Broadway<br />

and Alhambra here in 1912. In same year he<br />

and Jules Mastbaum and A. R. Boyd formed<br />

the Stanley Co. of America. In 1932 joined<br />

the Norris Amusement Co. and has been with<br />

it since. He is 78, and he and his wife Florence<br />

have one son Morton and two daughters,<br />

Mrs. Ethel Greenhouse and Mrs. Elinore<br />

Leebron.<br />

BENJAMIN AMSTERDAM — Industry<br />

career started in 1913 when he and Pop<br />

Korson formed a partnership to buy Warner<br />

Features independent film exchange. Bought<br />

out Masterpiece Attractions from Leon Netter<br />

in 1916. Later became interested with P. A.<br />

Powers. Sam Wheeler and Joe Schnitzer to<br />

produce and distribute Clara Kimball Young<br />

pictures. Also acquired franchise of Equity<br />

Pictures produced by Al Lichtman, Ben<br />

Schulberg and Jack Backman. In 1928 he<br />

joined Green & Altman and formed Equity<br />

Theatres, operating 22 houses. He built the<br />

Astor in Reading and operated six other theatres<br />

in that area. Sold Equity in 1929 to<br />

Warner Bros. In 1931 formed Atlantic Theatres,<br />

which operates a circuit in south New<br />

Jersey. His associates are Eppie Epstein and<br />

Sol Abramoff. He is 76 and he and wife Anna<br />

have one son Gustave G.<br />

WILLIAM BOYD—Center City exhibitor.<br />

He opened the Family Theatre in the early<br />

1900s. H e was vice-president of Stanley Co.<br />

in 1919. Among theatres he owned was the<br />

Boyd, named for him.<br />

. . .<br />

for the revolving "Merry Christmas" display<br />

with the show. A seven-foot high book model<br />

stood in front of the Eckel for "Hansel and<br />

Gretel" as part of the promotion of Manager<br />

Frank Myers Harry Unterfort, zone<br />

manager of the Schine Theatres, his wife and<br />

Mr. and Mrs. Ben Berinstein and Mr. and<br />

Mrs. Harry Berinstein attended the wedding<br />

in New York City of Richard Wels, brother<br />

of Mrs. Harry Berinstein. The Berinsteins<br />

operate the Cornell Theatres in Ithaca.<br />

Raytheon Introduces Radio<br />

Powered by Transistors<br />

NEW YORK—Raytheon Mfg. Co. has introduced<br />

a new type of portable radio with<br />

transistors taking the place of tubes, which.<br />

it claimed, can operate 500 hours from the<br />

power of a set of one-cell batteries. It has<br />

no wire connections for plug-ins.<br />

Henry Argento. vice-president and general<br />

manager of Raytheon, says it makes all other<br />

radios obsolete. The set measures 2% inches<br />

thick, 6 3/16 inches high and 9 3/16 inches<br />

wide and weighs five pounds.<br />

PHILADELPHL<br />

•The F-7 union is moving its offices fr<br />

and Race streets to the MPO unioi<br />

at 1317 Vine St. . . . Monday<br />

(10)<br />

will honor incoming Chief Barker ]<br />

Goffman and his new crew and a<br />

salute outgoing Chief Barker Norman<br />

man and his crew. Morris Wolf, loca<br />

ney. will be guest speaker. New mei<br />

Tent 13 include Harold Block, H<br />

Gantz. Maurice H. Levin, William ]<br />

Howard Maschmeier. Joseph Miller,<br />

G. Miu-ray, and Ralph Schwartz.<br />

Mr. and Mrs. Henry Friedman are f<br />

to go to Europe to see their son, Cp<br />

Friedman, who is stationed in Stuttga<br />

many ... Ed Emanuel, prominent e:<br />

is now a grandfather ... A group c<br />

from Hanover asked the Pennsylva<br />

preme court to nullify a 1953 referen<br />

Sunday movies because of alleged<br />

errors and irregularities. In the v<br />

residents rejected Sunday movies bj<br />

margin of 18 votes out of about 4,4<br />

The residents asked for another ele<br />

that "the true intent of the people<br />

ascertained." Attorneys for the Hano\<br />

isterial Ass'n .said that there had<br />

fraud, and the issue should not be vot<br />

again until 1957.<br />

Motion pictures have helped the sc<br />

industry, according to Edward W.<br />

president of the Charles E. Hires Co<br />

interview. David said, "There are m<br />

portunities for expansion of sales<br />

drinks along lines that are still grow<br />

the possibilities are still far from ex<br />

For instance, drive-ins were almost<br />

of before the Second World War a<br />

there are about 6.000 of these nati<br />

drink markets" . Apollo Th<br />

Atlantic City has closed to leave the<br />

walk without one theatre open dui<br />

winter months.<br />

ABC Asks Rayburn to E<br />

Ban on TV for Hearing<br />

NEW YORK—The American Broa<br />

Co. has asked House Speaker Sam Ra<br />

withhold the ban on television covi<br />

Congressional committee hearings u<br />

broadcasting industry has had an opp<br />

to present its views.<br />

had been pending for some time, wa:<br />

of Enchantment" was an infringemer<br />

Spitalny-Warners End<br />

NEW YORK—Phil Spitalny's $600<br />

for infringement against Warner Bro;<br />

out of court early in the week. Justi<br />

thew Levy did not announce the<br />

Spitalny had charged that Warners<br />

long-standing use of the term "1<br />

Charm."<br />

IMPDA to Meet Janua<br />

NEW YORK—Tlie Independent<br />

Picture Distributors Ass'n of Ameri<br />

eign film distributing group, will hold<br />

meeting January 18 at its headquarti<br />

Ai-thur L. Mayer, president, postp(<br />

earlier meeting.<br />

36 BOXOFFICE :: Januar;


INGTON<br />

. Clark<br />

•<br />

Wheeler,<br />

. Dixie<br />

. . Salesman<br />

. . Aileen<br />

. . Corrine<br />

BALTIMORE<br />

. .<br />

b membership committee<br />

?gular membership Joseph<br />

iing agency account exec-<br />

Jonscher. manager of sta-<br />

)anald L. Hearn, night club<br />

y News, and for associate<br />

Id R. Robinson, manufacve<br />

. . . Sam Galanty. Tent<br />

nt the hoUdays in Miami<br />

Army<br />

rst Variety CUib board of<br />

of 1955 will be held Mon-<br />

D.m. in the Willard Hotel.<br />

Alvin Q. Ehrlich will predeputy<br />

chief of the<br />

ition Picture Service, anird<br />

Schmidt, local regional<br />

isferred to the New York<br />

,<br />

ne Washington office will<br />

a regional office. However,<br />

intained here to coordinate<br />

md for liaison purposes,<br />

rate under the jurisdiction<br />

•egional office and will be<br />

s Collins, office manager<br />

1 of National Screen Servthday<br />

Chi'istmas Day . . .<br />

on. Md., retui-ned from a<br />

. . Columbia salesman<br />

vacationed in New York<br />

Ben Lust Theatre Supher<br />

it,<br />

sister from New<br />

York.<br />

head of the Variety Club<br />

ntertained her captains at<br />

iffet supper. Present were<br />

Davis, Mi's. Nathan<br />

on Lipsner, Mrs. George<br />

.liam Janof. Mrs. Lewis<br />

de Flax. Mrs. Al Briskman,<br />

TS. Pat Notaro, Mrs. Sid-<br />

?o-chaii-man Mrs. Mannie<br />

s committee raised $25,269<br />

ill . . .<br />

O'Leai-y. sales manager at<br />

underwent minor surgery<br />

lome . Charlie<br />

The son of conilleen<br />

Olivier became enner<br />

during the Christmas<br />

rold Saltz and sales staff<br />

:ings in Boston . , . George<br />

heatres booker, joined his<br />

ti for the New Year w'eek-<br />

Ricks went to New York<br />

Lucille Brown visited her<br />

Beach . . . Mr. and Mrs.<br />

Theatres, are the parents<br />

I girl. This makes Fritz<br />

:i, Mona's father-in-law.<br />

the 27th time.<br />

i . . .<br />

imount head accountant.<br />

1 year with the company<br />

it. head shipper, returned<br />

Hospital where he under-<br />

Belated birthday<br />

r Cohen. Allied Artists<br />

office manager<br />

is contemplating building<br />

of Hagerstown just below<br />

ne . . . Curtis Hildebrand's<br />

ierwent an appendectomy<br />

Theatre, Newport<br />

Tieatre. Hampton, was in<br />

TO AID MAKCH OK DIMES— Variety<br />

Club Tent 19 of Baltimore has adopted<br />

the 1955 March of Dimes campaign as<br />

its project for both Baltimore and the<br />

state of Maryland. The three leaders are:<br />

William Brizendine, chairman of Allied<br />

Motion I'icture Owners of Maryland;<br />

Rodney Collier, former chief barker, and<br />

co-chairman with Jack L. Whittle, chief<br />

barker and general chairman of the<br />

Variety Club March of Dimes promotion.<br />

town to confer with Joe Walsh, his booking<br />

and buying agent . Railey is now<br />

booking for IPE. Her husband Jimmy reenlisted<br />

in the navy . Bertin, Warner<br />

Bros., narrowly escaped serious injuries<br />

when her car collided with another recently.<br />

Majors Weighing Effects<br />

Of Panama Assassination<br />

NEW YORK—The major companies here<br />

were watching day-by-day developments in<br />

Panama during the week with considerable<br />

concern because of the assassination of<br />

President Jose Antonio Remon Sunday (2).<br />

Just what effect it would have on an already<br />

bad situation could not be determined immediately.<br />

The Panamanian situation was already<br />

complicated before the assassination through<br />

the introduction in the National Assembly of<br />

a bill setting sliding scale rental ceilings for<br />

theatres. First runs would pay 45 per cent,<br />

second runs 35 per cent weekends and 30<br />

per cent during the week, and the other<br />

theatres 25 per cent. Admissions except in<br />

the case of exceptional pictures, would be<br />

frozen at 60 cents. The industry here feared<br />

that the measure, if passed, might set up a<br />

chain reaction elsewhere.<br />

Johnston Deal With Spain<br />

Increases License Total<br />

NEW YORK—The Spanish government has<br />

allowed seven additional licenses to member<br />

companies of the Motion Picture Export<br />

Asfi'n under an agreement negotiated last<br />

year by Eric Johnston, president, which called<br />

for a review of the license situation before<br />

the end of 1954.<br />

Member companies handling their own<br />

physical distribution in Spain had been allowed<br />

60 licenses. The seven additional<br />

licenses go to that group for allotment among<br />

themselves. Companies using Spanish distribution<br />

facilities were allowed 40 licenses.<br />

That total remains unchanged. In that<br />

group are United Artists, Allied Artists and<br />

Republic.<br />

The agreement will expire May 31.<br />

Ted Routson, 58, one of Baltimore's<br />

JJ<br />

bestknown<br />

theatre managers, died of double<br />

pneumonia and other ailments at Sinai Hospital.<br />

Burial was Tuesday (4i at his childhood<br />

home of Waynesboro, Pa. Routson, a<br />

one-time vaudeville "hoofer," came to Baltimore<br />

from Philadelphia 25 years ago. Most<br />

of his career, he was associated with the<br />

I. M. Rappaport Theatres, particularly the<br />

Hippodrome. In later years he managed the<br />

Playhouse, and held that capacity at the<br />

time of his death. There are no immediate<br />

survivors.<br />

The Variety Club will swear in its new<br />

board of governors Tuesday (11), including<br />

Chief Barker Jack Whittle . . . P;-ank J.<br />

Durkee. head of the Durkee Eaiterprises, is<br />

expected to leave for Florida around the<br />

middle of this month . . . Fi'ank Scully, formerly<br />

of MGM, was in town from Boston .<br />

Max Weinberg, independent producer and<br />

previously with MGM, was here over the<br />

weekend, visiting with Rodney Collier, the<br />

Stanley manager. Weinberg recently returned<br />

from Switzerland.<br />

. . .<br />

William G. Myers, owner of the DeLuxe,<br />

returned from a visit to Pocomoke City<br />

Wilburn Brizendine. vice-president of the<br />

Schwaber Theatres, and wife spent the<br />

Christmas-New Year's week in Florida . . .<br />

A dinner for J. Lawrence Schanberger, who<br />

was a.ssociated with Keiths' Theatre for 27<br />

years, is being arranged by the Variety Club<br />

for the evening of January 18. Gov. Theodore<br />

McKeldin and Mayor Thomas D'Alesandro<br />

jr. have been invited. Schanberger currently<br />

is associated with the St. James Hotel.<br />

West Germany's Producers<br />

Ask Cut in Film Imports<br />

BONN, GERMANY—West Germany is<br />

studying moves to protect its film industry<br />

from foreign competition. The country is<br />

now producing 130 films each year and its<br />

film exports net $2,600,000. but it spends about<br />

$8,000,000 on imports, an increase of $2,300,000<br />

for 1954 over 1953.<br />

Pi'oduction is by independents—about 50<br />

of them—who make from tw'o to five pictures<br />

each.<br />

During 1954, 211 American films were imported<br />

by West Germany aiid 237 are scheduled<br />

for 1955. Of 452 films shown last year,<br />

349 w'ere imported. These included the best<br />

money-makers.<br />

The German producers are attempting to<br />

get the government to force theatres to play<br />

a minimum of 35 German films during each<br />

three months. Exhibitors are opposing this.<br />

There is no television competition.<br />

DARING!<br />

SANDERS<br />

Lacille BALL<br />

wistiniisii. o.c<br />

Chirlolli<br />

Memphis<br />

New Orleans<br />

tlliiiii<br />

luary 8, 1955 37


. . The<br />

. . Elmer<br />

, , The<br />

. . Jerry<br />

. . Mrs.<br />

. . Mr.<br />

. . Lorraine<br />

PITTSBURGH<br />

pvave Silverman and his RKO gang hosted<br />

the Friday (7i family night at the<br />

Variety Club . Warner Theatre, Erie,<br />

received $1,100 as rental one evening for a<br />

performance of the University of Pennsylvania<br />

Mask and Wig show and the Erie<br />

alumni netted about $1,000 for a scholarship<br />

fund . Olympic Theatre, Verona, formerly<br />

an account of Hanna Theatre Service<br />

and self booked for six months, has returned<br />

The Variety Club<br />

to the Hanna fold . . .<br />

honored Dave Olbum, new du'ector of public<br />

safety of Pittsburgh, at a special luncheon<br />

Thursday afternoon (6i and has an Old<br />

Timers Boxing Night announced for Wednesday<br />

(12).<br />

Mr. and Mrs. Ernest Stern of the Associated<br />

circuit departed Wednesday (5( for a month's<br />

George Boyle,<br />

vacation in Hollywood . . .<br />

manager of the Ambridge Theatre, staged a<br />

tumultous welcome for the first born baby of<br />

1955 in a tieup with the Ambridge Daily Citizen<br />

to exploit "A Star Is Born." Many merchants<br />

participated and the event was a page<br />

one feature for several days,<br />

Al Levy, 20th-Fox manager, said that his<br />

company will erect a modern exchange building<br />

in the unimproved lot adjoining the company's<br />

present quarters which 20th-Fox has<br />

occupied under lease for 25 years. The new<br />

exchange will have a complete small-capacity<br />

theatre on the street floor . . . Motion<br />

picture chairmen of various women's clubs<br />

were guests of Warner Bros, at a screening<br />

of "The SUver Chalice" at the Stanley Warner<br />

screening room.<br />

Santa Glaus was at the boxoffice of<br />

Greater Pittsburgh Drive-In Theatre to distribute<br />

free candy to kiddys . . . The Casino,<br />

burlesque house here which reopened Christmas<br />

Day, offered its annual midnight show<br />

on New Year's Eve and the usual Milkman's<br />

While most of the<br />

matinee at 3 a.m. . . .<br />

outdoor theatres which continue in operation<br />

charge 10 or 15 cents extra for use of<br />

in-car heaters, the Route 19 Drive-In gives<br />

this warming service free . . . Frank L.<br />

Prance, former National Theatre Supply<br />

salesman who has been in retirement for<br />

many years at West Middletown, turned up<br />

the other evening at the Mary Ann Theatre,<br />

Burgettstown, to catch a show. Don<br />

and Tony Mungello, exhibitors there, state<br />

that he is enjoying good health.<br />

The newly opened International Theatre,<br />

Crafton Heights, booked Laurence Oliver's<br />

film version of "Hamlet" for the week of<br />

Charlie Baron, Cinerama<br />

January 4 . . .<br />

house manager at the downtown Warner<br />

Theatre, said his sister Mrs. Cora Henderson<br />

entertained the 18 Cinerama usherettes<br />

at a holiday party in their Bigelow apartment<br />

. Hasley staged a New Years<br />

Eve gigantic Moviethon, 6 p.m. until 3 a.m.,<br />

at his Terrace Theatre, Be.s.semer Terrace,<br />

SAM FINEBERG ,<br />

TOM McCLEARY -^<br />

JIM ALEXA^fDER<br />

84 Von Braam Street<br />

PITTSBURGH 19, PA.<br />

Phone Express 1-0777 g<br />

^ Movies Are Better Than Ever How's Your Equipment? ^<br />

with six features, including a Cinemascope<br />

musical and two other color features, plus<br />

six cartoons. Admission was $1. For the<br />

kiddys, he exhibited a midnight show matinee<br />

preview for 35 cents, from 11 a.m. to<br />

5 p.m., eliminating two features . Warren<br />

. .<br />

Bentley Dana, television director here for<br />

WDTV and son of U-I's eastern sales manager,<br />

Pete Dana, slipped an engagement ring<br />

on the finger of Eleanor Schano, television<br />

entertainer here. A spring wedding is<br />

. . . planned Mike Manos. area circuit exhibitor,<br />

has been released from the hospital<br />

at Miami and he is recuperating at his winter<br />

home there.<br />

. . . The<br />

V. L. "Doc" Wadkins, Manos circuit booker,<br />

was recuperating after an operation<br />

death of an aunt of Gordon. Milton and Ross<br />

Gibson of Atlas Theatre Supply took Gordon<br />

and Bertha Gibson on a sad funeral trip to<br />

Canada . A. Joseph of the Ti'iangle<br />

Theatre, East Liberty, is recuperating from<br />

an illness which nece.ssitated hospitalization<br />

for three weeks.<br />

The Wilson Chemical Co., Tyrone, which<br />

operates theatres at Ebensbiu'g and Cresson<br />

and owns theatres at Tyrone, recently staged<br />

its 60th annual holiday party and dinner, at<br />

which George C. Wilson III, president, distributed<br />

bonus checks to all employes . . .<br />

MGM employes are wearing blue badges<br />

which proclaim the 1955 motion picture theatre<br />

Ray Allison, Altoona<br />

celebration . . . theatre owner, retired from exhibition and he<br />

will make his home in Florida,<br />

Louis Perretta's Crescent Theatre, Mahoningtown,<br />

was closed for two days for installation<br />

of a wide screen . . . The Hi-Lander<br />

Theatre, New Castle, was dark several days<br />

for redecorating . Macosky. Warner<br />

Bros, biller, was injured when she fell<br />

in her home . and Mrs. E. LeViant.<br />

Filmrow printers, hosted theii' annual holiday<br />

luncheon at the Hanna Theatre Service office.<br />

Alex Manos, junior executive of the Manos<br />

circuit, has a hospital date for an operation<br />

Monday (10) . . . John Zomnir. UA salesman,<br />

was down with a virus infection for several<br />

days . Wechsler. former manager for<br />

Warner Bros., and now southern division<br />

manager for U-I's J. Arthur Rank releases,<br />

was a visitor, as was Jack Kalmenson, former<br />

local Warner Bros, manager now at<br />

Milwaukee . . . Joan Dischner, former MGM<br />

telephone operator, is now a local model.<br />

Rex and Ann Kantner will spend the winter<br />

near Orlando. Fla. He's a projectionist at the<br />

Park Theatre and she's been manager of the<br />

Pittsburgh Drive-In for nine years.<br />

A. L. Gibson. 87, Dies<br />

BUCKHANNON. W. VA.—A. L. Gib.son. 87.<br />

father-in-law and former partner of Garland<br />

West, veteran local indoor and outdoor theatre<br />

owner, died recently. He started West in<br />

business here in the summer of 1929.<br />

'Cinerama Holiday' Soon<br />

PITTSBURGH—"This Is Cinerama," which<br />

recently entered its second year at the Warner<br />

Theatre, will be succeeded by the second<br />

Cinerama process feature, "Cinerama Holiday,"<br />

February 16.<br />

Maple, Blue Dell Drive<br />

Wilkinsburg, Merged<br />

PITTSBURGH—The Maple Drive-I<br />

(C. I. Taylor, president; Max Arnol<br />

president; Jack Klein, treasurer, ar<br />

Judd, secretary) announce a merger v<br />

Blue Dell Drive-In, operated by As<br />

Drive-In Theatres (Norbert Stern anc<br />

Stern) who will buy, book and dir<br />

policy of both theatres with the coo]<br />

of Bert M. Stearn of Cooperative<br />

Service. Both outdoor theatres are<br />

on Route 30 between Wilkinsburg ani<br />

Each theatre will handle its own<br />

operation.<br />

Plans are to operate the Blue D«<br />

12-month basis, and to increase the<br />

capacity to 1,100 cars.<br />

Manos Joins Airer Rar<br />

By Allentown Purchase<br />

GREENSBURG. PA.—The<br />

Manos<br />

which debated the drive-in situatio<br />

decade, has joined the ranks of outdo<br />

ators and. according to Ted Mane<br />

president, has purchased the majorit<br />

est in the Super Skyway Drive-In<br />

Corp., operators of the Super Skj<br />

Allentown. Sol Shocker, a corporatio:<br />

holder, will retain his interest and v<br />

tmue as manager. The Super Skywi<br />

a 1,000-car capacity, was the fir,<br />

equipped for stereophonic sound v,<br />

two-speaker Motiograph system.<br />

Improvements will be made at thi<br />

town ozoner before the opening of<br />

i<br />

season, tentatively set for March 15,<br />

Shuts Bradford, Pa., U<br />

BRADFORD, PA.—Dipson's Bradfc<br />

atre has closed and Shea's Theatre v<br />

for fulltime operation, according to<br />

W. Cannon, manager of the three loc<br />

tres. Shea's was recently renovat<br />

newly equipped. Cannon said there<br />

no change in the operating policies<br />

McKean Theatre. He said that th(<br />

was decided upon because of the high<br />

ing costs of the Bradford. Former<br />

aged by the Dipson circuit, the three<br />

here now are managed under dire<br />

Shea's Theatres.<br />

Pittsburgh Guild to Arl<br />

PITTSBURGH— S. Ralph Green, p)<br />

of the new Guild Theatre, 1922 Mun<br />

nue. Squirrel Hill, is receiving ma<br />

gratulations from members of the tri<br />

theatre is the former Beacon, co<br />

renovated and remodeled with vari'<br />

fixtures, equipments and appointme<br />

augurating the Guild Theatre policy<br />

tinctive entertainment was "Rom<br />

Juliet."<br />

New Airer Named Woodland<br />

PITTSBURGH—The 1,000-car ai:<br />

under construction in West Mifflin<br />

will be known as the Woodland, a<br />

to George Tice, indoor and outdoor <<br />

and a veteran former film salesre<br />

manager here who is one of the o\<br />

the new ozoner which will be open<br />

in the spring.<br />

Nunnally Johnson has been assignee<br />

duce, direct and write "Can Can" f<br />

Fox release.<br />

38 BOXOFFICE Januar


—<br />

MUSIC FASHIONS DOMINATE<br />

SHOW BUSINESS' MATERIAL<br />

Special Platters, Mailing Pieces, Women's and Men's<br />

Wear Accessories Available for<br />

There's considerable exploitation ammunition<br />

available for use by exhibitors in<br />

their campaigns for 20th-Fox's Cinema-<br />

Scope production of "There's No Business<br />

Like Show Business."<br />

The sextet of top singers and dancers<br />

Ethel Merman, Donald O'Connor, Marilyn<br />

Monroe, Dan Dailey, Johnnie Ray and<br />

Mitzi Gaynor—perform to the music of 14<br />

songs written by Irving Berlin, and ten<br />

popular numbers are used for background<br />

tunes; consequently, music promotion will<br />

rate first consideration.<br />

The voices of five of the picture's stars<br />

Miss Merman, O'Connor, Dailey, Ray and<br />

Miss Gaynor—are heard in the soimdtrack<br />

album recorded by Decca (DL 8091k A<br />

variety of mailing pieces has been sent to<br />

dealers, distributors and the trade plus<br />

special ads, window cards, banners, plug<br />

cards, and other merchandising material<br />

for every kind of store display and promotion.<br />

Department and music stores can be<br />

urged to cooperate in advance of opening<br />

via windows, continuous play of the record<br />

and newspaper ads. A photo of the five<br />

stars may be had on Still No. 904/130 and<br />

the silhouetted figures will make effective<br />

blowups for many decorative effects. Sheet<br />

music of three new songs introduced In the<br />

picture *r Nam*<br />

Mats of advertisements for the trade hoi<br />

mailed to all outlets along with window,<br />

and tie-in accessories as part of the Natlyni<br />

dress promotion on the picture. Note the sf<br />

theatre name and ploydate.<br />

20-second and the other a e0-secon(<br />

with the last scene in a stop-actioi<br />

lor the station to superimpose pla<br />

theatre credits. Specify picture pl£<br />

day for TV campaign and name of i<br />

when ordering from the Pressbook<br />

the first half year of the picture<br />

at the above address.<br />

TV slides or Telops for shared :<br />

identification or a general spot are<br />

able from the vender. Trailers and<br />

may be combined for variation in T<br />

motions.<br />

A complete line of dresses inspii<br />

costumes worn in the film has been<br />

factured by Natlynn Originals, a 1<br />

designer of women's wear, and thi;<br />

chandise has been distributed nat:<br />

for<br />

mg<br />

tie-in availability with playdate<br />

Promotion kits have been distribu<br />

the manufacturer's representative:<br />

dealers and duplicates will be fur<br />

showmen upon request to Gerry G(<br />

Director of Advertising and Pu<br />

Natlynn Originals, 1375 Broadway<br />

York.<br />

To back this all-out promotion. N<br />

has sent its dealers a wide variety of<br />

sories including scripts and recordir<br />

radio-TV programs; a musically 1<br />

sales pitch for store fashion shows o:<br />

theatre-Natlynn co-op display; a i<br />

mail stuffers: 500.000 hang tags;<br />

counter cards; 50.000 cardboard<br />

Enlargements of the stars shown above in still No. 904 138 can be cut out for disploy purposes, as<br />

suggested in the promotion story. Ad Mat 5A, shown in the pressbook, is a reproduction of this scene.<br />

5.000 ad mats with 8.000 reproofs f<br />

terior display; 5,000 window stream(<br />

the items bearing picture credits<br />

60,000 sets of glossies for tie-in d<br />

tions. National advertising is lau:<br />

the campaign the beginning of 1955<br />

Natlynn outlets will be very will<br />

arrange co-op stunts such as fashion<br />

contests, etc., timed best for local ei<br />

ments of the picture.<br />

Westbrooke, leader in men's styl<br />

— 8 — BOXOFFICE Showmandiser Jan.


; to<br />

, when<br />

Id O'Connor suit in namerchandising<br />

and protion<br />

with local playdates<br />

national contests have<br />

offering a free trip to<br />

lid O'Connor's guest, to<br />

^wspaper ads for local<br />

11 credits, and the other<br />

ition, with winning merf.<br />

S. savings bonds as<br />

sse affairs is designed to<br />

•ectly on the local playinformation<br />

write: S. E.<br />

^ifth Ave., New York,<br />

in Cinemascope is obthe<br />

20th-Fox exchanges.<br />

nt style production trail-<br />

1 order, with the regular<br />

nd scene stills, from Nai<br />

on Recording<br />

Exhibitors<br />

jrding of the most popucolor<br />

opera film "Aida"<br />

by IFE Releasing Corp.<br />

; and for radio-TV plugs.<br />

includes six arias taken<br />

jundtrack and featuring<br />

led Italian opera stars.<br />

;be Stignani. Gino Bechi<br />

record is part of an<br />

1 kit which contains inthe<br />

production of the<br />

a detailed description of<br />

aterial has been planned<br />

)articularly of advantage<br />

d on programs that deal<br />

ssical music.<br />

1 Buildings<br />

t' 1-Sheets<br />

ige of a bunch of conbeing<br />

removed for a new<br />

[anager Mike Stranger<br />

leets and approximately<br />

plaster the area for<br />

3 Plymouth in 'Worcester,<br />

igs are in the busiest sec-<br />

;housands of autoists and<br />

message.<br />

lerous window tieups with<br />

hion, jewelry and men's<br />

a teenage radio program<br />

eatre tickets as prizes in<br />

vspiapers used three two-<br />

11s along with stories on<br />

\n Theatre<br />

manager of the Empress<br />

:. Conn., engendered a lot<br />

the theatre was<br />

benefit vaudeville show<br />

rwalk Elks lodge.<br />

•.Ad<br />

sr.. manager of the Warorrington.<br />

Conn., recently<br />

)ersonal endorsement type<br />

Waterfront." The teaser<br />

ng My Way With Brass<br />

10,000 GIFTS COLLECTED FOR KID SHOW<br />

SPONSORED BY 23<br />

LOCAL MERCHANTS<br />

Murray Spector Executes Popular Civic Holiday<br />

Event at Englewood, N.J., Plaza<br />

A very special promotion that rates the<br />

attention of all showmen was the recent<br />

holiday morning show planned and executed<br />

by Manager<br />

Murray Spector of<br />

the Plaza Theatre<br />

with the enthusiastic<br />

cooperation of 23<br />

merchants of Englewood.<br />

N. J. These<br />

dealers first defrayed<br />

the cost of the show,<br />

with each receiving<br />

an allotment of 65<br />

tickets which they<br />

Murray Spector distributed at the<br />

store. All the young-<br />

.sters had to do was come to the store with<br />

either their mother or dad and pick up a<br />

free ticket; no purchase was required. An<br />

advance screen trailer and lobby board<br />

listed the participating merchants.<br />

After these details were settled, Spector<br />

really got busy. Approximately 10,000 gifts<br />

were promoted for distribution at the special<br />

show. They weren't overly expensive<br />

but they were many, and each kid who<br />

attended the affair went home with several<br />

gifts, such as jumbo pencils, large balloons,<br />

skip ropes, ruler and iiencil sharpener combinations,<br />

whistles, snappers, comic books<br />

and hundreds of other gadgets.<br />

Local dealers<br />

also contributed major prizes of 20<br />

pieces of wearing apparel, five cash certificates,<br />

two combination sleds and skis, ten<br />

15 -pound turkeys and four flash cameras.<br />

As a more or less dessert topper, the NBC<br />

Bread Co. contributed 1,400 cakes and an<br />

additional 2.000 gifts.<br />

One of the merchants bought a block of<br />

tickets for the boys of a local orphanage,<br />

who paraded through the business section<br />

of town the morning of the show to the<br />

rhythms of the school band. Usherettes<br />

dressed in promoted costumes accompanied<br />

the boys carrying signs thanking the merchants<br />

for the show. A police car escort<br />

led the way and the Blue Coach Co. provided<br />

transportation for school officials.<br />

Spector also marched in the parade and<br />

made arrangements .so five turkeys from<br />

the local Pood Fair market were presented<br />

to the orphanage. The large amount of<br />

gifts made an impressive display in the<br />

theatre lobby.<br />

Announcements were made on a local<br />

radio station while both newspapers carried<br />

publicity for three weeks and featured<br />

follow'-up stories on the event. All of the<br />

merchants involved were delighted with the<br />

promotion and have already begun planning<br />

bigger ones for the future.<br />

Strong Co-Op Lineup for Romeo and Juliet'<br />

Up to this point there's over one-half<br />

dozen co-op merchant promotions, all of<br />

them backed by strong magazine and newspaper<br />

advertisements, which will help<br />

launch national release dates for United<br />

Artists' "Flomeo and Juliet."<br />

Pull-page ads in Look and Seventeen,<br />

placed by the manufacturers of Art carved<br />

wedding rings, will carry picture credits.<br />

Counter and window displays will be made<br />

mandiser : : Jan. 8, 1956 — 9 —<br />

available for thousands of retail dealers.<br />

A "Romeo and Juliet" contest, sponsored<br />

by Miriam Modes, manufacturers of wedding<br />

gowns, will award ten complete brides<br />

and bridesmaids ensembles to persons writing<br />

the best letters on "the most romantic<br />

experience of my life." Running for six<br />

months, the competition will be coordinated<br />

with local playdates. The film also will<br />

benefit through newspaper and radio-TV<br />

promotion plus further support through<br />

point-of-sale displays in more than 4.500<br />

department and women's stores carrying<br />

the Miriam line.<br />

Bear & Beards will initiate dealer-sponsored<br />

newspaper ads featuring B&B's<br />

"Romeo and Juliet" inspired jackets and<br />

jeweled scarfs. Counter cards and hang<br />

tags for this merchandise will further emphasize<br />

this nationwide promotion.<br />

"Romeo and Juliet" dolls, by Madame<br />

Alexander, will be featured in leading toy<br />

and department stores with picture credits<br />

on the box of the specially packaged dolls.<br />

The manufacturer is also reaching consumers<br />

through the circulation of 250.000<br />

mailed brochures.<br />

Streamers and window displays of scene<br />

stills and local playdate announcements<br />

will be shown in 6.000 florists shops, all<br />

of the Teleflora wired delivery service.<br />

Palter EteLiso shoes, Betmar hats and<br />

Caldfron belts will display their "Romeo<br />

and Juliet" lines in women's apparel and<br />

millinery shops and department and shoe<br />

stores, with all advertising material carrying<br />

full credits. Replicas of goblets, decanters<br />

and figurines seen in the film, are<br />

being made by Camer Decorative Glass,<br />

their sale backed by counter cards and large<br />

store window displays.<br />

The male trade will be reached through<br />

the promotion of "Romeo and Juliet"<br />

cigars, tieing in with playdates via counter<br />

displays in cigar and pipe stores with the<br />

copy: "The Ultimate in Smoking," with<br />

•The Ultimate in Motion Picture Entertainment."


. . . Delight<br />

EFFECTIVE MARQUEE USE OF 24-SHEET<br />

Pictured above are two effective marquee treotments on "A Star Is Born" that may serve as inspiration<br />

on other ploydates of the picture. In the left photo, the cutout portrait of Judy Garland from the<br />

24 sheet poster, mounted and spotlighted, proved an attention-getter at the Warner Theatre in<br />

Reading, Pa. The transparent poster, illuminated from the rear, was used on the marquee sides (right<br />

photo) by Manager Morion G Havasta at the Towne Theatre, Milwaukee.<br />

WOMAN'S WORLD GETS STRONG PLAY<br />

CO-OP ADVERTISING PROMOTIONS<br />

IN<br />

Bill Wolfson, manager of the Paramount<br />

Theatre. Montgomery, Ala., garnered excellent<br />

coverage for "Woman's World" in<br />

every section of the press from classified<br />

to editorial.<br />

Wolfson secured the cooperation of the<br />

classified column editor of the Montgomery<br />

Advertiser in running a theatre ticket<br />

giveaway. Passes to the show were presented<br />

to recent want-ad users, whose<br />

names were listed in the column under a<br />

large scene mat from the film.<br />

Wolfson netted a six-column, pagelength<br />

ad carrying scene stills and co-op<br />

copy from the Pair, large department store.<br />

Headed "Since 1868. Women Piom All Parts<br />

of Alabama Have Found Montgomery Fair<br />

Their 'Woman's World.' " the ad plugged<br />

such products as furniture, men's wear and<br />

ladies' apparel under catchy captions such<br />

as, "Is your home your world? ... Is the<br />

way you look your world? ... Is your husband<br />

your world?"<br />

Another co-op ad. promoted through a<br />

local florist, made use of a mat showing<br />

Lauren Bacall with an attractive floral display<br />

and copy read; "It's a Woman's World<br />

Your Woman of the World<br />

With Flowers Prom Rosemont Gardens."<br />

GOOD SPEAKERS<br />

are Drive-In Theatre<br />

Insurance<br />

Be safe and be ready<br />

Don't get caught short with bad speakers<br />

when opening day comes around.<br />

ORDER TODAY!<br />

Predated orders will mean delivery far aheod of<br />

opening day.<br />

DRIVE-IN THEATRE MFG. CO. '!?.„'i:,rc'S.'Mr<br />

Dealer Co-Op Arranged<br />

For "Woman's World'<br />

For "Woman's World." Murray Spector<br />

of the Plaza Theatre. Englewood. N. J.,<br />

and Evan Thompson of the Fox Theatre<br />

in Hackensack arranged with the local<br />

Lincoln Mercury dealers for a large co-op<br />

ad in the Bergen Evening Record, which<br />

ran for two days. The same deal appeared<br />

in the Press Journal, a weekly. In addition,<br />

the XM800 automobile used in the film was<br />

on display at the Teaneck Armory Industrial<br />

Exhibit with proper cards.<br />

Spector also had the XM800 displayed in<br />

his theatre and around town.<br />

front of<br />

Driving School Prints<br />

5,000 Heralds<br />

Arnold Kirsch extended preferential<br />

treatment to the women of the neighborhood<br />

when he booked "Woman's World"<br />

at the DeLuxe Theatre in the Bronx, N. Y.<br />

A local florist provided Kirsch with 300<br />

long-stemmed American Beauty roses,<br />

which were presented to the first 300<br />

women in line opening day. In return.<br />

Kirsch posted a handsome 40x60 in the<br />

lobby crediting the giveaway and plugging<br />

the "Woman's World" theme. A Bronx<br />

driving school agreed to print 5.000 tie-in<br />

heralds. Kirsch used a cut from the pressbook<br />

showing the stars standing around a<br />

new sports car. and inserted copy reading:<br />

It's a 'Woman's World' . . . that's why so<br />

many women are learning to drive every<br />

day. For your driving lessons, visit the<br />

DeLuxe Auto School for a 20 per cent discount."<br />

Ford and County Fair<br />

Arsist at Hackensack<br />

Heading Evan Thompson's energetic<br />

campaign for "Woman's World" at the<br />

Pox in Hackensack, N. J., was a solid twoway<br />

tie-in with the local Ford dealer and<br />

the Bergen County Exp)osition, held<br />

Teaneck Armory. The dealer display(<br />

XM800. which is seen in the film,<br />

prominent signs for the theatre ani<br />

ture. The dealer also bannered two<br />

new models and paraded them th<br />

town a week prior to opening. The<br />

new auto, with the film, rated a<br />

column art and story break in the<br />

press. Two four-column co-op ad<br />

were netted.<br />

Eight thousand heralds were distr<br />

among cars parked in the depai<br />

stores' parking lots. The Sears. Re<br />

& Co. store carried an ad for the p<br />

offering 150 tickets to the first sh<br />

making purchases in the electrical<br />

ance department. The ad was cai-ried<br />

store's catalog, which has a ciixulat<br />

50,000 in Hackensack and surroi<br />

towns.<br />

Thompson also tied in with the<br />

of Fifth Avenue Dress Shop, which fe<br />

an attractive display in its front sho<br />

and at the theatre lobby. Models w<br />

glamorous frocks posed next to signs<br />

ing: "It's a Woman's World and<br />

of Fifth Avenue is a Woman's Store!<br />

Bob Walker's Deal Aid;<br />

Newspaper and Theatr<br />

Bob Walker, manager of the Uinta!<br />

atre. F^'uita. Colo., has set up a coop'<br />

ticket giveaway with the town's new;<br />

which promises to boost subscriptic<br />

culation to the paper and in so doii<br />

Walker considerable more readers<br />

weekly theatre ad. The editor lists<br />

of nonsubscribers each day in the<br />

tied section, offering them passes<br />

theatre which may be picked up<br />

Times' office. Walker comments th<br />

deal has not only resulted in ne\<br />

scribers. but in gaining new friends :<br />

theatre as well.<br />

Matinees<br />

Daily<br />

HELD<br />

OVER<br />

HIGH<br />

DRY<br />

"Very Possibly iha<br />

Funniest Picture to Date"<br />

—Time Magazine<br />

Feature -'tdS - : :40 - 9:.5i<br />

UNIVERSITY at PARK VCY 5-3<br />

A standout remodeling job and clever pre<br />

have increased grosses at the Capri Thei<br />

San Diego mony-fold. The house is owni<br />

directed by Burton I. Jones. Reproduced a<br />

a one-column sig-type ad which literally<br />

the page with only two inches." Jones a<br />

the same big C mat in two-column size<br />

on special occasions, since he now has th<br />

to bid for first run. Details of the remi<br />

program executed at the Capri Theatre b)<br />

Jones con be found on page 9 of the M(<br />

THEATRE, this issue.<br />

— 10 — BOXOFFICE Showmandiser :: Jan


.•<br />

. . just<br />

ning Tieup<br />

11 Houses<br />

)wner and manager hopes<br />

perfect promotion—one<br />

y seat in his house. Well,<br />

theatre manager who has<br />

> task. He is Robert Marhe<br />

Shaker Theatre, a unit<br />

circuit.<br />

up with a new specialty<br />

js assured not one full<br />

n his Thanksgiving Day<br />

T060R THE ROBOT THRILLS YOUNGSTERS<br />

IN THEATRE TIE-IN WITH TOY DEPT.<br />

Manager Ailing Makes Full Use of Studio Gadget<br />

the Howard men and<br />

ith<br />

aker Heights which was<br />

)ening by playing host to<br />

nding the holiday dual<br />

child was admitted free<br />

shop picked up the tab.<br />

gsters got free entertain-<br />

5 of all the children got<br />

le new Howard men and<br />

-heatre management was<br />

ce of better than average<br />

sponsor got not only the<br />

) the goodwUl of the enhts<br />

community.<br />

Auto Snipes<br />

ar Window'<br />

tidow" at Schine's Glove<br />

r. Y., Manager John Corbrilliant<br />

red and white<br />

pes reading, "If you can<br />

your brakes ! ! You're too<br />

ar Window'!! See 'Rear<br />

imes Stewart and Grace<br />

e Theatre starting Satur-<br />

5 ad a drugstore boosted<br />

vith copy headed, "Look!<br />

lie to believe your eyes!"<br />

ne mat showing Jimmy<br />

" at the listed bargains<br />

copic camera. A local<br />

1 scene depicting a glass<br />

with a large X and the<br />

IThen X marks the spot<br />

)ws . call Pulton<br />

arks, for 'rear' windows,<br />

house windows."<br />

Manager Mark Ailing of the Golden<br />

Gate Theatre in San Francisco worked up<br />

an ingenius tie-in with a local department<br />

store that might well be copied in other<br />

situations by showmen who plan to book<br />

"Tobor the Great." Ailing seciu'ed a mechanical<br />

model of "Tobor" from Republic<br />

Studios three weeks in advance of opening.<br />

"Tobor" was on display in the lobby<br />

for ten days in order to become acquainted<br />

with patrons, who were visibly impressed<br />

with his flashing eyes and gleaming aluminum<br />

seven-foot frame.<br />

The Emporium, one of the city's largest<br />

department stores, tied in "Tobor" with<br />

a small robot featiu-ed in their toy department.<br />

A large-space co-op ad in the<br />

Sunday edition of the Examiner announced<br />

that "the monster robot would break out<br />

of the Golden Gate Theatre" and bring<br />

his little robot friend to the store for a<br />

visit with the kiddies. In addition to the<br />

ad. signs were posted throughout the store<br />

plugging the stunt and playdate.<br />

The toy, named Robert, was boosted considerably<br />

by the tie-in and sales zoomed<br />

during and after Tobor's visit. A man inside<br />

of Tobor propelled the robot down<br />

Market street at 5 o'clock in the afternoon,<br />

attracting throngs of children and<br />

engaging the attention of innumerable<br />

shoppers in the busy area. At the store,<br />

Tobor's mechanism was set to "talk" with<br />

small fry for approximately two hours.<br />

Several days later, Tobor again went out<br />

for a stroll, this time in connection with<br />

the appearance of Rex Allen, a former<br />

Republic cowboy star who was in town for<br />

the annual livestock show.<br />

Over 350 children eagerly flocked around<br />

the robot and Allen, and three of the city's<br />

newspapers covered the event. Gratis radio<br />

plugs for both stunts were made over<br />

local stations, and Ailing garnered a total<br />

of 20 art and story breaks in the press<br />

during the picture's run.<br />

tice on Stage<br />

11 Houses<br />

:lng contest puffed Bill<br />

on "Seven Brides for<br />

at the Brantford (Ont.><br />

and delighted the capacturned<br />

out opening night<br />

petition. A cash prize of<br />

the best dancing set in<br />

rant County. Large-space<br />

ged the contest and plcthat<br />

the winning group,<br />

Junior Farmers, were so<br />

sre signed to exhibit their<br />

reels at the Royal Winter<br />

The local paper featured<br />

rt and story break on the<br />

mandiser Jan. 8, 1955<br />

SCHOOLS ASSIST AFRICA ADVENTURE'<br />

School boards in different communities<br />

have lent their aid in promoting "Africa<br />

Adventure."<br />

In Cincinnati, the Hyde Park Art Theatre<br />

screened the documentary film for city and<br />

county school principals and teachers.<br />

Later the school heads gave their permission<br />

for arranging school theatre parties<br />

at discoiuit rates on school time. In addition,<br />

students were transported to and<br />

trom the theatre by school buses.<br />

A gag-line contest was conducted in the<br />

Cincinnati Post for seven consecutive days.<br />

Each day a photo of an African animal<br />

was reproduced and entrants were asked<br />

to furnish humorous captions. A week<br />

prior to op)ening, KRC-TV featured a still<br />

11 —<br />

frotn the film showing author Robert<br />

Ruark holding the tusks of an elephant<br />

he shot. Televiewers guessing the weight<br />

of the tusks were awarded promoted prizes<br />

from local merchants.<br />

The Little Theatre in Washington secured<br />

the cooperation of the board of education,<br />

which distributed 25,000 discount<br />

tickets to the student body.<br />

The Washington Daily News devoted two<br />

full pages to photos and stories about the<br />

Robert Ruark safari.<br />

The Denver board of education also distributed<br />

student discount tickets throughout<br />

the school system for the showing at<br />

the Aladdin Theatre. A jigsaw puzzle In<br />

the Rocky Mountain News ran eight days.


I 1(S~<br />

17<br />

f<br />

saaRBBSiwaia^^<br />

BOXOFFICE<br />

Manager John S. Falco was quick to<br />

take advantage of a lucky coincidence and<br />

came up with a street bally that had the<br />

townspeople not only laughing for days but<br />

also pouring into the Majestic Theatre,<br />

Beloit. Wis., to see "White Christmas."<br />

Bob Hope was in town for a personal appearance<br />

at Beloit College and played to<br />

a sellout crowd, several thousand of them<br />

from out of town. Palco got permission<br />

for one of his ushers to picket the college<br />

auditorium with a sandwich sign reading:<br />

"Bob Hope unfair to Bing Crosby in 'White<br />

Christmas' at the Majestic." Not only did<br />

the visitors get the message but Hope<br />

joined in with the gag and posed with the<br />

usher, grimacing as he i>ointed to Crosby's<br />

name. The newspapers ran the photo the<br />

next day and the following Sunday attendance<br />

broke the house record.<br />

Phil Zeller had planned a more or less<br />

over-all promotion for "The Human<br />

Jungle" when an incident occurred that<br />

gave him an opportunity for concentrating<br />

his campaign on a single gimmick. Someone<br />

stole the U-foot cutout of Jan Sterling<br />

which he had placed in front of the Garden<br />

Theatre at Portsmouth, Ohio, where he is<br />

city manager. ZeUer immediately ran an<br />

ad offering a $25 reward for Information<br />

NOVEMBER 1954<br />

cENTymri<br />

OAKVILLE<br />

NUGGETS<br />

leading to the arrest and conviction of the<br />

thief, which gave him an excellent opening<br />

for drawing attention to the feature. His<br />

tcngue-in-cheek approach caught the fancy<br />

of the local radio stations and newspapers,<br />

resulting<br />

in some excellent publicity.<br />

A new twist in selling gift books was put<br />

into action by Harry Wiener, city manager<br />

for Schine's Oswego iN. Y.i Theatre, who<br />

contacted local parishioners to purchase<br />

them as gifts for their altar boys. If the 200<br />

books sold. 50 each were bought by two of<br />

the churches in town.<br />

Gov. Lee E. Emerson of Vermont mailed<br />

styro foam snowballs to newspaper and<br />

the tradepress editors with an enclosed<br />

broadside tieing in "White Christmas" and<br />

a plug for the New England state. Ai--<br />

ranged by the Vermont Development Commission,<br />

the governor's card accompanied<br />

the small gift with the institutional ad<br />

copy reading: "For tops in screen entertainment,<br />

see Irving Berlin's 'White Christmas.'<br />

For tops in winter vacations, come<br />

to snow-covered Vermont."<br />

Not only did George Cameron, manager<br />

of Schine's Vernon Theatre, Mount Vernon,<br />

Ohio, sell six theatre gift ticket books,<br />

with a promise of more, to the president<br />

of the local Chamber of Commerce, but he<br />

also got front page publicity by persuading<br />

him to use them as awards to persons<br />

catching jaywalkers. The idea originated<br />

from the President's proclamation of Safe<br />

Driving Day recently and the newspaper<br />

story told how gift ticket books would be<br />

given to persons spotting and reprimanding<br />

the safety offenders.<br />

Andy McDonald. Connecticut district<br />

manager for Brandt theatres, worked out<br />

a nice deal with a local music store to promote<br />

"A Star Is Born" at the Palace in<br />

Stamford, All ticket stubs to the theatre<br />

were worth 75 cents toward the purchase<br />

of the record album of music from the<br />

picture when presented at the store.<br />

•UBJICT TO<br />

CBAHOIWinocT<br />

onci<br />

TUESDAV WEDNESDAY THURSDAY FRIDAY SATWDAV<br />

TQansazi<br />

SRUIW Xm m W WiDt<br />

SCREWr<br />

h^AbwGONE WITHTHE WIND" ''"'""Ja^<br />

I 18<br />

^^THS BIO AS THE OCEAN<br />

FERREBi^IoHNSONlj;^!<br />

23 1 Z4<br />

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CAESAR<br />

PEC, lit<br />

HowToM^RHY<br />

\ IVIlUJONAIRE #g


. . . and<br />

. . George<br />

Exploitable<br />

l^agazines<br />

issue of Seventeen pree<br />

of the Month award<br />

ig Circus," VistaVision<br />

Ting Dean Martin and<br />

ntertainment editor Ed<br />

at "Jerry displays still<br />

f his remarkable talents<br />

:s as a classic circus<br />

ings 'Hey Puchinello.' "<br />

ewed in the December 18<br />

elude Paramount's "The<br />

iiTing Bing Crosby, Grace<br />

a Holden, and Jesse Zun-<br />

!^rosby is one of the most<br />

for the year's best dra-<br />

;e. Zunser also notes that<br />

y-Holden team "comes<br />

ose to theatrical perfecto<br />

be seen on screen in<br />

viewed in this issue are<br />

ness Like Show Business"<br />

)X) and "Game of Love,"<br />

released through Times<br />

r December 20 reviews<br />

p in My Heart," MGM's<br />

ohy of famed composer<br />

berg with stars Jose<br />

•leu Traubel; UA's relian-made<br />

"Romeo and<br />

vard winner at Venice,<br />

chcomber." British rernerset<br />

Maugham story.<br />

Robert Newton and<br />

Florence Somers has sey's<br />

"20,000 Leagues Under<br />

Picture of the Month in<br />

sue of Bedbook. Miss<br />

,s that the Jules Verne<br />

issic has been made into<br />

;alistic film. Three other<br />

n this issue are "Deep in<br />

I<br />

A. . "Sign of the Pagan"<br />

, of Pate" lUAi.<br />

•ed special copies of its<br />

h a cover notation calling<br />

advertising insert on "So<br />

-I's Technicolor musical,<br />

ns were mailed to exhibir'ers<br />

and bookers around<br />

atures two different<br />

January issue, one of<br />

ce Kelly and a "Do-Itoon.<br />

Readers will be<br />

te their preference in a<br />

ers $150 in prize money<br />

g closest to estimating<br />

? for one or the other<br />

>sue of Compact features<br />

Jerry Lewis on the cover<br />

lustra ted article by Jerry<br />

ledy team's off-and-on-<br />

Tiandiser : : Jan.<br />

National Pre-Selling Guide<br />

A report on new films for which national pre-selling<br />

campaigns have been developed.<br />

Listed with each picture ore tie-ins which have been created, plus tips 1o exhibitors<br />

on how to use these pre-selling aids to exploit the picture locally.<br />

TARGET EARTH AA<br />

Pmnu .Nkws Fi..\shes: News-type bulletins,<br />

measuring 14x22, are available free from Allied<br />

Artists exchanges. These may be used on newsstands,<br />

un library and school bulletin boards,<br />

anil pLued in hotel lobbies, bus and railroad<br />

stations to attract attention to the film and<br />

local<br />

playdate,<br />

I'liK.i; Kadio Disk: A gratis transcription, ranging<br />

from 10-second chain breaks to one minnle<br />

spots, is available from -Allied Artists<br />

Kxploitation Dept., -1376 Sunset Drive, Hollyv\ood<br />

27, Calif.<br />

\ctiiSsoRiics: A composite ad-publicity campaign<br />

mat (.Special Mat No. 1, priced at 35c),<br />

all other ad mats, posters and lobby cards may<br />

be ordered from National Screen.<br />

WEST OF ZANZIBAR<br />

U-l<br />

I<br />

\li sm:: The title song lias been recorded by<br />

\iithony Steele, star of the film, and released<br />

in this country by MGM Records. In addition<br />

Columbia Records is distributing a disk recorded<br />

by The Mariners, vocal group appearing<br />

on the .Arthur Godfrey Show, and under<br />

he London label the number has been sung by<br />

ihi- Johnston Brothers. Sheet music has been<br />

published by the Leeds Music Co., and title<br />

sheets on the song are available for window,<br />

Icdiby and counter displays.<br />

\h;wsi'Ai'Kii Serialization: Universal offers a<br />

free 7,.S00 word serialization of the film for a<br />

five installment newspaper series. Exhibitors<br />

should select five scene stills to accompany<br />

llie story and one to herald in advance the<br />

scries. Order Zanzibar Mimeographed Newspaper<br />

Serialization from U-I Exploitation<br />

i.'ept., +t.S Park Ave., New York 22.<br />

(iiii.uRi.NG -Mat: A three-column elephant coloring<br />

mat which may be used as a newspaper<br />

oiliest or imprinted on a throwaway is available<br />

from LI-I's exploitation department at<br />

ilie above address.<br />

Stoky-in-pictures: A set of six-column cariiion<br />

strips which can be run daily in local<br />

newspapers or imprinted on large-si^e throwaways<br />

for distribution through merchants, may<br />

also be ordered from Universal's exploitation<br />

lepartment.<br />

SruiAi. DrnmATivE Xccessories: Jungle back-<br />

screen life. Their latest collaboration is<br />

Paramount's "Three Ring Circus" in<br />

VistaVision and Technicolor.<br />

Jack Palance, on the cover of the<br />

January 2 Sunday picture magazine.<br />

Parade, embodies the characteristics of<br />

the current trend toward rugged male<br />

stars, according to the two-page feature<br />

on "Women Love Hollywood's<br />

Tough Guys." The article explains<br />

tliat women are intrigued by the tough<br />

guy with an "interesting" face and<br />

that a rugged personality captures<br />

their hearts more than an Adonis profile.<br />

Pictures of Marlon Brando, Kirk<br />

Douglas. Burt Lancaster and others<br />

are used to illustrate this new look in<br />

leading men.<br />

8. 1955 — 13 —<br />

ground paper which can be effectively used<br />

f


BOXOFFICE<br />

6AR0MET<br />

This chart records the performance of current attractions in the opening week of their first runj<br />

the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new r<br />

are reported, rotings are added and averages revised. Computation is in terms of percentage<br />

relation to normal grosses os determined by the theatre managers. With 100 per cent as "normi<br />

1


AND VIEWS OF THE PRODUCTION CENTER<br />

(Hollywood Office— Suite 219 at 6404 Hollvtoood Blvd.: Ivan Spear. Western Manager)<br />

-Busch Buys<br />

'V Series<br />

Anheuser-Busch Co. has<br />

anion Runyon Theatre." a<br />

jm Screen Gems. Columy.<br />

It will be handled as a<br />

ction series, with Screen<br />

:e and also to syndicate in<br />

by Anheuser-Busch. "The<br />

lieatre" will begin telecastic,<br />

owners of the California<br />

hed an expansion progi-am<br />

!e new sound stages are<br />

bringing to 11 the number<br />

on a rental basis for TV<br />

uilding blueprints also call<br />

ices, two projection rooms,<br />

room, makeup and wardnation<br />

department, 14 new<br />

sound-dubbing department<br />

all. Gross-Kj-asne will utithe<br />

facilities for its own<br />

Leisen makes his telefilm<br />

I<br />

id-In Wife," a half-hour<br />

''red MacMurray, which Z.<br />

II produce for the General<br />

series. Penned by Joseph<br />

e shot on the Republic lot.<br />

orth Slated<br />

lumbia Films<br />

-Although at midweek deletion<br />

had not been made<br />

studio spokesmen affirmed<br />

th, who last appeared for<br />

'Mi.ss Sadie Thompson," is<br />

in an additional two picr<br />

will be "Joseph and His<br />

udgeted Biblical drama,<br />

iduced by Jerry Wald and<br />

m Dieterle, probably on lo-<br />

•<br />

Land.<br />

e of MPRF Cards<br />

-Representing a gain of<br />

vious year, Motion Picture<br />

Lstmas card sales reached<br />

high of 113.000 during the<br />

it was reported by Lucille<br />

•man. Proceeds go into the<br />

;o aid the needy of the film<br />

g maintenance of a wela<br />

country house and a hosf<br />

the card sale was handled<br />

Dlicity directors committee<br />

lotion Picture Producers.<br />

PLAQUE TO CURTIZ — Megaphonist<br />

Michael Curtiz poses on the set at Paramount<br />

studio with the BOXOFFICE Blue<br />

Ribbon Award bestowed upon him when<br />

"White Christnuis," the Irving Berlin<br />

musical which he directed for producer<br />

Robert Emmett Dolan at Paramount, was<br />

hailed by the National Screen Council as<br />

the "best picture for the whole family" to<br />

go into release during November 1954.<br />

Curtiz currently is directing "The Vagabond<br />

King" for the same studio.<br />

Bel-Air's 'Desert Sands'<br />

Will Be in CS and Color<br />

HOLLYWOOD—CinemaScope and DeLuxe<br />

color treatment will be accorded "Desert<br />

Sands," Bel-Air Productions entry for United<br />

Artists release, which rolls early next month<br />

with Lesley Selander directing.<br />

Ralph Meeker and Maria English have the<br />

starring spots in the French Foreign Legion<br />

action drama, produced by Aubrey Schenck<br />

and Howard W. Koch.<br />

G. Johnson Joins Wallis<br />

HOLLYWOOD—New publicity director for<br />

Hal Wallis Pi-oductions is Grady Johnson,<br />

former Hollywood columnist and newspaperman<br />

who has been a member of various studio<br />

praisery staffs during the past several years.<br />

Johnson succeeds Gene Brooks, who had been<br />

handling the Wallis publicity chores on a<br />

temporary basis.<br />

Borrows Jane Russell<br />

HOLLYWOOD—Producer Howard Welsch<br />

has borrowed Jane Russell from Howard<br />

Hughes, to whom the actress is under personal<br />

contract, to star in "Portofino," which<br />

Welsch will film independently beginning in<br />

April. A release will be negotiated later for the<br />

Technicolor adventure drama, based on a<br />

story by Berne Giler.<br />

Film Council Condemns<br />

Charity Duplication<br />

HOLLYWOOD—Which organization has<br />

the jurisdiction over charity solicitations in<br />

the television film field was thrown up for<br />

grabs when on Tuesday i4i, acting on behalf<br />

of the Motion Picture Permanent Charities<br />

Committee, the Hollywood AFL Film Council<br />

pas.sed a lengthy resolution condemning<br />

Radio-Television-Recording -Advertising<br />

Charities. Inc., for assertedly infringing upon<br />

the PCC's domain.<br />

The film council's resolution charged that<br />

duplication of fund raising efforts in the TV<br />

film field has "caused confusion and a sub-<br />

.stantial loss in subscriptions" since "many<br />

donors refuse to give to either organization."<br />

Calling it an intolerable situation, the AFL<br />

group urged that the sponsors of filmed TV<br />

shows bring the matter to the attention of<br />

telefilm firms which are not making PCC<br />

charity deductions as requested by their employes<br />

or who are not permitting PCC solicitations<br />

for new donors on their lots.<br />

Subsequent to the passage of the film council's<br />

resolution, an official of RTRAC was<br />

quoted as calling the action "unjustified."<br />

Mendes-France's Life to Be<br />

Prepared for CBS-TV<br />

HOLLYWOOD—As an entry on its<br />

Climax<br />

show, sponsored by Chrysler, CBS has signed<br />

Bernard Girard to script "Escape," a onehour<br />

TV dramatization of the World War<br />

II experiences of Pierre Mendes-France,<br />

French premier, who will personally tape the<br />

narration.<br />

• * •<br />

United Productions of America has been<br />

commissioned to turn out a five-minute animated<br />

film, in color, by the Health Information<br />

Foundation. It will be distributed to television<br />

and in educational markets to point<br />

up the value of health insurance.<br />

Award to Danny Kaye<br />

HOLLYWOOD-Por his<br />

work as ambassador-at-large<br />

for the United Nations International<br />

Children's Fund, Danny Kaye has<br />

been selected by the Denver Hospital and<br />

Sanatorium as recipient of the Institution's<br />

Humanitarian of the Year for 1954 award.<br />

Previously honored have been Mrs. Eleanor<br />

Roosevelt. Dore Schary, George Jessel, Paul<br />

G. Hoffman and Drew Pearson. The presentation<br />

will be made March 20 at a $100-aplate<br />

Humanitarian dinner event at the<br />

Beverly HilLs Hotel. Don Hartman, Paramount<br />

executive producer, is chairman of the<br />

dinner arrangements committee.<br />

nuary 8, 1955 39


was<br />

iSom<br />

Blurbers<br />

STUDIO PERSONNELITIES<br />

Allied Artists<br />

PAUL PRICE, former radio-TV editor for the<br />

recently defunct Daily News, wos engaged as unit<br />

pubhcibt on "Wichita."<br />

Cleffers<br />

Independent<br />

The Hugo Haas production, "Hold Bock Tomorrow "<br />

15 being scored by SIDNEY CUTNER.<br />

Republic<br />

Score for "The Admiral Hoskins Story" will be<br />

composed and conducted by ELMER BERNSTEIN-<br />

Universal-Intemational<br />

FRANK SKINNER is composing the background<br />

music for "The Shrike "<br />

Songs for "The Second Greatest Sex" will be penned<br />

by PONY SHERRELL ond PHIL MOODY.<br />

Meggers<br />

Columbia<br />

Producer Som Katzman booked FRED F, SEARS to<br />

pilot "Joil Bait," drama of juvenile delinquency, soon<br />

to go before the cameras.<br />

Paramount<br />

MICHAEL CURTIZ will direct the Irving Asher<br />

production, "The Mavericks," an outdoor action drama<br />

which IS scheduled to hit the sound stages in March.<br />

Broadway stage director ROBERT LEWIS will make<br />

his bow OS a film pilot on "Anything Goes " tunefilm<br />

starring Bing Crosby, Donald O'Connor ond<br />

Jeanmoire, which Robert Emmeft Dolan will produce.<br />

Universal-International<br />

"The Navy Gets Francis," next in the comedy series<br />

'^^ "talking mule," will be directed<br />

r°, id'^I by ARTHUR<br />

LUBIN.<br />

Warner Bros.<br />

STUART HEISLER was signed to direct "The<br />

Jagged Edge," crime drama starring Jack Palance<br />

which Willis Goldbeck will produce in CinemaScope<br />

and WornerColor.<br />

Options<br />

Allied Artists<br />

VERA MILES was inked for the femme lead opposite<br />

Joel McCrea in "Wichita," which is being produced<br />

in CinemaScope by Walter Mirisch, with Jocaues<br />

Tourneur directing.<br />

WALTER SANDE,<br />

rr,^A'^o''o,'^?:5Y^5-<br />

ROBERT WILKE,<br />

EDGAR BUCHANAN and JACK ELAM drew supporting<br />

roles in "Wichita."<br />

KEITH LARSEN was booked for a topline in the<br />

Joel McCrea starrer, "Wichita," being directed by<br />

Jacques Tourneur and produced in CinemoScope by<br />

Walter Mirisch.<br />

lEAMMc<br />

^°" 9''''" '" "Wichita"<br />

^'ca'^k'!""<br />

went to<br />

JEANNE DEAN and ANNA NAVARRO.<br />

Columbia<br />

*'^"- C/.REY will team with Von Heflin and Joan<br />

>»,<br />

Woodward m Copo Productions' "The Calico Pony "<br />

which will be lensed in CinemaScope and Technicolor<br />

with George Sherman directing and Ted Richmond<br />

as the producer.<br />

r ^V, '?/, '!}E '°Pj'r"^ '1 producer Fred Kohlmor's "The<br />

Gentle Wolfhound," which Richard Murphy will direct<br />

on location in Tokyo, was ALDO RAY.<br />

Metro-Goldwyn-Mayer<br />

British actor WILLIAM TRAVERS was cast with<br />

Ava Gardner and Stewart Granger in producer Pandro<br />

s. Hermans Bhowani Junction," which George Cukor<br />

will direct on location in Pakistan.<br />

Paramount<br />

Broadway dancer PHYLLIS NEWMAN was signed<br />

for Q role in the VistoVision musical, "The Voga-<br />

^Tft<br />

?' '"""9 *^


1 rights<br />

I<br />

on<br />

ims Starts<br />

Schedule<br />

Screen Gems entered upon<br />

1 season with more writers<br />

;ripts than ever before in<br />

i history. Six different<br />

34 half-hour subjects, are<br />

25 scriveners. The output<br />

entures of Rin Tin Tin,<br />

rheatre, Celebrity Theatre.<br />

It and You Can't Take It<br />

heatre series, May Wynn,<br />

se. has been set to co-star<br />

1 in "Garrity's Sons." folft'ill<br />

take off to attend the<br />

istival.<br />

* * *<br />

)tion pictures to TV. Wilof<br />

the actor, has joined<br />

;ion as coordinator of pro-<br />

He was. at one time, an<br />

at Universal-International<br />

le staff of the late Leonard<br />

mic Pictures.<br />

* * *<br />

itrols of Communications<br />

topic of George C. McConrman<br />

of the Federal Comlission,<br />

when he addressed<br />

ng of the Southern Call-<br />

's<br />

Ass'n.<br />

1 Distribute<br />

(11 Starrers<br />

Lippert Pictures has acto<br />

two Jon Hall<br />

ngth theatrical versions of<br />

the "Rama of the Jungle"<br />

;d by Leon Promkess of<br />

Sangoland." toplining Hall<br />

mery and Marjorie Lord,<br />

nationally Feb. 11. "Phan-<br />

:," with Hall, Montgomery<br />

s. will go out later in the<br />

Joins Jacobs'<br />

[tions Group<br />

•Jack Keller, personal press<br />

Dean Martin and Jerry<br />

\rthur Jacobs' independent<br />

continue to handle the<br />

publicity chores in addities<br />

with the Jacobs or-<br />

Star Wyman<br />

-Jane Wyman's next star-<br />

/arners will be "Miracle in<br />

ik P. Rosenberg production<br />

based on a love story by<br />

Iph Mate has been signed<br />

; film will begin shooting<br />

'Fortress'<br />

— Seventy - five clergymen<br />

; Church Federation of Los<br />

aests of Allied Artists at a<br />

ming of "The Mighty Fortry<br />

short subject starring<br />

Jraham, which AA is dlsilly.<br />

S OLD as motion pictures themselves<br />

is that ever-present, all-encompassing<br />

contribution thereto that is ambiguously<br />

termed independent production. The<br />

-so-called independent always has been and<br />

always will be a source of a considerable and<br />

necessary percentage of the world's celluloid<br />

entertainment. Volumes could be compiled<br />

about the history and significance of the unaffiliated<br />

filmmaker.s—big and little—whence<br />

they stemmed, into what they have developed,<br />

why some have survived and prospered down<br />

through the decades while others have fallen<br />

by the wayside.<br />

From such welter of often-contradictory<br />

industry progress one fact appears irrefutably<br />

established. The independent fabricator of<br />

screen fare requires, in order to succeed, two<br />

fundamental essentials—sufficient financing<br />

and unquestionable production knowhow.<br />

If these are to be accepted as constituting<br />

the keystone, seldom— if ever—has a venture<br />

in its field held more promise than the recently<br />

organized C. V. Whitney Pictiu-es, Inc.<br />

As was announced when the company was<br />

formed late in 1954, its destinies are being<br />

guided by Whitney, a leading industrialist<br />

who for the past two decades or more has<br />

been active in the field of motion picture<br />

bank rolling, and Merian C. Cooper, one of<br />

the trade's unchallenged top fabricators of<br />

movie entertainment, who is vice-president<br />

in charge of production.<br />

Quickly the Whitney organization began to<br />

build its manpower by inking megaphonist<br />

John Ford to a non-exclusive, three-picture<br />

pact under which his first assignment will be<br />

"The Searchers," a western novel by Alan<br />

LeMay. The signing of Ford, parenthetically,<br />

brings him and Cooper together in an association<br />

that is entirely separate from their<br />

other partnership, Argosy Pictures. In addition<br />

to "The Searchers," acquired for filming<br />

was "The American," an original by Cooper,<br />

which LeMay currently is scripting.<br />

Also coming into the company's fold were<br />

cinematographer Winton Hoch, music consultant<br />

Max Steiner and novelist Nancy Wilson<br />

Ross, the last named to function as story<br />

editor, while the firm's publicity and public<br />

relations were entrusted to the capable hands<br />

of Frank Perrett, well-regarded in the freelance<br />

praisery field.<br />

From which it becomes immediately and<br />

indisputably apparent that the newcomer to<br />

the independent rank.s has both of the abovementioned<br />

requisites in outsize do.ses. As to<br />

the adequate fiscal background, the "C. V."<br />

in the company handle stands for Cornelius<br />

Vanderbilt. Need more be said? And as<br />

concerns the knowhow front, it is impassible<br />

to conceive of a more impressive compilation<br />

of proven filmmaking experience than that<br />

w-hich is brought to the unit by Cooper, Ford<br />

and their associates.<br />

If the future of C. V. Whitney Pictures<br />

contains anything but .shining success, then<br />

indeed the lot of the independent producer<br />

is a dismal one.<br />

Cryptically concluding a HoUjrwood trade-<br />

paper obituary on the late James Hilton was<br />

the line, "No survivors."<br />

What with "Goodbye, Mr. Chips," 'Xost<br />

Horizons," "Mrs. Miniver" and other comparably<br />

sterling contributions to literature<br />

and the motion picture screen, author Hilton<br />

ha.s survivors that will be alive and bringing<br />

happine.ss and entertainment to the world<br />

for many years after the bereaved relatives<br />

of the average man have been long forgotten.<br />

On Universal-International's agenda of<br />

forthcoming features it a li'l number tagged<br />

'The Second Greatest Sex."<br />

It's about time that the magi of production<br />

progress by one grade. They've been making<br />

features about the first for more than 50<br />

years. Regardless, the Spring street books<br />

will lay eight to five that the opus suffers<br />

a title change before release time.<br />

For the past several years, while the economy<br />

pruningknife has hung over the publicity<br />

departments of the major studios, freelance<br />

press agentries have been springing into<br />

being behind virtually every bush in the<br />

Hollywoodlands. So the advent of still another<br />

normally rates but slight attention.<br />

When, however, the newcomer to the catch -ascatch-can<br />

space-snatching brigade concerns<br />

such widely known persons as Walter Compton<br />

and Duffy Cornell, the debut rates a stick<br />

of type.<br />

Compton has had a lengthy career as a<br />

drumbeater, having been, at various times,<br />

publicity director for Republic and United<br />

Artists, a member of Perry Lieber's staff at<br />

RKO Radio and president of the Publicists<br />

Guild. For the past several months he has<br />

been with Walter E. Kline & Associates, which<br />

public relations firm he will continue to represent.<br />

Cornell is one of the genuine oldtimers<br />

in the newspaper profession, his tenure<br />

including hitches with the Hearst organization<br />

in Chicago and Los Angeles as well as<br />

editorial service on theatrical tradepapers.<br />

If past performances, individ'ually or collectively,<br />

are indicative, C. & C. are dependable<br />

to cut considerable of a swath in the<br />

independent blurbery field.<br />

From those chronic name-garblers in Test<br />

Carle's Paramount praisery, a handout that<br />

informs, "Danny Kaye's pals, Willie Mays and<br />

Louis (sic) Durocher, visited him . the<br />

set . . .<br />

"<br />

Despite which he'll still be known as Leo<br />

back in Brooklyn.<br />

•'ac:tors are surprised to find<br />

plentv of fish in the ocean"<br />

—Joe Reddy-Disney Headline.<br />

What did they hexpect? Hostrich plumes?<br />

Confides a local keyholer: "Shirley Thomas.<br />

NBC glamor gal commentator, uses a rhinestone-studded<br />

microphone."<br />

And the comments are hardly pearls of<br />

wisdom.<br />

inuary 8, 1955 41


Producer-Director<br />

Directors Guild Distributes Achievement Awards<br />

Film pilots who were nominated for the annual Screen Directors Guild achievement awards in 1953 and the first nine montl;<br />

1954 received plaques in recognition of their work at a year-end ceremony at the SDG headquarters in Hollj-wood.<br />

In upper left photo, left to right, are Hank Potter, George Waggner. SDG President George Sidney. Virginia Grey (who acce<br />

on behalf of Daniel Mann), George Stevens, Stuart Heisler and Don Siegel. Potter and Waggner were cited for TV megaphoning sti<br />

IVIann was honored for the Hal VVallis-Paramount production, "Come Back, Little Sheba"; Stevens for Paramount's "Shane,"<br />

Siegel for "Riot in Cell Block 11," a Walter Wanger production for Allied Artists. In right photo, William A. Wellman (left), hon<br />

for the WajTie-Fellows production for Warners, "The High and the Mighty," poses with Miss Grey and President Sidney, the 1<br />

named having been given a plaque for piloting MGM's "Young Bess."<br />

The strip below shows President Sidney presenting awards to (from left) : Fred Zinnemann, for "From Here to Eternity" (Col); .<br />

Negulesco, "Titanic" and "Three Coins in a Fountain" (20th-Fox) ; Henry Koster, "The Robe" (20th-Fox) ; Walter Lang, "Call<br />

Madame" (20th-Fox), and Robert Wise, "Executive Suite" (MGM).<br />

Washington Premiere<br />

For 'Long Gray Line'<br />

HOLLYWOOD — Columbia's "The Long<br />

Gray Line." Technicolor-CinemaScope drama<br />

of West Point, directed by John Ford, will<br />

be given its world premiere early next month<br />

at the RKO Keith's Theatre in Washington,<br />

it was jointly announced by Harry Cohn,<br />

Columbia president, and Sol A. Schwartz.<br />

RKO Theatres head. Produced by Robert<br />

Arthur. "Line" stars Tj'rone Power and Maureen<br />

O'Hara.<br />

* « »<br />

"Tlmberjack," which Republic filmed on<br />

location in Montana, will be given a dual<br />

world premiere at the Fox and Roxy theatres<br />

in Missoula February 4. Toplining Sterling<br />

Hayden. Vera Ralston and Adolphe Menjou.<br />

the action drama was lensed in Trucolor with<br />

Joe Kane as producer-director. Herbert J.<br />

Yates. Republic president, and Mrs. Yates<br />

iMi.ss Ralston I will head a contingent of<br />

film personalities attending the openings.<br />

Briskin Named Chairman<br />

For Jerusalem Festival<br />

HOLLYWOOD—Irving Briskin of Columbia's<br />

executive staff has been named production<br />

chairman for the Jerusalem Anniversary<br />

Festival, to be staged Thursday (13 > at<br />

the Shrine Auditorium.<br />

S'X.ecuiloe<br />

West: Adolph Zukor. chairman of the<br />

board of Paramount, arrived from New York<br />

for his annual winter visit. He plans a<br />

stay of several weeks, vacationing and conferring<br />

with studio officials.<br />

* * *<br />

East:<br />

Producer Walter Wanger and director<br />

Don Siegel will head for Gotham next<br />

week to scout talent for "The Body Snatchers."<br />

on which they are associated as their<br />

next venture for Allied Artists.<br />

* * «<br />

East: Don Hartman. Paramount executive<br />

producer. left for Manhattan for business<br />

conferences.<br />

* * *<br />

West: Completing a world tour, Yoshiaki<br />

Takana,shi. a director of Eiga Haikyu Co..<br />

Ltd.. which distributes Allied Artists product<br />

in Japan, headed for his headquarters in<br />

Tokyo after a brief stopover here, during<br />

which he conferred with Steve Broidy, AA<br />

president, and other officials of the company.<br />

* * •<br />

East: Frederick Brisson. whose Independent<br />

Artists firm is producing "The Girl Rush"<br />

for Paramount distribution, left for New York<br />

on a quick business junket. Al.so heading for<br />

Gotham were Melville Shavelson and Jack<br />

Rose, who respectively directed and produced<br />

another Paramount release. "The Seven Little<br />

"^nxio^len^^<br />

Foys." They took with them a print<br />

Bob Hope starrer for a sneak sho^<br />

Manhattan.<br />

* « *<br />

East: Producer-Director Kurt N<<br />

planed out for Germany, where on<br />

day i20) he will begin camera work o<br />

of Rio," to be made in German and<br />

versions. He is due back in Hollywood i<br />

* * «<br />

East: Gilbert Kurland, Universal-I<br />

tional production manager, planed<br />

New York for two weeks of compan<br />

ness.<br />

* « *<br />

West : Otto Pre<br />

checked in for a brief stay before re<br />

to New York to continue preparations<br />

next film project, a biography of Indi:<br />

hatma Gandhi.<br />

« « *<br />

West: Director Mark Robson returnt<br />

a six-month stay abroad, during wl<br />

megged Warwick Pictures' "A Prize of<br />

a Richard Widmark starrer for C(<br />

release.<br />

East:<br />

* « •<br />

Megaphonist George Sidney, i<br />

from MGM to Columbia to pilot "Th<br />

Duchin Story," left for Gotham on a<br />

scouting hunt.<br />

42 BOXOFFICE :: Januarj


I after<br />

I<br />

Will Open<br />

Denver<br />

than 200 exhibitors in<br />

;ted to participate in three<br />

e held through two days<br />

;ek in the CosmopoHtan<br />

leries of MGM Ticket Selling<br />

held over the country<br />

Silver Glade room at 10<br />

morning, MGM will host<br />

)on between sessions. Pat<br />

mager for Cooper Foundamade<br />

reservations for all<br />

in Colorado, Lincoln, Neb.,<br />

y-<br />

ors are invited to attend<br />

wn the local COMPO orfor<br />

state legislators and<br />

ials. This will be at noon<br />

ervations are necessary,<br />

iety Tent 37 will hold its<br />

ckets to the semiformal<br />

to 300.<br />

the Workshop should be<br />

iry FYiedel, MGM manager<br />

PO luncheon to Ed Pringle,<br />

id for the Variety dinner<br />

ix. Allied Artists manager,<br />

1, Paramount manager.<br />

Critics Give<br />

to 'Waterfront'<br />

CO—The local newspaper<br />

named their selections for<br />

Francisco Drama Critics<br />

the selections were some-<br />

1, it was agreed upon by<br />

nd theatremen alike that<br />

ar got their money's worth.<br />

e the advent of the many<br />

d the variety of product<br />

ront" was selected as the<br />

Runnerup was "Executive<br />

1 was "Carmen Jones" with<br />

r Seven Brothers" vying<br />

ird went to James Mason<br />

20.000 Leagues Under the<br />

Dandridge was chosen the<br />

r work in "Carmen Jones."<br />

liet" was honored as the<br />

foreign category.<br />

! council which made the<br />

FYed Johnson of the Call<br />

lodel of the News: Teresa<br />

le Oakland Tribune: Horthe<br />

Examiner: William<br />

and John Vickers of the<br />

Year With CS<br />

DA.—The Craigmont Thelew<br />

Year off with a bang.<br />

IS managed by Henry Philclosing<br />

temporarily<br />

Scope equipment.<br />

techeck Rests<br />

ORE.—M. W. Mattecheck,<br />

itre owner and former city<br />

uperating at home from a<br />

I which haspitalized him In<br />

—<br />

—<br />

——<br />

'20,000 Leagues in Sensational Run<br />

With 300 in Second Denver Stanza<br />

DENVER—"20,000 Leagues Under the Sea"<br />

followed its sensational 460 per cent opening<br />

here at the Denver with an equally phenomenal<br />

300 in its second week and appears to be<br />

breaking all records. "Deep in My Heart" also<br />

proved a good draw, racking up a sub.stantial<br />

225 in its initial stanza to take second po.sition<br />

for the week. With the exception of<br />

the latter,<br />

all local first runs were second week holdovers<br />

and all reported over average grosses.<br />

"There's No Business Like Show Business"<br />

continued strong at 190 and was followed<br />

closely by "Three Ring Cii'cus" and "Vera<br />

Cruz," both of which achieved a healthy 150.<br />

"The Detective" went up a few points to 130,<br />

showing a slight improvement over its first<br />

week's 125.<br />

(Averoge Is 100)<br />

Aloddin The Detective (Col), 2nd wk 130<br />

Centre There's No Business Like Show Business<br />

(20th-Fox), 2nd wk 190<br />

Denhom Three Ring Circus (Para), 2nd wk 160<br />

Denver 20,000 Leagues Under the Sea<br />

(Buena Visto), 2nd wk 300<br />

Esquire Bread, Love and Dreams (IFE), 2nd wk. . .100<br />

Orphcum Deep in My Heart (MGM) 225<br />

Paramount Vera Crul iUA), 2nd wk 1 50<br />

'Pagan' Reports 240<br />

In Seattle Bo'w<br />

SEATTLE—"Sign of the Pagan" reported<br />

240 per cent for its initial Seattle showing,<br />

taking first place for the week. Grosses<br />

otherwise were just about average.<br />

Blue Mouse Young at Heart (WB); The Post and<br />

the Furious (ARC), 2nd wk 125<br />

Music Box— Sabrino (Para), 8th wk 100<br />

Music Hall Young at Heart (WB) 105<br />

Orpheum Sign of the Pagan (U-1); Four Guns to<br />

the Border (U-l) 240<br />

'Leagues' Shades 'Sho-w Business'<br />

At Portland<br />

PORTLAND—"20,000 Leagues Under the<br />

Sea" and "There's No Business Like Show<br />

Business" continued here as the holiday boxoffice<br />

leaders with scores of 350 and 235 per<br />

cent,<br />

respectively.<br />

Broodwoy The Young at Heart (WB) 1 60<br />

Fox—There's No Business Like Show Business<br />

'20tti-Fox) 235<br />

Guild The Little Kidnappers (UA), 3rd wk 160<br />

Liberty Deep in My Heart (MGM) 200<br />

Orpheum 20,000 Leagues Under the Sea (BV)..350<br />

Paramount Three Ring Circus (Pora), 2nd wk...200<br />

United Artists So This Is Paris (U-I) MO<br />

Disney's Sea Thriller<br />

Packs 'Em in at L. A.<br />

LOS ANGELES—Brisk New Year's holiday<br />

business kept local first run turnstiles clicking<br />

at a merry pace, even though almost<br />

all entries were of the holdover variety.<br />

Still the leader, at a staggering 430 per cent<br />

for its second week, was "20,000 Leagues Under<br />

the Sea," while other outstanding draws<br />

were "There's No Business Like Show Business"<br />

and "The Country Girl," finishing their<br />

.second stanzas with 350 and 260 per cent,<br />

respectively.<br />

Chinese There's No Business Like Show Business<br />

{20th-Fox), 2nd wk 350<br />

Egyption, State ^Deep in My Heart (MGM),<br />

2nd wk 140<br />

El Rey—Romeo and Juliet 'UA), 2nd wk 90<br />

Fine Arts The Barefoot Contessa (UA), 9th wk.. . 85<br />

Four Star—The Detective (Col), 2nd wk 210<br />

Fox Wilshire 20,000 Leagues Under the Seo<br />

(Bueno Vista), 2nd wk 430<br />

Hillsfreet, Pontages The Silver Chalice (WB),<br />

2nd wk 200<br />

Hollywood Paramount—Sign of the Pagan (U-l),<br />

2nd wk 210<br />

Orpheum, Hawoii Three Ring Circus (Poro),<br />

2nd wk 140<br />

United Artists The Mari|uona Story 'Monhattan);<br />

Teen-Age Menace (SR); A Bedroom Fantasy<br />

(Sonney) 1 00<br />

—<br />

—<br />

—<br />

—<br />

Warners Beverly The Country Girl (Para), 2nd<br />

wk 260<br />

Warners Downtown, Wiltern, Fox Vogue Young<br />

at Heart (WB); Mosterson of Kansas (Col),<br />

2nd wk 125<br />

Warners Hollywood This Is Cineromo (Cineromo)<br />

38th wk ISO<br />

Three Tie for First Place<br />

At 300% in Frisco<br />

SAN FRANCISCO—All of the local first<br />

run houses had a great holiday week. Each<br />

one had above average attendance. Tied for<br />

first place honors were three theatres, the<br />

Fox with "There's No Business Like Show<br />

Business," the Golden Gate with Disney's<br />

"20.000 Leagues Under the Sea" and the<br />

United Artists with the Gary Cooper starrer,<br />

"Vera Cruz." "Beau Brummell," "The<br />

Silver Chalice" and "Three Ring Cii-cus" also<br />

did well with approximately 25 per cent above<br />

average business each.<br />

Fox There's No Business Like Show Business<br />

(20th-Fox) 300<br />

Golden Gate 20,000 Leagues Under the Seo<br />

(Buena Vista) 300<br />

Loew's Warfield Beou Brummell (MGM) 120<br />

Paromount Three Ring Circus (Pora) 125<br />

St Francis The Silver Chalice (WB) 125<br />

United Artists— Vera Crui (UA) 300<br />

Ritz's Interior Gutted<br />

By Fire in Layton, Utah<br />

LAYTON. UTAH—The interior of the 450-<br />

seat Ritz Theatre was gutted recently by a<br />

fire of undetermined origin. John Ivers,<br />

spokesman for Roy Theatres which operates<br />

the house, estimated the damage at approximately<br />

$50,000. The fire which took more<br />

than two hours to bring under control was<br />

discovered at 11 a.m. while Manager Dean<br />

Roberts was working at nearby Hill Air Force<br />

Base.<br />

Revamp Tacoma House<br />

TACOMA—The Sunset Theatre, local<br />

west<br />

end house, has been reopened after new seats<br />

and Cinemascope equipment were installed<br />

while closed during December. According to<br />

Manager Julian Hines, the new seating arrangement<br />

offers a clear view of the screen<br />

from any point in the auditorium and is<br />

more spacious to allow easier Ingress and<br />

egress.<br />

YOU CAN ALWAYS DEPEND ON<br />

FOR THE BEST<br />

,<br />

SPECIAL<br />

—<br />

Oregon Willamette Valley Theatre<br />

Only theatre in small town. Family operation. Living<br />

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estate. Terms.<br />

THEATRE EXCHANGE CO.<br />

5724 S. E. Monroe PorHond IX, Or«.<br />

Phona Evergreen 1-7100 — 1-1606<br />

.nuary 8, 1955 43


. . Charles<br />

SAN FRANCISCO<br />

Oix contractors were named defendants in<br />

a lawsuit which asks $32,500 for damages<br />

allegedly caused the Contra Costa Motor-In<br />

in Pleasant Hill by an improperly constructed<br />

drainage ditch. The action was brought by<br />

Robert L. Lippert, Leslie Kessler and the<br />

Concord Theatre Co. and Elwood P. Laws.<br />

Lippert and Kessler are the owners of the<br />

land which Laws and Concord Theatre Co.<br />

are leasing to operate the drive-in.<br />

An 11-year-old boy fell 30 feet down an<br />

elevator shaft at the Fox Oakland Theatre,<br />

but suffered only minor injuries. The boy and<br />

two friends entered a utility elevator near<br />

the lobby of the theatre and rode it to the<br />

third floor. The boy left the others and<br />

raced down stairs to beat the elevator to the<br />

second floor. The elevator became stuck at<br />

the top of the second floor door and the<br />

boy plummeted through the open door. He<br />

escaped serious injury by momentarily<br />

clutching the elevator's cables, breaking the<br />

fall. Manager Jack McDougall stated the three<br />

must have pried open the ground floor door<br />

to enter the elevator and then opened the<br />

second floor door from within.<br />

Pete Vaga, Fox West Coast booker, was in<br />

St. Francis haspital . . . Issy Wolf, National<br />

Screen Service, also was hospitalized . . .<br />

Eddie Schlein, manager of the Alexandria<br />

Theatre, suffered a broken jaw when he fell<br />

down the stairs of his home . . . "Lo" Jones,<br />

Western Theatrical Equipment Co., was<br />

greeted with a costly Christmas present! A<br />

home he was preparing to vacate and put<br />

on the market for sale, was broken into by<br />

three juveniles who managed to walk out<br />

with nearly all the furnishings, as well as<br />

destroying much of the property, before police<br />

picked them up. The boys broke in through<br />

a window and over a period of a month, made<br />

off with the furnishings.<br />

George Williams, RCA Service, retired December<br />

27 after a long and succes.sful association<br />

with the firm. A testimonial dinner was<br />

held at the Clift House. In attendance were<br />

Hal Madison, west coast chief for RCA Service<br />

from Los Angeles, managers from the<br />

home office in Camden, N. J., and engineers<br />

from all over the state. George received a gold<br />

watch. He went to work in 1936 with RCA,<br />

and formerly was with Western Electric. At<br />

the age of 12 he worked in a Chicago theatre<br />

as an usher and has been in the theatre<br />

engineering field in California since that time.<br />

Along the Row were Al Stanford, Paso<br />

Roble's Oak Drive-In, and Bill Blair from the<br />

Blalr Theatre, Cloverdale. Blair reported that<br />

his Crescent Theatre, Areata, was not touched<br />

by the recent earthquake at Eureka. As a<br />

matter of fact, the theatres in the Eureka<br />

and Areata area survived the mi.shap with<br />

no damage.<br />

WMi^Msr mimm^RUSH<br />

THE SERVICE YOU WANT<br />

THE SERVICE YOU GET<br />

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on vour Special Trailers from<br />

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125 HYDE ST. SAN FRANCISCO (2), CALIF.<br />

Gerald L Karski.:.. President<br />

Audience in Portland<br />

Talks to Johnnie Ray<br />

PORTLAND—For the f u-st time in theatrical<br />

history here, a downtown theatre presented<br />

a motion picture star some 3,200 miles away<br />

Manager Oscar Nyberg of the Fox Theatre<br />

at Portland stands by while Mayor<br />

Fred Peterson chats with Johnnie Ray<br />

in a telephone hookup on the Fox loudspeaker<br />

system with the singing star in<br />

.Miami Beach.<br />

to an audience via telephone. For a Monday<br />

night showing of "There's No Business Like<br />

Show Business," Oscar Nyberg arranged with<br />

Johnnie Ray, former Portland singer who has<br />

a co-starring role in the Cinemascope musical,<br />

to talk to the Fox Theatre audience via<br />

long distance telephone.<br />

Details for the call were worked out a week<br />

in advance by Nyberg and the Pacific Telephone<br />

& Telegraph Co. here. A clearance<br />

was arranged so that the call would reach<br />

Portland at 9 p.m., the usual intermission<br />

period.<br />

Nyberg invited Mr. and Mrs. Elmer Ray,<br />

Johnnie's parents, who live near Portland,<br />

and his sister to attend the performance.<br />

Also on the guest list was Mayor FYed Peterson<br />

and Johnnie's drama and speech teacher.<br />

Miss Cecil McKircher of Pj-anklin High School<br />

here who Johnnie credited as the teacher who<br />

gave him the most inspiration.<br />

Nate Cohen, Portland furniture man, on<br />

whose radio program Ray made his first<br />

appearance, also talked and in conclusion,<br />

held out the telephone, inviting the Fox audience<br />

to wish the singer a "Happy New Year,"<br />

which they did. Mrs. Ray, the mayor and<br />

other friends chatted during the 19-minute<br />

conversation which was cut in to the Fox<br />

theatre's sound system. Every word could<br />

be heard by the audience.<br />

Ray, currently appearing at Lou Walter's<br />

Latin Quarter at Miami Beach, Fla., kept the<br />

conversation going at a lively pace.<br />

P. A. Tour to Plug Toko-Ri'<br />

HOLLYWOOD—Plugging regional openings<br />

of "The Bridges at Toko-Ri," which they<br />

produced for Paramount, William Perlberg<br />

and George Seaton have taken off on a tour<br />

of major U. S. cities, holding newspaper interviews,<br />

making radio and TV appearances<br />

and meeting with exhibitors and circuit executies.<br />

Theii- itinerary includes Chicago, Detroit.<br />

Cleveland, New York, Boston, Philadelphia,<br />

Washington and San Francisco, returning<br />

here late this month.<br />

DENVER<br />

The U-I sales force returned from a :<br />

City sales meeting, where they were<br />

on the Charles J. Feldman drive, whic<br />

end April 30. Attending the meetini<br />

Manager Mayer Monsky and salesmen<br />

Green, Les Laramie and Gene Klei<br />

meeting was headed by Foster Blal<br />

vision<br />

manager; Lester Zucker, distric<br />

ager. and Jeff Livingston, home off<br />

ploitation man . P. Weh<br />

moved into his new home in Lakewoc<br />

race.<br />

.<br />

re.signed to become booker for Westlan<br />

Robert Selig, assistant to the presi(<br />

Pox Intermountain, went to Los Ang<br />

Carl Mock<br />

business and pleasure . . .<br />

tre appliance salesman, spent Christ<br />

Chihuahua. Mexico Howard Ca<br />

.<br />

with Warner Bros, for<br />

.<br />

many years ani<br />

time office manager and lately salesm<br />

aires, which has houses in Colorado<br />

coin. Neb., and Oklahoma City . .<br />

Schaffer. owner of the Pastime. B<br />

Mont., has opened his new Tug at A<br />

Mont.<br />

Fox Intermountain has .sold the 6<br />

BLson. McCook, Neb., and the 850-seai<br />

mount, Cheyenne, to Carlin Smith<br />

Charles J. Bell, brother of Earl, Warns<br />

manager, died in Los Angeles. Burial<br />

Omaha. Bell was in the film business<br />

years ago ... Ed Mapel, owner of th<br />

and city councilman, was recently<br />

to use a cane as the result of an old<br />

He broke his right leg in 1946 whOe gr,<br />

with a burglar that had broken ii<br />

apartment.<br />

Court Upholds Karp's S<br />

Of Sherman's Studios<br />

HOLLYWOOD—Upholding an earlie<br />

rior court action approving the sale, t<br />

trict court of appeals has handed d(<br />

opinion that Jacob H. Karp. executor<br />

estate of the late HaiTy Sherman,<br />

producer, acted in the best interests<br />

estate when he negotiated the sale o:<br />

man's California studios to Gross-]<br />

Inc., a TV company.<br />

Sherman's daughters, T h e o d o r<br />

Alwynne, had appealed the superioi<br />

ruling on the allegation that sufficiei<br />

was not permitted to consider other<br />

Night Mqnager Foils Tl<br />

SEATTLE—A thief failed in an i<br />

to rob the Embassy Theatre when<br />

Ann Daily, night manager, showed the<br />

man an empty safe. The man had appi<br />

Miss Daily and claimed he was from t<br />

trict attorney's office, ."^aying he wai<br />

talk to her in the theatre office. Onc(<br />

he placed his hand in his topcoat po<br />

though he had a gun. He immediate<br />

when shown the empty safe.<br />

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44 BOXOFFICE :: January


'T LE<br />

. . Henry<br />

. . . George<br />

. . . Fred<br />

Theatre Supply, returned<br />

ing the installation of<br />

Onalaska Theatre, Ona-<br />

William Lyon. The new<br />

ed of an RCA Dynalite<br />

: lenses, di'apes and curluck<br />

Rosenmeyer of Paraew<br />

Year's holiday in Portressler,<br />

head of Foreman<br />

a two-week vacation in<br />

\l Larpenteur, Northwest<br />

alesman, was in eastern<br />

;or of the Ki-Be in Benton<br />

How . Haustein.<br />

er, returned to his desk<br />

acation to San Francisco<br />

;opened the Liberty Theastmas<br />

Day, with complete<br />

and a new Walker screen<br />

National Theatre Supply<br />

on of John Riley. Henry's<br />

re also reopened Christie<br />

Walker screen and anawell<br />

as new drapes and<br />

nstalled through Theatre<br />

salesman, is handling the<br />

Walker screen at Peter<br />

•atre, Okanogan . . . Walter<br />

rtland working on the proat<br />

Toko-Rl."<br />

T Man Heads<br />

ms Firm<br />

Planning a series of 39<br />

Pacific Productions, Inc.,<br />

as a Kansas corporation<br />

r., of Kansas City, Mo., as<br />

will be opened at the<br />

next month. Other offic<br />

L. Lombard of Enterresident;<br />

Claude L. Rice,<br />

secretary, and A. H. Myers<br />

will be distributed by<br />

d Associates. The aboves<br />

Bagnall, constitute the<br />

f<br />

directors.<br />

nstallations<br />

It equipment mstallations<br />

al Theatre Supply include<br />

phonic sound system in<br />

at's Egyptian Theatre at<br />

>imilar installation at the<br />

onnell. Wash., owned by<br />

Walker screen and B&L<br />

snses at Cecil McClure's<br />

•in Bridges, Mont.; simUar<br />

as a Simplex sound sysida.<br />

Spokane, and Super<br />

organ lenses at Pat Metz-<br />

Smelterville,<br />

Ida.<br />

5 Fine Idea<br />

3y a margin of better than<br />

rs of the Screen Extras<br />

Droposal that compulsory<br />

meetings be enforced by<br />

ibsentees. The count was<br />

45 in favor of such fines,<br />

lil referendum.<br />

HONOR REPUBLIC VETKR.VNS—Herbert ,1. Vales, president of Republic Pictures,<br />

honored a group of studio executives, writers, directors and staff employes who have<br />

been with the company for 20 years at a studio holiday party. In the center background<br />

is Reginald .\rmour. managing director for Republic in Great Britain. Others are: Hy<br />

J. Glick, secretary-treasurer; Francis A. Bateman, western division manager; William<br />

J. O'Sullivan, associate producer; T. \V. Yates, head of purchasing department; John<br />

.Foe Kane, associate producer-director; R. G. Springsteen, director; Barry Shipman,<br />

writer; 'William Witney, director; Bud Thackery, cameraman; Betty Andrews, accounting<br />

department office manager, and others.<br />

Remodeled FWC Theatre<br />

Opens at Long Beach<br />

LONG BEACH. CALIF.—Completely remodeled<br />

and refurnished, the Imperial Theatre<br />

here has been reopened by Fox West<br />

Coast with Forrest Justus as house manager.<br />

The 804-seat showcase is equipped with Bodiform<br />

chairs, special acoustical plaster and<br />

a 19x40-foot Miracle Mirror screen capable<br />

of handling standard and all wide screen<br />

ratios as well as theatre television. It also<br />

has magnetic stereophonic sound equipment.<br />

PORTLAND<br />

fills Is Your Army," Technicolor documentary,<br />

will open at Parker's Broadway<br />

on the 12th with "Green Fire." Ai-med services<br />

organizations joined in the promotion<br />

of the picture with displays of equipment and<br />

a downtown parade. Herb Royster, Parker<br />

publicity director, praised the enthusiasm and<br />

activity of army personnel in this area.<br />

Earl Keate, UA, was in w'orking on ""Vera<br />

Cruz," scheduled for John Hamrick's Liberty.<br />

Keate plans to invite all persons named<br />

Lancaster or Cooper to attend the opening of<br />

the<br />

film.<br />

Marie Wilson was in a second week at<br />

Amato's supper club here breaking in the<br />

act she will open at the Flamingo Hotel in<br />

Las Vegas January 27. for which she will<br />

get $20,000 a week.<br />

Win Sage, one of MGM's new term contract<br />

players, was in Portland visiting his<br />

wife, a librarian for KGW here. The Sages<br />

are moving to Los Angeles. He is tentatively<br />

inked in for a role in MGM's forthcoming<br />

musical, "Kismet." His last film role was in<br />

"Dragnet" where he played the role of the<br />

killer. He was accompanied by Allan Weider<br />

on a round of press and TV station interviews.<br />

Moz Buries Installs Wide Screen<br />

WHITE SALMON, WASH.—Moz Buries,<br />

owner of the Canyon and Cameo theatres, has<br />

installed a wide .screen at the Cameo. The<br />

Canyon already had gone wide .screen earlier<br />

in the year.<br />

LOS ANGELES<br />

'Domance Dept.: John P. Filbert jr., of Filbert<br />

Supply, and Lillian Anderson. MGM<br />

staffer, announced their engagement and are<br />

planning an early-February marriage; Hem-y<br />

Pines, manager of the Town Theatre m Bell<br />

Gardens, took unto himself a bride, the<br />

former Jean Gellf . . . Carl Young has taken<br />

over the booking-buying chores for the Empire<br />

Theatre, neighborhood house ... A<br />

Filmrow visitor was Pat Patterson, of Real<br />

Pictures in San Francisco.<br />

Roy Evans is back on the job as first run<br />

district manager for Fox West Coast after<br />

recuperating from a recent appendectomy<br />

A. Hickey. Pacific coast district<br />

chief for MGM, took off on a tour of the<br />

San Francisco, Portland, Seattle and Salt<br />

Lake City exchanges.<br />

Lou Berman and associates have acquired<br />

a 15-acre site on the outskirts of Oxnard. on<br />

which construction of a 1.000-car drive-in is<br />

planned. The ozoner will have a 110-foot<br />

screen and approximately 200 walk-in seats.<br />

The Berman group also operates the 101<br />

Drive-In near Ventura.<br />

Felder, of<br />

Checking in on a booking and buying expedition<br />

was George Page, of the Fairoaks Theatre<br />

in Arroyo Grande<br />

Realart Pictm-es in<br />

. . . Joe<br />

New York, was in town<br />

Siegel, operator of the Palomar<br />

and Margo theatres in Oceanside, is building<br />

a new 900-seater there.<br />

Theatre Given to Haniord, Calif.<br />

HANFORD. CALIF.—The Ritz Theatre<br />

which has been shuttered for the past year<br />

was donated to the city by the Golden State<br />

Theatre Corp.. proprietors. Details of the<br />

deal were kept secret.<br />

WE CAN SELL YOUR THEATRE<br />

SUBURBAN<br />

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tuary 8, 1955 45


\<br />

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Only<br />

$3.00<br />

Per Copy<br />

GEORGE M<br />

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Illustrated and Indexed<br />

^ucceSdfui oDrwe-Jj^n<br />

t v lunaaement<br />

PRACTICAL AID TO OUTDOOR THEATRE DESIGN<br />

Partial List of Contents<br />

The<br />

Author:<br />

GEORGE M. PETERSEN, with<br />

more than 1 5 years of experience<br />

in the designing,<br />

building and operation of<br />

drive-in field. He was one<br />

of the first persons who had<br />

faith in this medium of<br />

entertainment. As o designer,<br />

builder and operator<br />

of drive-ins, he writes with<br />

authority on all phoses of<br />

the outdoor theatre.<br />

Accident Prevention<br />

Car Handling<br />

Checking Speakers<br />

Child Labor<br />

Refreshments<br />

Giveaways<br />

Lighting<br />

Playgrounds<br />

Speaker Protection<br />

Supervision<br />

Traffic Control<br />

Operating the Concession<br />

Advertising and Expolitation<br />

Financing the Drive-ln<br />

How to Determine Capacity<br />

Selecting the Site<br />

The Screen Tower<br />

Projection-Concession<br />

Building<br />

Concession Layouts<br />

Restroom Equipment<br />

The Drive-ln Fence<br />

Selecting Projection end<br />

Sound Equipment<br />

Operation Suggestions<br />

Insurance<br />

I<br />

BOXOFFICE


( 19<br />

lirer Started<br />

ow-Komm<br />

iti'uction was scheduled to<br />

)n the $450,000 Holiday<br />

age Blvd., near suburban<br />

oject of the Jablonown<br />

a 16-acre tract. Louis<br />

manager, said that the<br />

de ample equipment for<br />

ing, patio lounging and<br />

site has been completed,<br />

accommodate 1,000 autoelectric<br />

heaters will be<br />

s so that the new drive-in<br />

; year around,<br />

buildings will be grouped<br />

ng at the entrance, a delayout<br />

of most drive-in<br />

? projection booths, conooms<br />

and play areas are<br />

irior. The contemporarye<br />

to be linked by fences,<br />

:-oofs. Trained attendants<br />

wipe the windshields during.<br />

le to keep the play area<br />

during the picture probe<br />

in back of the parked<br />

t observation balcony, the<br />

ill have glass walls along<br />

•he patrons can continue<br />

e program while purchasems.<br />

Special tables will<br />

le glass wall for patrons<br />

ed chicken and pizza i . The<br />

id will have four service<br />

ance and exit doors conirpet<br />

electrically operated<br />

ir-conditioned concession<br />

nclosed patio with planted<br />

rraces. Tables and chairs<br />

ere for outdoor dining,<br />

panoramic screen will be<br />

projection booth.<br />

r As.sociates, 9640 Clayton<br />

iigned the theatre, while<br />

itract was awarded to the<br />

Co.<br />

:e Wins Out<br />

Permit<br />

-James E. Fortmeyer of<br />

:en gi-anted a special perction<br />

of a drive-in theatre<br />

t of Kentucky road. Fortng<br />

to obtain such a permit<br />

grant, a unanimous deon<br />

County court, will rim<br />

e 55-acre site had been<br />

re but the order from the<br />

the applicant had shown<br />

drive-in harmonized w'ith<br />

zoning plan. The applicaneyer<br />

is planning an 800-<br />

Drotest filed by property<br />

;d the drive-in construclid<br />

since it contended apect<br />

would be an amend-<br />

;ulations.<br />

ith C'Scope<br />

1,.—W. L. Davis reopened<br />

lUowing the Installation of<br />

M. B. Smith Is Moved Up<br />

In Commonwealth Shift<br />

KANSAS CITY—Jack Braunagel, in charge<br />

of drive-in operations since the Commonwealth<br />

circuit's first drive-in, the TrLstate at<br />

1. I<br />

Joplin, opened in April of 1948, resigned, effective<br />

January 22, to go with United Theatres<br />

at North Little Rock. Ark., on February<br />

The story of Braunagel's industry career<br />

appears in another section of this issue.)<br />

R. M. Shelton, Commonwealth president, said<br />

Jack left with the good w'Lshes of everyone<br />

in the organization. With his departure.<br />

Commonwealth drive-in operations total 29<br />

situations.<br />

Instead of appointing a new drive-in manager,<br />

a reorganization of the company's operations<br />

is being effected. FoiTnerly there<br />

were the five divisions, labeled Central, We.stern.<br />

Southern, City and Drive-In, consisting<br />

of 78 theatres. Now the divisions are being<br />

numbered I. 2, 3, 4, and 5—with the drive-ins<br />

part of each division's setup. Two new division<br />

managers have been named. Etoug<br />

Lightner, city manager at Columbia, Mo.,<br />

will continue to reside there and manage<br />

division 4. Ray Holmes, city manager at Lawrence,<br />

Kas., will still live there and manage<br />

division 3.<br />

M. B. Smith, who took over as director<br />

of advertising, publicity and public relations<br />

January 1, w'ill have four particular duties,<br />

Shelton said. Fii'st, he<br />

will act as liaison man<br />

and coordinator for all<br />

the divisions, making<br />

the ideas of each manager<br />

available to others<br />

in the entire circuit.<br />

He also will be the<br />

company's troubleshooter<br />

for any rough<br />

situation which may<br />

develop.<br />

Secondly, he will<br />

assist the general man-<br />

M. B. Smith ager. As yet no one<br />

has been named to this position, formerly<br />

held by Shelton who has been advanced to<br />

president. "Smitty," as they call him in the<br />

office, has proved in the past he knows operations<br />

down to the last detail, Shelton said.<br />

Thii-d, he will have the authority to produce<br />

campaigns for the circuit and to go into<br />

any territory and set up test campaigns.<br />

Fourth, he will make calls in the divLsions<br />

for the general manager, and will continue<br />

to edit the Messenger, weekly Commonwealth<br />

house organ.<br />

Smith started as an operator with O. K.<br />

Mason in February of 1931 and has filled<br />

every job the circuit ha-s had to offer. In<br />

1939 he became a division manager, the<br />

first such position created, with headquarters<br />

in Garden City. In 1946 he was brought into<br />

the home office, and here he initiated Shelton<br />

into his duties as a division manager, the<br />

second division then being inaugurated. He<br />

has acted as temporary film buyer, and in<br />

the fall of 1946 took over the Central division<br />

with the added duties as publicity<br />

director and management aide in the home<br />

office, serving in these capacities until his<br />

present promotion.<br />

Other personnel changes include the addition<br />

of George Gabbert. former booker at<br />

Republic and prior to that office manager and<br />

CONFERENCE—Mara Corday<br />

'P.\RIS'<br />

visited Indianapolis in behalf of U-I's "So<br />

This Is Paris" at the Circle Theatre. Here<br />

she is shown discussing the promotional<br />

plans with Indiana Amusement Co. exec-<br />

Left to right are Walter Wolvcr-<br />

utives.<br />

ton, advertising manager of Indiana<br />

Amusement; Milton Ettinger, office manager<br />

at the U-I exchange; Al Hendricks,<br />

manager of the Indiana Theatre, and Dal<br />

Schuder, manager of the Circle.<br />

booker at Columbia, as booker for Phil Blakey's<br />

division 5.<br />

Woody Longan. film buyer at Durwood<br />

Theatres, is coming over to Commonwealth<br />

in the near future as assistant to film<br />

buyer Lloyd Morris. Longan will supervise all<br />

bookings and do the film buying for those<br />

theatres which are served out of exchange<br />

areas other than Kansas City. His experience<br />

includes five years at Durwood Theatres, prior<br />

to which he spent ten years with the Dickinson<br />

circuit. Before that he had his own<br />

real estate and insurance business.<br />

The new Commonwealth divisions, their<br />

respective managers, and the number of<br />

theatres and towns in their divisions are<br />

these:<br />

Division 1—Roy Tucker, manager; Joplin,<br />

Mo. (2). Baxter Springs, Kas. CD, Springfield,<br />

Mo., (2), Fayetteville, Ark., (1), Harrison,<br />

Ark., (3), Mountain Home, Ark., (1),<br />

Batesville, Ark., (2). Searcy. Ark. c2). Monett,<br />

Mo.. i2). (16 theatres. 9 towns.)<br />

Division 2—J. D. King, Great Bend. Kas.<br />

(31. Hoisington (2>. Pratt (1), Kinsley (1),<br />

Garden City (3). Kingman (2), Ellsworth<br />

(2 1. Lindsborg (1). Eureka (1), Manhattan<br />

(1), Herington (1), il8 theatres, 11 towns.)<br />

Division 3—Ray Holmes, Ti'enton, Mo. (2),<br />

Cre.ston. Iowa i3). Yankton. S. D., CM. Shenandoah.<br />

Iowa (1). Belleville. Iowa (2), Superior.<br />

Neb. (II, Grand Island (1). North<br />

Platte (li. Goodland. Kas. (2), Norton. Kas.<br />

(li. Lawrence. Kas. (3). Holton, Kas. (1).<br />

theatres, 12 tow-ns.)<br />

Division 4—Doug Lightner. Washington,<br />

Mo. (21. Pulton (1), Columbia (4), Waynesville<br />

(2), Clinton (3i, CaiToUton (1), Warrensburg<br />

(2), Sedalia (1), Harrisonville (2). (18<br />

theatres. 9 towns.)<br />

Division 7—Phil Blakey. Kansas City (4i,<br />

Excelsior Springs (1). Parkville (1), Hickman<br />

Mills (1). (7 theatres, 4 towns.)<br />

luary 8, 1955 47


KANSAS CITY<br />

. , .<br />

JJtuyvae P. Musselman iMrs. Ray), veteran<br />

exhibitor who operates the Roach Theatre<br />

at Lincoln, Kas., has been at St. John's<br />

Hospital in Salina for observation. Her husband<br />

is taking her to Mayo's for further<br />

tests this coming week. Doctors have been<br />

unable to determine the cause of her jaundiced<br />

condition Chic Evens, 20th-Fox<br />

publicist, left for Las Vegas, Nev., with Mrs.<br />

Evens to attend the wedding of their daughter<br />

Sherli to Erwin Goldman, newspaperman<br />

with the Los Angeles Times, The wedding<br />

took place Tuesday i4) at the Last Frontier<br />

Wedding Chapel in Las Vegas and the young<br />

couple are honeymooning at the Flamingo.<br />

Sherli has been living in California the past<br />

two years.<br />

Nick Sonday, general manager of Consolidated<br />

Agencies, broke diet training over the<br />

holidays and as a consequence has been back<br />

in Research Hospital for observation and a<br />

complete checkup. He became ill early New<br />

Year's morning. Nellie and Ed Cremins of<br />

Des Moines stopped in the home office Monday<br />

i3). Ed is Lloyd Hirstein's assistant at<br />

the Capitol in Des Moines and Nellie operates<br />

the concessions. They were on vacation. William<br />

Wade, manager of the Palace at Wichita,<br />

was in for a conference last week as was<br />

Veldon Hon, manager of the Davis at Higginsville.<br />

Clark Rhoden, chairman of the board for<br />

the Popcorn Institute, will attend the meeting<br />

to be held in Chicago on January 19 as<br />

will Frank Bamford, Fox Midwest conces-<br />

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L. I. KIMBRIEL. Manager<br />

Phone Baltimore 3070<br />

115 W. 18th Kansas City 8, Mo.<br />

COMPLETE LINE OF CONCESSIONS<br />

EQUIPMENT AND SUPPLIES<br />

L & L<br />

no West 18th St.<br />

POPCORN CO.<br />

Kansas City, Mo.<br />

sions manager. Prior to the meeting, the<br />

Popcorn Processors will hold a meeting on<br />

January 18, 19. Incidentally, Rhoden's own<br />

Tarkio. Mo. popcorn plant has around 6.-<br />

000,000 pounds of popcorn stored.<br />

Fred Souttar, Fox Midwest district manager,<br />

reports the death Friday (31) of Harry<br />

Keiffer of the Wichita Eagle. At one time<br />

Keiffer operated the Grand and Strand theatres<br />

at Salina, Kas. Souttar also reports<br />

the Regent at Newton is being remodeled,<br />

with new floors, new seats and a new front.<br />

The Chief has had Cinemascope installed<br />

so that the Regent can close until the remodeling<br />

is completed and when it reopens<br />

it will be called the Pox. The Wichita at<br />

Wichita gets CS, so now all Fox Wichita<br />

houses have installations. Manager Zeb<br />

Pruner is back after an illness.<br />

Vern Skorey, sales manager for 20th-Fox,<br />

and wife have returned from a short trip<br />

to visit his brother in Denver. Howard Kinser,<br />

salesman who lives at Newton, was in for<br />

the sales meeting Monday 1,3) .. , Hank<br />

Doering of the Peoples at Garnett, Kas., was<br />

on Filmrow booking in preparation for having<br />

to spend several months at the legislative<br />

sessions at Topeka. Hank is a state representative<br />

. . . J. W. Shi-eve opened his<br />

Giles Theatre with Cinemascope over the<br />

holidays. Guess where he bought his equipment.<br />

John McCarty of the McCarty Theatre<br />

Supply of St. Louis visited the Shreve Theatre<br />

Supply Co. over the holidays. McCarty<br />

is a business associate of J. W. Shreve<br />

Bud Truog. office manager for United Artists,<br />

is pleased to announce that in the current<br />

Bob Benjamin Drive the Kansas City<br />

exchange is in first place. The weeks from<br />

February 20 to March 5 have been designated<br />

Ralph Amacher weeks in honor of UA's<br />

local manager.<br />

L. J. Kimbriel of Missouri Theatre Supply<br />

and Mrs. Kimbriel flew to Mexico City and<br />

Acapulco for a ten-day vacation . . . Gene<br />

Sichelman, home office representative, has<br />

arrived for several weeks in the Columbia<br />

exchange ... Ed Hartman of Hai'tman Booking<br />

Agency counted one of his best Christma*<br />

presents the greeting by telephone from<br />

his daughter Elaine in Guam .<br />

. Jerry Haile,<br />

Universal salesman for<br />

.<br />

northern Kansas,<br />

spent Christma-s with his parents in Dallas<br />

. . . Harold Wirthwein, Allied Ai-tists western<br />

division sales manager and Roy Brewer, in<br />

charge of exchange operations, are due Monday<br />

(10) in the local office . . . Elliott<br />

Hechtman, son of Nat Hechtman of Capitol<br />

Flag & Banner Co., has returned to Missouri<br />

University after spending the holidays with<br />

his parents.<br />

Joe Redmond, Fox Midwest publicist, is<br />

deep in the plans for his Westport high<br />

school 25th anniversary class reunion. Joe<br />

graduated in 1930 and is helping round up the<br />

other 400-odd graduates for the celebration<br />

in May. So far. 125 have been located.<br />

group of business associates . . . Marvii<br />

farb of Denver, division manager for<br />

Vista Pictures, spent several days in tc<br />

past week . . . Woodie Latimer at L&<br />

corn said he and his staff were busy<br />

inventory and getting out Uncle Sam's<br />

. .<br />

idea of Dan-ell Shelton of the Strand ai<br />

Kansas exhibitors seen recently on t.<br />

included J. H. Neeley of Hays, Nick K<br />

Holden and Oswego, Dan Blair of Smit<br />

ter, W. C. Mosher of Blue Mound, Lilj<br />

of Hill City, Ml", and Mrs. Ben Phi<br />

Oskaloosa . Missouri visitors includec<br />

Hayob of Marshall, Bob Robinson of<br />

Fox Midwest carried out the (<br />

City . . .<br />

cil Bluffs, Iowa, for Small Fry New-<br />

Eve celebrations. He started last year<br />

a noon "blow-off" after the kiddy shi<br />

it was picked up by the other Fox hoi<br />

M. Terman Converts Es<br />

In Chicago to Art Hous<br />

CHICAGO—Mandel Terman, well<br />

local businessman with art films<br />

chosen hobby, has taken over the i<br />

Essex Theatre lock, stock and barre<br />

Essex, located at 717 West Sheridan P<br />

one of four houses redecorated and re<br />

two months ago. It is the only<br />

'he newly reopened theatres which hs<br />

been operating on a consistent schec<br />

Terman's venture into the theatre fc<br />

was motivated, he says, because he<br />

to provide the neighborhood in which<br />

sides and conducts his business with ;<br />

tre presenting first class films in t<br />

'.<br />

:<br />

category. The Essex is located in a<br />

quite devoid of theatres. A feature fi<br />

the Essex is a large free parking<br />

patrons.<br />

Operating under the name of Ai-t 1<br />

Operating Corp., the Essex will conti:<br />

double featm-e system, seven nights<br />

and Sunday matinees. Terman stated<br />

ever, that plans are in the making<br />

single picture policy, with a featuret<br />

perhaps a news film.<br />

K-M Allied Board to Mc<br />

KANSAS CITY—President Beverly<br />

of the Kansas-Missouri Allied Indep<br />

Theatre Owners has announced the po;<br />

ment of the board meeting until Mondi<br />

from Monday (10 1. A report on th<br />

meeting in Chicago will be made.<br />

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4SS Poul Brown BIdg., Chestnut 4499, St. Louis<br />

Arnold Gould, city manager for Durwood<br />

Theatres at Jefferson City, is on a three-week<br />

vacation trip to New Orleans with Mrs,<br />

Gould. Another city manager on vacation<br />

with his wife is C. Clare Woods of St. Joseph.<br />

They went to Mexico . . . Lou Patz left for<br />

Miami, Fla., where he will meet Herman<br />

Robbins, president of National Screen Service,<br />

and take a cruise with him and a small<br />

tfiMA SvuiicM SiMc* fS99<br />

STEBBINS THEATRE Equipment<br />

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r KANSAS CITY 6, HO-<br />

48 BOXOFTICE January


: 3-7974,<br />

return<br />

. . . and<br />

OUIS<br />

:is, owner of the Jefferis<br />

ne Hill Di'ive-In at Pied-<br />

1 with a virus infection<br />

(27) for a meeting of the<br />

mittee for the Allied navention<br />

to be held here<br />

r receiving medical attendmont<br />

the next afternoon<br />

r son Robert and his wife<br />

earlier that day to have<br />

for the show that night,<br />

led a meeting of the Nay<br />

board in Chicago Thursdetails<br />

for the February<br />

mas parties for children<br />

eatres in this trade terri-<br />

Rodgers Theatre. Anna,<br />

lesday (29) by Manager<br />

for the school children of<br />

ved gifts from cooperating<br />

lations: the Ritz Theatre,<br />

its 14th annual Christmas<br />

14, 15 for some 900 young-<br />

Theatre, Arthur, which<br />

iiatinee for children and<br />

1, and the Gran Theatre,<br />

ners Mi-, and Mrs. LeRoy<br />

nnual Chi'istmas show for<br />

:23).<br />

a. has moved into its new<br />

Dms at 1804-06 South Jef-<br />

1 spot much more conthan<br />

the company's old<br />

to Stu Tomber .<br />

; Val Mercier, Perryville;<br />

Hunt Theatre, Doniphan;<br />

leville; Izzy Wienshienk,<br />

s. Alton; Joe Goldfarb.<br />

irsen, Montgomery City;<br />

onda; Charley Beninati,<br />

izzi. Mount Olive; Wayne<br />

Williams, Union; Eddie<br />

Woody Proffer, Ramsey:<br />

s, Breese, and Warren<br />

FOR THE THEATRE<br />

tre Supply Company<br />

ch<br />

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cet, St. Louis 3, Mo.<br />

JE 3-7975<br />

'<br />

'20,000 Leagues' Reports 300%<br />

In Chicago Bow; 'Cruz Hits 275<br />

CHICAGO—"20,000 Leagues Under the<br />

Sea,"<br />

which has been reporting exceptionally<br />

high grosses all over the country, was equally<br />

well received in Chicago where it reported<br />

300 per cent for its initial stanza. The Chicago<br />

Theatre's opening day boxoffice record<br />

of $18,000 established by Jack Webb, was<br />

shattered by Julius LaRosa, Kitty Kallen and<br />

"Vera Cruz," setting a new high of $21,000<br />

and contributing to a gross of 275 for the<br />

week. Another newcomer which bowed in<br />

with a sensational first week total was<br />

"There's No Business Like Show Business,"<br />

which drew an excellent 265 at the Oriental.<br />

A surprise here in Chicago is the figure<br />

being reached by "Hansel and Gretel," a feature<br />

which ha.sn't been making any mark in<br />

other situations but is drawing capacity<br />

crowds here, actually showing an increase<br />

to 250 in its second stanza over its first<br />

week's 230.<br />

(Average Is 100)<br />

Chicago—Vera Cruz (UA), plus stage revue 275<br />

Eitel's Palace—This Is Cinerama (Cinerama),<br />

75th wk<br />

, 205<br />

Esquire—On the Waterfront {Co\) ............. '.]95<br />

Grand— Fire Over Atrico (Col); They Rade West<br />

(Col) 190<br />

Loop— Hansel ond Gretel (RKO), 2nd wk 250<br />

McVpckers—Deep in My Heort (MGM) 235<br />

Monroe—The Fighting Pimpernel (Carroll)'<br />

'.<br />

The Black Pirates (LP) 200<br />

Oriental—There's No Business Like Show Business<br />

(20th-Fox) 265<br />

Roosevelt—So This Is Poris (U-l) 195<br />

Stote Lake—20,000 Leagues Under the Sea<br />

(Bueno Vista)<br />

, 300<br />

Surf—The Detective (Col) 175<br />

United Artists—The Silver Chalice (WB) 205<br />

Woods—The Lost Time I Sow Paris (MGM),<br />

6th wk 200<br />

World Playhouse—Aida (IFE) 205<br />

Ziegfeld— Desert Song (WB); The Mikado<br />

(U-l) reissues 190<br />

The Chalice' Grosses<br />

250 in Kansas City<br />

KANSAS CITY—Business was good in all<br />

the first run houses here the past week and<br />

all the bills were held. The Esquire also was<br />

open, playing two of the Academy award winners,<br />

"Stalag 17" and "From Here to Eternity"<br />

on return engagements. "The Silver Chalice,"<br />

in its first week at the Missouri, did the top<br />

gross of 250 per cent and "The Detective" at<br />

the 'Vogue in its second week did 225. The<br />

weather has been mild without snow, usually<br />

a help at the boxoffice.<br />

Glen— High and Dry (U-l), 9th wk ; The Promoter<br />

(U-l), 3rd wk<br />

,<br />

engogement 125<br />

Kimo—Romeo and Juliet (UA), 2nd wk 160<br />

SUBSCRIPTION ORDER FORM<br />

Midland—Deep in My Heart (MGM) 1 50<br />

Missouri—The Silver Chalice (WB) 250<br />

Orpheum—There's No Business Like Show Business<br />

(20th-Fox), 2nd wk 1 65<br />

Paramount—Three Ring Circus (Poro), 2nd wk...l75<br />

Roxy— Young at Heort (WB), 2nd wk 1 00<br />

Tower, Uptown, Foirwoy and Gronado 20,000<br />

Leagues Under the Sea (Buena Vista), 2nd wk.. 140<br />

Vogue—The Detective (Col), 2nd wk 225<br />

Walter Bollingers Mark<br />

Their 25th Anniversary<br />

ELLIN-WOOD, KAS.—Mr. and Mrs. Walter<br />

Bollinger of the Ellinwood Theatre celebrated<br />

their 25th wedding anniversary Monday (20).<br />

Since the show' must go on, the Bollingers<br />

invited married couples to be their guests at<br />

the evening show, all of them being admitted<br />

free if they presented either their wedding<br />

picture or their marriage certificate. (Mrs,<br />

Bollinger found their own credentials at the<br />

bottom of the cedar chest).<br />

A gift was presented to the most recently<br />

married couple and to the one that had been<br />

married the longest. The newlyweds had<br />

been married six weeks and the longweds<br />

60 years.<br />

One of the Bollinger aniversary "gifts" was<br />

the announcement by theii- son Mack that<br />

he had given Miss Connie Jo Welty of Hutchinson<br />

an engagement ring, so the Bollinger<br />

family can look forward to other anniversaries.<br />

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Same Good Concession Service<br />

handy to Film Row, too.<br />

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r my subscription fo BOXOFFICE, 52 issues per year (13 r) which con<br />

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uary 8, 1955 49


i<br />

. . John<br />

. . Jerry<br />

.<br />

'<br />

CHICAGO<br />

Tom Dowd, manager, said the Ziegfeld Theatre's<br />

art exhibits not only have become a<br />

popular patron feature, but artists have benefited<br />

from substantial sales. Since setting up<br />

the exhibits about five months ago, Dowd has<br />

had the cooperation of at least ten art galleries<br />

which every week supply between 20<br />

and 25 oils or water colors done by Chicago<br />

artists. A week never goes by without sales,<br />

according to Dowd. The Ziegfeld does not<br />

claim a commission.<br />

Albert Dezel has been named midwest distributor<br />

for "Mr. Hulot's Holiday." The film<br />

just finished a ten-week run at the Sui-f Theatre<br />

Herb Kaufman, local representative<br />

. . . of Hal R. Makelim, left on a tour of Cincinnati,<br />

New York, Boston. Washington and<br />

other cities for meetings with exhibitor groups<br />

on the Makelim plan.<br />

The Ziegfeld, with the beginning of the<br />

new year, scheduled a series of sneak previews<br />

of films. Tom Dowd, manager, said<br />

the pictures will be lavish productions, most<br />

of which have not played elsewhere in the<br />

country. Audience reaction is to be polled<br />

at each preview, and then selections will be<br />

HERE'S YOUR CHANCE<br />

lo get in the<br />

BIG MONEY<br />

a screen game,<br />

HOLLYWOOD takes top<br />

honors. As a box-office attraction,<br />

it is without equal. It has<br />

been o favorite with theatre goers for<br />

over 15 years. Write today for complete details.<br />

Be sure to give seating or car capacity.<br />

HOLLYWOOD AMUSEMENT CO.<br />

131 South Wabash Avenue • Chicago S, llllnolt<br />

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Distributors<br />

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Freight Prepaid on $100.00 or More<br />

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THEWTRE EQUIPMENT<br />

442 N. ILLINOIS ST., INDIANAPOLIS, IND.<br />

"Everything for the Theatre"<br />

made for presentation at the Ziegfeld later.<br />

Dowd said this probably will put a temporary<br />

end to the double featui-e reissue policy which<br />

has been in effect for the past few months<br />

although the reissues have paid off well.<br />

.<br />

Dominic Cristallo died December 29 and<br />

George High died the following day. Both<br />

were operators in local theatres . . Miss<br />

.<br />

Chadyeane Godding has been appointed<br />

assistant in the production department at<br />

Kling Films Ireland and his wife<br />

Joanne Dru stopped to greet friends while<br />

en route to New York City.<br />

. .<br />

The addition of Hilly Rose to the staff of<br />

Kling Film Productions has been announced<br />

by Vice-President Fred A. Niles. Rose was a<br />

writer in Hollywood . The Cinema Annex<br />

is running a special benefit for the Chicago<br />

Committee to aid the victims of Salerno, Italy,<br />

who were made homeless recently by a flood<br />

and landslide. The two films being run especially<br />

for the occasion are "The Little World<br />

of Don Camillo" and "The Young Caruso" . .<br />

Paramount Pictiu-es with the chief of Naval<br />

Air Reserve training. Rear Adm. Daniel V.<br />

Gallery, previewed "The Bridges at Toko-Ri"<br />

at the Uptown.<br />

Bert Nathan, president of the International<br />

Popcorn Ass'n, reports the death of Harold<br />

A. Eifert, a popcorn industry veteran. Eifert,<br />

who was head of Dunbar & Co., dry popping<br />

machinery manufacturing firm, is survived<br />

by his wife . Lewis, accompanied by<br />

his wife and children, visited here with<br />

friends, then continued on to New York.<br />

Vi Dane of Filmack celebrated a wedding<br />

Stanford Kohlberg<br />

anniversary Sunday i2) . . .<br />

reopened the remodeled Park Ave-<br />

nue Cinema in Park Ridge Thursday (6).<br />

Kohlberg recently opened an ice skating rink<br />

at the Starlite Drive-In, which is the only<br />

outdoor theatre still operating in this area . .<br />

Bill Perlberg and George Seaton, directors of<br />

"The Bridges at Toko-Ri" and "Coimtry Girl,"<br />

spent a couple of days here to lavmch promotion<br />

in behalf of both fUms . . . John Reynolds,<br />

head of Filmack's laboratory operations,<br />

was vacationing in Washington, D. C.<br />

Joseph Mack is in New York, where he is<br />

in at the Filmack eastern works while<br />

filling<br />

Jack Saperstein is vacationing. At the same<br />

time. Rex Kennard, office manager in New<br />

York, spent part of his vacation here to take<br />

a look at the Chicago operation.<br />

A large crowd of exhibitors and member.s<br />

of the press attended a screening of "The<br />

Bridges of Toko-Ri" at the Uptown Theatre<br />

Wednesday i5). Immediately afterwards Buck<br />

Stoner, division manager for Paramount here,<br />

accompanied by publicist Dave Friedman, left<br />

for Indianapolis. Des Moines and Omaha,<br />

where they will host additional screenings . .<br />

Governor William G. Stratton of Illinois<br />

issued a proclamation making January "Goto-the-Movies<br />

Month."<br />

Jack Rose reports that he and Mrs. Rose are<br />

the grandparents of a baby girl . . . N. S.<br />

Barger has purchased the State in Roseland.<br />

Barger also is owner of the Oak Lawn and<br />

Mrs. Irving Mack ha.s<br />

Illinois drive-ins . . .<br />

gone to Florida for a few weeks.<br />

.<br />

First 'Sitting Bull' Film<br />

Recalled at St. Louis<br />

ST. LOUIS—The opening of<br />

"Sittin<br />

in Eastman Color at Loew's State 1<br />

here December 23 brought back mem(<br />

the oldtimers in the motion picture b<br />

here.<br />

It was recalled that in 1908 or 190!<br />

Crawford, then head of the Swanson<br />

ford Co., sent Eddie Dustin and several<br />

and actresses into Indian Territory t(<br />

a five-reel picture titled "Sitting BuU<br />

cast included about 1,000 Indians, si<br />

whom had participated in the famec<br />

sacre of General Custer and his cava<br />

at the battle of the Little Big Horr<br />

in Montana.<br />

Dustin. who in later years manag<br />

local Pathe branch, paid the Indian<br />

day but managed to charge them<br />

for food and lodging to get all of i<br />

for the producers.<br />

This first "Sitting Bull" was th<br />

five-reel picture ever made, and its<br />

in Indian Territory marked the first<br />

the industry that actors, etc.. wer<br />

to a natural geographical section hi<br />

of miles from the studio to get tl<br />

atmosphere for a production.<br />

The picture later was premiered at<br />

Louis theatre owned by Crawford.<br />

Harry Hopkins Gives T<br />

BEARDSTOWN. ILL. — Harry H<br />

MGM salesman from St. Louis, gave a<br />

the motion picture industry at a mee<br />

the Beardstown Women's Club Tuesd<br />

Aj-rangements for the talk were made 1<br />

Woods, manager of the Pi-incess The;<br />

cooperation with M>Ta Stroud, MITO<br />

tary, and Tom Bailey. St. Louis majia<br />

MGM.<br />

Indianian Adds CS<br />

WHITING. IND. — Manager Taki<br />

reports that the Hoosier Theatre is<br />

equipped for Cinemascope.<br />

MODERNIZE<br />

NO^<br />

Let our competent staff of em<br />

and designers show you ho<br />

can modernize for Cmem<br />

and<br />

and<br />

A featured lead in Universal's "Female on<br />

the Beach" has been handed to Charles<br />

Drake. 1206 Cherry St.<br />

other<br />

wide-screen<br />

multi-channel sound<br />

pre<br />

QUICKLY, ECONOMICALLY<br />

We will contract to do '<br />

signing and engineenm<br />

make the<br />

installation, cor<br />

at low cost to you. Wi<br />

todoy for full informatic<br />

50 BOXOFFICE :: January


1 TV<br />

, Added<br />

siness' Pulls<br />

Memphis<br />

1 first runs hit the jackpot<br />

which continued on into<br />

's Palace did three times<br />

ith "There's No Business<br />

." Malco did two and one-<br />

.•ith "20,000 Leagues Under<br />

d 75 per cent above avering<br />

Cij-cus." Loew's State<br />

bove average attendance<br />

age Is 100)<br />

siness Like Show Business<br />

300<br />

1 50<br />

i Under the Sea (Buena<br />

250<br />

reus (Para) 175<br />

retel iRKO) 70<br />

ys Hollywood<br />

Challenge<br />

ers to the editor recently<br />

[erald stressed two ideas.<br />

vere needed with a more<br />

life, designed for conand<br />

old. Two: that with<br />

iiovies have gone down in<br />

ig only to be more specnext:<br />

star quality going<br />

.gures sought, and over-<br />

:k of Florida State Theaartment.<br />

wrote a letter<br />

rinted. He wrote:<br />

long time was laughed at<br />

finishes where love con-<br />

)dness always triumphs,<br />

of the world looked at<br />

fforts as infantile, afraid<br />

r because of the boxoffice<br />

of creative talent. Now,<br />

eceipts due to uncreative<br />

avasion of TV. Hollywood<br />

k.<br />

he last two years have<br />

ghs, largely due to the<br />

that America no longer<br />

Jiet of B pictures. They<br />

ge to buy the best stories<br />

)€st-selling novels, Broadproductions<br />

if their<br />

to this has been<br />

ic detail. Film locations<br />

lUt all over the world in<br />

the mood of the original<br />

/e been gambled on unis<br />

have been invested in<br />

sses. The fact that it has<br />

to by the American theach<br />

after all has the final<br />

rg Airer Open<br />

/ements<br />

IG—The Fourth Street<br />

eopened under the manmbrell,<br />

who managed the<br />

until it was closed and<br />

prings Theatre in Tampa,<br />

screen was installed, the<br />

air conditioned for both<br />

!r and the new restrooms<br />

drive-in. The public was<br />

car" and come as guests<br />

and enjoy a cartoon carle<br />

short and a comedy.<br />

Average of 300,000 Miamians See<br />

Motion Picture Show Each Week<br />

MIAMI—Where were you on the night of<br />

November 27? The chances are that you<br />

were at a motion pictiu-e theatre, somewhere<br />

between North and South Miami, for on<br />

that night 103,927 men, women and children<br />

went to a picture show. These and other<br />

illuminating statistics were compiled by Herb<br />

Kelly of the Miami Daily News staff.<br />

"Where were you during the week of November<br />

21?" he wrote. "Again the chances<br />

are you were in a movie, because dur-ing<br />

that week, 329,944 persons paid their way<br />

into a local theatre. Remember, that wa-s<br />

during the latter part of November. During<br />

the height of the season you can add 60 to<br />

100 per cent to the total which, conservatively<br />

speaking, would make the figiu-es 155,000 for<br />

Saturday night and 527,000 for the week.<br />

"Then to top it off, take a conservative average<br />

of 300,000 and spread it over 52 weeks<br />

and you'll come up with over 15 million<br />

people in the Miami area going to the 50<br />

motion picture theatres in a year's time.<br />

"There are five reasons why you left your<br />

home, battled traffic, searched for a parking<br />

place, probably paid a parking fee, hired a<br />

baby sitter, bought an admission ticket and<br />

spent a few quarters besides," Kelly wrote.<br />

"When people pay money for entertainment,<br />

or for anything else, they take it seriously.<br />

It's not for free and bringing you into<br />

a theatre is a big business and here is why<br />

you go. The reasons come from theatre managers<br />

and are listed in the order of their<br />

importance.<br />

"1. Heavy, constant day-after-day newspaper<br />

advertising.<br />

"2. What's the picture and who's in it?<br />

These questions are answered when the family<br />

reads the new-spaper advertisements, sees<br />

photos of scenes from the pictures, notes the<br />

stars they have read about and scores of<br />

others.<br />

"3. Unbiased reviews of newspaper critics.<br />

Many are guided by the men who see these<br />

pictures on opening days and write their<br />

opinions with mainly three thoughts in mind:<br />

Is it a good picture? Is it a reasonable bargain<br />

at the admission price asked? Is it the<br />

kind that will appeal to the majority?<br />

"Now, no reviewer can criticize a show<br />

without finding some dissenters. Just for fun,<br />

try this some time. Ask the opinion of some<br />

of your friends who have seen the same<br />

motion picture you have. You'll be surprised<br />

how many different an.swers you will get.<br />

"4. Word-of-mouth advertising. If it's a bad<br />

picture it doesn't take long for it to become<br />

known. When you have over 300.000 persons<br />

seeing a show, news .spreads fast over lunch<br />

counters, telephone, family dinner tables,<br />

offices and busine.ss places.<br />

"5. Habit. Some have a particular night for<br />

the movies. Others decide to take in a show<br />

because there's nothing else to do. We picked<br />

the week of November 21 for two rea.sons.<br />

First it was the week some very good and<br />

very bad pictures were on the screens<br />

throughout the area. The bad would offset<br />

the good and a fair figure could be reached.<br />

"Second, it was not during the lighter<br />

summer months, nor at the height of the season.<br />

Thus an average attendance could be<br />

obtained. The totals are accurate, you can<br />

be sure. Attendance figures are jealously<br />

guarded by theatre managers and it was only<br />

by promising each theatre manager that his<br />

figures would be kept in strict confidence<br />

that we got cooperation.<br />

"They represent reports from enclosed theatres<br />

and drive-ins, as the latter have become<br />

a tlu-iving industry. The airer is the<br />

answer to many problem.s—parking, babysitting,<br />

dressing up. The whole family— in<br />

shorts or slacks, the baby in diapers—can<br />

pile into a car, sit back and watch a double<br />

feature.<br />

"About 75 per cent of the readers of this<br />

paper are moviegoers. In that number you<br />

find people from every w'alk of life, most of<br />

whom must count carefully their cost of recreation<br />

that breaks the monotony of school,<br />

kitchen drudgery or office.<br />

"For a few short hours they can forget<br />

the daily grind as they watch and hear opera,<br />

jazz, musical comedy, drama, adventure. Usually<br />

in color and on wide screen, before<br />

your eyes are the latest in hair styles of the<br />

female stars you have read about in your<br />

newspaper, home furnishings, romance and<br />

the many things dear to the heart of the<br />

woman."<br />

This story is meant merely to show how<br />

movies have become a vital part of daily<br />

life.<br />

Yes, they are 365-days-a-year entertainment,<br />

in which your amusement pages play<br />

an important part, bringing you that in which<br />

all readers share a mass taste—laughter,<br />

drama and tears.<br />

Fire at New Orleans<br />

Ruins Crown Theatre<br />

NEW ORLEANS—A $100,000 blaze brought<br />

about complete ruin to the sub-run Crown<br />

Theatre. The theatre, owned by Lazarus Theatres,<br />

Inc., caught fire on New Year's morning<br />

about 3 o'clock and brought a general<br />

alarm with 20 pieces of fire equipment answering<br />

the alarm. Eight firemen narrowly<br />

escaped death when the front of the theatre<br />

collapsed within seconds after the men had<br />

moved.<br />

An investigation is under way.<br />

Features Miniature Train<br />

At Eau Gallie, Fla., Airer<br />

EAU GALLIE. FLA.—A train ride on a<br />

miniature steam train has been added to the<br />

attractions of the Brevard Drive-In, owned<br />

and operated by Hugh Kampen. The railroad,<br />

located at the theatre exit, is called the<br />

N


. . Strand<br />

. . The<br />

Big Electronics Year<br />

Seen by GE Official<br />

From Eastern Edition<br />

NEW YORK—The electronics industry will<br />

continue its fast development pace in 1955,<br />

predicts Dr. W. R. G. Baker, vice-president<br />

and general manager of the General Electric<br />

electronics division.<br />

Pi'incipal developments, he says, will be:<br />

1. The trend to higher power in broadcasting<br />

will continue as more and more stations<br />

increase their power rating.<br />

2. By the end of 1955, there should be at<br />

least 530 television stations in operation in the<br />

United States, an increase of 100 for the<br />

year, and it is estimated that more than<br />

50 per cent of operating stations will be able<br />

to transmit network color shows.<br />

3. Retail television sales for the year should<br />

total about 5,800,000 monochrome units and<br />

200,000 color sets. Public interest in lifelike<br />

quality of color TV assures It success<br />

as a superior medium of television entertainment.<br />

4. Retail radio sales are estimated at 6,500,-<br />

000 units for 1955, when there wUl be a<br />

strikingly new advance in radio chassis construction<br />

through the use of printed wire<br />

boards. Nearly 1,000,000 units of the total<br />

radio production will use printed wire wiring.<br />

5. The first quantity production of general<br />

purpose transistors will be achieved in<br />

1955.<br />

6. Great accomplishments will mark the research,<br />

development, systems engineering and<br />

production of military electronics equipment<br />

as the growing complexity and volume of such<br />

equipment brings out the need for integration<br />

of more and more individual functions.<br />

7. New designs in germanium rectifiers will<br />

nearly quadruple the volume of business in<br />

195-t<br />

8. Use of two-way radio communication in<br />

mobile applications will continue to expand<br />

with total industry sales approximately 10<br />

per cent higher than in 1954.<br />

9. Continued growth of electronics applications<br />

and increased use of electronic tubes for<br />

defeiLse, industry and entertainment will give<br />

added impetus to the already rapid growth<br />

in the tube business.<br />

Handed a character lead in Columbia's<br />

"Duel on the Mississippi" was Ian Keith.<br />

MONARCH<br />

Theatre Supply, Inc.<br />

MEMPHIS<br />

LJonard A. Nicholson, manager of Paramount,<br />

staged a tradescreening at Linden<br />

Circle of "The Bridges of Toko-Ri" . . .<br />

Grover Wray, partner in Exhibitors Ser-<br />

. . H.<br />

vices, spent a holiday vacation with relatives<br />

in Shreveport. Ed Doherty, the other<br />

partner, attended the Navj'-6le Miss game<br />

al New Orleans on New Year's Day .<br />

G. Walden is the new owner of Belmont at<br />

Belmont, Miss. He will book and buy in<br />

Memphis.<br />

Additional drive-in clasings reported:<br />

Wheatley, Hot Springs, Ark.; A&B. Ripley,<br />

Tenn.; Skyway, Princeton, Ky.; Rainbow,<br />

Griffithville, Ark., and Broadway, Dickson,<br />

Tenn. The Prescott (Ark.) Drive-In, went into<br />

a week-end only operation . local<br />

Plaza Theatre, operated by Augustine Clanciolo,<br />

staged a midnight spook show New<br />

Year's Eve. "The Dungeon of Death," was<br />

presented by "The Mad Dr. Morris," expert<br />

in the eerie. Dr. Morris performed such feats<br />

as amputating limbs of lovely gb-ls and then<br />

turned loose his vampires amongst patrons.<br />

The film was "The Monster and the Woman."<br />

B. F. Jackson and Joe Davis, Delta, Ruleville;<br />

Mrs. Jack Watson, Palace, Tunica; Mrs.<br />

. . .<br />

J. C. Noble, Temple, Leland; C. J. Collier,<br />

Globe, Shaw; and Joe Davis, Globe, Drew,<br />

were among visiting Mississippi exhibitors<br />

M. A. Lightman jr., Malco Theatres, and<br />

his family were vacationing in Florida . . .<br />

Mr. and Mrs. R. L. Bostick. National Theatre<br />

Supply Co.; and Null Adams. BOXOFFICE<br />

representative, were among Memphians who<br />

attended the Sugar Bowl Ole Miss-Navy football<br />

game.<br />

Louise Mask, Luez, Bolivar; Paul Harrington,<br />

Calvert Drive-In, Calvert City, Ky.; Orris<br />

Collins. Capitol and Majestic, Paragould,<br />

Ark.; H. P. Espey, Victory, Weiner, Ark.;<br />

John Lowrey and son. Jack Lowrey, Lowrey,<br />

Russellville, Ark., and J. K. Jameson sr., and<br />

his son, Joy at Bald Knob, Ark., and Ken<br />

at McCrory, Ark., were seen on Filmrow.<br />

H. G. Walden plans to reopen the Belmont<br />

Theatre. Belmont, Miss., within the next two<br />

weeks. Dyer Theatre, Dyer, Tenn., and Ashland<br />

Theatre, Ashland, Miss., have closed for<br />

the time being . Theatre, Louis-<br />

. . .<br />

ville, Miss., has been closed following a fire<br />

Shelby Theatre, Shelby, Miss., plans a<br />

HANDY<br />

new home. The city has condemned the present<br />

building and Shelby's owners ]<br />

build a new theatre if a suitable 1<br />

cannot be found . . . Twin Oaks D<br />

Monticello. Ai'k., has closed for the se;<br />

Mayor Tobey and top army bras<br />

present at Loew's State theatre fo<br />

monies opening the showing of the do<br />

tary film on Army life, "This Is Your<br />

which was billed with "Destry." Thf<br />

an Army band and a presentation<br />

colors at the opening.<br />

William H. Everett, owner, has reope<br />

former owner of Normal Theatre here a<br />

Rae Theatre, McRae, Ark., and wi<br />

and buy out of Memphis . . . George Gi<br />

field representative of the Theatre<br />

of America, was guest on the Press-Sc<br />

"Interesting Persons" program on te<br />

station WMCT. Gaughan said Ameri(<br />

diers now think nothing of finding<br />

theatres just like the ones back hoi<br />

the latest pictures wherever the Arm<br />

them in the far corners of the w'orld. G<br />

helped set up the theatre system<br />

Army.<br />

A Get-Acquainted We<br />

HAINES CITY—The Florida<br />

Tliea<br />

the Lake Haines Drive-In of the Flo;<br />

aires sponsored a Get-Acquainted We<br />

ing w'hich they presented a pass wi<br />

admission sold. Steve Barber is mar<br />

the Florida, and Roy Williams of tl<br />

Haines.<br />

*^IH[ARTHRmSANO RHEUMATISM FOUNDATION ^i<br />

This Spac« Contributed By<br />

BOXOFFICE<br />

Neil<br />

Blount<br />

492 So. Second Sf.<br />

Memphis,<br />

Tenn.<br />

COMPLETE LINE<br />

THEATRE EQUIPMENT and<br />

CONCESSION SUPPLIES<br />

TRI-STATE THEATRE SUPPLY<br />

320 So. Second St. Memphis, Tenn.


1 Moncton,<br />

. . The<br />

. . Others<br />

. . . Mrs.<br />

. . Lynn<br />

. . Also<br />

. . Rube<br />

det Features<br />

len Letter<br />

jtter written to the edi-<br />

;ine by Earle M. Holden,<br />

the Wilby-Kincey Lucas<br />

is featured in a special<br />

by that magazine titled<br />

Ambassador," copies of<br />

?nt to executives in all<br />

jtion picture industry,<br />

le Savannah theatreman<br />

on for the fine publicity<br />

on picture industry by<br />

contains data on recent<br />

izine has made coninterest<br />

in motion picthis<br />

is one of the reasons<br />

ig much space each week<br />

g to a chart contained<br />

ok devotes an average of<br />

o films.<br />

the pamphlet. Gardner<br />

;ent, sets out the magards<br />

motion pictures:<br />

: a particularly close bond<br />

h is a picture magazine,<br />

icture industry. For in<br />

ays, it seems to me we<br />

e objective through the<br />

entertain, inform and<br />

3Ugh the exciting use of<br />

.ry fluctuations, it has<br />

belief that movies will<br />

al part of American life.<br />

last year has shown this<br />

motion picture industry<br />

; fully justified. With all<br />

Eeel continuing optimism<br />

ars to come."<br />

irists<br />

lew citizens and visiting<br />

y Lynch of the Para-<br />

N. B., imthe<br />

nearby Maritime<br />

/erse side of his monthly<br />

n addition to welcoming<br />

Hub of the Maritimes,"<br />

1 the many up-to-date<br />

new projection-sound<br />

at the Paramount.<br />

HERE'S YOUR CHANCE<br />

to get in the<br />

BIG MONEY<br />

As a screen game,<br />

HOLLYWOOD takes fop<br />

ors. As a box-office ath<br />

is without equal. It has<br />

t with theatre goers for<br />

e today for complete de-<br />

* seating or car capacity.<br />

AMUSEMENT CO.<br />

nu« • Chicago 5, llllnoit<br />

JACKSONVILLE<br />

Dill Baskin, Florida State Theatres booker,<br />

announced the birth of his fir.st daughter,<br />

Evelyn Nelma, born on December 29. The<br />

Baskins also have two<br />

^^^^^<br />

young sons . . . Leaving<br />

J^^^l^^k town for year-end holi-<br />

B^P^^^^^fc days were Leon D.<br />

W ^<br />

Netter, PST president,<br />

1<br />

^^<br />

f and his wife, who<br />

"^^ ^^<br />

visited in Miami with<br />

their son Charles Net-<br />

'^B,,.- - ter and his family;<br />

Mrs. Ernestine<br />

^^^<br />

Noah.<br />

^^^^It ^S'r<br />

i<br />

^^ department,<br />

^^^H S^<br />

who journeyed to Tenm^B^^<br />

w nessee, and Hal Stanton,<br />

manager of the<br />

Bill Baskin Edgewood Theatre,<br />

who visited w'ith his parents in Fort Pierce.<br />

.<br />

Cecil Cohen, owner of the suburban Murray<br />

Hill Theatre, was busy converting his theatre<br />

to Cinemascope. His Dixie Theatre underwent<br />

a similar conversion about two months<br />

ago Palace Theatre, managed by<br />

George Krevo, opened with its second Cinemascope<br />

feature, the first-run of "Carmen<br />

Jones," on December 31 for a booking of<br />

.seven and one-half days. He also ran the<br />

feature as a New Year's Eve midnight show<br />

With one of the largest crowds of the<br />

. . .<br />

year in town to see the annual New Year's<br />

Eve football game between Auburn and Baylor<br />

at the Gator Bowl, several exhibitors<br />

stayed open for midnight shows. These included<br />

Bob Skaggs at the Florida who began<br />

the first-run of "There's No Business Like<br />

Show Business" and Sheldon Mandell at the<br />

St. Johns with the first-run of "The Silver<br />

Chalice" . vying for midnight<br />

favors of visiting Texans, Alabamans and<br />

Floridians were Joe Charles, Capitol Theatre;<br />

Bob Anderson, Southside Drive-In; Carl<br />

Carter, Ribault Drive-In; and Al HUdred,<br />

San Marco Theatre.<br />

Marjorie Edenfield, MGM staffer, vacationed<br />

the latter half of December and returned<br />

to work Monday (3) . . . Friends of<br />

Jack Weiner, MGM publicity man, were glad<br />

to learn that doctors had taken him off the<br />

critical list after he had been in a local hospital<br />

for a week suffering from a lung pimcture<br />

incurred in an auto crash. Taking his<br />

place temporarily in the MGM office was<br />

Judson Moses, exploiteer of the Atlanta district<br />

office . . . Mrs. Lillian Parker, manager<br />

of the Brentwood Theatre, was reported<br />

ill at home.<br />

Cam Price, RKO manager, returned from a<br />

vacation spent with his children in Birmingham<br />

. . . Leonard Allen of Atlanta, Paramount<br />

public relations man, was here in<br />

connection with a screening of "The Bridges<br />

Of Toko-Ri" aboard the hanger deck of the<br />

aircraft carrier, U.S.S. Intrepid the night of<br />

Thursday (6i. Working with him on the first<br />

local filming of this type were FYench Harvey,<br />

FST advertising executive, and Robert<br />

Heekin. FST district supervisor. More than<br />

100 newsmen. TV and radio officials, and<br />

community leaders attended the novel screening<br />

Ken Laird, Buena Vista district<br />

. . . manager, revealed that his southeastern office<br />

would be moved from here to Atlanta,<br />

with Harvey Reinstein remaining as a salesman<br />

for the Florida area.<br />

Carl Floyd, head of Floyd Theatres, Haines<br />

. . Mrs.<br />

City, and Bob Daugherty, general manager,<br />

were here at midweek . here was Bob<br />

Mullis of Bronson, who operates theatres at<br />

Cedar Key and Gulf Hammock .<br />

Adeline Gathrop reopened the Linda Drive-<br />

In, Palatka, with a new concessions stand<br />

Marye Sisson of the Roy Sm.ith Co.,<br />

Tampa, was ill at her home . Joiner,<br />

independent booker from Atlanta, called along<br />

Filmrow, as did Walt Woodward, Wil-Kin<br />

Theatre Supply selesman from Miami.<br />

Mark DuPree, FST executive, and hLs family<br />

spent the New Year holidays in Daytona<br />

Beach . Goodyear, manager of the<br />

Empire Theatre, Daytona Beach, was in town<br />

Will Hill, veteran animal trainer,<br />

briefly . . .<br />

exhibited his dogs, ponies and elephants in<br />

many parts of the state in connection with<br />

first runs of "Three Ring Circus" . . Jim<br />

.<br />

McClellan, Edgewood assistant, was on the<br />

sick list.<br />

Increases Airer Capacity<br />

CORAL GABLES. FLA.—Remodeling the<br />

Tropicaire Drive-In has increased the parking<br />

space by 80 cars. The drive-in can now<br />

accommodate 775 cars. A new CinemaScope<br />

has also been installed, according to Manager<br />

D. K. McComas.<br />

THEATRICAL ENTERPRISES<br />

JACKSONVILLE<br />

ATLANTA<br />

SALUTES -!-<br />

SAM MANNING<br />

Ri-Mar<br />

Drive-In<br />

Thank you, Sam, it has been a<br />

great pleasure working with you<br />

these past five<br />

years.<br />

YOU CAN ALWAYS DEPEND ON<br />

FOR THE BEST<br />

SPECIAL<br />

COCOYL<br />

GOLDEN COCONUT OIL SEASONING<br />

ROY SMITH CO.<br />

TAMPA<br />

JACKSONVILLE<br />

uary 8, 1955 53


. . FST<br />

. . The<br />

. . Jim<br />

. . Percy<br />

. . The<br />

. . Roy<br />

. . John<br />

MIAMI<br />

Jamaica has been selected<br />

by American interests<br />

as the site for a two-stage studio.<br />

The building will cost $300,000. The group,<br />

headed by a-s.sociates of Princeton Film Center,<br />

which also has a central Florida studio,<br />

is being a.ssisted financially by the Industrial<br />

Development Corp. of Jamaica . signed<br />

Vic Damone, starring in two current films<br />

playing here, for three stage appearances at<br />

the Coral, Florida and Sheridan theatres.<br />

Damone was filling an engagement at a local<br />

night club. Wometco also has .secured Damone<br />

for an appearance at the Lincoln, where one<br />

ol his films was in a .second week.<br />

Wometco started out<br />

the new year with a<br />

A completely A^//f^<br />

popping machine<br />

. . . Caplan's<br />

new series of go-to-church reminders for its<br />

Sunday advertising heading<br />

Roosevelt, on an art policy, held over "Mr.<br />

Hulot's Holiday" . cash registers were<br />

ringing at Claughton's Royal, Variety and<br />

Ti-ail for "Three Ring Circus."<br />

Florida's Gov. Charley E. Johns, as one of<br />

his last acts before going out of office, wired<br />

his appreciation to Howard Hughes for the<br />

selection of Silver Springs as the location<br />

of the underwater premiere of "Underwater!"<br />

January 10 . . . Paul Gregory and Charles<br />

Laughton will scout location sit«s in Jamaica<br />

lor "The Naked and the Dead," localites hear.<br />

Wometco's Mitchell Wolfson made introductions<br />

with his usual poise over a recent<br />

TV program during WTVJ's televised Christmas<br />

party, but said later he was "completely<br />

flabbergasted." While he was talking a janitor,<br />

complete with broom and paraphernalia,<br />

came between him and the camera. As the<br />

man passed the camera he turned to the<br />

audience and tittered, "I've got a T<br />

too," then disappeared. The "janitor'<br />

out to be Red Buttons who was i<br />

unbeknownst to Wolfson.<br />

The first 100 women entering any<br />

ton theatre after 6 p.m. Christma<br />

received a box of Laura Lee coconut<br />

as a gift ... As part of PST's "Deej<br />

Heart" promotion. Gene Parrazzo p<br />

Sigmund Romberg recital in a dc<br />

window of selections from the pictu<br />

recital was repeated twice during<br />

i<br />

The personnel and<br />

and evening . . .<br />

of the FST circuit had their annual<br />

party after office hours on the daj<br />

Christmas.<br />

Leonard Allen, Paramount district ej<br />

was here several days from Atlanta .<br />

Newman, Paramount Theatres repres(<br />

New York, visited Harry Botwick, :<br />

FST in the southeastern area ... A<br />

Olympia band leader, Ray Teal, will<br />

hereabouts in a forthcoming Pai<br />

Mitchell Wolfson, no reh<br />

film . . .<br />

Louis Wolfson mentioned as producin<br />

John Silver," may be remotely conni<br />

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the film's distribution, since he ;<br />

partner Sidney Meyer are members<br />

Distributors Corp. Ass'n, which pa<br />

nanced and will handle the picturf<br />

NEW ORLEA<br />

pill Shields, partner in the Marrero L<br />

was at home recovering after an<br />

dectomy . DeNeve. Rivoli E<br />

Vicksburg, Miss., also was at home i<br />

ating after an operation . W<br />

salesman, was honored at a diniier b<br />

bers of the Columbia staff on his i<br />

ment as manager of the new Columbia<br />

in Houston.<br />

Al Boneno, formerly w'ith Dixie Fi<br />

moved to 20th-Pox to take over the<br />

job recently vacated . Nicaui<br />

ager for Lippert in Atlanta, was in t<br />

the holidays . , . Donald Ganucheau<br />

for Pittman Theatres, was maiTied t<br />

Riviere.<br />

.Alberta Schlinder. Realart booker,<br />

friend of everyone on Filmrow wher<br />

announced she had won four har<br />

Sugar Bowl football tickets . . . Georf<br />

gesser, salesman for Monogram, be<br />

new Mercury . Duplissey has<br />

his El Ranch Drive-In at DeRidder to<br />

Saturday operation for the winter.<br />

Lewis Cox will reopen his Bayoi<br />

Drive-In at Barton January 13 . . .<br />

Hicks wil! close his U Drive-In, Le<br />

Miss., until May 1 . . . Henry Mey<br />

closed his sub-run Don in Gulfport .<br />

Gooch has closed the Mayvel in £<br />

Charlie Morel will c<br />

ville. Miss. . . .<br />

Rebel Drive-In at Natchez, Miss., unti<br />

keeping his Starlite Drive-In open 1<br />

Charles Levy, formerly of the Ritz a<br />

mond, purchased the Bayview at Bilo<br />

J. N. Sullivan . Sugar Bowl<br />

game on New Year's Day brought<br />

followers of the Ole Miss and Navy t<br />

New Orleans. Among the exhibitoi<br />

Lou Langlois, Alamo, New Roads: J<br />

well. Royal. Bernice; T. G. Solom<br />

Harry Thomas, Solomon Theatres (<br />

sissippi: Eddie Delany, Pike Theatn<br />

nolia, MLss.: R. E. Hook, Dreamland.<br />

Mis.s., and R. A. Conrad, Broussard.<br />

54 BOXOFFICE :: Januar;


n the Job;<br />

n Owner<br />

-Beverly Miller, who operat<br />

St. Joseph, Mo., was re-<br />

1 who showed up at the<br />

kerosene portable heater<br />

ation wagon of something<br />

recently at Bob Hoff's Airare<br />

rented at the Airport<br />

ne evening, Miller related,<br />

e returned when leaving,<br />

ing a heater is given an<br />

k to turn in when going<br />

cupants are chai-ged the<br />

.<br />

$15.<br />

and Hoff were leaving the<br />

200-pound police officer<br />

lease," he said,<br />

the owner of the drivef.<br />

10 you ai-e," said the offire<br />

to let no one out wither,<br />

identification check or<br />

turned over his heater<br />

ited the man on doing a<br />

, House Used<br />

[s Promotion<br />

rhe largest crowds in the<br />

n of 15,000 were attracted<br />

Christmas parade staged<br />

manager of the Marion<br />

redecessor Ted Chapin, in<br />

the Marion Chamber of<br />

local merchants. The cost<br />

ival matinee at the Marion<br />

; by the merchant group,<br />

iwd of children and adults<br />

show.<br />

ILOTTE<br />

. . . Joe<br />

king Service reports the<br />

)rive-In closed for the win-<br />

:er, went to Georgia for the<br />

. . . Piedmont Promo-<br />

Service reports the Seat<br />

Mount Pleasant closed<br />

ftill be equipped for Cineopens<br />

next spring<br />

^ity, was in town buying<br />

Id and reopen his theatre<br />

sral months ago.<br />

le Row recently included<br />

le. Mount Olive; Fin Lee,<br />

Jodie Holland, Lyman at<br />

cManus. Scenic Drive-In,<br />

ieight, Midway, Lancaster;<br />

Columbia Drive-In; R. L.<br />

e-In, Spartanburg: V. D.<br />

Drive-In, Raeford; Ray<br />

ive-In. Asheboro; J. W.<br />

; Harold Armistead, Lyric,<br />

art, Motor-In, Lancaster;<br />

;-HiII Drive-In; T. L. Bin-<br />

LaGrange; W. S. Funk.<br />

ingstree. and Clif Faw.<br />

IS Screen<br />

E — A new Cinemascope<br />

istalled by Dave Huff in<br />

rive-In.<br />

HART<br />

^11 Tampa area drive-ins clo.sed on Christmas<br />

Eve except the Hillsboro and Floriland.<br />

The Floriland. 20th Century, 40th Street<br />

and Auto Park drive-ins featured two nights<br />

of free pre-Christmas shows. Jim Poindexter<br />

hosted a Christmas party for the Floriland<br />

and 20th Century employes. Garland Flowers<br />

is now assistant at the Floriland.<br />

The 20th Century was closed on the 22nd<br />

and 23rd while the projection was being<br />

moved forward to accommodate new restrooms<br />

and other improvements.<br />

Joe Taylor of the Hillsboro has a miniature<br />

circus display which attracts much attention.<br />

Every Sunday Joe a.ssists at the services<br />

conducted at the airer by the First<br />

Christian Church of Tampa. He handles the<br />

sound system. The church gives doughnuts,<br />

coffee and orange juice to the worshippers.<br />

* * *<br />

Critic Phil Barney reported in the Tampa<br />

Tribune that the best grossers in that city<br />

during 1954 were How to Marry a Millionaire.<br />

The Glenn Miller Story, White Christmas<br />

and The French Line, which .showed,<br />

respectively, at the Palace, Park, Tampa and<br />

the<br />

State.<br />

The six Tampa drive-ins, played "Black<br />

Widow" on New Year's Eve. What happened<br />

to the print shortage? Four continued it<br />

Sunday night.<br />

* * *<br />

Walt Miles, former manager of the Piedmont<br />

at Atlanta for Dixie Drive-In Theatres,<br />

now manages the Tower Drive-In. Among<br />

:SB00KIK6 SERVICE<br />

135 Brevard Court, CharloHe, N. C.<br />

FRANK LOWRY — JOHN WOOD<br />

HAZEL RESNIK<br />

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& RECTIFIERS<br />

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THEATRE CHAIRS<br />

CUSTOM-MADE<br />

DRAPERIES<br />

BEATS<br />

By HARRY HART.<br />

recent stunts is posting of ticket serial numbers<br />

on a concession stand board every night,<br />

good for free sandwiches, popcorn and drinks.<br />

During the holidays he had a local photographer<br />

make free pictures of kiddies from<br />

1 to 12 p.m. on a pony, tieing in with a Cowkid<br />

contest. For New Year's, he ran an ad inviting<br />

the men to bring "your best girl for<br />

a midnight show and have your picture made<br />

absolutely free."<br />

Santa Claus distributed free gifts to the<br />

youngsters at a free cartoon show marking<br />

the reopening of the Fourth Street Drive-In<br />

at St. Petersburg following remodeling and<br />

installation of Cinemascope. The new concession<br />

stand is a model of its kind. Ezra<br />

Kimbrell is manager.<br />

Jack Fitzwater and Pete Sones were busy<br />

at the Bayland Theatres office. Dale Mabry<br />

became father of a baby son recently.<br />

The Cypress and Sundown drive-ins have<br />

been closed several months. Also dark is the<br />

Westown and The Garden Theatre.<br />

Drive-in attendance was off during the holidays.<br />

Ray Bussler of United Theatre Supply was<br />

supervising moving into the new showrooms.<br />

NATIONAL<br />

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luary 8, 1955 55


'.<br />

Hugh Graham Abandons<br />

Operation of LaCosa<br />

From Central Edition<br />

ST. ANN, MO.—Hugh Graham, sub-lessee<br />

of the LaCosa Theatre, has given up operation<br />

of the theatre.<br />

When the LaCosa opened in November<br />

1952 with only one operator in the booth.<br />

Graham met with opposition from lATSE<br />

Local 143 and he later filed an injunction<br />

in the circuit court to enjoin the union from<br />

picketing the house to enforce demands for<br />

the employment of two projectionists. On<br />

May 24, 1954, Judge Douglas L. C. Jones<br />

made permanent the antipicketing injunction,<br />

but later the union attorneys appealed<br />

to the St. Louis court of appeals, where<br />

the matter still rests.<br />

The LaCosa was built by Charles F. Vatterott.<br />

V^<br />

...andmulllim<br />

You're practically married<br />

to your patrons when you give<br />

them comfortable seating!<br />

Romance them by letting us repair<br />

or replace worn parts, seats or arms;<br />

and we do it all without interruption<br />

of your show. Our low, low prices will<br />

delight you, too. Just let us give<br />

you the "good news"—a quote.<br />

WRITE—WIRE or<br />

42-1658<br />

MANUFACTURERS—<br />

Foam Rirbber k<br />

Bprliie Cushions, back<br />

and seat Ufm<br />

DISTRIBUTORS—<br />

Upholstery fabrla ud<br />

general eating applies<br />

PHONE<br />

Up to 2 years to pay on i<br />

complete rehabilitation. M.^<br />

Walter Hyland of Chicago<br />

Celebrates 40th U-I Year<br />

From Central Edition<br />

CHICAGO—Walter Hyland, well known for<br />

his ready smile and radiant personality, explains<br />

it's because he finds great contentment<br />

in his work.<br />

"More than any<br />

other business," he<br />

says, "a career in show<br />

business brings great<br />

satisfaction when one<br />

loves his work." Hyland<br />

has spent half a<br />

century "out front"<br />

and behind the scenes<br />

in show business. He<br />

is presently observing<br />

his 40th anniversary as<br />

U-I head booker in<br />

Chicago. Walter Hyland<br />

Hyland was born in Milwaukee. His first<br />

introduction to this business was as a songslide<br />

singer in the town's first nickelodeon<br />

theatres, the Orpheum and Theatorium.<br />

Shortly afterwards, he moved to nearby<br />

Madison and opened the first neighborhood<br />

theatre in that city. In 1914 he came with<br />

U-I's Chicago office as assistant booker. But<br />

back in 1914 it was known as the Carl<br />

Laemmle film exchange.<br />

"Those were the days," recalls Walter,<br />

'when two-reelers were breaking boxoffice<br />

records."<br />

One in particular that he likes to talk<br />

about was titled "101 Bison." "We advertised<br />

it as '101 Bison With Real Indians,' " says<br />

Walter, "because it was the first Indian movie<br />

with authentic Redskins."<br />

Walter also recalls "Uncle Carl" Laemmle's<br />

ntmierous visits to Chicago while he was<br />

establishing national distribution. "Problems<br />

were plentiful. Once when the exchange<br />

burned to the groimd, destroying all of our<br />

prints, we hustled around to nearby Laemmle<br />

exchanges and we didn't have a single missout."<br />

he related. "That was an accomplishment<br />

in those days. Remember, there was no<br />

such thing as Air Express."<br />

Today, with an enviable record of 40 years<br />

of outstanding service to U-I behind him,<br />

Walter Hyland is thinking ahead to help<br />

improve his and U-I's future.<br />

He recently conceived a special U-I feature<br />

breakdown chart designed to aid exhibitors<br />

in booking skip-releases and repeats. Hyland's<br />

new chart idea is proving highly successful<br />

in Chicago. It is also being considered<br />

for use in all U-I branch offices.<br />

Recently U-I's Chicago staff, headed by<br />

District Manager Manie Gottlieb and branch<br />

Manager Lou Berman gave Walter a surprise<br />

luncheon. And that Chicago area exhibitors<br />

are going all out for Walter is readily evidenced<br />

by the success of the booking drive<br />

honor of his 40th anniversary with U-I.<br />

ill<br />

Tampa Royal Robbed<br />

TAMPA—A lone gunman wearing a handkerchief<br />

acro.ss his face held up the Royal<br />

Theatre and got away with more than $100.<br />

Ofela Menendez, the cashier, said the man<br />

walked up to her booth, thrust a paper sack<br />

at her, told her to put all the money in the<br />

bag. He held a pistol pointed at her while<br />

she complied.<br />

Bill Elliott was the headliner at the recent<br />

annual Teluco Lake Rotary Club Christmas<br />

party.<br />

RESEARCH BUH<br />

for<br />

MODERN THEATRE PLA<br />

ENROLLMENT FORM FOR FREE INF<br />

The MODERN THEATRE<br />

PLANNING mSTTTUTE<br />

825 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

Gentlemen:<br />

Please enroll us in your RESEARC<br />

to receive information regularly, as n<br />

the folloviring subjects for Theatre Pla<br />

n Acoustics<br />

n Air Conditioning<br />

n Architectural Service<br />

D "Black" Lighting<br />

n Building Material<br />

n Carpets<br />

G Coin Machines<br />

D Complete Remodeling<br />

n Decorating<br />

n Drink Dispensers<br />

D Drive-In Equipment<br />

D Other Subjects<br />

Theatre<br />

Seating Capacity..<br />

Address<br />

City<br />

Sate<br />

Signed<br />

n Lighting Fi<br />

D Plumbing 1<br />

Projectors<br />

n Projection<br />

D Seating<br />

n Signs and<br />

n Sound Equ<br />

n Television<br />

D Theatre Fn<br />

n Vending E<br />

Postage-paid reply cards for your further<br />

in obtaining information are provided in T<br />

THEATRE Section, published with the fi<br />

each month.<br />

56 BOXOFFICE :: January


'<br />

. . The<br />

. . City<br />

. . Edythe<br />

1 OfflCf<br />

Industry<br />

Betty<br />

i.w.<br />

L<br />

Whitmire<br />

.^'»<br />

Integrity<br />

S^ ^>*<br />

^^<br />

TRAILERS<br />

y and Service<br />

n the South for 31 years.<br />

nts<br />

cost<br />

per word<br />

anywhere<br />

^ND FILM CO.<br />

(oad, N. E. Atlanta<br />

POPCORN machines]<br />

'otres, schools, stores j<br />

00 on hour $175.00 i<br />

on hour $195.00 i<br />

•OPCORN SUPPLY<br />

]<br />

Atlanta, Go. 4<br />

ring film,<br />

LF-EXAMINATION<br />

of the 4,000,000<br />

iicn who JioMiknow<br />

ind most thorough<br />

ine their breasts<br />

may mean cancer<br />

its early stage and<br />

e are the 1 )est ? Our<br />

e us that BREAST<br />

MINATION has<br />

1 many a woman's<br />

save many thouvery<br />

year.<br />

1 our film, call the<br />

ancer Society or<br />

mcer" in care of<br />

jst Office.<br />

Cancer Society<br />

®<br />

ATLANTA<br />

A B. Padgett, former chief barker of the<br />

Variety Club, was Santa Claus at the<br />

WOMPI Christmas party. He was attended<br />

by all of his rein "dears," including Rudolph.<br />

He introduced each one of the "dears," then<br />

and the little child all dressed in red flannel<br />

night gown and cap. The child, played by<br />

Betty Rary, president of WOMPI, sang a<br />

.song to "Mr. Santa" and asked for Liberace<br />

for Christmas. One of the most comical<br />

"skits" was I've Got a Secret. Four of the<br />

bosses Oh Filmrow comprised the panel and<br />

Dr. Mack Cone, husband of Lois Cone, booker<br />

at Martin Theatres, was the guest. Dr. Cone<br />

won the prize (candy stick i as his "seci-et"<br />

was not guessed. Harold Spears, new chief<br />

barker of the Variety Club, drew for the<br />

prize.<br />

E,\hibitors on the Row: Nat Williams, Interstate<br />

Enterprises, Thomasville; Ebb Duncan,<br />

Carrolton; Sid Laird, West Point; Don<br />

Boardman, Sky view Drive-In, Augusta; Violet<br />

Edwards, Royal Theatre, Monticello; R.<br />

M, Kennedy, Birmingham; Doc Fincher.<br />

Chatsworth; Norris Stephens, booking and<br />

buying agent, Savannah . Bryant,<br />

National Screen ,Service booker, vacationed<br />

at home . . . Lynda Burnett, United Artists<br />

booker, was home ill all week suffering a<br />

New booker at Universal<br />

sinus infection . . .<br />

is Tommy Mote, formerly at the Film Booking<br />

Office.<br />

C. H. Robuck of UA m Jacksonville was<br />

here on a vacation.<br />

SAVANNAH<br />

Oeveral hundred persons attended the wedding<br />

of Patricia Griffin and Albert Weis<br />

in the beautiful St. John the Baptist Catholic<br />

cathedral Sunday night (26). The groom<br />

is a.ssociated with his parents, Mr. and Mrs.<br />

Fred Weis, in the operation of the Weis,<br />

Savannah and State theatres. All wedding<br />

guests were invited to the reception held at<br />

the DeSoto Hotel . Beat, column<br />

written by the city editor of the Savannah<br />

Morning News, mentioned the arrival of a<br />

daughter to Cecil McGlohon, manager of<br />

the Avon Theatre, on Christma,s eve. It is<br />

their first child.<br />

.<br />

. . .<br />

Local exhibitors were saddened at news of<br />

the death of Col. Charles Kessnich of MGM<br />

in Atlanta Montgomery Drive-In<br />

closed Christmas eve to allow employes to<br />

be with their families. Other houses reported<br />

a lack of customers Average Christmas<br />

Day business was reported by the first run<br />

theatres with good weather prevailing until<br />

rain started just before the 9 p.m. shows.<br />

Holiday attractions were "Three Ring Circus"<br />

at the Weis, "20,000 Leagues Under The Sea"<br />

at the Lucas, "Deep in My Heart" at the<br />

Savannah and "Fire Over Africa" at the<br />

Avon.<br />

Charles Fortson, sales manager for WU-<br />

Kin Theatre Supply in Atlanta, was a visitor.<br />

Julian Blaustein Parts<br />

Company With 20th-Fox<br />

From Western Edition<br />

HOLLYWOOD — After an association ol<br />

more than six years, producer Julian Blaustein's<br />

contract at 20th Century-Fox has<br />

been terminated by mutual consent. He did<br />

not immediately announce his future plans.<br />

Blaustein recently completed "The Racers,"<br />

starring Kirk Douglas, Bella Dai-vi and Gilbert<br />

Roland. He also produced the current<br />

"Desiree."<br />

Meantime 20th-Fox handed writer-producer-director<br />

Nunnally Johnson a new<br />

long-term ticket. He is prepai-ing, as his<br />

next three-w'ay a.s.signment, "How To Be<br />

Very, Vei-y Popular." a Marilyn Monroe<br />

stai'rer.<br />

; Contributed by<br />

OFFICE<br />

'Man From Texas' Has Utah Locale<br />

Producer-director Joe Kane will launch<br />

the Republic picture. "Man From Texa.s," next<br />

month on location in Utah.


Sell<br />

and Sell<br />

Scores of busy little messages<br />

go out every week to a tremendous<br />

audience— and they get a tremendous<br />

response!<br />

^<br />

Every exhibitor is<br />

busy— buying,<br />

selling, renting, hiring. All this is<br />

made easier and more profitable<br />

with the classified ads in Clearing<br />

House each week.<br />

READ • USE • PROFIT BY—<br />

Classified Ads<br />

in<br />

BOXOFFICE<br />

Greatest Coverage in the Field—Most Readers for Your Money<br />

Four Insertions for Price of Three<br />

58 BOXOFFICE :: Januar;


; and<br />

1 the<br />

C. E. Kessnich<br />

^d at Atlanta<br />

eral services were held<br />

I<br />

ihaiies Emile Kessnich, retired<br />

southern district<br />

manager for MGM,<br />

who died Christnia-s<br />

Eve at the age<br />

of 67. He had been<br />

with MGM since 1918<br />

when he took over the<br />

local branch. Two<br />

years later he was<br />

made district manager<br />

and continued in that<br />

^ position until Feb-<br />

I ruary 1954, when he<br />

retired. He was active<br />

1 in many fields outside<br />

Lities. During the war he<br />

ist chairman of the War<br />

tee of the film industry<br />

ve in Variety Club. He is<br />

vife and a daughter and<br />

ran.<br />

xiliary Party<br />

Wednesday<br />

TY—Variety Tent 22 auxilednesday<br />

(12) at the Vatop<br />

the Biltmore hotel for<br />

ed by bridge and canasta,<br />

d to make reservations for<br />

they wish, giving them an<br />

,' back some of their social<br />

incheon and card party will<br />

ng at 11 a.m. Mrs. C. A.<br />

will preside.<br />

•idge will be Mrs. Michael<br />

;anasta, Mrs. Morris Loew-<br />

)rge l«Blanc in charge of<br />

Mrs. Charley HudgenswiU<br />

inittee members greeting<br />

guests.<br />

e, who is program chair-<br />

!nd as she'll be in Denver,<br />

ampany her husband, manoundation<br />

theatres here, on<br />

;ss<br />

trip.<br />

round Texas<br />

Foy Drives<br />

:any theatres around the<br />

in toys for tots Christmas<br />

nonth, most of which aeon<br />

of a toy as the price of<br />

g the many which pre-<br />

,'s were the Limestone at<br />

Sid Smith reported that<br />

^ed at a Saturday morning<br />

led over to the Mexia State<br />

;e Theatre at Jacksonville,<br />

Robert Lugenbuhl jr. said<br />

ruck load of canned foods<br />

lected at a show sponsored<br />

ind a local bank for the<br />

mmerce Christmas Cheer<br />

ace Theatre, Snyder, where<br />

sponsored a show for unngsters<br />

with the coopiera-<br />

N. R. Clements.<br />

reen<br />

OKLA.—Bill Edmonston of<br />

leatre has installed a wide<br />

improvements, including a<br />

front.<br />

Oklahoma Assns Select<br />

Joint-Action Committees<br />

OKLAHOMA CITY—Allied of Oklahoma<br />

and Theatre Owners of Oklahoma, meeting<br />

at a joint luncheon session Monday (3i,<br />

agreed to take united<br />

action if any adverse<br />

taxation bill is introduced<br />

in the legislature,<br />

which convened<br />

Tue.sday.<br />

C. B. "Brownie"<br />

Akers. Tulsa. legislative<br />

chairman for both<br />

units and TOO director,<br />

led the discussion.<br />

Ed Thorne, new TOO<br />

president, asked Earl<br />

Snyder jr.. Tulsa, Allied<br />

president, to preside.<br />

"Brownie" Akers<br />

Akers remained to attend the assembly<br />

opening at the state capitol.<br />

Tulsa and Oklahoma City municipal officals<br />

are waging an all-out campaign for<br />

enactment of legislation to permit them to<br />

levy special taxes to ease their respective<br />

financial plights. Currently the earnings tax<br />

seems to be the favorite of the municipal<br />

leaders, but occupation, automobile, insurance<br />

and admissions taxes have been proposed.<br />

JOINT MEETING PLANNED LATE<br />

The joint TOO-AUied session was a lastminute<br />

switch in plans. Both gi-oups had<br />

been scheduled to convene on Monday at<br />

different hours. Pi-esident Thorne arranged<br />

the joint luncheon. Each group then adjourned<br />

to separate meeting sites, the TOO<br />

to the Variety clubrooms and Allied elsewhere<br />

in the Biltmore hotel.<br />

Both TOO and Allied selected executive<br />

committees to work together in fighting any<br />

tax legislation, and in making arrangements<br />

for the MGM Ticket Selling Workshop to<br />

be held here soon. Representing TOO are<br />

President Thorne. Ralph Drewry, Ray<br />

Hughes and Akers. The latter will serve as<br />

liaison. Representing Allied are President<br />

Snyder, Glen Thompson and J. S. Worley.<br />

The latter is a director of both exhibitor<br />

associations.<br />

The TOO board elected Thorne to be the<br />

Theatre Owners of America representative,<br />

and Drewry as its COMPO envoy. Morris<br />

Loewen.stein held both posts until he resigned<br />

as president at the December convention.<br />

The TOO directors also voted to revise<br />

the bylaws and named Drewry to head a committee<br />

of Alex Blue, Tulsa, and C. D. "Buddy"<br />

Hicks, Nowata, to study the bylaws and the<br />

dues setup and submit suggestions for<br />

changes at the next board .session February<br />

7. It was reported TOO now has the lowest<br />

dues of any TOA group in the country.<br />

Drewry suggested that the monthly board<br />

sessions be called general membership meetings<br />

to encourage all exhibitors in the trade<br />

territory to attend. The .sessions, held the<br />

first Monday each month, have always been<br />

open but have drawn few exhibitors, presumably<br />

because they felt the meetings were<br />

strictly for the directors and officers. Drewry's<br />

suggestion was approved and the monthly<br />

roundups henceforth will be tagged general<br />

membership meetings.<br />

All TOO directors were present except<br />

Ralph Talbot, Worley; Paul Stonum of Anadarko.<br />

Virby Conley, Perryton, Tex., and<br />

Phil Hays, Bartlesville. Attending were Bill<br />

Slepka, O. K. Kemp. H. D. Cox, H. S. Mc-<br />

Murry, Buddy Hicks, Mrs. Avece Waldron,<br />

Drewry. Eddie Holt, Les Nordean, Harold<br />

Combs, Akers, Blue, Charley Procter, Mrs.<br />

L. H, Goerke, Paul Shipley, Thorne, and<br />

Hughes.<br />

Also voted w-as the elimination of a board<br />

chairman. T'he president hereafter will serve<br />

as chairman of the board.<br />

The Allied board named Glen Thompson<br />

delegate to the National Allied board meeting<br />

and drive-in convention at St. Louis, February<br />

6-10. Also plaruiing to attend the St.<br />

Louis sessions are Eddie Jones, Sand Springs;<br />

Snyder, Bernard McKenna jr., Norman, and<br />

Worley.<br />

The next meeting will be held January 31<br />

because of the St. Louis convention, instead<br />

of February 7, with plans for the Oklahoma<br />

Allied convention February 28-March 1 as<br />

the chief order of bu.siness. Already scheduled<br />

for the Allied parley is a buffet dinner<br />

dance on the night of February 28 in the<br />

Persian room of the Skirvin Hotel here. A<br />

cocktail party and a banquet with professional<br />

talent floor show will be featured the<br />

following night.<br />

Attending the Allied meeting were Snyder,<br />

McKenna, Henry Simpson, Cliff Lance, Glen<br />

Thompson and son Dick, Claude Motley,<br />

Jimmy Kelly, Athel Boyter, Max Feinsilber<br />

and H. H. Carlile. Nordean is a member of<br />

both TOO and the Allied boards.<br />

McLendon Group Buys<br />

WEMP at Milwaukee<br />

MILWAUKEE—WEMP, local radio station,<br />

has been sold to a group of Texas residents<br />

contingent on approval by the FCC. It Is<br />

understood Gordon McLendon heads Foster<br />

& Holmes Corp., the company formed to<br />

make the piu-chase. Others involved axe<br />

Barton McLendon, father of Gordon; James<br />

Foster, William Weaver and Dorothy Maning.<br />

The .senior McLendon is a Texas motion<br />

picture owner and is associated with his son<br />

in radio station KLIF-TV, Dallas, and KELP<br />

and KELP-TV, El Paso.<br />

The sale of WEMP assets is necessary before<br />

Milwaukee Broadcasting Co. can buy<br />

radio station WCAN, a deal which is in the<br />

pending stage.<br />

Big Screen to Enid Airer<br />

ENID. OKLA.—Video Theatres is enlarging<br />

the screen to 100-feet wide at the Trail<br />

Drive-In, and also installing new arc lamps<br />

and cooling equipment for the projectors.<br />

It will soon reopen for the winter.<br />

Max Utay Starts Double Features<br />

DALLAS—Max Utay. who recently purchased<br />

the Ewing Theatre in Trinity Heights,<br />

has announced a policy of double features.<br />

anuary 8, 1955 SW 59


.<br />

Rubin Frels Dies; Owner<br />

Of South Texas Circuit<br />

—<br />

VICTORIA, TEX. — Rubiil Prels. who<br />

opened his fii-st motion picture theatre in<br />

New Ulm in 1914 after working eight years<br />

as a mailman there,<br />

died at his home here<br />

last week (31). He was<br />

the owner of 15 theatres<br />

here and in eight<br />

other cities of south<br />

Texas.<br />

All Frels theatres<br />

five regular hou.ses and<br />

two drive-ins here,<br />

^<br />

two each in EI Campo<br />

V<br />

and Bay City, and one<br />

I ' each in Wharton. Goliad,<br />

Yorktown, Nixon,<br />

Rubin Fri'ls Brookshire and New<br />

Braunfels—closed Sunday, the day of the<br />

funeral.<br />

Fi-els long was a leader in the independent<br />

exhibitor field. He was vice-president<br />

for many years of Allied Theatre Owners<br />

of Texas, and took a prominent role in<br />

the industry campaign for relief from the<br />

federal amusement tax.<br />

In 1936 he filed an antitru.st suit against<br />

distributors and large theatre circuits charging<br />

conspiracy to deprive him of motion picture<br />

product for his theatres. The $1,000,000<br />

case was tried in Dallas. Although he lost,<br />

some of the evidence he submitted at the<br />

trial later was used by the government in<br />

r/fe POPCORN MAUSo^s;<br />

IF ITS CONCESSION<br />

SUPPLIES YOU NEEO-<br />

WB G-OT '£M/<br />

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POPCORN DISTRIBUTORS. Inc.<br />

302 S Hnrvrood Rl-6n4 Dallos, Texos<br />

yOl/ QAU AVNA'iS DEPEND ON<br />

FOR THE BEST<br />

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DROP A CARD


, busy<br />

. to<br />

. Theatre.<br />

•<br />

Year's<br />

RN OKLAHOMA<br />

\RT LA MAN<br />

now in eastern Oklahoma<br />

he million dollar rain and<br />

uring the last days of 1954,<br />

ace of Old Man 1954 before<br />

works to Little Junior '55.<br />

it the rain and snow were<br />

r more to every small town<br />

ce the moistm'e assures a<br />

and that's what keeps the<br />

eman in the black. So 1955<br />

good look. Now it's up to<br />

rate the theatres to crank<br />

with the stunts and<br />

e product to the customers.<br />

* « •<br />

'ulsa most of the theatres<br />

Eve previews. The<br />

vith "Three Ring Circus"<br />

lusiness at a buck top; the<br />

top trade with "20.000<br />

18 Sea," while out at the<br />

Gene Welch featured a<br />

lictures. Some of the teenjs<br />

up a bit by shooting a<br />

iside the theatre: which, of<br />

ueals from the gals and got<br />

out on their ears. So all<br />

spots around town pulled<br />

g-dings. with the big one<br />

irron ballroom w'here Leon<br />

old year out while KOTV<br />

a ringside view of the fesis<br />

WTiter stayed home and<br />

nd, by the by, while watchng<br />

for the midnight blowance<br />

to catch on to some<br />

ly many people are sitting<br />

V sets instead of sitting in<br />

;n a couple of hours we<br />

; comedy shows featuring<br />

rv and screen: we had a<br />

id watched other features,<br />

ling we noticed was the<br />

with a lot of serious and<br />

intermingled. The theatre<br />

groups and various others<br />

g talk with the people who<br />

,g of motion pictures, some<br />

most forgotten that people<br />

like smart comedies with<br />

formed by good actors—90<br />

opie want to laugh and are<br />

enjoy a good comedy,<br />

Dyal Theatre, one of the<br />

leatres, a new wide screen<br />

before they ever had the<br />

it to the public the rear<br />

jed over and went through<br />

However, Gene McKenna<br />

itched and ready to go by<br />

er would call a very nice<br />

n I. B. Adelman, owner of<br />

He phoned from<br />

ish Delman Manager Gene<br />

w year. This Ls what makes<br />

)etween the big man and<br />

er who helps to make the<br />

roo bad that there are not<br />

will take time out to say<br />

! guys down the line.<br />

• • *<br />

le little Irish guy who gets<br />

s once in a while to crank<br />

)usiness on Columbia's pictures,<br />

was in to work on Columbia's first<br />

Cinemascope feature, "The Violent Men,"<br />

which was given its southwest premiere at<br />

the TuLsa and Will Rogers theatres on the<br />

5th.<br />

The Cove Theatre, located on the west side<br />

in the Red Fork district, recently was taken<br />

back by owners Howard and Carter from<br />

Vernon McGinnis, who operated it several<br />

years. Pat Silvero remains as house manager.<br />

The owners have started a complete cleaning,<br />

repainting and general overhaul job.<br />

The front has been repaired and the theatre<br />

is taking on a new look. A new wide screen<br />

is on order and will be installed soon. Bookings<br />

have been rearranged which now puts<br />

the Cove day and date with the drive-ins.<br />

Pat lined up a two-night weekly giveaway to<br />

start during the second week of January.<br />

To this we say, "Go to it: that's the right<br />

start to put the Cove back on its feet."<br />

* • •<br />

The Admiral Drive-In, under the able<br />

management of Alex Blue, is now adding a<br />

second screen on the back of its present<br />

screen tower, which will give Tulsa its first<br />

twin drive-in. When the Admiral was first<br />

built by Earl Snyder jr. the twin idea was<br />

drafted in the original plans: even extra<br />

land was provided. So converting this popular<br />

single into a double job is no great<br />

problem.<br />

* * *<br />

Here's a nice little idea to the managers<br />

who are willing to try something extra to<br />

help take up the slack days at their boxoffices.<br />

I mentioned recently that Bob Getter<br />

had taken our stage show on at the Criterion<br />

in Sapulpa on Wednesday night before<br />

Christmas. With the tow'n packed with snow<br />

and hardly a place to park a car, the show<br />

pulled in a record business. Grace and Speedy<br />

Moulder, former owners of the Criterion,<br />

were in to catch the show. In years back.<br />

Speedy played bass fiddle with Sapulpa's own<br />

Catfish Creek band and he knows what he's<br />

talking about when he rates such attractions.<br />

He described the Criterion presentation as<br />

—<br />

"one of the best shows we have ever had<br />

in this town." Gracie told us that the take<br />

was over five times the amount the Criterion<br />

had last year on the Wednesday before<br />

Christmas, which made us feel good. It also<br />

proves once more that if you give 'em a good<br />

stage show and advertise it, the paying customers<br />

will come regardle.ss of the picture<br />

fare.<br />

We hear that some of the other eastern<br />

Video theatres have spots open for stage attractions<br />

in the next few weeks.<br />

Strong 'Leagues' Opening<br />

Hits Good 200 in Dallas<br />

DALLAS— "20,000 Leagues Under the Sea"<br />

proved a strong draw in Dallas where it piled<br />

up a healthy 200 per cent. Business in general<br />

was very good with all grosses going<br />

above average.<br />

(Average Is 100)<br />

Majestic 20,000 Leagues Under the Sea<br />

IBuena Vista) 200<br />

Melba—This Is Cinerama (Cineramo) MO<br />

Riolto— Duel in the Sun (5R0), reissue I 30<br />

Palace—Young ot Heart (WB) 110<br />

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inuary 8, 1955 61


'<br />

Variety 22 Preparing<br />

To Expand Its Charity<br />

OKLAHOMA CITY—Dave Hunt launched<br />

his administration as chief barker of Variety<br />

Tent 22 with a "state of Variety" message<br />

at the new crew's initial meeting Monday in<br />

the clubrooms.<br />

The crew elected one delegate and two<br />

alternates to the Variety International convention<br />

in May at Los Angeles: George<br />

Fisher. MGM manager, as delegate, and R.<br />

Lewis Barton, president of the Barton circuit,<br />

and C. R. Guthrie. Video executive,<br />

as alternates. Chief Barker Hunt, Sam<br />

Brunk. Buena Vista, immediate past chief<br />

barker, automatically become delegates, giving<br />

Tent 22 three voting delegates to the<br />

convention.<br />

Hunt, film director for station KWTV, explained<br />

that Don TuUius, Warner manager<br />

and first assistant chief barker, automatiically<br />

is an alternate.<br />

The crew also elected four associate crewmen<br />

without voting privileges. Named -were<br />

Fred Sanders, vice-president of the Liberty<br />

National Bank: Leonard Kilfoy, real estate<br />

and insurance agent: W. H. Lewis, attorney,<br />

and Johnny Wilkinson, insurance man.<br />

Re-elected chaplains were Rabbi Israel<br />

Chodos, the Rev. William H. Alexander, and<br />

the Very Rev. Msgr. Charles Buswell.<br />

The five past chief barkers on the crew<br />

are Brunk: Charley Hudgens, U-I manager:<br />

C. H. "Buck" Weaver, Paramount exchange<br />

chief: C. A. "Dewey" Gibbs, Columbia manager,<br />

and J. C. Hunter, retired theatreman<br />

from Tulsa who now is in the hotel business<br />

at Fort Lauderdale, Pla.<br />

The crew empowered Hudgens and Hunt to<br />

plan an installation ceremony, tentatively<br />

.


.' Business"<br />

. Watson<br />

at Omaha<br />

'/o Week<br />

tate Theatre set a new<br />

d price showings when<br />

ider the Sea" scored 320<br />

hristmas week, Ralph D.<br />

jldberg Theatre Corp. re-<br />

) this was "The Silver<br />

pheum. which had a 150<br />

hers went above average<br />

\ peaks.<br />

age Is 100)<br />

ngeonce (AA); Port of Hell<br />

105<br />

Gretel (RKO); A>rico<br />

105<br />

>rivate Hell 36 (Filmakers) . 105<br />

:holice (WB) 150<br />

Under the Sea (Buena<br />

320<br />

y the Kid (Col) 105<br />

Opens<br />

leapolis<br />

Holdovers were preponnewcomers.<br />

"There's No<br />

and "Sign of<br />

ularly the former, cut a<br />

ce sw'ath.<br />

^), 2nd wk 150<br />

(WB), 2nd wk 90<br />

lues Under the Sea (BV),<br />

175<br />

nsos (Col); A Bullet is<br />

90<br />

> Business Like Show<br />

225<br />

an (U-l) 150<br />

ort (MGM), 2nd wk 150<br />

ison, 36 Years<br />

I, Retires<br />

One of thie city's oldest<br />

jint of length of industry<br />

kson of Warner Bros., is<br />

and will settle down and<br />

lorida in the winter and<br />

e. Wis,, home during the<br />

11-liked mdustry member<br />

nds throughout the t«rribeen<br />

selling pictures out<br />

36 years. He joined the<br />

ire in March 1919.<br />

a member of the Warner<br />

r 18 years. Prior to that<br />

with Paramount for 14<br />

t National for three years<br />

CHRISTM.AS I'HK.SKMS— .At the recent<br />

Christmas dinner and cocktail party<br />

of the Columbia exchange in Minneapolis,<br />

Manager H. J. "Hy" Chapman presented<br />

cashier Genevieve Donovan, left, and Jean<br />

Paulsen, inspector, watches for their 2.5<br />

years of service to the company.<br />

Death to Jack Heywood<br />

And Charles McCarthy<br />

MINNEAPOLIS — Two longtime industry<br />

members. Jack Heywood of New- Richmond,<br />

Wis., and Charles McCarthy of Minneapolis,<br />

died recently.<br />

Heywood, who died at the age of 71 after<br />

a long illness, was a New Richmond exhibitor<br />

for many years and in his younger days a<br />

film salesman here. Before his illness he<br />

was a frequent visitor to the Northwest<br />

Variety Club of which he was an active member.<br />

McCarthy, 51, formerly was in film transportation<br />

here. He later became a Minnesota<br />

Amusement Co. theatre manager in Fargo,<br />

N. D.<br />

Scott Memorial Fund<br />

Passes $500 in Omaha<br />

OMAHA—Tlie Variety Club'.s heart fund<br />

to be used for a Joe E. Scott Memorial room<br />

in the new Rehabilitation Center, a project<br />

now- under way for handicapped children, last<br />

week topped $500. Heading the list of contributions<br />

was $100 from A. H. Blank of<br />

Des Moines on behalf of Tristate Theatre<br />

Corp. Other gifts came from as far away as<br />

California and New York, the latter from a<br />

20th-Fox member.<br />

Bill Barker, Tent 16 property master, said<br />

particularly gratifying were the number of<br />

gifts from exhibitors. He said a lot of the<br />

donations came from theatremen in small<br />

situations and that the amount received so<br />

far was mostly from theatre operators. Exchange<br />

collections have not started to come in.<br />

Scott. 20th-Fox manager 20 years, died in<br />

a hospital here after suffering a heart attack<br />

at his home. Contributions are being sent to<br />

1508 Davenport St., Co-Op Theatre Services.<br />

McLendon Group Buys<br />

WEMP at Milwaukee<br />

MILWAUKEE—WEMP, local radio station,<br />

has been sold to a group of Texas residents<br />

contingent on approval by the FCC. It is<br />

understood Gordon McLendon heads Foster<br />

& Holmes Corp.. the company formed to<br />

make the purchase. Others involved are<br />

Barton McLendon, father of Gordon; James<br />

Foster, William Weaver and Dorothy Maning.<br />

The senior McLendon is a Texas motion<br />

picture theatre owner and is associated w^ith<br />

his son in radio station KLIF-TV, Dallas,<br />

and KELP and KELP-TV, El Paso.<br />

The sale of WEMP assets is necessary before<br />

Milwaukee Broadcasting Co. can buy<br />

station WCAN, a deal which is pending.<br />

as well, Jackson also<br />

friends in the theatrical<br />

; born in Great Britain<br />

lis family still reside, and<br />

rs has made numerous<br />

on Shutters<br />

A—The Diagonal Theatre,<br />

Watson, has been closed<br />

said the reason<br />

vas lack of patronage.<br />

ew Processes<br />

rank Lismeister has preleatre<br />

for the showing of<br />

1 processes.<br />

agle River<br />

WIS.—Theft of about $70<br />

Manager Swede Anderson<br />

xe.<br />

DRIVE PL.\NXERS—Managers and salesmen from the Des Moines and Omaha<br />

Universal exchanges met recently with Jeff Livingston, eastern advertising manager;<br />

Foster Blake, western sales manager, and Lester Zucker, district manager (left to<br />

right, sealed, top photo) to plan the annual Charles J. Feldman drive, which extends<br />

to .Vpril 30. Standing in top photo are Manager Iz VVeiner, Carl Reese. Harry Fisher<br />

and Lewis Cole of the Omaha V-l office and, at bottom, Manager Lou Levy, Oliver<br />

Patrick, Chris Langhlin and Ralph Olson of Des Moines.<br />

luary 8, 1955 NC S3


. . . Dick<br />

. . Ethel<br />

. . the<br />

. .<br />

MILWAUKEE<br />

. . .<br />

Tack Frackman, Republic manager, was back<br />

on Filmrow following a stay in the hospital<br />

Ralph Farrington has sold his<br />

. . . Fenway Theatre at Fennimore . . . Jack Frost,<br />

film salesman in this territory, died recently<br />

Harry Oshan, Columbia manager, vacao!LiUUUL8J)J)JIJUU>J)-OJI-0-ft-g-a.gJU>JULiLiLlU>:<br />

a<br />

tioned in Florida. Also vacationing from Columbia<br />

was Dave Chapman, who went to<br />

Mexico. Harry Oshan's son is engaged to be<br />

married to the daughter of Morris Podell.<br />

Harry Weiss, Paramount salesman, was on<br />

a honeymoon in Florida Ray and Oliver<br />

Ti'ampe attended the two-day convention of<br />

National Film Carriers Service at Chicago<br />

"Muscles" Grede gave a party for<br />

the employes of the Blue Mound Drive-In,<br />

POPCORN Elm Grove . Wilson, former manager<br />

of the Bay Theatre, is now assistant<br />

—Save the difference —<br />

cashier at the Columbia.<br />

Ralph Gromley, a pioneer stage hand here,<br />

fractured his skull when he fell down the<br />

stairs of the stage employes union office<br />

while attending a Christmas party and died<br />

shortly afterwards at the hospital . . . Ruddy<br />

RUSH HOUR $4.75<br />

Gran Enterprises<br />

Leddy was a Filmrow visitor . . .<br />

SILVER HULLESS 4.85<br />

purchased the Century Theatre at<br />

2342 No. 3rd St. The sale was approved by<br />

GOLDEN HULLESS 5.65<br />

Judge Robert E. Tehan for $92,000. This<br />

theatre was in banki-uptcy reorganization in<br />

POP KING HULLESS 5.25<br />

the federal court.<br />

Per 50-pound sack.<br />

1,000 lb. lots 25c 100 less.<br />

John S. Falco, manager of the Majestic in<br />

Beloit, broke the boxoffice record of the theatre<br />

with "White Christmas." Falco recently<br />

was named president of the Beloit A.ss'n of<br />

Commerce . . . Sol Hankin, a district manager<br />

for Warner Theatres here many years<br />

ago, was in the Jewish Hospital. St. Louis,<br />

after suffering from a stroke.<br />

Use Popcorn in SO-pound bags— instead of<br />

cans—ond save the difference— as much os<br />

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:<br />

nFeie<br />

! Monday<br />

"Jorthwesl Variety Club's<br />

ling Chief Barker L. J.<br />

elected, will be installed<br />

ler meeting in the clubit<br />

(10 1. Miller is urging<br />

or the event as "a vote<br />

he new crew and a weirs.<br />

Miller also announced<br />

lintments as follows<br />

Frosch. chairman, and<br />

lairman.<br />

lul Malisow, chairman;<br />

, Jack Greenberg. Don<br />

d and Sol Torodor.<br />

Heller, and Charles Ruell<br />

and Ben Meshbesher.<br />

Winchell. and Everett<br />

Al Bloom and Edward<br />

hanson. chairman.<br />

anton, and Harold Kap-<br />

I.<br />

arer.<br />

ss McBride, Sim Heller.<br />

nstein, Ben Berger and<br />

:s Jackson and Joe Podo-<br />

Adcock, and Saul Malilan,<br />

Jess McBride, Fay<br />

aw, Abbott Sw'artz and<br />

ler. Tent 12's 1955 officers<br />

;t a.ssistant chief barker:<br />

second assistant; Tom<br />

3ter. and Joseph Podoloff.<br />

:or Britt, Iowa<br />

The Chief Theatre here<br />

iving installation of new<br />

it and redecoration of part<br />

new Century projector<br />

le Hilux curved panoramic<br />

ed. The screen replaces<br />

H. S. "Doc" Twedt put in<br />

.go. Twedt explained that<br />

allow presentation of both<br />

'ista Vision. In addition to<br />

trovement, the two restew<br />

wood paneling. Further<br />

ome in later months.<br />

Foulkes,65,Dies<br />

EMward W. Foulkes, 65,<br />

Paramount Theatre, died<br />

Iowa Methodist Hospital<br />

ttack. He was a charter<br />

ectionists Local 286. Born<br />

es had lived in Des Moines<br />

rived by a son, a daughter,<br />

brothers.<br />

:onsin House<br />

:hien. wis. — Manager<br />

X the Metro Theatre has<br />

Cinemascope screenings.<br />

illey. Wis.<br />

Y, wis.—The Valley Thed<br />

a wide screen and Cin-<br />

;nt, according to owner<br />

OMAHA<br />

T>on McLucas, UA manager, came through<br />

. . .<br />

the trip back from Arizona w'ith only<br />

about one hour of bad roads while a snowstorm<br />

swept the Texas-Oklahoma-Kansas<br />

area. The McLucases switched their route,<br />

and roads to either side of them were blocked<br />

while they got through without mi.shap<br />

Ollie Schneider, Osceola exhibitor, came back<br />

from a w'estern trip with reports of fine theatre<br />

business in the Los Angeles and San<br />

Francisco areas.<br />

Omaha Offices Split<br />

On Working Times<br />

Omaha—The new 37'^ -hour schedule<br />

for Filmrow is being observed in two ways.<br />

—about 50 per cent of the exchanges are<br />

on an 8 a.m. to 4:30 basis, the others from<br />

8:30 to 5. The 8:30 starters include MGM,<br />

Paramount, Columbia and Universal.<br />

Going on the 8-4:30 schedule were Warner<br />

Bros. 20th-Fox, United Artists, Republic<br />

and Allied Artists.<br />

on Filmrow included Warren Hall,<br />

Visitors<br />

Bunvell; Don Campbell, Central City; Ollie<br />

Schneider, Osceola, and these lowans: Ray<br />

Brown and Jamie Booth, Harlan; H. P. Carlton.<br />

Griswold; Frank Good, Red Oak, and<br />

Mrs. C. N. John.son and Richard Johnson,<br />

Red Oak.<br />

Three Iowa theatres announced they were<br />

closing their doors last week. They are the<br />

Princess at Sanborne, owned by Dr. J. C.<br />

Sanders; the Marland at Marcus, owned by<br />

Charles Nielsen, and the Sutherland at Sutherland,<br />

owned by Everett Olhausen. Earlier<br />

the Community Theatre at Winside, Neb., operated<br />

by the Business Men's Ass'n. was<br />

shuttered.<br />

Mrs. J. B. Blank and her daughter Ruth<br />

of Los Angeles are spending about a month<br />

in Omaha visiting Mr. and Mrs. Joe Jacobs,<br />

her son-in-law and daughter, and her son<br />

Ralph Blank. Jacobs is Columbia manager<br />

and Ralph owns the Admiral and Chief theatres<br />

and is a partner in operation of the big<br />

Sky View Drive-In . . . Tlie Lake Andes and<br />

Pickstown theatres in South Dakota are now<br />

on the booking string of Bill Barker's Co-Op<br />

Theatre Service.<br />

The MGM exchange started the new year in<br />

high gear as the MGM 1955 Motion Picture<br />

Theatre Celebration got under way over a<br />

January 1 -April 30 period. Staffers were<br />

wearing badges boosting the theme, "There's<br />

More Fun at the Movies" . . . Hob Hirz, manager<br />

of the Cass Theatre at Plattsmouth, said<br />

his new bowling alley should be in operation<br />

by February.<br />

YOU CAN ALWAYS DEPEND ON<br />

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Liquid Popsit Plus Seasoning Per Case 16.25<br />

Popcorn Salt Per Case 2.95<br />

No. 400 Automotic Bottom Boxes, 1% or Per 1000 9.50<br />

No. 300 Automatic Bottom Boxes, 2 oz Per 1000 10.65<br />

Large 25c Popcorn Boxes Per 1000 18.75<br />

1 lb. White Popcorn Sacks Per 1000 2.20<br />

1 lb. Brown Popcorn Sacks Per 1000 1.80<br />

Vi lb. Popcorn Sacks Per 1000 1.50<br />

1/2 lb. Popcorn Sacks Per 1000 1.20<br />

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DES MOINES THEATRE SUPPLY GO.<br />

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luary 8. 1955 65


. . Orin<br />

. . Dee<br />

. . Manager<br />

. . . Herb<br />

After<br />

LONG SERVICE RECOGNIZED—J. H.<br />

Jacobs, left, manager of Columbia's Omaha<br />

exchange, acting in behalf of the company<br />

presented a watch to General Grant<br />

Green, exchange custodian, in recognition<br />

of his 25 years serWce. Looking on, at<br />

the right, is District Manager Ben Marcus<br />

from Kansas City. This presentation was<br />

made at a special luncheon attended by<br />

all of the exchange employes and many<br />

film buyers and exhibitors from the area.<br />

DES MOINES<br />

pmployes at Warner Bro.s. had Christmas<br />

cards from low former co-workers. Pat<br />

Crossland, Manchester, sent her greetings<br />

from Santa Ana. Calif., where she is hving<br />

while her hihsband is in Korea. Donnie Snow's<br />

card was from Cherry Point, N. C. Helen<br />

Knop wrote from her home in Mission. Kas.,<br />

and Sally Knop Smith sent greetings from<br />

her husband, two .sons and herself from Okla-<br />

homa City . . . Phyllis Kost. Columbia, .spent a<br />

weekend at her home in Humeston<br />

and Mrs. V. E. Gorham, owners of the theatre<br />

at Redfield, report their 2-year-old son Hudd<br />

is home from Blank Hospital where he was<br />

hospitalized for 34 days following surgery.<br />

Thelma Washburn, RKO office manager<br />

and head booker, .spent a two-week vacation<br />

visiting her daughter and family in Florida<br />

. . . RKO salesmen Bob Evans and Mai Pugh<br />

were on vacation . Benton has resigned<br />

as contract clerk at RKO to join<br />

her husband who is serving with the army in<br />

Germany . Fitzgibbon, owner of the<br />

Wapello Theatre, Wapello, presented his annual<br />

Christmas treat to kiddies in his community<br />

with a free show . Van<br />

Boxtel of the Luna Theatre in Battle Creek<br />

was host at a free showing on Christmas<br />

night.<br />

Mary Warrick, manager of the Rialto Theatre<br />

in Missouri "Valley, estimated the total<br />

attendance at the free shows there just before<br />

Christmas at about 1,600 . . . Frank<br />

Rubel, Central States executive and newly<br />

elected chief barker for the Variety Club, is<br />

spending a month vacationing in Mexico<br />

City. He expects to return around the middle<br />

of January.<br />

Sells Minnesota House<br />

FAIRMONT, MINN.—Leslie Larson ha-s sold<br />

his interest in the Ringsted Theatre to Harold<br />

Ki-amer, who said he would not change<br />

the house's playing policy.<br />

MINNEAPOLIS<br />

pxploiteer John Thompson was in from New<br />

York to beat the drum for Columbia's first<br />

Cinemascope picture. "The Violent Men."<br />

.scheduled for the Minneapolis and St. Paul<br />

RKO Orpheums . . . Frank Ander.son. Warner<br />

North Dakota salesman, who headquarters at<br />

Minot, was here . . . Eph Rosen, MOM assistant<br />

manager, is in Des Moines to pinch-hit<br />

there for Manager Jerry McGlynn, who has<br />

been ill.<br />

. . . Stan<br />

Abbott Swartz, UA manager, and wife are<br />

vacationing in New York . . . M. A. Levy, 20th-<br />

Fox division manager, and Alex Harrison,<br />

western division sales manager, were on a<br />

tour of the Omaha and Des Moines branches<br />

Greenblatt, RKO domestic sales<br />

manager, and Roy Haines, WB western division<br />

sales manager, were in . . . Harold Lundquist,<br />

20th-Fox assistant to the division manager,<br />

was at the Omaha branch<br />

Kane. North Central Allied executive counsel,<br />

appeared at a city council committee hearing<br />

and helped induce the aldermen to exclude<br />

theatre marquees from a proposed ordinance<br />

to bar overhanging signs in the city's uptown<br />

business section.<br />

The Variety Club New Year's Eve party was<br />

attended by 130 .. .<br />

20 years at the<br />

post, William Donnelly has retired as business<br />

agent of the stagehands union to devote<br />

hi.s time to his new duties as the international<br />

vice-president. Dick Marietta succeeds<br />

him with the Minneapolis local.<br />

Local circuit owner and Hollywood producer<br />

W. R. Frank is reissuing his "Great Dan<br />

Patch" under the title of "Ride a Reckless<br />

Mile." He coupled it ^^ith his newest production,<br />

"Sitting Bull," for a holiday booking at<br />

. . "Illicit Interlude" moved<br />

his ace Minneapolis neighborhood theatre,<br />

the Boulevard .<br />

from the downtown World after two weeks to<br />

the Suburban World.<br />

Files Percentage Suits<br />

MILWAUKEE—Nick Johnson and Harry E.<br />

Tope, operating the Strand, Manitowoc, and<br />

the Wisconsin and Majestic, Sheboygan, have<br />

been named defendants in four percentage<br />

suits in federal court for the Eastern district<br />

of Wisconsin. The actions were by Loew's,<br />

20th-Fox, United Artists and RKO.<br />

Closes at Lorimore, Iowa<br />

LORIMORE, IOWA—The Lorimor Theatre<br />

has closed indefinitely because of lack of<br />

patronage. For the past year, the Lorimor<br />

has been operating only on Saturday and<br />

Sunday nights.<br />

Installs Wide Screen<br />

WAUTOMA, WIS.—A wide .screen for Cinemascope<br />

pictures is being installed in the<br />

Park Theatre by W. D. Washburn of Conover,<br />

owner. Elmer Thompson is manager.<br />

lowan Adds Wide Screen<br />

CORNING, IOWA — A new wide-view<br />

screen has been installed at the American<br />

Theatre here, according to Dick Kuhl, manager.<br />

Fred MacMurray will star in the Cinema-<br />

Scope galloper. Allied Artists' "Gun Point,"<br />

which will roll in April.<br />

Your best<br />

cancer insurance<br />

"LIFETIME" POLICY. .<br />

See your doctor every<br />

.<br />

.<br />

. .<br />

yeai<br />

for a thorough check-up, no<br />

matter how well<br />

you feel.<br />

"DAY-TO-DAY" POLICE<br />

...See your doctor immediately<br />

at the first sign of an><br />

one of the seven danger signals<br />

that viay mean cancel<br />

(1) Any sore that does nol<br />

heal (2) A lump or thickening<br />

in the breast or elsewhere<br />

(3) Unusual bleeding<br />

or discharge (4) Any diang*<br />

in a wart or mole (5) Per<br />

sistcnt indigestion or dHB<br />

culty in swallowing (6) Per<br />

sistent hoanseness or cougl<br />

(7) .\ny change in norma<br />

bowel habits.<br />

Many cancers can be cured<br />

but only if properly treatec<br />

before they have begun t(<br />

spread or "colonize" in othe<br />

parts of the body.<br />

For any information abou<br />

cancer just call the Amer<br />

ican Cancer Society or writi<br />

to "Cancer" in care of you<br />

local Post Office.<br />

American<br />

Cancer<br />

Society<br />

I<br />

This Space Contributed by<br />

BOXOFFICE<br />

66 BOXOFFICE Januar;


; shown<br />

s Group 16<br />

onic Hall<br />

it was filed recently by<br />

Inthony Demiison, heads<br />

1 Group 16, against the<br />

iig $52,000 damages for<br />

ntract. Salupo and Deniig<br />

$25,000 personal damlal<br />

$2,500 lor actual loss<br />

ionic Hall, after entering<br />

show a series of five<br />

he Group 16 membership,<br />

om its written agreement<br />

Police Chief Frank W.<br />

of women's clubs. The<br />

ed are to compensate for<br />

amage" done by the pubn<br />

the announcement of<br />

withdrawal from the con-<br />

3 that Tom Schulkins, in<br />

Is for Masonic Hall, was<br />

le type of pictui'es to be<br />

)up found a haven in the<br />

ivhere "Dedee." first picfive,<br />

was shown to some<br />

each of whom paid a $5<br />

admission to the entire<br />

the week before<br />

;omt ruled precensorship<br />

id Dennison were arrested<br />

:heduled to be heard be-<br />

;e Lillian Westropp here<br />

t precensorship is out, it<br />

earing would be perfunc-<br />

3f the Masonic Temple<br />

when he entered into a<br />

;h Salupo and Dennison,<br />

; films involved were unit<br />

until newspaper adver-<br />

,t he was aware of this<br />

advertising used," .says<br />

1 that the pictiu-es prowould<br />

be unsuitable for<br />

lasonic Auditorium. Our<br />

presentatives of Group 16<br />

pictures exhibited in the<br />

must comply with the<br />

tions and ordinances of<br />

our entering into a couiid<br />

Dennison, we were not<br />

pictures iJivolved had not<br />

nsor board. So their ex-<br />

,e, was clearly in violation<br />

quiring a censor seal for<br />

n the state. Obviously, it<br />

ir in harmony with the<br />

i'n to show pictures which<br />

;gal state or city require-<br />

of Cleveland<br />

lical Co.<br />

i Sehoen. who has been<br />

years in the manufacture<br />

lintenance chemicals, has<br />

; Chemical Co. and estabjlant<br />

at 1005 Broadway.<br />

:e all types of floor cleanf<br />

of sanitation products,<br />

its, polishing waxes, an<br />

sealer, glass cleaner and<br />

Dick Wright Cleveland SW Chieh<br />

Recounts Theatre Story on TV<br />

The following account of Cleveland's<br />

famous Allen Theatre on Euclid<br />

avenue was presented on a recent<br />

Lights. Questions and Camera program<br />

of TV-WXEL there by Dick Wright,<br />

district manager for Stanley Warner<br />

Theatres at Cleveland. The story was<br />

written by Elsie Loeb, longtime Cleveland<br />

correspondent for BOXOFFICE<br />

from Wright's talk.<br />

The Hon. Robert J. Bulkley, prominent attorney<br />

and former congressman and president<br />

of the Bulkley Building Co., early in<br />

DICK WRIGHT<br />

1916 viewed with great interest the trend of<br />

busine.ss growth in Cleveland eastward along<br />

Euclid Avenue. The Public Square, center<br />

of the city in an earlier day, had ceased to<br />

be the heart of the retail district. Following<br />

in the path of the city's old residential mansions,<br />

famous as "Millionaires Row" lEast<br />

22nd street to East 40th street) a new retail<br />

district came into existence at the intersection<br />

of Huron Road and East 14th street<br />

with Euclid avenue a converging point of<br />

three main arteries of traffic.<br />

At this point was the residence of Mr. and<br />

Mrs. W. S. Tyler, a home which at that time<br />

they had ceased to occupy. In previous years<br />

this was known as the old Dempsey homestead.<br />

On the property next adjoining on<br />

the east stood an old, remodeled residence<br />

with a large gymnasium structure attached,<br />

which formerly belonged to the Cleveland<br />

Athletic Club. This was a four-story structure<br />

set back about 200-feet from the street<br />

and was occupied by Mr. C. A. Selzer, dealer<br />

in fine antiques.<br />

With the end of World War I, there came<br />

a gi-eat rise in values on Euclid avenue. The<br />

announcement of the magnificent Hanna<br />

building at the southeast corner of Euclid<br />

and East 14th, and a general spirit of optimism<br />

in the community, resulted in an increased<br />

demand for new retail stores in this<br />

area. It was then, through the vision and<br />

foresight of Mr. Bulkley that he envisioned<br />

as a part of the development, a theatrical enterprise<br />

in addition to an office building to<br />

be erected on this site.<br />

The attractiveness of a theatrical enterprise<br />

was great since Cleveland, at that time,<br />

was not adequately provided with modern<br />

theatres. So, with the completion of building<br />

plans, arrangements were made with the<br />

most important motion picture exhibitors in<br />

Canada—the Allen brothers Jule and Jay J.<br />

—for the operation of their first theatre in<br />

the United States, the Allen Theatre. The<br />

Allen brothers who were natives of Permsylvania,<br />

had made a success of their circuit<br />

of 50 theatres in Canada. The Allen in Cleveland<br />

was to be theu' first and finest of a<br />

chain to be established in this country.<br />

C. Howard Crane of Detroit, one of the<br />

outstanding architects of America who had<br />

designed a niunber of important New York<br />

theatres as well as a number for the Allen<br />

chain in Canada, was engaged to design the<br />

new Allen in Cleveland.<br />

On July 22, 1919, ground was broken and<br />

work began. As the work progressed, stories<br />

and photos were published in the Cleveland<br />

newspapers. One photo published early in<br />

1921 was the architect's sketch of the rotunda<br />

paved in marble and done in the style of the<br />

Italian Renaissance, showing the great dome<br />

33 feet in height patterned after the Villa<br />

Madomia, located about 18 nules from Rome.<br />

On the night of April 1, 1921, heralded as<br />

a mecca to those who desired the utmost in<br />

entertainment in the photoplay and its allied<br />

arts, the Allen Theatre opened to the public.<br />

The opening program included Phil Spitalny<br />

and his orchestra playing "Caprice Italien,"<br />

an Educational Picture's scenic film, the<br />

Halhoom Boy comedy "High and Dry," a<br />

newsreel and the feature attraction, "The<br />

Greatest Love," starring Vera Gordon and<br />

directed by Hem-y Kolker. Others in the<br />

cast were Hugh Huntley, 'Yvonne Shelter,<br />

Ray Dean, Donald Hall and William Tooker.<br />

After the opening performance, a huge<br />

banquet was served to a large number of invited<br />

guests in the tearoom, followed by<br />

dancing in the rotunda. S. Barrett McCormick<br />

was the managing director.<br />

In the years that followed, the management<br />

operation of the theatre underwent<br />

changes. Loew's Theatre operated the theatre<br />

in the late 1920s and early 1930s. In 1933<br />

it passed to the RKO Theatres management.<br />

On January 1, 1949, Warner Bros., pooled with<br />

RKO in the Allen, took complete control,<br />

and it was operated by Warner Bros, until<br />

March 1, 1953 when Stanley Warner Theatres<br />

took over the management.<br />

For the past 21 years Howard Higley has<br />

been the Allen Theatre's managing director,<br />

continuing in that through the RKO, the<br />

Warner and now the Stanley Warner operation.<br />

The record run of the house, which has<br />

never deviated from a first run policy, was<br />

"The Caine Mutiny" which was held for six<br />

weeks. Higley's campaign on this engagement<br />

won first place in the national Fabian's<br />

Fabulous Forty drive.<br />

Geared for Januar'y Start<br />

Allied Artists' "Wichita," starring Joel<br />

McCrea, to be produced by Walter Mirisch,<br />

is being geared for an early January start.<br />

^1<br />

uary 8. 1955 ME 67


:<br />

. . 29<br />

'.<br />

DETROIT<br />

lyjore than one million patrons have viewed<br />

"This Is Cinerama," now in its 95th<br />

record-making week at the Music Hall. This<br />

breaks the record in Michigan entertainment<br />

history, according to Manager F*i-ank Upton.<br />

Sy Schechter, manager of the Cinema, local<br />

first run art house, announced the appointment<br />

of Lloyd Turel jr., as his assistant . . .<br />

"This Is Cinerama" was in its 94th week at<br />

the Music Hall, a record in Michigan entertainment<br />

history. A second version of the<br />

presentation known as "Cinerama Holiday"<br />

will have its opening play date announced<br />

soon by Manager Prank Upton . . . Korman<br />

Theatres, small Detroit circuit operator, reports<br />

that it has taken over the management<br />

of the Senate and Crystal theatres on<br />

Michigan avenue. There will be no changes<br />

in the theatres' personnel.<br />

Manager C. Williamson of National Theatre<br />

Supply reports eight Simplex Perspecta<br />

sound systems were being installed in outstate<br />

theatres for the showing of "White<br />

Christmas" in VistaVision . . . Manager Tom<br />

Duane of Paramount went to Philadelphia<br />

for a managers' meeting.<br />

AUTO CITY CANDY CO.<br />

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CORN—SEASONING—SALT<br />

SYRUPS—CUPS—POPCORN BOXES—GUMS<br />

ond complete Assortment of Candy in Special<br />

Priced Theatre Packs.<br />

ERNIE<br />

Sol Bcmk Is Sentenced<br />

For Income Tax Evcision<br />

From Central Edition<br />

ST. LOUIS—Sol Bank, who has owned<br />

theatres in Missouri and Kansas and operates<br />

the Star Theatre in Vandalia, Mo., received<br />

a six-month sentence and a $5,000<br />

fine after he pleaded nolo contendere mo<br />

contest) to one count of a two-count federal<br />

indictment that charged him with income<br />

tax evasion.<br />

Bank, who resides at 916 Trinity Ave., University<br />

City, a suburb of St. Louis, pleaded<br />

no contest to a charge that he had reported<br />

$10,812 of taxable income for 1949 and paid<br />

a tax of $1,532 while his true income was<br />

$19,790 on which a tax of $4,184 was due and<br />

payable.<br />

In the other count, which was dismissed<br />

after Bank entered his plea on the first count,<br />

the government charged the defendant reported<br />

a taxable income of $8,112 for 1948<br />

on which a tax of $1,127 was paid, although<br />

his income actually was $14,217 and the<br />

amount of tax due $2,622.<br />

Judge Roy W. Harper said he would recommend<br />

that the six-month sentence imposed<br />

on Bank be served at the United States Medical<br />

Center in Springfield, Mc, since Bank's<br />

physician had written a letter stating the<br />

defendant was ill.<br />

Judge Harper then stayed execution of the<br />

sentence until January 17, allowing Bank to<br />

continue at liberty under his $2,000 bail<br />

bond until that date.<br />

Mara Corday on Month's Tour<br />

Mara Corday, featured in Universal's "So<br />

This Is Paris," is on a month's tour in connection<br />

with openings of the picture.<br />

FORBES THEATRE SUPPLY<br />

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^^COMPLETE CINEMASCOPE INSTALLATIONS^^<br />

DRIVE-IN THEATRES OUR SPECIALTY<br />

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5633 Grand River Ave. Phone TYIer 4-6912<br />

Detroit 8, Mich. Nights- UN 3-1468<br />

BOWLING<br />

DETROIT—Ernie Forbes Theatre<br />

rolled<br />

up a two-point lead in the Ni%<br />

Club BowUng League. Team standi)<br />

as follows:<br />

Team Won Lost<br />

Ernie Forbes. . 23<br />

Locol 199 27 25<br />

Not'l Carbon. . .26 26<br />

Team >V<br />

Amuse. Sup . .<br />

Not'l Sup. . . .:<br />

Altec Sound. .:<br />

Individual high scores rolled wer(<br />

lows: Roy Thompson 193-198, for 5<br />

Mingione 214, 192; Joe Foresta 196, 5<br />

Colwell 191. 526; Edgar Douville ]<br />

Matt Haskin 200, 515; Vii-gil Laza<br />

503, and Thomas Beeton 200.<br />

Nightingale Notes: Nick Forrest, ci<br />

the Ernie Forbes team, liked first<br />

well that he stayed for the second wi<br />

says that he might stay longer. Joe<br />

wa-s the hot shot on his team; he to<br />

two prizes besides taking Beeton.<br />

Owen Blough was the visitor for<br />

who heckled secretary Floyd H. Al<br />

the low three game score, plus the 1<br />

he had to pay for his lunch.<br />

Frank Quinlan was in the groove.<br />

hitting the 3-6 pocket and came ui<br />

very good score, just when his tean<br />

all the pins they could get.<br />

Joe Foresta, Matt Haskiii, Carl ]<br />

and Kenneth Grenke were the wi:<br />

the over-average games, so they<br />

turkey for Christmas dinner.<br />

The next bowling date for the<br />

gales, as announced by secretary ]<br />

Akins, will be Thursday (6).<br />

DETROIT—RKO, Allied Film and<br />

were tied in the Film Bowling Leaguf<br />

ings<br />

Team Won Lost Team<br />

RKO 3 1 UA<br />

Allied Film .... 3 1 Theotricol . . .<br />

Republic 3 1 AA<br />

New high team scores rolled fi<br />

games for the season to date iticlud<br />

Film. 2,407: RKO Radio, 2,356: Unite(<br />

2.314.<br />

Individual high scores for three g:<br />

main the same as at the last gami<br />

618: England, 591; Baran, 583.<br />

Lamont Predicts Films<br />

Will Continue on Upb(<br />

From Eastern Edition<br />

ALBANY—Tlie exhibition end of<br />

pictures should continue on the upw<br />

in 1955 because "there will be more<br />

released and therefore more good<br />

available," in the opinion of Harry<br />

president of Lamont Theatres and a<br />

independent operator.<br />

Lamont pointed out, however, t<br />

business improvement trend, percent:<br />

may be less in 1955 than last year<br />

the fact that there must be a ceilii<br />

.somewhere.<br />

He disagreed with the opinion, so<br />

voiced m area circles, that the new pi<br />

combinations "may lose their financia<br />

Tliere is a ready market for additio<br />

tures. some of which, by the law of<br />

averages," must be clickers, Lamont i<br />

called attention to the great success w<br />

exhibitor-controlled organization of t<br />

First National, achieved. Lamont<br />

Fred Schwartz, Hal Makelim and ot<br />

their courage in launching recent pn<br />

ventures.<br />

68 BOXOFFICE Januar


i<br />

SUPERVISED<br />

agues' Hits<br />

sveland<br />

20.000 Leagues Under<br />

he big attraction over<br />

end. nearing the record<br />

ike held by "Peter Pan."<br />

.sensational 225 per cent<br />

cents for children at all<br />

rs were "No Business Like<br />

Deep in My Heart," "The<br />

1 "Tliree Ring Circus."<br />

houses were jubilant over<br />

tre attendance, neighboriisappointed.<br />

Even "White<br />

report, did not come up<br />

roge Is 100)<br />

ilice (WB) 135'<br />

less Like Show Business<br />

185<br />

terlude (Hakim) 105'<br />

Iter ;W8) 125<br />

!s Under the Sea (BV). . . .225<br />

us Para) 155<br />

Heort (MGM) 150*<br />

('ear's Eve.<br />

es Big 300<br />

>it<br />

. 90<br />

1 Cruz" teamed with "The<br />

it the Palms Theatre drew<br />

le holiday period with an<br />

cent. All other product,<br />

xeptions, did very good<br />

gle bills, "20.000 Leagues<br />

nd "Deep in My Heart,"<br />

place .spot with 250 each.<br />

Iretei :RKO); Utopia (SR) .<br />

try (U-l); The Yellow<br />

1 00<br />

ess Like Show Business<br />

225<br />

ues Under the Sea (Buena<br />

250<br />

Chalice (WB) 200<br />

.); The Diamond Wizord<br />

300<br />

in My Heart (MGM) 250<br />

Cincinnati<br />

Report<br />

rosses, representing just a<br />

were topped by "20,000<br />

Sea" at the Palace with<br />

xoffices were over average.<br />

reus (Para) 135<br />

efel :RK0) 110<br />

IS Under the Sea (Buena<br />

190<br />

s Airer Screen<br />

Industries is supplying a<br />

1 tower for George Manos'<br />

n at Coshocton which will<br />

le for spring opening. The<br />

curved and tilted surface<br />

"eet. The structure is the<br />

ar box trus.s construction,<br />

sat and presentable withstructure<br />

will be painted<br />

d the screen surface will<br />

of Raytone screen paint.<br />

Cleveland Holdover Record for 1954<br />

Made by 'Moon Is Blue at 11 Weeks<br />

CLEVELAND—During the past year, 79<br />

pictures which played the downtown theatres<br />

were held over for extended runs, ranging<br />

from two to 11 weeks. The longest run of<br />

the year was held by "The Moon Is Blue,"<br />

which played one week at the Hippodrome<br />

and then moved over to the Lower Mall for<br />

ten more weeks.<br />

Three pictures which played seven weeks<br />

were MGM's "Knights of the Round Table,"<br />

Paramount's "White Christmas" and Buena<br />

Vista's "Living Desert. MGM had the greatest<br />

number of holdovers with 20 features<br />

playing more than one week in their first<br />

run engagements. United Artists had 14 holdovers,<br />

20th-Fox had 13 and Paramount had 9.<br />

MGM<br />

Two Weeks: Rose Marie. Rhapsody, Flame<br />

and the Flesh, Men of the Fighting Lady,<br />

Valley of the Kings, Beau Brummell,<br />

Athena.<br />

Three Weeks: Easy to Love, The Long, Long<br />

Trailer, Executive Suite, Pi'isoner of War,<br />

Brigadoon. Rogue Cop.<br />

Four Weeks: The Last Time I Saw Paris,<br />

Seven Brides for Seven Brothers, Betrayed.<br />

Five Weeks: Julius Caesar. The Student<br />

Pi'ince.<br />

Six Weeks: Gone With the Wind.<br />

Seven Weeks: Knights of the Round Table.<br />

20th-Fox<br />

Two Weeks: Prince Valiant, River of No<br />

Return, Three Coins in the Fountain, Garden<br />

of Evil. Woman's World, Black Widow,<br />

Desiree.<br />

Three Weeks: King of the Khyber Rifles,<br />

Hell and High Water.<br />

Four Weeks: Beneath the 12-Mile Reef.<br />

Demetrius and the Gladiators, Broken<br />

Lance, The Egyptian.<br />

Paramount<br />

Two Weeks: Here Come the Girls, The<br />

Naked Jungle, Elephant Walk.<br />

Three Weeks: Money From Home, Living<br />

OUTSTANDING<br />

HANDY<br />

CRAFTSMANSHIP AND ENCINEtRINQ<br />

It<br />

Up. Knock on Wood, Rear Window, Sabrina.<br />

Seven Weeks: White Christmas.<br />

United Artists<br />

Two Weeks: Act of Love, Heidi, Beachhead,<br />

The Story of Gilbert and Sullivan, Witness<br />

to Murder. Robinson Crusoe, Crossed<br />

Swords, Man With a Million, Suddenly,<br />

The Little Kidnappers, Carmen Jones.<br />

Three Weeks: Apache.<br />

Foui- Weeks: Barefoot Contessa.<br />

Eleven Weeks: The Moon Is Blue.<br />

Warner Bros.<br />

Two Weeks: The Command, The High and<br />

the Mighty, Drum Beat.<br />

Three Weeks: Dragnet.<br />

Four Weeks: A Star Is Born.<br />

Columbia<br />

Two Weeks: MLss Sadie Thompson, M, On the<br />

Waterfront.<br />

Three Weeks: Fi'om Here to Eternity.<br />

Six Weeks: The Caine Mutiny.<br />

RKO<br />

Two Weeks: Pinocchio. Rob Roy.<br />

U-I<br />

Two Weeks: Magnificent Obsession.<br />

Three Weeks: The Glenn Miller Story.<br />

Buena Vista<br />

Four Weeks: The Vanishing Prairie.<br />

Seven Weeks: The Living Desert.<br />

Allied Artists<br />

Two Weeks: Johnny Guitar.<br />

Miscellaneous<br />

Two Weeks: The Golden Coach, IFE; Violated.<br />

Lippert, and Devil in the Flesh, AFE.<br />

Three Weeks: Bread. Love and Dreams, IFE,<br />

and La Ronde, Hakim.<br />

Four Weeks: Seven Deadly Sins, Arlan.<br />

Bruce Lester in "Chase' Cast<br />

Bruce Lester will play a role in Warners'<br />

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From Eastern Edition<br />

NEW YORK—The international<br />

"<br />

campaign<br />

on Cinemascope carried out under the direction<br />

of Charles Einfeld, 20th Century-Pox<br />

vice-president in charge of publicity, advertising<br />

and exploitation, has been cited by the<br />

Bureau of Advertising of the American Newspaper<br />

Publishers Ass'n as a "dependable old<br />

Hollywood formula" for "reviving the movie<br />

industry's confidence."<br />

The association has issued an elaborate<br />

six-page booklet with covers in color to<br />

prove that heavy promotion and newspaper<br />

advertising can accomplish w'onders. The<br />

catchline on the front cover reads: "If you<br />

have a product to promote, take a cue from<br />

20th Century-Pox."<br />

"A dejected and worried Hollywood has almost<br />

overnight regained much of its old<br />

spirit and 'colossal' confidence," the bureau<br />

states. "The arrival of Cinemascope has undoubtedly<br />

played a prominent role in the<br />

revival.<br />

"Early in 1953, after a highly successful<br />

first showing of Cinemascope to a trade<br />

audience, 20th Century-Pox's president, declared<br />

: 'If we want to help recreate the habit<br />

of the public going to see the movies, we've<br />

got to start now. As far as I am concerned.<br />

Cinemascope is it.'<br />

The company had no illusions that success<br />

would be automatic, the booklet continues.<br />

The booklet quotes Einfeld as saying: "We<br />

learned our lesson with 'The Robe.' We've<br />

been sticking to our formula ever since. It<br />

recognizes the fact that the newspaper is<br />

the backbone of any movie ad campaign. In<br />

big cities and small towns alike, people look<br />

to the amusement page of their local paper<br />

before they go to buy a movie ticket. That's<br />

the big reason why we depend so strongly on<br />

newspapers."<br />

Draws Assignment on 'Pink Tights'<br />

The directorial assignment on "I*ink<br />

Tights," a 20th Century-Pox film, has been<br />

drawn by Henry Levin.<br />

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•Phomas Fisher, vice-president of Midwest<br />

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his bed ill for several weeks . . . Lester Rosenfeld.<br />

West Virginia exhibitor who recently returned<br />

from a vacation in Japan, suffered<br />

a slight stroke but hop>es to be able shortly<br />

to travel to Plorida H. Pearl DeLong,<br />

State Theatre. Ironton, was on Pilmrow. His<br />

two sons, twins, who are both studying law<br />

at Ohio State University, took over operation<br />

of the theatre during their school vacation,<br />

permitting their father to get away from his<br />

duties for the first time in three years.<br />

Seen on the Row this week were Jerry<br />

Shinbach, division manager of RKO Theatres;<br />

Joe Joseph, Salem, W. Va.: Roy Wells, Dayton:<br />

Charles Behlen, Lexington; Robert<br />

Harrell, Cleves: Moe Potasky, Troy; Chalmer<br />

Bach, Eaton; C. V. Dinkle, Raceland, Ky..<br />

and Katherine Jones, Waverly . . . Children<br />

attending the special classes of the Hamilton<br />

County Council for Retarded Children were<br />

entertained at a gala theatre party by the<br />

Variety Club Ladies Auxiliary, held at the<br />

Avon Theatre through the generosity of owner<br />

Herman Hunt. Mrs. Hunt was chairman in<br />

charge of making plans for the party, and<br />

was assisted by the wives of Morris Dennis,<br />

Jack Pinberg, Robert Jacobs, Stuart Jacobson,<br />

Abe Maiua, Allen Moritz, Abe Strauss, Arthur<br />

van Gelder and Sam Weiss.<br />

Mr. and Mrs. J. E. Watson, he is the local<br />

MGM exploitation manager, spent the Christmas<br />

holidays in Columbus with their daughter<br />

and son-in-law, who just became parents<br />

of a baby son, their first child and the<br />

Watson's second grandchild .<br />

Watson,<br />

AA booker who is leaving the company<br />

after the first of the year to join S&S Amusement<br />

Co.. has been replaced by Philip Kelb<br />

from Chicago.<br />

COLUMBUS<br />

f^hristmas week business was strong in all<br />

situations. RKO Palace held "20,000<br />

Leagues Under the Sea" for a second week.<br />

"Three Ring Circus" at Loew's Ohio, "Hansel<br />

and Gretel" at RKO Grand and "Phffft" at<br />

Loew's Broad were all well attended<br />

Millicent Easter, who was publicity<br />

. . .<br />

manager<br />

of the old B. P. Keith Theatre on East Gay<br />

street in the 20s, was confined to Grand<br />

Hospital suffering from pneumonia. In recent<br />

years, Mrs. Easter has been Southern Hotel<br />

publicity representative.<br />

Members of the Ohio State football team, in<br />

Pa-sadena for the Rose Bowl game, visited<br />

the MGM studios through arrangements<br />

made by Walter Kessler, manager of Loew's<br />

Ohio . Ohio State supporters who<br />

attended the Rose Bowl game were Leo and<br />

Milton Yassenoff. Academy Theatres. The<br />

Yassenoffs were also on hand for the 1950<br />

Bowl game in which Ohio State participated.<br />

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70 BOXOFFICE Janua


. president<br />

,<br />

promoted<br />

. . Bob<br />

. . . FYed<br />

. . Don<br />

. . Meyer<br />

. . Bob<br />

. . Manny<br />

. . Wintner<br />

. . John<br />

. . Glass<br />

.<br />

. . Bob<br />

. . Irving<br />

. . Milton<br />

.<br />

land Area Sees Much Comings and Goings in '54<br />

-The highlights and sidehe<br />

Cleveland Exchange area.<br />

JANUARY<br />

. .<br />

office up for the first time<br />

le Essick brothers, Jack and<br />

)vies at Hanna Theatre .<br />

r<br />

Nat Wolf<br />

from Republic<br />

Haven to Republic manager<br />

. Nat Barach named treas-<br />

's Club to fill the unexpired<br />

Jerry Wechsler.<br />

'oUard . . .<br />

nanager, joined U-I as JAR<br />

. . Steve Hreno, Elm Road<br />

. . . Nat<br />

suilty in firing on a 15-yearjust<br />

outvside the theatre<br />

riety Club produces a short<br />

erebral palsy drive<br />

amer Ohio zone manager,<br />

bitor with purchase of Coin<br />

Portsmouth . . . Ernest<br />

of Cleveland Moibitors<br />

Ass'n. died two weeks<br />

to the office he held 19<br />

"TBRUARY<br />

elected president Indep)enders<br />

of Ohio to succeed Chris<br />

. . . Tower Theatre closed<br />

) mercantile use . . . Prank<br />

leatre division manager, gets<br />

Buffalo added to his terri-<br />

Ramsey closes his Plymouth<br />

)uth after 23 years operation<br />

'ski takes over and reopens<br />

. . . Paramount Theatre, Toirthday<br />

anniversary . . . Judd<br />

,' Lipow fold their Roadshow<br />

iegle joined Republic and<br />

ramount . . . Henry Green-<br />

IPEA president, post vacated<br />

Jrnest Schwartz.<br />

>IARCH<br />

1 of two-hour travelog probig<br />

at Detroit Theatre . . .<br />

all business and traffic . . .<br />

. . .<br />

. .<br />

.<br />

e to repeal local admission<br />

mont and Mansfield repeal<br />

:s, 20th-Pox cashier, resigns<br />

Irwin Pollard tendered<br />

iner upon leaving Cleveland<br />

)etroit . . . Jack Armstrong<br />

rl Schwyn circuit of thea-<br />

Ine Stuman succeeds Al<br />

mount cashier . Hope<br />

Musicarnival . James J.<br />

ed plans to build de luxe<br />

and Fowler roads .<br />

dies one month<br />

. .<br />

after<br />

Mrs.<br />

her<br />

. . James Kalafat appointed<br />

treasurer of Cleveland Chapter of Naval Reserve<br />

Officers . . . Nate and Sam Schultz<br />

buy Ohio Theatre, Lorain, from August Ilg . .<br />

Jack Silverthorne, Variety Club chief barker,<br />

attends International convention in Dallas.<br />

APRIL<br />

. . Pi-incess Theatre at Youngstown<br />

Otto Braeuning and John Sabat have the<br />

HKO Radio sales drive named for them in<br />

honor of their 25 years of service each with the<br />

company . . . Eiglit-inch snow'fall halts drivein<br />

openings .<br />

razed to make way for a parking lot . . .<br />

Cleveland Cinema Club held its 38th birthday<br />

celebration . Glick elected president<br />

of the Salesmen's Club to succeed Sam Lichter<br />

Arthur Debra addressing Cleveland<br />

. . . Motion Picture Council urged members to<br />

support only pictures carrying code seal . . .<br />

Elmer DeWitt elected president of the Lion<br />

Paul Pontius returned<br />

Club in Defiance . . .<br />

to exhibition, taking over Little Flower Drivein<br />

at Ottawa . Bros, open Memphis<br />

Drive-In, Cleveland.<br />

MAY<br />

Shaker Theatre suffers $100,000 fire . . .<br />

Louis Weitz appointed CMPEA general manager<br />

. Jacobs succeeds Maxwell Joice<br />

as Parma Theatre manager . . . "Mom and<br />

Dad" passed by Ohio Censor Board . . .<br />

James Ochs and Mary Kilbane are married.<br />

. . .<br />

JtlNE<br />

Seymour Simon, Chicago attorney, and<br />

RosljTi Biel of Cleveland are married . . . Look<br />

Theatre, Warren, closed . . . Liberty Theatre,<br />

Wellsville, also closed . . . Ohio Exhibitors and<br />

Film Carriers discuss trucking rates . . .<br />

Wargo Bros, buy Uptown and Variety theatres<br />

from Warner Bros, for reported $500,000 . .<br />

Film Council holds its seventh annual Film<br />

Festival.<br />

JULY<br />

Barry Bernard, RKO exploiteer, transferred<br />

to Dallas . Fine attends luncheon at<br />

White House as guest of the President<br />

Community Circuit leases Variety Theatre . .<br />

Shaker Theatre reopens after $150,000 remodeling<br />

job . Tender, Tivoli Thea-<br />

.<br />

. Circuit acquires Uptown<br />

tre in Lorain, marries Estelle Plocos of Pittsburgh<br />

Ancell initiates noon TVradio<br />

15-minute broadcast in front of Hippodrome<br />

... A. J. Kalberer, manager Switow<br />

Theatres in Washington, Ind., advocates "Get<br />

Tough" policy to stop vandalism . . . World<br />

premiere of "Magnificent Obsession" at<br />

Palace Theatre with personal apjjearance of<br />

Jane Wyman, Agnes Moorehead and Ross<br />

Downtown business on the upgrade<br />

Hunter . . .<br />

. . Associated<br />

Theatre . . . Harry Weiss joins Paramount<br />

publicity department.<br />

AUGUST<br />

Max Lefkowich renews lease on Embassy<br />

Theatre for 25 years at reported $700,000 . .<br />

Judge Bartlett, F^-anklin County common pleas<br />

court, upholds constitutionality of film censorship<br />

in suit of RKO Radio, ITOO, Martin<br />

G. Smith and Horace Adams . Mile<br />

Drive-In. Toledo, construction started . . .<br />

A. Foster Strouse named Cleveland-Cincinnati<br />

representative for Barnett Film Service<br />

Holzworth returns to the industry<br />

after a two-year absence . . . Hiram College<br />

becomes first college in this area to install<br />

Cinemascope ... J. Knox Strachan, formerly<br />

with Warners, moves to St. Petersburg, Pla. . .<br />

RKO sells the RKO-105th Street Theatre to<br />

the 105th Corp. headed by Bernard Rubin . .<br />

Aki-on does not re-enact the three per cent<br />

Shia, St. Clair.sville,<br />

local tax . . . Dave<br />

appointed St. Clairsville postmaster . . .<br />

Me.ver Fine<br />

Julius Lamm<br />

Horace Adams attends National Allied board<br />

meeting. White Sulphur Springs, W. Va.<br />

SEPTEMBER<br />

Jack Bernstein, RKO manager, resigned to<br />

become general manager of Allied Artists of<br />

Canada . . . Meyer and Mrs. Fine return from<br />

ITOO plans series of<br />

North Cape cruise . . .<br />

state meetings to discuss exhibitor problems<br />

... J. J. Shannon celebrates 15 years as operator<br />

and owner of New Life Theatre, Woodsfield<br />

. . . Herbert Ochs and Ben Ogron become<br />

associated with J. J. Barton in new-<br />

Pearl Road Drive-In . . . Frand Belles appointed<br />

RKO manager to succeed Jack Bernstein<br />

Lamm, Colony Theatre man-<br />

. . . Julius<br />

ager, celebrates 50 years in show business . .<br />

Marciano-Charles fight telecast plays to about<br />

75 per cent attendance.<br />

OCTOBER<br />

"Lights! Camera! Questions!" starts third<br />

year on TV . . . Variety Club stages a Cerebral<br />

Palsy telethon . . . Irwin Shenker opens a<br />

Berlo office in Detroit, naming Harold Hinkston<br />

manager . Berlin in town to exploit<br />

"White ChrLstmas" . . . Associated Circuit<br />

buys Park and Granada theatres from<br />

Loew's . Wile receives commendation<br />

from State Secretary Ted Brown for his<br />

trailer, "Protect Your American Heritage.<br />

Vote any way you like—but Vote" . . . Arthur<br />

Engelbert, Warner cashier, and wife celebrate<br />

their 29th wedding anniversary.<br />

NOV'EMBER<br />

Oscar Ruby, Columbia branch manager,<br />

dies . . . Edward Shulman takes over Heights<br />

Theatre to operate as an art house. Mae<br />

Rosian appointed house manager . . . Nate<br />

and Sam Schultz take over Horace Shock's<br />

three Lima drive-ins . . . Leo Greenfield,<br />

Buena Vista district sales manager, leases<br />

Film Bldg. office space . . . Harry Weiss resigns<br />

from Paramount publicity staff. Joins<br />

UA to exploit "Vera Cruz" and "Romeo and<br />

Juliet" . . . Jerome Safron appointed Columbia<br />

manager to succeed Oscar Ruby . . .<br />

Jack Silverthorne re-elected Variety Club<br />

chief barker . Grant elected international<br />

president of Silk Screen Process<br />

Printing Ass'n.<br />

DECEMBER<br />

Bernard Rubin, Imperial Pictures, dies of<br />

coronary thrombosis.<br />

lanuary 8, 1955 71


. . The<br />

. . The<br />

. . Henry<br />

CLEVELAND<br />

prnest Sands, Warner Bros, manager who<br />

went to New York for surgery the beginning<br />

of December and stayed on there for<br />

the first part of his convalescence, is completing<br />

the job of getting well in Florida. He<br />

plans to return shortly . . . Sam FYitz. manager<br />

of the Hilliai-d Square Theatre, is the<br />

father of a second daughter . son of<br />

Mary Lou Weaver, secretary to Ernest Sands,<br />

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Arthur Ehrlich, who left the industry a<br />

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Leo Greenfield, district sales manager<br />

Jerry Lipow, Paramount salesman, is back<br />

from a brief visit to Buffalo . Variety<br />

Club did not stage a New Year's Eve party<br />

this year ... I. J. Schmertz. 20th-Fox manager,<br />

left Wednesday i29i to join his family<br />

in Florida. He'll be back before Monday (17 1.<br />

however, when the industry is honoring him<br />

with a testimonial dinner on the double occasion<br />

of his 50th anniversary with 20th-Fox<br />

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Paul Gusdanovic, head of the Gusdanovic<br />

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Greenberger<br />

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left for the south following the annual meeting<br />

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NEW YORK—Columbia's "On the V<br />

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both black-and-white features, ran neck<br />

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ture. "Romeo and Juliet," distributed :<br />

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"Romeo and Juliet,"<br />

which was on a<br />

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closest to these three features was the ]<br />

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U. S. by GBD International, which v<br />

four lists, including the National Boi<br />

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chosen best foreign-language film t<br />

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Jones" (20th Century -Fox) , the onl<br />

Cinemascope pictures to make most<br />

lists; "Sabrina" (Paramount) and '<br />

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Appearing on two of the five lists<br />

Three Coins in the Fountain," in C:<br />

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Edward Harrison, and "The Vanishing<br />

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"Night People," in Cinemascope<br />

Fox\ "Rear Window" (ParaK "The<br />

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Unconquered" (Margolies) were mei<br />

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72<br />

BOXOFFICE :: January


. Loew's<br />

-<br />

. . James<br />

. . Mayor<br />

. . John<br />

. . Hal<br />

. . Mauiy<br />

. . CinemaScope<br />

rbus Area News in<br />

7954 Reflects Upward Trend<br />

ighlights<br />

ANXJARY<br />

of Columbus the-<br />

caped damage in a wareiestroyed<br />

a nearby building<br />

atres circuit was dissolved<br />

r and Al Sugarman . . .<br />

ved its first Cinemascope<br />

Rowlands installed an As-<br />

1 at the Main .<br />

. . Frank<br />

a wide screen at the Lin-<br />

Dillon, veteran stagehand<br />

vas awarded a gold memle<br />

stagehands union for 50<br />

Broad had an<br />

for "M," which had been<br />

'hio censor board and rei<br />

Supreme Court decision<br />

;ullen, former Loew's cenager.<br />

died at Tucson.<br />

EBRUARY<br />

3 neighborhood, was closed<br />

' a local revival group . . .<br />

oved into a new home in<br />

Russell Bovim<br />

forge Brobst. former local<br />

rowned at Malibu Beach.<br />

A. Bovim, former manager<br />

imed Loew's western divisd<br />

Frank Henson, former<br />

lager, named city manager<br />

Avondale. west side neigh<br />

ired by Academy Theatres<br />

!r was chosen motion picthe<br />

Ohio State University<br />

MARCH<br />

an had a five-week run<br />

^ Paradise" at the World<br />

; Capers over WTVN from<br />

. . .<br />

'alace marquee is the first<br />

show to be telecast with<br />

jn here The Columbus<br />

torially that theatre busithe<br />

best since 1947 and<br />

;tter in 1954 . . . Norman<br />

Dvie editor, said that the<br />

hip should be considered<br />

when it reconvenes in 1955<br />

er has taken an executive<br />

the bigbusiness<br />

Miles circuit . . .<br />

in the history of<br />

se was recorded when "The<br />

;racted 2150 patrons.<br />

APRIL<br />

I passed a more stringent<br />

James Dixon, city<br />

iw . . .<br />

ndent, proposed a 577-car<br />

parking garage for a site at Third and Town<br />

streets, near the downtown theatres . . .<br />

Milton Yassenoff turned over the facilities<br />

of the National Auto Theatre to the Junior<br />

Chamber of Commerce for a shutins Easter<br />

Cinemascope was installed at<br />

service . . .<br />

the Grandview, Hudson and Pythian theatres,<br />

all in Miles . . .<br />

manager of RKO Grand.<br />

Eddie Force named<br />

MAY<br />

Lee Hofheimer became a grandfather when<br />

his daughter Mrs. Joyce Strelitz of Norfolk,<br />

Va., gave birth to a daughter . Make-<br />

. .<br />

lim was here to tell exhibitors details of his<br />

film production plan . Sensenbrenner<br />

said that he has no intention of allowing<br />

bingo . Mrs. Mabel Higgins w'as elected<br />

president of the local Motion Picture Council.<br />

JUNE<br />

. . . Dr.<br />

Auditorium speakers were installed at<br />

Loew's Ohio and Loew's Broad ... An attempt<br />

was made to reactivate the Variety<br />

Tent 2 by a committee which included John<br />

Barcroft, Charles Sugarman, Robert Wile,<br />

Lee Hofheimer, Milton Yassenoff and radio,<br />

pres.s and television representatives<br />

Clyde Hissong, chief Ohio censor for the<br />

past ten years, announced his resignation<br />

. . . John Brobst, former Loew's Ohio stagehand,<br />

died.<br />

JULY<br />

The Dixie, pioneer west side neighborhood<br />

was taken over by the Church of God . .<br />

Arthur Miller, former Miles circuit booker<br />

has entered the real estate .sales field . .<br />

"Gone With The Wind" did big business<br />

in a three-week run at Loew's Ohio . . .<br />

Charles Sugarman was named secretary and<br />

Milton Yassenoff, treasurer, of the Showman's<br />

Club, forerunner of the reactivated<br />

Variety Club . A. Maddox, pioneer<br />

. . .<br />

local theatre manager and first chairman of<br />

Ohio censor board, died. At various times,<br />

Maddox managed the Princess, Colonial,<br />

Southern and Majestic Ted Pekras has<br />

closed the Oak, east side neighborhood, for<br />

remodeling and the installation of a wide<br />

screen.<br />

AUGUST<br />

Judge Bartlett refused to grant an injunction<br />

against the Ohio censor board, which<br />

was sought by RKO, ITOO, Martin Smith<br />

and Horace Adams. Robert Wile said the case<br />

will be appealed to the district court of appeals<br />

. . . Frank Marzetti has installed Super<br />

Panatar lenses at the Linden and Indianola.<br />

SEPTEMBER<br />

. .<br />

. . . Lelia Stearn<br />

.<br />

R. M. Eyman. Lancaster, was appointed<br />

Esther Williams<br />

chief Ohio film censor . . .<br />

and husband Ben Gage were stars of a<br />

stage show at Loew's Ohio . and<br />

Louis Sher leased the Bexley and will open<br />

the house as an art theatre October 1. Robert<br />

Work<br />

Little has been named manager .<br />

was started on a $250,000 drive-in at Whitehall<br />

by the Mainview Corp. of Chicago. The<br />

airer will be opened around January 1 and<br />

will have in-car heaters<br />

celebrated her tenth anniversary as operator<br />

of the Southern Barcroft is<br />

now handling public relations for the J.<br />

Real Neth circuit . . Efforts revive the<br />

. to<br />

local Variety Club have failed.<br />

OCTOBER<br />

Lou Holleb has been named general manager<br />

of the In-Town Auto Theatre . . Lee<br />

.<br />

Hofheimer resigned his executive position<br />

with the Miles circuit . . . Robert Wile fired<br />

the opening pun in the 1955 campaign to repeal<br />

censor.ship by sending letters to general<br />

assembly candidates and Ohio newspapers,<br />

asking for their position on censorship<br />

"The Moon Is Blue" played<br />

repeal . . . to 90.000 admissions during its 26-week run<br />

at the World, Manager Charles Sugarman<br />

estimated ... J. Real Neth installed Cinema-<br />

Scope in the State and Markham.<br />

NOVEMBER<br />

.<br />

The 13-year-old son of Manager Robert<br />

Sokol of Loew's Broad was hospitalized with<br />

head and leg injuries suffered when he was<br />

struck by an automobile while riding his<br />

Floyd Gooding was chosen president<br />

bicycle . . .<br />

of Columbus Boys Club, and Leo Yas-<br />

senoff, vice-president has<br />

been installed in the Ohio censor board<br />

screening room . . . George Pekras installed<br />

Cinemascope at the Ritz and Rivoli, as did<br />

J. Real Neth at the Clinton and Lincoln . . .<br />

Ethel Miles has installed CinemaScope at<br />

the Drexel.<br />

DECEMBER<br />

Lee Hofheimer plans to leave for Norfolk,<br />

Va., his home town, to enter the theatre<br />

business there ... J. Real Neth has installed<br />

CinemaScope equipment at the Eastern.<br />

A Prehistoric Discovery<br />

Results in Odd Publicity<br />

From Southwest Edition<br />

FORT WORTH—The discovery of three<br />

perfect ammonites, prehistoric fossils which<br />

are estimated to be over 200 million years<br />

old, resulted in some unusual publicity for<br />

Ezell's Jacksboro Drive-In. The snail-like<br />

fossils were uncovered by construction men<br />

while excavating as part of a remodeling program<br />

to enlarge the airer's capacity to 1,500<br />

cars.<br />

Experts from Southern Methodist University<br />

said this animal life is from the Mesozoic<br />

age, and National Geogi'aphic and other<br />

scientific organizations are now making special<br />

studies of other formations in the excavating<br />

area. Manager Lee Lipscomb placed<br />

two of the ammonites on exhibit in the snack<br />

bar and reports that the display drew hundreds<br />

of curious patrons.<br />

Film Council Schedules<br />

Annual Meet for April<br />

From Eastern Edition<br />

NEW YORK—The Film Council of America<br />

will hold its .second annual American Film<br />

Assembly April 4-6 at the Waldorf-Astoria<br />

Hotel. The main feature will be the Golden<br />

Reel Film Festival presenting outstanding<br />

16mm films on cultural and informational<br />

subjects.<br />

The committee is composed of Ray Bingham<br />

of Associated Films, chairman; Ed Rasch,<br />

Walt Disney Productions; Warren Sturgis,<br />

Sturgis-Grant Productions; Kern Moyse,<br />

Peerless Film Process Co.; Leo Dratfield,<br />

Contemporary Films, and Maury J. Glaubman,<br />

Anti-Defamation League.<br />

nuary 8, 1955 73


—<br />

Ideas still<br />

pay!<br />

Anyone can find<br />

Ideas,<br />

but successful exhibitors<br />

make ideas work for them *<br />

Whether you create, collect<br />

or adapt ideas, the main<br />

thing is to keep them stirring<br />

to build business for you.<br />

From Cover to Cover —<br />

BOXOFFICE Brims with Helpfulness<br />

*One exhibitor collected BOXOFFICE<br />

Stories on Children's Shows, and has<br />

boosted matinee business 100% by<br />

adapting them for his own theatre.<br />

As never before, better methods pay good tures—every day in every way . . . For good<br />

dividends in show business. Men in high ideas in the news and in the service departplaces<br />

and men in low places all have ments, read and use each issue of<br />

learned that it pays and pays to promote pic-<br />

BOXOFFICE<br />

Nine Sectional Editions - To Fit Every Distribution Area<br />

74 BOXOFFICE :: January


i the<br />

: downtown<br />

iih325is<br />

rpnse<br />

;h Chiiitmas Day and<br />

ig were slow during the<br />

picked up substantially<br />

d the remainder of the<br />

No Business Like Show<br />

xn the second best week<br />

only "The Robe" beating<br />

ir ago, with admissions<br />

25 top for "Show Busi-<br />

;an," playing the Astor<br />

first Cinemascope<br />

use and pulled down ex-<br />

Ls theatre, which rarely<br />

1 of this sort, turned in<br />

leek. "Romeo and Juliet"<br />

ot off to a slow start but<br />

ly.<br />

jge Is 100)<br />

in (U-l) 325<br />

I Juliet UA) 180<br />

3ve ond Dreams :IFEi. . . .200<br />

usincss Like Show Business<br />

400<br />

r Cholice ;WB) 175<br />

—Three Ring Circus (Pora);<br />

250<br />

hffH (Col); Masterson of<br />

95<br />

Leads<br />

area had only<br />

;h trade on the upgrade<br />

1 post-Christmas grosses.<br />

IS (Para); Jomboree (EP)<br />

105<br />

Brs lUA), 2nd wk<br />

en (Col); it Happened in<br />

80<br />

115<br />

(MGM) 100<br />

siness Lilce Show Business<br />

140<br />

t (WB); The Falce [UA). .125<br />

purts<br />

ses<br />

le end of the pre-Christ-<br />

1 brought a big spurt in<br />

itowners. All of the holiiptionally<br />

well, with the<br />

sel and Gretel" which<br />

the SW Roger Sherman.<br />

; The Rocket Man<br />

165<br />

Circus (Para); Jamboree<br />

200<br />

Coptoin Kidd and the<br />

210<br />

ond Gretel ;RKO); Africa<br />

70<br />

5SS Work Gifts<br />

5 Workers<br />

icement of the wage inwork<br />

week for lATSE<br />

oyes was the big Christrow.<br />

esident of Local F-3, rea<br />

telegram from lATSE<br />

ay hike of S5.50 a week is<br />

nber 1, while the reduces<br />

from 40 to 37',2 a week<br />

3. Friday, December 24.<br />

designated as holidays.<br />

eather<br />

e two area holdouts<br />

er—the Pike and Blue<br />

»tres—have finally sucand<br />

have closed for the<br />

11 outdoor units had been<br />

I<br />

Connecticut Exhibitors<br />

Expect Higher Grosses<br />

BEST DRESSED—Mgr. Cliarle> (^audino,<br />

rigfht, looks on as Mayor Daniel D.<br />

Brunton awards a Beau Brummell<br />

statuette to Joseph Redden, the local<br />

best-dressed man, in conjunction with the<br />

opening of "Beau Brummell" at Loew's<br />

Poll in Springfield, >Iass.<br />

Oil-Fired Boiler Explodes<br />

At Fishman Theatres Unit<br />

NEW HAVEN—An explosion of an oil-fired<br />

boiler forced an early evening audience from<br />

the Howard Theatre and cancellation of remaining<br />

night performances. The boiler, in<br />

the basement of the combination theatre and<br />

store block and situated directly below an<br />

independently owned luncheonette, caused<br />

damages totaling S5,000, principally to the<br />

boiler and the restaurant where plate glass<br />

windows were blown out.<br />

The blast rocked the buildings and caused<br />

a little smoke to enter the film house. A<br />

patrolman on duty in the theatre shouted to<br />

the audience of 100 that there was no reason<br />

for alarm. Patrons quietly filed out behind<br />

the officer and Anthony DelGrego, an usher,<br />

after house lights were turned on and emergency<br />

exits opened.<br />

Samuel Calechman, manager of the Howard.<br />

a unit of the Fishman Theatres chain, .said<br />

remaining evening performances were called<br />

off because the auditorium was left without<br />

lieat. Normal schedules were resumed the<br />

next day.<br />

A customer of the luncheonette and a man<br />

walking in front of the store w'ere slightly<br />

cut by flying glass. The fire marshal blamed<br />

the explosion on delayed ignition.<br />

Automatic Phone Unit<br />

HARTFORD—An automatic telephone answering<br />

and recording unit has been installed<br />

at the Interstate circuit's Palace in Rockville.<br />

According to Arthur Poirier. theatre<br />

manager, the equipment, installed by the<br />

Southern New England Telephone Co..<br />

answers incoming calls and tells theatre patrons<br />

what pictures are playing and when the<br />

next show starts.<br />

HARTFORD—Connecticut exhibitors are<br />

going into 1955 with anticipation of higher<br />

grosses with the upcoming quality product.<br />

Both independent and circuit managers<br />

contacted by BOXOFFICE asserted that 1955<br />

should shape up impressively, with one veteran<br />

showman noting: "We're past the experimentation<br />

stage already as far as wide<br />

screen. Cinemascope, Superscope, stereophonic<br />

sound, etc., are concerned, and now<br />

it's once again a matter of concentration on<br />

quality output, and the latter will indeed draw<br />

lorth more trade."<br />

Exhibitors look back on 1954 generally as<br />

an improved season.<br />

"We had product like Caine Mutiny, From<br />

Here to Eternity. A Star Is Born, White<br />

ChrLstmas, Sabrina, Seven Brides for Seven<br />

Brothers and There's No Business Like Show<br />

Business," noted another longtime exhibitor,<br />

"and a quick glance at the early 1955 releases,<br />

including the highly touted Country Girl and<br />

Bridges at Toko-Ri are indications of some<br />

good business at the boxoffice, which is of<br />

paramount importance at all times."<br />

So enthused was Lou Cohen, manager of<br />

Loew's Poll, Hartford, over his January attractions,<br />

that he wired local drama critics:<br />

"We're starting off the 1955 season with a<br />

bang!<br />

"Following our New Year's Eve show, 'Deep<br />

in My Heart,' MGM's enjoyable musical<br />

package, co-starring Jose Ferrer and Helen<br />

Traubel, we've got such releases as 'Sign of<br />

the Pagan,' Jeff Chandler's first in Cinema-<br />

Scope; 'Green Fire,' with Stewart Granger,<br />

Grace Kelly and Paul Douglas; 'Bad Day at<br />

Black Rock,' in Cinemascope, with Spencer<br />

Tracy, and 'Vera Cruz,' co-starring Gary<br />

Cooper and Burt Lancaster."<br />

Exploitation got under way early for the<br />

1955 season, too.<br />

Two exploitation representatives — John<br />

Markle, Columbia, and Bill Brooker, U-I<br />

were in the city for a week in the interests of<br />

"Violent Men" and "So This Is Paris," respectively.<br />

Brooker had Mara Corday, U-I<br />

.starlet, here for a day's round of disk jockeynewspaper<br />

interviews. The pair hosted the<br />

Connecticut press at a Statler Hotel luncheon.<br />

Trinity College Books<br />

Film Classics Series<br />

HARTFORD—The newly formed Cinema<br />

Club of Trinity College is presenting a series<br />

of five film classics through the winter and<br />

spring. The series, open to the public, includes<br />

"Grand Illusion," "Dr. Jekyll and Mr.<br />

Hyde," "Stor>' of Gosta Berling," "Alexander<br />

Nevsky," and four Keystone comedies with<br />

Charhe Chaplin. The films are being shown<br />

in the chemistry auditorium, with season tickets<br />

being sold for $1.50. One film is being<br />

screened each month.<br />

John Markle in Hartford<br />

HARTFORD—John Markle of the Columbia<br />

exploitation department, here for regional<br />

premiere of "Violent Men," his company's<br />

initial release in CinemaScope. arranged a<br />

street ballyhoo, consisting of appropriately<br />

bannered horse and rider. The film opened<br />

at E. M. Loew's.<br />

—<br />

jary 8. 1955<br />

NE 75


. . Eddie<br />

BOSTON<br />

Tames M. Connolly, northeastern division<br />

manager for 20th-Fox, has been elected<br />

chairman of the examining board of the<br />

Boston public library system. As chairman,<br />

he heads a group of 50 prominent citizens<br />

whose duties are to examine the policies and<br />

practices of the library system. He has been<br />

a committee member for the past four years.<br />

Following settlement of labor problems involving<br />

projectionists at the Strand Theatre<br />

in Pawtucket, R. I., the theatre has reopened.<br />

It is a New England Theatres house . . .<br />

Leslie Bendslev, Community Playhouse, Wellesley,<br />

and his wife left on their annua! winter<br />

cruise . . . Bessie Cohen, in the booking department<br />

at 20th-Fox. has announced her<br />

engagement to Samuel Szathmary of Brook-<br />

SELBY ^o SCREEN TOWERS<br />

for Drive-ln Theatres<br />

3 Standard Sizes<br />

SELBY INDUSTRIES, INC.<br />

13S0 Ghent Hills Rd. Akron 13, Ohio<br />

Montrose (through Medino, Ohio) 6-721<br />

IMAGE & SOUND SERVICE CORP.<br />

"The Best Value In Sound Service"<br />

Hancock 6-7984<br />

Boston, Massachusetts<br />

445 StaHer Building<br />

1<br />

line with no definite date set for the wedding.<br />

Richard Young of Washington has been<br />

added to the booking department as an<br />

apprentice.<br />

Mel Davis, head booker at Republic, spent<br />

a week's vacation in New York City . . Al<br />

Arzigian, Park Theatre, Montello. brought<br />

his 7-year-old daughter along on a Filmrow<br />

Roy Smith, Park Theatre, East Walpole,<br />

trip . . .<br />

picked up the luncheon tab for several<br />

industryites at Pinky's coffee shop . . Mrs.<br />

.<br />

E. M. Kelly, owner of the Star Theatre, North<br />

Brookfield, Mass., is driving to the coast for<br />

a long visit. Her brother, Leo Howard, who<br />

has just returned from the coast, is handling<br />

the buying and booking during her absence.<br />

He brought the Star manager, Ernie Beaudette,<br />

with him on a visit to the exchanges.<br />

Lockwood & Gordon Enterprises in association<br />

with Sam Rosen of New Haven, has<br />

acquired a drive-in site on River street in<br />

Bridgeport, Conn., from Seymour Levine for<br />

construction of a 750-car airer. Charles<br />

Abramowitz of New Haven is drawing up the<br />

plans. This will be the 12th drive-in under<br />

the Lockwood & Gordon banner.<br />

. . . Arthur<br />

Affiliated Theatres has added the following<br />

to its buying and booking lineup; Nordica<br />

in Freeport, the Maine for Lester Hughes;<br />

Park in Nashua, N. H., Joe Kennedy; Community<br />

in Guilford, Me., Sam Nyer, and the<br />

Thornton in Riverpoint, R. I.. William Deitch.<br />

The latter spot is reopening after having<br />

been closed for several months<br />

Howard, president of Affiliated, spent the holidays<br />

in Florida with his wife Carol and son<br />

Chuckle . Klein, head of Bay State<br />

Films, entered Massachusetts Memorial Hospital<br />

for an operation.<br />

Connecticut Editors<br />

Hail 'Rivers' Premiere<br />

Hartford—News that Connecticu<br />

serve as world premiere locatioi<br />

MGM's upcoming "Many Rivers to C<br />

has been greeted with enthusiasm c<br />

part of the slate press. The attra<br />

with Robert Taylor appearing oi<br />

night, will open at Loew's Poll in<br />

Haven on January 26, according to<br />

F. Shaw, division manager for I<br />

Poli-New England Theatres.<br />

Allen M. Widem, Hartford Times<br />

the news a four-column banner hej<br />

Other critics had similar treatmei<br />

the upcoming CinemaScope drama.<br />

Jack Simons Is Shifted<br />

To Palace, S. Norwalk<br />

HARTFORD—Nick E. Brickates, C<br />

cut district manager for Stanley<br />

Theatres, has announced shifting<br />

A. Simons from the Palace, Norwich<br />

Palace, South Norwalk.<br />

Phil Allaire, formerly at the Pala<br />

rington, and more recently assistant<br />

Sanson, Strand, Hartford, succeeds<br />

in Norwich.<br />

Simons at one time was manager o<br />

Poll, Hartford, later going to the<br />

State. Providence, R. I.<br />

Ross Hunter will produce and<br />

Cooper will script "1011 Fifth Aveni<br />

romantic comedy-drama for Univers;<br />

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76 BOXOFTICE :; Januai


I Martin<br />

. . . Charlie<br />

. . Arthur<br />

. . Hal<br />

. . James<br />

. . The<br />

. . Ken<br />

. . The<br />

jp Activities Highlight 7954 in Boston Area<br />

lights of 1954 in the Boston<br />

ANUABY<br />

ma" opened at the Boston<br />

Iter A. Brown was named<br />

;he Variety Club of New<br />

J Mullin<br />

d term . . . Joe Cifre retij-ed<br />

after 49 years in the equipkVilliam<br />

Kumins was named<br />

iVarner Bros, . . . Martin J.<br />

ected president of Allied<br />

Ingland.<br />

EBRUARY<br />

. . .<br />

Bin, president of United<br />

res, was cited at Temple<br />

rookline . . . Irving Isaacs<br />

sident of Independent Ex-<br />

Ingland Jimmy Fund<br />

i,384, of which $50,000 was<br />

ibution from tlie Kennedy<br />

MARCH<br />

lie Library saluted the mo-<br />

. .<br />

try with a huge dinner at<br />

iza Hotel, arranged by<br />

lan. general chairman .<br />

:11, president of Middlesex<br />

Maurice N. Wolf<br />

lied . . .<br />

relations representative for<br />

jrs in the industry . . . Ted<br />

led co-chairnran with Joe<br />

54 Jimmy F^^nd Drive . . .<br />

-operator of the Paramount<br />

George Roberts<br />

tres, Salem, died in Flor-<br />

)berts was re-elected presiige,<br />

B'nai B'rith . . . Harry<br />

era House, Newport, R. I.,<br />

.APRIL<br />

er, director of research for<br />

ncer Research Foundation,<br />

Katharine Berkan Judd<br />

York Medical Center . . .<br />

:KO. was elected president<br />

of the Cinema Club of Boston . . . Al Glaubinger<br />

was appointed sales manager at United<br />

Artists . . . Lloyd Clark was elected president<br />

and Winthrop Knox jr., vice-president, of<br />

Middlesex Amusement Co.<br />

MAY<br />

Hy Rne was appointed chairman for the<br />

fifth consecutive year of United Cerebral<br />

Palsy for theatres in<br />

New England . . . Benn<br />

Rosenwald was named<br />

chairman of distribu-<br />

. . Capitol<br />

tion of the 1954 Jimmy<br />

Fund Drive .<br />

Theatre Supply<br />

Co.. of which Kenneth<br />

Douglass is president,<br />

marked its 25th annivery<br />

. . . Joseph Cap-<br />

Ian was elected president<br />

of Local 182,<br />

lATSE, with Ralph<br />

Fiazier business agent Benn Rosenwald<br />

Heath, projectionist at the RKO<br />

screening room for 29 years, retired.<br />

JUNE<br />

Brown received the Great Heart<br />

, . . Jack<br />

Walter A.<br />

Award by the Variety Club of New England<br />

at a dinner in the Hotel Statler<br />

Walter Brown<br />

James M. Connolly<br />

.<br />

Gubbins was re-elected president of the Motion<br />

Picture Salesmans Club R.<br />

Makelim presented his picture production<br />

plan at a exhibition luncheon . M.<br />

Connolly was appointed northeast division<br />

manager for 20th-Fox, while John Feloney<br />

was promoted to manager and John Peckos<br />

to sales manager . Lockwood was<br />

elected president of the Children's Cancer<br />

Research Foundation . . . Mr. and Mi's. C. J.<br />

Russell sr. of Bangor celebrated their 50th<br />

wedding anniversary.<br />

JULY<br />

. .<br />

E. M. Loew Theatres opened a 1,000-car<br />

drive-in at Burlington . Joe Levine of Emba.ssy<br />

tossed an industry luncheon to kick<br />

off the "Duel in the Sun" return engagements.<br />

AUGUST<br />

"The French Line" was banned in both<br />

Boston and L>iin, as well as for Sunday<br />

. . . Fi'ank<br />

showings throughout the commonwealth . . .<br />

Redstone Theatres opened its new Veterans<br />

of Foreign Wars Parkway Drive-In at West<br />

Roxbury Bosketti, veteran<br />

The 1954<br />

Lawrence<br />

Jimmy<br />

exhibitor, died . . .<br />

Fund campaign was launched.<br />

SEPTEMBER<br />

RKO filed a suit in federal court against<br />

state and city censors, as well as the mayors<br />

.<br />

of Boston and Lynn . Embassy shipping<br />

room quarters were destroyed by fire<br />

. . . Hurricane Edna caused havoc throughout<br />

the area University Theatre, Cambridge,<br />

installed an automatic telephone answering<br />

service unit.<br />

OCTOBER<br />

American Theatres Corp. started a managers'<br />

contest in celebration of its sixth<br />

anniversary ... I. J.<br />

Hoffman acquired the<br />

Arcade Theatre,<br />

Springfield, from Nathan<br />

Goldstein<br />

Nathan<br />

.<br />

Buchman<br />

. .<br />

resigned<br />

from American<br />

Theatres Supply Co. to<br />

start a business for<br />

himself and was replaced<br />

by Benjamin<br />

Conviser . Hamilton,<br />

New York territory<br />

salesman for Manley,<br />

won the merchan-<br />

I. J. Hoffman<br />

dising sales contest conducted in the territory<br />

by Lyman O. Seley. division manager.<br />

NOVEMBER<br />

New England Theatres started a managers'<br />

Profit and Pi-estige Drive ... A luncheon<br />

honoring ten exchange personnel who had<br />

been promoted during the year was held at<br />

the Hotel Bradford by the Variety Club of<br />

New England . . . Aji antitrust suit for $10,-<br />

000,000 was filed in federal court by Jean<br />

Campopiano of Lawrence against the majors.<br />

DECEMBER<br />

Independent Elxhibitors of New England, a<br />

unit of National Allied, conducted a one-day<br />

convention . . . Samuel<br />

Pinanski was tendered<br />

a surprise testimonial<br />

luncheon by a<br />

group of friends . . .<br />

MGM held a successful<br />

Ticket Selling<br />

Workshop at the Hotel<br />

Bradford . . . Lockwood<br />

& Gordon Enterprises<br />

conducted its<br />

annual managers and<br />

managers<br />

district<br />

meeting here<br />

Samuel Pinanski antitrust case<br />

. . .<br />

of<br />

The<br />

Victoria<br />

Amu.sement Co., Lawrence, was settled<br />

for a reported $87,500 after nine days of jury<br />

trial.<br />

To Film "The Norman' in Englcmd<br />

Charles Warren will film "The Norman"<br />

under the banner of his Commander Pictures<br />

unit on location in England.<br />

you CAN ALWAYS DEPEND ON<br />

FOR THE BEST<br />

SPECIAL<br />

nuary 8, 1955 77


. . Lou<br />

. . The<br />

. . Tlie<br />

. .<br />

Nick Kounaris, 61, Dies<br />

At New Britain Home<br />

HARTFORD—Nick Kounans, 61, partner in<br />

the Kounaris-Tolis Theatres, operating the<br />

Meriden and Newington, died at his New<br />

Britain home recently (26).<br />

Kounaris, at one time operator of the Music<br />

Box, then the Roxy, in New Britain, also<br />

headed the Crown Dairj' and Ice Cream Co.<br />

of that city.<br />

NEW HAVEN<br />

Dalph Preis of Philadelphia, representative of<br />

Variety Clubs International conferred with<br />

the crew of Tent 31 at a luncheon in Kaysey's.<br />

Chief Barker Henry Germaine and crewmen<br />

discussed methods of increasing activities of<br />

the state unit with Preis . . . U-I's Bill Brooker<br />

accompanied Mara Corday here for a press<br />

luncheon and radio appearance in connection<br />

with "So This Is Paris." Manager Alec<br />

Schimel and Stanley Warner zone officials<br />

were hosts at the luncheon. Brooker also has<br />

been working around the state on "Sign of the<br />

Pagan."<br />

John DiBcnedetto, manager of Loew's Poll,<br />

Worcester, and former assistant manager at<br />

the Poll here, was in with his wife . . .<br />

"Young at Heart" went into the SW Roger<br />

Sherman two days ahead of schedule when<br />

the slated one-week run of "Hansel and<br />

Gretel" was reduced to five days . son<br />

of Nat Fellman, head national film booker<br />

and buyer for SW, was in to tour Yale University<br />

in preparation for applying for admission<br />

to Old Eli.<br />

Definite plans for a $5,200,000; 13-story,<br />

350-room Sheraton Hotel were warmly received<br />

by the industry here. Many movie<br />

parties, press interviews and other activities<br />

are expected to be held in the new building.<br />

Members of Tent 31 also have talked about<br />

shifting permanent clubrooms to the Sheraton<br />

when it opens. Construction will start<br />

early in February and the structure will be<br />

in operation by the fall of 1956 . . Harry<br />

.<br />

. . .<br />

Feinstein, SW zone manager, and his w-ife<br />

and children spent the holidays with relatives<br />

in Pittsburgh Lou Brown, advertising<br />

and publicity chief for Loew's Poli-New<br />

England Theatres, was at the home office.<br />

Max Hoffman and Mort Katz of Connecticut<br />

Theatre circuit and exchange managers<br />

Alec Schimel, U-I; Phil Gravitz, MGM, and<br />

Max Birnbaum. Warner Bros., attended funeral<br />

services for exhibitor Nick Kournaris . . .<br />

MGM publicity men Art Canton, New York,<br />

and Floyd Fitzsimmons, Boston, were at ths<br />

Loew's division offices to map promotions for<br />

future releases . . . Max Birnbaum of Warner<br />

Bros, received an illuminated aquarium as a<br />

Christmas gift from employes . Green,<br />

assistant manager at Loew's College, has returned<br />

to the job after several weeks rest<br />

ordered by his doctor because of strained<br />

chest muscles.<br />

James Gleason in 'Girl Rush'<br />

Character comedian James Gleason has<br />

been signed for the VistaVision-Technicolor<br />

tunefilm, "The Girl Rush," a Paramount release.<br />

New Haven Detective Fund<br />

Reaches Over $32,200<br />

NEW HAVEN—The Ralph Palma memorial<br />

fund, set up to aid the family of a city detective<br />

who was fatally shot in the downtown<br />

Paramount Theatre May 13, reported a net<br />

of over $32,200. Of this sum, $20,000 went<br />

into a trust fund to be used to provide college<br />

educations for Detective Palma's two sons.<br />

The remainder w'as used by the committee<br />

to help purchase and furnish a new home for<br />

the hero's 30-year-old widow and the boys.<br />

Until the time when the children are ready<br />

for higher educations, income from the trust<br />

fund will be given the family for living expenses.<br />

The motion picture industry and others in<br />

the entertainment field heavily supported the<br />

fund. Most of the money was raised at a<br />

benefit show in the Yale Bowl August 3.<br />

Harry Shaw, division manager of Loew-'s Poli-<br />

New England Theatres, was entertainment<br />

chairman. Volunteer performers included<br />

several of the brides from "Seven Brides for<br />

Seven Brothers." Many motion picture people<br />

were on the various subcommittees, and<br />

tickets for the benefit were sold at theatres.<br />

Palma was shot as he and other detectives<br />

attempted to arrest two burglars seated in<br />

the Paramount. The gunmen successfully<br />

shot their way out of the theatre, but each<br />

committed suicide in separate parts of the<br />

city within a few hoiu-s.<br />

Palma died 32 days after he was shot.<br />

HARTFORD<br />

f^eoTge E. Landers, division manager for<br />

E. M. Loew's Theatres, and wife flew to<br />

San Fi'ancisco to visit their son-in-law and<br />

daughter, Dr. and Mrs. Ben Vicas and grandchildren.<br />

John Silverwatch, manager of the<br />

Hartford Drive-In, relieved at E. M. Loew's.<br />

Mara Corday, U-I starlet, was here for a<br />

day of newspaper office visits, squired by<br />

Bill Brooker. exploiteer, and Jean DuBarry,<br />

Strand relief manager ... A sizeable Connecticut<br />

delegation planned to attend the January<br />

11 testimonial at Sheraton-Ten Eyck<br />

Hotel in Albany, N. Y., honoring Charlie<br />

Smakwitz, who was promoted to Newark<br />

zone manager for Stanley Warner.<br />

Allen M. Widem, the Hartford Times motion<br />

picture editor, was in New York for a day of<br />

personality interviews and screenings .<br />

The 1,162-seat Parsons, downtown area's only<br />

legitimate playhouse, will be dark through<br />

late January.<br />

Mrs. Hazel Florian promoted extra seasonal<br />

goodwill by running a benefit performance of<br />

"Tonight We Sing" at the Lockwood & Gordon<br />

Strand in Winsted, Conn., for the benetit<br />

of the Litchfield County Ho.spital auxiliary<br />

campaign.<br />

. .<br />

.<br />

Johnnie Markle. Columbia exploiteer, was<br />

in this area in conjunction w-ith "Violent<br />

Men" openings . Ray McNamara, Allyn, ran<br />

two morning screenings of "Three Ring Circus"<br />

and "Jamboree" for Boy Scouts and<br />

other youth patrons. The Scouts tied up on an<br />

extensive promotion campaign, distributing<br />

upwards of 25.000 heralds Manchester<br />

Drive-In is being expanded from 750<br />

to 1,000 cars. Back of the venture are Bernie<br />

Menschell and John Calvocoressci.<br />

RESEARCH BUI<br />

for<br />

MODERN THEATRE PL/<br />

ENROLLMENT FORM FOR FREE IN<br />

The MODERN THEATRE<br />

PLANNING mSTTTUTE<br />

825 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

Gentlemen:<br />

Please enroll us in your RESEARC<br />

to receive information regularly, as<br />

the following subjects for Theatre Pli<br />

n Acoustics<br />

n Air Conditioning<br />

n Architectural Service<br />

n "Black" Lighting<br />

n Building Material<br />

n Carpets<br />

n Coin Machines<br />

D Complete Remodeling<br />

Decorating<br />

D Drink Dispensers<br />

n Drive-In Equipment<br />

n Other Subjects<br />

Theatre<br />

Seating Capacity..<br />

Address<br />

City<br />

State<br />

Signed<br />

n Lighting I<br />

n Plumbing<br />

D Projectors<br />

n Projection<br />

n Seating<br />

n Signs anc<br />

n Sound Eq<br />

n Television<br />

n Theatre F<br />

Vending 1<br />

Postage-paid reply cords for your furthe<br />

in obtaining information are provided in<br />

THEATRE Section, published with the<br />

each month.<br />

78 BOXOFFICE Januarj


; fell<br />

, in<br />

)IAN SURVEY REPORTS '53 GROSSES UP<br />

jased Admission Rates More Than Offset Decline in<br />

Attendance<br />

Canadian motion picture<br />

and distributors received<br />

he year 1953 tlian in 1952,<br />

ral survey compiled by the<br />

u of Statistics.<br />

1 receipts of motion pietors<br />

in regular theatres,<br />

tialls operated as comand<br />

in halls serviced by<br />

increased by 3 per cent<br />

ndance decreased 1 per<br />

eipts, exclusive of taxes,<br />

83 in 1952 to $109,072,528<br />

jmber of paid admissions<br />

to 259,346,837.<br />

S<br />

FALL<br />

"es paid admissions fell<br />

241.182,726, while receipts<br />

,851,349 to $100,889,361.<br />

jorted an increase in paid<br />

'9,586 in 1952 to 11,134,788<br />

ts expanded from $4,409,-<br />

e number of paid admisty<br />

enterprises advanced<br />

47,668 while receipts grew<br />

1.851.685. For halls servierators,<br />

paid admissions<br />

120 in 1952 to 1,381,655 in<br />

from $495,584 to<br />

theatres of all types in<br />

ch included 1,906 regular<br />

1 theatres, 669 community<br />

lalls serviced by itinerant<br />

nt taxes, over and above<br />

;d for the four groups to<br />

as follows: regular thearive-ins,<br />

$685,389: com-<br />

;105,057 and halls, $31,859.<br />

provinces except Ontario,<br />

me more extensively used<br />

money on motion picture<br />

itures averaged $8.30 for<br />

as compared with $8.21<br />

.15 in 1946.<br />

'ER CAPITA BASIS<br />

replaced Ontario as the<br />

ghest per capita expendiures<br />

with an average of<br />

ith $9.94 in 1952. Alberta<br />

place with a per capita<br />

iinst $8.87 in the preced-<br />

) the per capita expendi-<br />

:ompared with $10.06 in<br />

the next highest figure<br />

;t $7.31 in 1952.<br />

the fifth highest per<br />

n movies in 1953 with an<br />

mpared to $6.51 in 1952.<br />

ed with a per capita fig-<br />

76: Quebec, with $7 and<br />

ck with $6.02 and $5.52:<br />

nd with $4.06 and $4.01,<br />

nth $4,03 as against $3.90<br />

nission price (including<br />

heatres was 47 cents in<br />

las highest in Quebec at<br />

Newfoundland at 37<br />

Dlumbia and Alberta the<br />

49 cents, in Ontario 47<br />

^•ard Island and Saskat-<br />

SURVEY IN CAPSULES<br />

Ottawa—Capsule facts on the trend of<br />

motion picture business in Canada follow:<br />

Receipts in regular 35mni theatres<br />

totaled $100,889,361 in 1953 from 241,182.-<br />

726 paid admissions as compared to a<br />

grross of $98,851,349 from 247,732,717 in<br />

1952.<br />

The number of<br />

regular 35mm theatres<br />

in 1953 increased to 1,713 from 1,671.<br />

The average admission price (including<br />

taxes) in 1953 was 47 cents, an increase<br />

from the year before.<br />

British Columbia replaced Ontario as<br />

the province with the highest per capita<br />

expenditure, rising there to $10.56 from<br />

$9.94. Alberta was second with $9.73 compared<br />

to S8.87. In Ontario the per capita<br />

expenditure for motion pictures dropped<br />

to $9.67 In 1953 from $10.06 in 1952.<br />

Canadian drive-in capacity increased<br />

47 per cent in 1953 over the previous year,<br />

increasing in number from 104 to 174.<br />

Both admissions and receipts increased,<br />

from 8,379,586 and $4,409,426 in 1952 to<br />

11,134,788 and $5,862,920 in 1953.<br />

Amusement taxes collected (on top of<br />

above gross figures) totaled $12,760,235<br />

by regular theatres and $685,389 by driveins.<br />

chewan 41 cents, in Nova Scotia and New<br />

Brunswick 40 cents, and in Manitoba 38 cents.<br />

There were 9,027 male employes and 6,723<br />

female employes who received $20,018,413<br />

from the 1.906 regular theatres in 1953, compared<br />

with 8.804 males and 6296 females<br />

receiving $18,868,116 in the previous year.<br />

There was a total of 17,651 persons employed<br />

by the industry during 1953. of which 1,516<br />

were working proprietors and family members<br />

not receiving a regular salary and 385<br />

salaried proprietors. The 15.750 paid employes,<br />

including working executives of incorporated<br />

companies, received $20,018,413 in<br />

salaries and wages. Of the 15.750 paid employes<br />

14.258 were engaged in the operation<br />

of theatres which were opened 300 days or<br />

more during the year and these received<br />

$19,228,653 in salaries and wages.<br />

OVER 2,000 PROJECTIONISTS EMPLOTED<br />

The projectionists and assistant projectionists<br />

numbered 2.156 and they received $6,278.-<br />

966 in salaries and wages. Part-time theatres,<br />

those operating less than 300 days during the<br />

year, employed 1.492 persons who received<br />

salaries and wages amounting to $789,760.<br />

In 1953 the seating capacity of regular<br />

theatres increased by 2.4 per cent, while the<br />

potential capacity rose by 1.7 per cert over<br />

1952. Potential capacity is computed by multiplying<br />

the number of seats in each theatre<br />

by the number of performances. Only 29.5<br />

per cent of a potential capacity of 818.625,591<br />

was utilized in 1953. Capacity utilization was<br />

highest in Newfoundland at 36.3 per cent<br />

and lowest in Quebec at 27.1 per cent.<br />

Over 39 per cent of the 1953 business went<br />

to theatres in Ontario, which had also 35.5<br />

per cent of the total seating capacity. Quebec<br />

theatres, with 24.4 per cent of total seating<br />

capacity, obtained 25.2 per cent of the total<br />

business. British Columbia had 9.5 per cent<br />

of seating capacity and 10.1 per cen' of receipts<br />

while Alberta with 7.5 per cent of the<br />

seats reported 7.6 per cent of total business.<br />

All the other provinces had lesser percentages<br />

of receipts than of seating capacity.<br />

In 1953 circuits operating four or more<br />

theatres in Canada obtained 71 per cent of<br />

the total revenue and 69 per cent of admissions,<br />

although they numbered only 37 per<br />

cent of Canada's 1.906 regular theatres. Circuits<br />

in the 20 and over class received 58 per<br />

cent of the receipts and 54 per cent of the<br />

admissions.<br />

NINETY PER CENT USE 35MM<br />

Ninety per cent of the 1,906 regular theatres<br />

operating (1.713) in 1953 used 35mm projection<br />

equipment and accounted for 99 per<br />

cent of the receipts. These 1.713 theatres<br />

had receipts of $100,204,153 in 1953 compared<br />

with receipts of $685,208 obtained by the 193<br />

theatres which used 16mm equipment.<br />

In 1952 there were 1.671 theatres using<br />

35mm equipment with receipts of $98,322,322<br />

and 172 theatres using 16mm equipment with<br />

receipts of $529,027.<br />

The number of drive-in theatres increased<br />

from 104 in 1952 to 174 in 1953 while total car<br />

capacity increased by 47 per cent. Receipts<br />

rose by almost 33 per cent from $4 409,426 in<br />

1952 to $5,862,920 in 1953. In the year under<br />

review there were 11.134.788 paid admissions<br />

to drive-ins compared with 8.379,586 the previous<br />

year, while amusement taxes amounted<br />

to $685,389 in 1953 compared with $540,390<br />

ia 1952. Ontario's 68 drive-ins collected<br />

$2 572.095 in receipts plus $323,516 in amusement<br />

taxes and accounted for nearly 44 per<br />

cent of paid admissions. A feature of 1953<br />

was the increase in drive-ins in western<br />

Canada, Manitoba now having 13. Saskatchewan<br />

29, Alberta 29 and British Columbia 23.<br />

DRIVE-INS EMPLOY ABOUT 2,000<br />

There were 1,972 persons employed in Canadian<br />

drive-ins in 1953, who received $1,432,636<br />

in wages. Of the total, 194 were projectionists,<br />

who received $420,326 for their services.<br />

In 1953 film exchange companies handled<br />

a volume of business amounting to $35,446,-<br />

293 which represented a 4.3 per cent increase<br />

over the $33,979,599 handled in 1952. There<br />

was an increase in film rentals from $32,911.-<br />

042 in 1952 to $34,436,609 in 1953 but In the<br />

same period advertising receipts dropped<br />

from $567,144 to $533,977 and receipts from<br />

other sources decreased from $501,413. to<br />

$475,707.<br />

Of the total film rental receipts of $34,436,-<br />

609. 83.8 per cent or $28,871,729 represented<br />

35mm films for theatrical use. The value of<br />

16mm film rentals for theatrical use was<br />

$2,022,112.<br />

New films of all types released during the<br />

year numbered 3.521. of which 2.983 were for<br />

theatrical use on a commercial basis.<br />

Segregation of the 1.289 new feature films<br />

released in 1953 as to country of origin follows:<br />

United States. 779: France. 290: Great<br />

Britain. 147: Canada, 2; Italy. 41. and other<br />

countries, 30.<br />

lary 8, 1955 79


I<br />

. . National<br />

. . Bob<br />

. . Sam<br />

'<br />

MONTREAL<br />

/Canada's first Cinerama showing at the Imperial<br />

Theatre here, opened December 27<br />

with ceremony appropriate to the launching<br />

of a battleship. The evening proceeds were<br />

turned over to St. Justine Hospital by Sam<br />

Ro.sen, executive vice-president of the Canadian<br />

Cinerama Corp., and Lester B. Isaac,<br />

national director of the Cinerama Exhibition,<br />

who were on hand to greet civic and other<br />

dignitaries. Rosen and Isaac welcomed Mme.<br />

L. de Gaspe Beaubien. honorary president of<br />

St. Justine Hospital, who commented following<br />

the showing to the effect that "it certainly<br />

is realistic."<br />

The Seville Theatre, a United Amusement<br />

house which dropped its bill of vaudeville and<br />

films for straight motion picture programs<br />

has decided to revert to vaudeville and motion<br />

picture shows . Film Board<br />

has set late 1955 to start moving personnel<br />

and equipment from Ottawa to its new building<br />

being erected here on Cote de Liesse<br />

road. Wet weather last summer held up construction,<br />

but work now is being pushed. For<br />

the first time in its 16 years of existence, all<br />

the board's operations will be housed under<br />

one roof. Facilities will include the first<br />

studios the NFB has owned.<br />

. . .<br />

International Film Distributors was host to<br />

a crowd of distributors, exhibitors, press and<br />

radio officials at a special preview of Verdi's<br />

"Aida" at the Snowdon Theatre, a United<br />

Amusement Corp. theatre managed by Harold<br />

The motion picture hall at<br />

Greenberg . . .<br />

Quyon, Que., 25 miles northwest of Ottawa<br />

operated by J. C. Germain, was completely<br />

destroyed by fire December 27 just a few<br />

minutes after the last patrons had left the<br />

last .show . . . Harry Cohen, RKO manager,<br />

attended the regional sales meeting of his<br />

company at the Warwick Hotel in New York<br />

Archie Cohen, Warner Bros, manager,<br />

and Eddie White, booker, both attended the<br />

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Film Exchange BIdg. Calgory, Alta.<br />

opening of Cinerama presentation at the Imperial<br />

Theatre.<br />

Bill Trow, president of Montreal Poster Exchange<br />

and of Quebec Cinema Booking, along<br />

with John Trow, also of Quebec Cinema<br />

Booking, attended the wedding of their<br />

brother Tom at Three Rivers, Que. Tom is<br />

the owner of the Imperial Theatres at Three<br />

Rivers. John acted as best man for his<br />

brother . Johnson, manager of JARO,<br />

threw a party for his staff at his home preceding<br />

a trip to Winnipeg to visit his<br />

mother. On his way back Johnson planned<br />

to stop at Toronto . . . Bob Brown, artist at<br />

UAC, accompanied by his wife and children,<br />

spent the holiday weekend with his sister and<br />

brother-in-law at Cushing, Que.<br />

Joe Rimer, head accountant of Montreal<br />

Foster Exchange, and his wife spent the holiday<br />

in New york . . . R. Murphy, manager of<br />

Paramount Film Service, along w'ith Leo Berco<br />

of Ruby Foo's again entertained charges of<br />

the Sisters of Good Shepherd at Maison<br />

Lorette with a movie and tea along with gifts.<br />

The girls received five gifts each.<br />

. . .<br />

. . . John Levitt, sales representative<br />

Rene Brosseau, accountant at Montreal<br />

Poster Exchange, became engaged over the<br />

holidays to Helene Vanier. The party took<br />

place at Ste. Marguerite-du-lac Masson in the<br />

Laurentians. Following the engagement party,<br />

the couple were the guests of friends at<br />

Jasper Lodge St. Donat . Kunitsky,<br />

United Artists manager, accompanied by his<br />

w'ife and baby, spent the holiday weekend<br />

with his parents at Saint John, N. B. . . .<br />

Barbara Jehu, office employe of United Ai'tists.<br />

became engaged to Morrie Neilson<br />

Johnny Larose, shipper at JARO, is the father<br />

of a baby boy<br />

for Columbia, accompanied by<br />

his<br />

. . . Canadian<br />

wife spent Christmas at the home of his<br />

daughter in New York City<br />

National Railways' motion picture "The Museum<br />

Train" was shown in Boston by Jean<br />

Fournier, Canadian general consul at Boston,<br />

for the first time in the United States.<br />

Rapid Grip & Batten Makes<br />

First Public Sale of Stock<br />

TORONTO—Formerly a famUy controlled<br />

company of many years standing. Rapid Grip<br />

& Batten made its first public offering of<br />

common and preferred shares at the year's<br />

end for expansion purposes. It was originally<br />

engaged in news service and engraving operations<br />

but branched into film production.<br />

Blocks of 30,000 common stock and 4,000 preferred<br />

shares are offered to the public but<br />

control of the company will be retained by the<br />

Batten family.<br />

In April 1953 the company purchased the<br />

Queensway Studios in nearby Islington for<br />

the making of 16mm and 35mm moving pictures<br />

and has become a member of the Ass'n<br />

of Motion Picture Producers and Laboratories<br />

of Canada. The studio building had been a<br />

unit of the J. Arthur Rank companies in<br />

the Dominion under a proposed Canadian<br />

production program.<br />

Tlie pre.sident of Rapid Grip & Batten is<br />

R. A. Batten, a son of the late A. C. Batten,<br />

founder of the original news service and<br />

former editor of the Toronto Daily News.<br />

The sales manager is Frank O'Byrne, onetime<br />

Canadian studio manager for JARO.<br />

Early Leaders Nairn<br />

In Odeon's Contest<br />

Hamilton, by Nicky Langstor<br />

'<br />

Halifax; Varscona. Edmonton; Garrick<br />

TORONTO—Fifteen theatres have<br />

to commanding positions in the Better<br />

agement contest of Odeon Theatres, a<br />

ing to the initial progress report b<br />

Hardiman, advertising and publicity<br />

who is directing Operation 26, the t<br />

the 26-week competition.<br />

In the showmanship and attendar<br />

vision of the race in which 98 ma<br />

across the country are participatini<br />

leaders are<br />

managed<br />

lined up as follows: C<br />

ner of last year's drive; Odeon. Port A<br />

Odeon, Toronto; Electra, Montreal;<br />

Fort William; Hyland, Toronto; C(<br />

Oakville, Ont.; Roxy, Brampton; C<br />

fax; Villeray, Montreal: Broadway,<br />

toon: Empress, Moncton, and the E<br />

Winnipeg.<br />

The Odeon at Victoria, B. C, is also<br />

running for the early stages of the<br />

paign after having run up a formidabL<br />

on showmanship alone. Among the<br />

for both promotion and patronage<br />

were Don Gauld of the Odeon at For<br />

liam, who captured second prize in tl:<br />

contest; Vic Nowe of the Toronto (<br />

winner of a district prize last year; Le<br />

Guire of the Odeon, Port Arthur, and<br />

Tyers who took over the management<br />

Toronto Hyland a couple of months ai<br />

Hardiman pointed out. however, th<br />

standing of the contenders was sub;<br />

quick change, so the boys had better<br />

'<br />

their toes because of expected jockey;<br />

improved position.<br />

A different story is told in the c<br />

tionery sales section with the interim st;<br />

being almost a reverse of the point;<br />

for exploitation and attendance gains.<br />

group the top performer is the Mci<br />

at Belleville, Ont., with the Palace, St.<br />

arines. and the neighborhood Parad<br />

Toronto second and third.<br />

Canadian Radio, TV Sc<br />

Climb During 1954<br />

TORONTO—According to a statem<br />

the Canadian Radio and Television :<br />

factiuers Ass'n, sales of TV sets ii<br />

country for the first 11 months of 1954 1<br />

530.350, representing a 69 per cent ir<br />

over the same period of the previous<br />

The value was placed at $134,607,675<br />

increase of 43.7 per cent over the comp<br />

1953 months.<br />

Radio sales in the 11 months totaled<br />

sets, valued at $28,236,657, for a decl<br />

29.5 per cent in number and 38.5 per c<br />

selling value.<br />

Granada in Hamilton \<br />

Reopen as the Downtov<br />

HAMILTON—In the transformation<br />

99-seat Granada at Hamilton, which ha<br />

closed in early December by 20th C<br />

Tlieatres circuit for reconstruction, t!<br />

opening is being marked by the cha;<br />

theatre name to "Downtown" to emj:<br />

the modernization of the theatre th;<br />

once operated as the Gra;nd Opera Hi<br />

Paul Tiu-nbull continues as the m;<br />

and his assistant is David Whitelaw.<br />

80 BOXOFFICE January


. Is<br />

: protesting<br />

. Theatres<br />

. . Fred<br />

I PEG Business in Vancouver VANCOUVER<br />

houses in the Foto-Nite<br />

. . . Ernie Diamond opery<br />

night every Wednesday<br />

The main prize recently<br />

r stainless steel cutlery . . .<br />

JinemaScope to play at<br />

linion was "Hell and High<br />

;aifeer now has such good<br />

jreening room that the<br />

ion asked by viewers after<br />

d is. "Is this picture just<br />

r in Cinemascope?" You<br />

the difference with the<br />

screen Saifeer now has.<br />

midnight shows included<br />

e Plain" at the Odeon;<br />

Paris" at the Garrick;<br />

md "Africa Adventure"<br />

aramount's "Three Ring<br />

:. and Warners' "A Star<br />

Airport Drive-In<br />

)itol . . .<br />

een to provide for new<br />

IS . . . "Duel in the Sun"<br />

for its second downtown<br />

lest priced show in town<br />

5 Capitol had no trouble<br />

ar Is Born."<br />

ing of Main street," is<br />

tremendous volume of<br />

sales racked up by the<br />

rland during the festive<br />

offered "mustard" or<br />

hot dogs, there are no<br />

lack of additional choice<br />

i<br />

ions or sauerki'aut. Both<br />

y installed Glenray barines.<br />

operating on the re-<br />

}le—a bun warmer is a<br />

he compact machine. No<br />

red. Hurwitz claims.<br />

( in arms here over the<br />

Saturday matinee fiasco<br />

:-TV station starting its<br />

Idies at 2 p.m. instead of<br />

were virtually<br />

ind exhibitors are writing<br />

the unwarheir<br />

matinee trade. There<br />

t to insist the CBC start<br />

i-me time as weekdays.<br />

iouse Changes<br />

Policy<br />

The Elmwood, a 620-seat<br />

Theatres of Toronto, has<br />

cy starting with the enn<br />

Times" after operating<br />

the Park in joint bookeriod.<br />

The name of the<br />

inged to Elmwood Cinema<br />

—<br />

—<br />

—<br />

Up as Holiday Ends<br />

VANCOUVER—Downtown busuiess moved<br />

into high gear now that Christmas shopping<br />

Is over. Vancouver theatres were away above<br />

average. Top coin went to "Show Business."<br />

while second position was taken by "Three<br />

Ring Circus" and "Sign of the Pagan." both<br />

tops ill spite of a slow Christmas Day business.<br />

All three continued through the holidays.<br />

(Average Is 100)<br />

Capitol There's No Business Like Show<br />

;20th-Fox)<br />

Business<br />

Smash<br />

Cinema Passion (RKO), The Sponish Main iRKO),<br />

revival<br />

Good<br />

Orpheum Three Ring Circus (Para) Excellent<br />

Porodise Bowery to Bagdad (AA); Renegades<br />

(Col), reissue Good<br />

Plaza and Fraser Destry (U-l) Good<br />

Strand Atheno (MGM) Good<br />

Studio The Belles of Sf. Trinion's (IFD) Good<br />

Vogue Sign of the Pofi^an (U-l) Excellent<br />

Eight First -Runs Hold<br />

At Toronto Houses<br />

TORONTO— Holiday attractions at eight<br />

first run theatres held for a second week,<br />

more or less as expected, with grosses well<br />

above the line. The biggest money-maker<br />

was "Three Rnig Cncus" in its second lap<br />

at the Imperial. "The Purple Plain" grossed<br />

well as a new picture at the Odeon, aided by<br />

an extra midnight showing.<br />

Eglinton, University Young at Heart (WB),<br />

2nd wk. I ID<br />

Hyland— Trouble in the Glen (Rep), 2nd wk 110<br />

Imperiol Three Ring Circus (Para), 2nd wk 140<br />

Loews Deep in My Heart (MGM), 2nd wk 140<br />

Nortown Brigadoon :MGM) 110<br />

Odeon The Purple Plain (JARO) 1 45<br />

Shea's There's No Business Like Show Business<br />

120th-Fox), 2nd wk 1 40<br />

Tivoli, Capitol Rear Window (Para) 110<br />

Towne The Vanishing Prairie (BV), 2nd wk 120<br />

Uptown Sign ot the Pagan (U-l), 2nd wk 120<br />

'Belles' in Toronto<br />

TORONTO—"The Belles of St. Trinians,"<br />

a British comedy, started the post-Christmas<br />

season at the International Cinema in substantial<br />

-style, while Italian pictures were<br />

noted at other art theatres around town.<br />

. . . Safecrackers<br />

/^eorge Brewerton, owner of the east side<br />

Rex, has taken over the suburban Cambie,<br />

a 488-seater, from A. Milan and Pete Junas,<br />

former operators of the Roxy which is now<br />

being used for chmch meetings<br />

spent a lost weekend trying to get<br />

into the safe at the Odeon-Park but were<br />

unable to open the inner doors guarding the<br />

weekend holiday receipts . . . The brother of<br />

Pat Murray, Lux cashier, died in his 43rd<br />

year . Ritchie of the Lux floor staff,<br />

was ill.<br />

.<br />

Bob Foster of the Orpheum was re-elected<br />

president of lATSE B-71 theatre employes<br />

union . . Bill Forward, manager of General<br />

Theatre Supply Co., reports that with the<br />

installation of wide .screen in four more FPCC<br />

. . . Ro.ss Forrester, former<br />

suburban houses, the chain will be 100 per<br />

cent equipped<br />

assistant at the Capitol, has resigned from<br />

the circuit.<br />

.<br />

Steve Rolston, secretary of Canadian Picture<br />

Pioneers, spent the holidays in the<br />

Seattle area Jack Brent of CP Film Delivery<br />

has<br />

. .<br />

bought himself a home in the<br />

south Vancouver area.<br />

Canada Now Second Only<br />

To U. S. in Television<br />

OTTAWA—In a year end statement on the<br />

development of television in Canada since its<br />

beginnings in September 1952, A. D. Dunton,<br />

chairman of the board of the Canadian<br />

Broadcasting Corp.. said here that the Dominion<br />

had become the world's second-ranking<br />

TV country. Dunton declared that Canada<br />

was second to the United States in TV program<br />

production, second in the number of<br />

stations and a bare second in television<br />

viewers.<br />

About three-quarters of the population, he<br />

said, was served by 24 stations, seven of which<br />

were owned by the government TV agency,<br />

the CBC, which also controls all broadcasting.<br />

J. M. RICE & CO., Ltd.<br />

202 Canada Bldg.<br />

Telephone 93-5486<br />

Winnipeg, Manitoba<br />

10029 Jasper Ave.<br />

Telephone 28502<br />

Edmonton, Alberta<br />

35mm and 16mm Motion Picture and Sound Equipment<br />

EXPERT REPAIR DEPARTMENT<br />

Sole agents in Western Canada for Ballontyne Sound, Projectors, Drivein<br />

Equipment and 3-D Equipment.<br />

ay and Date<br />

Famous Player.s' key<br />

Bloor, College. Oakwood.<br />

1 Runnymede. started the<br />

e Egyptian" as the Show<br />

)ther units of the circuit,<br />

St. Clair, were the last<br />

to continue with "Hansel<br />

iginal lineup having in-<br />

. Tivoli. Capitol, Century<br />

Screens<br />

Arc Lamps<br />

Q] Rectifiers<br />

Check This List<br />

and See Us Soon:<br />

Radio Tubes and<br />

Tungar Bulbs<br />

Q Theatre Chairs<br />

Carbons Lenses<br />

Generators<br />

g Lamps D<br />

n Tickets<br />

Electrical Supplies ^ Batteries<br />

lary 8, 1955 81


. . Theatres<br />

.<br />

. .<br />

OTT AV\/ A<br />

IWTanager Walter Lackenbauer of the Soper<br />

at Smiths Falls attracted much attention<br />

by presenting a double pass, good for<br />

one month, to the parents of the first baby<br />

born after the stroke of midnight at New<br />

Year's in the Ottawa Valley community .<br />

Pierrette Paquin, daughter of Donat Paquin,<br />

owner of the Laurier, had the misfortune of<br />

being the season's first skiing casualty when<br />

she suffered a broken ankle while essaying<br />

a tricky slope. The injury will keep Pierrette<br />

out of figure skating. She is the star performer<br />

of the Minto Skating Club.<br />

Alex Dixon has resigned from his executive<br />

post in the National Film Board to return to<br />

Toronto Monday (101 to join the Dunlop<br />

Tire sales staff . . . Manager Ray Tubman<br />

of the Capitol Theatre had a holdover at the<br />

turn of the year when big grosses caused a<br />

carry-over of "There's No Business Like Show<br />

Business" for a second week. The run had<br />

one break when "Three Ring Circus" took<br />

the screen for the New Year's Eve midnight<br />

show.<br />

For the last day of 1954. Morris Berlin of<br />

the Somerset had a gift for the ladies who<br />

took in the program topped by "Living It<br />

Up." The New Year's present was a comb<br />

novelty . in Hull, Que., across<br />

the river from Ottawa, conducted late shows<br />

Sunday night (2) to round out the holiday<br />

season. The features included "Beau Brummell"<br />

at the Cartler, "Knock on Wood" at<br />

the Montcalm and "Stranger on the Prowl"<br />

at the Laurier.<br />

Manager Fred Leavens passed up a midnight<br />

show for New Year's Eve at the Elm-<br />

J' I<br />

PLAY SAFE...<br />

NEXT TINE VSE<br />

'i^S<br />

467 SPADINA AVE.<br />

TORONTO, ONTARIO<br />

"Eieluslve Canadian Dislribulor For Filmack"<br />

dale, although other theatres featured a special<br />

attraction for the traditional frolic.<br />

Manager Frank Gallop of the Centre brought<br />

in "Ricochet Romance," Ernie Warren gave<br />

an advance screening of "Tonight's the Night"<br />

at the Elgin while Jim Chalmers, manager<br />

of the Odeon, got a good crowd with "The<br />

Purple Plain" . . . The first stage presentation<br />

of 1955 at the local Capitol is the concert<br />

engagement of Leon Fleisher, pianist,<br />

Monday night (lOi, which comes as a break<br />

film policy.<br />

in<br />

FPC Head Cites Strong<br />

Paramount Position<br />

TORONTO—In his message to the 5,500<br />

shareholders of Famous Players Canadian<br />

Corp. at the end of 1954, President J. J.<br />

Fitzgibbons pointed to the extensive technical<br />

developments which had provided wide diversification<br />

for Paramount Pictures Corp.<br />

"By taking an active part in the development<br />

of these and other inventions," Fitzgibbons<br />

stated, "your company will be in a<br />

position to take full advantage of whatever<br />

competitive effects these devices may have<br />

upon theatres."<br />

The Famous Players president listed a number<br />

of features now available for theatre entertainment<br />

which bore his personal recommendation.<br />

These included: "White Christmas,"<br />

"Three Ring Circus," "The Last Time I<br />

Saw Pai^s," "A Star Is Born," "Deep in My<br />

Heart," "Young at Heart," "Desiree," "There's<br />

No Business Like Show Business" and "20,000<br />

Leagues Under the Sea."<br />

Fitzgibbons referred to the final quarterly<br />

dividend of 37^2 cents on the Famous Players<br />

Canadian shares, to which had been added<br />

an extra 10 cents per share.<br />

Many New Art Films Open<br />

At Toronto Theatres<br />

TORONTO—Seekers of<br />

the unusual had a<br />

field day with a wide variety of special offerings<br />

for the week, topped by "The Belles of<br />

St. Trinians" in its second week at the International<br />

Cinema. The Studio tm-ned up with<br />

"Onore e Sacrificio" and the Pylon featured<br />

"Torna a Sorrento."<br />

Following a Canadian premiere of "Up to<br />

His Neck," a British pictiu-e, the Hollywood<br />

had another Canadian first run in "Children<br />

of Love." The Melody presented the German<br />

feature, "The Colored Dream."<br />

HANDY


CMjupme^nl * C0ftCAidi»n^ » ^(UtiiMiaA\£c<br />

JANUARY 8, 1955<br />

TION OF BOXOFFICE<br />

Portland welcomed the<br />

new one-mitlion-dollar<br />

Fox Theatre recently<br />

with the biggest downtown<br />

turnout on record.<br />

The late Charles P.<br />

Skouros and a bevy of<br />

film stars and officials<br />

headed by Johnnie Ray,<br />

Edward Arnold, Edmond<br />

O'Brien and his wife.<br />

Van Heflin and Maria<br />

English appeared at<br />

opening.<br />

the<br />

The 1,509-seat<br />

bouse is equipped for<br />

all forms of screen presentation,<br />

and is the<br />

culmination of a scientific<br />

study of comfort<br />

and safety, public health<br />

and new conveniences<br />

by Evergreen Theatres in<br />

order to offer to patrons<br />

the finest theatre possible<br />

to build.<br />

turing<br />

csDeAlan,<br />

(^ondtructi<br />

id<br />

Kenouation


THERE'S A SECOND BOX OFFICE<br />

INSIDE YOUR THEATER...<br />

The theater owner with money on his mind has long since learned<br />

to look to the lobby for extra profits. That's where his patrons<br />

come to get refreshment with their entertainment. Because of this<br />

pleasant custom, you make more money when you feature ice-cold<br />

Coca-Cola, favorite of America for more than four generations.<br />

There's a variety of vending equipment available. For the moneymaking<br />

details, write The Coca-Cola Company, P. O. Bo.x 1734,<br />

Atlanta, Georgia.<br />

COPYRIGHT 1954, THE COCA-COLA COMF


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lir aim was to halt a de-<br />

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Bct proved so successful<br />

y they converted another<br />

Theatres, the Cinema,<br />

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tres attain a new concept<br />

sating comfort with Heysfield's<br />

TC 706 Airflo<br />

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Heywood-Wakefield's TC 706 Airflo<br />

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For further information on the luxuriously<br />

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lary 8, 1955


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)x All New But the Walls Arnold Marks 14<br />

lurn" Away Dollars in Exposed Steel<br />

ded Lyne S. Metcalfe 18<br />

itenance Questions and Answers Dave E. Smalley 20<br />

sreophonic System for Three or Four Channels<br />

Two Models 22<br />

Theatre in First-Class Condition Calls for Regular<br />

ce and Replacement Elsie Loeb 24<br />

; Money on Your 1954 Income Tax? Harold J. Ashe 28<br />

Promotions Rebuild Sales David 0. Tubbs 31<br />

itioned to Higher Prices by Other<br />

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Servicing of Sound Systems Wesley Trout 39<br />

!rs Win Heavy Patronage 44<br />

TS:<br />

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"^^"^ 36 Literature 51<br />

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'Ut the brick exterior walls ayid roof is the Fox Theatre,<br />

re. Balconies arid apartments in the old Mayfair Theateas<br />

originally constructed as the Heilig in 1909<br />

timate theatre, were torn out and the entire interior<br />

and rebuilt. The Fox has the second largest screen in<br />

only two feet smaller than the Roxy in New York.<br />

İXHIBITORS who are planning<br />

to modernize their theatres this year<br />

will find many ideas of design and<br />

decoration in the photographs and<br />

articles describing two major remodeling<br />

jobs which are presented in this<br />

issue.<br />

Especially intriguing is the fresh and<br />

spirited architecture of the San Diego<br />

theatre which is illustrated on the<br />

pages immediately following. A radical<br />

departure from the usual concept<br />

of theatre design, the dramatic sweep<br />

of bold and simple planes creates a<br />

showcase of extraordinary character.<br />

Fully OS interesting, and productive<br />

of ideas, is the interior decoration of<br />

this theatre which has been carried<br />

out in the gay, bright spirit of the<br />

building itself.<br />

The complete metamorphosis of this<br />

old, ornate movie palace into what<br />

may well be described as "the theatre<br />

of tomorrow," brought about a tremendous<br />

upsurge in patronage, and<br />

is evidence to all exhibitors of the<br />

profit advantages of modernization.<br />

The beautiful, modem theatre which<br />

has been created within the shell of a<br />

45-year-old house, originally built for<br />

legitimate productions, in Portland,<br />

Ore., also offers exhibitors many suggestions<br />

for adaptation in the remodeling<br />

of their own houses. It represents<br />

the thorough study and scientific planning<br />

of an outstanding theatre organization<br />

in order to give patrons the<br />

utmost in comfort, convenience and<br />

screen presentation in<br />

ideal surroundings<br />

and atmosphere.<br />

Many new materials have been employed<br />

in the construction and decoration<br />

of these theatres, as described in<br />

the articles, and these also will be of<br />

interest to theatremen who plan to<br />

modernize this<br />

year.<br />

I L. THATCHER, Monaging Editor<br />

\TRE Section of BOXOFFICE is included in the first issue of eoeri month.<br />

business corresponaence should be addressed to Associated Publicotioru,<br />

I., Konsas City 24, Mo. Eostern Representative: A. J. Stocker, 9 Rockefeller<br />

20, N. Y.; Central Representatives: Ewing Hutchison and E. E. Yeck, 35<br />

!, Chicago I, III.; Western Representative: Bob Wettstein, 672 South<br />

:e, Los Angeles 5, Calif.


Wm.<br />

1 -'^'jj«»tr »4V<br />

.«jjT't^:*«.ii'


MODERNIZE. The exteiit<br />

aphically illustrated by<br />

Burton Jones who in-<br />

the old<br />

i remodeling<br />

BRIGHT, NEW CONCEPT IN THEATRE DESIGN<br />

Art Gallery Sets Theme for Conversion of Old San Diego House<br />

\ Run Neighborhood Showcase Grossing Up to $10,000 a Week<br />

in San Diego. Transd<br />

the Capri, the house,<br />

averaging $600 a week<br />

as grossed as much as<br />

week of a hit show,<br />

idem art was, perhaps,<br />

single influence affectle<br />

new Capri. The con-<br />

5 of light, the sharp,<br />

js, the freshness and<br />

n this new look in an<br />

creating many new<br />

s as important a conshowcase<br />

design as the<br />

I'ospect, garish, picture<br />

!0s.<br />

The Capri itself, as the old Egyptian,<br />

embodied such embellishments associated<br />

with the bygone days of dark and plushy<br />

interiors as the rotund, squat and ornamental<br />

pillars which graced the theatre's<br />

front and set the tone for the overly designed<br />

styling prevalent throughout the<br />

house.<br />

Jones spent over six months, with the<br />

theatre closed, on the program which involved<br />

a virtual rebuilding of the theatre's<br />

exterior and facade, foyer and lobby, and<br />

complete redecoration and refurnishing of<br />

the auditorium. The results are startling.<br />

On approaching the theatre from the<br />

street, with its 17-foot-high, solid-tinted<br />

glass front, opening the entire lobby to<br />

public view, one is immediately aware of<br />

the theatre's transformation. The window,<br />

broken up with black metal dividers for a<br />

geometrical pattern, sets the motif for the<br />

lobby floor which, made of white terrazzo<br />

with heavy black dividers, presents a similar<br />

geometric api>earance. Through this<br />

broad sweep of window, an actual art gallery<br />

can be seen occupying the wall directly<br />

opposite the front.<br />

These paintings, lithographs and sculptures,<br />

gathered from Jones' own collection<br />

and supplemented with a new selection, influenced<br />

the theatre's design. Represented<br />

Continued on following page<br />

md stimulating is the design of the new Capri Theatre in San<br />

OS far removed from the heavy tines of the old Egyptian, above,<br />

Bay of Sorrento from the Nile. Far advanced from the usual<br />

ts of theatre design, a series of simple planes provides background<br />

space for sculpture and modern paintings which may be seen<br />

through the entirely open glass front. Note the turnstile at right of<br />

the boxofflce which makes a doorman unnecessary. The display cases<br />

and theatre name are illuminated by neon black light.<br />

zept and execution is the lobby of the new Capri Theatre, San Diego. The concession stand is custom-built, as is manager's desk at left,<br />

laxy 8, 1955 9


This modern art gallery featuring such names as Mattisse, Miro,<br />

Chagall and Marino, from the private collection of Burton Jones, owner<br />

of the Capri, was a major influence in the design concept of the<br />

theatre. The huge abstract sculpture in bronze and brass alloy is<br />

named "Stars Over Capri." Note the manager's desk at right. He is<br />

always out where he can meet the patrons.<br />

Structurally, the walls an<br />

of the old Egyptian y<br />

zhanged, but the ornate di<br />

on columns and supportii<br />

disappeared under stronc<br />

colors of bright red, ye<br />

blue.<br />

The walls are sprayec<br />

tatone and are white witi<br />

and black fleck. Acousi<br />

forated metal decking,<br />

blue in color, forms thi<br />

The waterfall drapery is ?<br />

entire atmosphere is boi<br />

lating and restful.<br />

The auditorium in the old Egyptian.<br />

NEW CONCEPT IN THEATRE DESIGN<br />

Continued from preceding page<br />

in the art group are such famous names as<br />

Mattisse, Miro, Chagall and Marino. This<br />

uifluence is also revealed in the over-all<br />

color scheme which utilizes black and<br />

white with accents of pure primary reds,<br />

yellows and blues.<br />

Bernard Rosenthal, a world-famous<br />

sculptor, was commissioned to work with<br />

Pi'ank Gruys of Beverly Hills, the architect<br />

who also styled the lobby and foyer decor,<br />

in the preliminary planning. The result is<br />

a. huge abstract sculpture, in a broi<br />

brass alloy, suspended from the ceil<br />

spotlighted to cast an interesting i<br />

pattern on the west lobby wall. Na:<br />

Continued on<br />

CREDITS: Air condiHoning : WesHnghouse<br />

tect: Frank M. Gruys • Auditorium decor<br />

Leichter • Canopy ceiling: Guth Lightinc<br />

pet and drapes: Karogheusion • Drink (<br />

Everfrost • Facade paint: Paramount<br />

Laquer • Lenses: Wollensack and Kolln<br />

Poster coses: Theatre Specialties • Proje(<br />

sound: Simplex • Screen: Raytone • Se(<br />

wood-Wakefleld.<br />

10 The MODERN THEATRE S


THE fl T R E<br />

iwings on this page illustrate how the old forecourt<br />

he Egyptian were eradicated in favor of a spacious,<br />

of sweeping lines. Stores on either side of the old<br />

rated into the new plan, providing space for larger<br />

addition of a cryroom. Below, at right, the large,<br />

olor panels in bright red, yellow and blue contrast<br />

e walls and light terrazzo floor. At left, the o'd,<br />

heavy Egyptian columns.<br />

inuary 8, 1955 il


NEW CONCEPT IN THEATRE DESIGN<br />

Continued from page 10<br />

the theatre, the design is called "Stars Over<br />

Capri."<br />

The art gallery and Rosenthal sculpture<br />

achieved immediate patron acceptance and<br />

have been the reason for much publicity for<br />

the theatre.<br />

The initial reaction to all this would be<br />

to assume that the Capri is an art house.<br />

It is not. Although located in a neighborhood<br />

area, Pai-amount, RKO. United Artists<br />

and Warner Bros, are now permitting<br />

Jones to bid for first run San Diego product<br />

against the large downtown houses. However,<br />

he has confined his bidding to pictures<br />

that have specific adult appeal, not<br />

admitting children under 17 unless accompanied<br />

by an adult.<br />

In this respect, he has been following<br />

a policy of presenting, at exceptionally<br />

high prices, pictures of unusual quality<br />

and merit that have the potential of extended<br />

runs. Admission prices are $1.25,<br />

general, $1.50 for loges and 50 cents for<br />

children. Other local first run prices are<br />

about 90 cents.<br />

That this piolicy, made feasible by the<br />

modernization, has paid off is attested to<br />

by the tremendous patronage increase<br />

since Jones took over this Fox West Coast<br />

divestiture house.<br />

To achieve the resulting astronomical<br />

The attraction board features 18 ar)d 36 inch letters<br />

of black Masonite and is frontlighted by spots and<br />

floods. The boxoffice canopy and window mullions<br />

ere black metal, and all exterior gloss is Solex-type<br />

blue glass.<br />

leap at the boxoffice, the theatre's entire<br />

appearance was changed. Gone are the<br />

ornate pillars, the pretentious trappings,<br />

and gone is the Egyptian.<br />

The building's new facade, flanking the<br />

broad glass front, is of plaster, painted<br />

white with a Zolatone spray containing<br />

large black globules creating a white<br />

razzo effect. Two moderate-sized dis<br />

cases are inset within the facade<br />

topped by a large signature sign ag£<br />

the wall, both illuminated by charme:<br />

neon black light.<br />

the canopy and eliminates the usual (<br />

Topping the boxoffice and projec<br />

partially out over the sidewalk is a na:<br />

frame canopy painted a flat black, wi<br />

luminous plastic eggcrate ceiling. The<br />

crate openings are about ^i-inch sq<br />

and permit an even and intense<br />

spread from 14 6-foot cool white Luml<br />

For additional light type R-40, 150-<br />

down lights with louvred reflectors<br />

set in the soffit of the canopy, fou<br />

each side.<br />

The attraction board is separate<br />

bination with a neon-flashing mart<br />

Letters, of black Masonite 18 and 36 ir<br />

high, fasten to the perforated Tra<br />

board with spring clips through the<br />

forations. It is front lighted by floods<br />

spots rather than the usual luminous<br />

lighting. The signature sign over the t:<br />

is of vari-colored plastic with neon<br />

lighting and raised letters. For pa<br />

entering the theatre, Jones install<br />

turnstile in conjunction with the cas<br />

eliminating the necessity for a door<br />

The boxoffice is entirely glass enc<br />

over a black terrazzo base wdth a<br />

rounding marble ledge as a deal plat<br />

Continuing a modern trend, is th<br />

Continued on pc<br />

R£'SiAT with the<br />

I R<br />

W I<br />

N<br />

•<br />

/*fifJiCT<br />

-'^'^<br />

^ SOUND,<br />

m- INVESTMENT!<br />

Now that you again have 'em coming, don't lose 'em with old,<br />

inferior or uncomfortable seating. Re-seat with the IRWIN COMET chair. It's<br />

designed and built to provide that extra measure of comfort and good<br />

appearance that keeps your customers coming back again and again. Its<br />

newly improved cons/ruction assures exceptionally long and dependable<br />

service with a very minimum of maintenance cost. Write today for complete<br />

details on how you can boost profits by re-seating with the modern-to-the-minute<br />

IRWIN COMET, the investment that quickly pays for itself<br />

GRAND RAPIDS M I<br />

C H I G<br />

A N^<br />

12 The MODERN THEATRE SEC


You can do something about the matter of<br />

whether theatregoers patronize you or the<br />

theatre down the street.<br />

Don't let old fashioned equipment steal your<br />

profits. What good is a theatre with no audience?<br />

Old equipment just won't do. Theatres with<br />

obsolete equipment cannot compete with those<br />

modernly equipped. You can't fool the public.<br />

even though Barnum is reputed to have so<br />

claimed. Today's requirements demand equipment<br />

that is geared to the times. Things have<br />

happened with projection arc design in<br />

the last<br />

few years. Modern equipment is no relative of<br />

extravagance. It pays, doesn't cost. We're sure<br />

you'll junk your old projection arc lamps when<br />

you see the<br />

OUECTION ARC LAMP<br />

... the lamp that is<br />

readily adaptable to all types of modern screen presentation.<br />

National's Reflect-0-Heat unit permits the<br />

great increase in volume of light at the<br />

mammoth new screens, without a corresponding<br />

increase in heat at the aperture.<br />

The Automatic Crater Positioning<br />

Control<br />

System insures that both carbons are so fed<br />

as to maintain a correct arc gap length and<br />

to keep the position of the positive crater at<br />

the exact focal point of the reflector.<br />

Thus,<br />

throughout the presentation, the screen light<br />

is always of the same color, without variations<br />

from white to either blue or brown.<br />

The projectionist is accordingly freed from<br />

the necessity of constantly supervising the<br />

arc so that he can devote himself to the care<br />

ITIONAL<br />

EATRE SUPPLY<br />

gl Nol.ox.l • SImplr. . Bludwotlk.lni.<br />

riUyMklMMMkMAADkkilMMiNlilil^<br />

of other technical features of projection<br />

which are not on an automatic basis and<br />

which require continual attention.<br />

The arc is stabilized by a stream of air<br />

which maintains a prescribed system of ventilation<br />

of the area surrounding the arc. This<br />

air jet prevents the hot tail flame of the arc<br />

from reaching the reflector,<br />

supplies enough<br />

oxygen so that no black soot is produced,<br />

and keeps white soot from collecting on the<br />

reflector in such quantity as to absorb heat<br />

which would cause breakage.<br />

Unit construction<br />

permits easy removal of<br />

the elements for inspection in servicing.<br />

luary 8, 1955 13


The carpet was literally rolled out into this handsome outer lobby for the<br />

opening of the Fox Theatre in Portland, Ore., after a complete interior reconstruction<br />

of a 45-year-old theatre, plus a new facade and marquee. The<br />

carpet remained in place until Thanksgiving when it was replaced t<br />

matting, but it will be returned to the lobby in the spring for use u<br />

winter. There are two cashiers at the boxolfice to speed service in bu<br />

PORTLAND'S FOX ALL<br />

NEW BUT THE WALLS<br />

Dynamic Design, New Materials, Dramatic Decoration Employed in Convers<br />

By<br />

ARNOLD MARKS<br />

I HE New Million-Dollar Fox recently<br />

opened in Portland. Ore., embodies<br />

many unusual features in design, including<br />

a huge vertical sign with 75.000 watts of<br />

illumination. The lighting effects within<br />

and without this newly created edifice<br />

are outstanding. The Fox is conceded<br />

to be one of the most complete and<br />

artistic structures of its kind in the world.<br />

New features of architecture, engineering<br />

and acoustical treatment are revolutionary<br />

in the construction of this entertainment<br />

palace. The slope of the aisles, the<br />

width of the stair treads, the convenience<br />

of the exits and specially designed aisle<br />

lights were all planned for the patrons'<br />

safety and convenience.<br />

All new but the exterior walls and roof,<br />

the theatre was built within the shell of the<br />

45-year-old Mayfair Theatre.<br />

The marquee includes hundreds of feel<br />

of neon tubing and plenty of animation<br />

and commands the entire length of Broadway,<br />

the street on which the theatre is<br />

situated.<br />

The boxoffice is so arranged that patrons<br />

will not have to wait in line for a long<br />

period of time as two cashiers are there to<br />

serve patrons in the busy hours. The poster<br />

frames display current attractions with<br />

The plain functional lines of the Fox Theatre's facade<br />

are dramatically contrasted fay the highly decorative<br />

marquee and huge vertical sign.<br />

proper lighting so the patron can<br />

determine the nature of the cum<br />

traction.<br />

The lobby doors are full length<br />

bordered with aluminum, and pan:<br />

are operated by a special device.<br />

The foyer ceiling is treated with<br />

acoustic plaster and includes r<br />

lighting. The concession counter is<br />

facing the entrance doors and was d<br />

,so the merchandise can be easil;<br />

and for quick service.<br />

The lounge rooms are located<br />

mezzanine. This luxurious space ha<br />

fortable seating, with soft, mello><br />

which comes from recessed lightir<br />

entrance to the ladies' and men's<br />

rooms is directly off the main<br />

These rooms are rich in appearan<br />

are enhanced with comfortable c<br />

made furnishings.<br />

There is a drinking fountain r<br />

in the side wall of the mezzanine.<br />

is also provided for the children. Th<br />

telephone system is connected betw<br />

cashier, the doorman, the manage<br />

fice, the ushers' room, stage and tl<br />

14<br />

The MODERN THEATRE S!


'<br />

direct<br />

specially designed telecated<br />

on the mezzanine,<br />

•ve been provided for the<br />

3 and other employees,<br />

.his theatre is of special<br />

;ver before been used in<br />

thick in pile and is pad-<br />

;h provides a very soft<br />

of the new Fox Theatre<br />

adical innovations. The<br />

5 tlie perfect sound whicli<br />

by the use of ZonoUte<br />

ilown on with a machine.<br />

OS, is fireproof and has<br />

icient of absorption.<br />

IGHTED FROM COVE<br />

leries extend across the<br />

le theatre. A special fesbeen<br />

installed, also a<br />

1, and all draperies are<br />

otlight cove, in a shield<br />

of the stage. The title<br />

on curtain are operated<br />

emote control from the<br />

["he lighting in the entire<br />

rolled by motor-operated<br />

:-set arrangement of the<br />

.vitchboard provides flexectionist<br />

can pre-set any<br />

,0 obtain a wide selection<br />

spended lighting fixtures<br />

e auditorium. AU the 11-<br />

issed. The house lighting<br />

white light, is concealed<br />

ceiling, in lighting coves,<br />

her colors,<br />

red and blue,<br />

)r pictui'e lighting. Aisle<br />

i in all aisle space, stairways<br />

in the auditorium,<br />

le entire theatre is con-<br />

;hts are of special design<br />

ference with the patrons'<br />

en. The electrical wiring<br />

to date in every respect,<br />

otected by relays instead<br />

Ornamental staff work, running along the wall elevations forms a graceful dado line and upper wall<br />

decoration in the auditorium. The staff work is finished in ivory, gold leaf and pastel carmine. Altogether,<br />

in the mezzanine, loge and balcony, there are 1,509 padded-back and spring-edge seats.<br />

Over the<br />

proscenium<br />

arch the sunburst effect<br />

is composed of<br />

staff ornaments in<br />

gold leaf, indirectly<br />

lighted. The ornamental<br />

border behind<br />

which cove lighting<br />

is concealed runs<br />

unbroken around the<br />

dome of the ceiling.<br />

Draperies over the<br />

32x63<br />

- ^oot screen,<br />

said to be the second<br />

largest in the<br />

country, are controlled<br />

from the projection<br />

room. Lighting,<br />

in a wide selection<br />

of colors, is also<br />

controlled<br />

there.<br />

d backbar and engroved-aluminum counter facing distinguish this large concessions<br />

s located just inside the foyer, facing the entrance doors. Note the generous use of<br />

ceiling lights, as well as inside the cose.<br />

of fuses in all the main lighting and circuit<br />

panels.<br />

A 32x63 foot screen has been installed,<br />

and the projected picture on this screen<br />

can be viewed from all angles without distortion.<br />

The stage is constructed in width and<br />

height to take care of standard and wide<br />

picture projection—Cinemascope. Vista-<br />

Vision, Magna and large screen television.<br />

The length of the projection throw was<br />

reduced to a minimum to lessen eye strain,<br />

and the picture appears natural from every<br />

seat. There will be no elongated, or out of<br />

proportion projection. The arrangement of<br />

seats similar to an extended fan also aids<br />

m providing perfect sight lines.<br />

The owners are particularly proud of<br />

the sound in the theatre, for there are no<br />

dead spots, and a constant volume of sound<br />

is assured in all parts of the auditorium.<br />

The sound and projection room equip-<br />

Continued on following page.<br />

nuary 8, 1955 15


FOX THEATRE ALL NEW BUT THE WALLS<br />

Continued from preceding page<br />

ment includes the latest optical type sound<br />

with 60 watts of power output. The theatre<br />

is equipped with the latest, improved<br />

magnetic stereophonic sound equipment<br />

capable of producing frequencies from 30<br />

cycles to 15,000 cycles. There are four<br />

channels of amplification: three of these<br />

channels feed three sets of directional<br />

speakers back of the projection screen and<br />

the fourth channel supplies a number of<br />

auditorium side wall speakers.<br />

LIGHTS, CURTAIN CONTROLLED IN<br />

BOOTH<br />

The projection room includes a public<br />

address system which is connected to concealed<br />

horns. A specially designed control<br />

enables the projectionist to have full control<br />

of the lighting system, curtains and<br />

public address system at all times. Special<br />

effects for the screen and curtain illumination<br />

have been planned for main titles and<br />

also for intermissions. This sound equipment<br />

has dual amplification to take care<br />

of any emergency which may arise due to<br />

trouble in one of the amplifiers.<br />

The decorative scheme of the 1,509-seat<br />

auditorium is one of dynamic design that<br />

flows unbroken around the dome in the<br />

ceiling. The proscenium arch is designed<br />

to be the center of interest with strength<br />

of detail. Over the center of the proscenium<br />

arch is a sunburst effect composed of staff<br />

ornaments indirectly lighted. The entire<br />

ornament is made out of staff work covered<br />

with gold leaf. The same ornamental staff<br />

work runs along the wall elevation, gracefully<br />

forming the dado line on each side<br />

of the theatre, which is finished in ivory,<br />

gold and pastel carmine. A very elaborate<br />

valance made of staff work and leafed with<br />

gold is installed at the head of the proscenium<br />

arch, to receive the beautiful<br />

stage drapes and curtains, made of red,<br />

peach and gold colors.<br />

A specially woven carpet of unique design laid over heavy cushioning, and custom-built furnitu<br />

the Fox mezzanine lounge on inviting place to rest. Restrooms are located off the lounge, as well a<br />

phone booth. There is also a cup-vending beverage machine as may be noted at the center right<br />

The Fox is owned by the Evergreen circuit,<br />

a subsidiary of National Theatres<br />

It is managed by Oscar Nyberg, a veteran<br />

in Portland theatre management.<br />

A cavalcade of stars and Hollywood<br />

theatre personalities were on hand for the<br />

theatre opening, as well as theatre executives<br />

from Oregon and Washington.<br />

CREDITS: Air conditioning and filtering: Westinghouse<br />

• Architect; Dougan & Hiems • Carpeting:<br />

Alexander Smith • Concession equipment<br />

Drink dispensers. Movie Hour Fountainette; Ice<br />

Cream freezer, Frigidaire; Butter dispenser, But-<br />

R-Churn • Curtain end light control: Grosh Studios<br />

• Plumbing: Standard Sanitary • Custom-made<br />

furniture: Theatre Upholstering Co. • Projection<br />

and Sound: Simplex • Screen: Miracle Mirror •<br />

Seats: Bodiform * Stereophonic sound: Ampex.<br />

Detail of silver aluminum scrolls and /'owe<br />

decorate the walls of the foyer leading<br />

mezzanine lounge.<br />

FILTERED, CONDITIONED AIR<br />

The air conditioning system is the very<br />

latest and is automatically controlled by<br />

thermostats which maintain the most<br />

healthful and comfortable temperatures<br />

throughout the winter and summer. All air<br />

is filtered to remove dust, and the air is<br />

distributed throughout the entire auditorium<br />

through various types of ornamental<br />

ceiling diffusers. The refrigeration system<br />

is hermetically sealed and uses Pi-eon 12,<br />

a safe and harmless refrigerant. The heating<br />

system is of the latest design, usinv<br />

hot water for heat, and is controlled thermostatically,<br />

the thermostats being located<br />

in various parts of the theatre to maintain<br />

an even temperature throughout. Thirty<br />

thousand cubic feet of filtered cold or<br />

heated air is delivered to the theatre each<br />

minute, which is more than adequate for<br />

the seating capacity of this theatre.<br />

Russell F. McCullough, National Theatres<br />

maintenance manager and purchasing<br />

agent supervised the details of this new<br />

modern theatre and Carl Moeller was the<br />

designer.<br />

The ladies' powder room in the Fox is luxuriously appointed, with custom made lounges, and swiyi<br />

before the curved powder bar. Inset down lights in the canopy above the bar and mirrors create sht<br />

illumination. Framed paintings on the walls add a homelike touch.<br />

16 The MODERN THEATRE SI


^PllilW^<br />

Luxurious comfort assured<br />

IN PORTLAND'S NEV\^ FOX THEATRE BY<br />

American Bodiform Chairs<br />

In this new, million-dollar<br />

Fox Theatre in Portland, Oregon,<br />

1536 American Bodiform<br />

Chairs provide the<br />

luxurious comfort which<br />

today's audiences expect.<br />

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World's leader m Public Seating<br />

• Grand Rapids 2. Michigan • Branch Oflices and Distribulors in Principal Cities<br />

Manufacturers of Theatre. School, Church. Auditorium. Transportation, stadium Seating, and FOLDING CHAIR<br />

ALSO DISTRIBUTED BY NATIONAL THEATRE SUPPLY<br />

inuary 8, 1955 17


:<br />

—<br />

RUST WILL<br />

BURN' AWAY DOLLARS<br />

IN EXPOSED STEEL IF UNRETARDED<br />

Improved Techniques Help Solve Theatre Losses<br />

By LYME S.<br />

METCALFE*<br />

A considerable and constantly increasing<br />

part of any theatre property, equipment,<br />

and appurtenanfce investment is in metals,<br />

and for the most part, in steel exposed to<br />

the atmosphere.<br />

That is, such as outside tanks, exterior<br />

piping, fencing, trim and other installations.<br />

And where steel is exposed to water<br />

or even to dampness, it will soon "burn"<br />

away dollars invested in it. After all, corrosion<br />

is only slow burning and though its<br />

attacks call for no alarm bells or emergency<br />

methods, the damage is as sure and<br />

devastating as is destruction by heat or<br />

flame.<br />

For years, science has continuously<br />

sought means to at least retard this<br />

process of destruction and chiefly through<br />

chemistry. And much progress has been<br />

made, is now being made because the<br />

losses through rust to properties of so many<br />

types is becoming one of the major factors<br />

in property obsolescence.<br />

Our chemical laboratories after long reseaixh<br />

and experiment now have made<br />

available methods of rust retardant which<br />

a) Resist and stop progress of rust<br />

that has already begun to "burn" away.<br />

b) Makes sandblasting steel surfaces<br />

prior to rust treatment unnecessary,<br />

also minimizes the labor cost of rust<br />

removal.<br />

•{In collaboration with Dr.<br />

Chemist, Inertol Co., Inc.)<br />

A. F. Pistor, Chief<br />

The solution to the problem of properly<br />

protecting steel is so easy to carry out that<br />

management can keep metal buildings and<br />

equipment in tiptop shape by following a<br />

few good rules.<br />

The prime solution is the application of<br />

a good paint system and, equally important,<br />

regular inspection of all steel to make<br />

sure the paint system is still intact and<br />

doing its job of guarding against corrosion.<br />

The use of a good rust inhibitive primer<br />

applied to clean steel—followed by one<br />

coat ( or preferably two ) of a good weather<br />

resistant finish sets up the first line of<br />

defense against moisture penetration and<br />

the resultant rust.<br />

But, how about metal surfaces that have<br />

been neglected, although perhaps painted<br />

with one coating or another at some time<br />

m the past? Putting such surfaces back<br />

into shape once damage has been done is<br />

natui'ally a more difficult problem than<br />

would otherwise be the case. All deteriorated<br />

paint and foreign matter must be<br />

removed before I'epainting is begun. Formerly<br />

this included the removal of all rust.<br />

The reason for this is that, under ordinary<br />

circumstances, merely covering rust with<br />

paint does not stop its gnawing of steel.<br />

Deterioration will continue as the rust bites<br />

deeper, and spreads beneath the paint film.<br />

Before long, the newly applied paint peels<br />

away and the steel itself has been weakened—perhaps<br />

to the point where its useful<br />

life is at end.<br />

The difficulty of cleaning to "bright"<br />

steel is readily apparent, especially when<br />

the labor factor and also the human element<br />

are considered. The cost of<br />

plete removal of rust might be prohi<br />

and many painters soon despair of g<br />

steel scrupulously clean before pai<br />

Fortunately, complete removal of r<br />

no longer absolutely necessary. Exp<br />

sandblasting or other methods for cor<br />

removal of rust to bright metal ma:<br />

ordinarily be dispensed with.<br />

These important savings in mainte<br />

protection costs are the result of the<br />

opment of special rust inliibitive<br />

primers and finishes. The fundar<br />

problem in developing these time-i<br />

coatings was to create a primer<br />

would completely penetrate every pi<br />

of firmly bonded rust. At the same<br />

the primer had to force out of thi<br />

both air and moisture, and then<br />

the metal against any fui-ther atta<br />

these rust-producing elements.<br />

Finally, the finish coating musi<br />

have the ability to resist the penet<br />

of air and moisture, and at the sam(<br />

must provide an attractive gloss fir<br />

PAINT MUST STAY DRY<br />

Once applied, the paint had to dry<br />

and stay dry despite changes in hue<br />

In considering this special mainte<br />

problem—where all rust cannot be re:<br />

—^there is another type of primer<br />

should also be eliminated from cons<br />

tion. This is the quick-setting syr<br />

primer. Wliile quick-setting syr<br />

primers give very good service on<br />

steel, they cannot do a complete j<br />

rust surfaces. The reason for the<br />

adequacy is their quick-drying featu:<br />

large molecular structure. In other<br />

they dry too rapidly to properly per<br />

the entire rust film down to firm met<br />

the large molecules prevent proper<br />

tration of the rust. In addition, this<br />

drying causes the paint film to bridg<br />

rust formations so that the rust is r<br />

hibited but can go on with its desti<br />

action beneath the paint.<br />

In protecting valuable building:<br />

Sieet tanks on the theatre roof for water storage<br />

are subject to the deterioration of rust. Erosion may<br />

be seen on this tank at the lower and upper right.<br />

Belore application of rust-retarding materials, the<br />

surface must be scraped to remove loose paint and<br />

rust. A wire brush supplements the scraper.<br />

Here the protective coating is being applied<br />

retardant paints are now available in many<br />

tive colors for attractive appearance.<br />

18 The MODERN THEATRE SE


hese are the measures<br />

'Cially where rust has<br />

costly infiltration. The<br />

seep in mind is that<br />

nd fimsh coats suitable<br />

surfaces must be ruled<br />

cially true because all<br />

picks up moisture<br />

p—it<br />

are automatically exy<br />

prepared penetrating<br />

ner. Furthermore, this<br />

;ven be used on damp<br />

!s not have the ordinary<br />

to moisture. The speust<br />

inhibitive primer,<br />

will secure a good bond<br />

;tal is not dry; the ordiwill<br />

fail if applied to<br />

IN OF SURFACE<br />

—-<br />

imer is applied, limited<br />

L only is necessaiy. Obhe<br />

surface preparation.<br />

The paint on the steel<br />

lould be inspected and<br />

ited paint removed by<br />

scraping. Foreign mathould<br />

also be removed<br />

r, such as oil and dirt,<br />

; paint's bond. As for<br />

e too should be wireed<br />

and loose dirt and<br />

—by chipping if necesled<br />

rust need not be<br />

;t is distinguished from<br />

rust scale tends to pop<br />

Pirmly bonded rust will<br />

idency.<br />

1 and time-saving suris<br />

been attended to, the<br />

ner can be applied. A<br />

into the rust right on<br />

metal. It will coat each<br />

rust-retardant film and<br />

Id moisture. Rusting is<br />

THROUGH RUST<br />

has been developed by<br />

lint manufacturers and<br />

I century. This product,<br />

contains no fish oil but<br />

r ingredients for com-<br />

Df rust, meets qualificaletrating.<br />

rust inhibitive<br />

ng. Because of these<br />

it provides an abrasivelich<br />

combines toughness<br />

lasticity enables it to<br />

expansion and contracs<br />

to which it is applied<br />

ts breaking away,<br />

i point. Dr. A. F. Pistor,<br />

nertol, said: "Not alone<br />

nder discussion be rust<br />

primer and finish coats<br />

each other. If they do<br />

will not be afforded."<br />

iride.<br />

management natling<br />

and equipment to<br />

;ause of the many deconable<br />

in these rust - re<br />

can be accomplished as<br />

ng protected.<br />

NEW CONCEPT IN THEATRE DESIGN<br />

Continued from page 12<br />

eating of the manager's desk, a modern<br />

black Formica unit, prominently in the<br />

foyer directly opposite the doors, thus<br />

keeping him in close contact with his patrons.<br />

There is actually no office within the<br />

Capri.<br />

The Capri's concession stand is along the<br />

wall between the managers desk and the<br />

glass front, and has a street entrance as<br />

well as service to the lobby. Jones was able<br />

to use most of the standard concession<br />

equipment that came with the theatre, all<br />

of which was realigned for more efficient<br />

operation in the new custom-built case.<br />

A NEW CONCRETE FLOOR<br />

In the auditorium the remodeling included<br />

the poui-ing of a completely new<br />

concrete floor and installation of 715 seats,<br />

215 of which are the Air-Flo loge type<br />

measuring 44 inches back-to-back. The remainder,<br />

or general admission, measure 36<br />

mches. The chaiis were painted a flat<br />

black to match the interior decor, which<br />

is in gray and black with the columns accented<br />

in Chinese red. The heavy ornamentation<br />

of the Egyptian's columns and<br />

ceiling cross beams disappeared under the<br />

sohd colors in keeping with the neoteric<br />

theme. The waterfall curtain, also in gray,<br />

extends completely across the front of the<br />

auditorium.<br />

To achieve a sufficiently wide enough<br />

picture for the new processes, it was necessary<br />

to bring the screen out in front of the<br />

proscenium. Stereophonic sound was also<br />

installed.<br />

Completing the remodeling, new restrooms<br />

were built with walls and floors<br />

both in terrazzo. The fixtui-es are aU wall<br />

hung and Sanistand units are featui'ed in<br />

the women's room.<br />

NEW AIR<br />

CONDITIONING SYSTEM<br />

An entire new air conditioning and overhead<br />

distribution system was Installed utilizing<br />

two 15-ton Westinghouse compressor<br />

units for refrigeration. Heating is by a<br />

low pressure hot water system through<br />

coils in the main duct. Automatic thermostatic<br />

and aquastatic controls keep temperatures<br />

even.<br />

Another factor contributing to the<br />

Capri's success is the maintenance of two<br />

paved and lighted lots providing adequate<br />

and convenient parking facilities. The theatre<br />

is three miles from downtown, but<br />

geographically in the heart of the city and<br />

easily reached from all parts of San Diego.<br />

Pi-omotion-wise, Jones has devised a<br />

clever sig cut featuring the theatre name.<br />

Attractions are advertised within the large<br />

C. He has cuts in two-column width, four<br />

and one-quarter inches deep, and in onecolumn<br />

widths, two, and one and one-quarter<br />

inches deep. As he puts it: "That large<br />

C certainly does steal a page with only<br />

two inches!"<br />

Assured by<br />

RCA Theatre<br />

SERVICE<br />

With RCA Service Company<br />

in your operating picture,<br />

equipment performance<br />

rolls smoothly. Your RCA<br />

Theatre Service engineer is<br />

an expert on optical or magnetic<br />

sound, single or multiple<br />

track, standard or wide<br />

screen. And in addition, he's<br />

backed by all the broad technical<br />

resources of RCA itself.<br />

At the vital operating heart<br />

of your house, you'll find the<br />

exceptional quality of RCA<br />

Theatre Service a day-in,<br />

day-out box office asset<br />

that's essential.<br />

RCA SERVICE COMPANY, Inc.<br />

A Radio Corporation of America Subsidiary<br />

Camden, N. J.<br />

iary 8, 1955 19


. . Questions<br />

and Answ<<br />

This regular Modern Theatre feoture is conducted by Dove E. Smalley, contributor to mi<br />

important magazines on maintenance and editor of Better Maintenance Magazine. Questions fi<br />

exhibitors are welcomed. Address them to Theatre Maintenonce, The Modern Theatre, 825 \<br />

Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personol re<br />

For<br />

...andmjilkm<br />

You're practically married<br />

to your patrons when you give<br />

them comfortoble seating!<br />

Romance them by letting us repair<br />

or replace worn parts, seats or arms;<br />

and we do it all without interruption<br />

of your show. Our low, low prices will<br />

delight you, too. Just let us give<br />

you the "good news"—a quote.<br />

YOUR<br />

BOXOFFICE<br />

Engraved by<br />

our excluslv*<br />

process on luclte<br />

to your<br />

specifications.<br />

LAMOLITE<br />

ILLUMINATED PRICE ADMISSION SIGNS<br />

Our enlarged plant facilities<br />

assure<br />

OVERNGHT service from coast to coast.<br />

Plastic Signs Engraved for th« Entire Theatre<br />

Send for Folder *Pat pend<br />

Edgar S.<br />

Bowman<br />

682 Sixth Avenue N*w York 10, N. Y.<br />

Q INSTALLING VINYL TILE<br />

r IN COLD WEATHER<br />

When we close our drive-in for the<br />

winter we expect to install semi-flexible<br />

vinyl plastic tile in our concession stand.<br />

Should the room be heated?<br />

Yes. J^ The tile itself and the adhesive<br />

should be stored for at least 24 hours in<br />

a temperature of not lower than 70 °F and<br />

it should be installed under the same conditions.<br />

Such tile becomes more or less<br />

brittle when cold and the adhesive also<br />

becomes thick and difficult to use.<br />

O CLEANING ALUMINUM<br />

We have aluminum stair railings and<br />

doors in our new theatre. They have a<br />

satin finish on which black specks have<br />

appeared. Metal polish does not seem to<br />

remove the specks. Have you any suggestions?<br />

J^ We believe No. 00 steel wool is probably<br />

your best remedy, though we suggest<br />

using a little soap with it. The<br />

well-known kitchen item called "SOS,"<br />

which is soap-saturated steel wool, is also<br />

satisfactory and may be used for removing<br />

most spots and stains from aluminum.<br />

If, after the cleaning, the cleaned places<br />

seem duller than the rest, try a little<br />

powdered pumice or soap stone on a wet<br />

chamois skin. Never use an alkali or acid<br />

for cleaning aluminum.<br />

9<br />

REMOVING CIGARET BURNS<br />

, FROM CARPETING<br />

Can you tell us what is the best<br />

method for removing cigaret burns from<br />

carpeting?<br />

From a recent report of the research<br />

f^<br />

and development department of a large<br />

carpet manufacturer wt find the following<br />

answer to your question:<br />

"1. Use a stiff brush to remove scorched<br />

fiber ends. The usual cigaret burn will thus<br />

leave only a very slight ditch, perhaps<br />

1/16 of an inch deep.<br />

•2. If the burn is so deep when the<br />

scorched fiber has been removed that a<br />

bare or dug-out spot appears, it is best to<br />

have fresh yarn burled into the back of the<br />

carpet. This can usually be done by an<br />

established rug cleaner.<br />

"Certain synthetic fiber carpets make<br />

the correction of burns more difficult because<br />

the fibers melt and form dark beads.<br />

These almost invariably must be treated<br />

by cutting them out with scissors or electric<br />

clippers and burling in new yarr<br />

is done by an experienced rug clean<br />

Q REMOVING LARGE LITTER \\<br />

r VACUUM CLEANER<br />

Do you know of a vacuum dec<br />

a vacuum cleaner attachment<br />

would be best suited for picking<br />

usiw.1 litter on theatre floors? We a<br />

using a blower for this work which<br />

fairly satisfactory.<br />

f( We do not know of a vacuum <<br />

which wUI pick up such large pi<br />

popcorn boxes, paper bags, etc. Fi<br />

less of the size of the attachment,<br />

take is limited to the diameter<br />

hose which, on machines adaptal<br />

theatre use, would rarely be more th<br />

inches. The hose on many such mi<br />

has a diameter of only IV2 inches.<br />

you do not favor the blower funct<br />

forcing large litter toward the fr<br />

the auditorium, we suggest you pu<br />

large litter out into the aisles<br />

broom and then, using a dust pan i<br />

hand, scoop it up and place it in a<br />

tacle, after which pick up the finer<br />

and dust with the suction function<br />

vacuum cleaner.<br />

Q REPAIRING SCRATCHES ON<br />

r OAK FURNITURE<br />

On the arms and backs of om<br />

chairs and on a table there are soi<br />

scratches which evidently somebo<<br />

done with a ring. The furniture 1<br />

oak. Can you suggest a way to<br />

the scratclies without refinishing ii<br />

niture?<br />

J^<br />

First, we suggest you steel w(<br />

scratches or if deep, sandpaper<br />

until the sharp edges are leveled of<br />

will, of course, spread the area to<br />

paired. After which, apply a stain<br />

proper shade, dark oak in this case<br />

stains are available in liquid form.<br />

the stain to set for a few seconds ar<br />

wipe off with a cloth. Continue<br />

until the shade over the patch is u:<br />

If not yet dark enough to mat<br />

rest of the finish, repeat the operat<br />

too dark, remove some with naptha<br />

several hours for the stain to dry.<br />

repair is much duller than the rest<br />

finish, it may be necessary to a<br />

thin coat of varnish or shellac<br />

patch, feathering out the edges t<<br />

an overlap. If the patch is not mucl<br />

than the rest of the finish, waxini<br />

may complete the repair satisfacto<br />

20 The MODERN THEATRE SI


I<br />

PICTURES WILL HOW PULL<br />

cons of building increased patronage is noui available in the use of the reuolutionarif new Wagner-<br />

FLUORESCENT PLASTIC<br />

COPY LEHERS<br />

CHANGEABLE<br />

(Neviol U.S. Pot. No. 2486859. Other patents pending.)<br />

Exclusive with Wagner and adaptable to all existing Wagner (rome installations.<br />

plastic and processed with a newly developed and patented process fluorescent material, each letter, by the use of "black<br />

a separate, octual light source not dependent on transmitted visible light or the translucence of the sign foce. They Create<br />

other Than Lighted Color.<br />

STARTLING BRILLIANCE<br />

ID DISTANT READABILITY WITHOUT GLARE<br />

brightness and strikingly DIFFERENT colors, impossible with other letters, make them ideal for installations "hedged in" by on<br />

>mpeting light. Also unusually effective by daylight.<br />

THE ONLY THIRD-DIMENSIONAL<br />

ILLUMINATED LETTERS EVER MADE!<br />

)rds uniformity of illumination of every letter, virtually impossible heretofore.<br />

GUARANTEED LONG LIFE<br />

led with front illuminated signs which employed fluorescent moteriols, these new letters are processed on the back and will not pass<br />

of the sun. They are accordingly extremely fade-resistant.<br />

THEY<br />

COMMAND ATTENTION!<br />

attention of more people always means better business, for people go to the theatre more often when they know whot is playing,<br />

ural. Theatres with obsolete displays will not be able to compete with those equipped with this powerful new type of advertising.<br />

GET BUSINESS YOU NEVER GOT BEFORE<br />

3 something about the matter of whether they patronize you or the theatre down the street Wagner Neviol letters import a new<br />

atre front. Don't let on old-fashioned display boord steal your profits.<br />

igner Neviol Letters come in glowing blue, yellow, orange and red. There ore four sizes: 4", 8", 10' and 17".<br />

Write, wire or phone tor further details and prices NOWl<br />

WAGNER SIGN SERVICE^ INC<br />

I PICTURES rb« NEVIOL LETTERS jiM BIG BUSINESS!<br />

218 S. HOYNE AVENUE<br />

CHICAGO 12, ILLINOIS<br />

uary 8, 1955<br />

21


Packaged Stereophonic System<br />

For Three or Four Channels<br />

Offered In Two Models<br />

Altec-Lansing Corp. is now marketing an<br />

all-in-one stereophonic sound system, the<br />

S-15. The single unit is complete with<br />

changeover facilities, full amplification and<br />

the controls necessary for either three or<br />

four channel sound systems.<br />

Designed for use in theatres with seating<br />

capacities of 1,200 and less, the new unit<br />

is being produced in two models. The<br />

S-15A has three channels and is so wired<br />

that a fourth surround channel may be<br />

added whenever desired. The second model,<br />

the S-15B, comes with the fourth channel<br />

already installed. If used in houses with<br />

more than 1,200 seats, additional power<br />

amplifiers are required. The S-15 also is<br />

said to be well suited for small situations<br />

with less than 800 seats when used with<br />

Altec's A-7 "Voice of the Theatre" speakers.<br />

A choice of either magnetic or optical<br />

equalization for use with Perspecta sound<br />

has been provided for in the S-15 with a<br />

simple switching system.<br />

Because of its compact size, the<br />

said to be installed with ease and ec(<br />

It may be placed anywhere in the<br />

on the floor, the wall or betwef<br />

machines.<br />

The system may be put into opera<br />

simply connecting the input to the<br />

For Only m MM ,. m«


Don't just i^ for a<br />

good screen...<br />

Insist Oil ft/<br />

Ask for the unconditionally iuaranteed<br />

L Raytone HILUX Screen!<br />

EVEN LIGHT<br />

DISTRIBUTION<br />

Avoids hot spots and too rapid dropoff<br />

beyond useful viewing angles. All<br />

that plus resistance to stray light from<br />

sources other than the projector.<br />

RAYTONE<br />

SCREEN<br />

CORP.<br />

165<br />

Iwest: L<br />

CLERMONT AVE. • BROOKLYN 5, NEW YORK<br />

E. Cooley, 408 S. Oak Park Blvd., Oak Park, linois


Although seven years old, the Fairmount Theatre, Cleveland, still has that<br />

brand new look, due to a regular program of maintenance and replacements<br />

of furnishings and equipment the moment the need is apparent. The new<br />

screen for exact CinemaScope ratio, and new curtain tracks and i<br />

showing other ratio pictures ore part of a recent $50,000 investment<br />

tion and sound equipment made by the theatre's owner.<br />

KEEPING THE THEATRE IN FIRST-CLASS CONDITIOI<br />

CALLS FOR REGULAR MAINTENANCE AND REPLACEMEN<br />

The Fairmount Theatre, Cleveland, Thus Retains That New Look<br />

By ELSIE LOEB<br />

I here's a standard phrase around<br />

Cleveland that sounds like a broken record.<br />

It is "Oh, the Fairmount Theatre can do it<br />

but the rest of us can't." This covers<br />

everything from booking to equipment, to<br />

presentation, to .service. And when one<br />

asks, "Why can the Fairmount do it and<br />

you can't?" the answer is invariably, "The<br />

Fairmount is different." So we set out to<br />

find out what makes the 1,650-seat Fairmount<br />

unique in a city that has at least<br />

half a dozen de luxe theatres in the same<br />

class. And we found it is three things:<br />

the management, the equipment and the<br />

service.<br />

Leonard Greenberger, the manager, has<br />

used psychology to accomplish two things<br />

important to the successful operation of a<br />

theatre. One is to learn what his patrons<br />

like. The other is the slow process of molding<br />

their tastes to something new.<br />

While most managers try to find out<br />

what type of picture their particular patrons<br />

like, Leonard Greenberger has gone<br />

one step farther. He was the first to<br />

present top English pictures in a top neighborhood<br />

house. By repetition, by extensive<br />

mail circulation and by careful booking,<br />

he has established such British actors as<br />

Alex Guinness as one of his best boxoffice<br />

attractions.<br />

People come from all sections of the city<br />

and travel as much as 20 miles to go to the<br />

Fairmount Theatre. And it isn't only the<br />

picture that draws them. Although they<br />

may not be conscious of its drawing power,<br />

the equipment in the projection booth is<br />

one of the main attractions.<br />

It is generally conceded in the tradethat<br />

the Fairmount Theatre, which straddles<br />

two de luxe residential areai<br />

Heights and University Heightsof<br />

the few best-equipped projectii<br />

in the entire Greater Cleveland a<br />

"Everything, and I mean litera<br />

thing, required for the best pict<br />

entation is installed in the F<br />

Theatre." says Ben L. Ogron of C<br />

atre Supply Co. And he ought<br />

because he installed it. Here is i<br />

account of what the best equip<br />

jection booth has in this CinemaS<br />

The Fairmount Theatre booth<br />

jectionisfs delight. It has opt:<br />

phonic sound equipment, KoUmoi<br />

in the enlarged projection port<br />

has Motiograph Model S bases. M<br />

100-amp)ere Hi-Power arc lamp<br />

graph C.S. AAA projector me<br />

Motiograph 125 250 hi-power<br />

i<br />

Motiograph Altec four-track du:<br />

24 The MODERN THEATRE


-<br />

Bausch & Lomb anamorall<br />

other Cinemascope<br />

ng film splicers, rewinds,<br />

iring machine to deternning<br />

time of a picture,<br />

is a tubular steel curved<br />

lufactured by Selby In-<br />

1 an Astrolite screen for<br />

nemaScope ratio. When<br />

•ger put in Cinemascope,<br />

a new Vallen track for<br />

angle picture (not Ciniddition,<br />

he installed a<br />

new curtains to close in<br />

e smaller picture. This<br />

3 47 feet for a Cinema<br />

he result is the proper<br />

presentation for each<br />

on. "The recommended<br />

plus the proper ratio<br />

'Cial masking tracks and<br />

he ideal presentation,"<br />

L<br />

KINDS OF PICTURES<br />

the F^irmount Theatre<br />

nly to show pictures on<br />

a optical Cinemascope,<br />

naScope, VistaVision and<br />

is equipped to show the<br />

ire in each of these new<br />

)f the limited number of<br />

Greater Cleveland area<br />

ed for any type of picor<br />

any type of sound<br />

stereophonic sound reeatre<br />

has 12 auditorium<br />

akers.<br />

Manager Leonard Greenberger is always personally alert to the details of good theatre maintenance, as<br />

shown by this dazzling marquee with every lamp gleaming brightly. Within the theatre, he watches out<br />

for the comfort of patrons by observing the volume of sound, the temperature level and the physical<br />

appearance of the theatre and its appointments.<br />

But all of this fine equipment alone<br />

would not accomplish its purpose, namely,<br />

to bring patrons into the theatre—if it<br />

were not for two other factors. One of<br />

these factors is the high caliber of management.<br />

Manager Greenberger is always<br />

Continued on following page<br />

ppcd projection booths in the entire Greater Cleveland<br />

jirmount It has optical glass in the enlarged projection<br />

h projectors, lamps and generator, Koltmorgen projection<br />

Lomb anamorphic lenses There arc also film splicers,<br />

measuring machine to determine the exact running time<br />

shown.<br />

Altec four track dual stereophonic sound equipment was part of the recent<br />

projection and sound installation In the auditorium, 12 Altec Lansing effects<br />

speakers were installed. One of the factors which creates high public favor<br />

for the Faiimount is the personal interest and pride the two projectionists<br />

take in maintaining and operating the booth so that screen presentation is<br />

the finest possible.<br />

luary 8, 1955 25


—<br />

KEEPING THE HOUSE IN<br />

CONDITIC<br />

Continued from precedi<br />

BRING IN MORE PATRONS<br />

Bausch & Lomb<br />

Projection Lenses<br />

Clearest, brightest, truest-to-life screen<br />

image means more paid admissions<br />

audiences eager to come back again<br />

and it all begins with the Bausch & Lomb<br />

lens on your projector.<br />

• Advance lens design—full, uniform<br />

light; no blur, no fading at edges.<br />

• All-B&L manufanure, from specialformula<br />

"white" glass (for truer color,<br />

richer contrast) to finished lens.<br />

• Matched for finest rendition of movies<br />

filmed with Academy-Award-winning<br />

B&L Baltar Lenses.<br />

• Anti-reflection Balcote—delivers<br />

maximum light to screen, resulting<br />

in crisper, brighter pictures.<br />

• Complete line for all projectors— for<br />

2-D, VistaVision, CinemaScope.<br />

WRITE FOR LITERATU RE<br />

For your free copy o( Catalog<br />

E-123, write Bausch & Loml)<br />

Optical Co., 72037 St, Paul St.,<br />

Rochester 2. New York.<br />

SKfHTER,<br />

:f-<br />

450m ( 114.3itiin)<br />

BAUSCH & LOMB<br />

America's only complete optical source . . . from glass to finished product<br />

personally alert to the details of the<br />

tre operations and to the comforts<br />

patrons. He is always on the floor t<br />

the patrons coming in and going oi<br />

watches the volume of sound, the ri<br />

fall of the temperature, and the p'<br />

appearance of the house. He kee<br />

house in tip-top shape by making r(<br />

ments daily or weekly or monthly e<br />

are required rather than waiting fc<br />

run down and doing a complete a<br />

job.<br />

The other factor is the personal 1<br />

of the theatre's two projectionists, \<br />

Covell and Ed Smith. Covell and<br />

feel a pride of ownership in the t<br />

They are not satisfied unless the sou<br />

the projection is as nearly i>erfect i<br />

sible. They take a personal interf<br />

only in their field but in everythir<br />

helps to make an evening in the<br />

mount Theatre esp>ecially enjoyable.<br />

So these are some of the reasoi<br />

the Fairmount Theatre really is dil<br />

why many people bypass other t.<br />

to become its regular patrons. The;<br />

they are getting more for their adi<br />

than just a place to sit down and<br />

picture.<br />

The Fairmount Theatre owner,<br />

Greenberger, and its manager did i<br />

complish this without the expendi<br />

both effort and money. Leonard m<br />

intensive study of each of the new p<br />

equipment as they were introduced<br />

trade. He knows what it takes to<br />

i<br />

best presentation on the screen. Al<br />

the Fairmount is one of the newes<br />

tres in this area—it's about sever<br />

old—an investment of approximate:<br />

000 was made to encourage both the<br />

and the trade to continue to say "th<br />

mount Theatre is different."<br />

ADLE<br />

for<br />

theatre signs<br />

that build boxoffice It<br />

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26<br />

The MODERN THEATRE S


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WANT TO SAVE MONEY ON YOUR 1954 INCOME T/<br />

Then Take Advantage, As Advised in This Article, Of Changes in New Co<br />

And Do Not Neglect Non-Business Angles Which May Vitally Cut Your Bill<br />

By HAROLD J. ASHE<br />

Before attempting to make his 1954<br />

individual income tax return a theatre<br />

owner should familiarize himself with the<br />

changes made in the ground rules with<br />

passage of the 1954 Internal Revenue Code.<br />

While individual income tax rates have<br />

not been disturbed, an exhibitor's income<br />

tax bill may be substantially less if he<br />

avails himself of the liberalization in some<br />

of the rules and regulations. Reliance on<br />

past regulations may prove misleading, if<br />

not disastrous, in preparing a 1954 income<br />

tax return.<br />

Because of space limitations, no attempt<br />

will be made to go into all of the ramifications<br />

of the new code. Only those aspects<br />

of the law which may be generally helpful<br />

to exhibitors will be discussed and only<br />

in sufficient detail to set forth the principles<br />

and applications.<br />

SAVINGS ARE WHERE YOU FIND THEM<br />

One pwint does need underscoring: taxsavings<br />

are where an exhibitor finds them.<br />

In his preoccupation with gaining every<br />

possible tax advantage from his theatre, an<br />

owner should not neglect non-business<br />

angles which can vitally affect the amount<br />

of<br />

his tax bUl for the year.<br />

Accelerated depreciation: An exhibitor<br />

now has the option of using an accelerated<br />

method for calculating depreciation on<br />

certain theatre assets acquired after 1953.<br />


1 home<br />

: under<br />

Dependency<br />

cost from selling price,<br />

reduced by<br />

any, may be<br />

ist any expenses incident<br />

to make it more<br />

luch as painting and re-<br />

)enses, however, must be<br />

»0 days of the date of the<br />

id must be paid not later<br />

ter the sale. Other costs<br />

sale are also deductible,<br />

s commission.<br />

ENT CHILD CARE<br />

ider certain conditions, an<br />

; permitted to deduct up<br />

are of a dependent child,<br />

lust either be a widower<br />

parated or divorced, and<br />

12 or be physically<br />

le to care for himself. The<br />

r<br />

to a woman. The paymatter<br />

of fact and it may<br />

another dependent,<br />

's<br />

wife works, a deduction<br />

•n if (a) a joint return is<br />

led adjusted gross income<br />

If it is over $4,500. the<br />

iced by the amount it eximple:<br />

Combined adjusted<br />

64,950, resulting in an exft'ith<br />

only $150 deductible,<br />

ily part of a year, the $600<br />

o rated in relation to the<br />

worked. Thus, if a wife<br />

months, only $200 is deto<br />

the other qualifications,<br />

ted that in order to take<br />

eduction, it must be itemlars<br />

use of the standard<br />

DEPENDENT PARENTS<br />

RENTS :<br />

rules<br />

;ized and need watching. If<br />

ontributing to the support<br />

xemption may be available<br />

d him. This category of<br />

have a gross income of less<br />

I't confuse this with abolne<br />

test for certain other<br />

be discussed later, The<br />

i<br />

es that more than half of<br />

support must be contribthis<br />

more -than -half may<br />

buted by several taxpayers.<br />

provides that when two or<br />

contribute to such a dert,<br />

with none of them conthan<br />

half, they can now<br />

lemselves which one shall<br />

ition, provided the ijerson<br />

emption contributed more<br />

t of the support, and total<br />

re more than half. The<br />

contributed to the support<br />

;ten statement disclaiming<br />

for the year. In the past<br />

(vas lost to all contributors<br />

t's support because no one<br />

qualify on the over-oneigreement,<br />

one contributor<br />

emption one year, another<br />

nd so on so that, eventually,<br />

all contributors get a tax benefit for<br />

one year or more.<br />

Child exemption : Dependency exemption<br />

is no longer lost if a child, either natural<br />

offspring, stepchild or adoptive child,<br />

earns more than $600 a year, provided (a)<br />

the child is under 19 or is (b) a student in<br />

a school or college on a fuUtime basis.<br />

Schooling must be for five months or more<br />

during the year. The taxpayer, as in the<br />

past, must contribute more than half of<br />

the dependent's support to qualify the child<br />

as a dependent. A scholarship is not considered<br />

part of the child support in reckoning<br />

the more-than-half test.<br />

DEPENDENTS 'IN<br />

FACT'<br />

Unrelated dependents: Until now, only<br />

those coming, within one of eight relationships<br />

to the taxpayer could be taken as<br />

dependents. The new code provides that<br />

any individual can be claimed as a dependent,<br />

if such is the fact, provided the<br />

dependent is domiciled in the taxpayer's<br />

home. Dependents not residing in the home<br />

are still limited to the same close relationship<br />

as In the past.<br />

Death of spouse and rNCOME splitting:<br />

If an exhibitor's wife dies, he may continue<br />

to have the benefit of split-income<br />

taxation, as conferred on him by a joint<br />

income tax return. This benefit is available<br />

for two years but only if there are<br />

dependent children.<br />

Head of household: An exhibitor is now<br />

able to qualify as the head of a household,<br />

affording about half of the tax-saving<br />

advantages of a split-income tax return,<br />

if he supports a parent, even though the<br />

parent does not live with him. The fact<br />

of support, not the place of residence, is<br />

the controlling factor.<br />

Separate support: A court decree is no<br />

longer necessary to qualify payments made<br />

to a wife, provided they live apart and they<br />

do not file a joint income tax return. Such<br />

payments may be deducted by the husband<br />

and they are taxable to the wife. The separation<br />

agreement must be in writing and be<br />

signed subsequent to passage of the new<br />

law. Court ordered support payments, even<br />

in the absence of a divorce or written<br />

separation agreement, are also deductible<br />

if made after passage of the law. However,<br />

the court order must have been<br />

signed after March 1, 1954.<br />

ANOTHER MONTH'S TIME<br />

Piling deadline: Final date for filing Individual<br />

income tax returns on a calendar<br />

year basis has been pushed forward one<br />

month to April 15. and an additional<br />

month's time is also given those reporting<br />

on a fiscal year basis. Partnership returns<br />

are also due one month later than in the<br />

past.<br />

Declaration of estimated income tax:<br />

The Declaration of Estimated Income Tax<br />

form is also due on April 15 in.stead of<br />

March 15. However, the dates for quarterly<br />

installments on the estimated tax, after<br />

the initial filing and payment, remain the<br />

same: June 15, September 15 and January<br />

15. These are the dates also on which an<br />

amended estimate, if required by changing<br />

circumstances, must be filed.<br />

In addition to giving serious consideration<br />

to the possible tax implications In the<br />

tax law changes, an exhibitor should not<br />

neglect traditional .steps to insure that all<br />

expenses are reflected in his Income tax<br />

return. Every $100 of overlooked business<br />

expenses results in an additional Income<br />

tax bill of at least $20.<br />

New Anamorphic Lens Offered<br />

On a Time Payment Plan<br />

Vice-president Oscar Lightstone of<br />

S.O.S. Cinema Supply Corp. has posed a<br />

solution for small town and neighborhood<br />

theatres which lack the necessary cash<br />

to Install equipment for the new widescreen<br />

processes. S.O.S. is now offering<br />

its advanced anamorphic lens, the Cinematic<br />

IV, on time payments with a $200<br />

down payment.<br />

A special bonus Is also offered in the<br />

new S.O.S. plan. With every pair of<br />

The Cinematic IV anamorphic lens.<br />

Cinematic IV lenses purchased, the buyer<br />

is given $100 credit which may be applied<br />

to the prime lenses or to the price of any<br />

other equipment, at the time or in the<br />

future.<br />

Summing up the plan, Lightstone said:<br />

For the independent exhibitor to operate<br />

successfully, the Installation of anamorphic<br />

lenses Is a must. By eliminating<br />

the lai-ge initial investment, I feel that<br />

every theatre in the country can now afford<br />

to equip for Cinemascope and profit by<br />

increased returns at the boxoffice."<br />

The lens which S.O.S. is offering under<br />

the plan is adaptable to all processes including<br />

VistaVision, Superscope and Cinemascope<br />

as well as the standard ones<br />

thanks to its Micromatic control.<br />

The lightweight cast aluminum lenses<br />

may be installed or removed in a matter<br />

of seconds from all projectors. They are<br />

mounted in front of the objective lens by<br />

Universal adapter brackets. They are also<br />

said to give high quality screen images with<br />

the ultimate in steadiness due to the<br />

combination of a balance indicator and<br />

distortion controls with the coated, achromatic<br />

lenses.<br />

January 8, 1955 29


Fastest Switch<br />

In Soft Drink History<br />

63% more theatres<br />

now vending Pepsi than one year ago.<br />

The most profitable<br />

top quality cola line for you is<br />

m a^ndimCjjJl^<br />

30 The MODERN THEATRE SE(


N^^s^l^<br />

HITTING PROMOTIONS REBUILD SALES<br />

Ice<br />

Units, Special Displays and New Concessions Items Are Answer<br />

Loss of Patronage Due to TV and Change to Single Feature<br />

BBS<br />

items, self-service units<br />

promotion and display<br />

counteracted the original<br />

tronage and refreshment<br />

)ut by TV and a change<br />

re policy, for the Ever-<br />

Jokane, Wash.<br />

past the peak where TV<br />

he Inland Empire," Jack<br />

3en city manager, com-<br />

"We are now regaining<br />

d sales at our concession<br />

ihing their former high<br />

n Theatres, Spokane,<br />

three first run theatres:<br />

nd Orpheum. The Fox<br />

f the most outstanding,<br />

1 the Inland Empire area,<br />

lave, we feel, one of the<br />

irs in the Pacific Northi.id.<br />

"It is a de luxe model<br />

bar. We are planning<br />

other two Spokane theaate."<br />

selling too slowly, or they wished to close<br />

it out: merely placing it near the cash<br />

registers was all that was necessary to close<br />

out that item. Two cash registers are located<br />

at each bar, one near each end, thus<br />

facilitating<br />

service at the major break.<br />

Since the advent of the longer shows,<br />

and cutting down to one feature, the major<br />

break has been placed at the end of the<br />

feature. Hamaker advised. At the break<br />

at the Fox Theatre, five courteous, uniformed<br />

girls care for the bar. At that time,<br />

about 70 per cent of the sales are made.<br />

During the features one or two attendants<br />

care for the customers.<br />

A good .selection of the most popular<br />

G-cent and 12-cent bars, 15-cent packaged<br />

nuts and various packaged candies, such<br />

as Nestle's, Hershey kisses, etc., in aS to 40-<br />

cent units are placed on self-service<br />

shelves located near both cash registers.<br />

Other less popular items are in glass cases<br />

easily seen and readily available. The<br />

closed glass cases have a constant circulation<br />

of cold air which is quite an advantage<br />

in the summer, especially when chocolate-coated<br />

items are kept.<br />

Frozen candy bars and Bon Bons are<br />

placed on a self-service tray sunk slightly<br />

below the level of the bar. This tray was<br />

especially designed by the engineering division<br />

of Evergreen Theatres and then fabricated<br />

there specially for them. The unit,<br />

which is closed and used for storage space<br />

after shows, is set to keep its contents at<br />

15 degrees below zero.<br />

Bon Bons are very popular on the west<br />

coast, Hamaker advised. They sell at 10<br />

cents per package. Each package contains<br />

five units, consisting of vanilla ice<br />

cream balls with a thick, tasty chocolate<br />

coating. These are manufactured at<br />

Seattle, and released at Spokane by the<br />

Carnation Milk Co. Another popular item,<br />

also put out by Carnation, is the walking<br />

sundae. This walking sundae sells for 15<br />

Continued on following page<br />

SPONSIBLE FOR BARS<br />

ice cream, popcoi-n and<br />

srchandised at the Everthe<br />

firms merchandising<br />

le. This division, after<br />

; study of the popularity<br />

ars. soft drinks and packs<br />

those confections which<br />

the individual theatres,<br />

s at Spokane each order<br />

own candies and other<br />

the Seattle warehouse of<br />

eatres. The managers of<br />

te responsibility for the<br />

at their theatres. Jack<br />

at 6 cents and 12 cents<br />

l-known national brands<br />

sr said, "We feel that as<br />

IS possible brings greater<br />

ig department at Seattle<br />

le movement of all items<br />

liscontinues those which<br />

enough."<br />

that frequently when<br />

y bar. or other item, was<br />

Top shows are often incorporated into the backbar displays at the Evergreen Theatres. Here, at the Fox<br />

Theatre, Spokane, Wash., anchors, life belts and flags, obtained through the courtesy of the U. S. Naval<br />

Supply Depot, were utilized in an effective exhibit in connection with the advance promotion of "The<br />

Caine Mutiny." The de luxe bar features self-service candy, nuts and ice cream in addition to popcorn<br />

and beverages The candy case is air conditioned.<br />

luary 8, 1955 31


-<br />

"Starting a Museum?"<br />

''Going Into the<br />

Junk Business?"<br />

>» or //<br />

MGoin3 OrozyP<br />

These are typical comments made by<br />

theater people when they<br />

Manley's BIG trade-in offer.<br />

hear about<br />

They're all wrong. Manley is simply<br />

offering a special incentive to theater<br />

concession operators, as a part of their<br />

program to prove that a new modern popcorn<br />

machine will mean greater sales and<br />

greater profits. That's why Manley is<br />

offering exceptional trade-in allowances<br />

on old model machines. Manley knows<br />

that a modern, up-to-date Super Stadium<br />

popcorn machine will pay for itself in a<br />

short period of time. Why? Because you<br />

get better popcorn, greater popping volume,<br />

more repeat sales, u.se less supplies,<br />

handle big crowds faster and easier . . .<br />

all these things mean just one thing to<br />

you . more profit!<br />

. .<br />

Here's your chance to put a brand<br />

new model Manley popcorn machine in<br />

your concession stand. Act now! Write<br />

Manley direct or contact your Manley<br />

representative.<br />

HARD-HiniNG<br />

PROMOTIONS<br />

Continued from preceding page<br />

cents and is usually made up with chocolate<br />

or strawberry topping.<br />

Soft drinks are dispensed by a Selmi-x<br />

thi-ee-spout disp>enser in paper cups.<br />

Orange, grape and Pepsi-Cola are used at<br />

the bar. Until recently only 10-cent cups<br />

were sold, they were six-ounce cups.<br />

Recently large cups, 12-ounce, were sold<br />

for 20 cents and signs calling atteni<br />

the "thirsty customers" to this larg(<br />

were placed near the dispenser. Tl<br />

creased the sale of soft drinks by<br />

25 per cent.<br />

Three Spacarb, four-flavor selfunits<br />

are placed at strategic points<br />

theatre. Hamaker suggests that th<br />

placed singly, instead of in batteri<br />

the greatest effectiveness. Lime, roc<br />

Pepsi-Cola, and Dr. Pepper are u<br />

these dispensers. It has been foun<br />

orange in self-service units does r<br />

MANLEY SUPER STADIUM .<br />

. ideal for<br />

drive-in operations, has fast, big capacity<br />

to meet big demand in a hurry. The<br />

counter of this practically designed machine<br />

is low enough for over-the-counter<br />

service. Fits right into your present<br />

counter. Be ready to serve those big<br />

intermission crowds faster . . . and make<br />

more profits. Write today! Manley, Inc.,<br />

1920 Wyandotte St., Kansas City's, Mo.<br />

Address Dept. BO-155<br />

Evergreen Theatres never over/oo(c on opportunity for seasonal and holiday decorations. Autumn<br />

cornucopias and a tinsel canopy created a holiday mood, during the Thanksgiving season, at the<br />

sions bar of the State Theatre, Spokane. Note the sign promoting a king-size drink, at the lef<br />

have increased about 25 per cent since the 20-cent drink has been available.<br />

My, that popcorn smells good .<br />

let's go back oncf gef some!'<br />

.^„<br />

,.3^^^^^^^'<br />

OAiir<br />

WITH BUTTERLIKE FLAVOR AND AROMA<br />

BRINGS 'EM BACK EVERY TIME!<br />

Check the<br />

plusses<br />

of<br />

Popsit Plus}<br />


! bar<br />

, that<br />

lavors in the theatres,<br />

'heatres use pre-popped<br />

popped in their Seattle<br />

ect to each theatre in<br />

;d bags, assuring its<br />

)opcorn is usually re-<br />

11 heaters. The corn is<br />

cardboard boxes, speprinted<br />

for the individlich<br />

was recently intro-<br />

% a one-ounce shot of<br />

;ular 15-cent box and<br />

)r 25 cents. After the<br />

s idea sales of popcorn<br />

oximately 50 per cent.<br />

is displayed in an anilutter-R-Churn.<br />

A salt<br />

the popcorn, is greatly<br />

customers,<br />

be made to conform to<br />

theatre, Hamaker bele<br />

so attractive, and so<br />

there is no doubt<br />

Attractive backbar dis-<br />

1 evidence at the Ever-<br />

:luding special seasonal<br />

and backbar, such<br />

Easter, Christmas and<br />

p shows are often built<br />

le concession bar.<br />

lers, Hamaker suggests,<br />

ep the customers from<br />

hem. At the Fox Thea-<br />

Evergreen Theatres in<br />

Thii closeup of the<br />

concessions<br />

counter<br />

at the Fox, Spokane,<br />

shows how the face<br />

of the counter is<br />

utilized for displays.<br />

Hershey's kisses are<br />

shown on the top<br />

shelf of the left window,<br />

soft drinks at<br />

the bottom. In the<br />

right window case,<br />

walking sundaes are<br />

shown at the top,<br />

and ice cream Bon<br />

Bans below. The selfseryice<br />

tray for ice<br />

cream is sunk slightly<br />

below the level of<br />

the bar. It was designed<br />

by<br />

EYOrgreen.<br />

Spokane, eight different trailers are used<br />

and are changed each performance. These<br />

trailers are the attractive, animated cartoon<br />

typ>e.<br />

"The importance of the break cannot be<br />

overestimated," said Hamaker. "With the<br />

addition of self-service units, five girls can<br />

lake care of as many customers as could<br />

25 without those units. At that break<br />

over 50 per cent of our confection sales are<br />

made in five minutes."<br />

When asked about losses due to selfservice<br />

he said that the Fox Theatre, which<br />

grosses $250,000 per year on its bar, has<br />

approximately only $5 a week loss through<br />

pilferage. Weekly inventories are kept by<br />

each of the Evergreen Theatres on its merchandise<br />

and any leaks can be noted<br />

rapidly. If a higher loss than usual is noted,<br />

it is quite likely due to dishonest employes<br />

and can be controlled at that point.<br />

At special children's shows the higher<br />

priced units are placed in the glass cases<br />

away from the tiny hands. The 6-cent<br />

and 12-cent bars are left out, since they<br />

are the largest seller to juvenile customers.<br />

"Children have to be especially watched,"<br />

Continued on page 37<br />

Gives You All<br />

r<br />

Soda Bar<br />

The Drink Dispenser That<br />

These Outstanding Features<br />

Model ESB 33-A<br />

Red Dulux Body<br />

with Stainless Steel<br />

* THREE 2-GALLON SYRUP TANKS<br />

* POSITIVE CONTROL SYRUP FLOW<br />

* NEW, FAST-ACTING FAUCETS<br />

* PATENTED REFRIGERATED CARBONATOR<br />

r" • V2 H.P. HERMETIC COMPRESSOR<br />

l^S^ • ALL DRY REFRIGERATION<br />

* DUAL TEMPERATURE CONTROL<br />

* GREATER EYE-APPEAL<br />

''<br />

Chsck Thii Profit Story<br />

Model ESB 33-C<br />

All Stainless Steel Finish<br />

SODA BAR<br />

AREST DEALER<br />

If You Serve<br />

Bottled Drinks<br />

If You Serve<br />

Soda Bar Drinks<br />

tre Service, Inc.<br />

tre Service<br />

itre Supply<br />

rheatre Supply<br />

itrc Supply<br />

eatie Supply<br />

lance Equip. Co.<br />

tre Equip. Co.<br />

re Supply Co.<br />

Zo.<br />

Theatre Equip. Co.<br />

«re Supply Co.<br />

itre Supply<br />

itre Supply, Inc.<br />

Model ESB 33B<br />

Stainless Steel Dispenser,<br />

Red Oulux Base with Stainless<br />

Steel Capping<br />

Write Today for Complete Information<br />

EVERFROST SALES, INC.<br />

14815 S. Broodwoy— Gordeno, Colifornio<br />

You buy, store and cool<br />

30 cases of bottles<br />

to serve 720 drinks.<br />

Average cost<br />

per bottle<br />

5 Vic<br />

Handling, Icing,<br />

breakage, loss . . .l'/2C<br />

Cost Per Bottle<br />

7c<br />

Sales-720<br />

bottles® lOc. $72.00<br />

Cost of<br />

bottled drinks . . 50.40<br />

Your Profit $21.60<br />

720 drinks from a Soda<br />

Bar can be served from<br />

just 6 gallons of syrup.<br />

Cost of syrup<br />

per drink<br />

IVic<br />

Cost of CO, gas,<br />

electricity, wat er ViZ<br />

Cost per drink<br />

2c<br />

Sales-720<br />

drinks @ lOc. $72.00<br />

Cost of<br />

Soda Bar drinks 14.40<br />

Your Profit $57.60<br />

uary 8, 1955<br />

as


for<br />

there is<br />

Tomorrow's Flexibility...<br />

only V/ne anamorphic...<br />

th caa Lb CD XZ7<br />

ariable anamorphic lens<br />

e>rnterchangeable — the only lens tc<br />

fit both 2%" and 4" lenses . .<br />

.<br />

at the same Xow price!<br />

. . . plus<br />

the exclusive iPual Mmnot<br />

controls for perfect screen coverage<br />

Price includes .<br />

. .<br />

support brackets, storage<br />

case, corrector lenses one<br />

cleaning brush .<br />

. . truly c<br />

complete package.<br />

See Your Theatre Supply Dealer NOV<br />

YEARS OF SKILLED OPTICAL CRAFTSMANSHIP<br />

PROJECTION OPTICS CO.<br />

Wherever Fine Optics are Important<br />

330 Lyell Avenue Rochester 6, N. Y.<br />

34<br />

The MODERN THEATRE SE


I wont<br />

. ivuu^.1<br />

r^uTci&i^^u ii(<br />

New Equipment and news poges or for copies<br />

Literature listed herein — Use Postcards Below. BUKtAU<br />

NPMENT<br />

DPMENTS<br />

escription starting on page 49<br />

Ker<br />

Number<br />

P-1280<br />

apcrlure plate, which is avail:ihie<br />

the LaVezzI Maetiinc Woiks. does<br />

landling of two plate? at one time<br />

ovL'd and malies the cliances faster<br />

Xds designed for use on the Simplex<br />

WARI^ER<br />

P-12S1<br />

dri\e-in concessions patrons, the<br />

T requires no attention from the<br />

merely inserted into the device and<br />

temperature within a few minutes<br />

made of aluminum and Is controlled<br />

pacity of four large and two small<br />

1)11 Products Co., it operates on a<br />

X P-1282<br />

i up with a new floor wax which<br />

insects with self-polishing qualities,<br />

out last and out shine other wiues,<br />

wet moppings but can be easily<br />

tlon of soap and water. Another<br />

rsatlie wax is a non-skid property<br />

rs Laboratories.<br />

MACHINE<br />

P-12S3<br />

manufactured by the Von Scbrader<br />

theatre furniture and seats by dry<br />

3 the fabric with an electrically-<br />

:n removes it with an accomp.iuying<br />

ocess Is quick drying and mothproofs<br />

idditlve to the cleaning fluid. Tlie<br />

;t9 pounds and is mounted on ballcrgcr<br />

is designed for durability and<br />

ntee against defects.<br />

P-1284<br />

ies. Inc., is now offering a choice<br />

finished bronze wall urns to combat<br />

tlie problem of floor Utter In theatre lobbies and foyers.<br />

Tiic s:Mid-fiiled urns arc designed to fit any type of decorative<br />

scheme and are said to be easy to maintain. They are fitted<br />

to the walls by means of adhesives or bolts.<br />

COIVIPACT MULTI-DRINK DISPENSER P-1285<br />

.\\uililile in one, thtL'e or four-drink units, the ColeSpa<br />

Special made by the Cole Products Corp. Is said to be "the<br />

smallest multiple-drink cup machine ever made." Tlie stainless<br />

steel unit comes complete with drhik adjuster for<br />

determining the amount of syrup used and automaiic counters.<br />

Capacities vary from 830 druiks on the one-drink model to<br />

oier 1.500 on the other two. Tlie machine will serve either<br />

carbonated on non-carbouaied beverages and dispense them at<br />

a rate of one every five seconds.<br />

FORMFITTING THEATRE CHAIR<br />

P-12S6<br />

Tlic addition of a new line of theatre seats, the Pacemaker,<br />

li;is been luiiiounced by international Seat Co.. originators of<br />

all-stiel unit construction. Like the company's other chairs<br />

the I'accra.ikcrs arc constructed of steel throughout and are<br />

said to offer a deeper and better fitting uphoblery for the<br />

conifort of patrons. The construction Ls claimed to reduce<br />

costs and minimize errors during Installation.<br />

DOUBLE-BILL EXPLOITATION FRAME P-1287<br />

The itumar-Viiie Co. has designed and Is now producing a<br />

double-hilling frame to solve the problems that arise when<br />

c.^pioiiing a late booking. The new frame, the Duplex, will<br />

hold two Usl4-inch inserts as well as a 2x14 date strip.<br />

Cuii.^triirted of double-strength glass and stainless steel, the<br />

Duplex is SiUd to be weatherproof. E;ich friune conies with<br />

a guarantee.<br />

OZONE AIR CLEANER P-1288<br />

X sell-contained device designed for use with forced-air<br />

eirculatiug systems cleans the air by adding small amounts of<br />

ozone to It. .\ product of the General Ozone Corp., it attaches<br />

to the sidewall of heating-cooling equipment or on the suction<br />

side of an air duct. The ozoue which is added to the air<br />

deodorizes it by oxidizing foreign matter and is not noticeable<br />

if used In the proper proportions.<br />

ANIMATED DISPLAY SIGNS P-12S9<br />

Tile new animated display signs made by the Liquid Light<br />

Co. boast two qualities: eye appeal and durability. Eye appeal<br />

is achieved in the signs by using a constantly revolving drum<br />

uf six dllfercnt lights which are reflected through the Plexiglas<br />

letters on the message plate. I/ong life is assured by<br />

tlie use of IkMvy gauge metal and Plexiglas in the construction.<br />

TIic signs are finished In a silver hammertone for additional<br />

attraction.<br />

MOBILE FIRE-FIGHTING UNIT P-1290<br />

llic Crest Fire Knginette being marketed by Norpat Sales.<br />

Inc., is well-suited for use at drive-in operations. Biiuipped<br />

witii three different types of extinguishers and mounted on<br />

iO-lncii rubber wheels, the unit can be speedily taken to<br />

the most reoiolc corners of the drive-in area and used to fight<br />

all types of fire. Servicing of the equipment Is simple and<br />

can be handled by the members of the theatre staff.<br />

VERSATILE LANDSCAPING TOOL P-1291<br />

Scleral models of sickle bar moAcrs have been developed<br />

by Jari Products, Inc.. and are practical for use at drive-ins<br />

that have extensive lawns and landscaping to care for. The<br />

motor-driven units have varied uses and can be conierted to<br />

cultivators, snow plows, reel mowers and sprayers when needed.<br />

The larger machine has a floating sickle bar which adjusts<br />

to the ground surface to assure smooth and consistent cutting<br />

iierformance.<br />

LETiERATURE<br />

Briefed from the description on page 51.<br />

Key<br />

Number<br />

AUTOMATIC HAND DRYER STORY L-16S9<br />

A well-lllustratcd catalog Issued by tbe Electric Aire Curp.<br />

lulls the complete slory of the firm's h;ind driers. The<br />

literatuie Includes a variety of data ranging from tfte plarmlng<br />

of installations, architects' specifications, to the worklnfi parts<br />

of the different models. The two models discussed, one a<br />

recessed type and the other designed for surface mounting,<br />

feature two-year guarantees, variable air direction, lighted<br />

instructions, breakproof housing and other qualities.<br />

OUTDOOR WIDE SCREEN INFORMATION L-1690<br />

Mi(tioi;ra|)li, Inc.. is distributing a circular which offers a<br />

wea:th uf information about the installation of wide screens<br />

at drive-ins. It starts by listing the many reasons for Increasing<br />

the width of the screen. The technical problems of additional<br />

projection and sound equipment are discussed generally<br />

and speiilically in terms of the individual pieces of equipment.<br />

Tliough the material was prepared by Motiograph, it does not<br />

discuss its own equipment exclusively but offers data on that<br />

1)1' otlier firms.<br />

DATA ON SERVICE CONTRACTS 1-1691<br />

By means of a photograph-story, tbe Altec Service Corp. outlines<br />

the advantages available througli the service contract It<br />

ofiers theatrcmen. The company operating out of 31 branch<br />

ulTices throughout tbe nation handles problems of InstJillatlon,<br />

inspection, seriice and maintenance of sound equipment In over<br />

li.uUU theatres. According to the Information in the eight-page<br />

booklet, the service and protection are rendered by 200 field<br />

enguieers.<br />

COUPONS<br />

separate couipnient<br />

item,<br />

above) which<br />

for each Adside<br />

of this<br />

e<br />

more<br />

key number<br />

Tiber<br />

you


READERS' BUREAU<br />

A<br />

For literature on products advertised or mentioned in this issue,<br />

side of this sheet and read how to use the postcard coupons belov<br />

PRODUCTS ADVERTISED IN<br />

ADMISSION SIGNS<br />

Bowman, Edoar S 20-B<br />

THIS ISSUE<br />

APERTURES,<br />

PROJECTOR<br />

LaVe2zi Machine Works 48.A<br />

ATTRACTION BOARDS AND LETTERS<br />

Adier Silhouette Letter Co 27-B<br />

Wagner Sign Service Co 21-<br />

CANDY<br />

Henry Heide, Inc 37.A<br />

CANDY FLOSS MACHINES<br />

Concession Supply Co .38-E<br />

CARBON<br />

SAVERS<br />

Call Products Co 22-B<br />

CONCESSION CARTS<br />

Walky Service Co .3S-B<br />

CONCESSION EQUIPMENT, DRIVE-IN<br />

Concession Supply Co 3g.E<br />

Walky Service Co 3g-B<br />

DRINKS,<br />

SOFT<br />

Coca-Cola Co 2-A<br />

Pepsi-Cola Co 30.A<br />

DRINK<br />

DISPENSERS<br />

Everfrosl Sales, Inc 33.A<br />

DRIVE-IN<br />

PUNS<br />

Ballanlyne Co 47.A, 47-8<br />

FOUNTAINETTES<br />

Superior Refrigerator Mfg. Co. 3g-C<br />

HAND<br />

DRYERS<br />

Electric-Aire Engineering Co 51-B<br />

LAMPHOUSE<br />

BLOWERS<br />

Drive-ln Theatre Mfg 4g.B<br />

e


)MOTIONS<br />

Continued from page 33<br />

)inetimes I think that<br />

'St ones think that the<br />

,he show and just walk<br />

;r 40,000 TV sets in<br />

ist two years and the<br />

long feature have both<br />

I sales, Hamaker said,<br />

ising items and ideas,<br />

.ons, large soft drinks,<br />

pcorn. and large units<br />

;, this set-back is being<br />

ergreen Theatres.<br />

nal idea used has been<br />

under 12 years of age<br />

a parent, or parents.<br />

n many away from the<br />

'es.<br />

peration<br />

isiness at drive-in theafrom<br />

a pop and popa<br />

full-grown business<br />

int money can be made<br />

is operated and progent<br />

manner. The exh<br />

the problem of opern<br />

either with his own<br />

e concession out to a<br />

rienced<br />

sis.<br />

concessionaire<br />

Plan Aggressive Campaign<br />

To Promote Root Beer<br />

"The pillow fight is over" is the way<br />

Vice-President Barney Berns described the<br />

aggressive new advertising and promotion<br />

program initiated by Dad's Root Beer Co.<br />

Plans for<br />

the nationwide promotion got<br />

Barney Berns (right), vice-president of Dad's Root<br />

Beer Co., Chicago, and Howard Williams, president<br />

of Erwin, Wasey & Co., Dad's newly appointed advertising<br />

agency, discuss expanded merchandising<br />

program of the beverage company.<br />

under way w-ith the appointment of Erwin.<br />

Wasey & Co.. advertising agency, which<br />

will handle all phases of merchandising<br />

and advertising for the firm's own bottling<br />

plant, fountain flavor division and national<br />

iranchise bottling division. The newagency<br />

was selected because of its experience<br />

in the field of package goods and its<br />

conveniently located branches at New<br />

York, Chicago, Minneapolis, Oklahoma<br />

City and Los Angeles. The number and<br />

location of the offices will make it possible<br />

for the agency to aid bottlers throughout<br />

the United States.<br />

Several new product developments are<br />

expected to aid the drive for increased<br />

sales. One of the developments is the<br />

sugarless Dietricious Dad's root beer, made<br />

without sugar.<br />

Conviser Appointed<br />

Chairman<br />

TOA Concessions Committee<br />

Benjamin<br />

Conviser<br />

E. D. Martin, president<br />

of the Theatre<br />

Owners of America,<br />

has appointed Benjamin<br />

Conviser to serve<br />

as the national cochairman<br />

of the TOA<br />

concessions committee.<br />

Conviser is a<br />

vice-president and<br />

the general manager<br />

of the American Theatre<br />

Supply Corp. in<br />

charge of maintenance, construction and<br />

supplies including the candy and popcorn<br />

department. Members of the TOA committee<br />

are expected to be announced in a<br />

short time.<br />

IT with the public<br />

because of VARIETY of<br />

LICIOUS FLAVORS<br />

clear ATTRACTIVE COLOR!<br />

I<br />

all feature<br />

lary 8, 1955 37


See<br />

the


i<br />

, audio<br />

AND SOUND<br />

Series on Leading Sound Equipment<br />

^STEP SERVICING OF SOUND SYSTEMS<br />

intenance of Motiograph Sound Heads, Speakers, Pre-Amplifiers<br />

In this second<br />

ARTICLE on servicing<br />

leading sound<br />

systems, we will present<br />

some p>ertinent<br />

information on Motiograph<br />

sound syst<br />

e m s, particularly<br />

covering single, three<br />

and four - channel<br />

stereosound reproduction.<br />

With a<br />

limited amount of<br />

ch as a good multisignal<br />

gentest<br />

reel, 8,000 and<br />

s, good set of high re-<br />

!, plus good screwdriv-<br />

;tc., one can do connd<br />

keep the equipment<br />

ing condition,<br />

ment is<br />

very rugged in<br />

ill give many years of<br />

ovided parts are rehave<br />

become badly<br />

components are given<br />

tularly as per instrucdepartment.<br />

Condensormers,<br />

resistors and<br />

other components are of extra heavy capacity<br />

to take care of an overload, and the<br />

system is fully protected with fuses.<br />

In order to intelUgently service any<br />

sound system, a set of schematics is absolutely<br />

necessary; generally these are fui--<br />

nished with the equipment. While the<br />

writer does have schematics on every existing<br />

sowid system ]or theatres, they are tor<br />

his use only and cannot be sent out. Most<br />

manufacturers are glad to furnish these<br />

on request; also, very necessary are voltages<br />

used at tube elements, etc.<br />

ADJUSTING SOUND HEADS<br />

MAGNETIC REPRODUCER—Let us fii'st<br />

start with the sound head adjustments.<br />

Sound heads are very cai-efully adjusted<br />

at the factory but in shipping they may,<br />

sometimes, get slightly out of adjustment,<br />

which will mar reproduction.<br />

Adjusting magnetic head—this sound<br />

head should be adjusted as per instructions<br />

given in column two, page 42, Modern Theatre,<br />

issue December 4, 1954. To repeat<br />

the same instructions here would be a<br />

waste of space that we can use to tell you<br />

about some other details regarding this<br />

equipment.<br />

The filter mechanism uses the tight loop<br />

system having two impedance drums and<br />

flywheels. The filtering effect is provided<br />

by two damping rollers on the ends of<br />

long arms which pivot on shafts and housing<br />

assemblies and which are especially<br />

fitted and lubricated with low viscosity oil.<br />

This condition is quite capable of reducing<br />

the flutter content to a very low level.<br />

These components should be checked at<br />

regular periods to see they are operating<br />

correctly so there will be practically no<br />

flutter content in the sound reproduction.<br />

cerned. As you probably know, this<br />

sprocket does the puUing and must be kept<br />

in good condition, absolutely free of undercutting.<br />

As soon as any of these sprockets<br />

shows considerable wear, it should be replaced.<br />

Any ii'regular motion or flutter in the<br />

movement of the upper feed sprocket will<br />

increase the amount of flutter elimination<br />

to be done by the filter system. The use<br />

of a stroboscope is recommended if any<br />

unusual flutter condition exists. Engineers<br />

use a stroboscope for checking flutter.<br />

We have known of very bad flutter<br />

caused by badly bent exchange reels in the<br />

upper magazine, and often it has been<br />

traced to the scraping of the reel against<br />

the magazine body. A Motiograph engineer<br />

made a special trip of 400 miles (the<br />

writer made a trip of over 200 miles) to<br />

discover this very trouble—projectionist<br />

Continued on following page<br />

Motiograph penthouse reeen<br />

threaded in the sound<br />

lould be threaded lor best<br />

the pad rollers are unusual<br />

b in both open and closed<br />

t easier for threading, etc.<br />

ic material has been used<br />

his sound head. All rollers<br />

e of aluminum and mounted<br />

g long wear. The 32-tooth<br />

ilt up" type and only the<br />

tgnetic material. The tooth<br />

gn and of the "fat" tooth<br />

ost satisfactory. The mag-<br />

? Don't make any adjustre<br />

the component requires<br />

ions given in last month's<br />

adjusting rollers, head, etc.<br />

ALIGN REPRODUCERS CAREFULLY<br />

Penthouse or button-on" reproducers<br />

are mounted between the top magazine and<br />

the mechanism head. They should be carelully<br />

aligned so the film wOl travel in a<br />

straight line down from the top magazine,<br />

sound head, projector mechanism, down<br />

through the optic sound head and lower<br />

magazine. Due to the fact that the picture<br />

projector mechanism pulls the film down<br />

through the magnetic reproducer, the perfect<br />

performance of the latter wiU strictly<br />

dep>end to a certain extent upon the condition<br />

.of the projector mechanism. There<br />

should be a minimum of wear and backlash<br />

in the mechanism gear train, especially as<br />

far as the upper feed sprocket is con-<br />

The interior of Motiograph sound system, model<br />

S3 and S4, three-channel and four-channel. Principal<br />

features of this system are the plug-in amplifiers,<br />

volume control, only two tube types which promote<br />

ease and economy of maintenance. All the<br />

components, as you will note, are easy to get at<br />

and service. A defective unit can be quickly removed<br />

and repaired, or a new one easily installed<br />

while a defective unit is repaired. The circuit is not<br />

complicated, making it very easy to trace for<br />

trouble with your ohmmeter or multimeter.<br />

Voltages,<br />

very important in good sound reproduction, can be<br />

checked quickly. Also, tubes can be quickly removed<br />

for checking in a good tube checker. See<br />

that all plug-ins fit tightly, the vacuum tubes fit<br />

tightly in socket, and be sure to keep tube prongs<br />

bright and all other components free of dust and<br />

carbon dust.<br />

Follow servicing as outlined in previous<br />

articles in this department on audio amplifiers.<br />

ary 8, 1955 39


40 The MODERN THEATRE S<br />

SERVICING<br />

SOUND SYSTEMS<br />

Continued from preceding page<br />

using exchange reel that was badly bent,<br />

or the reel scraping against the sides of<br />

the magazine. Other engineers have had<br />

the same headache when this could have<br />

been avoided by the use of good house<br />

reels and not exchange reels. Never use a<br />

reel that is not in good condition.<br />

With many leading projector manufacturers,<br />

the practice is to supply extra-wide<br />

magazines which is one method o/ correction<br />

for the above trouble. Motiograph<br />

supplies extra-wide magazines with all<br />

its<br />

projectors. The company incorporates an<br />

upper reel shaft tension device and a fully<br />

enclosed takeup that will, aft^r initial<br />

setting, stay correctly adjusted for years.<br />

Many of the other leading manufacturers<br />

also equip their upper and lower magazines<br />

with devices that maintain correct<br />

upper reel tension and perfect takeup tension<br />

which once properly adjusted by the<br />

installer, will give trouble-free operation<br />

for many years. The only maintainence is<br />

keeping them clean and lubricated as per<br />

instructions by manufacturer.<br />

ADJUSTING PAD ROLLERS<br />

The pad rollers are unusual in design<br />

and will latch in both open and closed<br />

positions, making threading easier for the<br />

projectionist. If these should need adjusting<br />

anytime, it is a very simple procedure,<br />

spacing is<br />

adjusted with three thicknesses<br />

lin most heads, two) of film. They<br />

should be kept cleaned and run freely.<br />

A very excellent feature of this sound<br />

head is a pivoted idler roller provided to<br />

reduce the danger of film breaking when<br />

starting projector.<br />

In order to assure perfect synchronization<br />

between picture and sound the lower<br />

idler roller is adjustable, making it possible<br />

to obtain the necessary 28 frames separation.<br />

This is generally always adjusted<br />

when the sound head is installed and no<br />

further adjustment will be necessary.<br />

MANY IMPROVEMENTS MADE<br />

The Motiograph 910-D is the modified<br />

p)enthouse reproducer which is equipped<br />

with a "pull away" plug for the magnetic<br />

head, and a changed position of the terminal<br />

strip to simplify wiring, for single<br />

or four-channel stereosound. Many other<br />

improvements have been made in this head<br />

to assure easier threading, cleaning and<br />

servicing of the various components. The<br />

interior should be cleaned every day. The<br />

sprocket should be cleaned with a stiff<br />

bristle tooth brush: the pad rollers should<br />

be checked daily, and the stabilizers should<br />

be inspected for correct operation.<br />

The four-track magnetic head has a<br />

nominal impedance of 30 ohms for each<br />

section, an inductance of 35 millihenries<br />

per section, and is assembled in a mu-metal<br />

shield to prevent noise pickup. This pickup<br />

head should be kept free of any lint and<br />

dust accumulation. Use only a lintless<br />

clean cloth and a soft bristle brush for<br />

cleaning magnetic heads.<br />

^GND<br />

A<br />

EXCITER<br />

MOTIOGRAPH OPTICAL SOUND HEAD U^^ED IN CONJUNCTION WITH<br />

STEREOSOUND SYSTEMS<br />

FRAME OF SOUND HEAD<br />

LAMP<br />

/<br />

D C FROM EXC LAMP POWER SUPPLY<br />

CATHODE<br />

(light sensitive plote emits<br />

90V<br />

f /"<br />

D. C. VOLTAGE<br />

(approx. 90 voUs) from preamptifier<br />

to establish photo<br />

cell current<br />

electrons<br />

/ / /<br />

Steody light beam<br />

LENS<br />

ELEMENTS<br />

SLIT \<br />

LENS AND SLIT ASSEMBLY<br />

Fluctuating light beam ofter<br />

passing through sound track<br />

PHOTO CELL<br />

"-r<br />

CORE<br />

FILM<br />

LENS AND MIRRORS T<br />

DIRECT LIGHT TO<br />

PHOTO CELL<br />

RELAY LENS TO FOCUS<br />

LIGHT ON PHOTO CELL<br />

ANODE (collector for electrons<br />

emitted by cothode)<br />

Coupling<br />

Resistonce<br />

Signol<br />

Voltage<br />

4<br />

Current through photo cell (fluctuating in accordance with<br />

light beam intensity variotions) flows through coupling<br />

resistance, thus developing signal voltoge varying in some<br />

manner.<br />

V<br />

Shielded lead (coaxial<br />

coble) carrying signal<br />

voltage to amplifier<br />

system<br />

This is a drawing of a typical wiring layoirt and components of a modern sound head, varying<br />

of course, in different makes. This is a Mirrophonic reproducer (sound head). The purpose<br />

drawing is to illustrate the arrangement of the various components and the wiring of the pi<br />

shielded cable, and the wiring of the exciter lamps. (Note: Not all sound heads use a rest:<br />

are wired via transformer, direct, etc.) We would like to point out here it is important t<br />

exciter lamps be kept correctly adjusted and replaced when they become blacken^sd, and they<br />

be kept clean and free of oil; oil should be kept off the shielded cable and photocell. All com<br />

should be electrically firm and clean at all times. Oil and dirt should be kept off of soui<br />

surfaces. Clean every day with lens tissue.<br />

The height of this sound head is 7'2<br />

inches at the front and it tapers off to<br />

^V4 inches at the rear. It can be installed<br />

on any other make of projector very easily,<br />

with only some small modifications.<br />

A small compass can be used to detect<br />

the magnetization of any projector or<br />

sound head pai-ts that could cause trouble<br />

in the sound or damage the recording on<br />

the magnetic tracks. The magnetic head<br />

is a four-track assembly designed to scan<br />

one 29 mil and three 63 mil tracks. Number<br />

4 is the 29 mil or sound effects track<br />

and when used delivers sound effects for<br />

the auditorium speakers. Single track<br />

operation uses the 63 inil track.<br />

NOTE—The operation of the flutter filter<br />

unit depends upon the proper assembly<br />

and adjustment of the damping arm assemblies,<br />

especially the shaft and housing<br />

assemblies which allow arms to pivot. During<br />

assembly these parts are honed together<br />

to insure proper surfaces an<br />

cated in such maruier as to excl<br />

from the assembly and keep the sh<br />

ervoir permanently full of oil. N<br />

lubrication is needed for at least o:<br />

When new oil is required, use only<br />

graph selected oil known as part I<br />

i<br />

It is possible any magnetic sour<br />

and the projector mechanism wil<br />

times become magnetized, possibly<br />

inadvertent contact with magnetic<br />

because some of the projector or m<br />

parts are highly magnetized, part<br />

when the equipment has been wo:<br />

with a screw driver or some othe<br />

A magnetized sound head will a<br />

increase in background noise, and<br />

bination with certain other condil<br />

the sound track may produce a bad<br />

noise sounding like a swarm of bi<br />

careful handling of magnetic-recorc<br />

and frequent checking of your soun


. Motiograph<br />

»und head and magabe<br />

avoided.<br />

i<br />

demagmetizing<br />

personal opinion that<br />

)ry degausser<br />

any make of<br />

e Motiograph SE-7625<br />

3ly a voltage from zero<br />

J5 volts across the head<br />

)tentiometer, and then<br />

al back to zero. This<br />

;d on each head and as<br />

,0 discomiect the head<br />

of the circuit, it makes<br />

1. The amplifier must<br />

ig this operation. This<br />

ilso supply considerable<br />

demagnetize projector<br />

d parts.<br />

) Projectionists—Never<br />

: head with a piece of<br />

'<br />

highly magnetized as<br />

lough of the magnetic<br />

1 to cause considerable<br />

found several recent<br />

of trouble in the field<br />

!<br />

.<br />

corded films away from<br />

generators and other<br />

t. Rewinding should be<br />

void damaging track or<br />

)f caution about using<br />

Is and never to try using<br />

)iscard any house reel<br />

ontinued on following page<br />

i^g^l<br />

. . . And there are millions like them<br />

throughout the country<br />

No question about it: "movies tonight"<br />

is a favorite American tradition —<br />

and every exhibitor wants to keep that tradition<br />

going strong! Best u^ay to do this is<br />

by making and keeping your theatre genuinely<br />

inviting for all patrons. Its appearance<br />

... the comfort it<br />

provides ... the<br />

modern equipment it has to show the exciting<br />

new picture techniques — all are vitally<br />

important when putting out the welcome<br />

mat.<br />

Check ijour theatre for all<br />

the features<br />

that make it inviting. Then check<br />

NATIONAL THEATRE SUPPLY for any<br />

equipment<br />

requirements.<br />

ws (he latest "Voice ol the<br />

speaker unit, with high and<br />

distributes sevdepending<br />

on the size of<br />

je auditorium requires more<br />

ier to obtain complete coverrnonce<br />

required is an occairing,<br />

routine cleaning of the<br />

cause these are placed back<br />

?oson (o forget them and let<br />

late, thereby causing damage<br />

s.<br />

Whsfevet yout need,<br />

ijOQ e$n ^ef if horn . .<br />

ATIONAL<br />

THEATRE SUPPLY<br />

Oivitien el Nolionol • Simples • Bludwerlh. Inc.<br />

luary 8, 1955 41


SERVICING<br />

SOUND SYSTEMS<br />

Continued from preceding page<br />

that is not in good condition. You will<br />

seciire better sound reproduction, avoid<br />

"flutter" and other troubles.<br />

Motiogi-aph manufactures equipment for<br />

the reproduction of single optical, single<br />

and four-channel magnetic and Perspecta<br />

sound recording. Models range from 20, 40,<br />

75 and 150 watts of power output. The<br />

writer has serviced and inspected all the<br />

various models of sound and projection<br />

equipment and found it very rugged in<br />

construction, delivering excellent sound reproduction,<br />

both optical and magnetic: the<br />

projectors and arc lamps giving long service<br />

and fine projection in every respect.<br />

Sound equipment is also manufactured<br />

for drive-in theatres for the reproduction<br />

of optical sound prints. By the addition<br />

of penthouse reproducers, and additional<br />

preamplifier and switching apparatus, all<br />

systems can also be modified to reproduce<br />

single and foiu--track magnetic sound at<br />

a very reasonable outlay of money. The<br />

multiple amplifier systems are best suited<br />

for drive-in theatres of from 250 to 850<br />

cars, as the exhibitor can obtain emergency<br />

faculties at a lower cost in this type<br />

of system.<br />

Data on the S3 and S4 Systems—The S3<br />

system is provided with three amplifier<br />

channels and the S4 system has an additional<br />

fourth channel for amplification of<br />

the auxiliary or effects track. Each channel<br />

contains the preamplifier and equali-<br />

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SKArLITin/1.7X<br />

The finest projection lens<br />

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For all exhibitors -<br />

see your Theatre<br />

Supply Dealer. Don'<br />

miss these new FAST<br />

LENSES. The SUPER<br />

SNAPLITE f/1.7 and<br />

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Send for Bulletin 222<br />

kolla\oim;cn<br />

Plant: 347 King Street<br />

Northampton, Massachusetts<br />

NEW YORK OFFICE:<br />

YOU can BUY<br />

coitroirATioK<br />

30 CHURCH STREET, NEW YORK 7, N. Y.<br />

zation necessary for magnetic repro'<br />

and the power amplifier stages nee<br />

to drive theatre speakers. The am<br />

channels, a single power supply, all o<br />

ing controls, and relays for changeov<br />

tween two magnetic reproducers ar<br />

tween magnetic and optical sound 1<br />

are all contained in a single cabinet<br />

cabinet may be floor or wall mountt<br />

cording to space available in pro;<br />

room. AU controls and indicator ligl<br />

contained on a sloping top panel, the<br />

layout making it very handy to opera<br />

see for the projectionist. Tubes, coi<br />

ers, resistors, transformers and othei<br />

ponents are very easy to get at and s<br />

ONLY TWO TUBE TYPES<br />

Features which promote ease and<br />

><br />

omy of maintenance are the use c<br />

two tube types in the amplifiers (<br />

for the fourth channel which uses ar<br />

tional 12AT7 typei, and the emplc<br />

of plug-in construction so that each<br />

fier channel may be quickly remo<br />

replaced as a single independent u<br />

spare amplifier should be kept on h<br />

case of trouble in any one of the arr<br />

units. The amplifiers are mounte(<br />

aU wiring, components and controls<br />

the front of the cabinet. Tubes n<br />

serviced by loosening a thumb-sere<br />

connecting the input and gain<br />

plugs, and swinging the amplifier fc<br />

When the single bracket that clam<br />

amplifier to its mounting-rod is rt<br />

and the power and output wiring c<br />

tors are loosened, the amplifier n<br />

lifted out of cabinet. All amplifie<br />

power supply may be removed easily<br />

projectionist for servicing or a good<br />

ing of all the components.<br />

In this<br />

CAN OBSERVE TUBE OPERATION<br />

model the power rectifier<br />

three rectifier tubes, 5U4G, are pic<br />

the bottom, of the cabinet behind a<br />

on the front panel. The operation<br />

tubes may be easily obseiwed withoul<br />

ing the cabinet. In order to keep th<br />

'<br />

ages at recommended value at the<br />

tube elements and points in the cir<br />

the power and preamplifier, it is ve<br />

portant that you check, in a goo<br />

checker or by your local radio servi<br />

all rectifier tubes at least every<br />

three months. It is also importar<br />

filter condensers, etc., in power sui<br />

kept in good condition and replace<<br />

they become defective or have been i<br />

ice a long time.<br />

Another very nice feature of th;<br />

ticular model: it has been designed t<br />

addition of the fourth channel at ai<br />

after original installation. It can b(<br />

installed and electrical connectio<br />

simple to make. It contains, in add<br />

switching circuit to control speaker<br />

tlon from a 12KC signal on the<br />

sound track and filters to remc<br />

12KC signal from the audio outpu<br />

fourth channel amplifier is ident<br />

size, mounting arrangement, and eli<br />

connections with the other three.<br />

The use of low-noise tube types<br />

42 The MODERN THEATRE S:


: or<br />

ST 10 STEREOPHONIC KIT— SINGLE CHANNEL SYSTEM FOR ONE MAGNETIC TRACK<br />

NOTE— SWITCH SUCH AS SE 7621 OR SE 7624 iWHICH INCLUDES MA 2690<br />

TRANaFORMERi CAN BE USED TO SWITCH FROM OPTICAL TO<br />

MAGNETIC SOUND<br />

stages, also provision of<br />

ed controls for adjust-<br />

1 equalization in each<br />

important features in<br />

system for better sound<br />

is suggestion for better<br />

lect only well-known<br />

)r send direct to your<br />

es the sound system you<br />

)es. as he will send you<br />

rays keep a fuU set of<br />

1 for the amplifiers and<br />

TO REGUUR AMPLIFIER<br />

SYSTEM (See Notel<br />

INCLUDES SINGLE PREAMPLIFIER,<br />

POWER SUPPLY, CHANGEOVER, AND<br />

MUTING RELAY<br />

REQUIRED TO WORK INTO HIGH<br />

IMPEDANCE AMPLIFIER<br />

center and right channels from monitor<br />

terminals of the system. The use of<br />

building-out resistors in the switching circuit<br />

for "AUD" and "ALL" positions of the<br />

monitor selector necessitates a highimpedance,<br />

or bridging typ^e. monitor amplifier<br />

in these positions. We have found,<br />

for very best results, use of an amplifier<br />

such as the Altec A-336-A amplifier supplied<br />

with the 625 monitor speaker is<br />

recommended<br />

by the manufacturer.<br />

May we point out here, for your information,<br />

building-out resistors on the<br />

monitor selector switch are of such value<br />

that monitoring level wlU be approximately<br />

the same in all positions of the selector, for<br />

a monitor amplifier input impedance<br />

greater than 10,000 ohms, and for 16 ohms<br />

output impedance of the stereophonic<br />

channels and 70-volt Une connection of<br />

the auditorium effects speakers channel.<br />

System Changeover—This equipment has<br />

a rapid changeover between the stereophonic<br />

system and existing optical track<br />

amplifier. A momentary-contact turn or<br />

rotary switch with associated neon indicator<br />

light is provided to or>erate a latching<br />

type relay which opens all loudspeaker<br />

lines from the stereosound system amplifiers<br />

and connects the output of the existing<br />

house system to the center stagespeaker<br />

line.<br />

It may be found necessary in some cases<br />

to adjust contacts on the muting relay<br />

for closer spacing to prevent audible clicks<br />

when switching from optical to stereosound<br />

system. This is to ensure that the muting<br />

relay contacts will be closed before the<br />

speaker lines are reconnected to the stereosound<br />

amplifiers. We have found this adjustment<br />

has had to be made in several<br />

installations and is not too difficult for the<br />

projectionists to do. Contacts should be<br />

kept free of any dust or carbon dust. etc.<br />

As with all sound systems, all the electrical<br />

connections should be made firm,<br />

plug-ins should fit snugly, connections on<br />

terminal strips should be carefully made<br />

Continued on page 47<br />

1 ADJUSTMENTS<br />

screw-driver operated<br />

ing sound level on your<br />

ince you make this ad-<br />

; to data given in this<br />

lonth. and in previous<br />

rHE.ATFE, do not disturb<br />

:ain until you are sure<br />

;g. Too many times in<br />

Lve checked sound syse<br />

adjustments were innd<br />

the entire system<br />

se the projectionist did<br />

he read in this depart-<br />

1 booklet, how to make<br />

rhe master stereosound<br />

s of thi-ee, 2 db per step,<br />

itiometers. ganged to-<br />

,rol may be easily re-<br />

replacing. Connecare<br />

made through short<br />

in plugs to mate with<br />

mplifier chassis. A high<br />

entiometer is used for<br />

urth-channel gain con-<br />

;em. and it is similarly<br />

aplifier.<br />

saker selector switches<br />

minals at the bottom of<br />

her one of the three<br />

lel outputs, to the outchannel,<br />

or to all four<br />

ously. A low impedance<br />

ed to monitor the left.<br />

A RESEARCH BUREAU<br />

The MODERN THEATRE PLANNING INSTITUTE<br />

825 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

Gentlemen:<br />

for MODERN THEATRE PLANNERS<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

^-^-^^<br />

Please enroll us in your RESEARCH BUREAU to receive information regularly, as<br />

released, on the following subjects for Theatre Planning:<br />

n Acoustics<br />

n Air Conditioning<br />

Architectural Service<br />

n "Black" Lighting<br />

n Building Material<br />

n Carpets<br />

n Coin Machines<br />

n Other Subjects<br />

Complete Remodeling<br />

n Decorating<br />

Drink Dispensers<br />

Drive-In Equipment<br />

Lighting Fixtures<br />

n Plumbing Fixtures<br />

n Projectors<br />

Theatre Seating Capacity<br />

Address<br />

City..<br />

Signed .<br />

State<br />

Projection Lamps<br />

Seating<br />

Signs and Marquees<br />

n Sound Equipment<br />

Television<br />

n Theatre Fronts<br />

Vending Equipment<br />

(Owner-Manager)<br />

lary 8, 1955 43


iN-CAR HEATERS WIN HEAVY PATRONA<br />

New Half-Million-Dollar Toledo Drive-in Installed 1,200 Heaters;<br />

Found a Ten-Cent Charge Inadequate, So Increased to<br />

25-Cents<br />

4-<br />

The functional "pin-typt<br />

struction of the screen t<br />

the Miracle Mile Drive-ln<br />

Toledo, Ohio, also creates<br />

tiful effect in light and<br />

The screen itself is of Mai<br />

wood which was painted<br />

patrons haye told the r<br />

"is very beautiful." The hi<br />

marquee, adjoining the i<br />

an unusual design, is 57 f<br />

and 38 feet high. As may I<br />

by the door in the base<br />

screen tower, there is am^<br />

for storage of supplies an<br />

tenance<br />

equipment.<br />

\^ Hio's FIRST DRIVE-IN theatre<br />

equipped with in-car heaters for yeararound<br />

operation, the Miracle Mile, opened<br />

in Toledo late in November and has been<br />

patronized so heavily that it has been<br />

necessary to turn patrons away from the<br />

completely filled ramps.<br />

The in-car heaters, which operate off the<br />

speaker stands, are provided for 1.200 cars<br />

in the 1.500-car drive-in. and if demand<br />

increases will be supplied for all.<br />

HEATERS GIVEN<br />

OUT AT CONCESSIONS<br />

Brass heater tags are issued to all cars<br />

at the boxoffice. and the heaters are given<br />

out at the concessions stand upon presentation<br />

of the tags. When patrons leave, they<br />

cither surrender the tag or the heater at<br />

the exit.<br />

The management first tried issuing the<br />

heaters at the boxoffice. but found that it<br />

created more confusion and traffic delays<br />

than the present method of giving them<br />

out at the concessions stand. F\irther, the<br />

concessions business benefits by the trip to<br />

the stand for the heater.<br />

A charge of 10 cents was made for the<br />

heaters, but this proved insufficient to<br />

cover the cost of personnel and operation,<br />

and beginning the first of December the<br />

theatre began advertising that the charge<br />

would be 25 cents beginning January 1.<br />

This new and elaborate drive-in is one<br />

of but four such theatres east of the Mississippi<br />

and north of the Mason-Dixon Line<br />

now operating 12 months in the year, it is<br />

believed.<br />

To assure the theatre being the most<br />

modern possible, plans were changed several<br />

times during construction to enable<br />

the builders to take advantage of new and<br />

improved equipment and ideas.<br />

The present facilities for 1,500 cars will<br />

be increased to 1,870 cars in the spring,<br />

making it among the largest in the United<br />

States.<br />

Costing in excess of $500,000. the new<br />

drive-in is located on Toledo's new "Miracle<br />

Mile," almost directly across from a new<br />

$20,000,000 shopping center now being built<br />

on Jackman and Laskey roads, west of the<br />

city. It is owned by the Glass Mile Drive-In<br />

Theatre, Inc., and managed by Theatre<br />

Operating Co., both of Toledo. Al Boudouris.<br />

owner of the latter company<br />

neered and installed the projection,<br />

and field equipment.<br />

The theatre was completed 14 wee<br />

two days after ground was broken<br />

i<br />

21 days of rain that prevented any i<br />

work.<br />

DOUBLE RAMPING IN THEATRE<br />

The Miracle Mile provides double<br />

ing to bring all cars closer to the<br />

than ever before possible, and is eq<br />

with highway-type maintenance equi<br />

for snow removal in winter.<br />

The curved screen tower was de<br />

for the presentation of all the new<br />

screen projection processes, the sen<br />

self being 60x120 feet. With the pro,<br />

booth 425 feet from the screen, it<br />

of the longest projection throws :<br />

country.<br />

The screen tower consists of si?<br />

frames set in nine bases and is of the<br />

type" construction w^ith pipes of te:<br />

diameter imbedded in concrete. It<br />

signed to withstand wind stress up<br />

44 The MODERN THEATRE SE


, building<br />

; crowded<br />

fact, towers of identical<br />

?sign withstood all three<br />

which swept the east<br />

;e and exit, the Miracle<br />

Kjxoffices<br />

strategically<br />

six entrance lanes intwo.<br />

There are 12 exit<br />

le four which are com-<br />

57 feet long and 38 feet<br />

?e design is modern in<br />

s an angled pylon which<br />

!hts.<br />

is 92x90 feet,<br />

cafeteria-style. It is<br />

itest stainless steel units<br />

and. with four cashiers<br />

die in excess of 3,800<br />

It will be operated by<br />

Co.<br />

.E ENTRANCES<br />

istile entrances require<br />

back along the conces-<br />

When<br />

.ting longer lines.<br />

patrons are<br />

three times, creating an<br />

z that speeds service,<br />

nute" impulse racks loers'<br />

stands are used to<br />

candy and cigars only,<br />

has found that this<br />

ying these items has<br />

f these items over ordijndling<br />

them.<br />

>o houses the projection<br />

loms. The latter are<br />

lewest and most modern<br />

.iences and are finished<br />

e entire building has a<br />

ich took six weeks to<br />

th a crew working seven<br />

OPHONIC SOUND<br />

projection and sound<br />

istalled. This includes<br />

projectors: high fidelity<br />

1, Super 135 projection<br />

pere selenium rectifiers,<br />

r objective lenses and<br />

morphic lenses,<br />

,ts of undistorted audio<br />

; to the three-unit, high<br />

lie sound speakers from<br />

ch were specially modid.<br />

A specially designed<br />

rack was used for the<br />

to get patrons to the<br />

irly is the exhibition of<br />

irtoons before regular<br />

lall 8xl2-foot screen in<br />

sions building. These are<br />

or children is planned<br />

size of the Miracle Mile<br />

lad from the following<br />

I<br />

22-acre site about four<br />

ontinued on following page<br />

Liary 8, 1955 45


IN-CAR HEATERS WIN PATRONAGE<br />

Continued from preceding page<br />

THE<br />

ASHCRAFT<br />

HYDRO-ARC<br />

designed to produce<br />

MORE LIGHT at LESS COST<br />

than any Suprex Lamp. It is the most<br />

economical and high-powered lamp for<br />

SMALL and MEDIUM<br />

DRIVE-INS<br />

We recommend the HYDRO-ARC for<br />

drive-in screens from 40 to 57 feet wide.<br />

s ASHCRAFT MANUFACTURING<br />

36-32 Thirty-Eighth Street Long Island Ciry 1, N. Y.<br />

miles west of Toledo on a highly traveled<br />

highway which is expected to be made into<br />

a six or eight-lane expressway in the near<br />

future.<br />

There were 5,000 yards of concrete and<br />

25,000 yards of stone used in its construction.<br />

If 190,000 feet of underground wiring<br />

used were converted into 14-gauge wire it<br />

would amount to 10,000 miles, enough to<br />

cro.ss the United States three times.<br />

When the theatre is in full operation, the<br />

connected electrical load is equal to that<br />

used by the city of Maumee, population<br />

6,000, located just southwest of Toledo.<br />

SPECIAL PRE-OPENING PROMOTION<br />

Pre-openlng promotions, included the<br />

specially prepared comic book which was<br />

mailed to 60,000 Toledo homes: a saturation<br />

campaign on both radio and TV: bus<br />

cards: bumr>er strips: downtown window<br />

displays of the equipment being used:<br />

various hand-outs and even a Santa Claus<br />

"arriving early so he wouldn't miss the<br />

grand opening" working the downtown<br />

streets. Full page newspaper ads were also<br />

utilized.<br />

Boudouris, who will operate the Miracle<br />

Mile, operates five other drive-in theatres<br />

in Ohio.<br />

i^jMrW<br />

jHUltillH mvi ^*«m<br />

This view of the Miracle Mile Drne-ln<br />

shows the 92x90-foot concessions and p<br />

building in the distance. In the foregn<br />

speaker stand with electrical outlet for h<br />

seen. The theatre is surfaced at presen<br />

regular highway berm mix of crushed st<br />

stone dust. Later it will be macadamized.<br />

Most Economical,<br />

Compact Stereophonic<br />

In-The-Car Speaker!<br />

CREDITS: Amplifiers: Century • Changeable<br />

Letters: Wagner • Drink dispensers: Carbonic •<br />

InCar Heaters: Arvin • Lamps: Strong • Lenses:<br />

Kollmorgen and Bausch & Lomb * Marquee: Dickey<br />

Advertising Service • Popcorn mochine: Manley •<br />

Projection and Sound: Century • Rectifiers: Strong<br />

• Screen paint: Unimex • Screen tower: Selby •<br />

Stereophonic speakers:<br />

Eprad.<br />

The marquee of the Miracle Mile is impi<br />

night. The angled pylon at the right, whicf<br />

is solid, appears only in outline when illi<br />

THE<br />

LOW-COST EPRAD<br />

"STEREO 2 -Only S12.00<br />

With the new "Stereo 2" you con give your<br />

patrons Stereophonic Sound effects — ECO-<br />

NOMICALLY. A new concept of binaural sound<br />

bringing all three channels through two 31/2"<br />

cones in one speaker cose. Drive-ins with<br />

smgle-coned speakers can now add Stereophonic<br />

Sound without re-wiring ramps.<br />

HI-FIDELITY<br />

PERFORMANCE<br />

or low cost. Two-way speaker same size and<br />

weight as standard speaker. Mounts on rear<br />

view mirror, top of dash, ash tray or window.<br />

Also avoiloble:<br />

"The Star," $5.50; "Universal/*<br />

$7.60; "Stereo 3," $14.75, and the famous<br />

"Glow-Top" illuminated junction box<br />

EPRAD<br />

1206 Cherry Street Toledo 4, Ohio<br />

The cafeteria-style concessions at the Miracle Mile was designed for a speedy flow of t<br />

with long lines proceeding through the turnstile entrances, "snaking" around three times<br />

the concessions counters and back to the cashiers. The facing of counters and cashiers' stoi<br />

blond Formica and the floor is terrazxo.<br />

46 The MODERN THEATRE S


SERVICING<br />

SOUND SYSTEMS<br />

ntyne<br />

f-Cone<br />

luse<br />

JND<br />

antyne representnstrate<br />

the Dub'lere<br />

will you find<br />

undistorted sound<br />

at all volume<br />

lOOF<br />

n the speaker has<br />

against moisture<br />

i<br />

1. Diaphragm is<br />

:ect against dampce<br />

coil is noncorjm—will<br />

not buciwell.<br />

)z. Alnico V mag-<br />

-IREE to FIVE<br />

power of earlier<br />

erials.<br />

B'L-CONE<br />

ne super imposed<br />

r with a 3 16-in.<br />

;n for tonal resonxterior<br />

cone prohe<br />

interior cone<br />

sound. Both are<br />

/eatherproof. If<br />

, you can replace<br />

It in a matter of<br />

purpose equipment<br />

fw techniques<br />

antyne<br />

Co.<br />

Omaha, Nebraska<br />

Continued from page 43<br />

and screwed down tight in order to insure<br />

good electrical contact. A poor connection<br />

will cause rioise in the system, in some<br />

cases it ivill cause the loss of sound. Keep<br />

oil off of wiring near the sound head, particularly<br />

wires to exciter lamp and P.E.<br />

in optical sound head.<br />

cells<br />

EASY<br />

TO SERVICE<br />

COMMENTS—The Motiograph S3 and<br />

S4 systems are very simple to service, and<br />

only a limited amount of test equipment<br />

is necessary. With a good multimeter and<br />

test loops you can do very satisfactory<br />

maintenance. A complete set of tubes,<br />

namely, on the A337A amplifier, tube complement:<br />

three 12AY7, two 6L6G. and for<br />

the A-338A amplifier, the same tube complement<br />

with one more tube, 12AT7: the<br />

PK)wer supply tube complement: three<br />

5U4G. The small number of tubes promotes<br />

ease and economy of maintenance,<br />

and the employment of plug-in construction<br />

so that each amplifier may be easily<br />

removed or replaced makes easy servicing.<br />

Most modern theatre amplifiers are now<br />

being manufactured so that amplifiers can<br />

be removed or replaced quickly. It is a<br />

very good idea to keep a spare pre-amplifier<br />

on hand, and a power amplifier, in<br />

case of trouble. The defective one can be<br />

repaired later. In a future issue, we will<br />

present complete step-by-step data on<br />

all leading amplifier circuits.<br />

The servicing procedure of Motiograph<br />

sound systems is no different than with<br />

other makes. In case of a defective audio<br />

stage, in some cases it can be located by<br />

"circuit disturbance" test. Condensers<br />

(capacitors^ , resistors and wiring should be<br />

checked with your ohmmeter, checking tube<br />

first, voltages next, etc., vmtil defective<br />

part is located. Noise is caused by a<br />

p)oorly made cormection, defective tube,<br />

resistor, condenser—usually quickly found<br />

if traced according to previous servicing<br />

instructions given in this department. See<br />

page 41. checking amplifier, Modern<br />

Theatre, issue December 4, for simplified<br />

servicing tips on checking audio amplifiers.<br />

The same advice applies to this<br />

.sound sy."rtem.<br />

MODELS TO FIT ALL THEATRES<br />

Motiograph manufactures several different<br />

models of stereosound to fit the requirements<br />

of any size theatre. Some time<br />

ago we told you about its MA- 7505A amplifiers<br />

for both stereosound and optic<br />

sound reproduction which have been used<br />

successfully in standard theatre sound<br />

systems for many years. In the company's<br />

slightly modified penthouse reproducer, a<br />

few months ago, a few important improvements<br />

were made in the case 'housingi and<br />

wiring, otherwise it is the same sound head.<br />

The changes made were the rounding off<br />

of all the comers .so it will have a much<br />

more attractive appearance and a few<br />

Continued on following page<br />

Drive-ln NOW<br />

and let us<br />

HELP<br />

When it comes to drive-ins The Ballantyne<br />

Company has always taken pride<br />

in being more than just a manufacturer<br />

of sound and projection equipment.<br />

We feel that countless owners and<br />

operators want help and advice on how<br />

to build a better, more economical<br />

drive-in.<br />

That's why we offer these services.<br />

If you have purchased land for a new<br />

drive-in, just send us the general plan<br />

and elevations. Without cost to you we<br />

will lay out the entire theatre. If you<br />

need plans for a projection booth, a<br />

refreshment area or ticket entrance, as<br />

illustrated above, we'll be glad to furnish<br />

them without charge. And of<br />

course, we furnish you with complete<br />

wiring diagrams as well.<br />

Now is not too soon to plan for next<br />

season. Take just two minutes and<br />

drop us a line if you're planning a new<br />

drive-in. We'd like to help.<br />

Originators of the complete pack'<br />

age for ttie Drive-ln Theofres<br />

'^Ballanti/ne(j&<br />

1712 Jackson Street Omaha, Nebraska<br />

\ars 8. 1955 47


SERVICING<br />

SOUND SYSTEMS<br />

Continued from preceding page<br />

slight changes in the wiring to facilitate<br />

service.<br />

The equipment can be very easily installed,<br />

in many cases by the theatre projection<br />

staff, provided they have had some<br />

audio servicing experience, and is very<br />

easy to keep in tip-top operating condition<br />

with only a limited amount of test equipment<br />

necessary as the circuits are not too<br />

complicated. Of course, where the theatre<br />

can afford it. the services of a good engineer<br />

should be employed to make the installation<br />

and instruct the projectionist<br />

how it should be operated for best results.<br />

After installation, only routine cleaning<br />

and occasional check of tubes is necessary.<br />

Tubes should be checked about every two<br />

or three months. Very little •expert" servicing<br />

is necessary all the time, but an occasional<br />

checkup by a sound engineer wiU<br />

assure good performance.<br />

A non-inverting, pressurized, water-type<br />

extinguisher that offers immediate firefighting<br />

efficiency is excellent for inexperienced<br />

operators, who can operate this<br />

type of extinguisher expertly because of<br />

its squeeze grip or lever action control.<br />

REPLACE APERTURES QUICKLY<br />

with the NEWs^S%^<br />

SPRING LOADED<br />

New Drive-In Speakers S<br />

To Offer Stereo Effects<br />

Without Rewiring Ramps<br />

Drive-in operators using singl«<br />

speakers may now convert to stereof<br />

sound without rewiring the ramps 1<br />

stalling the Stereo 2. one of four sp<<br />

now being offered by Eprad, Inc.<br />

By using an automatic coupling<br />

over system, the Stereo 2 combin<br />

three channels through two 3 '2-inch<br />

in a single speaker case. The new pri<br />

in binaural sound is said to make th<br />

in-car sp>eaker one of the most co<br />

and economical on the market. It n<br />

the number of speakers, junction boxi<br />

^I^B^^ 1<br />

FINGER<br />

GRIP<br />

PLATE/<br />

THE SPRING<br />

IS THE THING<br />

For<br />

Standard and Super Projectors.<br />

Remove one aspect ratio<br />

plate and replace with another —<br />

zip-zip -that quick! The blue tempered spring steel wedge holds<br />

plate firmly in place and the new finger grip facilitates rapid removal.<br />

Eliminates the P-445-E Sliding<br />

Piece.<br />

At your Theatre Equipment Dealers Now<br />

MANUFACTURED BY<br />

LaYezzi Machine Works<br />

4635 WEST LA|(E ST. • CHIC AGO 44, III.<br />

This is the Stereo 2, one of four speakers<br />

foctured by Iprad, Inc.<br />

the amount of booth equipment and i<br />

ground wiring normally required.<br />

Another speaker in the Eprad line<br />

Stereo 3 with three driver units. B<br />

necting each unit to the proper cl<br />

amplifier, it reproduces the sound<br />

the portion of the screen from wl<br />

emanates in its complete dynamic ra<br />

The other two speakers being offe<br />

Eprad are the Universal and the Sta:<br />

inexpensive Universal with its die-ca<br />

minum case was designed as a replac<br />

model. It is said to offer unusual b;<br />

sponse, fidelity and dynamic rangt<br />

Star, which has a Fiberglas case li<br />

Stereo models, is small enough to<br />

hand.<br />

Dit-Mco's New Atomic Jet Lamp House<br />

BLOWERS<br />

•Keep Reflectors CLEAN<br />

•Keep Lamps COO-L-E-R<br />

Should be considered as standard booth equipment to draw out<br />

increased hcot and carbon osh from lamp house ond stocks os<br />

result of higher ampcrancs from oil new, wide pictures. Exhousting<br />

carbon osh prevents trouble with change-over-switches,<br />

volume controls, tube sockets, switches . . stops danger of<br />

.<br />

scratching film.<br />

These grcot time, work ond money savers protect valuoble<br />

tooted lenses; give longer life to reflectors by eliminating<br />

icid, milky condition. Operate with lower omperogc^, reduce<br />

rorbon consumption, exhaust projection room heat and gases.<br />

Tit-Mco Blowers solve oil these problems.<br />

Available in 6 in. and 8 in. pipe sizes<br />

SPEAKER STAh<br />

and GUIDE LIG<br />

POSTS<br />

Fobricated to your specific<br />

from new or used steel pi<br />

tubing—black and golvan<br />

Write—Wire—P/ione<br />

Single<br />

Stack<br />

Write or Wire fnr Full Pctails. Prices on all items<br />

DRIVE-m THEATRE MFG. CO. "ditImco<br />

"World's Largest Manufacturer of Drlve-ln TlKatrc<br />

Equipment"<br />

505 W. 9th Street. HArrison 8007-8484. Kansas City. Mo.<br />

SONKEN-GALAMBA C<br />

2nd ond Riverview<br />

Kansas City 18, Konst<br />

ATwoter 9305<br />

48<br />

The MODERN THEATRE SI


, replacement<br />

rture Plate<br />

hanges<br />

P-1280<br />

FOR MORE<br />

INFORMATION<br />

Machine for Cleaning<br />

Upholstered Furniture<br />

P-1283<br />

USE Readers'<br />

Bureau Coupons, Page 35<br />

loaded aperture plate<br />

the LaVezzi Machine<br />

le need for handling two<br />

he aperture is removed<br />

s from one aspect ratio<br />

and easier. The new<br />

lich is available in all<br />

has a new finger grip<br />

itate removal. Consisty<br />

of an aperture plate<br />

red spring steel wedge<br />

)late in place, the new<br />

lown as the SP-672-E<br />

ed for use on either the<br />

uper Simplex projector<br />

for the<br />

aperture plate and the<br />

Bce.<br />

ner<br />

ns<br />

P-1281<br />

; baby bottle warmer of<br />

^pe. especially designed<br />

re concessionaires, was<br />

cent tradeshow in Chi-<br />

:equires no attention by<br />

;s. Patrons merely help<br />

laby's bottle is Inserted<br />

into the heating unit and it is warmed<br />

to the correct temperature, which is controlled<br />

by a thermostat, within a few minutes'<br />

time. The unit is designed to accommodate<br />

four large and two small bottles<br />

at the same time. There is no overheating,<br />

nor broken bottles or buined out units, the<br />

makers claim. Marketing it nationally<br />

under the name of Jobil Baby Bottle<br />

Warmer, the manufacturers report a growing<br />

acceptance for the new drive-in product.<br />

The unit is made of cast aluminum<br />

with Calrod heating elements, and is designed<br />

to operate on 110-220 volts alternating<br />

current only. The product is fabricated<br />

by the Jobil Products Co.<br />

Floor Wax Is Combined<br />

With An Insecticide<br />

P-1282<br />

Floors glow—Bugs<br />

"<br />

go is the claim made<br />

by the Freewax Corp.<br />

for its new combination<br />

floor wax and insecticide.<br />

Unconditionally<br />

guaranteed,<br />

PreeWax is said to<br />

not only kill insects<br />

such as ants, roaches<br />

and silver fish on<br />

contact but will outshine<br />

and outwear other waxes. The twoin-one<br />

wax also boasts many other superior<br />

qualities as a floor dressing. Because<br />

it is self-polishing. FreeWax is easy<br />

to apply yet it will not wash off from<br />

damp moppings. Removal is simply accomplished<br />

with soap and water. Another<br />

feature of the wax is that it offers nonskid<br />

protection on all surfaces whether<br />

they are wood, cement, rubber tile or<br />

others. The claims about its anti-slip<br />

properties are verified by the Underwriters<br />

Laboratories.<br />

Claims made (or prtducts described ediloriolly<br />

on this and other pages are token from the<br />

monutocturers'<br />

statements.<br />

Upholstered seats and lobby furniture<br />

in theatres can now be cleaned quickly and<br />

easily with the Upholstery Deterger and<br />

detergent, made by Von Schrader Manufacturing<br />

Co. The detergent is worked into<br />

dry air-blown suds which are thoroughly<br />

brushed into the fabric where they absorb<br />

dirt and foreign matter by means of an<br />

electrically powered nylon brush. The suds<br />

are then removed by a vacuum attachment.<br />

The cleaning process eliminates rinsing<br />

and assures quick drying. The detergent<br />

does not leave any sticky films which promote<br />

soiling nor will it harm wood surfaces.<br />

A moth-resistant ingredient has also been<br />

added to the cleaning fluid. The machine<br />

is designed for convenience. It weighs<br />

only 39 pounds and is easy to handle due<br />

to its handle and ball-bearing casters.<br />

Solidly constructed for durability, the<br />

Deterger operates from two universal<br />

motors on either AC or DC of 105 to 120<br />

volts. A six-month guarantee against mechanical<br />

or material defects accompanies<br />

each unit.<br />

Wall Sand Urns Require P-1284<br />

Minimum Maintenonce<br />

The problem of cigaret butts and like<br />

litter on the floor can be reduced with<br />

installation of the wall urns developed by<br />

Witte Building Specialties, Inc. The attractive<br />

receptacles, which are available in<br />

a choice of stainless steel or satin-finished<br />

bronze to fit any decorative scheme, are<br />

mounted on the wall surfaces by means of<br />

adhesives or bolts. The urns are filled<br />

with sand, are said to be easy to maintain.<br />

uary 8, 1955 49


The MODERN THEATRE SE<br />

Multiple Drink Dispenser P-1285<br />

Unusually Compact Unit<br />

"The smallest multiple<br />

drink cup machine<br />

ever made" is<br />

how Cole Products<br />

Corp. describes its<br />

new ColeSpa Special.<br />

Available in one,<br />

three and four-flavor<br />

models, the unit measures<br />

65 inches high.<br />

24^2 inches wide and<br />

22 '2 inches deep. The<br />

Special, said to be the<br />

lowest-priced unit in<br />

the history of the industry,<br />

has a syrup<br />

capacity that ranges from 830 drinks on<br />

the single-flavor model to over 1,500 on<br />

the three and four-drink models. Drinks<br />

can be dispensed at the rate of one every<br />

five seconds and are counted with nonresettable<br />

automatic register. A choice of<br />

either carbonated or non-carbonated beverages<br />

may be served and a drink adjustor<br />

allows the operator to set the ratio of<br />

syrup to water at a constant measure. The<br />

mechanism may be serviced through the<br />

front door of the stainless steel unit. Complicated<br />

electrical circuits have been eliminated<br />

in favor of two relays which control<br />

the operation. Illuminated flavor card<br />

panels are standard equipment.<br />

A New Formfitting Chair P-1286<br />

For Theatre Auditoriums<br />

International Seat Corp., originators of<br />

,0^^<br />

all-steel unit construction in theatre seats,<br />

has announced the addition of a new line,<br />

the Pacemaker. The new seats are said to<br />

offer a deeper and more formfitting back<br />

and seat upholstery to give the patron<br />

greater comiort. Like all other International<br />

seats, the Pacemakers are constructed<br />

of steel throughout. The backs<br />

are attached to the sideplates by means<br />

of steel wings which assui-e proper back<br />

pitch and rigidity. The system is claimed<br />

to reduce costs and minimize errors during<br />

the installation of the seats. Details on the<br />

new chairs are obtainable from most independent<br />

theatre supply dealers or the<br />

manufacturer.<br />

mmmi)<br />

m<br />

Exploitation<br />

For Double Billing<br />

Frame Designed<br />

The problem of advertising<br />

late bookings<br />

may be solved by<br />

means of the Duplex,<br />

a double - billinp<br />

frame designed and<br />

produced by the<br />

Romar-Vide Co. The<br />

nationally distributed<br />

frame will hold two<br />

11x14 - inch inserts<br />

plus a 2x14 date strip.<br />

Constructed for durability,<br />

the weatherproof<br />

Duplex is made<br />

of double-strength<br />

P-<br />

^"o NOW SHOW<br />

glass and stainless<br />

steel frames. Each<br />

unit is fully guaranteed<br />

and replacements<br />

ai'e made without<br />

charge. The frames are installed<br />

ject to the exhibitor's approval. The<br />

pany also makes signs for concessions<br />

bars, counters and for boxoffices. A :<br />

escent card stock is<br />

used.<br />

New Device Uses Ozone<br />

To Clean Air<br />

The General Ozone Corp. has re(<br />

placed on the market an air deodori<br />

be attached to the sidewall of hei<br />

cooling equipment or on the suctioi<br />

of an air duct. The self-contained<br />

which is designed for use with forci<br />

circulating systems, operates on the<br />

ciple of adding small quantities of<br />

to the air stream. The ozone is immed<br />

diffused in the air where it oxidizes tl:<br />

desirable foreign matter. The rr<br />

state the ozone is not noticeable if<br />

in the proper proportions.<br />

P<br />

-RICE REDUCTIOI^S<br />

in their World Famous<br />

Here's good news!<br />

Bodde Seamless<br />

aluminum or matte 2ualiiu<br />

white cast-plastic screens now<br />

competitively priced<br />

No welded seams<br />

* No streaks<br />

Hard aluminum surface does not mar when touched<br />

or cleaned, and truly washable<br />

"New" screen brightness LASTS!<br />

Plus double-weight screen for added strength<br />

Three gain factors to choose from<br />

M<br />

%Z\^%1\%<br />

KSi^SSSiS-<br />

See your Local Supply Dealer (or contact //.« direct for further information)<br />

THE BODDE SCREEN COMPANY<br />

8829 VENICE BOULEVARD • LOS ANGELES 34, CALIFORNIA<br />

.ff<br />

.«4<br />

Animated Signs in Multicolor P<br />

For Theatre Display Advertising<br />

HOTDIi<br />

Eye appeal plus durability is the<br />

that the Liquid Light Co. makes in 1<br />

to its animated display signs. Animal<br />

achieved in the signs by a constant<br />

volving drum of six<br />

different colors<br />

are reflected through the Plexiglas 1<br />

mounted on a Plexiglas message<br />

Constructed of heavy gauge meta<br />

dm-ability and finished in a silver har<br />

tone, the signs may be plugge<br />

anywhere. The signs have been api;<br />

by the Underwriters' Laboratories. Th<br />

wired with a six-foot cord.


—<br />

v^ounted<br />

!-lns<br />

P-1290<br />

of the drive-in. It is<br />

n and is equipped with<br />

; carbon dioxide, dry<br />

izing liquids. The three<br />

carrying the Under-<br />

:e it possible to fight<br />

f fires that might occur<br />

ition such as gasoline<br />

,<br />

electrical and upholthe<br />

units after use may<br />

sily by members of the<br />

sol P-1291<br />

in operators who have<br />

id landscaping to care<br />

Inc., has developed sev-<br />

:le bar mowers that, it<br />

every cutting job plus<br />

iltivating soil in garden<br />

;, the Junior and the<br />

'd for these uses at out-<br />

The larger Champion<br />

ckle bar which will hug<br />

I and mow heavy weeds,<br />

The<br />

without stalling.<br />

ed by a 2'2-h.p. motor<br />

nd the Junior operates<br />

tor. The two machines<br />

ir except for size. Snow<br />

rer. sprayer and tiller<br />

mailable for both.<br />

to revarnish your wood<br />

what kind of varnish<br />

jI<br />

lishes become more or<br />

dy heat and that makes<br />

ion. Use only varnish<br />

for seating, but if you<br />

•ouble of stickiness, try<br />

.t of a good water wax,<br />

the wax is dry.<br />

The toUowing concerns have recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies may<br />

obtain them promptly by using the Readers'<br />

Bureau postcard in this issue of The Modern<br />

Theatre.<br />

L-1689 The complete story of the hand<br />

di-yers manufactured by the Electric Aire<br />

Engineering Corp. is told in a well-illustrated<br />

catalog. Two types of the "C" model<br />

dryers, one a recessed wall model and the<br />

other a surface type, are fully discussed<br />

from the architects' specifications to their<br />

working parts. Among the many features<br />

listed for both models are variable air direction,<br />

electric lighted instructions, breakproof<br />

housing and nozzle guard and easy<br />

repair plus a two-year guarantee. Instructions<br />

on the planning of installations are<br />

also included.<br />

L-1690 Of particular interest to outdoor<br />

operators will be the new ciixular entitled<br />

"Wide Screens for Drive-Ins" prepared<br />

and distributed by Motiograph, Inc.<br />

After giving many reasons for increasing<br />

the width of screens, the problem of additional<br />

projection and sound equipment is<br />

discussed. Each of the special needs in<br />

lenses, arc lamps, filters, power sources,<br />

current supply, sound equipment and projectors<br />

are dealt with in full by means of<br />

words and photographs. Although the material<br />

is being distributed by Motiograph,<br />

il does not concern itself solely with that<br />

firm's equipment but makes recommendations<br />

on the products of other manufacturers.<br />

The circular, by outlining conversion<br />

problems and offering solutions for<br />

each, may save theatremen much confusion.<br />

L-1691 The advantages of the service<br />

contract offered by Altec Service Corp.<br />

are detailed in a new eight-page booklet<br />

prepared by the firm. By means of a photostory,<br />

the service and protection rendered<br />

by Altec's 200 field engineers to over 6,000<br />

theatres is told. Operating out of 31<br />

branch offices throughout the nation, the<br />

fieldmen handle the installation, inspection,<br />

service and maintenance of all types<br />

of sound equipment.<br />

MODERN THEATRE SEATING<br />

inFAl<br />

(totntbelovesl m the i""— —==<br />

priced to t\^e«»«^^ =<br />

Ytee_^<br />

luxurious.<br />

- p\anmnSservKC.^<br />

\Hera^<br />

^nle tor<br />

SEATING COMPANY<br />

MODERNIZED<br />

WASHROOMS<br />

INCLUDE<br />

recessed<br />

ELECTRIC-AIRE<br />

New Recessed "C" Model<br />

HAND<br />

Electrjc-Aire<br />

DRYERS project only<br />

3-'!4" from the wall. Especially<br />

designed for low<br />

cost installation in new<br />

construction and modernizeti<br />

walls.<br />

ARCHITECTS and ENGI-<br />

NEERS specify Electric-<br />

Aire. It preserves the<br />

original conception of a<br />

modern washroom and<br />

assures many years of<br />

trouble-free dependable<br />

service.<br />

OWNERS and USERS<br />

prefer Electric -A ire because<br />

of its quick, chap<br />

free hand and face drying,<br />

and automatic around the<br />

clock service . . . and because<br />

it keeps washrooms<br />

looking neater and<br />

cleaner.<br />

IF YOU WOULD LIKE THE FACTS-<br />

Write Todoy to . . .<br />

lary 8, 1955 51


—<br />

about PEOPLE/and PRODUCT h<br />

W.W"'<br />

Richard N. Greenwood, president of the<br />

Heywood-Wakefield Co., recently observed<br />

his 25th anniversary at the helm of the<br />

firm which manufactures theatre seats and<br />

other types of furniture. A direct descend-<br />

At the annual fall membership meeting<br />

of the Carpet Institute, the trustees elected<br />

Charles A. Karagheusian to serve as chairman<br />

of the board. Karagheusian, who is<br />

chairman of the board of A&M Karagheusian,<br />

Inc., succeeds James G. Law, vicepresident<br />

of the Magee Carpet Co. Two<br />

new members were elected to the association's<br />

board and two others were re-elected.<br />

The new members are Herbert Shuttleworth,<br />

president of the Mohawk Carpet<br />

Mills, and Alfred de Gozzaldi, president of<br />

Roxbury Carpet Co. Re-elected were James<br />

D. Wise, president of Bigelow-Sanford<br />

Carpet Co., and Joseph L. Eastwick, president<br />

of James Lees & Sons Co.<br />

Richard N.<br />

Greenwood<br />

ant of the original Heywood brothers,<br />

Greenwood took over the presidency of the<br />

129-year-old firm at the beginning of the<br />

depression. While other seating manufacturers<br />

were going out of business, he developed<br />

Heywood-Wakefield into one of the<br />

leaders in its field by the inauguration of<br />

systems and policies such as the development<br />

of new products, national advertising<br />

and the installation of conveyors at the<br />

plant.<br />

STANDARDIZE With<br />

Super Cleaning<br />

Replace outmoded mops, brooms, domestic type vacs<br />

and other miscellaneous hard-to-use cleaning aids with<br />

a Super Heavy Duty Suction Cleaner. Standardize with<br />

the Super and especially designed Super Tools that<br />

squarely meet your individual problems of theater<br />

cleaning. Do the job better, faster, for less money.<br />

Everybody's doing it. A recent letter to a Super Distributor<br />

is typical. **We are now planning to standardize<br />

on the National Super Service Cleaner Model M.<br />

Kindly send us 4 additional copies of the parts list<br />

for this unit." (Name on request)<br />

Theaters all over the country are standardizing<br />

their cleaning job with a Super. Let your Super<br />

dealer show you how to get the best job for the<br />

least money. Or write.<br />

NATIONAL SUPER SERVICE CO., INC.<br />

1941 N. 12th St., Toledo 2, Ohio<br />

At a series of banquets across the United<br />

States, 265 employes of the product manufacturing<br />

and service divisions of the Radio<br />

Corp. of America were inducted into the<br />

RCA Victor 25-Year Club and presented<br />

with gold watches in recognition of their<br />

long service. The addition of the new'<br />

group brought the number of eligible employes<br />

to nearly 1,800.<br />

It was originally organized<br />

by RCA product and service division<br />

in 1948.<br />

The largest ceremony took place at<br />

Philadelphia where 166 new members were<br />

em-oUed at a luncheon which was attended<br />

by 1,200 other club members. The<br />

main speaker at the ceremony was Theodore<br />

A. Smith, vice-president and general<br />

manager of the engineering products division.<br />

D. P. Schmit, vice-president in charge<br />

of engineering, awarded the watches.<br />

The other new members were enlisted at<br />

plant ceremonies at Lancaster, Pa.; Indianapolis,<br />

Cincinnati, Los Angeles, Detroit,<br />

Camden and Harrison, N. J.<br />

Super Model BP-1<br />

— Quiet, double<br />

dutycleaner<br />

both wetand<br />

dry pickup.<br />

M<br />

Model<br />

general cleaning<br />

Easily converted to<br />

blower.<br />

o<br />

Sales and Service in Principal Cities<br />

In Canada: Plant Maintenance Equipment Co,<br />

Toronto, Montreal, Vancouver<br />

"Once Over Does If"<br />

SUPER SUCTION<br />

SINCE 1911 (§)<br />

THE DRAFT HORSE OF POWER SUCTION CLEANERS"<br />

o<br />

Jerry Prizant, installation engineer (left',<br />

c section of the thousands of electrical!<br />

plates in the new Westinghouse Preci<br />

purefier which was just recently insolli<br />

Clark Theatre, Chicago, while James Stev<br />

tre engineer, looks on. The precipitron, c<br />

installed in theatres throughout the U. S<br />

daily designed to remove allergyproducin<br />

from the air. The purefier was installed<br />

a $50,000 modernization program at the C<br />

Three executive appointments<br />

Three Dimension Co., a division c<br />

Howell Co., were announced by R<br />

Smith, vice-president of sales ant<br />

tising. John P. Stewart was nai<br />

tional manager of filmstrip projec<br />

and Wes Summerfield was appoint<br />

ager of tape recorder sales. John<br />

ken will be the new assistant to t<br />

president in charge of sales and ad\<br />

The sales service division of t<br />

man Kodak Co. is now distributin<br />

revised edition of its "Notes on<br />

Photography." The pamphlet, v<br />

punched to fit Kodak's Photograpl<br />

book, contains advice for photogra<br />

the handling of film and equip<br />

tropical areas where heat and hum<br />

the main sources of trouble. It ma<br />

tained by writing the Sales Service<br />

Eastman Kodak Co., Rochester 4,<br />

"y[ou Can t ^uy. JSett<br />

Wl LLI AMS<br />

SCREEN<br />

COMPAI<br />

1679 SUMMIT LAKE BLVD., DepL1679AKF<br />

ORIGINATORS OF All.PlASriC t SEAMLESS PLASTI<br />

52 The MODERN THEATRE £


1 will<br />

. The<br />

—<br />

(OFFICE<br />

J|]^^iJJl)5<br />

ilTOR HAS HIS SAY ABOUT PICTURES<br />

ARTISTS<br />

(AA)—This is an extra<br />

Play it on a weekend<br />

dian fans will love it.<br />

Theatre, St. Stephen,<br />

n (AA)—John Hodiak,<br />

;e Bennett. Just a waste<br />

;, it was a good thing<br />

vas excellent. Title will<br />

3y sure let you know<br />

ut. Played Wed., Thurs.,<br />

;old with light snow.<br />

House Theatre, Coati-<br />

1 and rural patronage.<br />

JMBIA<br />

)<br />

— Humphrey Bogart,<br />

lacMurray. If you want<br />

be proud of, play<br />

n't think it will be a<br />

W. S. Funk, Star The-<br />

C. Population 1,200.<br />

MOUNT<br />

-Alan Ladd, James Ma-<br />

.. A good picture with<br />

vorth what Paramount<br />

Too cruel to suit the<br />

Dod and if you can buy<br />

ertainly won't have any<br />

I little money. Played<br />

jood.—Fred L. Murray,<br />

iritvvood, Sask. Smallnage.<br />

1)—Bing Crosby, Bob<br />

or. Bing, Bob and Dot-<br />

; comedy. It had plenty<br />

e plentiful. Good color,<br />

un. Weather: O. K.—<br />

Stic Theatre, Eureka,<br />

,d rural patronage.<br />

(Para)—Charlton Hesibert<br />

Young. Fairly good<br />

rticular drawing power,<br />

bought right. Charlton<br />

ere. Played Sun., Mon.<br />

;ool.—Terry Axley, New<br />

t. Small-town and rural<br />

s (Para)—Betty Hutton,<br />

rt Keith. Betty Hutton<br />

J didn't have many of<br />

chimp in the pic-<br />

. Played Wed., Thurs.<br />

lael Chiaventone, Valley<br />

;y. 111. Small-town and<br />

RADIO<br />

Disney Cartoon Feature,<br />

le ole wooden head, my<br />

t has done well again,<br />

ith "Tarzan and (of all<br />

vil." Played Tliurs. to<br />

.—Lew Bray jr.. Queen<br />

xa.s. Medium size town,<br />

iking patronaige.<br />

UBUC<br />

eeps<br />

(Rep)—Gig Young,<br />

uide Jan. 8. 1955<br />

Mala Powers, William Talman. Interesting<br />

cops and crooks drama of Chicago after<br />

dark. Customers go for this type occasionally.<br />

Biz good.—Frank Sabin, Majestic Theatre,<br />

Eureka, Mont. Small-town and rural patronage.<br />

20th CENTURY-FOX<br />

David and Bathsheba (20th-Fox)—Gregory<br />

Peck, Susan Hayward, Raymond Massey. An<br />

oldie that we were forced to play percentage<br />

'It Should Happen to You<br />

—And It Did!<br />

•ToEHHS:<br />

I haven't been reporting^ lately because<br />

I haven't been able to buy a 3c<br />

stamp to mail the letter. I have had TV<br />

in this area about two and a half years<br />

now. In the beginning all the motion picture<br />

salesmen told me that it would cut<br />

down my business for a year or a year<br />

and a half and then let up. Now, some<br />

of them say three years and some admit<br />

that they don't know if my business will<br />

ever come back.<br />

If any readers know how I can get<br />

back my lost audience I wish they would<br />

answer me in BOXOFFICE. No matter<br />

what I play—and I am playing the top<br />

pictures—I can only take in $25 to $50<br />

top in two days. On many pictures at<br />

$20 to $17.50 flat, I'm paying 60 to 75 per<br />

cent for film. And I have paid as high as<br />

110 per cent. A few days ago on a Columbia<br />

picture I guaranteed $20 and grossed<br />

$19 in two days. The title of this picture<br />

was "It Should Happen to You."<br />

Thanks to our friendly theatre supply<br />

house, we put in CinemaScope and opened<br />

several weeks ago with "The Kobe." I<br />

found that all my patrons had gone to<br />

large towns at a distance of 50 to 100<br />

miles to see the picture eight months<br />

to a year ago. Our second 'OS picture<br />

was "How to Marry a Millionaire" on<br />

which we did less than average business.<br />

The same was true for "Ring of Fear."<br />

What's the answer?<br />

W. S. FUNK<br />

Star Theatre<br />

St. Stephen, S. C.<br />

and it wasn't worth it. If possible play it<br />

straight and you can make a dollar. Played<br />

Wed., Thurs., Fri., Sat. Weather: Cold.—<br />

Harold Bell, Opera House Theatre, Coaticook.<br />

Que., Small-town and rural patronage.<br />

Garden of Evil (20th-Fox)—Gary Cooper,<br />

Susan Hayward, Richard Widmark. This picture<br />

is no big special by a long shot. Just a<br />

fair outdoor picture and certainly not worth<br />

the percentage terms asked. Played for three<br />

days, Thursday through Saturday and the<br />

picture's draw was only fair. I weis left with<br />

only $9.36 for my share. 'Scope is a great<br />

thing but where is all the money we were<br />

going to make by putting it in?—W. L. Stratton.<br />

Lyric Theatre, Challis, Idaho. Small-town<br />

and rural patronage.<br />

Inferno (20th-Fox)—Robert Ryan, Rhonda<br />

Fleming, William Lundigan. Another excellent<br />

film from Fox. Thoroughly enjoyed by till<br />

patrons. Because of the title many missed It<br />

and then complained bitterly because of it.<br />

This is in brilliant Technicolor, has top performances<br />

and plenty of action. We played the<br />

2-D version. Those equipped for 3-D should<br />

do very well with this film. Played Thurs.,<br />

Fri., Sat. Weather: Very hot.—Dave S. Klein,<br />

Astra Theatre, Kitwe-Nkana, Northern Rhodesia,<br />

Africa. Mining, government and business<br />

patronage.<br />

Ruby Gentry (20th-Fox)—Jennifer Jones<br />

Charlton Heston, Karl Maiden. Boy, there<br />

are surprises in this business every day.<br />

Thought this was going to be another "turkey"<br />

but it really upset the applecart. Best<br />

Wednesday night in over a year, topping even<br />

"Quo Vadis." Jennifer Jones, Charlton Heston<br />

and Karl Maiden give outstanding dramatic<br />

portrayals. Played Wed., Thurs. Weather:<br />

Cool.—Norman Merkel. Time Theatre, Albert<br />

City, Iowa. Small-town and rural patronage.<br />

Three Young Texans (20th-Fox)—Mitzi<br />

Gaynor, Keefe Brasselle, Jeffrey Hunter. Just<br />

another western as far as story is concerned<br />

but the atmosphere was very pleasing and<br />

enjoyed by all. Played Wed., Thurs., Fri.,<br />

Sat. Weather: Cool.—Harold Bell, Opera<br />

House Theatre, Coaticook, Que. Small-town<br />

and rural patronage.<br />

UNITED ARTISTS<br />

Lone Gun, The (UA)—George Montgomery,<br />

Dorothy Malone, Frank Faylen. A good<br />

western—not in the old formula of the general<br />

run of stuff. Business above average.<br />

Played Sat. Weather: O. K.—D. W. Trisko,<br />

Runge Theatre, Runge, Texas. Small-town<br />

and rural patronage.<br />

Sabre Jet (UA)—Robert Stack, Coleen Gray,<br />

Richard Arlen. Airplane stories draw well<br />

with my folks. Price was right. Color helped<br />

put it over. Fair enough! Played Tues., Wed.<br />

Weather: O. K.—Frank Sabin, Majestic Theatre,<br />

Eureka, Mont. Small-town and rural<br />

patronage.<br />

Shark River (UA)—Steve Cochran, Carole<br />

Mathews, Warren Stevens. Not a bad film but<br />

it wasn't worth the rental we were charged.<br />

The UA office in Johannesburg has a bad<br />

habit of saying 50 per cent each time they<br />

think they have a fair film. Yes, "Shark<br />

River" is right—title and rental quite coincidental.<br />

Now, if you can get it at the right<br />

rental, action houses will do well. We just<br />

about broke even. Played Sun., Mon. Weather:<br />

Hot.—Dave S. Klein, Astra Theatre,<br />

Kitwe-Nkana, Northern Rhodesia, Africa.<br />

Mining, government and business patronage.<br />

Top Banana (UA)—Phil Silvers, Rose Mary,<br />

Danny Scholl. Better screen this before you<br />

show it. Some towns like Phil Silvers and<br />

some towns don't.—E. M. Freiburger, Dewey<br />

Theatre, Dewey, Okla. Small-town and rural<br />

patronage.<br />

UNIVERSAL-INTERNATIONAL<br />

Border River (U-D—Joel McCrea, Yvonne<br />

De Carlo, Pedro Armendariz. Picture is good.<br />

Played to slightly better than average business<br />

on my Friday and Saturday change.<br />

We did miss the Indians in this one but it<br />

was a change anyway.—W. L. Stratton, Lyric<br />

Theatre, Challis, Idaho. Small-town and<br />

rural patronage.<br />

Johnny Dark (U-D—Tony Curtis, Don<br />

(Continued on next page)<br />

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P1<br />

'<br />

The EXHIBITOR HAS HIS SAY<br />

(Continued from preceding page)<br />

Taylor, Piper Laurie. Saw this on wide screen<br />

in a neighboring city. Good sport car racing<br />

picture. Don Taylor and Piper Laurie turn<br />

in good acting jobs. Tony Curtis is in it for<br />

the bobbysox bunch. Business was fair at<br />

their theatre. Played wed.-Sat.—Norman<br />

Merkel, Time Theatre, Albert City, Iowa.<br />

Small-town and rural patronage.<br />

Law and Order (U-D—Ronald Reagan,<br />

Dorothy Malone, Preston Foster. This is a<br />

real rough one. Ronald Reagan is made marshal<br />

and proceeds to carry out his duties to<br />

the letter. Has plenty of trouble with town<br />

bosses but, of course, "law and order" is the<br />

final result. Color and story good. Played<br />

Wed., Thurs. Weather: Still cold and cloudy.<br />

—James Wiggs, jr., Tar Theatre, Tarboro,<br />

N. C. Small-town and rural patronage.<br />

Saskatchewan (U-D—Alan Ladd, Shelley<br />

Winters, J. CarroU Naish. This is one of the<br />

better films in Technicolor and, except for<br />

Shelley Winters, who in our estimation louses<br />

up any picture, drew fairly well. Whoever<br />

designed her gowns was certainly playing to<br />

the male pait of the audience. Played Sun.,<br />

Mon. Weather: Rainy and cool.—Walt and<br />

Ida Breitling, Comfrey Theatre, Comfrey,<br />

Minn. Small-town and rural patronage.<br />

Thunder Bay (U-D—James Stewart, Dan<br />

Duryea, Joanne Dru. Splendid picture classified<br />

as a drama but it should have been<br />

called melodrama. Plenty of action yet not a<br />

shot fired—something new! James Stewart<br />

is splendid in this picture and so are the<br />

rest of the cast. It's a better picture than<br />

"Bend of the River." Drew 140 per cent even<br />

with very bad roads. Played Mon., Tues.<br />

Weather: Poor.—Fred L. Murray, Strand Theatre,<br />

Spiritwood, Sask. Small-town and rural<br />

patronage.<br />

Yankee Pasha (U-D— Jeff Chandler,<br />

Rhonda Fleming, Mamie Van Doren. C3ood<br />

picture. What lovely "babes in the harem."<br />

Sort of an Arabian Nights tale. Color wonderful.<br />

Played Tues. Weather: Warm.—<br />

Michael Chiaventone, Valley Theatre, Spring<br />

Valley, 111. Small-town and rural patronage.<br />

WARNER BROS.<br />

(WBi—Kirk Etoug-<br />

Along the Great Divide<br />

las, Virginia Mayo, Walter Brennan. Just a<br />

good average western in color. If your patrons<br />

like westerns they will go for this one. Not<br />

too much shoot-em-up and a little more<br />

story. This is old and Warners sold it to<br />

me right and I made a little money which<br />

is more than I can say for the last two<br />

months. Played Fri., Sat. Weather: Good and<br />

the farmers busy.—Fi-ed L. Murray, Strand<br />

Theatre, Spiritwood, Sask. Small-town and<br />

rural patronage.<br />

Desert Song, The (WB)—Kathryn Grayson,<br />

Gordon MacRae, Steve Cochran. This<br />

wasn't as well liked as the previous version<br />

which starred Dennis Morgan. Dick Wesson<br />

really had an opportunity to show audiences<br />

that he is a great comedian. He stole the<br />

picture so far as acting was concerned.<br />

Music beautiful—business normal. Played<br />

Sun., Mon. Weather: Cool.—Michael Chiaventone,<br />

Valley Theatre, Spring Valley, III. Medium<br />

size town second run patronage.<br />

Dial M For Murder (WB)—Ray Milland,<br />

Grace Kelly, Robert Cummings. One of the<br />

top murder mysteries of all time. Top playing<br />

time. Advertise it big—W. S. Funk, Star<br />

Theatre, St. Stephen, S. C. Population 1,200.<br />

Fort Worth (WB^—Randolph Scott, David<br />

Brian, Phyllis Thaxter. This Randolph Scott<br />

is an "oldie" but a "goodie." The previous<br />

exhibitor here had passed it up although I<br />

wouldn't know why. Doubled it with "Black<br />

Fury" (WB) to our best Friday-Saturday<br />

business since the first of the year. Can't un-<br />

Bob Walker since he's still big here. Played<br />

Friday-Saturday. Weather: Cool.—Norman<br />

Merkel, Time Theatre, Albert City, Iowa.<br />

Small-town and rural patronage.<br />

High and the Mighty, The (WB)—John<br />

Wayne, Claire Trevor, Laraine Day. Now<br />

here is a motion picture! It is very good and<br />

holds interest from the start for the full<br />

147 minutes. It is nice to get pictures like<br />

this to run for your public but I would like<br />

to know why we do it when the producers<br />

won't let us make a dime profit on them?<br />

This picture was sold to me for 50 per cent<br />

of the gross. Did over $300 and I came up<br />

nearly $4 short of breaking even. I just cannot<br />

understand why the producers cannot—<br />

or won't sell these pictures to the small towns<br />

so that they can make a fair profit. This is<br />

the seventh Cinemascope picture I have<br />

played and I have not even started to regain<br />

the money paid out for the lens to run them<br />

with. I am going to refuse to buy any more<br />

50 per cent pictures as it is just a waste of<br />

time to work for the producers. Played for<br />

four days: Sun. through Wed.—W. L. Stratton,<br />

LjTic Theatre, Challis, Idaho.<br />

Island in the Sky (WB)—John Wayne,<br />

Lloyd Nolan, James Arness. For an egg well<br />

laid, take this—and I hope you get some<br />

business—I didn't. We had the egg but didn't<br />

make the coffee money to go with it. Played<br />

Tues., Wed. Weather: Cool.—Lew Bray jr..<br />

Queen Theatre, McAllen, Tex. Medium smalltown<br />

English-Spanish speaking patronage.<br />

Moonlighter, The (WB)—Barbara Stanwyck,<br />

Fred MacMuiTay, Ward Bond. Have yet<br />

to run a 3-D picture in 2-D that was worth<br />

the film it was printed on. Just a waste of<br />

two good stars—Fred MacMurray and Barbara<br />

Stanwyck. If these two will draw for<br />

you—okay, but you still won't please folks.<br />

Played Wed., Thurs., Fri., Sat. Weath3r: Rain.<br />

—Harold Bell, Opera House Theatre, Coaticook.<br />

Que. Small-town and rural patronage.<br />

Three Sailors and a Girl (WB) — Jane<br />

Powell, Gordon MacRae, Gene Nelson. Nothing<br />

wrong with the picture except the drawing<br />

power. We just can't seem to sell music,<br />

regardless. Guess our patrons are tired of<br />

seeing this type of picture on TV so they<br />

want a change when they venture out to a<br />

picture sliow. Played Sun., Mon. Weather:<br />

Fair.-Mayme P. Musselman, Roach Theatre,<br />

Lincoln, Kas. Small-town and rural patronage.<br />

(WBi-Jane Pow-<br />

Three Sailors and a Girl<br />

ell, Gordon MacRae, Gene Nelson. Very entertaining<br />

little musical with good comedy.<br />

However, I've said before and I repeat; unless<br />

it's a musical of the caliber of "Gentlemen<br />

Prefer Blondes," it doesn't go over here. Of<br />

the 143 programs we've shown this year, only<br />

seven have grossed lower than this. Played<br />

Tues., Wed. Weather: Good.—James H. Hamilton,<br />

Pine Hill Drive-In Theatre, Picayune<br />

Miss. Small-town and rural patronage.<br />

Thunder Over the Plains (WB)—Randolph<br />

Scott, Lex Barker, PhylUs Kirk. A Randy<br />

Scott movie that is good but westerns have<br />

shown the biggest drop in attendance since<br />

TV. We just can't do anything with a western<br />

any more—super or not, they do not draw.<br />

Business: Just over 75 per cent. Played<br />

Thurs., Fri., Sat. Weather: Pair.—Ken Christianson,<br />

Roxy Theatre, Washburn, N.D.<br />

Small-town and rural patronage.<br />

MISCELLANEOUS<br />

Amazing Mr. X, The (SR)—Turhan Bey,<br />

Lynn Bari, Cathy O'Donnel. Doubled with<br />

Abbott and Costello in "Who Done It" for<br />

a Halloween midnight show. • We had a lot<br />

of competition around us so we didn't do as<br />

well as expected—but not bad, considering<br />

we stUl had a good average day's business.<br />

Toward the end of "Mr. X" we turned the<br />

hghts off and a small spot on and had our<br />

aisles. This sure clammered everyone U]<br />

ing to find out who it was. Played Sat.<br />

night. Weather: Cool.—Lew Bray jr., (<br />

Theatre, McAilen. Tex. Small-town<br />

mixed English-Spanish speaking patr(<br />

Country Parson (SR)—In a Lutheran<br />

munity. which ours is, this one put m£<br />

the table. My patrons liked it better<br />

"Martin Luther" and it made me more n<br />

Play it, by all means, and you'll be :<br />

and so will your patrons. This film was<br />

by the Lutheran church and in no wa;<br />

offensive to any other church group. Pi<br />

like this make it great to be in this bu<br />

Rental fair—no percentage—no adve:<br />

budget—nobody trying to tell you how<br />

your theatre and it was one of the t<br />

grosses all summer. We have two live<br />

nels on TV batting us down and we<br />

shows like this to drag them away frorr<br />

sets. Rush a date if you haven't yet<br />

;<br />

it. I played it on big screen 2:1 and it<br />

out swell. Played Fri., Sat. Weather: G<br />

Ray S. Hanson, Fox Theatre, Fertile,<br />

Small-town and rural patronage.<br />

I'm From Arkansas (SR)—If you ar<br />

small rural situation this hillbilly is gi<br />

teed to pull them in. There is plenty c<br />

in this one and, for the first time in n<br />

moon, I got what I call a good Fridayday<br />

turnout. A prolonged dry spell h<br />

only dried up the land but the farme<br />

come as well so it was wonderful to<br />

good house for a change. I booked i<br />

the Wallace Film Exchange in Atlant<br />

this company has the best terms for<br />

towns of any distributor there. Wf<br />

Clear and cold.—I. Roche, Vernon T<br />

Vernon, Fla. Small-town and rural f<br />

age.<br />

Keep 'Em Slugging (SR^—Reis.sue.<br />

End Kids, Evelyn Ankers, Frank Alb<br />

This is an old one and a good little<br />

but, due to low line voltage, my patror<br />

disappointed all three nights. Believe it<br />

have done all right under normal com<br />

Played Tues., Wed., Thurs. Weather<br />

and cool.—Garland Lamb. Crown T<br />

Lincoln, Ark. Small-town and rural i<br />

age.<br />

Knockout Parade (Swartz-Ind.i—<br />

ette. If you need a good selling shoi<br />

ject with a^punch—this is it. Sold rigl<br />

good paper and trailer. We need rr<br />

these featurettes that can be sold tc<br />

some of the small pictures to make the<br />

money-makers. <strong>Boxoffice</strong> only a<br />

Played Fri., Sat. Weather: Warm<br />

Christianson, Roxy Theatre, Washburr<br />

Small-town and rural patronage.<br />

Reaching From Heaven (SR)—Here<br />

of the best small-town pictures I ha'<br />

played in my drive-in theatre. We pi<br />

on a Tuesday-Wednesday-Thursday t(<br />

250 per cent of normal top busines<br />

third day outgrossed the second daj<br />

eating it had good word-of-mouth a(<br />

ing. Still getting compliments from i<br />

trons.—Ray Schmidt, Family Drive-I:<br />

atre, Jasper, Ind. Small-town and rur<br />

ronage.<br />

Tomorrow Is Too Late (Burstyn)—<br />

geli, Vittorio DeSica, Lois Maxwell,<br />

one honey of a film which played to<br />

lent houses. Usually our crowd does i<br />

"sub" titles but they came in their hi<br />

to see it. I would recommend any hoi<br />

where to play it. Slant your advertis<br />

ward the family and ask them to brir<br />

children 12 and over. You'll make pi<br />

friends. And, small houses, don't pa<br />

cause it's in Italian. If your patrons a<br />

they'll love it and word-of-mouth wi<br />

in "the others. Played Sun., Mon.,<br />

Weather: Fine.—Dave S. Klein, Astra<br />

tre, Kitwe-Nkana, Northern Rhodes<br />

rica. Mining, government and busine<br />

TnnQCTP


I Drama<br />

e number. For listings by company, in the order of releose, see Feature Chart. JJ^^JJ^^^ Ui^Z^^i<br />

od; Good; — Fair; ~ Poor; — Very Poor. In the summary if is rated 2 pluses, — as 2 minuses.<br />

rama Para 5- 1-54 d:<br />

UA 1- 2-54 tt<br />

tie<br />

20th-Fox 10-16-54 ±<br />

oe (90) Drama UA 6- 5-54 ff<br />

106) Drama. . .Col 6-27-53 +<br />

cumenlary RKO 9-25-54 +<br />

I.F.E. 7-31-54 +<br />

Para 2- 6-54 —<br />

(Jy U-l 6- 5-54 +<br />

a<br />

RKO<br />

ry. .Mayer-Kingslty 2- 6-54 +<br />

UA 7- 3-54 +<br />

raraa AA 4-17-54 +<br />

MGM 11- 6-54 ff<br />

nedy Rep 12-18-54 ±<br />

^<br />

2) Western. .MGM 12-18-54 +<br />

Drama Col 12-26-53 ±<br />

Col 2-27-54 ±<br />

3 Col 12-18-54 ±<br />

!g) Drama... UA 10- 9-54 ++<br />

Col 2-27-54 ±<br />

UA<br />

ima UA 1- 1-55 +<br />

UA 1-30-54 +<br />

UA 3- 6-54 -<br />

a MGM 10- 9-54 4+<br />

a<br />

LP<br />

AA<br />

AA 3-13-54 +<br />

Vestern Col 9-11-54 +<br />

LP<br />

Western U-l 5-22-54 +<br />

rama Col 10-30-54 +<br />

Drama<br />

le<br />

LP 4-24-54 ±<br />

LP<br />

U-l 8- 7-54 +<br />

20th-Fox U-27-54 -<br />

UA 12-25-54 +<br />

2mh-Fox 10-30-54 ++<br />

I) Drama AA 10- 9-54 +<br />

U-l 1- 9-54 ±<br />

Drama U-l 1-23-54 +<br />

Western WB 8-28-54 +<br />

ers (66)<br />

imedy<br />

AA 7-17-54 ±<br />

AA<br />

8) Drama... WB 1-16-54 +<br />

0) Drama. I.F.E. 10-23-54 +<br />

15) Drama.. .Para 1- 1-55 ++<br />

MGM 8-14-54 )+<br />

2Glh-Fox B- 7-54 ff<br />

irama Col 8-21-54 —


tEVIEW DIGEST « very Good; + Good; ± Fair; - Poor; = Very Poor. In the summory ff is rated 2 pluses, — as 2 minuses.<br />

>31 Great Gilbert and Sullivan, Tlis (112)<br />

Musical UA U-14-53 +t<br />

;73Grecn Fire (100) Drama MGM 12-25-54 +<br />

)79 Guilt Is My Shadow (86) Drama Siratlord 5- 8-54 ±<br />

i53 Gypsy Coll (72) Drama MGM 1-30-54 -f<br />

++<br />

+<br />

-f- ± -f tt<br />

4+ tt 1>4-<br />

+ + s-fi-<br />

- 1+2-<br />

+ 7+1-<br />

H<br />

Half-way to Hell (61) Documentary. .Hallmafk<br />

Hans Christian Andcreen (112)<br />

Musical<br />

RKO 11-29-52 H<br />

Hansel and Gretel (75) Fantasy RKO 10-16-54 +<br />

Heat Wave (70) Drama LP 10-16-54<br />

Heidi (97) Drama UA 1- 9-54 ++<br />

Hell and High Water (103) Drama<br />

(Cinemascope) 20th-F(a 2- 6-54 H<br />

Hell Below Zero (90) Drama Col 5-29-54 -f<br />

Hell Raiders of tite Deep (93) Drama. . I.F.E. 5- 8-54 +<br />

Hell's Half Acre (91) Drama Rep 2-13-54 ±<br />

Hell's Outpost (..) Drama Rep<br />

Ho- Twelve Men (91) Comedy-Drama MGM 7- 3-54 (+<br />

Hijh and Dry (93) Comedy U-l 8-28-54 -f<br />

High and the Mighty, The (153) Drama<br />

(Cinemascope) WB 5-29-54 tt<br />

Highway Dragnet (72) Drama AA 1-30-54 ±<br />

His Last Twelve Hours (89) Com-Or.. . I.F.E. 6-26-54 +<br />

His Majesty O'Keefe (88) Drama WB 1- 2-54 +<br />

Hohson's Choice (107) Comedy UA 6-19-54 f)-<br />

Hondo (83) Drama (Three-dimension) WB 12- 5-53 tt<br />

Horse's Mouth, The (77)<br />

Comedy Hayer-Klngsley 1-23-54 +<br />

Human Desire (90) Drama Col 8-14-54 ±<br />

Human Jungle (82) Drama AA 9-18-54 +<br />

Husband for Anna, A (105) Drama I.F.E.


I; + Good; * Foir; — Poor; = Very Poor. In the summary W is rated 2 pluses, — os 2 minuses. REVIEW DIGEST<br />

3<br />

5


I<br />

Return From the Sea (80). . . .0.<br />

.W.<br />

.<br />

I<br />

i<br />

©aStudent<br />

mWMi fiiJiJil?<br />

.<br />

time is in parentheses. Letters ond combinations thereof indicote story type as follows: (C) Com<br />

Dromo; (AD) Adventure-Dramo; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SV<br />

western. Releose number follows, o denotes EOXOFFICE Clue Ribbon Award Winner. Phot<br />

G Color; \' 3-D; a Wide Screen. For review dates and Picture Guide pogc numbers, see Review Die<br />

.<br />

ALLIED<br />

ARTISTS<br />

Forty-Ninen, The (70'/2) W. .5424<br />

Wild BUI Elliott. Virginia Grey, Denver Pyle<br />

IS Bowery Boys Meet the Monsters<br />

(66) C..5419<br />

Leo Oorcey, Huntz Hall. L«ura Mason<br />

@ Desperado, The (81) W. .5426<br />

Wayne Morrto, Betetly Oarland. J. Lydon<br />

m Weak and the Wicked, The<br />

(72) 0..5432<br />

Olynlj Jofana, Jobn Qregson. Simons BHva<br />

.5409<br />

Jan Sterling. Neville Brand, Robert Arthur<br />

COLUMBIA<br />

-J/Mod Mogicion, The (72) D. .640<br />

Vincent Price. Mary Murphy. Eva Gabor<br />

Massacre Canyon (66) W. .635<br />

Phil Carey. Audrey Totter, Charlita<br />

Mioml Story, The (75) D. .641<br />

Barry Sullivan, Adeie Jergens. Luther Adler<br />

Jungle Mon-Eoters (68) O. .707<br />

Johnnv Wei^smiiller. Karin Booth, B. Stapley<br />

©Soracen Blade (76) D. .633<br />

liicardo Montalban, Betu St. John<br />

©Hell Below Zero (91) D. .709<br />

Alan Ladd. Joan Tetzel, Basil Sidney<br />

Indiscretion of an American<br />

Wife (63)<br />

D..703<br />

Jennifer Jones, Montgomery CUft, V. De8ia<br />

©Outlaw Stallion (64) W. .705<br />

Phil Carey, Dorothy Patrick<br />

LIPPERT<br />

S Monster From the Oceon Floor<br />

(64) D..5328<br />

Stuart<br />

a (69)<br />

Anne Klmbell,<br />

©The Cowboy<br />

Wade<br />

Doc .. 5408<br />

Narrators : Tei Rltter. BUI Conrad. John Dehner<br />

a Big Chose, The (60) D. .5328<br />

Lon Chaney, Glenn Langan<br />

m Paid to Kin (70) D. .5326<br />

Dane Clark, Cecil Chevrean, P. Carpentef<br />

a River Beat (73) D . . 5329<br />

Phyllis Kirk, John Bentley. Eobert Ayres<br />

M-G-M<br />

a ©Prisoner of Wor (81)..<br />

Ronald Rta^an. Dewey Martin,<br />

Is ©Flame and the Flesh (10<br />

Lana Turner, Carlos Thompson<br />

31 ©Men of the Fighting Lad<br />

Van Johnson. Dewey Martin. 1<br />

Prince, The (1i<br />

.\nn BIyth, Edmund Purdom.<br />

gl ©Valley of the Kings (83)<br />

Robert Taylor. Eleanor Parker<br />

3) Security Risk (69) D. .5417<br />

John Ireland. Dorothj &lalone, Keith Lanen<br />

!<br />

Kifier Leopard (70) O. .5412<br />

Juhtiny Sbefrield. Beverl; Oarlaod<br />

©Law vs. Billy the Kid, The<br />

(73) W. .711<br />

Scott Brady, Betta St. John, Alan Hale jr.<br />

Pushover (88) D. .704<br />

Fred .MacMurray. Kim Novak, Phil Carey<br />

@ Thunder Poss (76) W. .5405<br />

Dane Clark, Dorothy Patrick, Andy Devlne<br />

S UQcrSeven Brides for Se<br />

Brothers (102)<br />

Jane Powell. Howard Keel. Ji<br />

i©Her Twelve Men (91). .<br />

Greer Garson. Robert Ryan, B<br />

H) Jungle Genti (64) C. .5420<br />

Leo Gorcey, Hunts HaU, Laiirette Lua<br />

lis Two Guns and o Bodge (69) . .5427<br />

Wayne Morris, Damian cnynn, B. Barcroft<br />

©Black Dokotas, The (65) W. .721<br />

Gary Merrill. Wanda Hendrli, John Bromfield<br />

©Bullet Is Waiting, A (82) . . . .D. .712<br />

Jean Shnmons, Rory Calhoun, Stephen McNally<br />

Human Desire (90) D . . 71<br />

Glenn Ford. Gloria Grahame, B. Crawford<br />

m Terror Ship (72) D . . 5330<br />

William Lundlgan<br />

63 Silent Raiders (65) D . . 5404<br />

Bichard Bartlett. Earle Lyon, Jeanette Bordeaux<br />

a Unholy Four, The (80) D, .5401<br />

Paillette Goddard, William Sylvester<br />

g] ©Betrayed (108)<br />

Lana Turner, (Hark Gable, V<br />

0©i=>Brigadoon (108),...<br />

Gene Kelly. Van Johnson, C<br />

[5] Human Jungle, The (82) D. .5501<br />

Gary Merrill. Jan Sterliiis, Paula Raymond<br />

On ttie Waterfront (108) D..702<br />

Marlon Brando. Karl Maiden, Lee J. CM><br />

©Three Hours to Kin (77) W. .720<br />

Dana Andrews, Donna Beed, Diane Poster<br />

H) Deadly Game, The (. .) D, .5402<br />

Uoyd Bridges, Flnlay Currie. Slmone Silva<br />

E Rogue Cop (92)<br />

Robert Taylor. George Bait, J,<br />

a Bob Mothios Story, The (80).. D .5502<br />

Bob Mathiaf, Diane Jergens, Ward Bond<br />

il ©Beau Brummell (107)..<br />

Elijibetb Taylor. Stewart Gran<br />

a Target Earth (75) D. .5503<br />

Virginia Grey, Richard Denning, K. Crowley<br />

iS Cry Vengeance (83) D . . 5504<br />

Mark Stevens, Martha Hyer, Joan Vohi<br />

Affoirs of Messalino, The ( 1 06) . . D .<br />

Maria Felii. Georges Marchal<br />

©Block Knight, The (85) D. .719<br />

Alan Ladd, Patricia Medina. A. Morrell<br />

Cannibal Attack (69) D. .718<br />

Johnny Weissmuller. Judy Walsh, David Braet<br />

©Fire Over Africa (84) D..716<br />

Maureen O'Hara, Macdooald Carey<br />

SThe Siege (63).<br />

Special east<br />

.D..5323<br />

©Athena (96)<br />

Jane Powell. Vic Damone, D(<br />

©Last Time I Saw Paris,<br />

(116)<br />

Elizabeth Taylor. Van Johnson<br />

[S Port of Hell ( . . ) D . . 5505<br />

Dane Clark, Carole Matthews, W. Morris<br />

a ©Tonight's the Night (88) . . . .C. .5506<br />

Yvonne De Carlo, David Nlven, B. Fitzgerald<br />

Phffft (88) C..715<br />

Judy Holliday. Jack Carson, J. Lemmon<br />

©They Rode West (84) W. .717<br />

Robert Francis. Donna Beed, PUl Carey<br />

m Roce for Life, A (69) D<br />

Bichard Conte, Marl Aldon<br />

5403<br />

S ©Black Pirates ( . . ) D . . 5407<br />

.\nthony Dester. Lon Chaney, Robert Clarke<br />

H) Crest of the Wave (91)..<br />

Gene Kelly. John Justin, Jefl<br />

©Deep in My Heart (132)<br />

Jose Ferrer. Marie Oberon, He<br />

(1) Bowery to Bagdad (64) C. .5421<br />

Leo Gorcey, Hiinlz Hall, Eric Blore<br />

Big Combo, The (89) D. .5508<br />

Cornel Wilde. Jack Paiance, Richard Coot*<br />

Treasure of the Ruby Hills (. .).W. .<br />

Zachary Scott, Bart McLane, C. Matthews<br />

Bamboo Prison, The (80) D..73I<br />

Robert Francis. Diane Foster, Brian KeUh<br />

©Masterson of Kansas (73).... W..<br />

George Montgomery. Nancy Gates, David Bruce<br />

©aViolent Men, The (96) W. .735<br />

Glenn Ford, B. Stanwyck. E. G. BoMnsoo<br />

a They Were So Young (..)... .D. .5406<br />

Scott Brady. Raymond Burr<br />

HI Silver Star, The (. .) W. .5411<br />

Bdgar Buchanan. Marie Windsor, L. Chaney<br />

3 ©oBod Day at Black Rod<br />

Spencer Tracy. Robert Ityan, .<br />

in ©aGreen Fire ( 1 00)<br />

Stewart Granger, Grace Kelly.<br />

©Jupiter's Darling (. .)..<br />

Esther Williams. Houard Keel.<br />

©oMony Rivers to Cross (<br />

Eleanor Parker, Robert Taylor<br />

©African Fury Doc . .<br />

©Annapolis Story, The D. .<br />

John Derek, Diana Lynn, Kerln McCarthy<br />

Code Three W. .<br />

Bill Elliot. Keith Larsen<br />

God's Angry Man D. .<br />

Raymond Ma.'^.sey. Debra Paget<br />

High Society C. .<br />

Uo (^rcry, Huntz Hall, Amanda Blake<br />

Murder Is My Beat D. .<br />

Barbara Payton, Paul Langton, Selena Boyle<br />

©Shotgun D .<br />

Sterling Hayden, Y. Dc Carlo. Z. Scott<br />

Twilight Alley D. .<br />

Richard Conte, Virginia Grey, Constance Smith<br />

©Worrier, The D. .<br />

Errol Flyno, Joanne Dm, Peter Pinch<br />

Bandit, The (92) D. .<br />

Alberto Ruschel. .Marisa Prade. M. Bibeiro<br />

QCaine Mutiny, The (125) D..701<br />

Ilumtihrey Bo;art, Van Johnson. Jose Perrer<br />

Detective, The (91) CD. .<br />

Alfc Guinness, Jn.m Greenwood. Peter Finch<br />

End of the Affair, The D. .<br />

I>''l)i)r.Th Kerr. Van Jolinson. John .Mills<br />

©Guy That Won the West W. .<br />

Dennis Morgan. I'aula RaMnond. R. DenDlnc<br />

©cLong Groy Line, The D. .<br />

T>Tone Power. .Maureen O'Hara<br />

©cMon From Laromie, The....D..<br />

James Stewart. Cathy O'lJonneli. Donald Crlip<br />

©Prize of Gold D . .<br />

Richard Widmark. Mai Zett«rU«<br />

©Three for the Show M. .<br />

Betty Grable. .Marge and Gower Champion<br />

Air Strike (. .) D. .5413<br />

Richard Penning. Gloria Jean<br />

Gloss Tomb, The D. .5409<br />

John Ireland<br />

Shock!! (. .) D. .5412<br />

Brian Donlevy, Margia Dean, Jack Warner<br />

©Bedeviled<br />

.\nne Baxier. Steve Forrest<br />

QGIoss Slipper, The<br />

U'^Iie Carnn. Mich.ael Wilding.<br />

0=Hit the Deck<br />

.lani' Tn^ell. Tuny Martin. Del<br />

©alnterrupted Melody<br />

Eleanor Parker, Glenn Ford,<br />

.<br />

R<br />

.<br />

©Invitotion to the Dance.<br />

Gere Kelly, Belita, Tamara To<br />

©It's Always Fair Weothe<br />

Gene Kelly. Cjd Cliarisse. Dan<br />

©c^Love Me or Leave Me.<br />

lUiris Day. James Cagney. C.<br />

©oMoonfleet<br />

Ste\iart Gran^;er. Viveca Undfor<br />

©Prodigal, The<br />

Lana Turner, Bdmond Purdom,


FEATURE<br />

CHART<br />

Type<br />

Rel.<br />

No.


.<br />

.<br />

.<br />

1<br />

©Drognet<br />

.<br />

'<br />

(^TURE<br />

MITED<br />

ARTISTS<br />

CHART<br />

.Witness to Murder (83) D. .5420<br />

Barbara Stan»sck. Gary Merrill, 0. 8»ndtfS<br />

OCaptoin Kidd and the Slave<br />

Girl (83) D..54I8<br />

Eti Cobor, A/ithony Dciter, Alan Hale Jr.<br />

O Yellow Tomahawk, The (82). .D. .5414<br />

Rory Calhoun, Peggie Caslle, Noib Beery<br />

Long Wait, The (93) D..5421<br />

Air.hony Quinn, Charles Coburn, Gene Evans<br />

©Challenge the Wild (72) Doc. .5422<br />

Frank Graham and Family<br />

Hobson's Choice (107) C. .<br />

Cliarles Laucbton, John Mills, Brendi De Banile<br />

©Gog (85) D..5423<br />

Blchard Egan, Constance DowUng, H. Marshall<br />

©Man With o Million (90) C. .<br />

Gregory Peck, Jane GrltriUu, A. B. JUttbeirs<br />

©Adventures of Robinson<br />

Crusoe (90) D. .<br />

Dan OHerllliy. James Femindei, C. Lopei<br />

©Apache (90) W..5427<br />

Burt Lancaster. Jean Peters<br />

Lowless Rider, The (62) W. .5431<br />

Johnny Carpenter. Kraokle Darro<br />

©Return to Treasure Islond (75) D. .5417<br />

Tab Uunter, Dawn Addanu, Jime» Seaj<br />

©Crossed Swords (85) D. .5334<br />

Errol Flynn. Gina Lollobrlglda<br />

Diamond Wiiord, The (83) D. .5432<br />

Dennis O'Keefe, Margaret Sheridan<br />

Down Three Dork Streets<br />

(85) D..5433<br />

Broderlck Crawford, Ruth Roman, Martha Hyer<br />

Malta Story, The (103) D..5429<br />

Alec Guinness. Jack Ilawklus, Flora Robson<br />

Victory at Sea (97) Doc .<br />

©Jessse James' Women . W. .5435<br />

(83). .<br />

Jack Beutel<br />

. .D. .5437<br />

Don Barry, Pegple Castle,<br />

©Golden Mistress, The (82). .<br />

John Agar. Kosemarle Bowe, Klkl<br />

©Khyber Potrol (71) D. .5419<br />

Kirhard Efian. Davrn Addams, Patrlc Knowles<br />

Suddenly (77) D. .5436<br />

Frank Sinatra, Sterling Hayden, Nancy Gales<br />

Barefoot Contesso, The (128).D. .5440<br />

Humphrey Boearl. Ara Gardner, E. O'Brien<br />

LiMIe Kidnappers, The (93) D..5439<br />

Adrii-nne Corrie, J. Whitley, V. Winter<br />

Operotion Manhunt (77) D. .5441<br />

Harry Townes. Irja Jensen, J. Aubuchon<br />

©Sitting Bull (105) W..5434<br />

Dsle Robertson, J. Carrol Nalsb<br />

Shield for Murder (82) 0. .<br />

Edmond O'Brien. Maria £ngllsb<br />

Snow Creature (70) D. .5447<br />

Paul Langlon. Leslie Denison<br />

Twist of Fate (89) D. .5446<br />

Gincer Rogers. Jacques Bergerac, Herbert Lom<br />

©White Orchid, The (81) D..5414<br />

William Lundigan. Pt-gcle Castle<br />

©You Know What Sailors Are<br />

(89) C. .5445<br />

©Romeo ond Juliet (140) D. .5449<br />

Lawrence Uarvev, Flora BobisoD, 8. Shontail<br />

Steel Cage, The (80) D..5443<br />

Paul Kelly, M. O'Sullivan, W. Bleiak<br />

Battle Toxi (. .) D. .<br />

Sterling Hayilen. Arthur Frans, M. Thompson<br />

©Beochcomber, The (82) D. .<br />

Rolii'rt Ntwtnn, Glsnis Johns, Donald Sinden<br />

Block Tuesday (80) D. .5450<br />

E G. Riilnnson, Jean Parker, Peter Graves<br />

©Vera Crui (94) AD.. 5448<br />

Gary Cooper, Burt Lancaster, Denlse Darcel<br />

OaGentlemen Marry Brunettes. M. .<br />

Jane Russell. Jtanne Crain, Scott Brady<br />

Good Die Young, The D.<br />

John Ireland. Clurla Grahame, L. Bariey<br />

©oKcntucklon, The D. .<br />

Burt L.inc.-i5ler. Kiana Lynn, Una Merkel<br />

©Lilacs In the Spring M..<br />

Night of the Hunter D. .<br />

Rdbfrt Mltcbum, Shelley Winters, Ulllao Qlsh<br />

Othello D. .<br />

Orson Welles. Suianne ClouUer, ray Compton<br />

©Purple Ploln, The D. .<br />

Gregory Peck, B. De Banile, Win Mln tti<br />

©Star of Indio D . .<br />

Cornel Wilde. Jean Wallace. Herbert Lorn<br />

©Stronger on Horseback M. .<br />

Joel McCrea, Mlroslava<br />

©Summertime CD. .<br />

UNIYERSAL-INT'L.<br />

Firemon Save My Child (80) C..421<br />

Buddy Hackett, Hugh O'Brian, Adele Jergens<br />

Ploygirl (85)<br />

Shelley Winters, Barry SullivaD,<br />

„'°V,'*^°<br />

a Palmer<br />

Block Horse Canyon (82) D. .423<br />

Joi-1 .McCria. .Marl Blanchard. Murryn Eye<br />

©Drums Across the River (78).SW..422<br />

Audle Murphy, Lisa Gaye, Waller Btennan<br />

Always a Bride (83) C. .485<br />

Peggy L\immins, Terence Morgan. Ronald Squire<br />

©Johnny Dork (85) D. .424<br />

Tony Curtis, Piper Laurie, Ilka Chase<br />

Tanganyika (81) AD. .425<br />

Van Heflin, Ruth Roman. Howard Duff<br />

Fronds Joins the WACs (95). . .C. .427<br />

Donald O'Connor. Julia Adams, Zasu Pitts<br />

UCMognificent Obsession (108).D..428<br />

Jim Wymao, Bock Hudson, Otto Kruger<br />

©oBlock Shield of Falworth,<br />

The (100)<br />

D..430<br />

ot Socorro (80)<br />

Tony Curtis, Janet<br />

©Down<br />

Leigh<br />

D. .431<br />

Hory Calhoun. I'iper Laurie, David Brian<br />

High and Dry (93) C. .486<br />

Paul Douglas. Alex MacKenile, J. Copelaod<br />

Naked Alibi, The (86) D. .431<br />

Sterling Hayden, Gloria Qrahirae, Gene Barry<br />

©Bengal Brigade (87) D . . 434<br />

Rock Hudson. Arlene Dahl, Ursula Thelss<br />

©Four Guns to the Border (87). .W. .502<br />

Rnry Calhoun. Colleen Miller, G. Nader<br />

Ricochet Romance (80) C..504<br />

Marjorle Main. Chill Wills, Budy Vattee<br />

©aSign of the Pagan (92) D. .505<br />

Jeff Cliandlcr. Jane Russell, Dan Durye*<br />

©Yellow Mountain, The (78) W. .510<br />

Lei Marker, Mil* Powers, Howard Duff<br />

©Destry (91) V^. .508<br />

Aiiiiie .Murphj. Marl Blanchard, Lyle Bettger<br />

©So This Is Paris (96) MC . . 507<br />

Tony Curtis. Corlnne Calvet, Gene Nelson<br />

©West of Zonzibor (83) D. .50)<br />

Antliony Steel, Sheila Sim<br />

©criCoptoin LIghlfoot D. .<br />

Rock Hudson. Barbara Rush. Jeff Morrov<br />

©Chief Croiy Horse SW .<br />

Victor Mature, Suzan Ball, John Lund<br />

©For Country, The D..<br />

James Ktcwart, Uutb Roman<br />

©Foxfire D.<br />

Jeff Chandler, Jane Russell, Dan Durye»<br />

©Land of Fury D. .<br />

Jack Ha\\klns, Glynis Johns<br />

Mo and Po Kettle Go to Wolklkl.C.<br />

Marjorle Main. Percy Kilbride, Lori NelsoD<br />

-^'Revengo of the Creature D. .<br />

John Agar, Lori Nelson<br />

Six Bridges to Cross D.<br />

Tony Curtis. Julia Adams. George Nadef<br />

©Smoke SIghol W.<br />

'ana Andrews. I'iper Laurie<br />

I<br />

Thi« Iclnrw4 Fnr4h f^<br />

.<br />

WARNER BROS.<br />

gl©Dlal M for Murder (105) D. .327<br />

Ray Milland, Grace Kelly, Bobert Cummlngs<br />

El Them! (94) D. .328<br />

James n'bltmore, Joaa.WeldOD. Edmund Gwenn<br />

m OO^High and the Mighty,<br />

The (147) D..329<br />

John Wayne, Claire Trevor, Lar&lne Day<br />

aOOaRing of Feor (93) D.i330<br />

Pat O'Brien. Clyde Realty, .Mickey Spillane<br />

U} ©oKing Richard and the<br />

Crusaders (113) D. .331<br />

Virginia Mayo, Rex Harrison, Laurence Harvey<br />

gj ©Duel in the Jungle (102) D. .332<br />

Dana Andrews, Jeanne Grain. David Farrar<br />

(90) D. .401<br />

Jack Webb, Ben Alexander. Ann Robinson<br />

©Bounty Hunter, The<br />

I<br />

(79) SW. .402<br />

Randolph Scott, Marie Windsor. D. Dam<br />

H ©oDrum Beat (111) W. .404<br />

Alan Ladd, Audrey Dalton, Marlsa Pavan<br />

m ©oTrack of the Cat (102) AD. .405<br />

Robert Mitehum, Diana Lynn, Teresa Wright<br />

\<br />

©nStor Is Born, A (154) MD . . 403<br />

Judy Garland, James Mason, Jack Carson<br />

©Young at Heart (121) MC-D..409<br />

Doris Day, Frank Sinatra, E. Barrymore<br />

53 ©aSilver Chalice, The (131) D . . 408<br />

Virginia Mayo, Jack Palance. Pier Angell<br />

a Jump Into Helt (. .) D. .410<br />

Jacques Semas, Arnold Moss, Kurt Kazner<br />

©Bottle Cry D. .<br />

Van lleflin, Aldo Ray, Tab Hunter<br />

©Eost of Eden D. .<br />

Julie Harris, James Dean, Raymond Massey<br />

©Helen of Troy D . .<br />

Rossana Podesta, Jaccjucs Semas, C. Hardwlcke<br />

©Land of the Pharaohs D..<br />

Jack Hawkins. Dewey Martin<br />

©Mr. Roberts C. .<br />

Henry Fonda. James Cagney, William Powell<br />

©Moby Dick D,<br />

Gregory Peck, R. Raschart, Orson Welle*<br />

River Changes, The D.<br />

Itossana itnry. llaral Maresch<br />

©Sea Chase, The D.<br />

John Wayne, L.ina Turner, Tab Hunter<br />

©iStronge Lady in Town, A...D..<br />

Greer Garson. I'ana Andrews, Cameron Mitchell<br />

OTall Man Ridina W..<br />

MISCELLANEOUS<br />

AMERICAN RELEASING<br />

Fast and Furious (74)<br />

John Ireland, Dorotby Malone, Bn<br />

ASTOR<br />

Sleeping Tiger, The (89)...<br />

.\iexis Smith, .Meiander Knox, D<br />

BUENA VISTA<br />

©Living Desert, The (72)<br />

©Vonishing Proirie (71)....<br />

©20,000 Leagues Under tli<br />

Sea (128)<br />

Kirk iiouglas, James Masun, P. U<br />

CARROLL<br />

Four Woys Out (77)<br />

Gina Lolloljrigida. Renalo Raldini<br />

©Out of This World (75) Do<br />

Lowell Thomas, Lowell Thomas j<br />

FILMAKERS<br />

Private Hell 36 (81)<br />

Stevo Cochran. Ida Lupino, Howi<br />

HALLMARK<br />

Halfway to Hell (61) Dot<br />

Narration by Quentln Reynolds<br />

©Koromoio (63)<br />

Doc<br />

LF.E.<br />

(American Dialog)<br />

Aida (110)<br />

Sophia Loren, Lois Maxwell, Afr<br />

A Husband for Anne (105). .<br />

Silvana Pampaninl<br />

Bread, Love and Dreams (90)<br />

Vittorio de Slca, Gina LoUobrlgi<br />

City Stands Triol (. .)<br />

Siivania I'arapanlni, Auiedeo Nazzi<br />

Girls Marked Danger (75)..<br />

Elconora Rossi Drago, Vittorio (<br />

©Golden Coach, The (105). .<br />

Anna Magnani, Duncan Lament, 1<br />

Hell Raiders of the Deep<br />

(93)<br />

Elconora Rossi Drago, Pierre Cre<br />

Love in the City (110)<br />

Sensuolito (74)<br />

Eltonora Rossi Drago. Pierre Or<br />

©Theodora, Sieve Empress (8<br />

Gianiii. .Maria Canale. George Jl<br />

Too Young for Love (..)...<br />

Marin Vlady. P. M. Beck, Aldo I<br />

Voice of Silence (..)...,..<br />

Rosanna Podesta, Aldo Fabrlzi. C.<br />

REISSUES<br />

ASTOR<br />

Dangerous Visitor (formerly .<br />

Kiss for Corliss) (88)...<br />

David Nivtn, Sllirley Temple, Tl<br />

Intruder, The (formerly Cov«<br />

Up) (83)<br />

William Bondli, Dennis O'keefe,<br />

Under Suspicion (formerly Di<br />

Trust Your Husband) (90)<br />

Fred MacMurray, Madeleine Carr<br />

Woman Accused (formerly<br />

Without Honor) (69)<br />

Laraine Hay. Dane Clark, Frano<br />

CARROLL<br />

©Down Memory Lone (72) C<br />

Bing Crosby. W. C. Fldds, Qoi<br />

COLUMBIA<br />

Coroner Creek (90)<br />

Randolph Scott, Marguerite Cha<br />

Gunfighters (87)<br />

Randolph Scott. Barbara Britton<br />

Miss Grant Takes Richmond<br />

(87) .<br />

Lucille Ball, WllUam Holdeo<br />

MGM<br />

Dr. Jekyll and Mr. Hyde<br />

(..)<br />

Spencer Tracy, Ingrid Bergman<br />

Torzon Escapes ( . ) .<br />

Johnny WeLssmullcr, Maureen 0'<br />

Torzon, the Ape Man (..)..<br />

Johnny WcissmuUcr, Maureen 0'<br />

Women's Face, A ( . . )<br />

Joan Crauford. Melvyn Douglas<br />

PARAMOUNT<br />

©Reap the Wild Wind (124).<br />

John Wayne, Susan Uayward, Bj<br />

RKO RADIO<br />

Every Girl Should Be Morrle<br />

(85)<br />

Cary Grant, Betsy Drake. Franc<br />

©She Wore a Yellow Ribbon<br />

(103)<br />

Henry Fonda, Joanne Dru<br />

Window, The (73)<br />

Arlliur Kennedy, Ruth Roman, B<br />

CENTURY-FOX<br />

20th<br />

Orchestra Wives (98)<br />

Glenn Miller & Orch., George<br />

Sun Valley Serenade (86)..<br />

Suiija lieiiic, Jolm Payne, Glenn<br />

UNIVERSAL-INTERNATION<br />

Egg ond I, The (108)<br />

Claudette Colbert, t^cd MacMur<br />

WARNER BROS.<br />

Big Sleep, The (114)<br />

Humphrey Bogart. Lauren Bacal<br />

Saratoga Trunk (135)


[ part<br />

; at<br />

—<br />

ri-jjJUJJi*<br />

. . Blazing<br />

ui,jii*ijij^<br />

'<br />

Players<br />

102 Minutes<br />

Ratio: Drama<br />

2.55-1 (CJnemaScopt,<br />

De Luxe Color)<br />

Rel. Ion. 19S5<br />

lught of logic in the Bard's oft-quoted observae<br />

play being the thing, then certainly this<br />

and opulently mounted vehicle should attract<br />

jafronage as one of the most important pictures<br />

r. The film is, in effect, several plays in one, for<br />

f<br />

3 celluloid biography of Edwin Booth, one of<br />

time greats, are sizable and masterfully staged<br />

le of Shakespeare's more popular immortals<br />

hard III" and "Romeo and Juliet." This arrestblending<br />

of drama and tragedy heaped an<br />

outsize proportions upon the broad shoulders<br />

?he Robe") Burton, an assignment which he<br />

mitless distinction. But for all its excellence<br />

that it will be the biggest factor in generating<br />

to the offering—the topliner's portrayal is only<br />

lure's innumerable assets, all of which, parenilly<br />

cry for the attention of smart merchandising<br />

sression be created that "Prince of Players,"<br />

Shakespearean sequences, will fundamentally<br />

et buyers of artistic persuasions, it might be<br />

—early and emphatically—that there are sufnment<br />

qualities to assure a comparable attracnk-and-file<br />

moviegoers. For this rare diversity<br />

2 goodly proportion of the credit must be<br />

lilip<br />

Dunne, who both produced and directed,<br />

ore, he mounted the vehicle lavishly, spectacmpeccable<br />

taste. To aid him in accomplishing<br />

quality, available were many proven filmlients:<br />

A lustrous screenplay by Moss Hart,<br />

lOok by Eleanor Ruggles; a budget of virtually<br />

rtions; the star-encrusted cast; flawless techni-<br />

:nts; CinemaScope and De Luxe color. Fullest<br />

3ken of each, most especially the photographic<br />

pigmentation, which have never been more<br />

jloyed and which are largely responsible for<br />

any sweeping sequences, evident in both the<br />

ne story proper and the interpolation of the<br />

1 scenes. ,<br />

it is through his piloting that Dunne garners<br />

M of his shining dual credit. To him has to<br />

of the praise for Burton's sterling chord<br />

acting contributions of paralleling excellence<br />

he long list of co-starring troupers. As Booth's<br />

an early age, Maggie McNamara delivers<br />

:ally sensitive portrayal, wherein lies the photong<br />

thread of romance. John Derek is adequate<br />

is Booth, the star's hot-tempered, handsome<br />

frustrations and jealousy over Edwin's stage<br />

partially responsible for sidetracking him into<br />

political activities which culminated in his<br />

of President Lincoln. It is the authentic re-<br />

! part that firebrand John Wilkes contributed<br />

history that supplies a framework for the<br />

actioniul passages. Other mummers rating<br />

leir respective donations to the ensemble of<br />

iority aie Raymond Massey. as Junius Brutus<br />

inken, mad father of the talented brothers;<br />

rd, the understanding manager who helped<br />

rareer, and Elizabeth Sellars, as Asia, his sister.<br />

>n, Maggie McNamara, John Derek, Raymond<br />

y, Charles Bickiord. Elizabeth Sellars.<br />

260)<br />

1. *<br />

The Americano<br />

F<br />

Ratio:<br />

RKO Radio (509) 87 Minutes HeL<br />

Western<br />

1.75-1 (TccKriicolor)<br />

All of the ingredients and situations that are to be expected<br />

in a top grade sagebrush picture, plus the appeal of an offbeat<br />

locale, should make this an unusually attractive film<br />

for at least three classes of theatre customers, namely, the<br />

devotees of action, the disciples of straight, engrossing drama<br />

and those who relish the exotic backgrounds of the jungle.<br />

Inasmuch as that trio of entertainment tastes covers a dominant<br />

percentage of potential ticket buyers, there is every<br />

reason to believe that the entry will prove an impressively<br />

profitable booking.<br />

Certainly there are plenty of tried-and-true qualities upon<br />

which the offering can be successfully merchandised and<br />

without worry that the slightest misrepresentation will enter<br />

into the campaign. Witness: A name-freighted cast, eyefilling<br />

Technicolor photography, an arresting title—which<br />

applies also to a haunting theme song—and the intriguing<br />

blend of subject matter. The adroit and convincing manner<br />

in which Guy Trosper, who wrote the screenplay from an<br />

original by Leslie T. While, created the last-named accorded<br />

producer Robert Stillman and executive producer Sam Wiesenthal<br />

a fascinating framework upon which to build. The<br />

elements they employed for such solid construction included,<br />

principally, excellent performances; the lush, scenic beauties<br />

of Brazil's Matto Grosso; expert, well-paced direction by William<br />

Castle, and the effective photography.<br />

While Glenn Ford's delineation is typically talented, ho<br />

is pressed for acting honors by Frank Lovejoy and Cesar<br />

Romero. The femme thespian contributions come from Ursula<br />

Thiess and Abbe Lane, the latter of whom is responsible for<br />

touches of sex and song which will materially enhance the<br />

photoplay's appeal for the male spectators. Ford portrays<br />

a Texas cowpoke who accompanies three prize Brahma bulls<br />

to Brazil, where he becomes embroiled in a bloody, exciting<br />

land war of the type that has supplied the plot for countless<br />

westerns.<br />

Glenn Ford, Frank Lovejoy, Cesar Romero, Ursula Thiess.<br />

Abbe Lone, Rodolio Hoyos jr., Salvador Baguez.<br />

CATCHLINES:<br />

Here's Blazing Adventure ... as a Man From Texas Finds<br />

Himself in the Danger-Laden Jungles of Brazil . . . and Plays<br />

the Most Dangerous Game of All.<br />

Hell's Outpost<br />

F<br />

Ratio: WestefB<br />

1.66-1 Drama<br />

ReL Ian. 15, '55<br />

RepubUc (5315)<br />

90 Minutes<br />

A fast-moving action film of the modern west, with a firstrate<br />

cast of familiar players, this should do good business<br />

wherever action fare is favored and make a satisfactory<br />

supporting dualler generally. While the players are not top<br />

names, Rod Cameron has starred in many cowboy pictures<br />

and Joan Leslie has been featured by most of the major<br />

studios. Only color is lacking to give it a top outdoorsadventure<br />

film rating.<br />

Based on a novel, "Silver Rock," by Luke Short, the story<br />

deals with mining instead of cattle and associate producerdirector<br />

Joe Kane has provided the usual chases, gun<br />

battles and fistic encounters, including a slam-bang fight<br />

between Cameron and John Russell, who plays one of the<br />

most hateful villains encountered in pictures in recent<br />

years. It is to Russell's credit that he makes the portrayal at<br />

all believable. However, Cameron is a forthright, two-fisted<br />

hero and Joan Leslie does a good acting job as does Kristine<br />

Miller as Russell's down-trodden sister.<br />

Rod Cameron arrives in a western mining town, ostensibly<br />

to call on Chill Wills, father of his late war buddy. Actually<br />

Cameron is interested in getting his hands on valuable<br />

tungsten mining claims owned by Wills, but also sought<br />

after by John Russell, the local bariker and town bully,<br />

who refuses permission for a road to move Will's ore. Both<br />

Cameron and Russell are interested in Joan Leslie and, after<br />

a fight over the girl, Cameron gets a loan from Russell's<br />

bank. But the latter soon starts trouble by hiring thugs to<br />

sabotage Wills' equipment and then brings an injunction<br />

to close the road through which his trucks have been transporting<br />

the ore. Russell then plans to set off a dynamite<br />

charge to destroy Wills' mining operations. But Russell is<br />

killed in the blasts, which actually makes room for a new<br />

and better roadway.<br />

Rod Cameron, Joan Leslie, John Russell, Chill Wills, Ben<br />

Cooper, Kristine Miller, Barton MacLone, Jim Davis.<br />

ittable Story of an American Immortal . . .<br />

. . One of the Great Actors of All Time .<br />

. .<br />

Tas Woven Into the Fabric of Our Nation's<br />

an Era When the Country Faced Its Gravest<br />

CATCHLINES:<br />

He Had a Mine to Work and Neither Heaven Nor Hell<br />

Could Stop Him . . . Winner Takes the Girl—and the Ore at<br />

Hell's Outpost . Action and Thrills in the Mining<br />

Country of the Modem West.


'<br />

fascinated<br />

. The<br />

EVIEWS<br />

Adiines for Newspaper and Prog<br />

n Inspector Calls A<br />

Ratio: Drama<br />

Standard<br />

socicrted Artists 80 Minutes Rel.<br />

k serious, thought-provoking and neatly contrived British-<br />

3de film based on the play by J. B. Priestley v/hich had a<br />

ig London and a shorter Broadway run, this is strong fare<br />

the art houses. While Alastair Sim (remembered from "A<br />

iristmas Carol" and other English pictures) is the only<br />

irquee name, the entire cast is excellent. Priestley's name<br />

11 also be a selling angle with many class patrons. Hower,<br />

the picture v/ill have scant appeal for general audiences,<br />

s v/ith so many of Priestley's plays, this has a fascinating<br />

;a— in which five members of a family group are all shown<br />

be involved in the suicide of a young shopgirl, but each<br />

thout the others' knowledge. The ironic twist at the ending<br />

11 be a surprise to everyone. Produced by A. D. Peters<br />

British Lion and well directed by Guy Hamilton, the<br />

n is actually better than the ploy which could only tell<br />

; episodes in the dead girl's past. Here they are enacted<br />

flashbacks.<br />

I<br />

3im plays the Inspector in properly mystifying fashion<br />

d Olga Lmdo, as a high-handed matron, and Bryan Forbes,<br />

the titled hero, make their scene stand out, while Jane<br />

snham is appealing as the unfortunate girl.<br />

A. prosperous, middle-class businessman, his socially surior<br />

wife, their self-indulgent son and their attractive daughare<br />

celebrating the latter's engagement to the eligible<br />

ian Worth when police inspector (Alastair Sim) arrives to<br />

restigate the suicide of Jane Wenham, a girl who once<br />

jrked in the father's office. All of them disclaim all knowlge<br />

of the tragedy until Sim draws each one out and shows<br />

w the father made the girl lose her job, the daughter was<br />

jtrumental in making her lose her next job, the fiance<br />

ide her his mistress and the son was the father of her<br />

born child and the mother refused to aid her charity-wise,<br />

hen the jigsaw is complete, the inspector disappears. Assoited<br />

Artists is at 345 Madison Ave., New York City.<br />

Alastair Sim, Eileen Moore, Arthur Young, Olga Lindo,<br />

Brian Worth, Jane Wenham, Bryan Forbes.<br />

ITCHLINES:<br />

[. B. Priestley's Great Play Becomes a Greater Motion Pic-<br />

. . The Mysterious Visitor Who Made All the Members<br />

e .<br />

the Family Learn the Truth About Themselves ... A<br />

irring Play—At Last on the Screen.<br />

afe of Hell (Jigokumon)<br />

A<br />

trrison & Davidson 89 Minutes<br />

The first Japanese picture in color<br />

Ratio:<br />

Costume Drami<br />

Standard ( Eastman Color)<br />

Rel.<br />

to be shown in the<br />

S. is an exquisitely beautiful, frequently moving tragedy<br />

lich is certain to win critical acclaim and be a boxoffice<br />

nner in the art spots. Winner of the grand prize at the<br />

54 Cannes Film Festival, it was produced by Masaichi<br />

igata for Daiei Studios, which also produced "Rashomon"<br />

,d the recent "Ugetsu," which also attracted attention<br />

the art houses. In these spots, stress the fact that<br />

3chiko Kyo is Japan's most popular screen actress who<br />

30 played the lead in these two earlier films.<br />

Based on historic events in Japanese history, the picture<br />

3S filmed on the island of Mayajima and the photographer,<br />

ihei Sugiyama, and the color consultant have secured<br />

me breathtaking lovely shots of the temples, the homes<br />

id the night sequences. Teinosuke Kinugasa, who directed<br />

id wrote the screenplay, builds the interest, after a slightly<br />

nfusing opening, and eventually achieves a tender and<br />

svitably tragic ending.<br />

The plot, which has its source in a 13th century chronicle,<br />

familiar to every Japanese, but American audiences will<br />

for the first time by the story of a bold warir<br />

in the 1159 insurrection who is assigned to protect a<br />

autiful noblewoman and, after saving her life, falls in love<br />

th her. At the victory celebration, the warrior's chief<br />

ants him any wish but his' plea for the lady's hand is<br />

eeted with laughter and the other warriors tell him she is<br />

ready married to Wataru. The warrior challenges Wataru<br />

a race but the latter loses. The warrior then becomes<br />

slent and pleads with the lady to abandon her husband<br />

he will kill him. She returns'to her husband and asks to<br />

>ep in his bed so that when the warrior thrusts his sword<br />

rough the curtain she is killed. The repentant warrior asks<br />

ataru's forgiveness and vows to expiate his crime by beming<br />

a monk. Harrison iS Davidson is at 1501 Broadway,<br />

;w York City.<br />

Machiko Kyo, Eazuo Hawgawa, Isao Yamagata, Yataro<br />

Kurokawa, Eikue Mohri.<br />

\TCHLINES:<br />

Beauty Never Before Seen on the Screen<br />

-_* T ; »; 1 TT 1 r».*l n 1..<br />

Year's<br />

/(78).<br />

rilter<br />

Ills Th<br />

87).<br />

diklkl<br />

^'\<br />

34,<br />


i3 iJCiJlI V lUljl reviewed in BOXOFFICE during the last twelve months. This is designed<br />

her convenience for Picture Guide Users, the page numbers being the key to reviews kept therein,<br />

quarters. Review Digest pages serve as a cumulative P. G. index.<br />

[TERLY INDEX<br />

PICTURE GUIDE REVIEWS<br />

1954<br />

September 11<br />

Thru December<br />

T SUBJECTS INDEX<br />

MBM<br />

Ilomedies<br />

P. G. Page<br />

1657<br />

napshots<br />

Up 1617<br />

t>le Man 1633<br />

March On. .1629<br />

an Parade. .1669<br />

ial<br />

falo Bill 1657<br />

lomedies<br />

f<br />

Sports<br />

OLDWYN-<br />

YER<br />

.1633<br />

.1665<br />

.1665<br />

.1677<br />

.1633<br />

sons<br />

1617<br />

a 1617<br />

w 1653<br />

1677<br />

1621<br />

>pe Special<br />

The 1613<br />

\OUNT<br />

Cartoons<br />

:e Sportlights<br />

mps 1641<br />

Rides 1677<br />

Itoon<br />

lakers<br />

in Texas,<br />

ghfs . . . .<br />

Cartoons<br />

.1645<br />

.1637<br />

.1621<br />

nish 1617<br />

>ye 1669<br />

RADIO<br />

Cartoons<br />

1653<br />

uee Musicals<br />

intertime. . . .1613<br />

iliners<br />

idge.<br />

I<br />

cial<br />

...1613<br />

...1645<br />

...1613<br />

.1637<br />

scopes<br />

1613<br />

iames 1641<br />

ion 1617<br />

20th CENTURY-FOX<br />

CinemaScope Specials<br />

P. G. Page<br />

Calypso Cruise 1645<br />

Fabulous Las Vegas 1669<br />

Jet Corrier 1653<br />

Miracle of Stereophonic<br />

Sound 1657<br />

Piano Encores 1637<br />

Pride of the Nation 1665<br />

Roger Wogrter Chorales 1641<br />

See It<br />

Happen<br />

Isles of Destiny 1645<br />

Sports<br />

Sporty Simians 1641<br />

Terrytoons<br />

Heckle & Jeckel in Blue Plate<br />

Symphony 1677<br />

Little Roquefort In the Cafs<br />

Revenge 1665<br />

Mighty Mouse in the Reformed<br />

Wolf 1665<br />

UNIVERSAUNTERN'L<br />

Color Parade<br />

Bonus Land 1 629<br />

Musical<br />

Featurette<br />

Going Strong 1629<br />

Special<br />

Speed Sub-Zero 1669<br />

Variety Views<br />

Brooklyn Goes to Philadelphia<br />

.1633<br />

.1645 Walter Lantz Cartunes<br />

Convict Concerto 1633<br />

Fine Feothered Frenzy 1633<br />

Real Gone Woody 1629<br />

WARNER BROS.<br />

Bugs Buruiy Special<br />

Yankee Doodle Bugs 1621<br />

Featurettes<br />

Camera Hunting 1 677<br />

Joe McDoakes<br />

So You're Toking on a<br />

Roomer 1 645<br />

Merrie Melodies<br />

By Word of Mouse 1641<br />

From A to Z-Z-Z 1677<br />

Goo, Goo, Golioth 1665<br />

Stop, Look ond Hosten 1621<br />

Sports Parade<br />

Circus on Ice 1 629<br />

G. I. Holidoy 1613<br />

Technicolor Special<br />

In Fourtcen-Hundred Ninety-<br />

Two 1641<br />

Who's Who in the Zoo 1617<br />

Vitophone Novelties<br />

This Mechanical Age 1657<br />

Volley of the Sun 1617<br />

260)<br />

, J St.<br />

DO. $<br />

It Ira<br />

le-sej<br />

>nttV<br />

ima. )l<br />

QUARTERLY<br />

INDEX<br />

TO<br />

PICTURE GUIDE REVIEWS<br />

First, Second, Third -iqi:^ January<br />

and Fourth Quarters AoO* Thru December<br />

p. G. Page<br />

Arrow in the Dust 1573<br />

Bitter Creek 1 566<br />

Bob Mothias Story, The 1630<br />

Bowery Boys Meet The<br />

Monsters 1598<br />

Cry Vengeance 1660<br />

Desperado, The 1593<br />

Dragonfly Squadron 1556<br />

Forty-Niners, The 1577<br />

Highway Dragnet 1553<br />

Loophole 1561<br />

Bait 1562<br />

Bamboo Prison 1672<br />

Battle of Rogue River 1562<br />

Block Dakotos, The 1615<br />

Black Knight, The 1643<br />

Bullet is Waiting, A 1607<br />

Coine Mutiny, The 1592<br />

Congoceiro (The Bandit) 161S<br />

Cannibal Attock 1652<br />

Detective, The 1634<br />

Drive o Croaked Road 1572<br />

Drums of Tahiti 1545<br />

Fire Over Af rico 1 630<br />

Hell Below Zero 1 586<br />

Human Desire 1606<br />

Indiscretion of on American<br />

Wife 1575<br />

Iron Glove, The 1569<br />

Allied Artists<br />

Columbia<br />

P. G. Page<br />

Paris Playboys 1 563<br />

Police Story, The 1618<br />

Pride of the Bluegross 1570<br />

Return from the Seo 1598<br />

Riot in Cell Block 11 1557<br />

Security Risk 1607<br />

Texos Bad Man 1 561<br />

Tonight's the Night 1655<br />

Two Guns and a Bodge 1620<br />

Weak and the Wicked, The.. 1600<br />

World for Ransom 1556<br />

It Should Happen to You 1550<br />

Jesse James vs. the Doltons .<br />

Jungle Mon-Eoters 1586<br />

Law vs. Billy the Kid, The. . . .1601<br />

Mad Magician, The 1569<br />

Mossocrc Canyon 1574<br />

Mosterson of Kansas 1661<br />

Miami Story, The 1572<br />

Miss Sadie Thompson 1546<br />

On the Waterfront 1599<br />

Outlaw Stollion, The 1593<br />

Porotrooper 1 546<br />

Phffft 1639<br />

Pushover 1599<br />

Saracen Blade, The 1583<br />

They Rode West 1636<br />

Three Hours to Kill 1618<br />

Violent Men, The 1676<br />

IFE Releasing Corp.<br />

Aida 1602<br />

Anita Garibaldi 1555<br />

Bread, Love and Dreams 1637<br />

Girls Marked Danger 1597<br />

Golden Cooch, The 1559<br />

Greatest Love, The 1552<br />

Hell Roiders of the Deep 1580<br />

Blackout 1576<br />

Cowboy, Th« 1548<br />

Fongs of the Wild 1566<br />

Heat Wove 1 636<br />

His Last Twelve Hours 1593<br />

Journey to Love 1563<br />

Lure of the Sila 1549<br />

My Heart Sings 1580<br />

Sensuolita 1583<br />

Torontella Nopoletono 1589<br />

Theodora, Slave-Empress 1653<br />

Lippert Productions<br />

Paid to Kill 1678<br />

River Beat 1599<br />

Unholy Four, The 1632<br />

White Fire 1557


Metro-Goldwyn-Mayer<br />

p. G. Page<br />

leno 1 647<br />

i Day at Block Rock 1671<br />

rayed 1 600<br />

lu Brummell 1625<br />

gadoon 1606<br />

St ot the Wove 1651<br />

;p in My Heart 1662<br />

cutjve Suite 1 562<br />

me ond the Flesh 1577<br />

en Fire 1673<br />

>sy Colt 1553<br />

Twelve Men 1596<br />

ghts of the Round Toble..1545<br />

t Time I Sow Poris, The.. 1647<br />

>ut Mrs. Leslie 1577<br />

ska Seos 1555<br />

onovo's Big Night 1563<br />

intry Girl, The 1663<br />

>hant Walk 1572<br />

iro 1552<br />

ck on Wood 1572<br />

ng It Up 1578<br />

mie Kid, The 1672<br />

I's Half Acre 1558<br />

nny Guitar 1 579<br />

ilee Trail 1551<br />

ghing Anne 1578<br />

le Haste to Live 1571<br />

cost. The 1595<br />

CO Adventure 1623<br />

livol Story, The 1570<br />

le Queen of Montana. .. .1658<br />

gerous Mission 1561<br />

ch Line, The 1548<br />

sel and Gretet 1 635<br />

Ts From Space 1554<br />

ion 1631<br />

sntures of Hojii Baba....l634<br />

k 13 1659<br />

k Widow 1642<br />

en Lonce 1 604<br />

len Jones 1635<br />

ctrius and the Gladiators. .1590<br />

ee 1654<br />

I's Harbor 1673<br />

bier from Natchez, The.. 1604<br />

en of Evil 1595<br />

la ot Large 1580<br />

ond High Water 1556<br />

Croiy 1546<br />

Faces 1559<br />

t People 1 570<br />

of Love. . 1546<br />

ntures of Robinson<br />

usee 1587<br />

he 1595<br />

oot Contessa, The -.1627<br />

iheod 1553<br />

the Devil 1564<br />

hies of the Night 1573<br />

itn John Smith and<br />

cahontos 1565<br />

in Kidd and the Slave<br />

I<br />

1585<br />

ed Swords 1 602<br />

nn,1 U/:* I -ri vpnn<br />

Paramount<br />

Republic<br />

RKO Radio<br />

20th Century-Fox<br />

United Artists<br />

P. G. Page<br />

Long, Long Trailer, The 1547<br />

Men of the Fighting Lady.... 1582<br />

Monster From the Ocean<br />

Floor 1606<br />

Prisoner of Wor 1569 ^er<br />

Rhapsody 1 560 '<br />

Rogue Cop 1612<br />

Rose Marie 1564<br />

Soodia 1547<br />

Seven Brides for Seven<br />

Brothers 1588<br />

Student Prince, The 1587<br />

Tennessee Champ 1560<br />

Thunder Pass 1 607<br />

Valley of the Kings 1597<br />

Noked Jungle, The 1558<br />

Rear Window 1600<br />

Red Garters 1558<br />

Sobrino 1604<br />

Secret of the incai 1584<br />

Three Ring Circus 1638<br />

White Christmas 1611<br />

Red River Shore 1545<br />

Roogie's Bump 1622<br />

Shanghai Story, The 1632<br />

She-Wolf, The 1564<br />

Tobor the Great 1612<br />

Trouble in the Glen 1664<br />

Untomed Heiress 1576<br />

Quest for the Lost City 1678 U) (71<br />

Saint's Girl Friday, The 1568<br />

She Couldn't Say No 1549<br />

Silver Lode, The 1 582<br />

Sins of Rome 1594<br />

Susan Slept Here 1 594<br />

This Is My Love 1631<br />

Other Womon, The 1680<br />

Outlaw's Daughter, The 1659<br />

Prince Voliont 1571<br />

Princess of the Nile 1591<br />

Rocing Blood 1570<br />

Raid, The 1 600<br />

River of No Return 1576<br />

Rocket Man, The 1578<br />

Royal Tour of Queen<br />

Elizabeth 1593<br />

Siege ot Red River, The 1568<br />

There's No Business Like Show<br />

Business 1 666<br />

Three Coins in the Fountain. . 1583<br />

Three Young Texons 1549<br />

Womon's World 1628<br />

Down Three Dork Streets 1611<br />

Dragon's Gold 1553<br />

Go, Mon, Go!<br />

issi<br />

Gog 1589<br />

Golden Mask, The 1565<br />

Golden Mistress, The 1639 /i<br />

Heidi 1548 ^:<br />

Hobson's Choice 1592<br />

Jesse James' Women 1619<br />

Khyber Potrol 1608<br />

Lawless Rider, The 1643<br />

Little Kidnappers, The 1608<br />

/;<br />

,» rb<br />

Ikl<br />

fl<br />

United Artists (Cont'd)<br />

p. G. Page<br />

Long Wait, The 1577<br />

Malta Story, The 1602<br />

Man With o Million 1585<br />

Operation Manhunt .'..1648<br />

Overland Pocific 1557<br />

Personol Affair 1556<br />

Queen's Royal Tour, A 1567<br />

Return to Treasure island. .. 1 595<br />

Riders to the Stars 1552<br />

Romeo and Juliet 1675<br />

Scarlet Speor, The 1567<br />

Shield for Murder 1611<br />

Sitting Bull 1619<br />

P. G. Pa<br />

Steel Coge, The i<<br />

Snow Creature 1 ^<br />

Southwest Passage 15<br />

Suddenly<br />

1^<br />

Top Banana 15<br />

Twist of Fote 16<br />

Vera Cruz 16<br />

Victory at Sea 15<br />

White Orchid, The 16<br />

Witness to Murder 15<br />

Yellow Tomahawk, The 15<br />

You Know What Sailors Are.. 16<br />

Universal-International<br />

Alwoys a Bride 1588<br />

Bengol Brigade 1 640<br />

Block Horse Canyon 1 584<br />

Block Shield of Folworth 1 603<br />

Border River > 1 547<br />

Both Sides of the Law 1551<br />

Creature From the Black<br />

Lagoon, The 1558<br />

Down at Socorro 1 597<br />

Destry 1667<br />

Drums Across the River 1581<br />

Fireman Save My Child. ... 1575<br />

Four Guns to the Border 1 623<br />

Froncis Joins the WACs 1596<br />

Genevieve 1 563<br />

Glenn Miller Story, The 1548<br />

Boy From Oklahoma, The 1 550<br />

Command, The 1552<br />

Crime Wove 1550<br />

Dial M for Murder 1578<br />

Drognet 1 608<br />

Drum Beat 1 646<br />

Duel in the Jungle 1605<br />

Duffy of San Quentin 1557<br />

Hensel and Gretel 1635<br />

High and the Mighty, The.. 1586<br />

His Majesty O'Keefe 1 545<br />

Angeliko (Joseph Brenner). .. .1660<br />

Angels One Five (Stofford) . . . 1590<br />

Annapurna (Kingsley Int'l) . . . . 1555<br />

Barefoot Battalion (Leon<br />

Brandt) 1594<br />

Cot Women of the Moon<br />

(Astor) 1574<br />

Caroline Cherie (Davis) 1605<br />

Covollerio Rusticono (Astor) .. 1583<br />

Componions of the Night<br />

(Arlan) 1607<br />

Daughter of Darkness<br />

(Screencroft) 1608<br />

Daughters of Destiny (Arlan) .. 1607<br />

Doy of Triumph (Selected) .... 1661<br />

Devil's Pitchfork, The or<br />

Ano-ToHon (Aries) 1580<br />

Dtory of o Country Priest<br />

(Brandon) 1601<br />

Dirty Hands (MocDonold) 1679<br />

Earrings of Modome De, The<br />

(Arlan) 1603<br />

Edge of Divorce (Kingsley) .... 1598<br />

Fast and Furious, The<br />

(A.F.E.) 1649<br />

Final Test, The (Confincntol). . 1561<br />

Fighting Pimpernel, The<br />

(Carroll) 1579<br />

Folly to Be Wise (Fine Arts).. 1559<br />

French Touch, The (Times). . .1624<br />

Glory ot Sea<br />

(Rogers & Unger) 1616<br />

Grapes Are Ripe, The<br />

(Cosino) 1595<br />

Guilt Is My Shadow<br />

(Strotford) 1579<br />

Heort of the Matter<br />

(Assoc. Artists) 1679<br />

Holly and the Ivy, The<br />

(Pocemoker) 1567<br />

Horse's Mouth, The<br />

(Kingsley-lnt'l) 1551<br />

Illicit Interlude (Hakim) 1680<br />

Intimate Relations (Carroll) ..1566<br />

Warner Bros.<br />

Miscellaneous<br />

High ond Dry 16<br />

Johnny Dark 15<br />

Mo and Po Kettle at Home.. IS<br />

Magnificent Obsession 15<br />

Naked Alibi 16<br />

Ploygirl 15<br />

Roils Into Loromie IS<br />

Ride Clear of Diablo 15<br />

Soskotchewon 15<br />

Sign of the Pagan 16<br />

So This Is Poris 16.<br />

Tanganyika 15'<br />

Tozo, Son of Cochise 15!<br />

West of Zanzibar 1 6i<br />

Yankee Pasha 1 5(<br />

Yellow Mountain, The 16!<br />

King Richard and the<br />

Crusaders<br />

1 5f<br />

Lucky Me 15:<br />

Phantom of the Rue Morgue.. 15<<br />

Ricochet Romance 16^<br />

Riding Shotgun 15<<br />

Ring of Fear 15^<br />

Silver Chalice, The 161<br />

Star Is Born, A 1 63<br />

Them! 155<br />

Track of the Cat 16!<br />

Young at Heart 167<br />

(Cosino)<br />

15^<br />

La Ronde (Commercial) 156<br />

Le Ploisir (Kingsley Int'l) 160<br />

Lonely Night, The (Kingsleylnt'l)<br />

....158<br />

Lovers, Happy Lovers<br />

(A.F.E.) 164<br />

Miss Robin Hood (Union) .... 1 54<br />

Moment of Truth (Arlan). .. .1^9<br />

Monte Carlo Baby<br />

(Filmokers) 159<br />

Mr. Hulot's Holiday (GBD)....164<br />

Out of This World (Corroll) . . 1 59<br />

Pickwick Papers, The (Kingsleylnt'l)<br />

157<br />

Pit of Loneliness (Davis) 158<br />

Private Hell 36 (Filmokers) ... 161<br />

Red Inn, The (Davis) 161<br />

Runaway Bus, The (Kromer-<br />

Hyoms)<br />

166i<br />

Salt of the Earth (Ind. Prod.<br />

Corp.) ..f 157;<br />

Sleeping Tiger, The (Astor) ... 1 64'<br />

Scotch on the Rocks<br />

(Kingsley Int'l) 160'<br />

Spell of Irelond, The (Celtic). .158'<br />

Spice of Life, The (Kingsley<br />

Int'l) 155(<br />

Stormy the Thoroughbred<br />

(Bucna Vista) 1563<br />

Three Stops to Murder<br />

(Astor) 1595<br />

Turn the Key Softly (Astor) ... 156C<br />

20,000 Leagues Under the<br />

Sea (Bucno Vista) 1670<br />

Ugetsu (Harrison & Davidson) . 1623<br />

Unconquered, The<br />

(Morgolies) 1605<br />

Vanishing Prairie, The (Buena<br />

Visto) 1603<br />

Vorieteose (Beautiful) 1657<br />

Violated (Palace) 1575<br />

Welcome the Queen (BIS) 1616<br />

Woman's Angle, The


.<br />

Imum $1.50, cash with copy. Four consecutive insertions for price<br />

E: Monday noon preceding publication date. Send copy an<br />

srs to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24. Mo.<br />

for 1955 seatype<br />

ambitious<br />

lest conditions,<br />

J (irand, Mt.<br />

so iiouse man-<br />

It th;it liiiows<br />

irtll<br />

ary<br />

Carolina.<br />

expected.<br />

-in. Must be<br />

leplies treated<br />

J.<br />

GENERAL EQUIPMENT—USED<br />

Values unsurpassed! DeVry dual sound projectors<br />

\i/amplifler. speaker. e.icellent. $595. Available<br />

on lime. Holmes L25.N' amplifiers, rebuilt.<br />

$95: used reuinds, $6.95 set; automatic enclosed<br />

lewlnds. excellent. $45. Dept. CC. 8.0. S. Cinema<br />

Supply Corp.. 602 \\. 52nd St.. New York 19.<br />

For sale: Complete line of equipment for small<br />

theatre. Very good condition. Simplct mechanisms<br />

and sound master. Boiolflce, 5705.<br />

Peerless Majnarcs, $299 pair: 1 KW. $150 pair,<br />

used: new anamorphics. variable. $545: finest<br />

cylindrical, $595 pair. Get our trade-in offer on<br />

new Strong .Mighty Nineties or "ISSs" before you<br />

deal. Time payment plan available. Dodge Biiuipment<br />

Co.. 2324 Bccchmont Me., Cincinnati 30.<br />

Ohio.<br />

Fifteen sets 24" RC.\ magazines. Complete set<br />

two upper and two lower, special price $iOO. plus<br />

tax: list price $390. First come, first served with<br />

check for $102 per set. Missouri Theatre Supply<br />

Co.. 115 W. 18th St., Kansas City, Mo. BAItimore<br />

3070-71.<br />

Comrlele theatre equipment, piano, super Simplex,<br />

1!CA sound, screen, blower, seats. $1,250.<br />

K. Ililal. I'. 0. Box 187, Annlston. Ala. Ph:<br />

AD-72C14.<br />

For sale, equipment for small theatre. Powers<br />

mechanisms and sound ma.ster. 250 chaifs in<br />

good condition. Howells Theatre, llowells. Neb<br />

For sale. 1 pair rebuilt Simplex mechanism, new<br />

style for film trap for Cinemascope. New style<br />

film gales. Genuine Simplex shutters, double<br />

bearing movement, price $250 for pair. 30 days<br />

free trial. One pair super-Simplex rebuilt, price<br />

$550. I'hilip Bland, .New and Used Equipment,<br />

1130 West Cha.se Ave.. Chicago 26, III.<br />

Lowest prices on anamorphics, lenses and screens!<br />

Contact usl .Motiograph K mechanisms, good.<br />

$225 pair: ehangcovers. complete, $22.50 set:<br />

film cabinets, $1,50 section. What do you need?<br />

Star Cinema Supply, 447 West 52nd St., New<br />

York 19.<br />

Brenkert, Super Simplex, standard Simplex with<br />

rear shutter and Superior projectors. Complete<br />

RCA sound systems with 9030 soundheads. .\shcraft<br />

Bnarc 70 A. and Strong IKW lamps. Enclosed<br />

rewinds, splicers, hand rewinds, 18" magazines.<br />

2-3 bank ticket machines and other items<br />

too numerous to mention. All in excellent condition.<br />

Write for price. Unity. P. 0. Box 442,<br />

Milwaukee, Wis.<br />

GENERAL EQUIPMENT—NEW<br />

You save 70% with .Masonite marquee letters.<br />

Fit Wagner, Adler, Beveiite signs: 4"<br />

8"—<br />

—35c:<br />

50c: 10"— 60c: 12"— 85c; 14"— $1.25:<br />

16"— $1.50: 17"— $1.75; 24"— $2.50. Dept.<br />

CC. S.O.S. Cinema Supply Corp., 602 W. 52nd<br />

St.. New York 19.<br />

"Hiohly recommend Cinemat. IV to fellow exhibitors<br />

lor performance, versatility, savings and<br />

prompt delivery." says .\yer Theatre Circuit. Bangor,<br />

.Maine. Only $200 down brings you Cinema-<br />

Scope and VistaVision. Time deals available.<br />

Dept. CC, S.O.S. Cinema Supply Corp., 602 VV.<br />

52nd St.. New Y'ork 19.<br />

For Sale: Brand new R;iytone Hi Lux screen,<br />

1.3x22. Will sacrifice for $275, cost new $450.<br />

We need larger size. Contact Iowa Tbealre.<br />

B.oumfield, Iowa.<br />

EQUIPMENT WANTED<br />

Lamp.onc kilowatt; rectifier; M, generator. Box-<br />

Wanted: S-lnch metal or plastic letters for Wagner<br />

frame. Bruce Theatre, Crowley, La.<br />

STUDIO AND PRODUCTION<br />

EQUIPMENT<br />

Eastman airgraph lfi/35mm developing machines,<br />

u.sed, $225; motorized dolly with two seats, takes<br />

heaviest cameras, $195; escalator tripod for<br />

heaviest T\' or movie cameras on 3-wheel dolly.<br />

$295; rolling stand multiple floodlites, holding 12<br />

bulbs. $180 value. $29.50; Clneflex 35inm reflex<br />

camera, magazines, lenses, motor, $695; Moviola<br />

35mm composite sound/picture. $495. Dept. CC<br />

SOS. Cinema Supply Corp., 602 W. 52nd St.,<br />

New York 19.<br />

THEATRICAL PRINTING<br />

Window cards, programs, heralds. Photo-Offset<br />

printing. Cato Show Printing Co.. Cato. N. Y.<br />

LCLEflfilOG HOUSE<br />

THEATRES FOR SALE<br />

Know theatre »ali«s? All downtown houses (2)<br />

flourishing Texas key center 9,000. Nearest comparable,<br />

40 miles. Super de luxe "A." fireproof,<br />

refriuented. built 1949. First run everything,<br />

non-bid. 1,000 seats. Ilecords available from opening.<br />

$100,000. $27,500 down to showman. No<br />

trades, outright leases, gimmicks. Boxofficc, 5709.<br />

Drive-in showman! 480-car drive-in, excellent<br />

loealion. 4-lanc federal highway, top city West<br />

Texas. Value this price/terms Immediately obviocLs.<br />

Complete details to recognized prospects. $47,000,<br />

$1S.000 down. Excellent lease. <strong>Boxoffice</strong>, 5710.<br />

Sound, substantial, non-competitive modern theatre.<br />

Live Texas town 5,500. CinemaScoped. 500<br />

seats. Showing $1,000 monthly profit. $33,500,<br />

$15,000 down. Ideal living conditions. <strong>Boxoffice</strong>,<br />

5717.<br />

Completely controlled southwest city 25,000. De<br />

luxe indoor plus fine drive-in. Exceptional growth,<br />

ideal location. Seeking only top-level showm.'in,<br />

$75,000 cash, complete identification. To .such,<br />

show remarkably rare deal. <strong>Boxoffice</strong>, 5711.<br />

THEATRE SEATING<br />

Only drive-in (exceptionally fine. 350 cars) Chair supplies, parts for all chairs, Fensin Seating.<br />

Chicago 5.<br />

|ilu, only Indnor theatre. Texas county seat 3,500.<br />

Lari;e trade area $40,000, $15,000 down. Boxoflirc,<br />

5710.<br />

Recairing and reupholstering In your theatre,<br />

Kensin Seating. Chicago 5.<br />

Portland. Ore., theatre for sale: For sale, lea.se<br />

and eciTiipment, Bagdad Theatre. Second run city<br />

situatiiiu. Thirteen hundred seats. Ten rentals<br />

included In building lease. Center East Portland's<br />

vast residential and business section. Some terms.<br />

Contact Al Myers, P. 0. Box 5204. Portland 16.<br />

For sale, equipment and leases, three key theatre<br />

silnations in principal Pacific Northwest city. May<br />

be bought as a unit or separately. <strong>Boxoffice</strong>, 5700.<br />

New 600-car drive-in theatre, deep south. Year<br />

round operation. Air-conditioned auditorium. B4L<br />

Cinemascope. Mag. sound. Small down payment,<br />

bainnec long easy terms. Good investment. <strong>Boxoffice</strong>,<br />

5715.<br />

CinemaScoped. A completely modern suburban<br />

theatre, in a fast growing city. Completely<br />

equipped, wide-screen. ClnemaScope, high-intensity.<br />

Refrigeration. This is a full-time operation, stabilized.<br />

Ideal neighborhood to live and work. Exclusive<br />

with Ralph Brwin, Broker. Box 811.<br />

Tulsa. Okla.<br />

Will sell to highest bidder, small drive-in in<br />

Missouri. Yearly gross $13,500. <strong>Boxoffice</strong>, 5721.<br />

260 seats, re-seated velour backs and bottoms.<br />

1932. New knotty pine front and marquee, 1934.<br />

Building included. Simplex projectors and sound.<br />

1 kw lamps. Town 1,800, central Illinois. Rea.son<br />

fur selling, excellent position with .Alexander Films.<br />

Must move to center of territory. No brokers.<br />

<strong>Boxoffice</strong>, 5723.<br />

New Mexico mountains. Fine 450-seat only<br />

theatre, good town. Beautiful, healtbv location.<br />

$18,500, $8,500 down. Bo.xoffice. 5718,<br />

Theatre in good farming and dairying area in<br />

Iowa. Well equipped, doing good business. Just<br />

right for family operation, reason, for selling.<br />

<strong>Boxoffice</strong>, 5728.<br />

432-seat theatre, five years old. equipped for<br />

Cinem.aSeope. 400-car parking. 60.000 population<br />

within seven-mile radius. I. A. Field, Box<br />

602. Cortland, Ohio.<br />

San Francisco area. 650 seats. OnemaScopewlde<br />

screen, excellent boxoffice and candy bar<br />

receipts. Books open. $17,500 down. J. D.<br />

Arakelian, Tlieatre Broker, 25 Taylor St.. San<br />

Francisco.<br />

Only theatre, rich Wisconsin county scat of<br />

4.000. Absentee ownership forces sale. 462<br />

seats, exceptional confection stand. Act Now!<br />

No reasonable offer refused! Bo.xorfice, 5731.<br />

For sale. Drive-in theatre in northeastern Ohio.<br />

Well located, good lease. 300-car. <strong>Boxoffice</strong>. 5732.<br />

Oklahoma. Only drive-in. growing city. Rich<br />

new oil, agricultural area. Large territory. First<br />

run. Exclusive with Ralph Erwln. Broker. Box<br />

811, Tidsa.<br />

First run art house in southwest city of 100.000.<br />

Immediate possession. $2,500. Bovofiice. 5702.<br />

THEATRES WANTED<br />

Theatres. Oklahoma, Arkansas, Kansas, Missouri.<br />

Ralph Em in. Broker, Box 811, Tulsa. Okla.<br />

Will lease theatres or drlve-lns with possibilities<br />

In south Alabama, north Florida. Olln Evans Theatres.<br />

Florala. Ala.<br />

Individual wants to buy or lease theatre or<br />

driie-ln In southwest Exnerienoed all phases<br />

Replies confidential. <strong>Boxoffice</strong>. 5729.<br />

New spring seats for all chairs, Fensin Seating<br />

Chicago 5.<br />

Patch'O-seat cement, permastonc anchor cement.<br />

Fensin Seating, Chicago 5.<br />

Seat coverings, sewed combinations, all styles.<br />

Fensin Seating, Chicago 5.<br />

Plastic leatherette, all colors, send sample.<br />

Fensin Sealing, Chicago 5.<br />

Upholstery fabrics, all types, send sample.<br />

Fensin Seating, Chicago 5.<br />

Need Chairs? S.O.S. has 'em! Send for chair<br />

bulk-tin shiiwing our tremendous stock at knockdo.in<br />

prices. Dept. CC, S O.S. Cinema Supply<br />

Corp., 602 W. 52nd St., New York 19.<br />

New and used rebuilt opera chairs. Write for<br />

photos, state incline and iiuality. Parts for all<br />

ch.:irs. send sample for iiuotation. I'ateh-A-Seat<br />

to repair torn seats. $6 complete kit. specify color.<br />

Firmastone to anchor loose chairs, $5 carton.<br />

F.O B. Chicago. General Chair Co., 1308 Elston<br />

Ave., niicago 22, 111. Phone AHmilagc 6-0022.<br />

Several lots good used chairs. Late models.<br />

tVrite for exact photo. Plastic leatherette,<br />

25" X 26", 53c each, good quality. We specialize<br />

in rebuilding chairs in your theatre. Send us<br />

sample. Chicago Used Chair Mart, 820 S. State<br />

St.. Chicago 5. III.<br />

Any needed seat repair, re-covering, re-anchoring<br />

standards, etc., done in your theatre without loss<br />

of seat use. Sect covers made lo order. Good used<br />

theatre seats. Eakcr Theatre Seat Service, Nicoma<br />

I'ark, Okla.. P. 0. Box 335.<br />

635 Heywood, 1.000 International, late model<br />

theatre chairs. Lone Star Seating Co.. Box 1734,<br />

Dallas, Texas.<br />

POPCORN MACHINES<br />

Popcorn machines, all makes and styles. Replacement<br />

kettles for all poppers. Complete replasement<br />

unit fits most machines. $185. 120 So.<br />

Ilalsted. Cliicago, III.<br />

Handy Subscription<br />

Order Form<br />

BOXOFFICE:<br />

825 Van Brunt Blvd.,<br />

Kansas City 24, Mo.<br />

Please enter my subscription<br />

BOXOFFICE. 52 issues per year<br />

(13 of which contain The MODERN<br />

THEATRE Section).<br />

D S3.00 FOR 1 YEAR<br />

D S5.00 FOR 2 YEARS<br />

THEATRE.<br />

STREET<br />

TOWN<br />

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n Remittance Enclosed<br />

D Send Invoice<br />

STATE<br />

ill!


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