Boxoffice-January.08.1955
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JANUARY
. . The<br />
iHnuMii i u, \ I ^^<br />
r<br />
eif ihe m&tcOfL fictuAe yndudAu<br />
The remodeled Capri Theatre in San Diego, a new concept<br />
in theatre design . story of how this old neighborhood<br />
house was transformed into a luxury showcase<br />
is told in The MODERN THEATRE section this issue.<br />
ncn ^ I'V<br />
«r ytor.<br />
IN THIS ISSUE<br />
MOBIEM<br />
THBATM<br />
SECTIONS
Jr ^ocuAfCr along-<br />
NOW THEY'LL BE ASKIN(<br />
FOR YOUR AUTOGRAPH<br />
MR. EXHIBITOR!<br />
In our national magazine ads and in countless outlets of<br />
publicity we're telling the public about M-G-M's 1955<br />
MOTION PICTURE CELEBRATION. We're reminding<br />
them that when there's<br />
a community service to perform,<br />
the theatres have always been there. Soon you'll hear of<br />
many stunts, tours and promotions acquainting the public<br />
with the Celebration that salutes yoii! It's up to yoi/, Mr.<br />
Exhibitor, to capitalize on M-G-M's nationwide ballyhoo!
FREE AT YOUR<br />
M-G-M BRANCH!<br />
7 How to Sell<br />
I!<br />
HERE'S A MONEY-<br />
MAKING PLAN<br />
FOR YOU!<br />
Forward in '55!<br />
First a barrage of M-G-M publicity<br />
nationally that will glorify<br />
the theatre's vital part in show<br />
business. Then you. tie in your<br />
theatre locally. In this campaign<br />
book are materials to<br />
help you stimulate your boxoffice.<br />
Let's start off the new<br />
year with a showmanship<br />
effort for more business.<br />
Shown to the left is the<br />
big Celebration press<br />
book. At the right is a<br />
handy pocket-size "How<br />
To Sell The Celebration."<br />
Ail accessories are FREE.<br />
We furnish the advance<br />
promotion and the<br />
materials. You put on a<br />
local Celebration to stimulate<br />
your box-office!<br />
{( MOTION PICTURE<br />
THEATRE ^<br />
.X<br />
,($*«« fu/t ATTHe uones-<br />
.^^V<br />
CELEBRATION RELEASES!<br />
Ask your Branch for other fine films available!<br />
BAD DAY AT BLACK ROCK"<br />
January)<br />
CinemaScope— Color) • starring Spencer Tracy<br />
lobert Ryan . co-starring Anne Francis • Dean<br />
fagger • Walter Brennan . John Ericson<br />
ilrnest Borgnine • Lee Marvin . Russell Collins<br />
GREEN FIRE" (January)<br />
CinemaScope— Color) • starring Stewart Granger<br />
jrace Kelly • Paul Douglas . co-starring John<br />
Ericson . with Murvyn Vye<br />
MANY RIVERS TO CROSS"<br />
February)<br />
CinemaScope— Color) . starring Robert Taylor<br />
i^leanor Parker . with Victor McLaglen . Russ<br />
Pamblyn . Jeff Richards . James Arness<br />
JUPITER'S DARLING" (February)<br />
CinemaScope— Color) • starring Esther Williams<br />
toward Keel • Marge and Gower Champion<br />
jeorge Sanders . with Richard Haydn<br />
kVilliam Demarest<br />
"HIT THE DECK" (March)<br />
(CinemaScope— Color) • starring Jane Powell<br />
Tony Martin . Debbie Reynolds • Walter<br />
Pidgeon . Vic Damone • Gene Raymond • Ann<br />
Miller . Russ Tamblyn . with Kay Armen<br />
J. Carrol Naish . Richard Anderson . Jane<br />
Darwell<br />
"INTERRUPTED MELODY (March)<br />
(CinemaScope— Color)<br />
•<br />
Eleanor Parker • with<br />
Kellaway<br />
starring Glenn Ford<br />
Roger Moore • Cecil<br />
"THE GLASS SLIPPER" (April)<br />
(Color) . starring Leslie Caron . Michael Wilding<br />
with Keenan Wynn • Estelle Winwood • Elsa<br />
Lanchester Barry Jones<br />
"BEDEVILLED'<br />
(April)<br />
(CinemaScope— Color) starring Anne Baxter<br />
Steve Forrest . with Simone Renant • Maurice<br />
Teynac • Robert Christopher . Joseph Tomelty<br />
and Victor Francen<br />
I nt rKVJUIVjAL (Date to be Announced) •<br />
(CinemaScope— Color) . starring Lana Turner<br />
Edmund Purdom . Louis Calhern . with Audrey Dalton • James Mitchell • Neville Brand • Walter<br />
rlampden • Taina Elg . Francis L. Sullivan . Joseph Wiseman • Sandra Descher<br />
TO YOUR eoK-o/^F/ca/
EVERY BOLD AND INI<br />
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The SCO<br />
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YOUR<br />
SIGHTS<br />
HIGH<br />
FOR ^<br />
WARNERS<br />
STARRING<br />
HilfFll&nflDHY-iinymM.iMwni
!<br />
lENSATION ON THE IVIOTIUN fIWTUKfe a^KEEN :<br />
personal story of loves<br />
when the battle is far away<br />
ot ever been told like this before<br />
(W^i:-j.*.v- .» -'v ..^'-^<br />
PRESENTED IN Cinemascope WarnerColor-Stereophonic Sound<br />
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. . . and<br />
'n<br />
GOLDEN OPPORTUNITY<br />
JI has heeii licarlciiiiig to note llic<br />
fine i)iess that motion |)iLtiiies are now receiving.<br />
Editorial comment has been most favorable and<br />
more and more newspapers are opening up<br />
their news pages to give increased coverage to<br />
news of films and their personalities. Doubtless,<br />
much of this is the result of the very excellent<br />
advertising copy that has been appearing in<br />
Editor & Publisher, under the sponsorship of the<br />
Council of Motion Picture Organizations. And<br />
we have an idea that at least a smidgen of credit<br />
is due to the alertness of publishers and editors<br />
who. at long last, have come to realize that "trade<br />
follows the movies" in their conmiunities, as<br />
everywhere else. And credit also should be given<br />
to the wide-awake exhibitors, who have had a<br />
hand in developing some of that "inspiration"<br />
that lately has come to their local papers.<br />
Two very good examples crossed our desk this<br />
week. One from Joe V. Gerbrach. resident manager<br />
of the Ames Operating Co.. with four houses<br />
in this college town. Mr. Gerbrach has gotten<br />
excellent breaks from the Ames Daily Tribune,<br />
with an entire page, profusely illustrated with<br />
scenes from current attractions, each Saturday<br />
for the past several weeks. And gratifying to<br />
BoxoFFiCE is Mr. Gerbrach's advisement, "In<br />
working up this material, many times we find<br />
items of interest in your publication that we pass<br />
along to the public."<br />
Wally R. Kemp, manager and co-owner of the<br />
Grand Theatre at Grand Island. Nebr.. pridefully<br />
calls attention to merchant cooperation,<br />
as well as newspaper cooperation, that he obtained<br />
for the opening, Dec. 31, of "A Star Is<br />
Born." For three successive days, large merchant<br />
displav ads plugged the picture and the theatre.<br />
And the newspaper devoted nearly a full-page<br />
of text, with a screamer headline in color, on<br />
one of the occasions. Fine as this is. the copv<br />
leading off a three-colunm full-length display<br />
ad placed by the Grand Island Baking Co. in<br />
that city's Daily Independent is really something!<br />
Because it pays such a fine tribute to communitv<br />
theatres and to the industry in general and. because<br />
it sets a worthy example for other managers<br />
and/or newspapers and merchants to follow,<br />
wo reprint that text in<br />
full.<br />
IF WE DIDN'T HAVE<br />
GOOD THEATRES<br />
What kind of a town<br />
would Grand Island be-*<br />
Let's go to the picture showf<br />
How many times hove you heord that in your lifetime^<br />
It's a sugqestion obout os American as oppic pief<br />
Everyone loves a good movie!<br />
Even in this day of stay-at-home TViewers, movies ore<br />
still about the most popular pastime you con find.<br />
When there's o good show on, you'tl find lots of people<br />
when there's on outstanding one . . . you'll still sec<br />
the "standing room only" sign out. Which proves that<br />
good movies still pock 'em in, despite the fact that tots<br />
of people have television in their front room and can wotch<br />
a movie most any time. The obvious reason is that the<br />
movie houses still hove good shows and people would rother<br />
pay their money to sec good entertainment thon to wotch<br />
a free mediocre show at home.<br />
Fact is, the movies still pull people away from their<br />
viewers when good programs are on, too. People iust like<br />
to go to the movies.<br />
Grond Island is fortunate in having three good y eararound<br />
movie houses, plus a drive-in for summer. Between<br />
them, they bring top productions to us. Many of the<br />
"colossols" in movies are ovoiloble here as rapidly as in<br />
the big cities.<br />
The movie houses ore on im portent cog in community<br />
life. They employ obout 30 full time workers besides being<br />
o troining ground for o lot of youngsters in business. Many<br />
youths get their first business experience as ushers, doormen<br />
and at other jobs in theatres where they learn to<br />
meet the public.<br />
Good theatres bring lots of people to town, too. People<br />
outside in the trade area recognize Grand Islond os a<br />
g;ood movie town.<br />
So we salute the movie business!<br />
Local theotres hove some fine shows coming up! And<br />
if you're looking for a good, safe, sane and enjoyable<br />
way to enjoy New Year's Eve, look at the billing of your<br />
favorite movie house!<br />
That old saying that ^'nothing succeeds like<br />
success" certainly is proving itself over and over<br />
again these days. With better pictures reviving<br />
the public interest in nioviegoing. it is good to<br />
see a change from the negative attitude that existed<br />
just a few short years back. Now, instead<br />
of public and press freely taking pokes at the<br />
industry, its people or its products, there is apparent<br />
an eagerness to say nice things for and<br />
about the movies.<br />
This is more than a good sign. It's a golden<br />
opportunity for more good showmen to cultivate<br />
their home town folks and to do everything they<br />
can to further develop and continue this highly<br />
favorable climate.<br />
The public and the press are important factors<br />
to this industry's well-being. \^ e've got Vm on<br />
our side now. Let's keep 'em that way— for years<br />
to come!<br />
Off to a Good Start<br />
The holiday season ushered in some of the current<br />
season's biggest pictures and they proved<br />
big hits across the nation. Opening grosses in<br />
a number of the key city first runs were termed<br />
"fantastic" and holdovers are continuing to pile<br />
up new records, even after youngsters have returned<br />
to school and family gatherings are back<br />
to normal. Scattered reports from smaller situations,<br />
subsequent runs in the neighborhoods<br />
and small towns, reveal parallel results from<br />
showing of earlier releases dating back to the<br />
beginning of the 19.51-.5.5 season. With a substantial<br />
miniber of e.\ccj)tionally good picturi's<br />
awaiting release, the outlook for the next quarter,<br />
at least, is most encouraging.<br />
\Ji^^ yO^lJtf^^t'^
DELAYING TRADE CONFERENCE<br />
FOR ARBITRATION IRKS ALLIE<br />
Ben Marcus Declares Talks<br />
Could Improve Relations<br />
If Given Priority<br />
CHICAGO—Giving priority to arbitration<br />
over an all-industry conference proposed<br />
several weeks ago by Al Lichtman.<br />
director of sales for<br />
20th Century-Pox, is<br />
a mistake, says Ben<br />
Marcus, president of<br />
National Allied. The<br />
conference could result<br />
in more fair and<br />
equitable distribution<br />
policies and better industry<br />
relations, he<br />
states.<br />
First word that distribution<br />
sentiment fa-<br />
Ben Marcus vored action on arbitration<br />
ahead of the<br />
proposed industry conference came out early<br />
in December. At that time a meeting at the<br />
Motion Picture Ass'n of America called to<br />
discuss plans for the conference was devoted<br />
almost entirely to the arbitration outlook.<br />
Nothing was done about either arbitration or<br />
the industry conference during the holidays.<br />
SKOURAS FAVORS CONFERENCE<br />
When Spyros P. Skouras returned from<br />
Europe just before Christmas, he also said<br />
he was in favor of an early conference and<br />
would attend if one was held. Early in the<br />
week, however, Lichtman admitted that distribution<br />
heads favored action on the arbitration<br />
problem first.<br />
Marcus, along with Abram P. Myers, general<br />
counsel and board chairman, conducted<br />
a meeting here Thursday i6i of the Emergency<br />
Defense Committee. While the decision<br />
of whether to push for the proposed government<br />
regulation bill will be taken by the<br />
entire Allied board when it meets in St. Louis<br />
next month, Thursday's meeting had its significant<br />
pointers along this line, too. Allied<br />
has been collecting data on film rentals,<br />
availabilities and other trade problems, and<br />
the complexion of the information forwarded<br />
from exhibitors will determine to a large<br />
extent the decision of board members on government<br />
regulation.<br />
STATEMENT BY MARCUS<br />
Marcus, in pres.sing for an indu.stry conference,<br />
i.ssued this statement:<br />
"The round table conference between the<br />
heads of production and distribution on one<br />
side and representatives of exhibition on the<br />
other could contribute greatly toward achievement<br />
of a greater understanding between all<br />
branches of the industry. It could result in<br />
more fair and equitable sales policies by distribution<br />
and much greater understanding of<br />
the distributors' problems by exhibition. This<br />
would tend to eventually help complement<br />
the final results for the setting up of arbitration.<br />
It is regrettable that production and<br />
distribution .seem to be thinking in reverse<br />
by placing arbitration prior to this muchdesired<br />
round table conference which met<br />
with such unanimous acceptance by all<br />
—<br />
Divorced Chains Rigl<br />
To Produce Is Soughi<br />
NEW YORK—Theatre Owners of America<br />
has asked the Department of Justice to meet<br />
with a small group of TOA officers to discuss<br />
allowing theatre circuits formerly affiliated<br />
with major distributing companies, and divorced<br />
from them by the consent decree, to<br />
engage in production of pictures.<br />
E. D. Martin, president, said Thursday (6)<br />
that the date of February 13 or 14 was suggested<br />
for the meeting. That is wher TOA<br />
will hold its mid-winter convention in Washington.<br />
He said the government would be told<br />
that TOA would expect "reasonable restraints"<br />
to be imposed on any production by<br />
the circuits to avoid the possibility of a<br />
monopoly.<br />
Martin also said he saw no reason why the<br />
circuits should not also engage in distribution.<br />
If and when the Justice Department grants<br />
the request for a meeting, he will name the<br />
TOA committee.<br />
MeanwhUe, the Exhibitors Film Financial<br />
Group, Inc., sponsored by TOA to supply<br />
finances for independent production, met at<br />
TOA headquarters Thursday to complete<br />
final details for registering the $100 par value<br />
common stock it will sell in all states.<br />
Application for Security Exchange Commission<br />
approval was filed the same day in<br />
Washington. E. D. Martin, president of TOA,<br />
and Benjamin Ti-ustman of Boston, legal aid,<br />
said they hoped for SEC approval within a<br />
branches of the industry, when first suggested<br />
by Mr. Lichtman."<br />
At the meeting Marcus said the EDC is<br />
quite disturbed about the manner in which<br />
Walt Disney is handling distribution of "20,-<br />
000 Leagues Under the Sea," particularly because<br />
there are not any optical prints made<br />
available for theatres not equipped with stereophonic<br />
sound.<br />
The EDC. he stated, has received complaints<br />
from member exhibitors to the effect<br />
E. D. Martin Favors<br />
Arbitration First<br />
New York "1 think it a good idea to<br />
hold back the round table talks proposed<br />
by Al Lichtman until arbitration is<br />
worked out," E. D. Martin, president of<br />
Theatre Owners of America, said Wednesday<br />
(5).<br />
He said arbitration should have priority<br />
because it is "the big matter," and that<br />
other matters could be taken up via round<br />
tables when arbitration is established.<br />
He added that he knew Ben Marcus, National<br />
.•\llied president, felt differently,<br />
but that he could not affree with Marcus.<br />
few days so that plans may be accelerj<br />
When approval is received, a series of<br />
ings will be scheduled throughout the<br />
which two or more of the temporary c<br />
of the company will attend. The firs<br />
be in St. Louis. When sufficient progre<br />
been made toward raising the autl<br />
capital of $10,000,000, stockholders wil<br />
to elect permanent officers.<br />
Martin and Trustman said the EFFG<br />
cation was drawn so broadly that the<br />
pany can indulge in any industry ai<br />
even distribution, but that the chief i<br />
to obtain financial backing from exh<br />
for independent production. They sai(<br />
had the "moral backing" of the large c:<br />
They did not believe it necessary to g<br />
partment of Justice approval.<br />
Temporary offices have been estal<br />
in the Boston headquarters of Sam Pii<br />
Later regular offices will be opened, inc<br />
one on the coast, and personnel engage<br />
First National Bank of Boston is dep<br />
of funds.<br />
Asked about the invitation of Ben i<br />
National Allied president, to TOA to<br />
,<br />
joint actions on exhibitor problems, :<br />
recalled that Walter Reade jr., former<br />
dent, had written Marcus a letter of i<br />
ance and said he had followed up the<br />
letter with one of his own. saying f<br />
awaiting a reply.<br />
that Disney representatives have nc<br />
any of their salesmen call on a great<br />
ber of exhibitors out in the territory<br />
result, many exhibitors have not bougl<br />
ney pictures at all, and numerous ones<br />
some of the films at a very late date. '<br />
fore, the EDC requested that Marcus c<br />
the Disney organization for the purp<br />
correcting this condition, which he w<br />
out to do soon at the February meeti<br />
In addition to discussing the bill pre<br />
at the Milwaukee meeting, they wil<br />
up Allied's plan to have theatre equi<br />
manufactured under its brand nam<br />
distributed by Allied, and Allied's pr<br />
bill for federal regulation of the fU<br />
dustry.<br />
COMPO Ad Says Big Fil<br />
Mean a Happy New Yec<br />
NEW YORK—Exceptionally fine r<br />
pictures will help to make the new j<br />
happy one, readers of Editor & Publishe<br />
told in a Council of Motion Picture Orgi<br />
tion's advertisement in the January 1<br />
:<br />
"The word from Hollywood," the ad<br />
"is that the new pictures coming up ii<br />
are even better than the notably fine<br />
that have been entertaining the Am<br />
people for the last several months."<br />
8 BOXOFFICE January i
IBITORS ATTACK TOLL TV<br />
FILING PROTEST TO FCC<br />
ea of Zenith for<br />
( Approval of<br />
u-See Plan<br />
N—The exhibitors joint<br />
oil TV on Thursday t6)<br />
to deny the joint petition<br />
and Teco, Inc. for approval<br />
television either without<br />
th written or expedited<br />
itted by the law f u'm of Cohn<br />
int committee attempted to<br />
nith arguments on behalf<br />
11 light for pay-as-you-see.<br />
Id that the joint committee<br />
ibitor organizations reprelately<br />
75 per cent of the<br />
)n picture theatres.<br />
lENTS ASSAILED<br />
rguments which the joint<br />
;d held that U) television<br />
ee," since the public must<br />
oducts to keep programs on<br />
FCC has legal authority to<br />
-you-see; (3) pay-as-youe<br />
more effective use of TV<br />
t4) it would be in the public<br />
irize pay-as-you-see imme-<br />
3Ut hearings.<br />
brief contended that pres-<br />
;e, in that the public is not<br />
dvertised products. Approxfamilies<br />
have bought apillion<br />
worth of TV receivers<br />
that they will not have to<br />
according to the joint comt<br />
of the pm-chasing by low<br />
ssion should now announce<br />
hat this third largest capihich<br />
they have made . . .<br />
5 represented to be and that<br />
; original capital investment<br />
jy in order to see programs,<br />
arise in this country which<br />
1<br />
omplaints of the 160 UHF<br />
the Senate interstate and<br />
e committee sound like a<br />
rXEE CHARGES<br />
littee said there is consider-<br />
;he FCC has legal authority<br />
iription television, citing the<br />
1 statements doubting that<br />
> "broadcasting."<br />
uled the Zenith assertion to<br />
subscription TV would aid<br />
t of new UHF stations, or<br />
ibstantial growth of TV sernow<br />
reached. Unapplied-for<br />
ireas which will not support<br />
was argued, and the joint<br />
sd out that Zenith, itself,<br />
. . .<br />
lish subscription television in<br />
politan areas." Zenith, the<br />
ingling "a bait before the<br />
once the Commission decides<br />
len blithely do exactly what<br />
oadcasters have done<br />
Subscription TV Receives<br />
Fast<br />
Brushoff by FCC<br />
Washington — Subscription television<br />
received a fast bruslioff in tlie Federal<br />
Communications Commission's annual report,<br />
released Saturday (1).<br />
The Commission noted pay-as-you-see<br />
only briefly, and repeated almost identical<br />
comments in previous annual reports<br />
to the effect that this sort of television<br />
presents unusual problems for the FCC.<br />
The report said that it is by no means<br />
clear whether subscription TV should be<br />
classed as a broadcast service or a common<br />
carrier, and where frequencies might<br />
be found for it.<br />
There was no mention of possible hearings<br />
to resolve these questions. Several<br />
petitions have asked for such hearings,<br />
and Zenith recently asked for immediate<br />
approval without hearings. Cohn & Marks,<br />
counsel for the Exhibitors Joint Committee<br />
on Toll TV asked the FCC to hold<br />
off on any such action until the Joint<br />
Committee can draft a response (o the<br />
Zenith petition.<br />
Prospects for any quick action by the<br />
FCC appear dim, in view of the annual<br />
report's treatment of pay-as-you-see.<br />
estabhsh sei-vice in those markets where the<br />
economics can support the continuation of<br />
the service."<br />
Zenith's plans not only relate to such cities<br />
as New York, Chicago, Los Angeles and Philadelphia,<br />
but experiments were conducted in<br />
Chicago "as a typical community where subscription<br />
television had a reasonable chance<br />
of success." If Zenith were sincere, it was<br />
argued, it would propose limited subscription<br />
TV to those markets now without television<br />
service, or at least they would not oppose<br />
proposals of UHF stations to limit pay-asyou-see<br />
to UHF channels.<br />
Zenith, when it asked for experimental authority,<br />
pleaded that it would be unable to<br />
provide the necessary information at a public<br />
hearing unless allowed to experiment and<br />
this, according to the joint committee, casts<br />
doubt on the good faith of the latest Zenith<br />
petition. Also, it was charged that Zenith had<br />
been chided by the Commission for<br />
violation<br />
of specific limitations placed upon the experimental<br />
authorization, and this was given as<br />
further reason why hearings must be held<br />
now before any authorization is issued.<br />
"Every segment of the interested public<br />
should not only have the right to appear and<br />
testify at such a hearing, but those who have<br />
stakes in the question of the establishment<br />
of subscription television should al.so have the<br />
opportunity to cross-examine the proponents,"<br />
the brief argued. Even in the simplest<br />
radio and TV cases. Congress has required<br />
the FCC to afford an opportunity for crossexamination,<br />
and "no less stringent" procedures<br />
are required in a proposal which<br />
would have a "tremendous impact ... on the<br />
entii'e broadcasting industry."<br />
The Zenith contention that hearings might<br />
take considerable time was recognized by the<br />
joint committee as true, "but when weighed<br />
against the tremendous social and economic<br />
upheaval which may follow the establishment<br />
of subscription television, the time element<br />
becomes relatively msignificant."<br />
The FCC within the next few weeks will<br />
announce hearings on subscription television,<br />
according to Commission sources on Thursday<br />
(6). It was also revealed that there is<br />
some sentiment within the Commission hi<br />
favor of dumping the entire problem into the<br />
lap of Congress.<br />
The FCC hearings predicted probably<br />
would take a long time to bring to a conclusion,<br />
since they would not center on the<br />
recent Zenith Radio petition for immediate<br />
approval, but would be a broad-scale investigation<br />
of the entire complex subject. Probable<br />
topics to be covered would include<br />
whether pay-as-you-see is broadcasting at<br />
all. whether the Commission actually has<br />
legal power to approve, whether pay-as-yousee<br />
would encourage or discourage free television,<br />
and whether one specific system<br />
should be chosen if approval is to be given<br />
at<br />
all.<br />
Broadcasters for Hearings<br />
On Subscription TV<br />
WASHINGTON—Opposition to FCC approval<br />
of subscription TV without hearings<br />
was expressed by the National Ass'n of Radio<br />
and Television Broadcasters in a letter to the<br />
Commission on Tuesday (4). NARTB president<br />
Harold Fellows addressed his letter to<br />
FCC chau-man George C. McConnaughey,<br />
and termed "the basic issue," the question of<br />
whether assignment of broadcast channels<br />
to pay-as-you-see would "serve the public<br />
interest."<br />
Fellows stressed the fact that the letter did<br />
not represent an NARTB position for or<br />
against pay-as-you-see, but merely represented<br />
that association's belief that the sub-<br />
. . . should<br />
ject requires "the utmost in regulatory consideration,<br />
in which opportunity<br />
be afforded interested parties to ah" the subject<br />
completely."<br />
Fellows said, "the various pending petitions<br />
denote the great variety of problems<br />
and details posed by this subject—including<br />
proposals which often differ as among themselves."<br />
Skiatron Starting Toll TV<br />
Test on WGTH-TV, Hartford<br />
NEW YORK—Skiatron Electronics and Television<br />
Corp., headed by Arthur Levey, has<br />
started ultra high frequency tests of its toll<br />
television system over WGTH-TV at Hartford.<br />
There are a large number of UHF converters<br />
in that area. Tests over WOR-TV have been<br />
in progress in the New York area for some<br />
time.<br />
The Skiatron system has a new IBM-type<br />
card for decoding signals. It measures eight<br />
by six inches. Reduction of the size of this<br />
is contemplated through the use of transistors.<br />
fanuary 8, 1955
Zenith Radio Head Charges<br />
Exhibitors Fear Toll TV<br />
Says groups opposing subscription television<br />
trying to delay it "because they know it will<br />
be competitor capable of delivering new motion<br />
pictures to public more efficiently and<br />
much more economically than is now possible."<br />
E, P. McDonald says niunber of theatre<br />
owners already have asked for franchises<br />
to operate Phonevision in<br />
their localities.<br />
Ohio's Censorship Law<br />
Ruled Unconstitutional<br />
Di.strict court of appeals issues permanent<br />
injunction barring enforcement; Ohio supreme<br />
court recently held law to be "unreasonable<br />
and unlawful," but failed by single<br />
vote to hold it unconstitutional.<br />
*<br />
Bigger Theatre Business<br />
Predicted by TOA Head<br />
E. D. Martin, on arrival in New York for<br />
of TOA conferences, said that people<br />
a .series<br />
now have more spending money and that<br />
they realize better pictures are being shown.<br />
•<br />
New York Legislature Gets<br />
'Quickie' Bingo Measure<br />
Democratic bill would remove criminal penalties<br />
for playing game while leaving it illegal:<br />
Republicans favor usual procedure of<br />
legalization by constitutional amendment approved<br />
by two legislatures and then by voters.<br />
•<br />
Census Trade Questionnaire<br />
In the Mails This Week<br />
Going out to almost every producer, distributor,<br />
exhibitor and service firm in the<br />
motion picture industry for detailed information<br />
on various operating aspects of the<br />
business in 1954.<br />
*<br />
United Artists World Gross<br />
In 1954 a 35-Year Record<br />
Robert S. Benjamin, board chairman, reports<br />
it as $43,100,000, compared with $38,-<br />
600,000 in 1953, $29,300,000 in 1952 and $15,-<br />
900,000 in 1951; last date was when present<br />
management assumed control.<br />
*<br />
President's<br />
Foreign Trade<br />
Expansion Program Hailed<br />
Industry, which gets over 40 per cent of its<br />
revenue from abroad, backs plan to extend<br />
reciprocal trade pacts for three years and to<br />
give Eisenhower more power to materially reduce<br />
present tariffs.<br />
*<br />
Licenses for Manufacturing<br />
Perspecta Sound Increase<br />
Worldwide total rises from 13 in August lastto<br />
16 as N. V. Philips of Holland, unit of big<br />
European equipment company, signs agreement<br />
to make the stereophonic sound units<br />
for theatres on continent.<br />
Couri Breaks 1st Run Gr/j<br />
But Cuts Record Verdic<br />
KANSAS CITY, MO.—The largest antitrust<br />
verdict ever handed down in a film industry<br />
suit was sliced by more than a million dollars<br />
this week by a federal court .iudge, but at<br />
the same time he handed down a stringent<br />
set of trade practices under which six major<br />
defendants may sell pictures in the two Kansas<br />
Citys.<br />
No longer, ruled Judge Albert Ridge, can<br />
distributors force the Electric Theatre in<br />
downtown Kansas City, Kas., to play features<br />
after first runs in Kansas City, Mo., as has<br />
been the practice for several decades. This<br />
clearance protection was the basis for the<br />
suit—the advantages given to downtown theatres<br />
on the Missouri side of the river over<br />
theatres in Kansas.<br />
$1,334,402 IS NEW FIGURE<br />
The decree was handed down in the suit<br />
brought by the owners of the Electric Theatre<br />
against six distributors. Originally, all<br />
eight majors were defendants, but 20th<br />
Century-Fox and Universal settled the case<br />
out of court a number of months ago. Damages<br />
in the jury-tried case totaled $2,406,602.79,<br />
so a reduction of more than a million dollars<br />
still gives the theatre owners $1,334,402.01, the<br />
new figure set by Judge Ridge. In addition, the<br />
court fixed attorney's fees which the plaintiff<br />
can recover from the distributors at $100,000<br />
plus $9,130.29 court costs.<br />
In addition to giving the Electric Theatre<br />
the right to play a feature no later than the<br />
earliest availability on which such features<br />
are offered in the Kansas City exchange area.<br />
Judge Ridge also decreed that this principle<br />
.shall apply to all prereleases, roadshows and<br />
previews. The Electric Theatre will not be<br />
required to bid for product against any thea-<br />
New Paramount Contracts<br />
To Wyler and Wilder<br />
HOLLYWOOD— Coincident with a<br />
forecast<br />
by Eton Hartman, Paramount executive producer,<br />
that business in 1955 "will be as good<br />
as the pictures themselves," came announcement<br />
from the studio that William Wyler<br />
and Billy Wilder, veteran producer-directors,<br />
had been signed to new multiple-pictm-e, nonexclusive<br />
contracts.<br />
Wyler, with Paramount since 1947, currently<br />
is making "The Desperate Hours."<br />
Wilder, whose last for Paramount was<br />
"Sabrina," will return — upon completion of two<br />
outside assignments "The Seven Year Itch"<br />
for 20th Century-Pox and "The Spii-it of St.<br />
Louis" for Warners. Each will participate in<br />
the profits from his Paramount-made celluloid<br />
under terms of the contracts.<br />
Hartman, noting that Paramount is "flattered<br />
and extremely pleased" about the<br />
Wyler-Wilder commitments, added in his 1955<br />
prognostication that "all economic factors<br />
in the free world point to promising conditions,"<br />
and that, given good product, "it<br />
remains only for the intelligent showmanship<br />
effort of exhibitors to make 1955 a record<br />
year." He predicted there will be still greater<br />
technological advancements in the fields of<br />
projection and sound and reaffirmed that<br />
"what benefits the exhibitor benefits us."<br />
tre in Kansas City, Mo., or in Jc<br />
county, Kas., the large suburban resic<br />
area adjoining the two Kansas Citys.<br />
If distributors decide to ask for bi<br />
product in Kansas City, Kas., they<br />
screen the picture for all bidders ant<br />
vide an opportunity for all bidders to be<br />
ent when the bids are opened and tc<br />
a right to inspect them.<br />
The distributors had asked for a jud<br />
notw^ithstanding the verdict, a new ti<br />
an amended judgment. In filing his<br />
giving the injunctive relief to the t<br />
owners. Judge Ridge, in effect, overrul<br />
motions on the condition that w'ithin 1<br />
the Electric Theatre Co. file an acce<br />
of the reduced verdict. The theatre co:<br />
is expected to accept the lower dama<br />
view of the strong relief granted by the<br />
The film companies, however, are ex<br />
to appeal both damages and the inji<br />
provisions.<br />
TO HEAR THREE MORE SUITS<br />
Three more suits involving the same :<br />
situation are still to be heard by the<br />
The Electric Theatre Co. is to file a<br />
suit against the distributors, seeking ds<br />
covering the last three years of ope<br />
The Avenue Theatre, another Kansa<br />
Kas., first run owned by W. D. Fultc<br />
has an operating interest in the Elec<br />
to file a second suit, and a third suit<br />
ing the closed State Theatre, also a<br />
property, has been filed in federal c(<br />
New Jersey.<br />
Fulton was a partner in the Brooksid<br />
atre Co., which several years ago<br />
$1,125,000 verdict against the majors.<br />
Laub Now Assistant He<br />
Of RKO Legal Departm<br />
NEW YORK—Joseph J. Laub ha<br />
named assistant general counsel of<br />
Radio Pictures by J. MiUer Walker<br />
president and general counsel. He toe<br />
his new duties January 1.<br />
Laub has been a member of the legi<br />
for the past six years and has beet<br />
assistant to general counsel in distri<br />
financial and corporate matters. For<br />
years he was with Donovan, Leisure, I<br />
& Irvine and specialized on corpora<br />
antitrust problems.<br />
NEW YORK—Arnold M. Picker, vice<br />
Arnold Picker on 3-Wee<br />
Tour of Latin Countries<br />
dent of United Artists in chai-ge of<br />
distribution, left Monday (3) for a<br />
Latin American tour of exchanges ii<br />
countries.<br />
During the trip Picker will attend 1<br />
ternational Film Festival at Punta di<br />
Uruguay, w'here "Romeo and Juliet"<br />
presented in a non-competitive si<br />
Havana was the first stop. Others ar«<br />
ama. Lima, Sanitago, Buenos Aires,<br />
video, Rio de Janeiro and Caracas.<br />
10<br />
BOXOFTICE ::<br />
January
nnouncement<br />
MOTION PICTURE I HIGH FIDELITY<br />
A NEW WORLD OF MOTION PICTURES
MOTION PICTURE f HIGH FIDELITY<br />
Paramount's Gift tc<br />
the Industry<br />
Wl<br />
A Statement Br Barney Balaran<br />
t-rii^<br />
MX*<br />
It is important at this time, I believe, to review what Paramount's<br />
development of the Horizontal VistaVision Camera means—and<br />
will continue to mean—to exhibitors in terms of increased theatre admissions<br />
and to the future of our industry.<br />
Paramount's first VistaVision picture, WHITE CHRISTMAS, has now<br />
played widely to solid top grosses, in many cases to all-time record-breaking<br />
results.<br />
More important —WHITE CHRISTMAS proves the wisdom of<br />
Paramount's policy as regards the Wide Screen.<br />
prom the start our Company was unwilling to rush into adopting any<br />
Wide Screen system technically not yet perfected and which would place an<br />
undue economic burden on our customer, the exhibitor.<br />
With faith in our Studio's fine scientific department, Y. Frank Freeman<br />
and I authorized expenditures of several millions of dollars in the eflForts to<br />
develop to perfection a system of photography and projection which would<br />
furnish to exhibitors everywhere the best photographed pictures in the ideal<br />
2-to-l<br />
proportion on the largest possible screen at the least possible expense<br />
to the theatres.
ic results, beyond our fondest dreams, are:<br />
le<br />
Horizontal VistaVision Camera—and the complete conversion of our<br />
) to this system.<br />
n VistaVision pictures already completed.<br />
few weeks ago, the top executives of our worldwide sales and adverdepartments<br />
came to Hollywood and viewed these ten productions,<br />
were extremely enthusiastic over what they saw. So eager were they<br />
ead the proof of the outstanding values in these pictures and of the<br />
ng merits of the<br />
Horizontal VistaVision Camera, that they urged the<br />
) to prepare a Special Film containing the highlights of the pictures.<br />
mning 20 minutes, this Special Film is nearing completion and is titled:<br />
Paramount Presents<br />
yistaYision<br />
MOTION PICTURE f HIGH FIDEHTY<br />
A Product Featurette<br />
^e are arranging trade showings of this film for exhibitors and will subntly<br />
furnish prints, unthout charge, to theatres for the entertainment of<br />
audiences.<br />
lincerely believe that this is a most important film. I think that, seeing<br />
1 will visualize for the first time A New IVor/d In Motion Pictures and<br />
5t potentialities. I am confident that, having seen it, you will agree that<br />
:a] technical and financial future of our industry rests upon the ultimate<br />
photographing and projecting of motion<br />
pictures standardized on the principles of the<br />
HORIZONTAL VISTAVISION CAMERA.<br />
President, Paramount Pictures Corporation<br />
(I
The exciting^ scope and lifelike clarity of Vista\ ision, the<br />
ideal system of photography and projection, will be seen in this<br />
featurette, comprising 20 minutes of highlights from<br />
First<br />
Paramount's<br />
10 Attractions in VistaVision<br />
—ALL LV COLOR BY TECHMCOLOK<br />
Irving Berlin's<br />
WHITE CHRISTMAS<br />
STRATEGIC AIR COMMAND<br />
RUN FOR COVER<br />
Alfred Hitchcock's<br />
TO CATCH A THIEF<br />
THE FAR HORIZONS<br />
Hal Wallis'<br />
3 RING CIRCli<br />
WE'RE NO ANGEL<br />
THE SEVEN LITTLE FOY<br />
Alfred Hitchcock's<br />
THE TROUBLE WITH HARR<br />
LUCY GALLAN<br />
Now Available ! rtu' First Paramnunt Shurr in \'israVision<br />
VISTAVISION visits<br />
NORWAY<br />
color by 1 CL'iiniti iloi<br />
Other VistaVision Shorts In I'rcnaration
•<br />
replaced<br />
. it<br />
ISTRY PREPARES TO FIGHT<br />
;CRIMINATORY LEGISLATION<br />
Censorship Seen<br />
as Lawmakers<br />
Many States<br />
Forty-five state legislaegular<br />
session this year,<br />
-no count is possible now<br />
rse to the motion picture<br />
introduced. The legislado<br />
principally with two<br />
oblems afflicting the in-<br />
1 censorship.<br />
ibers of the industry conish<br />
year" from the legis-<br />
VARIOUS STATES<br />
wn that censorship will be<br />
Ohio and Maryland. Just<br />
in Pennsylvania is any-<br />
V administration has taken<br />
neans that the old censorby<br />
a new one.<br />
the new board will be<br />
get its feet firmly under<br />
evision of the censorship<br />
id, though a Philadelphia<br />
unconstitutional,<br />
nsas are also in the cenn<br />
the belief is that they<br />
in the expectation of a<br />
ch would bring a further<br />
3. Supreme Court. In all<br />
ances are that the censorentually<br />
revised to contain<br />
language," that is, limitato<br />
films that are indecent<br />
lie Ohio and Pennsylvania<br />
ane person's idea of what<br />
icene may differ from that<br />
re will be tax problems in<br />
;ates where the legislatures<br />
ear.<br />
ESSIONS<br />
an their sessions Monday<br />
California, Idaho, Montana,<br />
;e.<br />
esday (4). They are Dela-<br />
Nebraska. North Dakota,<br />
Ivania, Rhode Island and<br />
the next day. They are<br />
.cut, Illinois, Maine, Maryts,<br />
Missouri, New Hamp-<br />
North Carolina and Ver-<br />
Thursday (6).<br />
; are:<br />
rizona. Arkansas. Georgia,<br />
and Washington.<br />
ti<br />
Cansas, New Jersey, New<br />
3lina, Texas and Wyoming.<br />
—Michigan, West Virginia<br />
ada.<br />
lOuisiana.<br />
:lihood of a special session<br />
legislature,<br />
izations on both the na-<br />
Johnston Foresees Film<br />
Business Gains in '55<br />
NEW YORK—Eric Johnston, Motion Picture<br />
Ass'n of America president, stopped off<br />
Eric<br />
Johnston<br />
in New York Tuesday (4) on his way to<br />
Washington from Spokane,<br />
where he spent<br />
the holidays, and predicted<br />
business for<br />
1955 would exceed the<br />
1954 record, which was<br />
about 11 per cent<br />
ahead of the previous<br />
year.<br />
Domestic business<br />
for 1954 was ahead of<br />
1953. One reason for<br />
liis optimism, he said,<br />
was the prospect for<br />
more important pic-<br />
tional and local level and the Motion Picture<br />
Ass'n of America will watch developments<br />
closely. The Council of Motion Picture Organizations<br />
will be ready to aid with campaign<br />
information based on its successful<br />
drive for the reduction of the federal admissions<br />
tax.<br />
Exhibitor organizations particularly have<br />
been contacting their state senators and<br />
legislators and know how they stand individually<br />
on issues. Organization records show<br />
which exhibitor is best qualified through past<br />
personal contact to approach a lawmaker<br />
when an adverse bill goes into the legislative<br />
hopper.<br />
Remarkable progress has been made in the<br />
past two years in establishing a grassroots<br />
approach to such problems.<br />
Exhibitors now pride themselves on knowing<br />
who and how to contact, and they are<br />
following a policy of stating honest facts,<br />
COMPO institutional advertisements in<br />
Editor & Publisher, trade publication of the<br />
newspaper field, are credited with having<br />
brouglit home to influential citizens on the<br />
local level the value of theatres as a stimulus<br />
to other business.<br />
Tennessee exhibitors are said to have done<br />
a particularly good job in establishing relationships<br />
with the lawmakers. While the rest<br />
of the merchants are collecting a 2 per cent<br />
sales tax, they are paying a 2 per cent tax<br />
on gross business and they have told the legislators:<br />
"Just leave us alone and we'll accept<br />
the tax and won't ask you for anything."<br />
They have a big majority of the lawmakers<br />
lined up on their side with actual pledges,<br />
and they do not expect any trouble.<br />
A similar situation, according to exhibitors,<br />
is said to exist in Illinois and Arkansas.<br />
On the other hand, exhibitors in Mississippi<br />
are worrying about a threat of a 10<br />
per cent amusement tax. They have succeeded<br />
In killing one In the past, but now<br />
tui'es scheduled to come from all companies.<br />
Total foreign business probably will be<br />
equal to that of 1954, he said, although it<br />
may be uneven, with increases in some countries<br />
and a decline in others.<br />
Johnston expects to leave about January<br />
22 or 23 for the Near East where he will discuss<br />
the Israel-Arab problem of use of the<br />
Jordan River waters. He will be away between<br />
three and four weelcs and also may<br />
visit Cairo.<br />
Robert J. Corkery, assistant vice-president<br />
of the Motion Picture Export Ass'n, will represent<br />
Johnston at the International Film<br />
Festival in Uruguay.<br />
Johnston arrived in New York Monday<br />
night and left the following afternoon for<br />
Washington.<br />
schools for Negroes are projected and money<br />
for them is said to be badly needed. All<br />
signs point toward a special session of the<br />
legislature to consider imposition of the tax,<br />
or other means of raising revenue, and exhibitors<br />
will have to fight hard to prevent the<br />
discriminatory legislation.<br />
Ohio Allied Meet Start<br />
Is Set Back to Feb. 28<br />
COLUMBUS—The convention of Independent<br />
Theatre Owners of Ohio has been set back<br />
one day and will start February 28 with a<br />
luncheon for registrants. William C. Gehring,<br />
general sales manager for 20th Century-Fox,<br />
and Abram F. Myers, Allied general counsel<br />
and board chairman, have accepted invitations<br />
to speak. Other speakers are to be<br />
announced later.<br />
A sneak preview of an April release is<br />
scheduled for that night in a local theatre.<br />
An MGM Workshop is scheduled for Tuesday,<br />
March 1, Delegates have been asked to<br />
bring managers with them so they can attend.<br />
Tables will be set up by counties and delegates<br />
have been asked to sit at tables with<br />
representatives and senators from their<br />
counties. The legislators will return to the<br />
state house at 1:30 pjn.<br />
Mort Blumenstock in N.Y.<br />
For Product Discussion<br />
NEW YORK—Mort Blumenstock,<br />
Warner<br />
Bros, vice-president in charge of advertising<br />
and publicity, came into town Wednesday<br />
(5) for a discussion of promotion plans on<br />
forthcoming releases.<br />
Product to be discussed includes "Battle<br />
Cry." "Unchained." "East of Eden," "The<br />
River Changes," "Strange Lady in Town" and<br />
•Jump Into Hell."<br />
muary 8, 1955 15
I<br />
You<br />
^/ T. « . / ^ i.^ ^^ Uiici'^occ With ZOthl<br />
1<br />
IAN.<br />
iH^^^ IRVING BERLIN'S<br />
_......-,-<br />
THIRE'TlirBUSIMESS UKE SHOW BUSINESS<br />
ETHEL MERMAN DONALD OXONNDR • MARILYN MONROE<br />
fc DAN DAILEY JOHNNIE RAY • MITZl GAYNDR<br />
Color by DE LUXE<br />
I go for you I'm Taboo<br />
go for me You're through<br />
OTTO PREMINGER presents OSCAR HAMMERSTEIN S<br />
CARMEN JONES<br />
HARRY BELAFONTE • DOROTHY OANORIOGE PEARL BAILEY ^LGA JAMES IDE ADAMS<br />
•<br />
*<br />
Color by OE LUXE • Released by 20th C^Sj|gpp|BBP»-- '^<br />
«^><br />
^<br />
WHITE FEATHER<br />
ROBERT WAGNER • JOHN LUND • DEBRA PAGET • JEFFREY<br />
Print by Technicolor • A Panoramic Production
and for Easter, . . the wonderful<br />
love story of ''A MAN CALLED PETER<br />
r^<br />
V<br />
><br />
PRINCE OF PLAYERS<br />
RICHARD BURTON • MAGGIE McNAMARA • JOHN DEREK • RAYMOND MASSEY<br />
CHARLES BICKFORD - ELIZABETH SELLARS and EVA LE GALLIENNE<br />
CiN<br />
Color by DE LUXE<br />
^<br />
•^f^<br />
A. \^ 4<br />
dj^*"<br />
THE RACERS<br />
KIRK DOUGLAS • BELLA DARVI • GILBERT ROLAND<br />
also starring Cesar Romero Lee J. Cobb Katy Jurado<br />
INEMIA<br />
Color by DE LUXE<br />
^h\<br />
v<br />
p<br />
TYRONE POWER • SUSAN HAYWARD • RICHARD EGAN<br />
Color by DE LUXE
Disney's 1954 Earnings<br />
Top '53 by Good Margin<br />
HOLLYWOOD—Both the gross income and<br />
consolidated net profit of Walt Disney Productions<br />
for the fiscal year ending Oct. 2.<br />
1954. were up .sharply over the preceding year.<br />
Pi-esident Roy O. Disney revealed Friday i7i<br />
in his annual report to stockholders.<br />
Net for the year was $733,852, equal to $1.12<br />
a share on 652,840 shares of outstanding<br />
common stock, compared to a profit of $510,-<br />
426. or 79 cents a share, in the preceding<br />
year. Provision for federal income taxes in<br />
the 1954 fiscal year amounted to $840,000,<br />
compared to $365,000 in 1953.<br />
Gross income for 1954 totaled $11,641,408<br />
an increase of $3,275,547 over the $8,365,861<br />
reported for the preceding 12 months. Disney<br />
pointed out in this connection that the gross<br />
film rental is not "strictly comparable" to<br />
that of prior years because, during 1954, certain<br />
pictures were released through the company's<br />
wholly owned subsidiary, Buena Vista<br />
Film Distribution Co., Inc. Feature picture<br />
income in 1954 was derived principally from<br />
"Peter Pan," "The Living Desert," "The<br />
Sword and the Rose." "Rob Roy." and the reissue<br />
of "Pinocchio."<br />
Revenues from merchandising, publications,<br />
music and non-theatrical film distribution<br />
were higher than in 1953, the company president<br />
added. Commenting on the weekly TV<br />
.show, "Disneyland," he said that while a<br />
profit is expected from this project. "Our real<br />
gain will be in the marketing value of our<br />
motion pictures." Cited for 1955 release were<br />
"Lady and the Tramp," full-length Cinema-<br />
Scope cartoon, "The African Lion," "The<br />
Littlest Outlaw," and three in the "People<br />
and Places" series— "Siam," "Switzerland"<br />
and "Morocco."<br />
WB Asking Stockholders<br />
For New Director Setup<br />
NEW YORK—Warner Bros, stockholders<br />
have been asked by management to amend<br />
the certificate of incorporation at the annual<br />
meeting February 2 at Wilmington, Del., to<br />
conform with bylaws providing for two classes<br />
of directors, one class serving two years and<br />
with the terms of each class expiring in<br />
alternate years.<br />
The bylaws provide for the election of three<br />
directors for two-year terms at one annual<br />
meeting, and five named for two-year terms<br />
at alternate annual meetings. Management<br />
has nominated Waddill Catchings, Robert W.<br />
Perkins, Albert Warner, Harry M. Warner<br />
and Jack L. Warner for election January 2.<br />
Chesapeake Stockholders<br />
Offered Stock Exchange<br />
NEW YORK—Stockholders of Chesapeake<br />
Industries have been notified they can exchange<br />
their $4 preferred stock for $6 dividend<br />
preferred stock share for share, including<br />
the $24 arrears on the $4 issue. No<br />
cash payment will be made to those accepting.<br />
Dividend payments in arrears on the<br />
$4 stock will be paid on stock not exchanged,<br />
according to William C. MacMillen jr., president.<br />
The offer is good to February 1.<br />
Lipperl Stresses Value<br />
Of Program Films<br />
CHICAGO—Program pictures "will continue<br />
to disappear" unless showmen are willing<br />
to pay higher rentals to make them<br />
profitable," Robert L.<br />
Lippert, president of<br />
Lippert Pictures, declared<br />
at a Wednesday<br />
(5) luncheon meeting<br />
^ T ^H^^BT ^^^^ circuit heads and<br />
HP'^ jflKK^ exhibitors here. It was<br />
\<br />
Robert L. Lippert<br />
'<br />
^^^'<br />
his first stop on a<br />
nine-city "personalized-selling"<br />
tour on<br />
behalf of "They Were<br />
So Young," produced<br />
and directed abroad by<br />
Kurt Neumann, which<br />
Lippert described as<br />
his company's biggest offering to date.<br />
Stipulating that today's market is primarily<br />
involved with high-budget features, the distributor<br />
and circuit operator nevertheless<br />
pointed out that many situations still require<br />
.second features, including more than 4,000<br />
drive-ins where programmers influence concessions<br />
sales.<br />
Such revenue represents 50 per cent of<br />
gross receipts for most ozoners, Lippert said,<br />
but if a single-bill policy were to be instituted<br />
concessions sales would be less than 20 per<br />
cent—and without them "90 per cent of the<br />
drive-ins would go out of business."<br />
Prom here Lippert treks to Minneapolis,<br />
St. Paul, Milwaukee, Detroit, Indianapolis, St.<br />
Louis, Kansas City, Denver and San Francisco.<br />
"They Were So Young" was produced and<br />
directed on location in Munich and Rome.<br />
The stars of the feature are Scott Brady, Raymond<br />
Burr and the German actress, Johanna<br />
Matz.<br />
Theatreman Is Automatic<br />
Winner in Letter Contest<br />
NEW YORK—When Mrs. Bert Bloom of<br />
Dorchester, Mass., was named the winner of<br />
the national "Young at Heart" letter-writing<br />
contest December 31, Max Nayor, manager of<br />
the Metropolitan Theatre in Boston, near<br />
Dorchester, also won the same award, a week's<br />
free trip to Bermuda and a chance to appear<br />
on the CBS-TV "Big Payoff Program."<br />
The contest called for a duplicate prize to<br />
go to the manager of the first-run theatre<br />
playing the Warner Bros, picture in the home<br />
area of the contest winner. That was Nayor.<br />
Colgate-Palmolive-Peet was another .sponsor<br />
of the contest.<br />
Warner Bros, said Mrs. Bloom and husband<br />
will take in Bermuda after appearing on the<br />
TV program, which will give her a chance<br />
to win a mink coat suitable for New England<br />
but not Bermuda weather. Nothing was<br />
said about whether Nayor can compete for<br />
the mink coat, what he would do with one if<br />
he won it and when he will take off for<br />
vacation land.<br />
RKO Control Rumo<br />
Get Into Whirlwind<br />
NEW YORK—RKO Pictures<br />
Cor;<br />
holding corporation, and RKO Rad:<br />
tures, the picture-making and distr<br />
company, went into the center of a wl<br />
of rumors at the yearend and boK<br />
still there during the first week of J<<br />
Inquiries brought the uniform answei<br />
all principals who could be reache<br />
comment" or "I don't know anything ah<br />
First rumor was to the effect that I<br />
Hughes was going to sell control oi<br />
Radio to a syndicate made up of S. H. 1<br />
head of Stanley Warner: Leonard Golc<br />
president of ABC-Paramount Theatres<br />
Schwartz, head of Distributors Co<br />
America; the first National Bank of ]<br />
and others.<br />
Second rumor was that Hughes and<br />
Odium had reached an agreement w<br />
Atlas Corp. would take over managen<br />
RKO Pictures Corp. and RKO Radio F<br />
IN DARK ON ATLAS DEAL<br />
On Monday (3) it was rumore(<br />
Hughes was in New York for confi<br />
with Odium. RKO Radio executives pr<br />
not to know about his presence and s<br />
had not been in the local offices. Atli<br />
resentatives also said they were in th<br />
on the matter.<br />
The Atlas office reported that Odlu<br />
on the coast and RKO said Jan<br />
Grainger, president, also was on the cc<br />
The rumor about the possible tran<br />
RKO Radio to a new syndicate caused<br />
eral raising of eyebrows. Three<br />
accustomed to sharing in film financin:<br />
quick to say In response to queries ths<br />
had not been approached. The reprf<br />
five of one, who didn't want his name<br />
tioned, wanted to know if the questione<br />
whether the Department of Justice<br />
agree to amendment of the Warne<br />
Paramount consent decrees so that S<br />
Warner and ABC-Paramount could ?<br />
the production business.<br />
The inquiring reporter admitted he 1<br />
information on this point. Then he ti<br />
get some, but did not get to first base<br />
Department of Justice at Washlngto)<br />
it had not been approached.<br />
PRICE OF SHARES GO UP<br />
RKO Pictures' offer to buy its stock<br />
per share came to an end with 1954<br />
about 500,000 shares owned by indiv<br />
other than Howard Hughes and Atlas<br />
However, the maneuvers aimed at conti<br />
not cease.<br />
On Friday (Dec. 31) 113,000 shares<br />
traded and the price went up to 8%.<br />
sales covered more than 20 per cent <<br />
total number shares owned by the ]<br />
The spurt was sudden, as on the pr<br />
Tuesday total sales were only 3,000 shai<br />
Since the original $6 offer for the stoc<br />
made la.st spring 952.987 .shares have<br />
turned in. The last public estlmat<br />
Hughes' holdings were 1,262.000 shares,<br />
Floyd Odium's holdings with his friend;<br />
estimated at 1,200,000 shares.<br />
It is understood that negotiations be<br />
Hughes and Odium whereby the latter<br />
take over management of RKO Pic<br />
without acquiring control, were still pe;<br />
The annual meeting of the corporal<br />
scheduled for June.<br />
18 BOXOFFICE :<br />
: January
YORK CRITICS<br />
5N AS THE<br />
ON THE<br />
AVATERFRONT<br />
PRODUCED BY SAM SPIEGEL<br />
^&fgSfga&&fgilS&l<br />
I YORK CRITICS<br />
5N AS THE<br />
MARLON<br />
BRANDO<br />
IN "ON THE WATERFRONT"<br />
I<br />
YORK CRITICS<br />
>N AS THE<br />
^1^<br />
ELIA<br />
KAZAN<br />
FOR "ON THE WATERFRONT"<br />
this<br />
is tlie<br />
. first<br />
chapter of what promises to be the greatest success story<br />
in the history of motion picture awards — the story<br />
of Columbia's "On The Waterfront"...
Hecbt-Lancaster Completes Four<br />
For UA, Plans 4 More for 1955<br />
NEW YORK—Hecht-Lancaster Productions,<br />
which ha.s completed four features for<br />
United Artists release and is preparing at<br />
least four more for 1955 and 1956, is planning<br />
to expand its operations to include<br />
legitimate stage productions in 1956, according<br />
to Harold Hecht, executive producer.<br />
The independent producing company, headed<br />
by Hecht and Burt Lancaster, also recently<br />
entered into a financial arrangement with<br />
United Productions of America, which will<br />
produce a feature-length cartoon, "The White<br />
Deer," also for UA release.<br />
Hecht, who left for a month's stay in<br />
Europe on the He de France January 5 to<br />
scout locations for the next Hecht-Lancaster<br />
feature, "Trapeze," a circus film in which<br />
Lancaster will star starting about August 1,<br />
will also discuss a possible co-production deal<br />
in England with Michael Balcon. This will<br />
be for production there of "Operation Heartbreak,"<br />
for which Hecht hopes to sign Alec<br />
Guinness, leading British star, as soon as his<br />
many film commitments can be arranged.<br />
In addition to these productions to be made<br />
abroad in 1955, Hecht is also planning "The<br />
Last Chukker" and "Until They Sail," based<br />
on the James Mlchener story, which Lancaster<br />
will direct. "The Way West," based<br />
on A. B. Guthrie jr.'s Pulitzer Prize-winning<br />
novel, previously announced, will be postponed<br />
until 1956 because it calls for early<br />
spring filming. Hecht has also Just bought<br />
"Elephant Bill" from J. Arthur Rank for<br />
$50,000 and will make this during 1956, he<br />
said. "The White Deer," which UPA is making<br />
over a two-year period, will not be ready<br />
for release until 1956.<br />
The features completed for 1955 release by<br />
United Artists are: "Vera Cruz," in Superscope,<br />
now plajang first runs; "The Kentuckian,"<br />
in Cinemascope, starring Lancaster,<br />
and "Marty," adapted from Paddy<br />
Chayevsky's TV prize play, which is in blackand-white<br />
and without star names. The<br />
latter cost only $400,000 to make, Hecht said.<br />
The first Hecht-Lancaster production for<br />
UA release, "Apache," which starred Lancaster,<br />
has grossed approximately $3,000,000<br />
to date and Is expected to exceed $3,600,000,<br />
according to Hecht. "Vera Cruz" is also expected<br />
to equal that gross in view of its smash<br />
opening dates In key cities.
1%*^<br />
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Milwaukee<br />
WARNER BROS.<br />
Atlanta<br />
Buffalo<br />
Philadelphia<br />
Seattle<br />
UNIVERSAL<br />
Boston<br />
Cincinnati<br />
Denver<br />
New Orleans<br />
PARAMOUNT<br />
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Detroit<br />
Oklahoma City<br />
Salt Lake City<br />
rith<br />
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"Distinguished!<br />
Reaches<br />
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Los Angeles<br />
Minneapolis<br />
New York<br />
CENTURY-FOX<br />
UNITED ARTISTS<br />
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—Los Afiieles<br />
Times<br />
REPUBLIC<br />
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Jack Braunagel Takes<br />
New Post February 1<br />
KANSAS CITY—Jack Braunagel, co-chairman<br />
of TOA's drive-in committee and on its<br />
executive board the past three years, will become<br />
an executive associate<br />
of United The-<br />
atres of<br />
^^<br />
North Little<br />
\^^Wk:r. '^'iS^mr' ^'^^' ^^^' °" Pebruw<br />
^«^^ hRI ^^ ^' IJraunagel has<br />
?9^w» laifv rgsigned as drive-in<br />
manager for Commonwealth<br />
Theatres as of<br />
January 22, a position<br />
he has held since the<br />
circuit opened its first<br />
drive-in April 1948.<br />
This was the Tri-State<br />
Jack Braunagel at Joplin, Mo. Last<br />
year 29 drive-ins were<br />
under his supervision. His position with<br />
United Theatres will have to do with both<br />
drive-ins and conventional houses.<br />
Braunagel's other industry associations<br />
have been with Durwood Theatres for a<br />
year and 20 years with Paramount Theatres.<br />
He was a district manager for Paramount in<br />
Utah and Idaho, making his home for a<br />
time in the Morman town of Logan, Utah,<br />
where he was president of the Junior Chamber<br />
of Commerce. He came to Kansas City<br />
from Cincinnati where he was assistant to<br />
the general manager of Northio Theatres.<br />
In recent years Braunagel has attended<br />
many regional as well as national conventions<br />
where he was considered an authority<br />
on drive-in operation and in demand as a<br />
speaker for such occasions. His activities<br />
have been along progressive and aggressive<br />
lines and his dynamic personality helped<br />
him put over ideas he felt were sound industry<br />
practice. He and Mrs. Braunagel will<br />
move to Little Rock when he makes the<br />
change in business connection.<br />
U-I Buys Screen Rights<br />
To 'Runaway Bomber'<br />
HOLLYWOOD — Universal - International<br />
has purchased screen rights to "Runaway<br />
Bomber," a Saturday Evening Post story by<br />
Frank Harvey, the film version of which has<br />
been assigned to Aaron Rosenberg to produce.<br />
The melodrama centers around a B-52<br />
Stratofort, the crew of which has accidentally<br />
been killed, leaving the pilotless plane flying<br />
across the Pacific from Eniwetok to the U. S.<br />
—with a live H-bomb in its bay. The situation<br />
is resolved—satisfactorily, of course<br />
when a squadron of jet fighters is sent up<br />
with orders either to change the course of<br />
the runaway craft or shoot it down.<br />
COMPO Trying to Arrange<br />
Meetings on Projects<br />
NEW YORK—The Council of Motion Picture<br />
Organizations is attempting to set up a<br />
schedule of meetings of its triumvirate and<br />
of committees on its various projects, but<br />
is running into some difficulty because of<br />
meetings previously arranged by other industry<br />
organizations, according to Robert W.<br />
Coyne, special counsel.<br />
One such meeting would deal with plans<br />
for the national audience poll, now set to<br />
start in the autumn. Coyne was hopeful a<br />
schedule could be worked out soon.<br />
—<br />
20th-Fox Division Meet<br />
Discusses 9 Features<br />
NEW YORK—Merchandising policies for<br />
nine releases during the first quarter of the<br />
year were discussed at a two-day meeting<br />
of 20th Century-Fox division managers which<br />
started Friday (7). Al Lichtman, director of<br />
distribution, presided.<br />
Spyros P. Skouras, president, outlined plans<br />
for the year and discussed his recent sixweek<br />
trip to Europe.<br />
W. C. Gehring, executive assistant general<br />
sales manager; Arthur Silverstone, assistant;<br />
Alex Harrison, western sales manager, and<br />
Glenn Norris, eastern sales manager, spoke.<br />
Pi-omotion and advertising plans were presented<br />
by Charles Einfeld.<br />
Seven of the nine pictures are in Cinema-<br />
Scope and two on standard film. The conventional<br />
pictures are "A Life in the Balance,"<br />
a Panoramic Production starring<br />
Ricardo Montalban and Ann Bancroft, for<br />
February release, and "Our Girl Friday,"<br />
George Minter Production in color starring<br />
Joan Collins, Kenneth More and George Cole,<br />
scheduled for<br />
March.<br />
The Cinemascope productions are;<br />
"Prince of Players," "Carmen Jones," "White<br />
Feather," "The Racers," "Untamed," "That<br />
Lady" and "A Man Called Peter."<br />
Division managers present were: Martin<br />
Moskowitz, Atlantic; T. O. McCleaster, Central;<br />
J. M. Connolly, Northeast; M. A. Levy,<br />
Midwest; H. G. Ballance, Southern; Paul S.<br />
WUson, Southern assistant; Herman Wobber,<br />
Western; Reville Kniffen, assistant Western,<br />
and Peter Myers, Canadian.<br />
Du Art Will Build New<br />
Black-and-white Plant<br />
NEW YORK—Du Art Film Laboratories<br />
plans the construction of a new black-andwhite<br />
la'boratory to replace the present plant<br />
in 1955, according to AI Young, Du Art<br />
president.<br />
"There are those who would have you believe<br />
that black-and-white film will soon be<br />
as obsolete as a model "A" Ford. This is not<br />
so. Black-and-white film is still the mainstay<br />
of the industry. As a matter of fact, my<br />
associates and I feel so confident about this<br />
that we are going to spend in the neighborhood<br />
of a quarter of a million dollars rebuilding<br />
our present black-and-white plant,"<br />
Young said. He stressed that Du Art has been<br />
in business since 1923.<br />
Young related that construction was already<br />
under way with particular emphasis<br />
being placed on a new processing machine<br />
designed by Ralph D. Whitmore jr., chief engineer<br />
of Du Art, and built by HiSpeed<br />
Equipment, Inc. The entire unit is approximately<br />
11 feet in length and employs spray<br />
processing throughout, as opposed to the<br />
standard emersion technique. Only 400 feet<br />
of film is in this unit at a given time and<br />
the complete process takes four minutes. The<br />
arrival of the first unit is planned for February,<br />
he said.<br />
CBS Signs Bing Crosby<br />
NEW YORK—Bing Crosby has signed an<br />
agreement with CBS television for two onehour<br />
programs a year, according to Hubbell<br />
Robinson jr., vice-president in charge of network<br />
programs. The programs will be on<br />
film. The first program will be produced by<br />
Ralph Levy during the month of March. The<br />
second will be filmed during June or July.<br />
LETTERS<br />
Sees Detriment in<br />
TO BOXOFFICE:<br />
Kassler-Reade Plan<br />
In your issue of December 25, I read<br />
great deal of interest of the film inve;<br />
plan offered to exhibitors by Frank I<br />
and Walter Reade jr.<br />
It amazes me how the same peopl<br />
yelled about monopoly and how the<br />
companies had made eai effort to put<br />
out of business, and eventually went tc<br />
and had the government separate exh<br />
from distribution, now deliberately<br />
around and attempt to do the same th<br />
And by doing so, they will be aid<br />
putting the small independent distri<br />
like myself, out of business.<br />
Are they aware that these small ind<br />
ent distributors, that they are attempi<br />
put out of business, are the same tliat fii<br />
the first Filmakers' picture? And no<br />
the first and last of four pictures wer«<br />
and financed by these same small distri<br />
were the executives asked to sign coi<br />
and still no money was asked of them<br />
Does Mr. Kassler or Mr. Reade kno<br />
these same little distributors have gi<br />
their money and judgment on reissues,<br />
take up some of the slack due to the sir<br />
of pictures, and also to try to keep th<br />
TV as long as possible?<br />
ALBERT SWERDL<br />
Screen Guild Productions of N. E., In<br />
Boston, Mass.<br />
Funeral Rites Are Held<br />
For Elmer Pearson, 70<br />
NEW YORK—Funeral services wer<br />
Monday (3; at Westport, Conn., for<br />
Pearson, 70, former vice-president an<br />
eral manager of Pathe, who died the p<br />
Thursday after a heart attack. Int<br />
was in Mount Hope cemetery in Westc<br />
Pearson had retired. He joined the<br />
try as a salesman for a General Fi<br />
change. He was later manager of the<br />
Omaha exchange. He was vice-preside<br />
general manager of the company from<br />
1919. He had also been associated wit]<br />
graph, Lubin, Selig-Essanay, Universa<br />
National, Bray Studios and Video Varif<br />
Survivors are his wife, Frances Wc<br />
Pearson; two brothers, Roy and Charl<br />
sisters, Mrs. William Brownell and Mr<br />
Kassell, and a nephew, Donald Pears<br />
Hollywood Group of 14<br />
To Uruguay Festival<br />
HOLLYWOOD—Fourteen<br />
Hollywoo<br />
sonalities will plane out Wednesday (<br />
Punta del Este, Uruguay, to represe<br />
American film industry at the Uru<br />
Film Festival, which opens Friday (1<br />
continues through the balance of the<br />
In the party going from here will be<br />
director Delmer Daves, director F<br />
Markle. Dean Jagger, Van Johnson<br />
Lund, Mercedes McCambridge, Dorotl<br />
Guire, Wayne Morris, Pat O'Brien,<br />
Pidgeon, Lizabeth Scott. Elaine S<br />
Claire Trevor and May Wynn.<br />
U. S. films entered in the festival ai<br />
Caine Mutiny" (Coll, "Sabrina" (Par<br />
"The Living Desert" (Disney).<br />
22 BOXOFTICE January
, Ind.,<br />
jins Filmack<br />
;ing Director<br />
: Pitts, former director of<br />
f the Theatre Owners of<br />
appointed director of adlack<br />
aper<br />
Bars,<br />
ated<br />
last<br />
uaxrk<br />
City. Prior to that he<br />
tor of the Council of Molizations.<br />
rOA will be taken over for<br />
)ward Bryant, administraiffice.<br />
hibitor Wins<br />
ne Contest<br />
$500 grand prize in the<br />
model name for the new<br />
nachine designed by Raybeen<br />
awarded to James<br />
jer of the Ritz Theatre,<br />
Dassador" was the winning<br />
mer was Cecil J. Callaham,<br />
Jashville, Ark.; third, Mrs.<br />
3743 Albans Road. Hous-<br />
Tommy C. Thompson,<br />
1.<br />
iiim, Chattanooga, Tenn.;<br />
Lilian Toon, Capitol The-<br />
N. B., Canada.<br />
,he contest were awarded<br />
ar $100 on the purchase of<br />
)ewy-designed Cretors ma-<br />
;es was composed of Fred<br />
dent of Theatre Equipment<br />
lufacturers Ass'n : Walter<br />
ate past president of Thelerica:<br />
J. J. Fitzgibbons jr.,<br />
jresident of International<br />
lymond Loewy, designer of<br />
eman Rembusch of Syndilanklin,<br />
Ind., and Clark<br />
J<br />
of the Popcorn Institute.<br />
lir of Indianapolis (left),<br />
itor of Cretors popcorn<br />
Is a check for .S.'iOO to<br />
>n, manager of the Kitz<br />
grand prize award<br />
; contest.<br />
Court Now Holds Fate<br />
Of Minneapolis Runs<br />
By LES REES<br />
MINNEAPOLIS—After more than two<br />
weeks of testunony and arguments the trial<br />
of the Volk Bros.' $1,500,000 conspiracy suit<br />
against major distributors, the Minnesota<br />
Amusement Co. (United Paramount Theatres)<br />
and RKO Theatres has concluded in<br />
federal district court here.<br />
It now devolves upon Judge G. H. Nordbye<br />
to decide if the plaintiffs' local suburban<br />
Terrace theatre sustained monetary damage<br />
in con.sequence of alleged clearance discrimination<br />
against it and also if it shall have<br />
moveover clearance or a playing position one<br />
day after pictures have finished their first<br />
runs at the initial Loop theatres played. This<br />
latter would be in place of its present 28-day<br />
slot which it shares with ten other outlying<br />
houses here.<br />
The defense paraded an array of prominent<br />
film and theatre company executives to<br />
the witness stand before resting its case.<br />
Witnesses included Charles Reagan, MGM<br />
vice-president: Herb Greenblatt, BKO sales<br />
manager: Matthew Polan, RKO Theatres<br />
buyer-booker: Roy Haines, MGM western<br />
sales manager: Foster Blake, Universal-International<br />
western sales manager: Burtis<br />
Bishop, MGM midwest division sales manager:<br />
John Branton, MAC buyer-booker:<br />
M. A. Levy, 20th-Fox division sales manager:<br />
Ralph Maw, MGM district manager, and Jay<br />
Eisenberg and Leonard Kaufman, New York,<br />
of the MGM and Paramount legal staffs, respectively.<br />
They testified that the vast bulk of film<br />
rentals are derived from the downtown first<br />
run theatres by the producer-distributors:<br />
that, in comparison, the revenue from the<br />
subsequent run neighborhood houses is comparatively<br />
small: that the downtown theatres<br />
here must have at least 28-day protection in<br />
order for these houses to safeguard their<br />
economic existence and to insure the film<br />
companies' revenues, and that if the Volk<br />
Bros, receive an earlier clearance it also<br />
would have to be given to other leading<br />
neighborhood theatres in different sections<br />
of the city with resultant destruction of the<br />
protection and clearance system.<br />
These witnesses denied the existence of<br />
any conspiracy to deprive the Terrace of fair<br />
clearance. They pointed out that by using<br />
a succession of runs admission prices for pictures<br />
are gradually lowered so that, eventually,<br />
all of society's economic segments have<br />
a chance to witness the films.<br />
Questioned in regard to the Volks as "good"<br />
or desirable customers. Levy, speaking for<br />
20th-Fox, testified that in 95 per cent of<br />
the cases they sought adjustments of film<br />
rentals and that because of this he felt there<br />
was no comparison with other exhibitors, none<br />
of whom is so insistent on having the terms<br />
of their contracts reduced after playing his<br />
pictures.<br />
T'he decision in this case, it's pointed out,<br />
may affect clearance elsewhere throughout<br />
the nation.<br />
For the plaintiffs, Lee Loevenger, their<br />
counsel, has brought out evidence showing<br />
that the Terrace is superior in appointments<br />
and operation to the city's other outlying<br />
theatres and to the present two Loop moveover<br />
houses: that it frequently outgrosses<br />
and pays larger percentages and rentals for<br />
pictures than the latter; that an earlier run<br />
is necessary in order that present unsatisfactory<br />
earnings can be increased, and that<br />
the theatre is entitled to the earlier and<br />
exclusive run because of its superiority physically<br />
and otherwise.<br />
Loevenger also produced testimony showing<br />
that before and since the opening of the<br />
Terrace the Volks have sought in vain for an<br />
exclusive 14-day run or an earlier playing<br />
time than it now has day and date with<br />
other neighborhood theatres.<br />
This Is Cinerama Closing in A/.Y.;<br />
May be Withdrawn Elsewhere, Too<br />
NEW YORK—"This Is Cinerama" will end<br />
its Broadway engagement February 6. It<br />
opened Sept. 30, 1952, at the Broadway Theatre<br />
and in the summer of 1953 moved to the<br />
Warner Theatre. By closing date it will have<br />
played to an estimated 2,500,000 persons.<br />
The picture also will be closed in some of<br />
the 12 other key cities where it is playing.<br />
The Stanley Warner announcement relating<br />
to New York said the picture on closing "will<br />
be withdrawn immediately from circulation"<br />
and "it cannot and will not be shown in any<br />
local or neighborhood motion picture theatre."<br />
The company said it would select a date<br />
later for the local opening of "Cinerama Holiday,"<br />
second in the series. Presumably the<br />
picture will open at that time or shortly<br />
thereafter in other cities. No reason was<br />
given why the showing of the new picture<br />
might not follow immediately upon the closing<br />
of the first. It was said no changes in projection<br />
methods were planned.<br />
The other cities in which "This Is Cinerama"<br />
will close February 6 or thereabouts<br />
were not identified. It was said the selections<br />
will be made later. The other cities are Detroit,<br />
where it opened March 23, 1953; Hollywood,<br />
where it opened April 29, 1953: Chicago,<br />
July 29, 1953: Philadelphia. Oct. 5, 1953; Boston,<br />
Dec. 31, 1953; St. Louis. Feb. 10, 1954;<br />
Minneapolis, April 19, 1954; Cincinnati, June<br />
21, 1954, and Dallas, July 1, 1954.<br />
S. H. Fabian, SW president, said late in<br />
September that four or five additional cities<br />
might see the picture within a year.<br />
More than 9,000,000 persons by Oct. 1, 1954,<br />
had paid about $17,000,000 to see the Lowell<br />
Thomas-Merian C. Cooper presentation in the<br />
13 key cities since it opened in New York,<br />
according to Fabian. It has been playing in<br />
London and recently opened in Montreal.<br />
The company said it might have future<br />
plans complete by mid-January.<br />
muary 8, 1955 23
I<br />
iiiigir'<br />
f^KJ:<br />
VJi-Kp»--<br />
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lierces your heart . . . almost<br />
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REPORT FROM OHIO EXHIBITORS<br />
AT&T Has Extendi<br />
Nothing to Worry About in /955, TV lo 234 Cities<br />
// Good Pictures Flow Continues<br />
By ELSIE LOEB<br />
CLEVELAND— It looks like a good year<br />
ahead for motion picture theatre owners, in<br />
the view of many exhibitors in this territory.<br />
"If they (the producers) give us the pictures<br />
we can do the business." says Ted<br />
Vermes, owner of the Yorktown, Mercury and<br />
Eclair theatres. "The only trouble is that they<br />
come at too great intervals. Our patrons are<br />
spoiled. They want only the best. But if we<br />
give them the best they give us their patronage.<br />
Cut down the time between big picture<br />
releases and we'll get our patrons back as<br />
regular customers."<br />
"Theatre business is as good as the picture<br />
on the screen," in the opinion of Meyer S.<br />
Fine, president of the 20-theatre Associated<br />
Circuit. "We will have nothing to worry about<br />
in 1955 if we can have a steady flow of<br />
quality product."<br />
Leonard Mishkind and S. P. Gorrell of the<br />
General Theatres Circuit agree that "unquestionably<br />
we do business with big pictures.<br />
While the big screen and the new presentation<br />
media aroused latent interest in motion<br />
pictures, and brought the public back to the<br />
theatre for a look-see, these items of equipment<br />
do not bring the patrons back for a second<br />
look. It's the picture on the screen and<br />
its entertainment value that brings them<br />
back repeatedly. As to the future outlook, we<br />
must be optimistic. A defeatist attitude never<br />
led anyone to success."<br />
Helene Ballin. manager of the Schenley<br />
Theatre, Youngstown, is approaching the new<br />
year with caution. "I just know what to<br />
expect," .she says. "Our business has been<br />
too fluctuating the past several years to<br />
say, with any degree of confidence, just what<br />
to expect in 1955."<br />
Big Attendance Is Seen<br />
For 14 MGM Workshops<br />
NEW YORK—An attendance of more than<br />
5.000 exhibitors and other members of the<br />
industry has been predicted by Mike Simons,<br />
MGM director of customer relations, for the<br />
14 MGM Ticket Selling Workshops now definitely<br />
scheduled. The fii-st will start in Denver<br />
Wednesday (12) and the last one will<br />
occur June 13. There will be three this<br />
month, two in February, three in March and<br />
in April, two in May and one in June. However,<br />
as many as a dozen others may be added.<br />
Simons and Emery Austin, MGM exploitation<br />
manager, will attend all of them. They<br />
will be .supplemented by panelists, including<br />
exhibitors and other members of the industry,<br />
who will discuss local means of stimulating<br />
business.<br />
Cooperating with MGM in putting over the<br />
Denver gathering will be Pat McGee, a leading<br />
exhibitor in the teiTitory; Al Reynolds,<br />
general manager for Claude Ezell of Dallas:<br />
L. J. Williams, exhibitor of Union, Owensville<br />
and Herman, Mo., and Ray Smith, vicepresident<br />
of the Jamestown Amusement Co.<br />
Members of the Rocky Mountain Council of<br />
Joe Shagrin, owner of the Foster Theatre,<br />
Youngstown, hopes that local interest in TV<br />
will wane and that the public will come back<br />
to the theatre. "TV is now going into it's<br />
second year in this' area. And if the history<br />
of other areas is repeated, people will begin<br />
to get more discriminating in their TV programs.<br />
And that's when they will start to<br />
come back to us."<br />
Leo Jones of the Upper and New Star Theatre,<br />
Upper Sandusky, — thinks 1955 theatre<br />
business will be good "If," he says, "we can<br />
overcome the dissension within the industry.<br />
Given good product, equitably sold and properly<br />
exploited, our boxoffices will improve and<br />
the public relations between the theatre and<br />
the public will greatly benefit. Under present<br />
conditions our buying terms are so high that<br />
we can't afford to sell the product properly<br />
to the public. Let the small exhibitor buy his<br />
pictures flat so that he has enough money to<br />
spend on exploitation and then there'll be a<br />
Happy New Year for everyone."<br />
"Even if we do good boxoffice business with<br />
a top picture, there's no profit for theatres<br />
playing a subsequent run policy," says a leading<br />
circuit owner who does not want his name<br />
used. "We just can't live with the terms the<br />
distributors are asking for product today.<br />
As to the future, it all depends upon the<br />
distributors. If they will adopt a live and let<br />
live policy. I think we could have a profitable<br />
year."<br />
"The next six months look good," in the<br />
opinion of Dale Tysinger, manager of Shea's<br />
Theatre, Ashtabula. "Business conditions are<br />
good, unemployment is down to normal, the<br />
pictures announced for release during the<br />
first half of the year look good. All of these<br />
things add up to a feeling of optimism. But<br />
what the conditions will be after the first half<br />
of the year Is anybody's guess."<br />
Motion Picture Organizations will attend, according<br />
to Henry Friedel, MGM branch manager.<br />
The organization is scheduled to open<br />
its convention the next day.<br />
The other January workshops will be at<br />
Jackson, Miss., January 24, and Memphis,<br />
January 27. Richmond, Va., will have one<br />
February 8 and Detroit February 22. There<br />
will be one March 1 at Columbus, Ohio, another<br />
March 3 in Kansas City and a third<br />
March 9 in Dallas. Atlanta will be the site<br />
April 12, Buffalo, April 18, and Jacksonville.<br />
April 26. Billings, Mont., will be the site<br />
May 10. Charlotte, May 16, and Santa Fe,<br />
N. M.. June 13.<br />
E. G. Forsyth Elected<br />
Ontario MPTA Head<br />
TORONTO—At their first meeting for the<br />
new year the directors of the Motion Picture<br />
Theatres Ass'n of Ontario elected E. G.<br />
Forsyth of Toronto as the 1955 president in<br />
succession to Jack D. McCulloch of Petrolia.<br />
Forsyth is assistant general manager of Odeon<br />
Theatres (Canada), Ltd.<br />
Other officers include Lionel Les*er. Toronto<br />
independent, as vice-president: Manager<br />
Jack Clarke of Toronto Loew's as treasurer:<br />
Angus Jewell of Cannington, honorary<br />
secretary, and Arch H. Jolley, executive secretary.<br />
NEW YORK—Network<br />
television<br />
was extended to four more stations<br />
Long Lines Department of America<br />
phone & Telegraph Co. late in Decei<br />
make a total of 360 stations in 234 c<br />
the U. S. with network TV, accor<br />
Long Lines.<br />
The new stations connected to t<br />
Telephone System's nationwide netw<br />
facilities were: WFIE, Evansville, Ind<br />
derson, Ky: WBTW. Florence, S.<br />
WSFA-TV, Montgomery, Ala. The sta<br />
Evansville and Henderson receive tb<br />
network programs over a new 118-mi<br />
relay route running south from Terrc<br />
Ind. Service for the Florence stati<br />
provided over a new 102-mile extensioi<br />
Washington-Atlanta microwave rout<br />
Montgomery station began receiving<br />
over the Atlanta-Jacksonville radii<br />
route.<br />
Joined to the network in 1954 w<br />
television stations in 75 cities, includi<br />
stations in New Hampshire, New<br />
North Dakota and Wyoming.<br />
The year 1954 also saw color te<br />
made available to the American public<br />
first time with over 47,000 channel i<br />
cross-country communications routes i<br />
neered and re-equipped to carry colo<br />
stations in 101 cities, according to th<br />
end report of the Long Lines Depa<br />
It was only a year ago on Jan. 1, 19<br />
the first public color-cast, "The Tour<br />
of Roses Parade," was carried from Pa<br />
Calif., to 18 cities across the U. S.<br />
Black-and-white television also madi<br />
during 1954, with over 20.000 channi<br />
of TV facilities—an all-time yearly<br />
added during the year, bringing the<br />
about 69.000 miles. Long Lines als(<br />
that 1954 marked the 25th anniversar;<br />
first public demonstration of color "!<br />
June 27, 1929. a gi'oup of newspa<br />
porters gathered in the Bell Te<br />
Laboratories in New York to see a color<br />
an American flag rippling in the bree<br />
Skiatron Head Optimis<br />
On Future of Toll TV<br />
NEW YORK—An optimistic<br />
report<br />
future of subscription television was<br />
at the year's end by Arthur Levey, p:<br />
of Skiatron, in which he saw "prom,<br />
vastly improved TV program service<br />
public on the threshold of becor<br />
reality subject to approval by the<br />
Communications Commission." He s<br />
Skiatron system was ready to go into<br />
tion, and that surveys showed public<br />
ance of it by about 82 per cent of thi<br />
surveyed.<br />
Levey listed among major developm<br />
improved decoder.<br />
"A new decoder has been complet<br />
said, "combining simplicity of op<br />
compactness and flexibility. It will ac(<br />
date a unique IBM-type electronic ca<br />
a tamper-proof printed ciixuit, whi<br />
make available a month's programn<br />
30 events for the subscriber's selectic<br />
decoder, now measuring eight by six<br />
with a slot in the center for the inse:<br />
the electronic card, is expected eve<br />
thi'ough the use of transistors, to be<br />
to the size of a small jewel case."<br />
26 BOXOFFICE :: Januar;
; Tlieatre.<br />
ger Resigns<br />
I Circuit<br />
d Berger has resigned from<br />
ment Co. of Boston (Midatres,<br />
Inc.) after a 26-year<br />
r, who is 46 years old, is<br />
rs in the drive-in theatre<br />
upervised the building and<br />
le of Smith's first ozoners,<br />
Dad Drive-In in St. Louis,<br />
vith Smith at the age of<br />
Reading, Mass.,<br />
t of sound pictures. He<br />
uvich Theatre. East Green-<br />
:hen to the Bronx Opera<br />
rk. Later he went to the<br />
as district manager and<br />
general manager of the<br />
Bd extensively throughout<br />
ilans have been disclosed<br />
says he intends to remain<br />
y. He resides in Reading,<br />
ather of two children.<br />
)wan Transfer<br />
ew Address<br />
oger.s & Cowan, public reis<br />
located at 17 East 48th<br />
from 624 Madison Ave. It<br />
Beverly Hills, Calif. Rich-<br />
:utive vice-president. The<br />
d fashion, hotel and travel<br />
een specializing in the en-<br />
Majors Should Continue Policy<br />
Of Fewer Films, Says Dunne<br />
NEW YORK—"The major studios should<br />
continue their policy of fewer and better pictures<br />
on the premise that if you make 20<br />
features you are more likely to come up with<br />
five good ones than if you make 40." according<br />
to Philip Dunne, who has been with<br />
20lh Century-Fox since 1936—the period when<br />
the companies made yearly programs of 40-50<br />
pictures. In the company's cui'rent Cinema-<br />
Scope period, 20th-Fox will make a total of<br />
about 20-24 films in 1955.<br />
Dunne, who recently completed directing<br />
and producing his first feature, "Prince of<br />
Players." has a score of important writing<br />
credits at 20th-Fox, including "Stanley and<br />
Livingstone," "The Rains Came," "Johnny<br />
Apollo," "How Green Was My Valley," "The<br />
Late George Apley," "Forever Amber,"<br />
"Pinky," "David and Bathsheba" and "Way<br />
of a Gaucho," the latter the first he produced,<br />
as well as three Cinemascope pictures, "The<br />
Robe," "The Egyptian" and "Demetrius and<br />
the Gladiators." He first joined the ranks<br />
of 20th-Fox writers in 1936, when Darryl F.<br />
Zanuck signed him to a long-term contract<br />
and has been with the company ever since<br />
except for a four-year war period, when he<br />
was chief of motion picture production, Office<br />
of War Information Overseas Branch. Dunne<br />
first entered the film business in 1931 when<br />
he served with the old Fox Film Co. until<br />
1933. He then wrote for the screen at Universal,<br />
United Artists and MGM for three<br />
years.<br />
"Prince of Players," from the best-selling<br />
novel about Edwin Booth by Eleanor Ruggles,<br />
took 31 days to shoot and was made at a<br />
cost of only $1.500.000—not a high budget<br />
in these days of $3-$4.000,000 pictures, Dunne<br />
said. A $700.000-$800.000 cost is "the absolute<br />
minimum" for any feature produced on a<br />
major lot these days, according to Dunne.<br />
Following "Pi'ince of Players," Dunne will<br />
direct and produce another best-selling book,<br />
"Katharine," and then will write and probably<br />
direct "The View Fi'om Pompey's Head,"<br />
now No. 1 on the best-seller list. For "Katharine,"<br />
for which he hopes to cast Richard<br />
Burton as John of Gaunt, he will film some<br />
scenes in Scotland and Ireland. For "Pompey's<br />
Head," Dunne hopes to get Gregory<br />
Peck for the male lead.<br />
Dunne is here until Monday (10) to promote<br />
"Prince of Players" on radio and TV<br />
prior to the picture's opening at the Rivoli<br />
January 11. He is also seeing the new<br />
Broadway plays to look over acting talent for<br />
his forthcoming pictures. Casting Maggie<br />
McNamara in "Prince of Players," in which<br />
she plays several Shakespearean roles, was a<br />
departure from standard casting and one of<br />
the technical innovations in the picture was<br />
using more surround horns than usual, he<br />
said.<br />
lA<br />
PICTURES ANNOUNCES THAT PRINTS OF THE FOLLOWING<br />
; ARE NOW AVAILABLE IN OUR EXCHANGES FOR SCREENING<br />
ID<br />
BARBARA STANWYCK<br />
ARD G. ROBINSON<br />
Brian May Warner<br />
i( by HARRY KLEINER • Based upon a novel bj Donald Hamilton<br />
ited b( LEWIS ). RACHMIL • Oirecied b( RUDOLPH MATE<br />
SCOPE<br />
Color by TECHNICOLOR<br />
»«<br />
Randolph Scott<br />
l^fi Hfiiiilei LlN^ii<br />
with<br />
JOCELYN BRANDO • RICHARD BOONE<br />
SKIP HOMEIER • DONNA MARTELL • ALFONSO BEDOYA<br />
Screen Play by KENNETH GAMET<br />
A SCOTT-BROWN PRODUCTION • Produced by HARRY JOE BROWN<br />
Directed by BRUCE HUMBERSTONE<br />
color by<br />
TECHNICOLOR<br />
iff<br />
MENS Prison<br />
.UPINO JAN STERLING • • CLEO MOORE<br />
lEY TOHER PHYLLIS THAXTER<br />
•<br />
and<br />
HOWARD DUFF<br />
KILBUR and JACK OcWin • Produced bj BRYAN FOr • Oireded b» LEWIS StILER<br />
color by<br />
TECHNICOLOR<br />
-PAUL HENREID • PATRICIA MEDINA<br />
story and Scre«n Play by AU£N MARCH • Produced by SAM KATZMAN • Directed by FELIX FEIST<br />
nuary 8, 1955 27
. . Walter<br />
. . Vera<br />
'i^oCl^tMod ^eftont<br />
By<br />
IVAN SPEAR<br />
Joe Newman Schedules<br />
Two Sabre Features<br />
Here and there In the Holly woodlands:<br />
Megaphonist Joe Newman, w'ho recently completed<br />
the Jack Palance-Barbara Rush vehicle,<br />
"Kiss of Fire," for Universal-International, is<br />
supervising final editing of the film, following<br />
which he'll check in at Sabre Productions, in<br />
which his partner is Vic Orsatti, to ready<br />
"The Hong Kong Story" and "Mister Tex"<br />
for 1955 lensing ... In a co-production arrangement<br />
with Arthur Brauner, German<br />
. . .<br />
filmmaker. Gottfried Reinhardt will shoot<br />
"Before Sunset." based on a play by Gerhart<br />
Hauptman. at Brauner's studio in Berlin.<br />
Reinhardt. who also has "Rosalinda" and<br />
"The Tower of Ivory" on his independent<br />
docket, inked Hans Albers. German actor,<br />
for one of the top roles in "Sunset"<br />
Screencraft Productions, preparing a slate of<br />
commercial and theatrical shorts, has contracted<br />
for the use of the Vistarama anamorphic<br />
lens.<br />
Use of Musicians for Films<br />
Seen Greater Than Ever<br />
Entertainment on film, involving the use<br />
of music, has become "big business." Johnny<br />
Green, general music director at MGM and<br />
a vice-president of the Academy of Motion<br />
Picture Arts and Sciences, asserted at an<br />
annual seminar of the National Ass'n of<br />
NBC Signs Six-Year Deal<br />
For Oscar Award Rights<br />
If further proof were needed that the<br />
industry is veering more and more to the<br />
"if-you-can't-Iick-'em-jine-'em" theory as<br />
concerns television competition, such was<br />
supplied in the disclosure that the Academy<br />
of Motion Picture Arts and Sciences<br />
has inked a six-year deal whereby the<br />
National Broadcasting Co. snags exclusive<br />
radio and TV rights to the Academy's annual<br />
glamorfest, the Oscar presentation<br />
ceremonies.<br />
Announced jointly by Charles Brackett,<br />
Academy president, and Fred Wile jr.,<br />
NBC vice-president in charge of Hollywood<br />
network program, the contract involves<br />
big money—a minimum of $1,050,-<br />
000 plus options that could boost it to<br />
$1,300,000. NBC has telecast the yearly<br />
Awards event from the Pantages Theatre<br />
here for the past two years.<br />
Brackett said the Academy considered<br />
the deal "the most important public relations<br />
step ever taken" by the film trade.<br />
The first broadcast and telecast is slated<br />
for February 12. when—for the first time<br />
in Academy history—nominations announcements<br />
will be covered by NBC.<br />
After the upcoming awards ceremonies,<br />
the Academy will have the right of first<br />
refusal as concerns sponsor.ship. the<br />
forthcoming event already having been<br />
.set for bank rolling by Oldsmobile. which<br />
picked up the tab last year.<br />
Schools of Music, which yearend affair was<br />
held at the Academy Theatre.<br />
Because of the needs of both theatrical<br />
motion pictures and television, the demand<br />
for creative musicians in Hollywood is greater<br />
today than ever before. Green declared, and<br />
is increasing at an accelerated rate.<br />
He introduced five screen composers—David<br />
Raskin, George Antheil, Boris Kremenliev,<br />
George Duning and Miklos Rozsa—and unreeled<br />
excerpts from some of the motion<br />
picture background scores they have written,<br />
as well as those cleffed by Franz Waxman,<br />
Leonard Bernstein and Alfred Newman.<br />
Shah of Iran Commends<br />
American Film Trade<br />
During his recent whirlwind tour of the<br />
southland, the shah of Iran—hosted by the<br />
Ass'n of Motion Picture Producers at a<br />
luncheon at Paramount—took time out to<br />
say a few words in praise of Hollywood and<br />
the motion picture industry. The United<br />
Nations and the American film trade, said<br />
the potentate, are the major factors helping<br />
to keep peace "in our kind of civilization" and<br />
aiding in the furtherance of international<br />
understanding.<br />
"Films can have a direct appeal to all the<br />
people of the world." added the visiting dignitary,<br />
and can "bring moments of happiness,<br />
joy, relaxation and moments of education<br />
in the field of history, music, arts."<br />
y. Frank Freeman. AMPP board chairman<br />
and Paramount vice-president, acted as the<br />
industry's host in welcoming the shah and<br />
his empress to Hollywood. Cecil B. DeMille<br />
also spoke, citing the dramatic contributions<br />
that Iran has made to the history of the<br />
world. In addition to Iranian dignitaries and<br />
U. S. government officials, the luncheon was<br />
attended by film notables including George<br />
Murphy. Maureen O'Hara. Tony Curtis,<br />
Yvonne De Carlo, Charlton Heston, Walter<br />
Pidgeon, Barbara Stanwyck, Clifton Webb,<br />
Maurice Benjamin. Charles Boren. Richard<br />
Breen. Gloria DeHaven, E. L. DePatie. Arthur<br />
Freed. Howard McDonell. Fred S. Mayer.<br />
Geoffrey Shurlock and Morris Weiner.<br />
Score for 'An'ything Goes'<br />
To Be Used in Entirety<br />
Short takes fr^m the sound stages: The<br />
score which Cole Porter wrote for his Broadway<br />
hit of two decades ago, "Anything Goes."<br />
will be used in its entirety in Paramount's<br />
Vista Vision film version thereof—including, of<br />
course, the title tune as well as such standards<br />
as "I Get a Kick Out of You." "You're<br />
the Top." "All Through the Night" and "Blow.<br />
Gabriel. Blow." With Robert Emmett Dolan<br />
producing, the opus will star Bing Crosby.<br />
Donald O'Connor and Jeanmaire . . . Edward<br />
L. Alper.son, president of National Pictures,<br />
set Richard D. Spierman as vice-president in<br />
charge of the company's activities in England<br />
and on the continent. A veteran in the international<br />
field. Spierman has left for London<br />
to establish headquarters after conferring<br />
with Alper.son here. Upcoming under the<br />
National banner is "Magnificent Matador."<br />
lensed in Mexico in Cinemascope, which 20th<br />
Century-Fox will release.<br />
DIVE-IN PREMIERE—Lori Nelson,<br />
co-stars with Jane Russell. Gilbert<br />
and and Richard Egan in RKO Ra<br />
"Underwater!" receives her swim-fins<br />
water goggles from Willard Voit, of<br />
Voit Rubber Co,, in preparation for<br />
picture's Monday (10) world premiei<br />
Silver Springs, Fla. There the film<br />
be projected ten feet beneath the sui<br />
of the water for the edification of<br />
planeloads of stars, celebrities and<br />
press, flown from Hollywood and<br />
York for the event.<br />
Samuel Goldwyn Jr.<br />
Scripters for Two Films<br />
Assigr<br />
Shifting into high gear on the threeprogram<br />
he is charting for the year, i<br />
Goldwyn jr. made writing assignmei<br />
two of the trio of subjects. Jo and<br />
Napoleon, husband-and-wife scrivening<br />
will script "The Dancing Detective," I<br />
short story by Cornell Woolrich, while<br />
Petracca is at work on "Linnett Moore.'<br />
on an original by James Edward Gran<br />
Napoleons also wrote the original sere<br />
for "The Sharkfighters." which young<br />
wyn plans to send before the came<br />
March for United Artists release . .<br />
L. Lasky. who has had the property in<br />
aration for several years, booked Claud<br />
.<br />
yon to script "The Big Brass Band,"<br />
ramie musical to star Frank Sinatra<br />
his sixth straight assignment on the "I<br />
mule" series, Arthur Lubin will meg<br />
"The Navy Gets Francis" . . . "Jail B<br />
juvenile delinquency subject which Sam<br />
man is readying for Columbia, will be d<br />
by Fi'ed Sears.<br />
Gene Tierney to<br />
Co-Star<br />
With Humphrey Bogart<br />
Among the more-important casting r<br />
gleaned as 1954 faded into oblivion w<br />
setting of Gene Tierney to co-star<br />
Humphrey Bogart in 20th Century-Fox'<br />
Left Hand of God" . MUes w'ill<br />
the femme heart interest in Allied t<br />
CinemaScoper. "Wichita." starring Jot<br />
Crea . Abel. Kenneth Tobe<br />
Perry Lopez drew top roles in Warners'<br />
drama. "I Died a Thousand Times"<br />
Singer-actor Ray Middleton. under mii<br />
picture contract to Republic, will sha<br />
.<br />
which Van Heflin and Joan Woodwart<br />
stellar honors with John Payne. Mona<br />
man and Lee J. Cobb in that studio's<br />
From Texas" . . Phil Carey. Columbia<br />
ing man, goes into "The Calico Ponj<br />
previously set.<br />
28 BOXOFFICE :: January
; scheduled<br />
,<br />
Oklahoma<br />
^wood Stars Due<br />
IJelebration<br />
letro-Goldwyn-Mayer Holies<br />
will help exhibitors to<br />
GM's 1955 Motion Picture<br />
ion." Howard Dietz. vicege<br />
of advertising, publicity<br />
and Howard Strickling and<br />
affs on both coasts have<br />
irge Murphy, MGM studio<br />
nead, and George Sidney,<br />
;ar January 18 in Phila-<br />
M will salute William Goldlicates<br />
his nickelodeon muilliams<br />
will also be there<br />
her husband.<br />
to arrive in New<br />
en route to New Haven for<br />
Many River.s to Cross," in<br />
t Loew's Poli Theatre. He<br />
ton and other New England<br />
[ew York he will appear on<br />
le interviews.<br />
vho plays in "Bad Day at<br />
1 arrive here Friday (14)<br />
then go to Kingston, N. Y.,<br />
if the picture the next day<br />
:'s redecorated Community<br />
iterviews in New York will<br />
1 he will go to Philadelphia<br />
te to Goldman. Grace Kelly<br />
Gower Champion are also<br />
k it was decided to launch<br />
on in the southwest at the<br />
3f the managers of Video<br />
18 at Oklahoma City, with<br />
!ctor of customer relations:<br />
uthern sales manager, and<br />
City manager,<br />
M. Cliff White jr. is in<br />
ements for Video. Simons<br />
g MGM product. No Hollywere<br />
scheduled to attend.<br />
fear Bank Loan<br />
Allied Artists<br />
-Allied Artists ha.< signed a<br />
n agreement, expiring Jan.<br />
lecurity-First National bank<br />
rticipated in by the Bankers<br />
York, it was disclosed Mon-<br />
Broidy, AA president, and<br />
vs, executive vice-president<br />
16 agreement provides for a<br />
h a maximum of $1,750,000,<br />
mtees of up to $500,000 covis<br />
to producers releasing<br />
previous loan arrangement<br />
janks had a maximum of<br />
rrows also announced that<br />
ember 26 a loan agreement<br />
th DeLuxe Laboratories of<br />
which DeLuxe is lending<br />
cipal being payable over a<br />
in annual installments of<br />
nith Joins Staff<br />
ancaster<br />
-Terminating a year's aslecutive<br />
and producer with<br />
1 company. Bernard Smith<br />
y the Hecht-Lancaster orexecutive<br />
assistant, beginties<br />
Saturday (15). Smith<br />
;ory editor and producer at<br />
Symbol of<br />
viffilance<br />
Just as the F. B. I. has become essential to<br />
the security of the United States, and the Federal<br />
Bank Examiner to banking— Willmark Service<br />
has become equally as essential to the financial<br />
security of business.<br />
Since 1917, Willmark has been an active<br />
moral force in preventing cash irregularities and<br />
manipulations in thousands of businesses throughout<br />
the nation. The millions of dollars in annual<br />
savings that Willmark makes possible for American<br />
business, testify to Willmark's intrinsic worth as<br />
an indispensable part of modern business today.<br />
II<br />
St«VICt SYSTtM, INC.<br />
250 West 57 Street, New York 19,N.Y.<br />
A Nation-Wide Service Available in Every City and Town in the United States<br />
muary 8, 1955 29
McElroy and Harrison Buy<br />
Don George Theatres<br />
SHREVEPORT, LA.—One of the biggest<br />
theatre deals here in several years was transacted<br />
Fi-iday (31i with the sale of the last<br />
four theatres of the Don George Chain for a<br />
sum "in excess of a half-million dollars."<br />
They were purchased by Thomas L. Mc-<br />
Elroy, president of the McElroy theatres, and<br />
O. D. Harrison, local hotel operator and head<br />
of a wholesale tobacco company.<br />
The theatres are the Don, located in downtown<br />
Shreveport: the Venus, a Shreveport<br />
neighborhood theatre; the Davis, located in<br />
downtown Bossier City across Red River from<br />
Shreveport, and the Don Drive-In, located on<br />
the Minden road on the outskirts of Bossier<br />
City.<br />
George, president of the Don George, Inc.,<br />
formerly owned theatres not only in Shreveport<br />
and Bossier City, but in Alexandria,<br />
Natchitoches and Ville Platte, La. The last<br />
of the out-of-town theatres, the Don in<br />
Alexandria, was sold to Jimmy Thompson<br />
about a month ago.<br />
"I have been in the theatre business for a<br />
long time and hate to leave it." George said,<br />
"but other interests of mine have become too<br />
demanding of my time."<br />
George explained that his major Interest is<br />
in the television field. He is president of the<br />
Interim Television Corp., a group composed<br />
of the three companies operating television<br />
station KSLA until one of the firms is<br />
awarded exclusive rights to channel 12.<br />
The sale by George to McElroy of his last<br />
four theatres will provide the latter with his<br />
first downtown theatres. McElroy's present<br />
chain of local theatres—the Broadmoor,<br />
Glenwood, Centenary and Rex—are all neighborhood<br />
theatres. McElroy also owns the<br />
Gem Theatre in Monroe.<br />
McElroy and Harrison indicated they will<br />
probably form a new corporation in connection<br />
with the former George Theatres.<br />
McElroy Theatres, however, would be the<br />
operating company for the corporation.<br />
General operation of the theatres acquired<br />
from George will continue as it was conducted<br />
under George, McElroy said. The theatres<br />
also will continue under their present names,<br />
he said.<br />
Managers and other top personnel for the<br />
George Theatres under McElroy's leadership,<br />
however, will be provided from McElroy's<br />
present personnel. The lone exception will be<br />
the present manager of the Don Drive-In<br />
who will be retained in that position, Mc-<br />
Elroy said.<br />
Tom Dunn, McElroy's assistant in charge<br />
of the Rex, Centenary and Glenwood. is the<br />
new manager of the downtown Don Theatre.<br />
George's first theatre, the Glenwood. was<br />
built in 1934. He then acquired or opened in<br />
turn, the Davis, 1941; Don, 1947, and Don<br />
Drive-In, 1950.<br />
McElroy, beginning with the Broadmoor in<br />
1947, acquired the Centenary, Rex and Glenwood<br />
in 1950.<br />
While McElroy will operate the new theatres<br />
acquired from George, Harrison—his<br />
partner—will own the real estate. Harrison<br />
has been associated with McElroy in his various<br />
theatrical enterprises since 1947 when<br />
the Broadmoor, the first of the McElroy<br />
chain, was opened.<br />
N. J. Drive-ins Promote<br />
Safe Holiday Driving<br />
NETW YORK—New Jersey drive-ins carried<br />
safety messages on their marquees for the<br />
holiday period and New Year's Eve at the<br />
request of Gov. Robert Mejnier. The messages<br />
read: "Please drive carefully over the holiday.<br />
We need our customers when we reopen<br />
in the spring."<br />
The governor's request was relayed to the<br />
theatres through Walter Reade, president of<br />
Walter Reade Theatres. His four closed<br />
drive-ins posted the message, and a suitable<br />
message was posted by his Eatontown and<br />
Atlantic drive-ins which have heaters and<br />
operate all year. In all, about 30 drive-ins<br />
complied with the governor's request.<br />
CALENDARS EVEN<br />
JANUARY<br />
S M T W T F S<br />
1<br />
2 3 4 5 6 7 8<br />
9 10 11 12 13 14 15<br />
16 17 18 19 20 21 22<br />
23 24 25 26 27 28 29<br />
30 31
I trial<br />
I was<br />
'<br />
acquired<br />
; to Darnell<br />
! Chain<br />
Case<br />
; government this week<br />
nd in Geneva, acquired for<br />
J drive-in theatre, in its<br />
;hine Chain Theatres, Inc.,<br />
with a 1949 anti-trust de-<br />
reopened in U. S,<br />
ly, following a holiday reattorney<br />
Lewi.s Bernstein<br />
acquii'ed to build a<br />
1 defiance of the order proam<br />
acquiring more theatres,<br />
into the record various<br />
ions involving Darnell Thethe<br />
government contends<br />
trine interests to continue<br />
Schine chain. In respon.se<br />
Judge John Knight, Bern-<br />
3 seeks to prove there was<br />
igth transaction" when the<br />
a Schine subsidiary, disheatres<br />
to Darnell,<br />
y (outlawed in the 1949<br />
;mplated to be continued,"<br />
1 "The sale by Hildemart<br />
3t legitimate."<br />
11, former secretary of Darirnell<br />
rented the Geneva<br />
Pikeville Theatre Corp., a<br />
from Hildemart.<br />
the negative when asked<br />
lid in cash. Bernstein then<br />
rental was "not an actual<br />
to offset the debt of Dar-<br />
Pikeville contracted in the<br />
Idemart."<br />
this, along with the debts<br />
akkeeping entries." showed<br />
ued tie of Darnell to Schine<br />
lited Darnell with $151,000<br />
ubsidiaries in the $193,000<br />
;tein told the comt. "The<br />
luidated by cash, but by<br />
es dictated by Forrest E.<br />
ountant to Schine. Darnell<br />
1 Schine subsidiaries."<br />
ey Fi-ank G. Raichle. jr.<br />
?cted to questioning ba.sed<br />
:ial<br />
records.<br />
ik for themselves," Raichle<br />
necessary to go through all<br />
tipulate the books' contents<br />
icity is concerned."<br />
Exhibitors Fear Toll TV,<br />
Zenith Head Charges<br />
CHICAGO—Commdr. E. F. McDonald jr.,<br />
president of Zenith Radio Corp., charged that<br />
several groups of motion picture theatre<br />
owners are attempting to delay the coming<br />
of subscription TV. because they know it will<br />
be a competitor capable of delivering new<br />
motion pictm-es and other boxoffice entertainment<br />
to the public more efficiently and<br />
much more economically than is now po.ssible.<br />
McDonald had reference to the opposition<br />
filed Thursday (6i with the Federal Communications<br />
Commission by six organized groups<br />
of theatre owners opposing Zenith's request<br />
for immediate authorization of .subscription<br />
TV, and requesting full-blown hearings on<br />
the subject. His remarks were addressed to a<br />
national convention of Zenith wholesale distributors<br />
at the Shoreland Hotel.<br />
McDonald revealed that a number of motion<br />
picture theatre owners have already applied<br />
to Zenith for franchises to operate Phonevision<br />
in their localities, when and if it is<br />
approved by the FCC.<br />
"The far-sighted action of these individual<br />
theatre owners is in striking contrast to the<br />
obstructive efforts of the organized groups,"<br />
he said. "They have recognized Phonevision's<br />
tremendous potential value and are anxious to<br />
secure franchises for their localities. Even<br />
though we cannot grant them at this time,<br />
w-e welcome these applications, because we<br />
realize that successful operation of Phonevision<br />
will require the talents of men who are<br />
experienced in showmanship and who know<br />
the entertainment preferences in their localities."<br />
McDonald said that the only oppasition<br />
Zenith has heard to its proposal that subscription<br />
television be authorized immediately<br />
has come from the groups of theatre owners<br />
and from some television broadcast interests<br />
which now enjoy an absolute or near monopoly<br />
of telecasting in certain areas.<br />
"What these people are trying to do," Mc-<br />
Donald said, "is stifle a competitor which<br />
will be able to distribute education and<br />
entertainment more efficiently and economically<br />
than they. If somebody invented a<br />
method of delivering goods from any place in<br />
the country directly to one's home at less<br />
than a third of today's cost, it is a cinch<br />
that Congress and the Department of Justice<br />
would not let opposition from present transportation<br />
companies stop the coming of this<br />
new service."<br />
McDonald said that subscription television<br />
is merely a new means of distributing entertainment<br />
and education, that it can be delivered<br />
at le.ss than one-third the present<br />
price for entertainment, with the added convenience<br />
of coming directly into the home so<br />
that customers will not have to go to the<br />
theatre to get it.<br />
"Tills does not mean," he said, "that sub-<br />
.scription TV will kill the movie theatre any<br />
more than movies killed the legitimate stage,<br />
or than radio and TV killed the newspaper<br />
business. It will hurt some small theatres,<br />
just as every new business development hurts<br />
somebody, but that is all. No amount of home<br />
entertainment will satisfy the urge to get<br />
outside the home for an occasional fling.<br />
There will always be people who prefer seeing<br />
good movies and grand opera in the<br />
theatre, even though it will cost many times<br />
as much to see them in the theatre as at<br />
home.<br />
"To a large extent, subscription television<br />
will be making new customers for entertainment,<br />
which will not only be a bonanza for<br />
jjroducers and performers, but will also make<br />
new customers for theatres. Consider the<br />
spectacular success of Liberace as a theatrical<br />
drawing card after he was made<br />
famous by television."<br />
McDonald said it was to the everlasting<br />
credit of the television industry that there<br />
had been no attempt made to gang up on<br />
theatre television, and questioned the legality<br />
of such a move.<br />
"Some years ago," he stated, "many socalled<br />
four-wall theatres were in bitter opposition<br />
to drive-ins. Some ganged up on their<br />
new competitor, and eventually paid over<br />
millions of dollars in antitrust damages."<br />
.ppoints Hiatt<br />
MPEA Post<br />
mos Hiatt has been named<br />
o the treasurer of the Mort<br />
Ass'n to handle foreign<br />
impensation arrangements,<br />
president, reported<br />
i as assistant controller of<br />
rid Airways and as regional<br />
middle and far east of<br />
Hotels Corp., and he renan<br />
of the financial comt€rnational<br />
Air Transport<br />
ound includes the position<br />
:.KO-Pathe companies. He<br />
;d with the late Frederick<br />
an Films. He took part in<br />
distribution and wrote a<br />
:t for the Harvard Business<br />
if Iowa City, he was graduversity<br />
of Washington.<br />
PLANNING V-l WORLDWIDE DRIVE—Americo Aboaf (seated center), foreign<br />
general manager of Universal Pictures, sets final plans for the 1955 worldwide .Alfred<br />
E. Daff Drive with the company's foreign distribution executives. Left to right, they<br />
are: Josephine Griffin of the home office statistical department; Ben M, Cohen,<br />
assLstant foreign general manager and captain of the drive; Joseph Mazer, 16mm<br />
sales head; .Aboaf; Fortunat Baronat, foreign publicity director; Jack Dobbin, assistant<br />
to Felix Sommer, I'-I foreign finance executive; Felix Somer and Irving Weiss, foreign<br />
service manager.<br />
nuary 8, 1955 31
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
Smash New Year's Weekend Business<br />
Boosts B'way; Music Hall Again Big<br />
NEW YORK—With smash business on New<br />
Year's Day and Sunday (2), the majority of<br />
Broadway fust run houses had excellent<br />
holdover weeks for the big pictures which<br />
opened just before Christmas although, of<br />
course, they were down from the terrific<br />
Christmas-New Year's school holidays period.<br />
Not a single new picture opened during the<br />
first week in January, the first time in a year<br />
that even the weekly-change Palace Theatre<br />
held over its feature—this time "Black Tuesday."<br />
Still leading the entire New York field was<br />
"Deep in My Heart" and the annual Radio<br />
City Music Hall "Nativity" stage pageant,<br />
in a fourth week which almost equaled the<br />
terrific third stanza. Right behind it were<br />
"20,000 Leagues Under the Sea." in its second<br />
smash week at the Astor, and "The Country<br />
Girl," which reported the biggest third week<br />
in the history of the Criterion Theatre.<br />
Excellent holdover weeks were reported for<br />
"Vera Cruz" at the Capitol and "Three Ring<br />
Circus" at Loew's State while "There's No<br />
Business Like Show Business" had a big<br />
third week at the Roxy. "The Silver Chalice"<br />
at the Paramount. "Green P^e" at the Mayfair<br />
and "Athena" at the Globe were down<br />
from the big opening weeks.<br />
The one new film, "Animal Farm." which<br />
opened before New Year's, had a good opening<br />
week at the Paris. Other art house fare<br />
that did big holdover business included<br />
"Romeo and Juliet," in its second week at<br />
the Sutton: "The Game of Love." in its third<br />
week at the Baronet; "Gate of Hell," in its<br />
third week at the Guild, and "Aida," which<br />
had a smash eighth week—above the preceding<br />
holiday week, at the Little Carnegie<br />
Theatre. "Tonight's the Night," in its second<br />
week at the Trans-Lux 52nd Street, and<br />
"The Belles of St. Trinian's." in its second<br />
week at the Plaza, also held up well but<br />
"Hunters of the Deep" was down in its third<br />
and final week at the Trans-Lux 60th Street<br />
Theatre. "This Is Cinerama," in its 82nd week<br />
of two-a-day at the Warner Theatre, has<br />
announced its last weeks.<br />
'Average Is 100)<br />
Astor 20,000 Leagues Under the Sea (Bueno<br />
Visfa), 2nd wk 1 75<br />
Baronet The Gome of Love (Times), 3rd v^k 120<br />
Capitol Vera Cruz ;UA), 2nd wk 160<br />
Criterion The Country Girl iPara), 3rd wk 190<br />
Fifth Avenue Hall of Fame Silent Film Festival<br />
(Ass'd Artists), 2nd wk 110<br />
55fh Street ^solden Age of Cinema Festivol<br />
(Brondon), 3rd wk 115<br />
Fine Arts The Detective (Col), 9th wk 115<br />
Globe Athena (MGM), 2nd wk 110<br />
Guild Gate of Hell fH&D), 3rd wk 150<br />
Little Carnegie Aida (IFE), 8th wk 160<br />
Loew's State Three Ring Circus (Para), 2nd wk. .170<br />
Moyfair Green Fire MGM), 2nd wk 125<br />
Normandie The Big Doy (H&D), 3rd wk., return<br />
run 115<br />
Palace Black Tuesday lUA), plus vaudeville .... 1 25<br />
Paramount The Silver Chalice (WB), 2nd wk....l20<br />
Paris Animal Form ;de Rochemonf) 1 30<br />
Plozo The Belles of St. Trinian's (Ass'd Artists),<br />
2nd wk 1 20<br />
you CAN ALWAYS DEPEND ON<br />
FOR THE BEST<br />
SPECIAL<br />
Radio City Music Hall Deep in My Heort (MGM),<br />
plus stage show, 4th wk 200<br />
Rivoli Carmen Jones (20th-Fox), I 0th wk 110<br />
Roxy There's No Business Like Show Business<br />
(20th-Fox), 3rd wk 150<br />
68th Street Fuss Over Feathers (Ass'd Artists),<br />
2nd wk 105<br />
Sutton Romeo and Juliet (UA), 2nd wk 160<br />
Trons-Lux 52nd Tonight's the Night (AA),<br />
2nd wk 120<br />
Trons-Lux 60th ^Hunters of the Deep IDCA),<br />
3rd wk 100<br />
Victoria A Stor Is Born (WB), 12th wk 125<br />
Warner This Is Cineroma (SW), 82nd wk 140<br />
World Sunderin (Prod. Rep.), 2nd wk 110<br />
"Leagues' Continues Hot Pace<br />
At Buffalo Century<br />
BUFFALO—"20,000 Leagues Under the Sea"<br />
continued to be an amazing twxoffice magnet<br />
at the Centiu'y, where it ended a second<br />
week with a handsome 280 and went into a<br />
third stanza. Shea's Buffalo also clicked with<br />
"There's No Business Like Show Business."<br />
"Three Ring Circus" held so well for two<br />
weeks in the Paramount that it was held<br />
three extra days. The Center held "The<br />
Silver Chalice" for a third week. "Sign of<br />
the Pagan" jumped off well in the Lafayette.<br />
Buffalo There's No Business Like Show Business<br />
(20th-Fox), 2nd wk 180<br />
Center The Silver Chalice (WB), 2nd wk 150<br />
Century 20,000 Leogues Under the Sea (BV),<br />
2nd wk 280<br />
Cinema Bread, Love and Dreams (IFE), 2nd wk..llO<br />
Lafayette Sign of the Pagan (U-l) 180<br />
Paramount Three Ring Circus (Pora), 2nd wk.,.165<br />
Teck A Womon's Face MGM), Dr. Jekyll ond Mr.<br />
Hyde MGM) 125<br />
'Show Business' Tops<br />
In Pittsburgh<br />
PITTSBURGH — Top attraction was<br />
"There's No Business Like Show Business"<br />
at the Harris Theatre, "Deep in My Heart"<br />
got off slowly but picked up to 35 per cent<br />
above average on the boxoffice barometer at<br />
the end of the first week in the Penn Theatre.<br />
Stanley Theatre offered "Hansel and<br />
Gretel" and "This Is Your Army." but very<br />
poor attendance forced this program off the<br />
screen. Later, "Hansel and Gretel" was returned<br />
to the Stanley for two special kiddy<br />
morning exhibitions. Schools had issued dLscount<br />
tickets, good for one week, and the<br />
youngsters and their parents protested removal<br />
of the picture; therefore, the special<br />
showings were arranged.<br />
Fulton Carmen Jones (20th-Fox) 115<br />
Harris There's No Business Like Show Business<br />
(20th-Fox) 160<br />
Penn Deep in My Heart (MGM) 1 35<br />
Stanley Hansel and Gretel (RKO), This Is Your<br />
Army (USA) 50<br />
Warner This Is Cinerama (Cinerama), 55th wk.. .115<br />
It's<br />
'Show Business,'<br />
'Leagues' at Baltimore<br />
BALTIMORE—The combination of holiday<br />
atti-actions, holiday prices and extra midnight<br />
shows helped boost gi-osses. The biggest business,<br />
however, was garnered by "20,000<br />
Leagues Under the Sea" and "There's No<br />
Business Like Show Business." Although the<br />
holiday crowds were substantial, they were<br />
not entirely up to some of the first run<br />
managers' expectations.<br />
Century Deep in My Heart (MGM), 2nd wk 100<br />
Film Centre The Detective (Col), 2nd wk 100<br />
Hippodrome 20,000 Leogues Under the Sea (BV),<br />
2nd wk 180<br />
Keiths Three Ring Circus (Para), 2nd wk 150<br />
Little Aida (IFE), 2nd wk 90<br />
Moyfair Hansel and Gretel (RKO), 2nd wk 90<br />
New—Desiree ;20th-Fox), 2nd wk 130<br />
Ployhouse Rear Window (Para), 11th wk 90<br />
Stanley The Silver Chalice (WB), 2nd wk 100<br />
Town There's No Business Like Show Business<br />
(20th-Fox), 2nd wk 1 70<br />
SCROLL MARKS A LONG RUN-<br />
F. Seadler, MGM advertising mai<br />
(right), makes presentation to ]<br />
Brandt, head of Trans-Lux Theatn<br />
recognition of 95-week engagemei<br />
"Lili" at the 5'Znd Street Theatre,<br />
Jinx Falkenberg >rcCrary looks on.<br />
Palace Holds UA Picti<br />
First Time in bVi Years<br />
NEW YORK—The RKO Palace, a<br />
change film and vaudeville theatre<br />
May 1949, held over a picture for tl<br />
time in its five and one-half years of<br />
tion when "Black Tuesday," United<br />
feature, started a second week Frid<br />
The vaudeville bill was changed, hov<br />
"The Green Scarf," an Associated<br />
release, made in England with Michai<br />
grave. Ann Todd and Leo Genn starr<br />
open at the Palace January 14. J<br />
British-made film, "The Beachcombe<br />
tributed by United Ai-tists with Rober<br />
ton and Glynis Johns starred, will c<br />
the Normandie Theatre January 15.<br />
Seat-Tipper Is Capturei<br />
In New York's Capitol<br />
NEW YORK—A woman detective i<br />
a male "seat-tipper" Sunday (2)<br />
at Ui<br />
itol Theatre after firing one shot ii<br />
floor of the orchestra, but with "Vers<br />
on the screen featuring a lot of gun<br />
the time, few in the audience knew ai<br />
was amiss. A seat-tipper is a thief w<br />
behiiid women in theatres, watches fo<br />
to place a handbag on a seat and th<br />
the seat and loots the bag.<br />
'Americano' NY Date S<br />
NEW YORK—The RKO-Robert S<br />
production of "The Americano," in '<br />
color, staiTing Glenn Ford, Ursula<br />
Cesar Romero and Frank Lovejoy, wi<br />
at the Mayfair Theatre January 19,<br />
ing a three-week run for MGM's<br />
Fn-e." in CinemaScope. Howard Hughe<br />
derwater!" in SuperScope, starring Jar<br />
sell, will open at the same theatre i<br />
ruary.<br />
Ardee Handles French Film<br />
NEW YORK—The newly formed<br />
Films. Inc., operated by Richard Da\<br />
distribute "Holiday for Henrietta,"<br />
feature produced by Julien Duvivier,<br />
U. S. The picture, which stars Dany<br />
HUdegarde Neff and Michel Auclai<br />
open at the Fine Arts Theatre, follow:<br />
current run of "The Detective."<br />
32 BOXOFFICE :: January
1 Asks Study<br />
^ Tax Issue<br />
—<br />
Averell Harriman, in his<br />
slature Wednesday, recomof<br />
a statute establishing a<br />
t members—one each to be<br />
assembly speaker, and the<br />
ider, three by the mayor of<br />
d three by the governor<br />
financial relations with<br />
y's<br />
Many New Taxes in Sight<br />
For New York Exhibitors<br />
^<br />
:or many years there has<br />
)ion as to whether or not<br />
!ing treated fairly by the<br />
to taxing powers and state<br />
nocratic governor said in<br />
e state-local relationships<br />
fork, with its eight million<br />
tutes a very special problation,<br />
which climaxed a<br />
h Harriman urged greater<br />
y to the localities of the<br />
anentizing of taxing powers<br />
"as far as practicable,"<br />
he death of the movement<br />
1947 enabling act. which<br />
'ork City to levy a 5 per<br />
ax (other cities and all<br />
owered to do likewise). At<br />
Y did so for 1955. The re-<br />
:ommission is awaited beife<br />
ends February 15.<br />
iman's message, which<br />
e of deep concern" about<br />
1 of the state government,<br />
le bad news for the motion<br />
He recommended that<br />
)r men be approached "diin<br />
"round about" as now,<br />
hildren's rates: that wage<br />
be "revitalized" and the<br />
1 "reflect as realistically as<br />
ist.s to maintain a standard<br />
if our American tradition."<br />
ne after taking account of<br />
iditions in the industries<br />
lis plea for a national mini-<br />
!5 hourly. Governor Harrin<br />
minimum wage schedules<br />
ate hikes for smaller-paid<br />
light be in the offing. He<br />
es in unemployment, work-<br />
)n and disability insurance.<br />
igs Postponed<br />
ctady Houses<br />
eree Hyman W. Sevits,<br />
ney. adjourned to January<br />
)n actions by owners and<br />
lenectady downtown houses,<br />
mated $2,742,000 over assess-<br />
; than a dozen years.<br />
by the W. W. Parley estate<br />
Farley, his Albany realtorthe<br />
building containing the<br />
eatres, covers 1936 and 1942<br />
e Fabian Operating Corp.<br />
f Co.. .seeks refunds taxes<br />
s and Plaza, covers 1942<br />
pia took over Proctor's and<br />
; both: also the State and<br />
)ol F\irley interests).
. . . Frank<br />
. . Jerry<br />
. . Charles<br />
BROADWAY<br />
^harles C. Moskowitz, vice-president and<br />
. . .<br />
treasurer of Loew's, Inc., planed to the<br />
Leo F. Samuels, president and general<br />
coast . . .<br />
sales manager of Buena Vista Film Distribution<br />
Co.; Charles Levy, publicity director, and<br />
James O'Gara, special representative, left for<br />
Canada for talks with Empire-Universal officials<br />
on distribution of "20,000 Leagues<br />
Under the Sea" and "The Vanishing Prairie"<br />
Herman Kass, eastern exploitation manager<br />
for Universal, went to Boston January<br />
2 to confer with exploitation representatives<br />
working on the New England saturation opening<br />
of "Six Bridges to Cross."<br />
.<br />
.<br />
Robert Dowling of City Investing Co. planed<br />
to London Pickman, Paramount<br />
advertising-publicity vice-president, got back<br />
from Hollywood December 31 after conferences<br />
on "The Country Girl" and "The<br />
Bridges at Toko-Ri" Schlaifer,<br />
president of the advertising agency, left for<br />
the coast for conferences on forthcoming<br />
advertising campaigns . . . P. T. Dana. Universal<br />
eastern sales manager, returned from<br />
a trip to Pittsburgh, Buffalo and Albany.<br />
Harry Goldstein, eastern publicity director<br />
for Allied Artists, and Irving Shiffrin and<br />
Michael Zala. exploiteers, left January 3 to<br />
work on out-of-town engagements on "Tonight's<br />
the Night." Goldstein w-ent to Boston<br />
for the January 14 opening at the Paramount<br />
and Fenway theatres, Shiffrin went to Philadelphia<br />
and Baltimore and Zala went to<br />
Richmond. John H. Burrows, associate producer<br />
for AA, is in New York for conferences<br />
with Morey R. Goldstein, vice-president and<br />
general sales manager.<br />
Jeanmaire, French ballet star who will<br />
share top billing with Bing Crosby in Paramounfs<br />
"Anything Goes," planed in from<br />
Paris with her new husband, Roland Petit,<br />
who will stage her dances in the film. Both<br />
left for Hollywood January 2 . . Tony<br />
.<br />
Curtis and Janet Leigh arrived by train from<br />
Hollywood January 6 to spend a New York<br />
vacation. Curtis will go to Boston for the<br />
January 19 opening of "Six Bridges to Cross"<br />
. . . Jerry Lewis, whose "Three Ring Circus"<br />
is playing at Loew's State, came in for a<br />
vacation December 31, accompanied by his<br />
wife and three children.<br />
E. R. Zorgniotti, executive vice-president of<br />
IFE Releasing Corp., left for Rome January 6<br />
for meetings with IFE executives and Italian<br />
film producers and to survey new product for<br />
U. S. release . . . Harriet Parsons, RKO producer<br />
of "Su.san Slept Here," is here from<br />
Hollywood to look over new Broadway plays<br />
P. Rosenberg, producer of Warner<br />
Bros.' forthcoming "Miracle in the Rain,"<br />
and Rudolph Mate, who will direct the Jane<br />
Wyman picture, got in January 4 to scout<br />
Manhattan location sites . . . Moss Hart, playwright<br />
who wrote the screenplay for "Prince<br />
of Players" for 20th Century-Fox, is in New<br />
York to visit his wife, Kitty Carlisle, starring<br />
in "Anniversary Waltz" on Broadway, and to<br />
promote the opening of the Cinemascope picture<br />
at the Rivoli January 11.<br />
Edward M. Saunders, assistant general sales<br />
manager for MGM, returned from a west<br />
coast vacation January 4 . . . Milton R. Rackmil,<br />
president of Universal and Decca Records,<br />
got back from Florida January 4 . . .<br />
Fritz Lang, director of MGM's "Moonfleet,"<br />
is in New York for an indefinite stay and<br />
SKOURAS<br />
RECEIVES AWARD—<br />
Spyros Skouras, president of 20th Century-Fox,<br />
receives from S. H. Fabian<br />
(left) and Harry Oppenheimer (right) a<br />
special award of the American Fund for<br />
Israel Institutions in recognition of his<br />
leadership on behalf of Israel. Skouras<br />
was guest of honor Wednesday (5) at a<br />
dinner concert held at the Waldorf<br />
Astoria attended by more than 1.000 persons.<br />
Fabian was dinner concert chairman.<br />
Oppenheimer is a vice-president of<br />
the Israel Fund.<br />
William Gibsen. author of MGM's "The Cob-<br />
. . .<br />
. . Marty Scher of the<br />
web." is back after studio story conferences<br />
Robert Oropall of Universal's .service department<br />
in New York, became a father December<br />
30 with the birth of a son, Robert<br />
Michael, to Mrs. Oropall at the Lawrence<br />
Hospital. Bronxville .<br />
United Artists accounting department. wa.s<br />
married to Gloria Pearlman January 2 in<br />
Brooklyn.<br />
Parade of Stars Staged<br />
For Asthmatic Home<br />
NEW YORK—The Parade of Stars for the<br />
benefit of the Jewish National Home for<br />
Asthmatic Children was held Saturday evening<br />
(8) at Town Hall under the chairmanship<br />
of Max E. Youngstein, vice-president of<br />
United Artists.<br />
The performers included: Denise Darcel,<br />
Martha Wright, Henry Morgan, Joey Adams,<br />
Joey Bishop, Jack Carter, the Chordettes,<br />
Lanny Ro.ss. Bobby Hackett, the Mariners,<br />
Jaye P. Morgan, Jan Arden, Louis Hunt, Earl<br />
Wrightson, Don Liberto and Bud Palmer,<br />
Robert Q. Lewis was master of ceremonies.<br />
Youngstein made a televised appeal in behalf<br />
of the National Home on the Herb<br />
Sheldon Show over NBC-TV Friday (7).<br />
Fulbright to Be Speaker<br />
At Brotherhood Dinner<br />
NEW YORK—Senator William J. Fulbright<br />
of Arkansas will speak at the Brotherhood<br />
dinner of the National Conference of Christians<br />
and Jews to be held at the Waldorf Astoria<br />
January 13. John H. Harris, national<br />
chairman of the amusements division of the<br />
Brotherhood campaign, said J. Robert Rubin,<br />
permanent general chairman of the amusements<br />
division, will be the guest of honor.<br />
More than 1.000 performers and executives<br />
from all branches of the entertainment industry<br />
will attend.<br />
Skouras Is Honored<br />
At Israel Dinner<br />
NEW YORK— Spyros P. Skouras,<br />
Century-Fox president, was guest of<br />
Wednesday night i5) at the annual<br />
concert of the American Fund for Isi<br />
the Waldorf Astoria. More than 1,00<br />
sons attended. Skouras was presented<br />
cial award by S. H. Fabian, dinner cha<br />
"in recognition of his leadership on<br />
of Israel through the American Fund<br />
Fabian said that Skouras' "devotion<br />
American Fund and to Israel comes f<br />
profound understanding that educatic<br />
culture are basic to the developmen<br />
democratic nation."<br />
Those who attended paid $100 a<br />
added $200,000 to the fund. The goal<br />
year's campaign was $1,857,000. The<br />
plat<br />
is used to support leading cultural and<br />
tional institutions in Israel.<br />
Among the<br />
ficiaries are three leading agricultural s<br />
the only maritime school, and th<<br />
school for commercial and industrial<br />
in Israel: the leading art and archs<br />
museums, theatres, the Lsrael Philha<br />
orchestra, music academies, institutio<br />
language and literature and trad<br />
schools.<br />
The gift consisted of two silver cuj<br />
signed and handmade by the artists<br />
Bezalel School, Jerusalem.<br />
One of the principal speakers, Israi<br />
bassador Abba Eban, said that in s]<br />
tensions in the Near East. Israel "will c<br />
its culture and its institutions, safegu<br />
security and its honor within the frar<br />
of this hostility."<br />
The concert portion of the progrj<br />
eluded Rise Stevens and Robert Merril<br />
ropolitan Opera stars: Pierre Monteu:<br />
ducting the Symphony of the Air. and<br />
Adams and Andre Eglevsky. stars<br />
New York City Ballet.<br />
Honorary chairmen for the event v<br />
Hurok. Fredric R. Mann, Edward A. N<br />
'<br />
and Samuel Rubin. Co-chairmen were<br />
Greenspan, William Heller, Henry Jof<br />
Harry C. Oppenheimer.<br />
Annual Ba<br />
Variety Club Clinic Nel<br />
$15,000 From<br />
NEW YORK—A check for $15,000 ha<br />
given to Dr. H. Houston Merritt by<br />
Andre Dubonnet as the first profits<br />
the United Epilepsy Ass'n Celebrity I<br />
the Starlight Roof of the Waldorf .<br />
Hotel New Year's Eve.<br />
Mme. Dubonnet, vice-president c<br />
women's committee of the association a<br />
chairman of the celebrity ball committe<br />
she expected the final accounting woul<br />
duce additional funds for the Variet;<br />
Clinic for Children with Epilepsy :<br />
Columbia-Presbyterian Medical Cente<br />
Hospital Gets $2,500<br />
NEW YORK—Harry Brandt, presid<br />
Brandt Theatres, acting on behalf<br />
Trans-Lux 52nd St. Theatre, has pre<br />
Monsignor John E. Reilly a check for<br />
the proceeds of the opening night rece<br />
"Tonight's the Night" at the Theatre L<br />
ber 22. This money will go toward th<br />
of the New- York Foundling Hospital,<br />
cares for homeless babies in the city.<br />
34 BOXOFFICE :: January
1 shed<br />
, such<br />
, division<br />
, at<br />
: reading<br />
. .<br />
. . . Inadvertently<br />
. . Ray<br />
ALO<br />
president of Baiisch &<br />
from the west coast glowhat<br />
Hollywood is glowing<br />
All doors were open for<br />
m that performed a near<br />
icing Cinemascope lens<br />
weeks after 20th-Fox prenaking<br />
such a lens to the<br />
just two years ago. On<br />
;udios, Mr. and Mrs. Halwford<br />
at work on "Female<br />
;her Williams in another<br />
Astaire in "Daddy Long<br />
al manager of Lieser Film<br />
starting to set up dates<br />
ver." the first of the picbutors<br />
Corp. of America<br />
lich Lieser will distribute<br />
Albany areas . . . Loew's<br />
Rochester is being used<br />
by Bausch & Lomb scienless<br />
heat and more<br />
jpe film. The problem of<br />
s dogged the B&L men<br />
in process came into being.<br />
i been devised to deflect<br />
! film has continued to<br />
Ing spotty defects. Now.<br />
is J. Mulroy, in charge of<br />
sales for B&L. the latest<br />
tryout at Lester Pollock's<br />
.<br />
LT-I exploiteer, got a swell<br />
le Pagan." in Jerry Evarts<br />
falo Courier-Express<br />
i alive, he would be rubevents<br />
in Rochester these<br />
;0.000 Leagues Under the<br />
demand that not a<br />
in the leading bookstores<br />
ry. The stores were sold<br />
; stocks after a rush that<br />
ig of Disney's screen ver-<br />
Theatre. "Thank Heaven<br />
laimed Mildred Wilson of<br />
of the library,<br />
been off the shelf for<br />
the Palace, the boxnusic<br />
that brought a glow<br />
lager Frank Lindcamp.<br />
. . .<br />
asil Theatres advertising<br />
f, had Jeannie Johnson,<br />
lelp promote "Sign of the<br />
the Lafayette . . . Work<br />
e of the month on remodfor<br />
When<br />
Cinerama representative for Paralywood<br />
for a sales promod<br />
a photo made of William<br />
the Buffalo Eveeceived<br />
a good plav in the<br />
cutives received a permanote<br />
compartment desk<br />
11, Perkins Theatre Supply<br />
ne of each executive was<br />
ndividual gift.s . . . Ollie<br />
jllough and Billy Keaton,<br />
-TV, threw a luncheon in<br />
first run managers to dision<br />
ideas. Local exhibitors<br />
Arthur Krolick. Charles<br />
Idler and Leon Serin, all<br />
eatres; George H. Mac-<br />
•ereton of Basil Theatres;<br />
! Shea circuit, and Robert<br />
T. Murphy and Phil Tadaro of the Century<br />
Theatre.<br />
Mayor Samuel B. Dicker of Rochester has<br />
proclaimed J a n u a r y "Go-to-the-Movies<br />
Month." Mayor Dicker praised the industry<br />
for its "progressive enterprise, optimism and<br />
spirit."<br />
Albany Grand Relights<br />
With One Stagehand<br />
ALBANY— Closed by strike since December<br />
6. the Grand was reopened Friday (31) by<br />
lessee-proprietor Paul V. Wallen after a dispute<br />
with the stagehands Local 14 had been<br />
settled by concessions on both sides. The<br />
relighting bill was topped by "Beau Brummell."<br />
The controversy was ended Monday last<br />
week when Local 14 and Wallen agreed that<br />
only one stage worker would be employed,<br />
the light board would be dismantled and the<br />
switching operations would be shifted to the<br />
front of the house. The latter, entailing<br />
added responsibility on the management end.<br />
required rewiring.<br />
Wallen had held out for one man, refusing<br />
to accept a replacement in the shift-overs<br />
which ensued after Henry "Dutch" Harris retired<br />
at the Strand after 52 years of service.<br />
Claiming that two stage workers had been<br />
payroUed for years and the agreement provided<br />
for same, the union put out pickets<br />
November 27. The projectionists joined the<br />
stagehands nine days later, by refusing to<br />
pass through the line.<br />
George Hoover to Attend<br />
Chas. Smakwitz Dinner<br />
ALBANY — International Chief Barker<br />
George C. Hoover will act as toastmaster at<br />
the Albany Variety Club's testimonial dinner<br />
for Charles A. Smakwitz in the ballroom of<br />
the Sheraton-Ten Eyck Hotel January 12.<br />
S. H. Fabian, Samuel Rosen and Harry Kalmine,<br />
executives of Stanley Warner Theatres,<br />
which promoted Smakwitz from Albany to<br />
Newark. N. J., as zone manager, are expected<br />
to be among the 200 in attendance. Chief<br />
Barker George H. Schenck reported.<br />
A number of other New York City industry<br />
leaders, including State Senator Fred G.<br />
Moritt, counsel-trea.surer of MacDonald Pictures,<br />
Ben Schrift, president of that company,<br />
and wife, will be present. A New Haven,<br />
Conn., delegation will include Zone Manager<br />
Harry Feinstein and assistant James Totman.<br />
M. A. Silver, Pitt.sburgh zone manager, also<br />
is slated to be a guest.<br />
Herman Disler will handle the entertaining.<br />
Naval Reserve Unit Names<br />
Githens Its Commander<br />
NEW YORK—W. French Githens, board<br />
chairman of Sound Masters and president of<br />
National Educational Films, has been made<br />
commanding officer of Naval Reserve Aviation<br />
Co. 3-11. The group consists of reserve<br />
photographic officers, many of whom are<br />
associated with film production in this area.<br />
Githens during World War II was in charge<br />
of motion picture photography for U. S.<br />
Naval Facilities under the director of photography,<br />
U. S. Navy. He was also division officer<br />
of the writers and directors division.<br />
Naval Photography Center, Anacostia, D. C.<br />
and he served on the staff of Admiral Nimitz.<br />
ALBANY<br />
T oca! exchanges adjusted their schedules<br />
Monday (3) to fit the 37 '--hour week pattern<br />
provided in the new contract with F43<br />
and B43, lATSE. Most of the offices moved<br />
their opening time from 8:30 to 9 a.m. . . .<br />
Columbia salesman Herb Schwartz became<br />
father of a baby son, his second boy . . .<br />
George Carroll, Warner auditor, who had<br />
been here since late in October, left for<br />
Montreal . Smith, WB manager, is<br />
owner of a sports jacket as a Christmas gift<br />
of his staff. Smith reported Alton "Tony"<br />
Anderson, manager of Schine's Pontiac in<br />
Saranac Lake and mayor there did "a terrific<br />
job" in arranging the recent world premiere<br />
of "The Silver Chalice" at that theatre.<br />
Jack Leon, projectionist at Conery's Ravena<br />
Theatre, was married to Joan Gardner at St.<br />
Patrick's Catholic church in Ravena. The<br />
couple honeymooned in New York City.<br />
Edward J. Wall's screen debut in a short<br />
showing him and Don Hartman. Paramount<br />
executive producer, discussing the company's<br />
new product, won the approbation of industry<br />
associates and others. The short was<br />
.screened here with "The Bridges at Toko-Ri."<br />
The short, running about 10 minutes, was<br />
made when Wall recently visited the Paramount<br />
studios in Hollywood for a preview<br />
and analysis of new pictures. Its chief use<br />
will be on area television stations. Frank<br />
Lynch. Gordon Bugie and others complimented<br />
Wall.<br />
Fabian's Palace charged $1 evenings. 75<br />
cents afternoons and 35 cents for children<br />
on "There's No Business Like Show Business."<br />
The competing Strand had the same scale<br />
for "Three Ring Circus." which ran nine days<br />
omitted from a list of persons<br />
at the Christmas party given by Trlstate<br />
Automatic Candy Corp. were Lewis Sumberg,<br />
property master of Variety Club, and wife,<br />
and Jim Blackburn. Palace stage manager.<br />
George H. C. Farley, who suffered a heart<br />
seizure last week, was reported Thursday in<br />
"excellent" condition. He is a patient at the<br />
Rex Hospital, Raleigh. N. C, where he was<br />
taken from a Florida-bound train while with<br />
his sons en route to Palm Beach to meet<br />
his wife and daughter. Farley, who is an<br />
Albany realtor, is owner of film exchanges<br />
and theatres.<br />
Al Swett, manager of the Stanley Warner<br />
Avon in Utica since November, 1951, will<br />
return to Albany on the 13th as manager of<br />
the Ritz. Mrs. Ottilie Fearing, assistant manager<br />
of the Stanley since April 1953. becomes<br />
manager of the Avon. Jack Swartout. manager<br />
of the Ritz since the American, Troy,<br />
closed, is retiring.<br />
Like Intermissions al Movies<br />
Intermission as a time for meeting friends<br />
is greatly favored by attendants at motion<br />
pictures in France.<br />
Kl NNER'S GLASS CLEANER<br />
Used by more theatres than any other cleaner because it<br />
cleans and polishes glass and chrome.<br />
EASIER . . . Sold by<br />
FASTER , . . Eastern Theatre Supply md<br />
and BETTER Ben Lust Theatre Supply<br />
KINNER PRODUCTS COMPANY ''^omS*'^*<br />
nuary 8, 1955 35
. . Starting<br />
. . The<br />
'<br />
Motion Picture Associates<br />
To Honor Four Pioneers<br />
PHILADELPHIA—Four men, with<br />
an aggregate<br />
of 200 years in the motion picture<br />
industry, will be honored at the dinner of<br />
the Motion Picture Associates Tuesday. January<br />
18, at the Bellevue-Stratford Hotel. The<br />
pioneers of the industry are William C. Hunt,<br />
Abraham Sablosky, Benjamin Amsterdam<br />
and Albert R. Boyd. Each of these men has<br />
played an important role in the development<br />
of the motion picture business in this area.<br />
The MPA dinner will be held in conjunction<br />
with the gala opening of the Nickelodeon<br />
in Franklin In.stitute on the afternoon of the<br />
18th. Actors, producers and directors from<br />
Hollywood and New York are expected to participate<br />
in the dedication ceremonies. Sponsored<br />
by William Goldman, Philadelphia motion<br />
picture leader, the Nickelodeon is planned<br />
as a shrine to the motion picture industry.<br />
In keeping with the theme of cinema history,<br />
the MPA dinner will honor its pioneers.<br />
The MPA is composed of men employed in<br />
Philadelphia theatre exchanges. Proceeds of<br />
the $25-a-plate dinner will go to the welfare<br />
committee of the MPA.<br />
George Jessel, himself an industry pioneer,<br />
will be toastmaster of the dinner.<br />
The four pioneers to be honored have functioned<br />
chiefly as exhibitors in the Philadelphia<br />
and New Jersey areas.<br />
Pioneer Profiles<br />
WILLIAM C. HUNT—Community and business<br />
leader in the Cape May County area of<br />
south New Jersey. He operates a circuit of<br />
theatres in the resort cities of Cape May,<br />
Pitman, Salem, Moorestown, Audubon, Jenkintown,<br />
Wildwood, etc., and at one time<br />
owned theatres in Camden and Philadelphia.<br />
Also publishes three newspapers, has served<br />
as state senator and has many other interests<br />
in the amusement field. His career<br />
started 48 years ago when he opened one of<br />
America's first nickelodeons in Camden.<br />
SYRACUSE<br />
T ines to the Eckel bexoffice went around the<br />
block for the holiday week booking of<br />
"Hansel and Gretel" ... At RKO Keith's<br />
"20,000 Leagues Under the Sea" was doing<br />
landoffice business, so Manager Sol Sorkin<br />
kept it for the New Year's Eve show, rather<br />
than having a special one-night stand of<br />
"Young at Heart."<br />
Copley, assistant manager at the Para-<br />
Bill<br />
mount, and wife celebrated the first birthday<br />
of their son Rick . January<br />
15 Jimmy Hogan, the Tip-Top Clown on the<br />
Jimmy DeLine show on WS"5fR-TV, will make<br />
a 15-minute personal appearance Saturday<br />
afternoons on the Paramount stage. There<br />
will be gifts for the children The University<br />
of<br />
. . .<br />
Pennsylvania Mask and Wig production,<br />
"Tempest In a Teapot," was given<br />
December 28 at the Astor Theatre.<br />
Outdoor displays were attractive. For "So<br />
This Is Paris" Manager Max Rubin of the<br />
Paramount had a Parisian kiosk as model<br />
Owned the Regent in Philadelphia at one<br />
time. Now 83, he and his wife Mabel have<br />
two sons, William D. and Guy B., and two<br />
daughters, Ruth M. and Evelyn.<br />
ABRAHAM SABLOSKY — Opened the 90-<br />
seat Bijou in Norristown. Pa., in 1904, and in<br />
.succeeding years added theatres in Wilmington,<br />
Del. In 1910 formed a partnership with<br />
John J. McGuirk and built the Cro.sskeys<br />
Theatre in Philadelphia. Built the Broadway<br />
and Alhambra here in 1912. In same year he<br />
and Jules Mastbaum and A. R. Boyd formed<br />
the Stanley Co. of America. In 1932 joined<br />
the Norris Amusement Co. and has been with<br />
it since. He is 78, and he and his wife Florence<br />
have one son Morton and two daughters,<br />
Mrs. Ethel Greenhouse and Mrs. Elinore<br />
Leebron.<br />
BENJAMIN AMSTERDAM — Industry<br />
career started in 1913 when he and Pop<br />
Korson formed a partnership to buy Warner<br />
Features independent film exchange. Bought<br />
out Masterpiece Attractions from Leon Netter<br />
in 1916. Later became interested with P. A.<br />
Powers. Sam Wheeler and Joe Schnitzer to<br />
produce and distribute Clara Kimball Young<br />
pictures. Also acquired franchise of Equity<br />
Pictures produced by Al Lichtman, Ben<br />
Schulberg and Jack Backman. In 1928 he<br />
joined Green & Altman and formed Equity<br />
Theatres, operating 22 houses. He built the<br />
Astor in Reading and operated six other theatres<br />
in that area. Sold Equity in 1929 to<br />
Warner Bros. In 1931 formed Atlantic Theatres,<br />
which operates a circuit in south New<br />
Jersey. His associates are Eppie Epstein and<br />
Sol Abramoff. He is 76 and he and wife Anna<br />
have one son Gustave G.<br />
WILLIAM BOYD—Center City exhibitor.<br />
He opened the Family Theatre in the early<br />
1900s. H e was vice-president of Stanley Co.<br />
in 1919. Among theatres he owned was the<br />
Boyd, named for him.<br />
. . .<br />
for the revolving "Merry Christmas" display<br />
with the show. A seven-foot high book model<br />
stood in front of the Eckel for "Hansel and<br />
Gretel" as part of the promotion of Manager<br />
Frank Myers Harry Unterfort, zone<br />
manager of the Schine Theatres, his wife and<br />
Mr. and Mrs. Ben Berinstein and Mr. and<br />
Mrs. Harry Berinstein attended the wedding<br />
in New York City of Richard Wels, brother<br />
of Mrs. Harry Berinstein. The Berinsteins<br />
operate the Cornell Theatres in Ithaca.<br />
Raytheon Introduces Radio<br />
Powered by Transistors<br />
NEW YORK—Raytheon Mfg. Co. has introduced<br />
a new type of portable radio with<br />
transistors taking the place of tubes, which.<br />
it claimed, can operate 500 hours from the<br />
power of a set of one-cell batteries. It has<br />
no wire connections for plug-ins.<br />
Henry Argento. vice-president and general<br />
manager of Raytheon, says it makes all other<br />
radios obsolete. The set measures 2% inches<br />
thick, 6 3/16 inches high and 9 3/16 inches<br />
wide and weighs five pounds.<br />
PHILADELPHL<br />
•The F-7 union is moving its offices fr<br />
and Race streets to the MPO unioi<br />
at 1317 Vine St. . . . Monday<br />
(10)<br />
will honor incoming Chief Barker ]<br />
Goffman and his new crew and a<br />
salute outgoing Chief Barker Norman<br />
man and his crew. Morris Wolf, loca<br />
ney. will be guest speaker. New mei<br />
Tent 13 include Harold Block, H<br />
Gantz. Maurice H. Levin, William ]<br />
Howard Maschmeier. Joseph Miller,<br />
G. Miu-ray, and Ralph Schwartz.<br />
Mr. and Mrs. Henry Friedman are f<br />
to go to Europe to see their son, Cp<br />
Friedman, who is stationed in Stuttga<br />
many ... Ed Emanuel, prominent e:<br />
is now a grandfather ... A group c<br />
from Hanover asked the Pennsylva<br />
preme court to nullify a 1953 referen<br />
Sunday movies because of alleged<br />
errors and irregularities. In the v<br />
residents rejected Sunday movies bj<br />
margin of 18 votes out of about 4,4<br />
The residents asked for another ele<br />
that "the true intent of the people<br />
ascertained." Attorneys for the Hano\<br />
isterial Ass'n .said that there had<br />
fraud, and the issue should not be vot<br />
again until 1957.<br />
Motion pictures have helped the sc<br />
industry, according to Edward W.<br />
president of the Charles E. Hires Co<br />
interview. David said, "There are m<br />
portunities for expansion of sales<br />
drinks along lines that are still grow<br />
the possibilities are still far from ex<br />
For instance, drive-ins were almost<br />
of before the Second World War a<br />
there are about 6.000 of these nati<br />
drink markets" . Apollo Th<br />
Atlantic City has closed to leave the<br />
walk without one theatre open dui<br />
winter months.<br />
ABC Asks Rayburn to E<br />
Ban on TV for Hearing<br />
NEW YORK—The American Broa<br />
Co. has asked House Speaker Sam Ra<br />
withhold the ban on television covi<br />
Congressional committee hearings u<br />
broadcasting industry has had an opp<br />
to present its views.<br />
had been pending for some time, wa:<br />
of Enchantment" was an infringemer<br />
Spitalny-Warners End<br />
NEW YORK—Phil Spitalny's $600<br />
for infringement against Warner Bro;<br />
out of court early in the week. Justi<br />
thew Levy did not announce the<br />
Spitalny had charged that Warners<br />
long-standing use of the term "1<br />
Charm."<br />
IMPDA to Meet Janua<br />
NEW YORK—Tlie Independent<br />
Picture Distributors Ass'n of Ameri<br />
eign film distributing group, will hold<br />
meeting January 18 at its headquarti<br />
Ai-thur L. Mayer, president, postp(<br />
earlier meeting.<br />
36 BOXOFFICE :: Januar;
INGTON<br />
. Clark<br />
•<br />
Wheeler,<br />
. Dixie<br />
. . Salesman<br />
. . Aileen<br />
. . Corrine<br />
BALTIMORE<br />
. .<br />
b membership committee<br />
?gular membership Joseph<br />
iing agency account exec-<br />
Jonscher. manager of sta-<br />
)anald L. Hearn, night club<br />
y News, and for associate<br />
Id R. Robinson, manufacve<br />
. . . Sam Galanty. Tent<br />
nt the hoUdays in Miami<br />
Army<br />
rst Variety CUib board of<br />
of 1955 will be held Mon-<br />
D.m. in the Willard Hotel.<br />
Alvin Q. Ehrlich will predeputy<br />
chief of the<br />
ition Picture Service, anird<br />
Schmidt, local regional<br />
isferred to the New York<br />
,<br />
ne Washington office will<br />
a regional office. However,<br />
intained here to coordinate<br />
md for liaison purposes,<br />
rate under the jurisdiction<br />
•egional office and will be<br />
s Collins, office manager<br />
1 of National Screen Servthday<br />
Chi'istmas Day . . .<br />
on. Md., retui-ned from a<br />
. . Columbia salesman<br />
vacationed in New York<br />
Ben Lust Theatre Supher<br />
it,<br />
sister from New<br />
York.<br />
head of the Variety Club<br />
ntertained her captains at<br />
iffet supper. Present were<br />
Davis, Mi's. Nathan<br />
on Lipsner, Mrs. George<br />
.liam Janof. Mrs. Lewis<br />
de Flax. Mrs. Al Briskman,<br />
TS. Pat Notaro, Mrs. Sid-<br />
?o-chaii-man Mrs. Mannie<br />
s committee raised $25,269<br />
ill . . .<br />
O'Leai-y. sales manager at<br />
underwent minor surgery<br />
lome . Charlie<br />
The son of conilleen<br />
Olivier became enner<br />
during the Christmas<br />
rold Saltz and sales staff<br />
:ings in Boston . , . George<br />
heatres booker, joined his<br />
ti for the New Year w'eek-<br />
Ricks went to New York<br />
Lucille Brown visited her<br />
Beach . . . Mr. and Mrs.<br />
Theatres, are the parents<br />
I girl. This makes Fritz<br />
:i, Mona's father-in-law.<br />
the 27th time.<br />
i . . .<br />
imount head accountant.<br />
1 year with the company<br />
it. head shipper, returned<br />
Hospital where he under-<br />
Belated birthday<br />
r Cohen. Allied Artists<br />
office manager<br />
is contemplating building<br />
of Hagerstown just below<br />
ne . . . Curtis Hildebrand's<br />
ierwent an appendectomy<br />
Theatre, Newport<br />
Tieatre. Hampton, was in<br />
TO AID MAKCH OK DIMES— Variety<br />
Club Tent 19 of Baltimore has adopted<br />
the 1955 March of Dimes campaign as<br />
its project for both Baltimore and the<br />
state of Maryland. The three leaders are:<br />
William Brizendine, chairman of Allied<br />
Motion I'icture Owners of Maryland;<br />
Rodney Collier, former chief barker, and<br />
co-chairman with Jack L. Whittle, chief<br />
barker and general chairman of the<br />
Variety Club March of Dimes promotion.<br />
town to confer with Joe Walsh, his booking<br />
and buying agent . Railey is now<br />
booking for IPE. Her husband Jimmy reenlisted<br />
in the navy . Bertin, Warner<br />
Bros., narrowly escaped serious injuries<br />
when her car collided with another recently.<br />
Majors Weighing Effects<br />
Of Panama Assassination<br />
NEW YORK—The major companies here<br />
were watching day-by-day developments in<br />
Panama during the week with considerable<br />
concern because of the assassination of<br />
President Jose Antonio Remon Sunday (2).<br />
Just what effect it would have on an already<br />
bad situation could not be determined immediately.<br />
The Panamanian situation was already<br />
complicated before the assassination through<br />
the introduction in the National Assembly of<br />
a bill setting sliding scale rental ceilings for<br />
theatres. First runs would pay 45 per cent,<br />
second runs 35 per cent weekends and 30<br />
per cent during the week, and the other<br />
theatres 25 per cent. Admissions except in<br />
the case of exceptional pictures, would be<br />
frozen at 60 cents. The industry here feared<br />
that the measure, if passed, might set up a<br />
chain reaction elsewhere.<br />
Johnston Deal With Spain<br />
Increases License Total<br />
NEW YORK—The Spanish government has<br />
allowed seven additional licenses to member<br />
companies of the Motion Picture Export<br />
Asfi'n under an agreement negotiated last<br />
year by Eric Johnston, president, which called<br />
for a review of the license situation before<br />
the end of 1954.<br />
Member companies handling their own<br />
physical distribution in Spain had been allowed<br />
60 licenses. The seven additional<br />
licenses go to that group for allotment among<br />
themselves. Companies using Spanish distribution<br />
facilities were allowed 40 licenses.<br />
That total remains unchanged. In that<br />
group are United Artists, Allied Artists and<br />
Republic.<br />
The agreement will expire May 31.<br />
Ted Routson, 58, one of Baltimore's<br />
JJ<br />
bestknown<br />
theatre managers, died of double<br />
pneumonia and other ailments at Sinai Hospital.<br />
Burial was Tuesday (4i at his childhood<br />
home of Waynesboro, Pa. Routson, a<br />
one-time vaudeville "hoofer," came to Baltimore<br />
from Philadelphia 25 years ago. Most<br />
of his career, he was associated with the<br />
I. M. Rappaport Theatres, particularly the<br />
Hippodrome. In later years he managed the<br />
Playhouse, and held that capacity at the<br />
time of his death. There are no immediate<br />
survivors.<br />
The Variety Club will swear in its new<br />
board of governors Tuesday (11), including<br />
Chief Barker Jack Whittle . . . P;-ank J.<br />
Durkee. head of the Durkee Eaiterprises, is<br />
expected to leave for Florida around the<br />
middle of this month . . . Fi'ank Scully, formerly<br />
of MGM, was in town from Boston .<br />
Max Weinberg, independent producer and<br />
previously with MGM, was here over the<br />
weekend, visiting with Rodney Collier, the<br />
Stanley manager. Weinberg recently returned<br />
from Switzerland.<br />
. . .<br />
William G. Myers, owner of the DeLuxe,<br />
returned from a visit to Pocomoke City<br />
Wilburn Brizendine. vice-president of the<br />
Schwaber Theatres, and wife spent the<br />
Christmas-New Year's week in Florida . . .<br />
A dinner for J. Lawrence Schanberger, who<br />
was a.ssociated with Keiths' Theatre for 27<br />
years, is being arranged by the Variety Club<br />
for the evening of January 18. Gov. Theodore<br />
McKeldin and Mayor Thomas D'Alesandro<br />
jr. have been invited. Schanberger currently<br />
is associated with the St. James Hotel.<br />
West Germany's Producers<br />
Ask Cut in Film Imports<br />
BONN, GERMANY—West Germany is<br />
studying moves to protect its film industry<br />
from foreign competition. The country is<br />
now producing 130 films each year and its<br />
film exports net $2,600,000. but it spends about<br />
$8,000,000 on imports, an increase of $2,300,000<br />
for 1954 over 1953.<br />
Pi'oduction is by independents—about 50<br />
of them—who make from tw'o to five pictures<br />
each.<br />
During 1954, 211 American films were imported<br />
by West Germany aiid 237 are scheduled<br />
for 1955. Of 452 films shown last year,<br />
349 w'ere imported. These included the best<br />
money-makers.<br />
The German producers are attempting to<br />
get the government to force theatres to play<br />
a minimum of 35 German films during each<br />
three months. Exhibitors are opposing this.<br />
There is no television competition.<br />
DARING!<br />
SANDERS<br />
Lacille BALL<br />
wistiniisii. o.c<br />
Chirlolli<br />
Memphis<br />
New Orleans<br />
tlliiiii<br />
luary 8, 1955 37
. . The<br />
. . Elmer<br />
, , The<br />
. . Jerry<br />
. . Mrs.<br />
. . Mr.<br />
. . Lorraine<br />
PITTSBURGH<br />
pvave Silverman and his RKO gang hosted<br />
the Friday (7i family night at the<br />
Variety Club . Warner Theatre, Erie,<br />
received $1,100 as rental one evening for a<br />
performance of the University of Pennsylvania<br />
Mask and Wig show and the Erie<br />
alumni netted about $1,000 for a scholarship<br />
fund . Olympic Theatre, Verona, formerly<br />
an account of Hanna Theatre Service<br />
and self booked for six months, has returned<br />
The Variety Club<br />
to the Hanna fold . . .<br />
honored Dave Olbum, new du'ector of public<br />
safety of Pittsburgh, at a special luncheon<br />
Thursday afternoon (6i and has an Old<br />
Timers Boxing Night announced for Wednesday<br />
(12).<br />
Mr. and Mrs. Ernest Stern of the Associated<br />
circuit departed Wednesday (5( for a month's<br />
George Boyle,<br />
vacation in Hollywood . . .<br />
manager of the Ambridge Theatre, staged a<br />
tumultous welcome for the first born baby of<br />
1955 in a tieup with the Ambridge Daily Citizen<br />
to exploit "A Star Is Born." Many merchants<br />
participated and the event was a page<br />
one feature for several days,<br />
Al Levy, 20th-Fox manager, said that his<br />
company will erect a modern exchange building<br />
in the unimproved lot adjoining the company's<br />
present quarters which 20th-Fox has<br />
occupied under lease for 25 years. The new<br />
exchange will have a complete small-capacity<br />
theatre on the street floor . . . Motion<br />
picture chairmen of various women's clubs<br />
were guests of Warner Bros, at a screening<br />
of "The SUver Chalice" at the Stanley Warner<br />
screening room.<br />
Santa Glaus was at the boxoffice of<br />
Greater Pittsburgh Drive-In Theatre to distribute<br />
free candy to kiddys . . . The Casino,<br />
burlesque house here which reopened Christmas<br />
Day, offered its annual midnight show<br />
on New Year's Eve and the usual Milkman's<br />
While most of the<br />
matinee at 3 a.m. . . .<br />
outdoor theatres which continue in operation<br />
charge 10 or 15 cents extra for use of<br />
in-car heaters, the Route 19 Drive-In gives<br />
this warming service free . . . Frank L.<br />
Prance, former National Theatre Supply<br />
salesman who has been in retirement for<br />
many years at West Middletown, turned up<br />
the other evening at the Mary Ann Theatre,<br />
Burgettstown, to catch a show. Don<br />
and Tony Mungello, exhibitors there, state<br />
that he is enjoying good health.<br />
The newly opened International Theatre,<br />
Crafton Heights, booked Laurence Oliver's<br />
film version of "Hamlet" for the week of<br />
Charlie Baron, Cinerama<br />
January 4 . . .<br />
house manager at the downtown Warner<br />
Theatre, said his sister Mrs. Cora Henderson<br />
entertained the 18 Cinerama usherettes<br />
at a holiday party in their Bigelow apartment<br />
. Hasley staged a New Years<br />
Eve gigantic Moviethon, 6 p.m. until 3 a.m.,<br />
at his Terrace Theatre, Be.s.semer Terrace,<br />
SAM FINEBERG ,<br />
TOM McCLEARY -^<br />
JIM ALEXA^fDER<br />
84 Von Braam Street<br />
PITTSBURGH 19, PA.<br />
Phone Express 1-0777 g<br />
^ Movies Are Better Than Ever How's Your Equipment? ^<br />
with six features, including a Cinemascope<br />
musical and two other color features, plus<br />
six cartoons. Admission was $1. For the<br />
kiddys, he exhibited a midnight show matinee<br />
preview for 35 cents, from 11 a.m. to<br />
5 p.m., eliminating two features . Warren<br />
. .<br />
Bentley Dana, television director here for<br />
WDTV and son of U-I's eastern sales manager,<br />
Pete Dana, slipped an engagement ring<br />
on the finger of Eleanor Schano, television<br />
entertainer here. A spring wedding is<br />
. . . planned Mike Manos. area circuit exhibitor,<br />
has been released from the hospital<br />
at Miami and he is recuperating at his winter<br />
home there.<br />
. . . The<br />
V. L. "Doc" Wadkins, Manos circuit booker,<br />
was recuperating after an operation<br />
death of an aunt of Gordon. Milton and Ross<br />
Gibson of Atlas Theatre Supply took Gordon<br />
and Bertha Gibson on a sad funeral trip to<br />
Canada . A. Joseph of the Ti'iangle<br />
Theatre, East Liberty, is recuperating from<br />
an illness which nece.ssitated hospitalization<br />
for three weeks.<br />
The Wilson Chemical Co., Tyrone, which<br />
operates theatres at Ebensbiu'g and Cresson<br />
and owns theatres at Tyrone, recently staged<br />
its 60th annual holiday party and dinner, at<br />
which George C. Wilson III, president, distributed<br />
bonus checks to all employes . . .<br />
MGM employes are wearing blue badges<br />
which proclaim the 1955 motion picture theatre<br />
Ray Allison, Altoona<br />
celebration . . . theatre owner, retired from exhibition and he<br />
will make his home in Florida,<br />
Louis Perretta's Crescent Theatre, Mahoningtown,<br />
was closed for two days for installation<br />
of a wide screen . . . The Hi-Lander<br />
Theatre, New Castle, was dark several days<br />
for redecorating . Macosky. Warner<br />
Bros, biller, was injured when she fell<br />
in her home . and Mrs. E. LeViant.<br />
Filmrow printers, hosted theii' annual holiday<br />
luncheon at the Hanna Theatre Service office.<br />
Alex Manos, junior executive of the Manos<br />
circuit, has a hospital date for an operation<br />
Monday (10) . . . John Zomnir. UA salesman,<br />
was down with a virus infection for several<br />
days . Wechsler. former manager for<br />
Warner Bros., and now southern division<br />
manager for U-I's J. Arthur Rank releases,<br />
was a visitor, as was Jack Kalmenson, former<br />
local Warner Bros, manager now at<br />
Milwaukee . . . Joan Dischner, former MGM<br />
telephone operator, is now a local model.<br />
Rex and Ann Kantner will spend the winter<br />
near Orlando. Fla. He's a projectionist at the<br />
Park Theatre and she's been manager of the<br />
Pittsburgh Drive-In for nine years.<br />
A. L. Gibson. 87, Dies<br />
BUCKHANNON. W. VA.—A. L. Gib.son. 87.<br />
father-in-law and former partner of Garland<br />
West, veteran local indoor and outdoor theatre<br />
owner, died recently. He started West in<br />
business here in the summer of 1929.<br />
'Cinerama Holiday' Soon<br />
PITTSBURGH—"This Is Cinerama," which<br />
recently entered its second year at the Warner<br />
Theatre, will be succeeded by the second<br />
Cinerama process feature, "Cinerama Holiday,"<br />
February 16.<br />
Maple, Blue Dell Drive<br />
Wilkinsburg, Merged<br />
PITTSBURGH—The Maple Drive-I<br />
(C. I. Taylor, president; Max Arnol<br />
president; Jack Klein, treasurer, ar<br />
Judd, secretary) announce a merger v<br />
Blue Dell Drive-In, operated by As<br />
Drive-In Theatres (Norbert Stern anc<br />
Stern) who will buy, book and dir<br />
policy of both theatres with the coo]<br />
of Bert M. Stearn of Cooperative<br />
Service. Both outdoor theatres are<br />
on Route 30 between Wilkinsburg ani<br />
Each theatre will handle its own<br />
operation.<br />
Plans are to operate the Blue D«<br />
12-month basis, and to increase the<br />
capacity to 1,100 cars.<br />
Manos Joins Airer Rar<br />
By Allentown Purchase<br />
GREENSBURG. PA.—The<br />
Manos<br />
which debated the drive-in situatio<br />
decade, has joined the ranks of outdo<br />
ators and. according to Ted Mane<br />
president, has purchased the majorit<br />
est in the Super Skyway Drive-In<br />
Corp., operators of the Super Skj<br />
Allentown. Sol Shocker, a corporatio:<br />
holder, will retain his interest and v<br />
tmue as manager. The Super Skywi<br />
a 1,000-car capacity, was the fir,<br />
equipped for stereophonic sound v,<br />
two-speaker Motiograph system.<br />
Improvements will be made at thi<br />
town ozoner before the opening of<br />
i<br />
season, tentatively set for March 15,<br />
Shuts Bradford, Pa., U<br />
BRADFORD, PA.—Dipson's Bradfc<br />
atre has closed and Shea's Theatre v<br />
for fulltime operation, according to<br />
W. Cannon, manager of the three loc<br />
tres. Shea's was recently renovat<br />
newly equipped. Cannon said there<br />
no change in the operating policies<br />
McKean Theatre. He said that th(<br />
was decided upon because of the high<br />
ing costs of the Bradford. Former<br />
aged by the Dipson circuit, the three<br />
here now are managed under dire<br />
Shea's Theatres.<br />
Pittsburgh Guild to Arl<br />
PITTSBURGH— S. Ralph Green, p)<br />
of the new Guild Theatre, 1922 Mun<br />
nue. Squirrel Hill, is receiving ma<br />
gratulations from members of the tri<br />
theatre is the former Beacon, co<br />
renovated and remodeled with vari'<br />
fixtures, equipments and appointme<br />
augurating the Guild Theatre policy<br />
tinctive entertainment was "Rom<br />
Juliet."<br />
New Airer Named Woodland<br />
PITTSBURGH—The 1,000-car ai:<br />
under construction in West Mifflin<br />
will be known as the Woodland, a<br />
to George Tice, indoor and outdoor <<br />
and a veteran former film salesre<br />
manager here who is one of the o\<br />
the new ozoner which will be open<br />
in the spring.<br />
Nunnally Johnson has been assignee<br />
duce, direct and write "Can Can" f<br />
Fox release.<br />
38 BOXOFFICE Januar
—<br />
MUSIC FASHIONS DOMINATE<br />
SHOW BUSINESS' MATERIAL<br />
Special Platters, Mailing Pieces, Women's and Men's<br />
Wear Accessories Available for<br />
There's considerable exploitation ammunition<br />
available for use by exhibitors in<br />
their campaigns for 20th-Fox's Cinema-<br />
Scope production of "There's No Business<br />
Like Show Business."<br />
The sextet of top singers and dancers<br />
Ethel Merman, Donald O'Connor, Marilyn<br />
Monroe, Dan Dailey, Johnnie Ray and<br />
Mitzi Gaynor—perform to the music of 14<br />
songs written by Irving Berlin, and ten<br />
popular numbers are used for background<br />
tunes; consequently, music promotion will<br />
rate first consideration.<br />
The voices of five of the picture's stars<br />
Miss Merman, O'Connor, Dailey, Ray and<br />
Miss Gaynor—are heard in the soimdtrack<br />
album recorded by Decca (DL 8091k A<br />
variety of mailing pieces has been sent to<br />
dealers, distributors and the trade plus<br />
special ads, window cards, banners, plug<br />
cards, and other merchandising material<br />
for every kind of store display and promotion.<br />
Department and music stores can be<br />
urged to cooperate in advance of opening<br />
via windows, continuous play of the record<br />
and newspaper ads. A photo of the five<br />
stars may be had on Still No. 904/130 and<br />
the silhouetted figures will make effective<br />
blowups for many decorative effects. Sheet<br />
music of three new songs introduced In the<br />
picture *r Nam*<br />
Mats of advertisements for the trade hoi<br />
mailed to all outlets along with window,<br />
and tie-in accessories as part of the Natlyni<br />
dress promotion on the picture. Note the sf<br />
theatre name and ploydate.<br />
20-second and the other a e0-secon(<br />
with the last scene in a stop-actioi<br />
lor the station to superimpose pla<br />
theatre credits. Specify picture pl£<br />
day for TV campaign and name of i<br />
when ordering from the Pressbook<br />
the first half year of the picture<br />
at the above address.<br />
TV slides or Telops for shared :<br />
identification or a general spot are<br />
able from the vender. Trailers and<br />
may be combined for variation in T<br />
motions.<br />
A complete line of dresses inspii<br />
costumes worn in the film has been<br />
factured by Natlynn Originals, a 1<br />
designer of women's wear, and thi;<br />
chandise has been distributed nat:<br />
for<br />
mg<br />
tie-in availability with playdate<br />
Promotion kits have been distribu<br />
the manufacturer's representative:<br />
dealers and duplicates will be fur<br />
showmen upon request to Gerry G(<br />
Director of Advertising and Pu<br />
Natlynn Originals, 1375 Broadway<br />
York.<br />
To back this all-out promotion. N<br />
has sent its dealers a wide variety of<br />
sories including scripts and recordir<br />
radio-TV programs; a musically 1<br />
sales pitch for store fashion shows o:<br />
theatre-Natlynn co-op display; a i<br />
mail stuffers: 500.000 hang tags;<br />
counter cards; 50.000 cardboard<br />
Enlargements of the stars shown above in still No. 904 138 can be cut out for disploy purposes, as<br />
suggested in the promotion story. Ad Mat 5A, shown in the pressbook, is a reproduction of this scene.<br />
5.000 ad mats with 8.000 reproofs f<br />
terior display; 5,000 window stream(<br />
the items bearing picture credits<br />
60,000 sets of glossies for tie-in d<br />
tions. National advertising is lau:<br />
the campaign the beginning of 1955<br />
Natlynn outlets will be very will<br />
arrange co-op stunts such as fashion<br />
contests, etc., timed best for local ei<br />
ments of the picture.<br />
Westbrooke, leader in men's styl<br />
— 8 — BOXOFFICE Showmandiser Jan.
; to<br />
, when<br />
Id O'Connor suit in namerchandising<br />
and protion<br />
with local playdates<br />
national contests have<br />
offering a free trip to<br />
lid O'Connor's guest, to<br />
^wspaper ads for local<br />
11 credits, and the other<br />
ition, with winning merf.<br />
S. savings bonds as<br />
sse affairs is designed to<br />
•ectly on the local playinformation<br />
write: S. E.<br />
^ifth Ave., New York,<br />
in Cinemascope is obthe<br />
20th-Fox exchanges.<br />
nt style production trail-<br />
1 order, with the regular<br />
nd scene stills, from Nai<br />
on Recording<br />
Exhibitors<br />
jrding of the most popucolor<br />
opera film "Aida"<br />
by IFE Releasing Corp.<br />
; and for radio-TV plugs.<br />
includes six arias taken<br />
jundtrack and featuring<br />
led Italian opera stars.<br />
;be Stignani. Gino Bechi<br />
record is part of an<br />
1 kit which contains inthe<br />
production of the<br />
a detailed description of<br />
aterial has been planned<br />
)articularly of advantage<br />
d on programs that deal<br />
ssical music.<br />
1 Buildings<br />
t' 1-Sheets<br />
ige of a bunch of conbeing<br />
removed for a new<br />
[anager Mike Stranger<br />
leets and approximately<br />
plaster the area for<br />
3 Plymouth in 'Worcester,<br />
igs are in the busiest sec-<br />
;housands of autoists and<br />
message.<br />
lerous window tieups with<br />
hion, jewelry and men's<br />
a teenage radio program<br />
eatre tickets as prizes in<br />
vspiapers used three two-<br />
11s along with stories on<br />
\n Theatre<br />
manager of the Empress<br />
:. Conn., engendered a lot<br />
the theatre was<br />
benefit vaudeville show<br />
rwalk Elks lodge.<br />
•.Ad<br />
sr.. manager of the Warorrington.<br />
Conn., recently<br />
)ersonal endorsement type<br />
Waterfront." The teaser<br />
ng My Way With Brass<br />
10,000 GIFTS COLLECTED FOR KID SHOW<br />
SPONSORED BY 23<br />
LOCAL MERCHANTS<br />
Murray Spector Executes Popular Civic Holiday<br />
Event at Englewood, N.J., Plaza<br />
A very special promotion that rates the<br />
attention of all showmen was the recent<br />
holiday morning show planned and executed<br />
by Manager<br />
Murray Spector of<br />
the Plaza Theatre<br />
with the enthusiastic<br />
cooperation of 23<br />
merchants of Englewood.<br />
N. J. These<br />
dealers first defrayed<br />
the cost of the show,<br />
with each receiving<br />
an allotment of 65<br />
tickets which they<br />
Murray Spector distributed at the<br />
store. All the young-<br />
.sters had to do was come to the store with<br />
either their mother or dad and pick up a<br />
free ticket; no purchase was required. An<br />
advance screen trailer and lobby board<br />
listed the participating merchants.<br />
After these details were settled, Spector<br />
really got busy. Approximately 10,000 gifts<br />
were promoted for distribution at the special<br />
show. They weren't overly expensive<br />
but they were many, and each kid who<br />
attended the affair went home with several<br />
gifts, such as jumbo pencils, large balloons,<br />
skip ropes, ruler and iiencil sharpener combinations,<br />
whistles, snappers, comic books<br />
and hundreds of other gadgets.<br />
Local dealers<br />
also contributed major prizes of 20<br />
pieces of wearing apparel, five cash certificates,<br />
two combination sleds and skis, ten<br />
15 -pound turkeys and four flash cameras.<br />
As a more or less dessert topper, the NBC<br />
Bread Co. contributed 1,400 cakes and an<br />
additional 2.000 gifts.<br />
One of the merchants bought a block of<br />
tickets for the boys of a local orphanage,<br />
who paraded through the business section<br />
of town the morning of the show to the<br />
rhythms of the school band. Usherettes<br />
dressed in promoted costumes accompanied<br />
the boys carrying signs thanking the merchants<br />
for the show. A police car escort<br />
led the way and the Blue Coach Co. provided<br />
transportation for school officials.<br />
Spector also marched in the parade and<br />
made arrangements .so five turkeys from<br />
the local Pood Fair market were presented<br />
to the orphanage. The large amount of<br />
gifts made an impressive display in the<br />
theatre lobby.<br />
Announcements were made on a local<br />
radio station while both newspapers carried<br />
publicity for three weeks and featured<br />
follow'-up stories on the event. All of the<br />
merchants involved were delighted with the<br />
promotion and have already begun planning<br />
bigger ones for the future.<br />
Strong Co-Op Lineup for Romeo and Juliet'<br />
Up to this point there's over one-half<br />
dozen co-op merchant promotions, all of<br />
them backed by strong magazine and newspaper<br />
advertisements, which will help<br />
launch national release dates for United<br />
Artists' "Flomeo and Juliet."<br />
Pull-page ads in Look and Seventeen,<br />
placed by the manufacturers of Art carved<br />
wedding rings, will carry picture credits.<br />
Counter and window displays will be made<br />
mandiser : : Jan. 8, 1956 — 9 —<br />
available for thousands of retail dealers.<br />
A "Romeo and Juliet" contest, sponsored<br />
by Miriam Modes, manufacturers of wedding<br />
gowns, will award ten complete brides<br />
and bridesmaids ensembles to persons writing<br />
the best letters on "the most romantic<br />
experience of my life." Running for six<br />
months, the competition will be coordinated<br />
with local playdates. The film also will<br />
benefit through newspaper and radio-TV<br />
promotion plus further support through<br />
point-of-sale displays in more than 4.500<br />
department and women's stores carrying<br />
the Miriam line.<br />
Bear & Beards will initiate dealer-sponsored<br />
newspaper ads featuring B&B's<br />
"Romeo and Juliet" inspired jackets and<br />
jeweled scarfs. Counter cards and hang<br />
tags for this merchandise will further emphasize<br />
this nationwide promotion.<br />
"Romeo and Juliet" dolls, by Madame<br />
Alexander, will be featured in leading toy<br />
and department stores with picture credits<br />
on the box of the specially packaged dolls.<br />
The manufacturer is also reaching consumers<br />
through the circulation of 250.000<br />
mailed brochures.<br />
Streamers and window displays of scene<br />
stills and local playdate announcements<br />
will be shown in 6.000 florists shops, all<br />
of the Teleflora wired delivery service.<br />
Palter EteLiso shoes, Betmar hats and<br />
Caldfron belts will display their "Romeo<br />
and Juliet" lines in women's apparel and<br />
millinery shops and department and shoe<br />
stores, with all advertising material carrying<br />
full credits. Replicas of goblets, decanters<br />
and figurines seen in the film, are<br />
being made by Camer Decorative Glass,<br />
their sale backed by counter cards and large<br />
store window displays.<br />
The male trade will be reached through<br />
the promotion of "Romeo and Juliet"<br />
cigars, tieing in with playdates via counter<br />
displays in cigar and pipe stores with the<br />
copy: "The Ultimate in Smoking," with<br />
•The Ultimate in Motion Picture Entertainment."
. . . Delight<br />
EFFECTIVE MARQUEE USE OF 24-SHEET<br />
Pictured above are two effective marquee treotments on "A Star Is Born" that may serve as inspiration<br />
on other ploydates of the picture. In the left photo, the cutout portrait of Judy Garland from the<br />
24 sheet poster, mounted and spotlighted, proved an attention-getter at the Warner Theatre in<br />
Reading, Pa. The transparent poster, illuminated from the rear, was used on the marquee sides (right<br />
photo) by Manager Morion G Havasta at the Towne Theatre, Milwaukee.<br />
WOMAN'S WORLD GETS STRONG PLAY<br />
CO-OP ADVERTISING PROMOTIONS<br />
IN<br />
Bill Wolfson, manager of the Paramount<br />
Theatre. Montgomery, Ala., garnered excellent<br />
coverage for "Woman's World" in<br />
every section of the press from classified<br />
to editorial.<br />
Wolfson secured the cooperation of the<br />
classified column editor of the Montgomery<br />
Advertiser in running a theatre ticket<br />
giveaway. Passes to the show were presented<br />
to recent want-ad users, whose<br />
names were listed in the column under a<br />
large scene mat from the film.<br />
Wolfson netted a six-column, pagelength<br />
ad carrying scene stills and co-op<br />
copy from the Pair, large department store.<br />
Headed "Since 1868. Women Piom All Parts<br />
of Alabama Have Found Montgomery Fair<br />
Their 'Woman's World.' " the ad plugged<br />
such products as furniture, men's wear and<br />
ladies' apparel under catchy captions such<br />
as, "Is your home your world? ... Is the<br />
way you look your world? ... Is your husband<br />
your world?"<br />
Another co-op ad. promoted through a<br />
local florist, made use of a mat showing<br />
Lauren Bacall with an attractive floral display<br />
and copy read; "It's a Woman's World<br />
Your Woman of the World<br />
With Flowers Prom Rosemont Gardens."<br />
GOOD SPEAKERS<br />
are Drive-In Theatre<br />
Insurance<br />
Be safe and be ready<br />
Don't get caught short with bad speakers<br />
when opening day comes around.<br />
ORDER TODAY!<br />
Predated orders will mean delivery far aheod of<br />
opening day.<br />
DRIVE-IN THEATRE MFG. CO. '!?.„'i:,rc'S.'Mr<br />
Dealer Co-Op Arranged<br />
For "Woman's World'<br />
For "Woman's World." Murray Spector<br />
of the Plaza Theatre. Englewood. N. J.,<br />
and Evan Thompson of the Fox Theatre<br />
in Hackensack arranged with the local<br />
Lincoln Mercury dealers for a large co-op<br />
ad in the Bergen Evening Record, which<br />
ran for two days. The same deal appeared<br />
in the Press Journal, a weekly. In addition,<br />
the XM800 automobile used in the film was<br />
on display at the Teaneck Armory Industrial<br />
Exhibit with proper cards.<br />
Spector also had the XM800 displayed in<br />
his theatre and around town.<br />
front of<br />
Driving School Prints<br />
5,000 Heralds<br />
Arnold Kirsch extended preferential<br />
treatment to the women of the neighborhood<br />
when he booked "Woman's World"<br />
at the DeLuxe Theatre in the Bronx, N. Y.<br />
A local florist provided Kirsch with 300<br />
long-stemmed American Beauty roses,<br />
which were presented to the first 300<br />
women in line opening day. In return.<br />
Kirsch posted a handsome 40x60 in the<br />
lobby crediting the giveaway and plugging<br />
the "Woman's World" theme. A Bronx<br />
driving school agreed to print 5.000 tie-in<br />
heralds. Kirsch used a cut from the pressbook<br />
showing the stars standing around a<br />
new sports car. and inserted copy reading:<br />
It's a 'Woman's World' . . . that's why so<br />
many women are learning to drive every<br />
day. For your driving lessons, visit the<br />
DeLuxe Auto School for a 20 per cent discount."<br />
Ford and County Fair<br />
Arsist at Hackensack<br />
Heading Evan Thompson's energetic<br />
campaign for "Woman's World" at the<br />
Pox in Hackensack, N. J., was a solid twoway<br />
tie-in with the local Ford dealer and<br />
the Bergen County Exp)osition, held<br />
Teaneck Armory. The dealer display(<br />
XM800. which is seen in the film,<br />
prominent signs for the theatre ani<br />
ture. The dealer also bannered two<br />
new models and paraded them th<br />
town a week prior to opening. The<br />
new auto, with the film, rated a<br />
column art and story break in the<br />
press. Two four-column co-op ad<br />
were netted.<br />
Eight thousand heralds were distr<br />
among cars parked in the depai<br />
stores' parking lots. The Sears. Re<br />
& Co. store carried an ad for the p<br />
offering 150 tickets to the first sh<br />
making purchases in the electrical<br />
ance department. The ad was cai-ried<br />
store's catalog, which has a ciixulat<br />
50,000 in Hackensack and surroi<br />
towns.<br />
Thompson also tied in with the<br />
of Fifth Avenue Dress Shop, which fe<br />
an attractive display in its front sho<br />
and at the theatre lobby. Models w<br />
glamorous frocks posed next to signs<br />
ing: "It's a Woman's World and<br />
of Fifth Avenue is a Woman's Store!<br />
Bob Walker's Deal Aid;<br />
Newspaper and Theatr<br />
Bob Walker, manager of the Uinta!<br />
atre. F^'uita. Colo., has set up a coop'<br />
ticket giveaway with the town's new;<br />
which promises to boost subscriptic<br />
culation to the paper and in so doii<br />
Walker considerable more readers<br />
weekly theatre ad. The editor lists<br />
of nonsubscribers each day in the<br />
tied section, offering them passes<br />
theatre which may be picked up<br />
Times' office. Walker comments th<br />
deal has not only resulted in ne\<br />
scribers. but in gaining new friends :<br />
theatre as well.<br />
Matinees<br />
Daily<br />
HELD<br />
OVER<br />
HIGH<br />
DRY<br />
"Very Possibly iha<br />
Funniest Picture to Date"<br />
—Time Magazine<br />
Feature -'tdS - : :40 - 9:.5i<br />
UNIVERSITY at PARK VCY 5-3<br />
A standout remodeling job and clever pre<br />
have increased grosses at the Capri Thei<br />
San Diego mony-fold. The house is owni<br />
directed by Burton I. Jones. Reproduced a<br />
a one-column sig-type ad which literally<br />
the page with only two inches." Jones a<br />
the same big C mat in two-column size<br />
on special occasions, since he now has th<br />
to bid for first run. Details of the remi<br />
program executed at the Capri Theatre b)<br />
Jones con be found on page 9 of the M(<br />
THEATRE, this issue.<br />
— 10 — BOXOFFICE Showmandiser :: Jan
.•<br />
. . just<br />
ning Tieup<br />
11 Houses<br />
)wner and manager hopes<br />
perfect promotion—one<br />
y seat in his house. Well,<br />
theatre manager who has<br />
> task. He is Robert Marhe<br />
Shaker Theatre, a unit<br />
circuit.<br />
up with a new specialty<br />
js assured not one full<br />
n his Thanksgiving Day<br />
T060R THE ROBOT THRILLS YOUNGSTERS<br />
IN THEATRE TIE-IN WITH TOY DEPT.<br />
Manager Ailing Makes Full Use of Studio Gadget<br />
the Howard men and<br />
ith<br />
aker Heights which was<br />
)ening by playing host to<br />
nding the holiday dual<br />
child was admitted free<br />
shop picked up the tab.<br />
gsters got free entertain-<br />
5 of all the children got<br />
le new Howard men and<br />
-heatre management was<br />
ce of better than average<br />
sponsor got not only the<br />
) the goodwUl of the enhts<br />
community.<br />
Auto Snipes<br />
ar Window'<br />
tidow" at Schine's Glove<br />
r. Y., Manager John Corbrilliant<br />
red and white<br />
pes reading, "If you can<br />
your brakes ! ! You're too<br />
ar Window'!! See 'Rear<br />
imes Stewart and Grace<br />
e Theatre starting Satur-<br />
5 ad a drugstore boosted<br />
vith copy headed, "Look!<br />
lie to believe your eyes!"<br />
ne mat showing Jimmy<br />
" at the listed bargains<br />
copic camera. A local<br />
1 scene depicting a glass<br />
with a large X and the<br />
IThen X marks the spot<br />
)ws . call Pulton<br />
arks, for 'rear' windows,<br />
house windows."<br />
Manager Mark Ailing of the Golden<br />
Gate Theatre in San Francisco worked up<br />
an ingenius tie-in with a local department<br />
store that might well be copied in other<br />
situations by showmen who plan to book<br />
"Tobor the Great." Ailing seciu'ed a mechanical<br />
model of "Tobor" from Republic<br />
Studios three weeks in advance of opening.<br />
"Tobor" was on display in the lobby<br />
for ten days in order to become acquainted<br />
with patrons, who were visibly impressed<br />
with his flashing eyes and gleaming aluminum<br />
seven-foot frame.<br />
The Emporium, one of the city's largest<br />
department stores, tied in "Tobor" with<br />
a small robot featiu-ed in their toy department.<br />
A large-space co-op ad in the<br />
Sunday edition of the Examiner announced<br />
that "the monster robot would break out<br />
of the Golden Gate Theatre" and bring<br />
his little robot friend to the store for a<br />
visit with the kiddies. In addition to the<br />
ad. signs were posted throughout the store<br />
plugging the stunt and playdate.<br />
The toy, named Robert, was boosted considerably<br />
by the tie-in and sales zoomed<br />
during and after Tobor's visit. A man inside<br />
of Tobor propelled the robot down<br />
Market street at 5 o'clock in the afternoon,<br />
attracting throngs of children and<br />
engaging the attention of innumerable<br />
shoppers in the busy area. At the store,<br />
Tobor's mechanism was set to "talk" with<br />
small fry for approximately two hours.<br />
Several days later, Tobor again went out<br />
for a stroll, this time in connection with<br />
the appearance of Rex Allen, a former<br />
Republic cowboy star who was in town for<br />
the annual livestock show.<br />
Over 350 children eagerly flocked around<br />
the robot and Allen, and three of the city's<br />
newspapers covered the event. Gratis radio<br />
plugs for both stunts were made over<br />
local stations, and Ailing garnered a total<br />
of 20 art and story breaks in the press<br />
during the picture's run.<br />
tice on Stage<br />
11 Houses<br />
:lng contest puffed Bill<br />
on "Seven Brides for<br />
at the Brantford (Ont.><br />
and delighted the capacturned<br />
out opening night<br />
petition. A cash prize of<br />
the best dancing set in<br />
rant County. Large-space<br />
ged the contest and plcthat<br />
the winning group,<br />
Junior Farmers, were so<br />
sre signed to exhibit their<br />
reels at the Royal Winter<br />
The local paper featured<br />
rt and story break on the<br />
mandiser Jan. 8, 1955<br />
SCHOOLS ASSIST AFRICA ADVENTURE'<br />
School boards in different communities<br />
have lent their aid in promoting "Africa<br />
Adventure."<br />
In Cincinnati, the Hyde Park Art Theatre<br />
screened the documentary film for city and<br />
county school principals and teachers.<br />
Later the school heads gave their permission<br />
for arranging school theatre parties<br />
at discoiuit rates on school time. In addition,<br />
students were transported to and<br />
trom the theatre by school buses.<br />
A gag-line contest was conducted in the<br />
Cincinnati Post for seven consecutive days.<br />
Each day a photo of an African animal<br />
was reproduced and entrants were asked<br />
to furnish humorous captions. A week<br />
prior to op)ening, KRC-TV featured a still<br />
11 —<br />
frotn the film showing author Robert<br />
Ruark holding the tusks of an elephant<br />
he shot. Televiewers guessing the weight<br />
of the tusks were awarded promoted prizes<br />
from local merchants.<br />
The Little Theatre in Washington secured<br />
the cooperation of the board of education,<br />
which distributed 25,000 discount<br />
tickets to the student body.<br />
The Washington Daily News devoted two<br />
full pages to photos and stories about the<br />
Robert Ruark safari.<br />
The Denver board of education also distributed<br />
student discount tickets throughout<br />
the school system for the showing at<br />
the Aladdin Theatre. A jigsaw puzzle In<br />
the Rocky Mountain News ran eight days.
I 1(S~<br />
17<br />
f<br />
saaRBBSiwaia^^<br />
BOXOFFICE<br />
Manager John S. Falco was quick to<br />
take advantage of a lucky coincidence and<br />
came up with a street bally that had the<br />
townspeople not only laughing for days but<br />
also pouring into the Majestic Theatre,<br />
Beloit. Wis., to see "White Christmas."<br />
Bob Hope was in town for a personal appearance<br />
at Beloit College and played to<br />
a sellout crowd, several thousand of them<br />
from out of town. Palco got permission<br />
for one of his ushers to picket the college<br />
auditorium with a sandwich sign reading:<br />
"Bob Hope unfair to Bing Crosby in 'White<br />
Christmas' at the Majestic." Not only did<br />
the visitors get the message but Hope<br />
joined in with the gag and posed with the<br />
usher, grimacing as he i>ointed to Crosby's<br />
name. The newspapers ran the photo the<br />
next day and the following Sunday attendance<br />
broke the house record.<br />
Phil Zeller had planned a more or less<br />
over-all promotion for "The Human<br />
Jungle" when an incident occurred that<br />
gave him an opportunity for concentrating<br />
his campaign on a single gimmick. Someone<br />
stole the U-foot cutout of Jan Sterling<br />
which he had placed in front of the Garden<br />
Theatre at Portsmouth, Ohio, where he is<br />
city manager. ZeUer immediately ran an<br />
ad offering a $25 reward for Information<br />
NOVEMBER 1954<br />
cENTymri<br />
OAKVILLE<br />
NUGGETS<br />
leading to the arrest and conviction of the<br />
thief, which gave him an excellent opening<br />
for drawing attention to the feature. His<br />
tcngue-in-cheek approach caught the fancy<br />
of the local radio stations and newspapers,<br />
resulting<br />
in some excellent publicity.<br />
A new twist in selling gift books was put<br />
into action by Harry Wiener, city manager<br />
for Schine's Oswego iN. Y.i Theatre, who<br />
contacted local parishioners to purchase<br />
them as gifts for their altar boys. If the 200<br />
books sold. 50 each were bought by two of<br />
the churches in town.<br />
Gov. Lee E. Emerson of Vermont mailed<br />
styro foam snowballs to newspaper and<br />
the tradepress editors with an enclosed<br />
broadside tieing in "White Christmas" and<br />
a plug for the New England state. Ai--<br />
ranged by the Vermont Development Commission,<br />
the governor's card accompanied<br />
the small gift with the institutional ad<br />
copy reading: "For tops in screen entertainment,<br />
see Irving Berlin's 'White Christmas.'<br />
For tops in winter vacations, come<br />
to snow-covered Vermont."<br />
Not only did George Cameron, manager<br />
of Schine's Vernon Theatre, Mount Vernon,<br />
Ohio, sell six theatre gift ticket books,<br />
with a promise of more, to the president<br />
of the local Chamber of Commerce, but he<br />
also got front page publicity by persuading<br />
him to use them as awards to persons<br />
catching jaywalkers. The idea originated<br />
from the President's proclamation of Safe<br />
Driving Day recently and the newspaper<br />
story told how gift ticket books would be<br />
given to persons spotting and reprimanding<br />
the safety offenders.<br />
Andy McDonald. Connecticut district<br />
manager for Brandt theatres, worked out<br />
a nice deal with a local music store to promote<br />
"A Star Is Born" at the Palace in<br />
Stamford, All ticket stubs to the theatre<br />
were worth 75 cents toward the purchase<br />
of the record album of music from the<br />
picture when presented at the store.<br />
•UBJICT TO<br />
CBAHOIWinocT<br />
onci<br />
TUESDAV WEDNESDAY THURSDAY FRIDAY SATWDAV<br />
TQansazi<br />
SRUIW Xm m W WiDt<br />
SCREWr<br />
h^AbwGONE WITHTHE WIND" ''"'""Ja^<br />
I 18<br />
^^THS BIO AS THE OCEAN<br />
FERREBi^IoHNSONlj;^!<br />
23 1 Z4<br />
16<br />
m<br />
I XL<br />
CAESAR<br />
PEC, lit<br />
HowToM^RHY<br />
\ IVIlUJONAIRE #g
. . . and<br />
. . George<br />
Exploitable<br />
l^agazines<br />
issue of Seventeen pree<br />
of the Month award<br />
ig Circus," VistaVision<br />
Ting Dean Martin and<br />
ntertainment editor Ed<br />
at "Jerry displays still<br />
f his remarkable talents<br />
:s as a classic circus<br />
ings 'Hey Puchinello.' "<br />
ewed in the December 18<br />
elude Paramount's "The<br />
iiTing Bing Crosby, Grace<br />
a Holden, and Jesse Zun-<br />
!^rosby is one of the most<br />
for the year's best dra-<br />
;e. Zunser also notes that<br />
y-Holden team "comes<br />
ose to theatrical perfecto<br />
be seen on screen in<br />
viewed in this issue are<br />
ness Like Show Business"<br />
)X) and "Game of Love,"<br />
released through Times<br />
r December 20 reviews<br />
p in My Heart," MGM's<br />
ohy of famed composer<br />
berg with stars Jose<br />
•leu Traubel; UA's relian-made<br />
"Romeo and<br />
vard winner at Venice,<br />
chcomber." British rernerset<br />
Maugham story.<br />
Robert Newton and<br />
Florence Somers has sey's<br />
"20,000 Leagues Under<br />
Picture of the Month in<br />
sue of Bedbook. Miss<br />
,s that the Jules Verne<br />
issic has been made into<br />
;alistic film. Three other<br />
n this issue are "Deep in<br />
I<br />
A. . "Sign of the Pagan"<br />
, of Pate" lUAi.<br />
•ed special copies of its<br />
h a cover notation calling<br />
advertising insert on "So<br />
-I's Technicolor musical,<br />
ns were mailed to exhibir'ers<br />
and bookers around<br />
atures two different<br />
January issue, one of<br />
ce Kelly and a "Do-Itoon.<br />
Readers will be<br />
te their preference in a<br />
ers $150 in prize money<br />
g closest to estimating<br />
? for one or the other<br />
>sue of Compact features<br />
Jerry Lewis on the cover<br />
lustra ted article by Jerry<br />
ledy team's off-and-on-<br />
Tiandiser : : Jan.<br />
National Pre-Selling Guide<br />
A report on new films for which national pre-selling<br />
campaigns have been developed.<br />
Listed with each picture ore tie-ins which have been created, plus tips 1o exhibitors<br />
on how to use these pre-selling aids to exploit the picture locally.<br />
TARGET EARTH AA<br />
Pmnu .Nkws Fi..\shes: News-type bulletins,<br />
measuring 14x22, are available free from Allied<br />
Artists exchanges. These may be used on newsstands,<br />
un library and school bulletin boards,<br />
anil pLued in hotel lobbies, bus and railroad<br />
stations to attract attention to the film and<br />
local<br />
playdate,<br />
I'liK.i; Kadio Disk: A gratis transcription, ranging<br />
from 10-second chain breaks to one minnle<br />
spots, is available from -Allied Artists<br />
Kxploitation Dept., -1376 Sunset Drive, Hollyv\ood<br />
27, Calif.<br />
\ctiiSsoRiics: A composite ad-publicity campaign<br />
mat (.Special Mat No. 1, priced at 35c),<br />
all other ad mats, posters and lobby cards may<br />
be ordered from National Screen.<br />
WEST OF ZANZIBAR<br />
U-l<br />
I<br />
\li sm:: The title song lias been recorded by<br />
\iithony Steele, star of the film, and released<br />
in this country by MGM Records. In addition<br />
Columbia Records is distributing a disk recorded<br />
by The Mariners, vocal group appearing<br />
on the .Arthur Godfrey Show, and under<br />
he London label the number has been sung by<br />
ihi- Johnston Brothers. Sheet music has been<br />
published by the Leeds Music Co., and title<br />
sheets on the song are available for window,<br />
Icdiby and counter displays.<br />
\h;wsi'Ai'Kii Serialization: Universal offers a<br />
free 7,.S00 word serialization of the film for a<br />
five installment newspaper series. Exhibitors<br />
should select five scene stills to accompany<br />
llie story and one to herald in advance the<br />
scries. Order Zanzibar Mimeographed Newspaper<br />
Serialization from U-I Exploitation<br />
i.'ept., +t.S Park Ave., New York 22.<br />
(iiii.uRi.NG -Mat: A three-column elephant coloring<br />
mat which may be used as a newspaper<br />
oiliest or imprinted on a throwaway is available<br />
from LI-I's exploitation department at<br />
ilie above address.<br />
Stoky-in-pictures: A set of six-column cariiion<br />
strips which can be run daily in local<br />
newspapers or imprinted on large-si^e throwaways<br />
for distribution through merchants, may<br />
also be ordered from Universal's exploitation<br />
lepartment.<br />
SruiAi. DrnmATivE Xccessories: Jungle back-<br />
screen life. Their latest collaboration is<br />
Paramount's "Three Ring Circus" in<br />
VistaVision and Technicolor.<br />
Jack Palance, on the cover of the<br />
January 2 Sunday picture magazine.<br />
Parade, embodies the characteristics of<br />
the current trend toward rugged male<br />
stars, according to the two-page feature<br />
on "Women Love Hollywood's<br />
Tough Guys." The article explains<br />
tliat women are intrigued by the tough<br />
guy with an "interesting" face and<br />
that a rugged personality captures<br />
their hearts more than an Adonis profile.<br />
Pictures of Marlon Brando, Kirk<br />
Douglas. Burt Lancaster and others<br />
are used to illustrate this new look in<br />
leading men.<br />
8. 1955 — 13 —<br />
ground paper which can be effectively used<br />
f
BOXOFFICE<br />
6AR0MET<br />
This chart records the performance of current attractions in the opening week of their first runj<br />
the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new r<br />
are reported, rotings are added and averages revised. Computation is in terms of percentage<br />
relation to normal grosses os determined by the theatre managers. With 100 per cent as "normi<br />
1
AND VIEWS OF THE PRODUCTION CENTER<br />
(Hollywood Office— Suite 219 at 6404 Hollvtoood Blvd.: Ivan Spear. Western Manager)<br />
-Busch Buys<br />
'V Series<br />
Anheuser-Busch Co. has<br />
anion Runyon Theatre." a<br />
jm Screen Gems. Columy.<br />
It will be handled as a<br />
ction series, with Screen<br />
:e and also to syndicate in<br />
by Anheuser-Busch. "The<br />
lieatre" will begin telecastic,<br />
owners of the California<br />
hed an expansion progi-am<br />
!e new sound stages are<br />
bringing to 11 the number<br />
on a rental basis for TV<br />
uilding blueprints also call<br />
ices, two projection rooms,<br />
room, makeup and wardnation<br />
department, 14 new<br />
sound-dubbing department<br />
all. Gross-Kj-asne will utithe<br />
facilities for its own<br />
Leisen makes his telefilm<br />
I<br />
id-In Wife," a half-hour<br />
''red MacMurray, which Z.<br />
II produce for the General<br />
series. Penned by Joseph<br />
e shot on the Republic lot.<br />
orth Slated<br />
lumbia Films<br />
-Although at midweek deletion<br />
had not been made<br />
studio spokesmen affirmed<br />
th, who last appeared for<br />
'Mi.ss Sadie Thompson," is<br />
in an additional two picr<br />
will be "Joseph and His<br />
udgeted Biblical drama,<br />
iduced by Jerry Wald and<br />
m Dieterle, probably on lo-<br />
•<br />
Land.<br />
e of MPRF Cards<br />
-Representing a gain of<br />
vious year, Motion Picture<br />
Lstmas card sales reached<br />
high of 113.000 during the<br />
it was reported by Lucille<br />
•man. Proceeds go into the<br />
;o aid the needy of the film<br />
g maintenance of a wela<br />
country house and a hosf<br />
the card sale was handled<br />
Dlicity directors committee<br />
lotion Picture Producers.<br />
PLAQUE TO CURTIZ — Megaphonist<br />
Michael Curtiz poses on the set at Paramount<br />
studio with the BOXOFFICE Blue<br />
Ribbon Award bestowed upon him when<br />
"White Christnuis," the Irving Berlin<br />
musical which he directed for producer<br />
Robert Emmett Dolan at Paramount, was<br />
hailed by the National Screen Council as<br />
the "best picture for the whole family" to<br />
go into release during November 1954.<br />
Curtiz currently is directing "The Vagabond<br />
King" for the same studio.<br />
Bel-Air's 'Desert Sands'<br />
Will Be in CS and Color<br />
HOLLYWOOD—CinemaScope and DeLuxe<br />
color treatment will be accorded "Desert<br />
Sands," Bel-Air Productions entry for United<br />
Artists release, which rolls early next month<br />
with Lesley Selander directing.<br />
Ralph Meeker and Maria English have the<br />
starring spots in the French Foreign Legion<br />
action drama, produced by Aubrey Schenck<br />
and Howard W. Koch.<br />
G. Johnson Joins Wallis<br />
HOLLYWOOD—New publicity director for<br />
Hal Wallis Pi-oductions is Grady Johnson,<br />
former Hollywood columnist and newspaperman<br />
who has been a member of various studio<br />
praisery staffs during the past several years.<br />
Johnson succeeds Gene Brooks, who had been<br />
handling the Wallis publicity chores on a<br />
temporary basis.<br />
Borrows Jane Russell<br />
HOLLYWOOD—Producer Howard Welsch<br />
has borrowed Jane Russell from Howard<br />
Hughes, to whom the actress is under personal<br />
contract, to star in "Portofino," which<br />
Welsch will film independently beginning in<br />
April. A release will be negotiated later for the<br />
Technicolor adventure drama, based on a<br />
story by Berne Giler.<br />
Film Council Condemns<br />
Charity Duplication<br />
HOLLYWOOD—Which organization has<br />
the jurisdiction over charity solicitations in<br />
the television film field was thrown up for<br />
grabs when on Tuesday i4i, acting on behalf<br />
of the Motion Picture Permanent Charities<br />
Committee, the Hollywood AFL Film Council<br />
pas.sed a lengthy resolution condemning<br />
Radio-Television-Recording -Advertising<br />
Charities. Inc., for assertedly infringing upon<br />
the PCC's domain.<br />
The film council's resolution charged that<br />
duplication of fund raising efforts in the TV<br />
film field has "caused confusion and a sub-<br />
.stantial loss in subscriptions" since "many<br />
donors refuse to give to either organization."<br />
Calling it an intolerable situation, the AFL<br />
group urged that the sponsors of filmed TV<br />
shows bring the matter to the attention of<br />
telefilm firms which are not making PCC<br />
charity deductions as requested by their employes<br />
or who are not permitting PCC solicitations<br />
for new donors on their lots.<br />
Subsequent to the passage of the film council's<br />
resolution, an official of RTRAC was<br />
quoted as calling the action "unjustified."<br />
Mendes-France's Life to Be<br />
Prepared for CBS-TV<br />
HOLLYWOOD—As an entry on its<br />
Climax<br />
show, sponsored by Chrysler, CBS has signed<br />
Bernard Girard to script "Escape," a onehour<br />
TV dramatization of the World War<br />
II experiences of Pierre Mendes-France,<br />
French premier, who will personally tape the<br />
narration.<br />
• * •<br />
United Productions of America has been<br />
commissioned to turn out a five-minute animated<br />
film, in color, by the Health Information<br />
Foundation. It will be distributed to television<br />
and in educational markets to point<br />
up the value of health insurance.<br />
Award to Danny Kaye<br />
HOLLYWOOD-Por his<br />
work as ambassador-at-large<br />
for the United Nations International<br />
Children's Fund, Danny Kaye has<br />
been selected by the Denver Hospital and<br />
Sanatorium as recipient of the Institution's<br />
Humanitarian of the Year for 1954 award.<br />
Previously honored have been Mrs. Eleanor<br />
Roosevelt. Dore Schary, George Jessel, Paul<br />
G. Hoffman and Drew Pearson. The presentation<br />
will be made March 20 at a $100-aplate<br />
Humanitarian dinner event at the<br />
Beverly HilLs Hotel. Don Hartman, Paramount<br />
executive producer, is chairman of the<br />
dinner arrangements committee.<br />
nuary 8, 1955 39
was<br />
iSom<br />
Blurbers<br />
STUDIO PERSONNELITIES<br />
Allied Artists<br />
PAUL PRICE, former radio-TV editor for the<br />
recently defunct Daily News, wos engaged as unit<br />
pubhcibt on "Wichita."<br />
Cleffers<br />
Independent<br />
The Hugo Haas production, "Hold Bock Tomorrow "<br />
15 being scored by SIDNEY CUTNER.<br />
Republic<br />
Score for "The Admiral Hoskins Story" will be<br />
composed and conducted by ELMER BERNSTEIN-<br />
Universal-Intemational<br />
FRANK SKINNER is composing the background<br />
music for "The Shrike "<br />
Songs for "The Second Greatest Sex" will be penned<br />
by PONY SHERRELL ond PHIL MOODY.<br />
Meggers<br />
Columbia<br />
Producer Som Katzman booked FRED F, SEARS to<br />
pilot "Joil Bait," drama of juvenile delinquency, soon<br />
to go before the cameras.<br />
Paramount<br />
MICHAEL CURTIZ will direct the Irving Asher<br />
production, "The Mavericks," an outdoor action drama<br />
which IS scheduled to hit the sound stages in March.<br />
Broadway stage director ROBERT LEWIS will make<br />
his bow OS a film pilot on "Anything Goes " tunefilm<br />
starring Bing Crosby, Donald O'Connor ond<br />
Jeanmoire, which Robert Emmeft Dolan will produce.<br />
Universal-International<br />
"The Navy Gets Francis," next in the comedy series<br />
'^^ "talking mule," will be directed<br />
r°, id'^I by ARTHUR<br />
LUBIN.<br />
Warner Bros.<br />
STUART HEISLER was signed to direct "The<br />
Jagged Edge," crime drama starring Jack Palance<br />
which Willis Goldbeck will produce in CinemaScope<br />
and WornerColor.<br />
Options<br />
Allied Artists<br />
VERA MILES was inked for the femme lead opposite<br />
Joel McCrea in "Wichita," which is being produced<br />
in CinemaScope by Walter Mirisch, with Jocaues<br />
Tourneur directing.<br />
WALTER SANDE,<br />
rr,^A'^o''o,'^?:5Y^5-<br />
ROBERT WILKE,<br />
EDGAR BUCHANAN and JACK ELAM drew supporting<br />
roles in "Wichita."<br />
KEITH LARSEN was booked for a topline in the<br />
Joel McCrea starrer, "Wichita," being directed by<br />
Jacques Tourneur and produced in CinemoScope by<br />
Walter Mirisch.<br />
lEAMMc<br />
^°" 9''''" '" "Wichita"<br />
^'ca'^k'!""<br />
went to<br />
JEANNE DEAN and ANNA NAVARRO.<br />
Columbia<br />
*'^"- C/.REY will team with Von Heflin and Joan<br />
>»,<br />
Woodward m Copo Productions' "The Calico Pony "<br />
which will be lensed in CinemaScope and Technicolor<br />
with George Sherman directing and Ted Richmond<br />
as the producer.<br />
r ^V, '?/, '!}E '°Pj'r"^ '1 producer Fred Kohlmor's "The<br />
Gentle Wolfhound," which Richard Murphy will direct<br />
on location in Tokyo, was ALDO RAY.<br />
Metro-Goldwyn-Mayer<br />
British actor WILLIAM TRAVERS was cast with<br />
Ava Gardner and Stewart Granger in producer Pandro<br />
s. Hermans Bhowani Junction," which George Cukor<br />
will direct on location in Pakistan.<br />
Paramount<br />
Broadway dancer PHYLLIS NEWMAN was signed<br />
for Q role in the VistoVision musical, "The Voga-<br />
^Tft<br />
?' '"""9 *^
1 rights<br />
I<br />
on<br />
ims Starts<br />
Schedule<br />
Screen Gems entered upon<br />
1 season with more writers<br />
;ripts than ever before in<br />
i history. Six different<br />
34 half-hour subjects, are<br />
25 scriveners. The output<br />
entures of Rin Tin Tin,<br />
rheatre, Celebrity Theatre.<br />
It and You Can't Take It<br />
heatre series, May Wynn,<br />
se. has been set to co-star<br />
1 in "Garrity's Sons." folft'ill<br />
take off to attend the<br />
istival.<br />
* * *<br />
)tion pictures to TV. Wilof<br />
the actor, has joined<br />
;ion as coordinator of pro-<br />
He was. at one time, an<br />
at Universal-International<br />
le staff of the late Leonard<br />
mic Pictures.<br />
* * *<br />
itrols of Communications<br />
topic of George C. McConrman<br />
of the Federal Comlission,<br />
when he addressed<br />
ng of the Southern Call-<br />
's<br />
Ass'n.<br />
1 Distribute<br />
(11 Starrers<br />
Lippert Pictures has acto<br />
two Jon Hall<br />
ngth theatrical versions of<br />
the "Rama of the Jungle"<br />
;d by Leon Promkess of<br />
Sangoland." toplining Hall<br />
mery and Marjorie Lord,<br />
nationally Feb. 11. "Phan-<br />
:," with Hall, Montgomery<br />
s. will go out later in the<br />
Joins Jacobs'<br />
[tions Group<br />
•Jack Keller, personal press<br />
Dean Martin and Jerry<br />
\rthur Jacobs' independent<br />
continue to handle the<br />
publicity chores in addities<br />
with the Jacobs or-<br />
Star Wyman<br />
-Jane Wyman's next star-<br />
/arners will be "Miracle in<br />
ik P. Rosenberg production<br />
based on a love story by<br />
Iph Mate has been signed<br />
; film will begin shooting<br />
'Fortress'<br />
— Seventy - five clergymen<br />
; Church Federation of Los<br />
aests of Allied Artists at a<br />
ming of "The Mighty Fortry<br />
short subject starring<br />
Jraham, which AA is dlsilly.<br />
S OLD as motion pictures themselves<br />
is that ever-present, all-encompassing<br />
contribution thereto that is ambiguously<br />
termed independent production. The<br />
-so-called independent always has been and<br />
always will be a source of a considerable and<br />
necessary percentage of the world's celluloid<br />
entertainment. Volumes could be compiled<br />
about the history and significance of the unaffiliated<br />
filmmaker.s—big and little—whence<br />
they stemmed, into what they have developed,<br />
why some have survived and prospered down<br />
through the decades while others have fallen<br />
by the wayside.<br />
From such welter of often-contradictory<br />
industry progress one fact appears irrefutably<br />
established. The independent fabricator of<br />
screen fare requires, in order to succeed, two<br />
fundamental essentials—sufficient financing<br />
and unquestionable production knowhow.<br />
If these are to be accepted as constituting<br />
the keystone, seldom— if ever—has a venture<br />
in its field held more promise than the recently<br />
organized C. V. Whitney Pictiu-es, Inc.<br />
As was announced when the company was<br />
formed late in 1954, its destinies are being<br />
guided by Whitney, a leading industrialist<br />
who for the past two decades or more has<br />
been active in the field of motion picture<br />
bank rolling, and Merian C. Cooper, one of<br />
the trade's unchallenged top fabricators of<br />
movie entertainment, who is vice-president<br />
in charge of production.<br />
Quickly the Whitney organization began to<br />
build its manpower by inking megaphonist<br />
John Ford to a non-exclusive, three-picture<br />
pact under which his first assignment will be<br />
"The Searchers," a western novel by Alan<br />
LeMay. The signing of Ford, parenthetically,<br />
brings him and Cooper together in an association<br />
that is entirely separate from their<br />
other partnership, Argosy Pictures. In addition<br />
to "The Searchers," acquired for filming<br />
was "The American," an original by Cooper,<br />
which LeMay currently is scripting.<br />
Also coming into the company's fold were<br />
cinematographer Winton Hoch, music consultant<br />
Max Steiner and novelist Nancy Wilson<br />
Ross, the last named to function as story<br />
editor, while the firm's publicity and public<br />
relations were entrusted to the capable hands<br />
of Frank Perrett, well-regarded in the freelance<br />
praisery field.<br />
From which it becomes immediately and<br />
indisputably apparent that the newcomer to<br />
the independent rank.s has both of the abovementioned<br />
requisites in outsize do.ses. As to<br />
the adequate fiscal background, the "C. V."<br />
in the company handle stands for Cornelius<br />
Vanderbilt. Need more be said? And as<br />
concerns the knowhow front, it is impassible<br />
to conceive of a more impressive compilation<br />
of proven filmmaking experience than that<br />
w-hich is brought to the unit by Cooper, Ford<br />
and their associates.<br />
If the future of C. V. Whitney Pictures<br />
contains anything but .shining success, then<br />
indeed the lot of the independent producer<br />
is a dismal one.<br />
Cryptically concluding a HoUjrwood trade-<br />
paper obituary on the late James Hilton was<br />
the line, "No survivors."<br />
What with "Goodbye, Mr. Chips," 'Xost<br />
Horizons," "Mrs. Miniver" and other comparably<br />
sterling contributions to literature<br />
and the motion picture screen, author Hilton<br />
ha.s survivors that will be alive and bringing<br />
happine.ss and entertainment to the world<br />
for many years after the bereaved relatives<br />
of the average man have been long forgotten.<br />
On Universal-International's agenda of<br />
forthcoming features it a li'l number tagged<br />
'The Second Greatest Sex."<br />
It's about time that the magi of production<br />
progress by one grade. They've been making<br />
features about the first for more than 50<br />
years. Regardless, the Spring street books<br />
will lay eight to five that the opus suffers<br />
a title change before release time.<br />
For the past several years, while the economy<br />
pruningknife has hung over the publicity<br />
departments of the major studios, freelance<br />
press agentries have been springing into<br />
being behind virtually every bush in the<br />
Hollywoodlands. So the advent of still another<br />
normally rates but slight attention.<br />
When, however, the newcomer to the catch -ascatch-can<br />
space-snatching brigade concerns<br />
such widely known persons as Walter Compton<br />
and Duffy Cornell, the debut rates a stick<br />
of type.<br />
Compton has had a lengthy career as a<br />
drumbeater, having been, at various times,<br />
publicity director for Republic and United<br />
Artists, a member of Perry Lieber's staff at<br />
RKO Radio and president of the Publicists<br />
Guild. For the past several months he has<br />
been with Walter E. Kline & Associates, which<br />
public relations firm he will continue to represent.<br />
Cornell is one of the genuine oldtimers<br />
in the newspaper profession, his tenure<br />
including hitches with the Hearst organization<br />
in Chicago and Los Angeles as well as<br />
editorial service on theatrical tradepapers.<br />
If past performances, individ'ually or collectively,<br />
are indicative, C. & C. are dependable<br />
to cut considerable of a swath in the<br />
independent blurbery field.<br />
From those chronic name-garblers in Test<br />
Carle's Paramount praisery, a handout that<br />
informs, "Danny Kaye's pals, Willie Mays and<br />
Louis (sic) Durocher, visited him . the<br />
set . . .<br />
"<br />
Despite which he'll still be known as Leo<br />
back in Brooklyn.<br />
•'ac:tors are surprised to find<br />
plentv of fish in the ocean"<br />
—Joe Reddy-Disney Headline.<br />
What did they hexpect? Hostrich plumes?<br />
Confides a local keyholer: "Shirley Thomas.<br />
NBC glamor gal commentator, uses a rhinestone-studded<br />
microphone."<br />
And the comments are hardly pearls of<br />
wisdom.<br />
inuary 8, 1955 41
Producer-Director<br />
Directors Guild Distributes Achievement Awards<br />
Film pilots who were nominated for the annual Screen Directors Guild achievement awards in 1953 and the first nine montl;<br />
1954 received plaques in recognition of their work at a year-end ceremony at the SDG headquarters in Hollj-wood.<br />
In upper left photo, left to right, are Hank Potter, George Waggner. SDG President George Sidney. Virginia Grey (who acce<br />
on behalf of Daniel Mann), George Stevens, Stuart Heisler and Don Siegel. Potter and Waggner were cited for TV megaphoning sti<br />
IVIann was honored for the Hal VVallis-Paramount production, "Come Back, Little Sheba"; Stevens for Paramount's "Shane,"<br />
Siegel for "Riot in Cell Block 11," a Walter Wanger production for Allied Artists. In right photo, William A. Wellman (left), hon<br />
for the WajTie-Fellows production for Warners, "The High and the Mighty," poses with Miss Grey and President Sidney, the 1<br />
named having been given a plaque for piloting MGM's "Young Bess."<br />
The strip below shows President Sidney presenting awards to (from left) : Fred Zinnemann, for "From Here to Eternity" (Col); .<br />
Negulesco, "Titanic" and "Three Coins in a Fountain" (20th-Fox) ; Henry Koster, "The Robe" (20th-Fox) ; Walter Lang, "Call<br />
Madame" (20th-Fox), and Robert Wise, "Executive Suite" (MGM).<br />
Washington Premiere<br />
For 'Long Gray Line'<br />
HOLLYWOOD — Columbia's "The Long<br />
Gray Line." Technicolor-CinemaScope drama<br />
of West Point, directed by John Ford, will<br />
be given its world premiere early next month<br />
at the RKO Keith's Theatre in Washington,<br />
it was jointly announced by Harry Cohn,<br />
Columbia president, and Sol A. Schwartz.<br />
RKO Theatres head. Produced by Robert<br />
Arthur. "Line" stars Tj'rone Power and Maureen<br />
O'Hara.<br />
* « »<br />
"Tlmberjack," which Republic filmed on<br />
location in Montana, will be given a dual<br />
world premiere at the Fox and Roxy theatres<br />
in Missoula February 4. Toplining Sterling<br />
Hayden. Vera Ralston and Adolphe Menjou.<br />
the action drama was lensed in Trucolor with<br />
Joe Kane as producer-director. Herbert J.<br />
Yates. Republic president, and Mrs. Yates<br />
iMi.ss Ralston I will head a contingent of<br />
film personalities attending the openings.<br />
Briskin Named Chairman<br />
For Jerusalem Festival<br />
HOLLYWOOD—Irving Briskin of Columbia's<br />
executive staff has been named production<br />
chairman for the Jerusalem Anniversary<br />
Festival, to be staged Thursday (13 > at<br />
the Shrine Auditorium.<br />
S'X.ecuiloe<br />
West: Adolph Zukor. chairman of the<br />
board of Paramount, arrived from New York<br />
for his annual winter visit. He plans a<br />
stay of several weeks, vacationing and conferring<br />
with studio officials.<br />
* * *<br />
East:<br />
Producer Walter Wanger and director<br />
Don Siegel will head for Gotham next<br />
week to scout talent for "The Body Snatchers."<br />
on which they are associated as their<br />
next venture for Allied Artists.<br />
* * «<br />
East: Don Hartman. Paramount executive<br />
producer. left for Manhattan for business<br />
conferences.<br />
* * *<br />
West: Completing a world tour, Yoshiaki<br />
Takana,shi. a director of Eiga Haikyu Co..<br />
Ltd.. which distributes Allied Artists product<br />
in Japan, headed for his headquarters in<br />
Tokyo after a brief stopover here, during<br />
which he conferred with Steve Broidy, AA<br />
president, and other officials of the company.<br />
* * •<br />
East: Frederick Brisson. whose Independent<br />
Artists firm is producing "The Girl Rush"<br />
for Paramount distribution, left for New York<br />
on a quick business junket. Al.so heading for<br />
Gotham were Melville Shavelson and Jack<br />
Rose, who respectively directed and produced<br />
another Paramount release. "The Seven Little<br />
"^nxio^len^^<br />
Foys." They took with them a print<br />
Bob Hope starrer for a sneak sho^<br />
Manhattan.<br />
* « *<br />
East: Producer-Director Kurt N<<br />
planed out for Germany, where on<br />
day i20) he will begin camera work o<br />
of Rio," to be made in German and<br />
versions. He is due back in Hollywood i<br />
* * «<br />
East: Gilbert Kurland, Universal-I<br />
tional production manager, planed<br />
New York for two weeks of compan<br />
ness.<br />
* « *<br />
West : Otto Pre<br />
checked in for a brief stay before re<br />
to New York to continue preparations<br />
next film project, a biography of Indi:<br />
hatma Gandhi.<br />
« « *<br />
West: Director Mark Robson returnt<br />
a six-month stay abroad, during wl<br />
megged Warwick Pictures' "A Prize of<br />
a Richard Widmark starrer for C(<br />
release.<br />
East:<br />
* « •<br />
Megaphonist George Sidney, i<br />
from MGM to Columbia to pilot "Th<br />
Duchin Story," left for Gotham on a<br />
scouting hunt.<br />
42 BOXOFFICE :: Januarj
I after<br />
I<br />
Will Open<br />
Denver<br />
than 200 exhibitors in<br />
;ted to participate in three<br />
e held through two days<br />
;ek in the CosmopoHtan<br />
leries of MGM Ticket Selling<br />
held over the country<br />
Silver Glade room at 10<br />
morning, MGM will host<br />
)on between sessions. Pat<br />
mager for Cooper Foundamade<br />
reservations for all<br />
in Colorado, Lincoln, Neb.,<br />
y-<br />
ors are invited to attend<br />
wn the local COMPO orfor<br />
state legislators and<br />
ials. This will be at noon<br />
ervations are necessary,<br />
iety Tent 37 will hold its<br />
ckets to the semiformal<br />
to 300.<br />
the Workshop should be<br />
iry FYiedel, MGM manager<br />
PO luncheon to Ed Pringle,<br />
id for the Variety dinner<br />
ix. Allied Artists manager,<br />
1, Paramount manager.<br />
Critics Give<br />
to 'Waterfront'<br />
CO—The local newspaper<br />
named their selections for<br />
Francisco Drama Critics<br />
the selections were some-<br />
1, it was agreed upon by<br />
nd theatremen alike that<br />
ar got their money's worth.<br />
e the advent of the many<br />
d the variety of product<br />
ront" was selected as the<br />
Runnerup was "Executive<br />
1 was "Carmen Jones" with<br />
r Seven Brothers" vying<br />
ird went to James Mason<br />
20.000 Leagues Under the<br />
Dandridge was chosen the<br />
r work in "Carmen Jones."<br />
liet" was honored as the<br />
foreign category.<br />
! council which made the<br />
FYed Johnson of the Call<br />
lodel of the News: Teresa<br />
le Oakland Tribune: Horthe<br />
Examiner: William<br />
and John Vickers of the<br />
Year With CS<br />
DA.—The Craigmont Thelew<br />
Year off with a bang.<br />
IS managed by Henry Philclosing<br />
temporarily<br />
Scope equipment.<br />
techeck Rests<br />
ORE.—M. W. Mattecheck,<br />
itre owner and former city<br />
uperating at home from a<br />
I which haspitalized him In<br />
—<br />
—<br />
——<br />
'20,000 Leagues in Sensational Run<br />
With 300 in Second Denver Stanza<br />
DENVER—"20,000 Leagues Under the Sea"<br />
followed its sensational 460 per cent opening<br />
here at the Denver with an equally phenomenal<br />
300 in its second week and appears to be<br />
breaking all records. "Deep in My Heart" also<br />
proved a good draw, racking up a sub.stantial<br />
225 in its initial stanza to take second po.sition<br />
for the week. With the exception of<br />
the latter,<br />
all local first runs were second week holdovers<br />
and all reported over average grosses.<br />
"There's No Business Like Show Business"<br />
continued strong at 190 and was followed<br />
closely by "Three Ring Cii'cus" and "Vera<br />
Cruz," both of which achieved a healthy 150.<br />
"The Detective" went up a few points to 130,<br />
showing a slight improvement over its first<br />
week's 125.<br />
(Averoge Is 100)<br />
Aloddin The Detective (Col), 2nd wk 130<br />
Centre There's No Business Like Show Business<br />
(20th-Fox), 2nd wk 190<br />
Denhom Three Ring Circus (Para), 2nd wk 160<br />
Denver 20,000 Leagues Under the Sea<br />
(Buena Visto), 2nd wk 300<br />
Esquire Bread, Love and Dreams (IFE), 2nd wk. . .100<br />
Orphcum Deep in My Heart (MGM) 225<br />
Paramount Vera Crul iUA), 2nd wk 1 50<br />
'Pagan' Reports 240<br />
In Seattle Bo'w<br />
SEATTLE—"Sign of the Pagan" reported<br />
240 per cent for its initial Seattle showing,<br />
taking first place for the week. Grosses<br />
otherwise were just about average.<br />
Blue Mouse Young at Heart (WB); The Post and<br />
the Furious (ARC), 2nd wk 125<br />
Music Box— Sabrino (Para), 8th wk 100<br />
Music Hall Young at Heart (WB) 105<br />
Orpheum Sign of the Pagan (U-1); Four Guns to<br />
the Border (U-l) 240<br />
'Leagues' Shades 'Sho-w Business'<br />
At Portland<br />
PORTLAND—"20,000 Leagues Under the<br />
Sea" and "There's No Business Like Show<br />
Business" continued here as the holiday boxoffice<br />
leaders with scores of 350 and 235 per<br />
cent,<br />
respectively.<br />
Broodwoy The Young at Heart (WB) 1 60<br />
Fox—There's No Business Like Show Business<br />
'20tti-Fox) 235<br />
Guild The Little Kidnappers (UA), 3rd wk 160<br />
Liberty Deep in My Heart (MGM) 200<br />
Orpheum 20,000 Leagues Under the Sea (BV)..350<br />
Paramount Three Ring Circus (Pora), 2nd wk...200<br />
United Artists So This Is Paris (U-I) MO<br />
Disney's Sea Thriller<br />
Packs 'Em in at L. A.<br />
LOS ANGELES—Brisk New Year's holiday<br />
business kept local first run turnstiles clicking<br />
at a merry pace, even though almost<br />
all entries were of the holdover variety.<br />
Still the leader, at a staggering 430 per cent<br />
for its second week, was "20,000 Leagues Under<br />
the Sea," while other outstanding draws<br />
were "There's No Business Like Show Business"<br />
and "The Country Girl," finishing their<br />
.second stanzas with 350 and 260 per cent,<br />
respectively.<br />
Chinese There's No Business Like Show Business<br />
{20th-Fox), 2nd wk 350<br />
Egyption, State ^Deep in My Heart (MGM),<br />
2nd wk 140<br />
El Rey—Romeo and Juliet 'UA), 2nd wk 90<br />
Fine Arts The Barefoot Contessa (UA), 9th wk.. . 85<br />
Four Star—The Detective (Col), 2nd wk 210<br />
Fox Wilshire 20,000 Leagues Under the Seo<br />
(Bueno Vista), 2nd wk 430<br />
Hillsfreet, Pontages The Silver Chalice (WB),<br />
2nd wk 200<br />
Hollywood Paramount—Sign of the Pagan (U-l),<br />
2nd wk 210<br />
Orpheum, Hawoii Three Ring Circus (Poro),<br />
2nd wk 140<br />
United Artists The Mari|uona Story 'Monhattan);<br />
Teen-Age Menace (SR); A Bedroom Fantasy<br />
(Sonney) 1 00<br />
—<br />
—<br />
—<br />
—<br />
Warners Beverly The Country Girl (Para), 2nd<br />
wk 260<br />
Warners Downtown, Wiltern, Fox Vogue Young<br />
at Heart (WB); Mosterson of Kansas (Col),<br />
2nd wk 125<br />
Warners Hollywood This Is Cineromo (Cineromo)<br />
38th wk ISO<br />
Three Tie for First Place<br />
At 300% in Frisco<br />
SAN FRANCISCO—All of the local first<br />
run houses had a great holiday week. Each<br />
one had above average attendance. Tied for<br />
first place honors were three theatres, the<br />
Fox with "There's No Business Like Show<br />
Business," the Golden Gate with Disney's<br />
"20.000 Leagues Under the Sea" and the<br />
United Artists with the Gary Cooper starrer,<br />
"Vera Cruz." "Beau Brummell," "The<br />
Silver Chalice" and "Three Ring Cii-cus" also<br />
did well with approximately 25 per cent above<br />
average business each.<br />
Fox There's No Business Like Show Business<br />
(20th-Fox) 300<br />
Golden Gate 20,000 Leagues Under the Seo<br />
(Buena Vista) 300<br />
Loew's Warfield Beou Brummell (MGM) 120<br />
Paromount Three Ring Circus (Pora) 125<br />
St Francis The Silver Chalice (WB) 125<br />
United Artists— Vera Crui (UA) 300<br />
Ritz's Interior Gutted<br />
By Fire in Layton, Utah<br />
LAYTON. UTAH—The interior of the 450-<br />
seat Ritz Theatre was gutted recently by a<br />
fire of undetermined origin. John Ivers,<br />
spokesman for Roy Theatres which operates<br />
the house, estimated the damage at approximately<br />
$50,000. The fire which took more<br />
than two hours to bring under control was<br />
discovered at 11 a.m. while Manager Dean<br />
Roberts was working at nearby Hill Air Force<br />
Base.<br />
Revamp Tacoma House<br />
TACOMA—The Sunset Theatre, local<br />
west<br />
end house, has been reopened after new seats<br />
and Cinemascope equipment were installed<br />
while closed during December. According to<br />
Manager Julian Hines, the new seating arrangement<br />
offers a clear view of the screen<br />
from any point in the auditorium and is<br />
more spacious to allow easier Ingress and<br />
egress.<br />
YOU CAN ALWAYS DEPEND ON<br />
FOR THE BEST<br />
,<br />
SPECIAL<br />
—<br />
Oregon Willamette Valley Theatre<br />
Only theatre in small town. Family operation. Living<br />
quarters. Wide screen. Price of $23,500 include! r«al<br />
estate. Terms.<br />
THEATRE EXCHANGE CO.<br />
5724 S. E. Monroe PorHond IX, Or«.<br />
Phona Evergreen 1-7100 — 1-1606<br />
.nuary 8, 1955 43
. . Charles<br />
SAN FRANCISCO<br />
Oix contractors were named defendants in<br />
a lawsuit which asks $32,500 for damages<br />
allegedly caused the Contra Costa Motor-In<br />
in Pleasant Hill by an improperly constructed<br />
drainage ditch. The action was brought by<br />
Robert L. Lippert, Leslie Kessler and the<br />
Concord Theatre Co. and Elwood P. Laws.<br />
Lippert and Kessler are the owners of the<br />
land which Laws and Concord Theatre Co.<br />
are leasing to operate the drive-in.<br />
An 11-year-old boy fell 30 feet down an<br />
elevator shaft at the Fox Oakland Theatre,<br />
but suffered only minor injuries. The boy and<br />
two friends entered a utility elevator near<br />
the lobby of the theatre and rode it to the<br />
third floor. The boy left the others and<br />
raced down stairs to beat the elevator to the<br />
second floor. The elevator became stuck at<br />
the top of the second floor door and the<br />
boy plummeted through the open door. He<br />
escaped serious injury by momentarily<br />
clutching the elevator's cables, breaking the<br />
fall. Manager Jack McDougall stated the three<br />
must have pried open the ground floor door<br />
to enter the elevator and then opened the<br />
second floor door from within.<br />
Pete Vaga, Fox West Coast booker, was in<br />
St. Francis haspital . . . Issy Wolf, National<br />
Screen Service, also was hospitalized . . .<br />
Eddie Schlein, manager of the Alexandria<br />
Theatre, suffered a broken jaw when he fell<br />
down the stairs of his home . . . "Lo" Jones,<br />
Western Theatrical Equipment Co., was<br />
greeted with a costly Christmas present! A<br />
home he was preparing to vacate and put<br />
on the market for sale, was broken into by<br />
three juveniles who managed to walk out<br />
with nearly all the furnishings, as well as<br />
destroying much of the property, before police<br />
picked them up. The boys broke in through<br />
a window and over a period of a month, made<br />
off with the furnishings.<br />
George Williams, RCA Service, retired December<br />
27 after a long and succes.sful association<br />
with the firm. A testimonial dinner was<br />
held at the Clift House. In attendance were<br />
Hal Madison, west coast chief for RCA Service<br />
from Los Angeles, managers from the<br />
home office in Camden, N. J., and engineers<br />
from all over the state. George received a gold<br />
watch. He went to work in 1936 with RCA,<br />
and formerly was with Western Electric. At<br />
the age of 12 he worked in a Chicago theatre<br />
as an usher and has been in the theatre<br />
engineering field in California since that time.<br />
Along the Row were Al Stanford, Paso<br />
Roble's Oak Drive-In, and Bill Blair from the<br />
Blalr Theatre, Cloverdale. Blair reported that<br />
his Crescent Theatre, Areata, was not touched<br />
by the recent earthquake at Eureka. As a<br />
matter of fact, the theatres in the Eureka<br />
and Areata area survived the mi.shap with<br />
no damage.<br />
WMi^Msr mimm^RUSH<br />
THE SERVICE YOU WANT<br />
THE SERVICE YOU GET<br />
IS<br />
on vour Special Trailers from<br />
miTIDI PICTURE SERV CE Co<br />
125 HYDE ST. SAN FRANCISCO (2), CALIF.<br />
Gerald L Karski.:.. President<br />
Audience in Portland<br />
Talks to Johnnie Ray<br />
PORTLAND—For the f u-st time in theatrical<br />
history here, a downtown theatre presented<br />
a motion picture star some 3,200 miles away<br />
Manager Oscar Nyberg of the Fox Theatre<br />
at Portland stands by while Mayor<br />
Fred Peterson chats with Johnnie Ray<br />
in a telephone hookup on the Fox loudspeaker<br />
system with the singing star in<br />
.Miami Beach.<br />
to an audience via telephone. For a Monday<br />
night showing of "There's No Business Like<br />
Show Business," Oscar Nyberg arranged with<br />
Johnnie Ray, former Portland singer who has<br />
a co-starring role in the Cinemascope musical,<br />
to talk to the Fox Theatre audience via<br />
long distance telephone.<br />
Details for the call were worked out a week<br />
in advance by Nyberg and the Pacific Telephone<br />
& Telegraph Co. here. A clearance<br />
was arranged so that the call would reach<br />
Portland at 9 p.m., the usual intermission<br />
period.<br />
Nyberg invited Mr. and Mrs. Elmer Ray,<br />
Johnnie's parents, who live near Portland,<br />
and his sister to attend the performance.<br />
Also on the guest list was Mayor FYed Peterson<br />
and Johnnie's drama and speech teacher.<br />
Miss Cecil McKircher of Pj-anklin High School<br />
here who Johnnie credited as the teacher who<br />
gave him the most inspiration.<br />
Nate Cohen, Portland furniture man, on<br />
whose radio program Ray made his first<br />
appearance, also talked and in conclusion,<br />
held out the telephone, inviting the Fox audience<br />
to wish the singer a "Happy New Year,"<br />
which they did. Mrs. Ray, the mayor and<br />
other friends chatted during the 19-minute<br />
conversation which was cut in to the Fox<br />
theatre's sound system. Every word could<br />
be heard by the audience.<br />
Ray, currently appearing at Lou Walter's<br />
Latin Quarter at Miami Beach, Fla., kept the<br />
conversation going at a lively pace.<br />
P. A. Tour to Plug Toko-Ri'<br />
HOLLYWOOD—Plugging regional openings<br />
of "The Bridges at Toko-Ri," which they<br />
produced for Paramount, William Perlberg<br />
and George Seaton have taken off on a tour<br />
of major U. S. cities, holding newspaper interviews,<br />
making radio and TV appearances<br />
and meeting with exhibitors and circuit executies.<br />
Theii- itinerary includes Chicago, Detroit.<br />
Cleveland, New York, Boston, Philadelphia,<br />
Washington and San Francisco, returning<br />
here late this month.<br />
DENVER<br />
The U-I sales force returned from a :<br />
City sales meeting, where they were<br />
on the Charles J. Feldman drive, whic<br />
end April 30. Attending the meetini<br />
Manager Mayer Monsky and salesmen<br />
Green, Les Laramie and Gene Klei<br />
meeting was headed by Foster Blal<br />
vision<br />
manager; Lester Zucker, distric<br />
ager. and Jeff Livingston, home off<br />
ploitation man . P. Weh<br />
moved into his new home in Lakewoc<br />
race.<br />
.<br />
re.signed to become booker for Westlan<br />
Robert Selig, assistant to the presi(<br />
Pox Intermountain, went to Los Ang<br />
Carl Mock<br />
business and pleasure . . .<br />
tre appliance salesman, spent Christ<br />
Chihuahua. Mexico Howard Ca<br />
.<br />
with Warner Bros, for<br />
.<br />
many years ani<br />
time office manager and lately salesm<br />
aires, which has houses in Colorado<br />
coin. Neb., and Oklahoma City . .<br />
Schaffer. owner of the Pastime. B<br />
Mont., has opened his new Tug at A<br />
Mont.<br />
Fox Intermountain has .sold the 6<br />
BLson. McCook, Neb., and the 850-seai<br />
mount, Cheyenne, to Carlin Smith<br />
Charles J. Bell, brother of Earl, Warns<br />
manager, died in Los Angeles. Burial<br />
Omaha. Bell was in the film business<br />
years ago ... Ed Mapel, owner of th<br />
and city councilman, was recently<br />
to use a cane as the result of an old<br />
He broke his right leg in 1946 whOe gr,<br />
with a burglar that had broken ii<br />
apartment.<br />
Court Upholds Karp's S<br />
Of Sherman's Studios<br />
HOLLYWOOD—Upholding an earlie<br />
rior court action approving the sale, t<br />
trict court of appeals has handed d(<br />
opinion that Jacob H. Karp. executor<br />
estate of the late HaiTy Sherman,<br />
producer, acted in the best interests<br />
estate when he negotiated the sale o:<br />
man's California studios to Gross-]<br />
Inc., a TV company.<br />
Sherman's daughters, T h e o d o r<br />
Alwynne, had appealed the superioi<br />
ruling on the allegation that sufficiei<br />
was not permitted to consider other<br />
Night Mqnager Foils Tl<br />
SEATTLE—A thief failed in an i<br />
to rob the Embassy Theatre when<br />
Ann Daily, night manager, showed the<br />
man an empty safe. The man had appi<br />
Miss Daily and claimed he was from t<br />
trict attorney's office, ."^aying he wai<br />
talk to her in the theatre office. Onc(<br />
he placed his hand in his topcoat po<br />
though he had a gun. He immediate<br />
when shown the empty safe.<br />
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Telephone* EM 0238 - EM 7489<br />
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CONFIDENTIAL CORRESPONDENCE INVITl<br />
44 BOXOFFICE :: January
'T LE<br />
. . Henry<br />
. . . George<br />
. . . Fred<br />
Theatre Supply, returned<br />
ing the installation of<br />
Onalaska Theatre, Ona-<br />
William Lyon. The new<br />
ed of an RCA Dynalite<br />
: lenses, di'apes and curluck<br />
Rosenmeyer of Paraew<br />
Year's holiday in Portressler,<br />
head of Foreman<br />
a two-week vacation in<br />
\l Larpenteur, Northwest<br />
alesman, was in eastern<br />
;or of the Ki-Be in Benton<br />
How . Haustein.<br />
er, returned to his desk<br />
acation to San Francisco<br />
;opened the Liberty Theastmas<br />
Day, with complete<br />
and a new Walker screen<br />
National Theatre Supply<br />
on of John Riley. Henry's<br />
re also reopened Christie<br />
Walker screen and anawell<br />
as new drapes and<br />
nstalled through Theatre<br />
salesman, is handling the<br />
Walker screen at Peter<br />
•atre, Okanogan . . . Walter<br />
rtland working on the proat<br />
Toko-Rl."<br />
T Man Heads<br />
ms Firm<br />
Planning a series of 39<br />
Pacific Productions, Inc.,<br />
as a Kansas corporation<br />
r., of Kansas City, Mo., as<br />
will be opened at the<br />
next month. Other offic<br />
L. Lombard of Enterresident;<br />
Claude L. Rice,<br />
secretary, and A. H. Myers<br />
will be distributed by<br />
d Associates. The aboves<br />
Bagnall, constitute the<br />
f<br />
directors.<br />
nstallations<br />
It equipment mstallations<br />
al Theatre Supply include<br />
phonic sound system in<br />
at's Egyptian Theatre at<br />
>imilar installation at the<br />
onnell. Wash., owned by<br />
Walker screen and B&L<br />
snses at Cecil McClure's<br />
•in Bridges, Mont.; simUar<br />
as a Simplex sound sysida.<br />
Spokane, and Super<br />
organ lenses at Pat Metz-<br />
Smelterville,<br />
Ida.<br />
5 Fine Idea<br />
3y a margin of better than<br />
rs of the Screen Extras<br />
Droposal that compulsory<br />
meetings be enforced by<br />
ibsentees. The count was<br />
45 in favor of such fines,<br />
lil referendum.<br />
HONOR REPUBLIC VETKR.VNS—Herbert ,1. Vales, president of Republic Pictures,<br />
honored a group of studio executives, writers, directors and staff employes who have<br />
been with the company for 20 years at a studio holiday party. In the center background<br />
is Reginald .\rmour. managing director for Republic in Great Britain. Others are: Hy<br />
J. Glick, secretary-treasurer; Francis A. Bateman, western division manager; William<br />
J. O'Sullivan, associate producer; T. \V. Yates, head of purchasing department; John<br />
.Foe Kane, associate producer-director; R. G. Springsteen, director; Barry Shipman,<br />
writer; 'William Witney, director; Bud Thackery, cameraman; Betty Andrews, accounting<br />
department office manager, and others.<br />
Remodeled FWC Theatre<br />
Opens at Long Beach<br />
LONG BEACH. CALIF.—Completely remodeled<br />
and refurnished, the Imperial Theatre<br />
here has been reopened by Fox West<br />
Coast with Forrest Justus as house manager.<br />
The 804-seat showcase is equipped with Bodiform<br />
chairs, special acoustical plaster and<br />
a 19x40-foot Miracle Mirror screen capable<br />
of handling standard and all wide screen<br />
ratios as well as theatre television. It also<br />
has magnetic stereophonic sound equipment.<br />
PORTLAND<br />
fills Is Your Army," Technicolor documentary,<br />
will open at Parker's Broadway<br />
on the 12th with "Green Fire." Ai-med services<br />
organizations joined in the promotion<br />
of the picture with displays of equipment and<br />
a downtown parade. Herb Royster, Parker<br />
publicity director, praised the enthusiasm and<br />
activity of army personnel in this area.<br />
Earl Keate, UA, was in w'orking on ""Vera<br />
Cruz," scheduled for John Hamrick's Liberty.<br />
Keate plans to invite all persons named<br />
Lancaster or Cooper to attend the opening of<br />
the<br />
film.<br />
Marie Wilson was in a second week at<br />
Amato's supper club here breaking in the<br />
act she will open at the Flamingo Hotel in<br />
Las Vegas January 27. for which she will<br />
get $20,000 a week.<br />
Win Sage, one of MGM's new term contract<br />
players, was in Portland visiting his<br />
wife, a librarian for KGW here. The Sages<br />
are moving to Los Angeles. He is tentatively<br />
inked in for a role in MGM's forthcoming<br />
musical, "Kismet." His last film role was in<br />
"Dragnet" where he played the role of the<br />
killer. He was accompanied by Allan Weider<br />
on a round of press and TV station interviews.<br />
Moz Buries Installs Wide Screen<br />
WHITE SALMON, WASH.—Moz Buries,<br />
owner of the Canyon and Cameo theatres, has<br />
installed a wide .screen at the Cameo. The<br />
Canyon already had gone wide .screen earlier<br />
in the year.<br />
LOS ANGELES<br />
'Domance Dept.: John P. Filbert jr., of Filbert<br />
Supply, and Lillian Anderson. MGM<br />
staffer, announced their engagement and are<br />
planning an early-February marriage; Hem-y<br />
Pines, manager of the Town Theatre m Bell<br />
Gardens, took unto himself a bride, the<br />
former Jean Gellf . . . Carl Young has taken<br />
over the booking-buying chores for the Empire<br />
Theatre, neighborhood house ... A<br />
Filmrow visitor was Pat Patterson, of Real<br />
Pictures in San Francisco.<br />
Roy Evans is back on the job as first run<br />
district manager for Fox West Coast after<br />
recuperating from a recent appendectomy<br />
A. Hickey. Pacific coast district<br />
chief for MGM, took off on a tour of the<br />
San Francisco, Portland, Seattle and Salt<br />
Lake City exchanges.<br />
Lou Berman and associates have acquired<br />
a 15-acre site on the outskirts of Oxnard. on<br />
which construction of a 1.000-car drive-in is<br />
planned. The ozoner will have a 110-foot<br />
screen and approximately 200 walk-in seats.<br />
The Berman group also operates the 101<br />
Drive-In near Ventura.<br />
Felder, of<br />
Checking in on a booking and buying expedition<br />
was George Page, of the Fairoaks Theatre<br />
in Arroyo Grande<br />
Realart Pictm-es in<br />
. . . Joe<br />
New York, was in town<br />
Siegel, operator of the Palomar<br />
and Margo theatres in Oceanside, is building<br />
a new 900-seater there.<br />
Theatre Given to Haniord, Calif.<br />
HANFORD. CALIF.—The Ritz Theatre<br />
which has been shuttered for the past year<br />
was donated to the city by the Golden State<br />
Theatre Corp.. proprietors. Details of the<br />
deal were kept secret.<br />
WE CAN SELL YOUR THEATRE<br />
SUBURBAN<br />
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tuary 8, 1955 45
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Only<br />
$3.00<br />
Per Copy<br />
GEORGE M<br />
PETERSEN ^\<br />
ANO<br />
iUMKV inoN<br />
Illustrated and Indexed<br />
^ucceSdfui oDrwe-Jj^n<br />
t v lunaaement<br />
PRACTICAL AID TO OUTDOOR THEATRE DESIGN<br />
Partial List of Contents<br />
The<br />
Author:<br />
GEORGE M. PETERSEN, with<br />
more than 1 5 years of experience<br />
in the designing,<br />
building and operation of<br />
drive-in field. He was one<br />
of the first persons who had<br />
faith in this medium of<br />
entertainment. As o designer,<br />
builder and operator<br />
of drive-ins, he writes with<br />
authority on all phoses of<br />
the outdoor theatre.<br />
Accident Prevention<br />
Car Handling<br />
Checking Speakers<br />
Child Labor<br />
Refreshments<br />
Giveaways<br />
Lighting<br />
Playgrounds<br />
Speaker Protection<br />
Supervision<br />
Traffic Control<br />
Operating the Concession<br />
Advertising and Expolitation<br />
Financing the Drive-ln<br />
How to Determine Capacity<br />
Selecting the Site<br />
The Screen Tower<br />
Projection-Concession<br />
Building<br />
Concession Layouts<br />
Restroom Equipment<br />
The Drive-ln Fence<br />
Selecting Projection end<br />
Sound Equipment<br />
Operation Suggestions<br />
Insurance<br />
I<br />
BOXOFFICE
( 19<br />
lirer Started<br />
ow-Komm<br />
iti'uction was scheduled to<br />
)n the $450,000 Holiday<br />
age Blvd., near suburban<br />
oject of the Jablonown<br />
a 16-acre tract. Louis<br />
manager, said that the<br />
de ample equipment for<br />
ing, patio lounging and<br />
site has been completed,<br />
accommodate 1,000 autoelectric<br />
heaters will be<br />
s so that the new drive-in<br />
; year around,<br />
buildings will be grouped<br />
ng at the entrance, a delayout<br />
of most drive-in<br />
? projection booths, conooms<br />
and play areas are<br />
irior. The contemporarye<br />
to be linked by fences,<br />
:-oofs. Trained attendants<br />
wipe the windshields during.<br />
le to keep the play area<br />
during the picture probe<br />
in back of the parked<br />
t observation balcony, the<br />
ill have glass walls along<br />
•he patrons can continue<br />
e program while purchasems.<br />
Special tables will<br />
le glass wall for patrons<br />
ed chicken and pizza i . The<br />
id will have four service<br />
ance and exit doors conirpet<br />
electrically operated<br />
ir-conditioned concession<br />
nclosed patio with planted<br />
rraces. Tables and chairs<br />
ere for outdoor dining,<br />
panoramic screen will be<br />
projection booth.<br />
r As.sociates, 9640 Clayton<br />
iigned the theatre, while<br />
itract was awarded to the<br />
Co.<br />
:e Wins Out<br />
Permit<br />
-James E. Fortmeyer of<br />
:en gi-anted a special perction<br />
of a drive-in theatre<br />
t of Kentucky road. Fortng<br />
to obtain such a permit<br />
grant, a unanimous deon<br />
County court, will rim<br />
e 55-acre site had been<br />
re but the order from the<br />
the applicant had shown<br />
drive-in harmonized w'ith<br />
zoning plan. The applicaneyer<br />
is planning an 800-<br />
Drotest filed by property<br />
;d the drive-in construclid<br />
since it contended apect<br />
would be an amend-<br />
;ulations.<br />
ith C'Scope<br />
1,.—W. L. Davis reopened<br />
lUowing the Installation of<br />
M. B. Smith Is Moved Up<br />
In Commonwealth Shift<br />
KANSAS CITY—Jack Braunagel, in charge<br />
of drive-in operations since the Commonwealth<br />
circuit's first drive-in, the TrLstate at<br />
1. I<br />
Joplin, opened in April of 1948, resigned, effective<br />
January 22, to go with United Theatres<br />
at North Little Rock. Ark., on February<br />
The story of Braunagel's industry career<br />
appears in another section of this issue.)<br />
R. M. Shelton, Commonwealth president, said<br />
Jack left with the good w'Lshes of everyone<br />
in the organization. With his departure.<br />
Commonwealth drive-in operations total 29<br />
situations.<br />
Instead of appointing a new drive-in manager,<br />
a reorganization of the company's operations<br />
is being effected. FoiTnerly there<br />
were the five divisions, labeled Central, We.stern.<br />
Southern, City and Drive-In, consisting<br />
of 78 theatres. Now the divisions are being<br />
numbered I. 2, 3, 4, and 5—with the drive-ins<br />
part of each division's setup. Two new division<br />
managers have been named. Etoug<br />
Lightner, city manager at Columbia, Mo.,<br />
will continue to reside there and manage<br />
division 4. Ray Holmes, city manager at Lawrence,<br />
Kas., will still live there and manage<br />
division 3.<br />
M. B. Smith, who took over as director<br />
of advertising, publicity and public relations<br />
January 1, w'ill have four particular duties,<br />
Shelton said. Fii'st, he<br />
will act as liaison man<br />
and coordinator for all<br />
the divisions, making<br />
the ideas of each manager<br />
available to others<br />
in the entire circuit.<br />
He also will be the<br />
company's troubleshooter<br />
for any rough<br />
situation which may<br />
develop.<br />
Secondly, he will<br />
assist the general man-<br />
M. B. Smith ager. As yet no one<br />
has been named to this position, formerly<br />
held by Shelton who has been advanced to<br />
president. "Smitty," as they call him in the<br />
office, has proved in the past he knows operations<br />
down to the last detail, Shelton said.<br />
Thii-d, he will have the authority to produce<br />
campaigns for the circuit and to go into<br />
any territory and set up test campaigns.<br />
Fourth, he will make calls in the divLsions<br />
for the general manager, and will continue<br />
to edit the Messenger, weekly Commonwealth<br />
house organ.<br />
Smith started as an operator with O. K.<br />
Mason in February of 1931 and has filled<br />
every job the circuit ha-s had to offer. In<br />
1939 he became a division manager, the<br />
first such position created, with headquarters<br />
in Garden City. In 1946 he was brought into<br />
the home office, and here he initiated Shelton<br />
into his duties as a division manager, the<br />
second division then being inaugurated. He<br />
has acted as temporary film buyer, and in<br />
the fall of 1946 took over the Central division<br />
with the added duties as publicity<br />
director and management aide in the home<br />
office, serving in these capacities until his<br />
present promotion.<br />
Other personnel changes include the addition<br />
of George Gabbert. former booker at<br />
Republic and prior to that office manager and<br />
CONFERENCE—Mara Corday<br />
'P.\RIS'<br />
visited Indianapolis in behalf of U-I's "So<br />
This Is Paris" at the Circle Theatre. Here<br />
she is shown discussing the promotional<br />
plans with Indiana Amusement Co. exec-<br />
Left to right are Walter Wolvcr-<br />
utives.<br />
ton, advertising manager of Indiana<br />
Amusement; Milton Ettinger, office manager<br />
at the U-I exchange; Al Hendricks,<br />
manager of the Indiana Theatre, and Dal<br />
Schuder, manager of the Circle.<br />
booker at Columbia, as booker for Phil Blakey's<br />
division 5.<br />
Woody Longan. film buyer at Durwood<br />
Theatres, is coming over to Commonwealth<br />
in the near future as assistant to film<br />
buyer Lloyd Morris. Longan will supervise all<br />
bookings and do the film buying for those<br />
theatres which are served out of exchange<br />
areas other than Kansas City. His experience<br />
includes five years at Durwood Theatres, prior<br />
to which he spent ten years with the Dickinson<br />
circuit. Before that he had his own<br />
real estate and insurance business.<br />
The new Commonwealth divisions, their<br />
respective managers, and the number of<br />
theatres and towns in their divisions are<br />
these:<br />
Division 1—Roy Tucker, manager; Joplin,<br />
Mo. (2). Baxter Springs, Kas. CD, Springfield,<br />
Mo., (2), Fayetteville, Ark., (1), Harrison,<br />
Ark., (3), Mountain Home, Ark., (1),<br />
Batesville, Ark., (2). Searcy. Ark. c2). Monett,<br />
Mo.. i2). (16 theatres. 9 towns.)<br />
Division 2—J. D. King, Great Bend. Kas.<br />
(31. Hoisington (2>. Pratt (1), Kinsley (1),<br />
Garden City (3). Kingman (2), Ellsworth<br />
(2 1. Lindsborg (1). Eureka (1), Manhattan<br />
(1), Herington (1), il8 theatres, 11 towns.)<br />
Division 3—Ray Holmes, Ti'enton, Mo. (2),<br />
Cre.ston. Iowa i3). Yankton. S. D., CM. Shenandoah.<br />
Iowa (1). Belleville. Iowa (2), Superior.<br />
Neb. (II, Grand Island (1). North<br />
Platte (li. Goodland. Kas. (2), Norton. Kas.<br />
(li. Lawrence. Kas. (3). Holton, Kas. (1).<br />
theatres, 12 tow-ns.)<br />
Division 4—Doug Lightner. Washington,<br />
Mo. (21. Pulton (1), Columbia (4), Waynesville<br />
(2), Clinton (3i, CaiToUton (1), Warrensburg<br />
(2), Sedalia (1), Harrisonville (2). (18<br />
theatres. 9 towns.)<br />
Division 7—Phil Blakey. Kansas City (4i,<br />
Excelsior Springs (1). Parkville (1), Hickman<br />
Mills (1). (7 theatres, 4 towns.)<br />
luary 8, 1955 47
KANSAS CITY<br />
. , .<br />
JJtuyvae P. Musselman iMrs. Ray), veteran<br />
exhibitor who operates the Roach Theatre<br />
at Lincoln, Kas., has been at St. John's<br />
Hospital in Salina for observation. Her husband<br />
is taking her to Mayo's for further<br />
tests this coming week. Doctors have been<br />
unable to determine the cause of her jaundiced<br />
condition Chic Evens, 20th-Fox<br />
publicist, left for Las Vegas, Nev., with Mrs.<br />
Evens to attend the wedding of their daughter<br />
Sherli to Erwin Goldman, newspaperman<br />
with the Los Angeles Times, The wedding<br />
took place Tuesday i4) at the Last Frontier<br />
Wedding Chapel in Las Vegas and the young<br />
couple are honeymooning at the Flamingo.<br />
Sherli has been living in California the past<br />
two years.<br />
Nick Sonday, general manager of Consolidated<br />
Agencies, broke diet training over the<br />
holidays and as a consequence has been back<br />
in Research Hospital for observation and a<br />
complete checkup. He became ill early New<br />
Year's morning. Nellie and Ed Cremins of<br />
Des Moines stopped in the home office Monday<br />
i3). Ed is Lloyd Hirstein's assistant at<br />
the Capitol in Des Moines and Nellie operates<br />
the concessions. They were on vacation. William<br />
Wade, manager of the Palace at Wichita,<br />
was in for a conference last week as was<br />
Veldon Hon, manager of the Davis at Higginsville.<br />
Clark Rhoden, chairman of the board for<br />
the Popcorn Institute, will attend the meeting<br />
to be held in Chicago on January 19 as<br />
will Frank Bamford, Fox Midwest conces-<br />
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115 W. 18th Kansas City 8, Mo.<br />
COMPLETE LINE OF CONCESSIONS<br />
EQUIPMENT AND SUPPLIES<br />
L & L<br />
no West 18th St.<br />
POPCORN CO.<br />
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sions manager. Prior to the meeting, the<br />
Popcorn Processors will hold a meeting on<br />
January 18, 19. Incidentally, Rhoden's own<br />
Tarkio. Mo. popcorn plant has around 6.-<br />
000,000 pounds of popcorn stored.<br />
Fred Souttar, Fox Midwest district manager,<br />
reports the death Friday (31) of Harry<br />
Keiffer of the Wichita Eagle. At one time<br />
Keiffer operated the Grand and Strand theatres<br />
at Salina, Kas. Souttar also reports<br />
the Regent at Newton is being remodeled,<br />
with new floors, new seats and a new front.<br />
The Chief has had Cinemascope installed<br />
so that the Regent can close until the remodeling<br />
is completed and when it reopens<br />
it will be called the Pox. The Wichita at<br />
Wichita gets CS, so now all Fox Wichita<br />
houses have installations. Manager Zeb<br />
Pruner is back after an illness.<br />
Vern Skorey, sales manager for 20th-Fox,<br />
and wife have returned from a short trip<br />
to visit his brother in Denver. Howard Kinser,<br />
salesman who lives at Newton, was in for<br />
the sales meeting Monday 1,3) .. , Hank<br />
Doering of the Peoples at Garnett, Kas., was<br />
on Filmrow booking in preparation for having<br />
to spend several months at the legislative<br />
sessions at Topeka. Hank is a state representative<br />
. . . J. W. Shi-eve opened his<br />
Giles Theatre with Cinemascope over the<br />
holidays. Guess where he bought his equipment.<br />
John McCarty of the McCarty Theatre<br />
Supply of St. Louis visited the Shreve Theatre<br />
Supply Co. over the holidays. McCarty<br />
is a business associate of J. W. Shreve<br />
Bud Truog. office manager for United Artists,<br />
is pleased to announce that in the current<br />
Bob Benjamin Drive the Kansas City<br />
exchange is in first place. The weeks from<br />
February 20 to March 5 have been designated<br />
Ralph Amacher weeks in honor of UA's<br />
local manager.<br />
L. J. Kimbriel of Missouri Theatre Supply<br />
and Mrs. Kimbriel flew to Mexico City and<br />
Acapulco for a ten-day vacation . . . Gene<br />
Sichelman, home office representative, has<br />
arrived for several weeks in the Columbia<br />
exchange ... Ed Hartman of Hai'tman Booking<br />
Agency counted one of his best Christma*<br />
presents the greeting by telephone from<br />
his daughter Elaine in Guam .<br />
. Jerry Haile,<br />
Universal salesman for<br />
.<br />
northern Kansas,<br />
spent Christma-s with his parents in Dallas<br />
. . . Harold Wirthwein, Allied Ai-tists western<br />
division sales manager and Roy Brewer, in<br />
charge of exchange operations, are due Monday<br />
(10) in the local office . . . Elliott<br />
Hechtman, son of Nat Hechtman of Capitol<br />
Flag & Banner Co., has returned to Missouri<br />
University after spending the holidays with<br />
his parents.<br />
Joe Redmond, Fox Midwest publicist, is<br />
deep in the plans for his Westport high<br />
school 25th anniversary class reunion. Joe<br />
graduated in 1930 and is helping round up the<br />
other 400-odd graduates for the celebration<br />
in May. So far. 125 have been located.<br />
group of business associates . . . Marvii<br />
farb of Denver, division manager for<br />
Vista Pictures, spent several days in tc<br />
past week . . . Woodie Latimer at L&<br />
corn said he and his staff were busy<br />
inventory and getting out Uncle Sam's<br />
. .<br />
idea of Dan-ell Shelton of the Strand ai<br />
Kansas exhibitors seen recently on t.<br />
included J. H. Neeley of Hays, Nick K<br />
Holden and Oswego, Dan Blair of Smit<br />
ter, W. C. Mosher of Blue Mound, Lilj<br />
of Hill City, Ml", and Mrs. Ben Phi<br />
Oskaloosa . Missouri visitors includec<br />
Hayob of Marshall, Bob Robinson of<br />
Fox Midwest carried out the (<br />
City . . .<br />
cil Bluffs, Iowa, for Small Fry New-<br />
Eve celebrations. He started last year<br />
a noon "blow-off" after the kiddy shi<br />
it was picked up by the other Fox hoi<br />
M. Terman Converts Es<br />
In Chicago to Art Hous<br />
CHICAGO—Mandel Terman, well<br />
local businessman with art films<br />
chosen hobby, has taken over the i<br />
Essex Theatre lock, stock and barre<br />
Essex, located at 717 West Sheridan P<br />
one of four houses redecorated and re<br />
two months ago. It is the only<br />
'he newly reopened theatres which hs<br />
been operating on a consistent schec<br />
Terman's venture into the theatre fc<br />
was motivated, he says, because he<br />
to provide the neighborhood in which<br />
sides and conducts his business with ;<br />
tre presenting first class films in t<br />
'.<br />
:<br />
category. The Essex is located in a<br />
quite devoid of theatres. A feature fi<br />
the Essex is a large free parking<br />
patrons.<br />
Operating under the name of Ai-t 1<br />
Operating Corp., the Essex will conti:<br />
double featm-e system, seven nights<br />
and Sunday matinees. Terman stated<br />
ever, that plans are in the making<br />
single picture policy, with a featuret<br />
perhaps a news film.<br />
K-M Allied Board to Mc<br />
KANSAS CITY—President Beverly<br />
of the Kansas-Missouri Allied Indep<br />
Theatre Owners has announced the po;<br />
ment of the board meeting until Mondi<br />
from Monday (10 1. A report on th<br />
meeting in Chicago will be made.<br />
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Arnold Gould, city manager for Durwood<br />
Theatres at Jefferson City, is on a three-week<br />
vacation trip to New Orleans with Mrs,<br />
Gould. Another city manager on vacation<br />
with his wife is C. Clare Woods of St. Joseph.<br />
They went to Mexico . . . Lou Patz left for<br />
Miami, Fla., where he will meet Herman<br />
Robbins, president of National Screen Service,<br />
and take a cruise with him and a small<br />
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48 BOXOFTICE January
: 3-7974,<br />
return<br />
. . . and<br />
OUIS<br />
:is, owner of the Jefferis<br />
ne Hill Di'ive-In at Pied-<br />
1 with a virus infection<br />
(27) for a meeting of the<br />
mittee for the Allied navention<br />
to be held here<br />
r receiving medical attendmont<br />
the next afternoon<br />
r son Robert and his wife<br />
earlier that day to have<br />
for the show that night,<br />
led a meeting of the Nay<br />
board in Chicago Thursdetails<br />
for the February<br />
mas parties for children<br />
eatres in this trade terri-<br />
Rodgers Theatre. Anna,<br />
lesday (29) by Manager<br />
for the school children of<br />
ved gifts from cooperating<br />
lations: the Ritz Theatre,<br />
its 14th annual Christmas<br />
14, 15 for some 900 young-<br />
Theatre, Arthur, which<br />
iiatinee for children and<br />
1, and the Gran Theatre,<br />
ners Mi-, and Mrs. LeRoy<br />
nnual Chi'istmas show for<br />
:23).<br />
a. has moved into its new<br />
Dms at 1804-06 South Jef-<br />
1 spot much more conthan<br />
the company's old<br />
to Stu Tomber .<br />
; Val Mercier, Perryville;<br />
Hunt Theatre, Doniphan;<br />
leville; Izzy Wienshienk,<br />
s. Alton; Joe Goldfarb.<br />
irsen, Montgomery City;<br />
onda; Charley Beninati,<br />
izzi. Mount Olive; Wayne<br />
Williams, Union; Eddie<br />
Woody Proffer, Ramsey:<br />
s, Breese, and Warren<br />
FOR THE THEATRE<br />
tre Supply Company<br />
ch<br />
Hosier<br />
cet, St. Louis 3, Mo.<br />
JE 3-7975<br />
'<br />
'20,000 Leagues' Reports 300%<br />
In Chicago Bow; 'Cruz Hits 275<br />
CHICAGO—"20,000 Leagues Under the<br />
Sea,"<br />
which has been reporting exceptionally<br />
high grosses all over the country, was equally<br />
well received in Chicago where it reported<br />
300 per cent for its initial stanza. The Chicago<br />
Theatre's opening day boxoffice record<br />
of $18,000 established by Jack Webb, was<br />
shattered by Julius LaRosa, Kitty Kallen and<br />
"Vera Cruz," setting a new high of $21,000<br />
and contributing to a gross of 275 for the<br />
week. Another newcomer which bowed in<br />
with a sensational first week total was<br />
"There's No Business Like Show Business,"<br />
which drew an excellent 265 at the Oriental.<br />
A surprise here in Chicago is the figure<br />
being reached by "Hansel and Gretel," a feature<br />
which ha.sn't been making any mark in<br />
other situations but is drawing capacity<br />
crowds here, actually showing an increase<br />
to 250 in its second stanza over its first<br />
week's 230.<br />
(Average Is 100)<br />
Chicago—Vera Cruz (UA), plus stage revue 275<br />
Eitel's Palace—This Is Cinerama (Cinerama),<br />
75th wk<br />
, 205<br />
Esquire—On the Waterfront {Co\) ............. '.]95<br />
Grand— Fire Over Atrico (Col); They Rade West<br />
(Col) 190<br />
Loop— Hansel ond Gretel (RKO), 2nd wk 250<br />
McVpckers—Deep in My Heort (MGM) 235<br />
Monroe—The Fighting Pimpernel (Carroll)'<br />
'.<br />
The Black Pirates (LP) 200<br />
Oriental—There's No Business Like Show Business<br />
(20th-Fox) 265<br />
Roosevelt—So This Is Poris (U-l) 195<br />
Stote Lake—20,000 Leagues Under the Sea<br />
(Bueno Vista)<br />
, 300<br />
Surf—The Detective (Col) 175<br />
United Artists—The Silver Chalice (WB) 205<br />
Woods—The Lost Time I Sow Paris (MGM),<br />
6th wk 200<br />
World Playhouse—Aida (IFE) 205<br />
Ziegfeld— Desert Song (WB); The Mikado<br />
(U-l) reissues 190<br />
The Chalice' Grosses<br />
250 in Kansas City<br />
KANSAS CITY—Business was good in all<br />
the first run houses here the past week and<br />
all the bills were held. The Esquire also was<br />
open, playing two of the Academy award winners,<br />
"Stalag 17" and "From Here to Eternity"<br />
on return engagements. "The Silver Chalice,"<br />
in its first week at the Missouri, did the top<br />
gross of 250 per cent and "The Detective" at<br />
the 'Vogue in its second week did 225. The<br />
weather has been mild without snow, usually<br />
a help at the boxoffice.<br />
Glen— High and Dry (U-l), 9th wk ; The Promoter<br />
(U-l), 3rd wk<br />
,<br />
engogement 125<br />
Kimo—Romeo and Juliet (UA), 2nd wk 160<br />
SUBSCRIPTION ORDER FORM<br />
Midland—Deep in My Heart (MGM) 1 50<br />
Missouri—The Silver Chalice (WB) 250<br />
Orpheum—There's No Business Like Show Business<br />
(20th-Fox), 2nd wk 1 65<br />
Paramount—Three Ring Circus (Poro), 2nd wk...l75<br />
Roxy— Young at Heort (WB), 2nd wk 1 00<br />
Tower, Uptown, Foirwoy and Gronado 20,000<br />
Leagues Under the Sea (Buena Vista), 2nd wk.. 140<br />
Vogue—The Detective (Col), 2nd wk 225<br />
Walter Bollingers Mark<br />
Their 25th Anniversary<br />
ELLIN-WOOD, KAS.—Mr. and Mrs. Walter<br />
Bollinger of the Ellinwood Theatre celebrated<br />
their 25th wedding anniversary Monday (20).<br />
Since the show' must go on, the Bollingers<br />
invited married couples to be their guests at<br />
the evening show, all of them being admitted<br />
free if they presented either their wedding<br />
picture or their marriage certificate. (Mrs,<br />
Bollinger found their own credentials at the<br />
bottom of the cedar chest).<br />
A gift was presented to the most recently<br />
married couple and to the one that had been<br />
married the longest. The newlyweds had<br />
been married six weeks and the longweds<br />
60 years.<br />
One of the Bollinger aniversary "gifts" was<br />
the announcement by theii- son Mack that<br />
he had given Miss Connie Jo Welty of Hutchinson<br />
an engagement ring, so the Bollinger<br />
family can look forward to other anniversaries.<br />
R/0 SYRUP CO.<br />
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Visit our new factory<br />
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1804-06 S. JEFFERSON<br />
ST. LOUIS 4, MO.<br />
Same Phone<br />
Numbers PR 2-4615<br />
Same Good Concession Service<br />
handy to Film Row, too.<br />
YOU CAN ALWAYS DEPEND ON<br />
Blvd., Kansas City 24, Mo.<br />
r my subscription fo BOXOFFICE, 52 issues per year (13 r) which con<br />
RN THEATRE Section).<br />
FOR THE BEST<br />
'^CHICAGO^^^L^^i-U^J^^NEW SPECIAL<br />
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uary 8, 1955 49
i<br />
. . John<br />
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'<br />
CHICAGO<br />
Tom Dowd, manager, said the Ziegfeld Theatre's<br />
art exhibits not only have become a<br />
popular patron feature, but artists have benefited<br />
from substantial sales. Since setting up<br />
the exhibits about five months ago, Dowd has<br />
had the cooperation of at least ten art galleries<br />
which every week supply between 20<br />
and 25 oils or water colors done by Chicago<br />
artists. A week never goes by without sales,<br />
according to Dowd. The Ziegfeld does not<br />
claim a commission.<br />
Albert Dezel has been named midwest distributor<br />
for "Mr. Hulot's Holiday." The film<br />
just finished a ten-week run at the Sui-f Theatre<br />
Herb Kaufman, local representative<br />
. . . of Hal R. Makelim, left on a tour of Cincinnati,<br />
New York, Boston. Washington and<br />
other cities for meetings with exhibitor groups<br />
on the Makelim plan.<br />
The Ziegfeld, with the beginning of the<br />
new year, scheduled a series of sneak previews<br />
of films. Tom Dowd, manager, said<br />
the pictures will be lavish productions, most<br />
of which have not played elsewhere in the<br />
country. Audience reaction is to be polled<br />
at each preview, and then selections will be<br />
HERE'S YOUR CHANCE<br />
lo get in the<br />
BIG MONEY<br />
a screen game,<br />
HOLLYWOOD takes top<br />
honors. As a box-office attraction,<br />
it is without equal. It has<br />
been o favorite with theatre goers for<br />
over 15 years. Write today for complete details.<br />
Be sure to give seating or car capacity.<br />
HOLLYWOOD AMUSEMENT CO.<br />
131 South Wabash Avenue • Chicago S, llllnolt<br />
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Distributors<br />
LORRAINE CARBONS<br />
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Send for Price List<br />
Freight Prepaid on $100.00 or More<br />
KAYLINE CANDY CO.<br />
1220 S. Michigan Avenue Chicago 5, III.<br />
THEWTRE EQUIPMENT<br />
442 N. ILLINOIS ST., INDIANAPOLIS, IND.<br />
"Everything for the Theatre"<br />
made for presentation at the Ziegfeld later.<br />
Dowd said this probably will put a temporary<br />
end to the double featui-e reissue policy which<br />
has been in effect for the past few months<br />
although the reissues have paid off well.<br />
.<br />
Dominic Cristallo died December 29 and<br />
George High died the following day. Both<br />
were operators in local theatres . . Miss<br />
.<br />
Chadyeane Godding has been appointed<br />
assistant in the production department at<br />
Kling Films Ireland and his wife<br />
Joanne Dru stopped to greet friends while<br />
en route to New York City.<br />
. .<br />
The addition of Hilly Rose to the staff of<br />
Kling Film Productions has been announced<br />
by Vice-President Fred A. Niles. Rose was a<br />
writer in Hollywood . The Cinema Annex<br />
is running a special benefit for the Chicago<br />
Committee to aid the victims of Salerno, Italy,<br />
who were made homeless recently by a flood<br />
and landslide. The two films being run especially<br />
for the occasion are "The Little World<br />
of Don Camillo" and "The Young Caruso" . .<br />
Paramount Pictiu-es with the chief of Naval<br />
Air Reserve training. Rear Adm. Daniel V.<br />
Gallery, previewed "The Bridges at Toko-Ri"<br />
at the Uptown.<br />
Bert Nathan, president of the International<br />
Popcorn Ass'n, reports the death of Harold<br />
A. Eifert, a popcorn industry veteran. Eifert,<br />
who was head of Dunbar & Co., dry popping<br />
machinery manufacturing firm, is survived<br />
by his wife . Lewis, accompanied by<br />
his wife and children, visited here with<br />
friends, then continued on to New York.<br />
Vi Dane of Filmack celebrated a wedding<br />
Stanford Kohlberg<br />
anniversary Sunday i2) . . .<br />
reopened the remodeled Park Ave-<br />
nue Cinema in Park Ridge Thursday (6).<br />
Kohlberg recently opened an ice skating rink<br />
at the Starlite Drive-In, which is the only<br />
outdoor theatre still operating in this area . .<br />
Bill Perlberg and George Seaton, directors of<br />
"The Bridges at Toko-Ri" and "Coimtry Girl,"<br />
spent a couple of days here to lavmch promotion<br />
in behalf of both fUms . . . John Reynolds,<br />
head of Filmack's laboratory operations,<br />
was vacationing in Washington, D. C.<br />
Joseph Mack is in New York, where he is<br />
in at the Filmack eastern works while<br />
filling<br />
Jack Saperstein is vacationing. At the same<br />
time. Rex Kennard, office manager in New<br />
York, spent part of his vacation here to take<br />
a look at the Chicago operation.<br />
A large crowd of exhibitors and member.s<br />
of the press attended a screening of "The<br />
Bridges of Toko-Ri" at the Uptown Theatre<br />
Wednesday i5). Immediately afterwards Buck<br />
Stoner, division manager for Paramount here,<br />
accompanied by publicist Dave Friedman, left<br />
for Indianapolis. Des Moines and Omaha,<br />
where they will host additional screenings . .<br />
Governor William G. Stratton of Illinois<br />
issued a proclamation making January "Goto-the-Movies<br />
Month."<br />
Jack Rose reports that he and Mrs. Rose are<br />
the grandparents of a baby girl . . . N. S.<br />
Barger has purchased the State in Roseland.<br />
Barger also is owner of the Oak Lawn and<br />
Mrs. Irving Mack ha.s<br />
Illinois drive-ins . . .<br />
gone to Florida for a few weeks.<br />
.<br />
First 'Sitting Bull' Film<br />
Recalled at St. Louis<br />
ST. LOUIS—The opening of<br />
"Sittin<br />
in Eastman Color at Loew's State 1<br />
here December 23 brought back mem(<br />
the oldtimers in the motion picture b<br />
here.<br />
It was recalled that in 1908 or 190!<br />
Crawford, then head of the Swanson<br />
ford Co., sent Eddie Dustin and several<br />
and actresses into Indian Territory t(<br />
a five-reel picture titled "Sitting BuU<br />
cast included about 1,000 Indians, si<br />
whom had participated in the famec<br />
sacre of General Custer and his cava<br />
at the battle of the Little Big Horr<br />
in Montana.<br />
Dustin. who in later years manag<br />
local Pathe branch, paid the Indian<br />
day but managed to charge them<br />
for food and lodging to get all of i<br />
for the producers.<br />
This first "Sitting Bull" was th<br />
five-reel picture ever made, and its<br />
in Indian Territory marked the first<br />
the industry that actors, etc.. wer<br />
to a natural geographical section hi<br />
of miles from the studio to get tl<br />
atmosphere for a production.<br />
The picture later was premiered at<br />
Louis theatre owned by Crawford.<br />
Harry Hopkins Gives T<br />
BEARDSTOWN. ILL. — Harry H<br />
MGM salesman from St. Louis, gave a<br />
the motion picture industry at a mee<br />
the Beardstown Women's Club Tuesd<br />
Aj-rangements for the talk were made 1<br />
Woods, manager of the Pi-incess The;<br />
cooperation with M>Ta Stroud, MITO<br />
tary, and Tom Bailey. St. Louis majia<br />
MGM.<br />
Indianian Adds CS<br />
WHITING. IND. — Manager Taki<br />
reports that the Hoosier Theatre is<br />
equipped for Cinemascope.<br />
MODERNIZE<br />
NO^<br />
Let our competent staff of em<br />
and designers show you ho<br />
can modernize for Cmem<br />
and<br />
and<br />
A featured lead in Universal's "Female on<br />
the Beach" has been handed to Charles<br />
Drake. 1206 Cherry St.<br />
other<br />
wide-screen<br />
multi-channel sound<br />
pre<br />
QUICKLY, ECONOMICALLY<br />
We will contract to do '<br />
signing and engineenm<br />
make the<br />
installation, cor<br />
at low cost to you. Wi<br />
todoy for full informatic<br />
50 BOXOFFICE :: January
1 TV<br />
, Added<br />
siness' Pulls<br />
Memphis<br />
1 first runs hit the jackpot<br />
which continued on into<br />
's Palace did three times<br />
ith "There's No Business<br />
." Malco did two and one-<br />
.•ith "20,000 Leagues Under<br />
d 75 per cent above avering<br />
Cij-cus." Loew's State<br />
bove average attendance<br />
age Is 100)<br />
siness Like Show Business<br />
300<br />
1 50<br />
i Under the Sea (Buena<br />
250<br />
reus (Para) 175<br />
retel iRKO) 70<br />
ys Hollywood<br />
Challenge<br />
ers to the editor recently<br />
[erald stressed two ideas.<br />
vere needed with a more<br />
life, designed for conand<br />
old. Two: that with<br />
iiovies have gone down in<br />
ig only to be more specnext:<br />
star quality going<br />
.gures sought, and over-<br />
:k of Florida State Theaartment.<br />
wrote a letter<br />
rinted. He wrote:<br />
long time was laughed at<br />
finishes where love con-<br />
)dness always triumphs,<br />
of the world looked at<br />
fforts as infantile, afraid<br />
r because of the boxoffice<br />
of creative talent. Now,<br />
eceipts due to uncreative<br />
avasion of TV. Hollywood<br />
k.<br />
he last two years have<br />
ghs, largely due to the<br />
that America no longer<br />
Jiet of B pictures. They<br />
ge to buy the best stories<br />
)€st-selling novels, Broadproductions<br />
if their<br />
to this has been<br />
ic detail. Film locations<br />
lUt all over the world in<br />
the mood of the original<br />
/e been gambled on unis<br />
have been invested in<br />
sses. The fact that it has<br />
to by the American theach<br />
after all has the final<br />
rg Airer Open<br />
/ements<br />
IG—The Fourth Street<br />
eopened under the manmbrell,<br />
who managed the<br />
until it was closed and<br />
prings Theatre in Tampa,<br />
screen was installed, the<br />
air conditioned for both<br />
!r and the new restrooms<br />
drive-in. The public was<br />
car" and come as guests<br />
and enjoy a cartoon carle<br />
short and a comedy.<br />
Average of 300,000 Miamians See<br />
Motion Picture Show Each Week<br />
MIAMI—Where were you on the night of<br />
November 27? The chances are that you<br />
were at a motion pictiu-e theatre, somewhere<br />
between North and South Miami, for on<br />
that night 103,927 men, women and children<br />
went to a picture show. These and other<br />
illuminating statistics were compiled by Herb<br />
Kelly of the Miami Daily News staff.<br />
"Where were you during the week of November<br />
21?" he wrote. "Again the chances<br />
are you were in a movie, because dur-ing<br />
that week, 329,944 persons paid their way<br />
into a local theatre. Remember, that wa-s<br />
during the latter part of November. During<br />
the height of the season you can add 60 to<br />
100 per cent to the total which, conservatively<br />
speaking, would make the figiu-es 155,000 for<br />
Saturday night and 527,000 for the week.<br />
"Then to top it off, take a conservative average<br />
of 300,000 and spread it over 52 weeks<br />
and you'll come up with over 15 million<br />
people in the Miami area going to the 50<br />
motion picture theatres in a year's time.<br />
"There are five reasons why you left your<br />
home, battled traffic, searched for a parking<br />
place, probably paid a parking fee, hired a<br />
baby sitter, bought an admission ticket and<br />
spent a few quarters besides," Kelly wrote.<br />
"When people pay money for entertainment,<br />
or for anything else, they take it seriously.<br />
It's not for free and bringing you into<br />
a theatre is a big business and here is why<br />
you go. The reasons come from theatre managers<br />
and are listed in the order of their<br />
importance.<br />
"1. Heavy, constant day-after-day newspaper<br />
advertising.<br />
"2. What's the picture and who's in it?<br />
These questions are answered when the family<br />
reads the new-spaper advertisements, sees<br />
photos of scenes from the pictures, notes the<br />
stars they have read about and scores of<br />
others.<br />
"3. Unbiased reviews of newspaper critics.<br />
Many are guided by the men who see these<br />
pictures on opening days and write their<br />
opinions with mainly three thoughts in mind:<br />
Is it a good picture? Is it a reasonable bargain<br />
at the admission price asked? Is it the<br />
kind that will appeal to the majority?<br />
"Now, no reviewer can criticize a show<br />
without finding some dissenters. Just for fun,<br />
try this some time. Ask the opinion of some<br />
of your friends who have seen the same<br />
motion picture you have. You'll be surprised<br />
how many different an.swers you will get.<br />
"4. Word-of-mouth advertising. If it's a bad<br />
picture it doesn't take long for it to become<br />
known. When you have over 300.000 persons<br />
seeing a show, news .spreads fast over lunch<br />
counters, telephone, family dinner tables,<br />
offices and busine.ss places.<br />
"5. Habit. Some have a particular night for<br />
the movies. Others decide to take in a show<br />
because there's nothing else to do. We picked<br />
the week of November 21 for two rea.sons.<br />
First it was the week some very good and<br />
very bad pictures were on the screens<br />
throughout the area. The bad would offset<br />
the good and a fair figure could be reached.<br />
"Second, it was not during the lighter<br />
summer months, nor at the height of the season.<br />
Thus an average attendance could be<br />
obtained. The totals are accurate, you can<br />
be sure. Attendance figures are jealously<br />
guarded by theatre managers and it was only<br />
by promising each theatre manager that his<br />
figures would be kept in strict confidence<br />
that we got cooperation.<br />
"They represent reports from enclosed theatres<br />
and drive-ins, as the latter have become<br />
a tlu-iving industry. The airer is the<br />
answer to many problem.s—parking, babysitting,<br />
dressing up. The whole family— in<br />
shorts or slacks, the baby in diapers—can<br />
pile into a car, sit back and watch a double<br />
feature.<br />
"About 75 per cent of the readers of this<br />
paper are moviegoers. In that number you<br />
find people from every w'alk of life, most of<br />
whom must count carefully their cost of recreation<br />
that breaks the monotony of school,<br />
kitchen drudgery or office.<br />
"For a few short hours they can forget<br />
the daily grind as they watch and hear opera,<br />
jazz, musical comedy, drama, adventure. Usually<br />
in color and on wide screen, before<br />
your eyes are the latest in hair styles of the<br />
female stars you have read about in your<br />
newspaper, home furnishings, romance and<br />
the many things dear to the heart of the<br />
woman."<br />
This story is meant merely to show how<br />
movies have become a vital part of daily<br />
life.<br />
Yes, they are 365-days-a-year entertainment,<br />
in which your amusement pages play<br />
an important part, bringing you that in which<br />
all readers share a mass taste—laughter,<br />
drama and tears.<br />
Fire at New Orleans<br />
Ruins Crown Theatre<br />
NEW ORLEANS—A $100,000 blaze brought<br />
about complete ruin to the sub-run Crown<br />
Theatre. The theatre, owned by Lazarus Theatres,<br />
Inc., caught fire on New Year's morning<br />
about 3 o'clock and brought a general<br />
alarm with 20 pieces of fire equipment answering<br />
the alarm. Eight firemen narrowly<br />
escaped death when the front of the theatre<br />
collapsed within seconds after the men had<br />
moved.<br />
An investigation is under way.<br />
Features Miniature Train<br />
At Eau Gallie, Fla., Airer<br />
EAU GALLIE. FLA.—A train ride on a<br />
miniature steam train has been added to the<br />
attractions of the Brevard Drive-In, owned<br />
and operated by Hugh Kampen. The railroad,<br />
located at the theatre exit, is called the<br />
N
. . Strand<br />
. . The<br />
Big Electronics Year<br />
Seen by GE Official<br />
From Eastern Edition<br />
NEW YORK—The electronics industry will<br />
continue its fast development pace in 1955,<br />
predicts Dr. W. R. G. Baker, vice-president<br />
and general manager of the General Electric<br />
electronics division.<br />
Pi'incipal developments, he says, will be:<br />
1. The trend to higher power in broadcasting<br />
will continue as more and more stations<br />
increase their power rating.<br />
2. By the end of 1955, there should be at<br />
least 530 television stations in operation in the<br />
United States, an increase of 100 for the<br />
year, and it is estimated that more than<br />
50 per cent of operating stations will be able<br />
to transmit network color shows.<br />
3. Retail television sales for the year should<br />
total about 5,800,000 monochrome units and<br />
200,000 color sets. Public interest in lifelike<br />
quality of color TV assures It success<br />
as a superior medium of television entertainment.<br />
4. Retail radio sales are estimated at 6,500,-<br />
000 units for 1955, when there wUl be a<br />
strikingly new advance in radio chassis construction<br />
through the use of printed wire<br />
boards. Nearly 1,000,000 units of the total<br />
radio production will use printed wire wiring.<br />
5. The first quantity production of general<br />
purpose transistors will be achieved in<br />
1955.<br />
6. Great accomplishments will mark the research,<br />
development, systems engineering and<br />
production of military electronics equipment<br />
as the growing complexity and volume of such<br />
equipment brings out the need for integration<br />
of more and more individual functions.<br />
7. New designs in germanium rectifiers will<br />
nearly quadruple the volume of business in<br />
195-t<br />
8. Use of two-way radio communication in<br />
mobile applications will continue to expand<br />
with total industry sales approximately 10<br />
per cent higher than in 1954.<br />
9. Continued growth of electronics applications<br />
and increased use of electronic tubes for<br />
defeiLse, industry and entertainment will give<br />
added impetus to the already rapid growth<br />
in the tube business.<br />
Handed a character lead in Columbia's<br />
"Duel on the Mississippi" was Ian Keith.<br />
MONARCH<br />
Theatre Supply, Inc.<br />
MEMPHIS<br />
LJonard A. Nicholson, manager of Paramount,<br />
staged a tradescreening at Linden<br />
Circle of "The Bridges of Toko-Ri" . . .<br />
Grover Wray, partner in Exhibitors Ser-<br />
. . H.<br />
vices, spent a holiday vacation with relatives<br />
in Shreveport. Ed Doherty, the other<br />
partner, attended the Navj'-6le Miss game<br />
al New Orleans on New Year's Day .<br />
G. Walden is the new owner of Belmont at<br />
Belmont, Miss. He will book and buy in<br />
Memphis.<br />
Additional drive-in clasings reported:<br />
Wheatley, Hot Springs, Ark.; A&B. Ripley,<br />
Tenn.; Skyway, Princeton, Ky.; Rainbow,<br />
Griffithville, Ark., and Broadway, Dickson,<br />
Tenn. The Prescott (Ark.) Drive-In, went into<br />
a week-end only operation . local<br />
Plaza Theatre, operated by Augustine Clanciolo,<br />
staged a midnight spook show New<br />
Year's Eve. "The Dungeon of Death," was<br />
presented by "The Mad Dr. Morris," expert<br />
in the eerie. Dr. Morris performed such feats<br />
as amputating limbs of lovely gb-ls and then<br />
turned loose his vampires amongst patrons.<br />
The film was "The Monster and the Woman."<br />
B. F. Jackson and Joe Davis, Delta, Ruleville;<br />
Mrs. Jack Watson, Palace, Tunica; Mrs.<br />
. . .<br />
J. C. Noble, Temple, Leland; C. J. Collier,<br />
Globe, Shaw; and Joe Davis, Globe, Drew,<br />
were among visiting Mississippi exhibitors<br />
M. A. Lightman jr., Malco Theatres, and<br />
his family were vacationing in Florida . . .<br />
Mr. and Mrs. R. L. Bostick. National Theatre<br />
Supply Co.; and Null Adams. BOXOFFICE<br />
representative, were among Memphians who<br />
attended the Sugar Bowl Ole Miss-Navy football<br />
game.<br />
Louise Mask, Luez, Bolivar; Paul Harrington,<br />
Calvert Drive-In, Calvert City, Ky.; Orris<br />
Collins. Capitol and Majestic, Paragould,<br />
Ark.; H. P. Espey, Victory, Weiner, Ark.;<br />
John Lowrey and son. Jack Lowrey, Lowrey,<br />
Russellville, Ark., and J. K. Jameson sr., and<br />
his son, Joy at Bald Knob, Ark., and Ken<br />
at McCrory, Ark., were seen on Filmrow.<br />
H. G. Walden plans to reopen the Belmont<br />
Theatre. Belmont, Miss., within the next two<br />
weeks. Dyer Theatre, Dyer, Tenn., and Ashland<br />
Theatre, Ashland, Miss., have closed for<br />
the time being . Theatre, Louis-<br />
. . .<br />
ville, Miss., has been closed following a fire<br />
Shelby Theatre, Shelby, Miss., plans a<br />
HANDY<br />
new home. The city has condemned the present<br />
building and Shelby's owners ]<br />
build a new theatre if a suitable 1<br />
cannot be found . . . Twin Oaks D<br />
Monticello. Ai'k., has closed for the se;<br />
Mayor Tobey and top army bras<br />
present at Loew's State theatre fo<br />
monies opening the showing of the do<br />
tary film on Army life, "This Is Your<br />
which was billed with "Destry." Thf<br />
an Army band and a presentation<br />
colors at the opening.<br />
William H. Everett, owner, has reope<br />
former owner of Normal Theatre here a<br />
Rae Theatre, McRae, Ark., and wi<br />
and buy out of Memphis . . . George Gi<br />
field representative of the Theatre<br />
of America, was guest on the Press-Sc<br />
"Interesting Persons" program on te<br />
station WMCT. Gaughan said Ameri(<br />
diers now think nothing of finding<br />
theatres just like the ones back hoi<br />
the latest pictures wherever the Arm<br />
them in the far corners of the w'orld. G<br />
helped set up the theatre system<br />
Army.<br />
A Get-Acquainted We<br />
HAINES CITY—The Florida<br />
Tliea<br />
the Lake Haines Drive-In of the Flo;<br />
aires sponsored a Get-Acquainted We<br />
ing w'hich they presented a pass wi<br />
admission sold. Steve Barber is mar<br />
the Florida, and Roy Williams of tl<br />
Haines.<br />
*^IH[ARTHRmSANO RHEUMATISM FOUNDATION ^i<br />
This Spac« Contributed By<br />
BOXOFFICE<br />
Neil<br />
Blount<br />
492 So. Second Sf.<br />
Memphis,<br />
Tenn.<br />
COMPLETE LINE<br />
THEATRE EQUIPMENT and<br />
CONCESSION SUPPLIES<br />
TRI-STATE THEATRE SUPPLY<br />
320 So. Second St. Memphis, Tenn.
1 Moncton,<br />
. . The<br />
. . Others<br />
. . . Mrs.<br />
. . Lynn<br />
. . Also<br />
. . Rube<br />
det Features<br />
len Letter<br />
jtter written to the edi-<br />
;ine by Earle M. Holden,<br />
the Wilby-Kincey Lucas<br />
is featured in a special<br />
by that magazine titled<br />
Ambassador," copies of<br />
?nt to executives in all<br />
jtion picture industry,<br />
le Savannah theatreman<br />
on for the fine publicity<br />
on picture industry by<br />
contains data on recent<br />
izine has made coninterest<br />
in motion picthis<br />
is one of the reasons<br />
ig much space each week<br />
g to a chart contained<br />
ok devotes an average of<br />
o films.<br />
the pamphlet. Gardner<br />
;ent, sets out the magards<br />
motion pictures:<br />
: a particularly close bond<br />
h is a picture magazine,<br />
icture industry. For in<br />
ays, it seems to me we<br />
e objective through the<br />
entertain, inform and<br />
3Ugh the exciting use of<br />
.ry fluctuations, it has<br />
belief that movies will<br />
al part of American life.<br />
last year has shown this<br />
motion picture industry<br />
; fully justified. With all<br />
Eeel continuing optimism<br />
ars to come."<br />
irists<br />
lew citizens and visiting<br />
y Lynch of the Para-<br />
N. B., imthe<br />
nearby Maritime<br />
/erse side of his monthly<br />
n addition to welcoming<br />
Hub of the Maritimes,"<br />
1 the many up-to-date<br />
new projection-sound<br />
at the Paramount.<br />
HERE'S YOUR CHANCE<br />
to get in the<br />
BIG MONEY<br />
As a screen game,<br />
HOLLYWOOD takes fop<br />
ors. As a box-office ath<br />
is without equal. It has<br />
t with theatre goers for<br />
e today for complete de-<br />
* seating or car capacity.<br />
AMUSEMENT CO.<br />
nu« • Chicago 5, llllnoit<br />
JACKSONVILLE<br />
Dill Baskin, Florida State Theatres booker,<br />
announced the birth of his fir.st daughter,<br />
Evelyn Nelma, born on December 29. The<br />
Baskins also have two<br />
^^^^^<br />
young sons . . . Leaving<br />
J^^^l^^k town for year-end holi-<br />
B^P^^^^^fc days were Leon D.<br />
W ^<br />
Netter, PST president,<br />
1<br />
^^<br />
f and his wife, who<br />
"^^ ^^<br />
visited in Miami with<br />
their son Charles Net-<br />
'^B,,.- - ter and his family;<br />
Mrs. Ernestine<br />
^^^<br />
Noah.<br />
^^^^It ^S'r<br />
i<br />
^^ department,<br />
^^^H S^<br />
who journeyed to Tenm^B^^<br />
w nessee, and Hal Stanton,<br />
manager of the<br />
Bill Baskin Edgewood Theatre,<br />
who visited w'ith his parents in Fort Pierce.<br />
.<br />
Cecil Cohen, owner of the suburban Murray<br />
Hill Theatre, was busy converting his theatre<br />
to Cinemascope. His Dixie Theatre underwent<br />
a similar conversion about two months<br />
ago Palace Theatre, managed by<br />
George Krevo, opened with its second Cinemascope<br />
feature, the first-run of "Carmen<br />
Jones," on December 31 for a booking of<br />
.seven and one-half days. He also ran the<br />
feature as a New Year's Eve midnight show<br />
With one of the largest crowds of the<br />
. . .<br />
year in town to see the annual New Year's<br />
Eve football game between Auburn and Baylor<br />
at the Gator Bowl, several exhibitors<br />
stayed open for midnight shows. These included<br />
Bob Skaggs at the Florida who began<br />
the first-run of "There's No Business Like<br />
Show Business" and Sheldon Mandell at the<br />
St. Johns with the first-run of "The Silver<br />
Chalice" . vying for midnight<br />
favors of visiting Texans, Alabamans and<br />
Floridians were Joe Charles, Capitol Theatre;<br />
Bob Anderson, Southside Drive-In; Carl<br />
Carter, Ribault Drive-In; and Al HUdred,<br />
San Marco Theatre.<br />
Marjorie Edenfield, MGM staffer, vacationed<br />
the latter half of December and returned<br />
to work Monday (3) . . . Friends of<br />
Jack Weiner, MGM publicity man, were glad<br />
to learn that doctors had taken him off the<br />
critical list after he had been in a local hospital<br />
for a week suffering from a lung pimcture<br />
incurred in an auto crash. Taking his<br />
place temporarily in the MGM office was<br />
Judson Moses, exploiteer of the Atlanta district<br />
office . . . Mrs. Lillian Parker, manager<br />
of the Brentwood Theatre, was reported<br />
ill at home.<br />
Cam Price, RKO manager, returned from a<br />
vacation spent with his children in Birmingham<br />
. . . Leonard Allen of Atlanta, Paramount<br />
public relations man, was here in<br />
connection with a screening of "The Bridges<br />
Of Toko-Ri" aboard the hanger deck of the<br />
aircraft carrier, U.S.S. Intrepid the night of<br />
Thursday (6i. Working with him on the first<br />
local filming of this type were FYench Harvey,<br />
FST advertising executive, and Robert<br />
Heekin. FST district supervisor. More than<br />
100 newsmen. TV and radio officials, and<br />
community leaders attended the novel screening<br />
Ken Laird, Buena Vista district<br />
. . . manager, revealed that his southeastern office<br />
would be moved from here to Atlanta,<br />
with Harvey Reinstein remaining as a salesman<br />
for the Florida area.<br />
Carl Floyd, head of Floyd Theatres, Haines<br />
. . Mrs.<br />
City, and Bob Daugherty, general manager,<br />
were here at midweek . here was Bob<br />
Mullis of Bronson, who operates theatres at<br />
Cedar Key and Gulf Hammock .<br />
Adeline Gathrop reopened the Linda Drive-<br />
In, Palatka, with a new concessions stand<br />
Marye Sisson of the Roy Sm.ith Co.,<br />
Tampa, was ill at her home . Joiner,<br />
independent booker from Atlanta, called along<br />
Filmrow, as did Walt Woodward, Wil-Kin<br />
Theatre Supply selesman from Miami.<br />
Mark DuPree, FST executive, and hLs family<br />
spent the New Year holidays in Daytona<br />
Beach . Goodyear, manager of the<br />
Empire Theatre, Daytona Beach, was in town<br />
Will Hill, veteran animal trainer,<br />
briefly . . .<br />
exhibited his dogs, ponies and elephants in<br />
many parts of the state in connection with<br />
first runs of "Three Ring Circus" . . Jim<br />
.<br />
McClellan, Edgewood assistant, was on the<br />
sick list.<br />
Increases Airer Capacity<br />
CORAL GABLES. FLA.—Remodeling the<br />
Tropicaire Drive-In has increased the parking<br />
space by 80 cars. The drive-in can now<br />
accommodate 775 cars. A new CinemaScope<br />
has also been installed, according to Manager<br />
D. K. McComas.<br />
THEATRICAL ENTERPRISES<br />
JACKSONVILLE<br />
ATLANTA<br />
SALUTES -!-<br />
SAM MANNING<br />
Ri-Mar<br />
Drive-In<br />
Thank you, Sam, it has been a<br />
great pleasure working with you<br />
these past five<br />
years.<br />
YOU CAN ALWAYS DEPEND ON<br />
FOR THE BEST<br />
SPECIAL<br />
COCOYL<br />
GOLDEN COCONUT OIL SEASONING<br />
ROY SMITH CO.<br />
TAMPA<br />
JACKSONVILLE<br />
uary 8, 1955 53
. . FST<br />
. . The<br />
. . Jim<br />
. . Percy<br />
. . The<br />
. . Roy<br />
. . John<br />
MIAMI<br />
Jamaica has been selected<br />
by American interests<br />
as the site for a two-stage studio.<br />
The building will cost $300,000. The group,<br />
headed by a-s.sociates of Princeton Film Center,<br />
which also has a central Florida studio,<br />
is being a.ssisted financially by the Industrial<br />
Development Corp. of Jamaica . signed<br />
Vic Damone, starring in two current films<br />
playing here, for three stage appearances at<br />
the Coral, Florida and Sheridan theatres.<br />
Damone was filling an engagement at a local<br />
night club. Wometco also has .secured Damone<br />
for an appearance at the Lincoln, where one<br />
ol his films was in a .second week.<br />
Wometco started out<br />
the new year with a<br />
A completely A^//f^<br />
popping machine<br />
. . . Caplan's<br />
new series of go-to-church reminders for its<br />
Sunday advertising heading<br />
Roosevelt, on an art policy, held over "Mr.<br />
Hulot's Holiday" . cash registers were<br />
ringing at Claughton's Royal, Variety and<br />
Ti-ail for "Three Ring Circus."<br />
Florida's Gov. Charley E. Johns, as one of<br />
his last acts before going out of office, wired<br />
his appreciation to Howard Hughes for the<br />
selection of Silver Springs as the location<br />
of the underwater premiere of "Underwater!"<br />
January 10 . . . Paul Gregory and Charles<br />
Laughton will scout location sit«s in Jamaica<br />
lor "The Naked and the Dead," localites hear.<br />
Wometco's Mitchell Wolfson made introductions<br />
with his usual poise over a recent<br />
TV program during WTVJ's televised Christmas<br />
party, but said later he was "completely<br />
flabbergasted." While he was talking a janitor,<br />
complete with broom and paraphernalia,<br />
came between him and the camera. As the<br />
man passed the camera he turned to the<br />
audience and tittered, "I've got a T<br />
too," then disappeared. The "janitor'<br />
out to be Red Buttons who was i<br />
unbeknownst to Wolfson.<br />
The first 100 women entering any<br />
ton theatre after 6 p.m. Christma<br />
received a box of Laura Lee coconut<br />
as a gift ... As part of PST's "Deej<br />
Heart" promotion. Gene Parrazzo p<br />
Sigmund Romberg recital in a dc<br />
window of selections from the pictu<br />
recital was repeated twice during<br />
i<br />
The personnel and<br />
and evening . . .<br />
of the FST circuit had their annual<br />
party after office hours on the daj<br />
Christmas.<br />
Leonard Allen, Paramount district ej<br />
was here several days from Atlanta .<br />
Newman, Paramount Theatres repres(<br />
New York, visited Harry Botwick, :<br />
FST in the southeastern area ... A<br />
Olympia band leader, Ray Teal, will<br />
hereabouts in a forthcoming Pai<br />
Mitchell Wolfson, no reh<br />
film . . .<br />
Louis Wolfson mentioned as producin<br />
John Silver," may be remotely conni<br />
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the film's distribution, since he ;<br />
partner Sidney Meyer are members<br />
Distributors Corp. Ass'n, which pa<br />
nanced and will handle the picturf<br />
NEW ORLEA<br />
pill Shields, partner in the Marrero L<br />
was at home recovering after an<br />
dectomy . DeNeve. Rivoli E<br />
Vicksburg, Miss., also was at home i<br />
ating after an operation . W<br />
salesman, was honored at a diniier b<br />
bers of the Columbia staff on his i<br />
ment as manager of the new Columbia<br />
in Houston.<br />
Al Boneno, formerly w'ith Dixie Fi<br />
moved to 20th-Pox to take over the<br />
job recently vacated . Nicaui<br />
ager for Lippert in Atlanta, was in t<br />
the holidays . , . Donald Ganucheau<br />
for Pittman Theatres, was maiTied t<br />
Riviere.<br />
.Alberta Schlinder. Realart booker,<br />
friend of everyone on Filmrow wher<br />
announced she had won four har<br />
Sugar Bowl football tickets . . . Georf<br />
gesser, salesman for Monogram, be<br />
new Mercury . Duplissey has<br />
his El Ranch Drive-In at DeRidder to<br />
Saturday operation for the winter.<br />
Lewis Cox will reopen his Bayoi<br />
Drive-In at Barton January 13 . . .<br />
Hicks wil! close his U Drive-In, Le<br />
Miss., until May 1 . . . Henry Mey<br />
closed his sub-run Don in Gulfport .<br />
Gooch has closed the Mayvel in £<br />
Charlie Morel will c<br />
ville. Miss. . . .<br />
Rebel Drive-In at Natchez, Miss., unti<br />
keeping his Starlite Drive-In open 1<br />
Charles Levy, formerly of the Ritz a<br />
mond, purchased the Bayview at Bilo<br />
J. N. Sullivan . Sugar Bowl<br />
game on New Year's Day brought<br />
followers of the Ole Miss and Navy t<br />
New Orleans. Among the exhibitoi<br />
Lou Langlois, Alamo, New Roads: J<br />
well. Royal. Bernice; T. G. Solom<br />
Harry Thomas, Solomon Theatres (<br />
sissippi: Eddie Delany, Pike Theatn<br />
nolia, MLss.: R. E. Hook, Dreamland.<br />
Mis.s., and R. A. Conrad, Broussard.<br />
54 BOXOFFICE :: Januar;
n the Job;<br />
n Owner<br />
-Beverly Miller, who operat<br />
St. Joseph, Mo., was re-<br />
1 who showed up at the<br />
kerosene portable heater<br />
ation wagon of something<br />
recently at Bob Hoff's Airare<br />
rented at the Airport<br />
ne evening, Miller related,<br />
e returned when leaving,<br />
ing a heater is given an<br />
k to turn in when going<br />
cupants are chai-ged the<br />
.<br />
$15.<br />
and Hoff were leaving the<br />
200-pound police officer<br />
lease," he said,<br />
the owner of the drivef.<br />
10 you ai-e," said the offire<br />
to let no one out wither,<br />
identification check or<br />
turned over his heater<br />
ited the man on doing a<br />
, House Used<br />
[s Promotion<br />
rhe largest crowds in the<br />
n of 15,000 were attracted<br />
Christmas parade staged<br />
manager of the Marion<br />
redecessor Ted Chapin, in<br />
the Marion Chamber of<br />
local merchants. The cost<br />
ival matinee at the Marion<br />
; by the merchant group,<br />
iwd of children and adults<br />
show.<br />
ILOTTE<br />
. . . Joe<br />
king Service reports the<br />
)rive-In closed for the win-<br />
:er, went to Georgia for the<br />
. . . Piedmont Promo-<br />
Service reports the Seat<br />
Mount Pleasant closed<br />
ftill be equipped for Cineopens<br />
next spring<br />
^ity, was in town buying<br />
Id and reopen his theatre<br />
sral months ago.<br />
le Row recently included<br />
le. Mount Olive; Fin Lee,<br />
Jodie Holland, Lyman at<br />
cManus. Scenic Drive-In,<br />
ieight, Midway, Lancaster;<br />
Columbia Drive-In; R. L.<br />
e-In, Spartanburg: V. D.<br />
Drive-In, Raeford; Ray<br />
ive-In. Asheboro; J. W.<br />
; Harold Armistead, Lyric,<br />
art, Motor-In, Lancaster;<br />
;-HiII Drive-In; T. L. Bin-<br />
LaGrange; W. S. Funk.<br />
ingstree. and Clif Faw.<br />
IS Screen<br />
E — A new Cinemascope<br />
istalled by Dave Huff in<br />
rive-In.<br />
HART<br />
^11 Tampa area drive-ins clo.sed on Christmas<br />
Eve except the Hillsboro and Floriland.<br />
The Floriland. 20th Century, 40th Street<br />
and Auto Park drive-ins featured two nights<br />
of free pre-Christmas shows. Jim Poindexter<br />
hosted a Christmas party for the Floriland<br />
and 20th Century employes. Garland Flowers<br />
is now assistant at the Floriland.<br />
The 20th Century was closed on the 22nd<br />
and 23rd while the projection was being<br />
moved forward to accommodate new restrooms<br />
and other improvements.<br />
Joe Taylor of the Hillsboro has a miniature<br />
circus display which attracts much attention.<br />
Every Sunday Joe a.ssists at the services<br />
conducted at the airer by the First<br />
Christian Church of Tampa. He handles the<br />
sound system. The church gives doughnuts,<br />
coffee and orange juice to the worshippers.<br />
* * *<br />
Critic Phil Barney reported in the Tampa<br />
Tribune that the best grossers in that city<br />
during 1954 were How to Marry a Millionaire.<br />
The Glenn Miller Story, White Christmas<br />
and The French Line, which .showed,<br />
respectively, at the Palace, Park, Tampa and<br />
the<br />
State.<br />
The six Tampa drive-ins, played "Black<br />
Widow" on New Year's Eve. What happened<br />
to the print shortage? Four continued it<br />
Sunday night.<br />
* * *<br />
Walt Miles, former manager of the Piedmont<br />
at Atlanta for Dixie Drive-In Theatres,<br />
now manages the Tower Drive-In. Among<br />
:SB00KIK6 SERVICE<br />
135 Brevard Court, CharloHe, N. C.<br />
FRANK LOWRY — JOHN WOOD<br />
HAZEL RESNIK<br />
PHONE FR. 5-7787<br />
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ASHCRAFT ARC LAMPS<br />
& RECTIFIERS<br />
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THEATRE CHAIRS<br />
CUSTOM-MADE<br />
DRAPERIES<br />
BEATS<br />
By HARRY HART.<br />
recent stunts is posting of ticket serial numbers<br />
on a concession stand board every night,<br />
good for free sandwiches, popcorn and drinks.<br />
During the holidays he had a local photographer<br />
make free pictures of kiddies from<br />
1 to 12 p.m. on a pony, tieing in with a Cowkid<br />
contest. For New Year's, he ran an ad inviting<br />
the men to bring "your best girl for<br />
a midnight show and have your picture made<br />
absolutely free."<br />
Santa Claus distributed free gifts to the<br />
youngsters at a free cartoon show marking<br />
the reopening of the Fourth Street Drive-In<br />
at St. Petersburg following remodeling and<br />
installation of Cinemascope. The new concession<br />
stand is a model of its kind. Ezra<br />
Kimbrell is manager.<br />
Jack Fitzwater and Pete Sones were busy<br />
at the Bayland Theatres office. Dale Mabry<br />
became father of a baby son recently.<br />
The Cypress and Sundown drive-ins have<br />
been closed several months. Also dark is the<br />
Westown and The Garden Theatre.<br />
Drive-in attendance was off during the holidays.<br />
Ray Bussler of United Theatre Supply was<br />
supervising moving into the new showrooms.<br />
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luary 8, 1955 55
'.<br />
Hugh Graham Abandons<br />
Operation of LaCosa<br />
From Central Edition<br />
ST. ANN, MO.—Hugh Graham, sub-lessee<br />
of the LaCosa Theatre, has given up operation<br />
of the theatre.<br />
When the LaCosa opened in November<br />
1952 with only one operator in the booth.<br />
Graham met with opposition from lATSE<br />
Local 143 and he later filed an injunction<br />
in the circuit court to enjoin the union from<br />
picketing the house to enforce demands for<br />
the employment of two projectionists. On<br />
May 24, 1954, Judge Douglas L. C. Jones<br />
made permanent the antipicketing injunction,<br />
but later the union attorneys appealed<br />
to the St. Louis court of appeals, where<br />
the matter still rests.<br />
The LaCosa was built by Charles F. Vatterott.<br />
V^<br />
...andmulllim<br />
You're practically married<br />
to your patrons when you give<br />
them comfortable seating!<br />
Romance them by letting us repair<br />
or replace worn parts, seats or arms;<br />
and we do it all without interruption<br />
of your show. Our low, low prices will<br />
delight you, too. Just let us give<br />
you the "good news"—a quote.<br />
WRITE—WIRE or<br />
42-1658<br />
MANUFACTURERS—<br />
Foam Rirbber k<br />
Bprliie Cushions, back<br />
and seat Ufm<br />
DISTRIBUTORS—<br />
Upholstery fabrla ud<br />
general eating applies<br />
PHONE<br />
Up to 2 years to pay on i<br />
complete rehabilitation. M.^<br />
Walter Hyland of Chicago<br />
Celebrates 40th U-I Year<br />
From Central Edition<br />
CHICAGO—Walter Hyland, well known for<br />
his ready smile and radiant personality, explains<br />
it's because he finds great contentment<br />
in his work.<br />
"More than any<br />
other business," he<br />
says, "a career in show<br />
business brings great<br />
satisfaction when one<br />
loves his work." Hyland<br />
has spent half a<br />
century "out front"<br />
and behind the scenes<br />
in show business. He<br />
is presently observing<br />
his 40th anniversary as<br />
U-I head booker in<br />
Chicago. Walter Hyland<br />
Hyland was born in Milwaukee. His first<br />
introduction to this business was as a songslide<br />
singer in the town's first nickelodeon<br />
theatres, the Orpheum and Theatorium.<br />
Shortly afterwards, he moved to nearby<br />
Madison and opened the first neighborhood<br />
theatre in that city. In 1914 he came with<br />
U-I's Chicago office as assistant booker. But<br />
back in 1914 it was known as the Carl<br />
Laemmle film exchange.<br />
"Those were the days," recalls Walter,<br />
'when two-reelers were breaking boxoffice<br />
records."<br />
One in particular that he likes to talk<br />
about was titled "101 Bison." "We advertised<br />
it as '101 Bison With Real Indians,' " says<br />
Walter, "because it was the first Indian movie<br />
with authentic Redskins."<br />
Walter also recalls "Uncle Carl" Laemmle's<br />
ntmierous visits to Chicago while he was<br />
establishing national distribution. "Problems<br />
were plentiful. Once when the exchange<br />
burned to the groimd, destroying all of our<br />
prints, we hustled around to nearby Laemmle<br />
exchanges and we didn't have a single missout."<br />
he related. "That was an accomplishment<br />
in those days. Remember, there was no<br />
such thing as Air Express."<br />
Today, with an enviable record of 40 years<br />
of outstanding service to U-I behind him,<br />
Walter Hyland is thinking ahead to help<br />
improve his and U-I's future.<br />
He recently conceived a special U-I feature<br />
breakdown chart designed to aid exhibitors<br />
in booking skip-releases and repeats. Hyland's<br />
new chart idea is proving highly successful<br />
in Chicago. It is also being considered<br />
for use in all U-I branch offices.<br />
Recently U-I's Chicago staff, headed by<br />
District Manager Manie Gottlieb and branch<br />
Manager Lou Berman gave Walter a surprise<br />
luncheon. And that Chicago area exhibitors<br />
are going all out for Walter is readily evidenced<br />
by the success of the booking drive<br />
honor of his 40th anniversary with U-I.<br />
ill<br />
Tampa Royal Robbed<br />
TAMPA—A lone gunman wearing a handkerchief<br />
acro.ss his face held up the Royal<br />
Theatre and got away with more than $100.<br />
Ofela Menendez, the cashier, said the man<br />
walked up to her booth, thrust a paper sack<br />
at her, told her to put all the money in the<br />
bag. He held a pistol pointed at her while<br />
she complied.<br />
Bill Elliott was the headliner at the recent<br />
annual Teluco Lake Rotary Club Christmas<br />
party.<br />
RESEARCH BUH<br />
for<br />
MODERN THEATRE PLA<br />
ENROLLMENT FORM FOR FREE INF<br />
The MODERN THEATRE<br />
PLANNING mSTTTUTE<br />
825 Van Brunt Blvd.<br />
Kansas City 24, Mo.<br />
Gentlemen:<br />
Please enroll us in your RESEARC<br />
to receive information regularly, as n<br />
the folloviring subjects for Theatre Pla<br />
n Acoustics<br />
n Air Conditioning<br />
n Architectural Service<br />
D "Black" Lighting<br />
n Building Material<br />
n Carpets<br />
G Coin Machines<br />
D Complete Remodeling<br />
n Decorating<br />
n Drink Dispensers<br />
D Drive-In Equipment<br />
D Other Subjects<br />
Theatre<br />
Seating Capacity..<br />
Address<br />
City<br />
Sate<br />
Signed<br />
n Lighting Fi<br />
D Plumbing 1<br />
Projectors<br />
n Projection<br />
D Seating<br />
n Signs and<br />
n Sound Equ<br />
n Television<br />
D Theatre Fn<br />
n Vending E<br />
Postage-paid reply cards for your further<br />
in obtaining information are provided in T<br />
THEATRE Section, published with the fi<br />
each month.<br />
56 BOXOFFICE :: January
'<br />
. . The<br />
. . City<br />
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1 OfflCf<br />
Industry<br />
Betty<br />
i.w.<br />
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Integrity<br />
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TRAILERS<br />
y and Service<br />
n the South for 31 years.<br />
nts<br />
cost<br />
per word<br />
anywhere<br />
^ND FILM CO.<br />
(oad, N. E. Atlanta<br />
POPCORN machines]<br />
'otres, schools, stores j<br />
00 on hour $175.00 i<br />
on hour $195.00 i<br />
•OPCORN SUPPLY<br />
]<br />
Atlanta, Go. 4<br />
ring film,<br />
LF-EXAMINATION<br />
of the 4,000,000<br />
iicn who JioMiknow<br />
ind most thorough<br />
ine their breasts<br />
may mean cancer<br />
its early stage and<br />
e are the 1 )est ? Our<br />
e us that BREAST<br />
MINATION has<br />
1 many a woman's<br />
save many thouvery<br />
year.<br />
1 our film, call the<br />
ancer Society or<br />
mcer" in care of<br />
jst Office.<br />
Cancer Society<br />
®<br />
ATLANTA<br />
A B. Padgett, former chief barker of the<br />
Variety Club, was Santa Claus at the<br />
WOMPI Christmas party. He was attended<br />
by all of his rein "dears," including Rudolph.<br />
He introduced each one of the "dears," then<br />
and the little child all dressed in red flannel<br />
night gown and cap. The child, played by<br />
Betty Rary, president of WOMPI, sang a<br />
.song to "Mr. Santa" and asked for Liberace<br />
for Christmas. One of the most comical<br />
"skits" was I've Got a Secret. Four of the<br />
bosses Oh Filmrow comprised the panel and<br />
Dr. Mack Cone, husband of Lois Cone, booker<br />
at Martin Theatres, was the guest. Dr. Cone<br />
won the prize (candy stick i as his "seci-et"<br />
was not guessed. Harold Spears, new chief<br />
barker of the Variety Club, drew for the<br />
prize.<br />
E,\hibitors on the Row: Nat Williams, Interstate<br />
Enterprises, Thomasville; Ebb Duncan,<br />
Carrolton; Sid Laird, West Point; Don<br />
Boardman, Sky view Drive-In, Augusta; Violet<br />
Edwards, Royal Theatre, Monticello; R.<br />
M, Kennedy, Birmingham; Doc Fincher.<br />
Chatsworth; Norris Stephens, booking and<br />
buying agent, Savannah . Bryant,<br />
National Screen ,Service booker, vacationed<br />
at home . . . Lynda Burnett, United Artists<br />
booker, was home ill all week suffering a<br />
New booker at Universal<br />
sinus infection . . .<br />
is Tommy Mote, formerly at the Film Booking<br />
Office.<br />
C. H. Robuck of UA m Jacksonville was<br />
here on a vacation.<br />
SAVANNAH<br />
Oeveral hundred persons attended the wedding<br />
of Patricia Griffin and Albert Weis<br />
in the beautiful St. John the Baptist Catholic<br />
cathedral Sunday night (26). The groom<br />
is a.ssociated with his parents, Mr. and Mrs.<br />
Fred Weis, in the operation of the Weis,<br />
Savannah and State theatres. All wedding<br />
guests were invited to the reception held at<br />
the DeSoto Hotel . Beat, column<br />
written by the city editor of the Savannah<br />
Morning News, mentioned the arrival of a<br />
daughter to Cecil McGlohon, manager of<br />
the Avon Theatre, on Christma,s eve. It is<br />
their first child.<br />
.<br />
. . .<br />
Local exhibitors were saddened at news of<br />
the death of Col. Charles Kessnich of MGM<br />
in Atlanta Montgomery Drive-In<br />
closed Christmas eve to allow employes to<br />
be with their families. Other houses reported<br />
a lack of customers Average Christmas<br />
Day business was reported by the first run<br />
theatres with good weather prevailing until<br />
rain started just before the 9 p.m. shows.<br />
Holiday attractions were "Three Ring Circus"<br />
at the Weis, "20,000 Leagues Under The Sea"<br />
at the Lucas, "Deep in My Heart" at the<br />
Savannah and "Fire Over Africa" at the<br />
Avon.<br />
Charles Fortson, sales manager for WU-<br />
Kin Theatre Supply in Atlanta, was a visitor.<br />
Julian Blaustein Parts<br />
Company With 20th-Fox<br />
From Western Edition<br />
HOLLYWOOD — After an association ol<br />
more than six years, producer Julian Blaustein's<br />
contract at 20th Century-Fox has<br />
been terminated by mutual consent. He did<br />
not immediately announce his future plans.<br />
Blaustein recently completed "The Racers,"<br />
starring Kirk Douglas, Bella Dai-vi and Gilbert<br />
Roland. He also produced the current<br />
"Desiree."<br />
Meantime 20th-Fox handed writer-producer-director<br />
Nunnally Johnson a new<br />
long-term ticket. He is prepai-ing, as his<br />
next three-w'ay a.s.signment, "How To Be<br />
Very, Vei-y Popular." a Marilyn Monroe<br />
stai'rer.<br />
; Contributed by<br />
OFFICE<br />
'Man From Texas' Has Utah Locale<br />
Producer-director Joe Kane will launch<br />
the Republic picture. "Man From Texa.s," next<br />
month on location in Utah.
Sell<br />
and Sell<br />
Scores of busy little messages<br />
go out every week to a tremendous<br />
audience— and they get a tremendous<br />
response!<br />
^<br />
Every exhibitor is<br />
busy— buying,<br />
selling, renting, hiring. All this is<br />
made easier and more profitable<br />
with the classified ads in Clearing<br />
House each week.<br />
READ • USE • PROFIT BY—<br />
Classified Ads<br />
in<br />
BOXOFFICE<br />
Greatest Coverage in the Field—Most Readers for Your Money<br />
Four Insertions for Price of Three<br />
58 BOXOFFICE :: Januar;
; and<br />
1 the<br />
C. E. Kessnich<br />
^d at Atlanta<br />
eral services were held<br />
I<br />
ihaiies Emile Kessnich, retired<br />
southern district<br />
manager for MGM,<br />
who died Christnia-s<br />
Eve at the age<br />
of 67. He had been<br />
with MGM since 1918<br />
when he took over the<br />
local branch. Two<br />
years later he was<br />
made district manager<br />
and continued in that<br />
^ position until Feb-<br />
I ruary 1954, when he<br />
retired. He was active<br />
1 in many fields outside<br />
Lities. During the war he<br />
ist chairman of the War<br />
tee of the film industry<br />
ve in Variety Club. He is<br />
vife and a daughter and<br />
ran.<br />
xiliary Party<br />
Wednesday<br />
TY—Variety Tent 22 auxilednesday<br />
(12) at the Vatop<br />
the Biltmore hotel for<br />
ed by bridge and canasta,<br />
d to make reservations for<br />
they wish, giving them an<br />
,' back some of their social<br />
incheon and card party will<br />
ng at 11 a.m. Mrs. C. A.<br />
will preside.<br />
•idge will be Mrs. Michael<br />
;anasta, Mrs. Morris Loew-<br />
)rge l«Blanc in charge of<br />
Mrs. Charley HudgenswiU<br />
inittee members greeting<br />
guests.<br />
e, who is program chair-<br />
!nd as she'll be in Denver,<br />
ampany her husband, manoundation<br />
theatres here, on<br />
;ss<br />
trip.<br />
round Texas<br />
Foy Drives<br />
:any theatres around the<br />
in toys for tots Christmas<br />
nonth, most of which aeon<br />
of a toy as the price of<br />
g the many which pre-<br />
,'s were the Limestone at<br />
Sid Smith reported that<br />
^ed at a Saturday morning<br />
led over to the Mexia State<br />
;e Theatre at Jacksonville,<br />
Robert Lugenbuhl jr. said<br />
ruck load of canned foods<br />
lected at a show sponsored<br />
ind a local bank for the<br />
mmerce Christmas Cheer<br />
ace Theatre, Snyder, where<br />
sponsored a show for unngsters<br />
with the coopiera-<br />
N. R. Clements.<br />
reen<br />
OKLA.—Bill Edmonston of<br />
leatre has installed a wide<br />
improvements, including a<br />
front.<br />
Oklahoma Assns Select<br />
Joint-Action Committees<br />
OKLAHOMA CITY—Allied of Oklahoma<br />
and Theatre Owners of Oklahoma, meeting<br />
at a joint luncheon session Monday (3i,<br />
agreed to take united<br />
action if any adverse<br />
taxation bill is introduced<br />
in the legislature,<br />
which convened<br />
Tue.sday.<br />
C. B. "Brownie"<br />
Akers. Tulsa. legislative<br />
chairman for both<br />
units and TOO director,<br />
led the discussion.<br />
Ed Thorne, new TOO<br />
president, asked Earl<br />
Snyder jr.. Tulsa, Allied<br />
president, to preside.<br />
"Brownie" Akers<br />
Akers remained to attend the assembly<br />
opening at the state capitol.<br />
Tulsa and Oklahoma City municipal officals<br />
are waging an all-out campaign for<br />
enactment of legislation to permit them to<br />
levy special taxes to ease their respective<br />
financial plights. Currently the earnings tax<br />
seems to be the favorite of the municipal<br />
leaders, but occupation, automobile, insurance<br />
and admissions taxes have been proposed.<br />
JOINT MEETING PLANNED LATE<br />
The joint TOO-AUied session was a lastminute<br />
switch in plans. Both gi-oups had<br />
been scheduled to convene on Monday at<br />
different hours. Pi-esident Thorne arranged<br />
the joint luncheon. Each group then adjourned<br />
to separate meeting sites, the TOO<br />
to the Variety clubrooms and Allied elsewhere<br />
in the Biltmore hotel.<br />
Both TOO and Allied selected executive<br />
committees to work together in fighting any<br />
tax legislation, and in making arrangements<br />
for the MGM Ticket Selling Workshop to<br />
be held here soon. Representing TOO are<br />
President Thorne. Ralph Drewry, Ray<br />
Hughes and Akers. The latter will serve as<br />
liaison. Representing Allied are President<br />
Snyder, Glen Thompson and J. S. Worley.<br />
The latter is a director of both exhibitor<br />
associations.<br />
The TOO board elected Thorne to be the<br />
Theatre Owners of America representative,<br />
and Drewry as its COMPO envoy. Morris<br />
Loewen.stein held both posts until he resigned<br />
as president at the December convention.<br />
The TOO directors also voted to revise<br />
the bylaws and named Drewry to head a committee<br />
of Alex Blue, Tulsa, and C. D. "Buddy"<br />
Hicks, Nowata, to study the bylaws and the<br />
dues setup and submit suggestions for<br />
changes at the next board .session February<br />
7. It was reported TOO now has the lowest<br />
dues of any TOA group in the country.<br />
Drewry suggested that the monthly board<br />
sessions be called general membership meetings<br />
to encourage all exhibitors in the trade<br />
territory to attend. The .sessions, held the<br />
first Monday each month, have always been<br />
open but have drawn few exhibitors, presumably<br />
because they felt the meetings were<br />
strictly for the directors and officers. Drewry's<br />
suggestion was approved and the monthly<br />
roundups henceforth will be tagged general<br />
membership meetings.<br />
All TOO directors were present except<br />
Ralph Talbot, Worley; Paul Stonum of Anadarko.<br />
Virby Conley, Perryton, Tex., and<br />
Phil Hays, Bartlesville. Attending were Bill<br />
Slepka, O. K. Kemp. H. D. Cox, H. S. Mc-<br />
Murry, Buddy Hicks, Mrs. Avece Waldron,<br />
Drewry. Eddie Holt, Les Nordean, Harold<br />
Combs, Akers, Blue, Charley Procter, Mrs.<br />
L. H, Goerke, Paul Shipley, Thorne, and<br />
Hughes.<br />
Also voted w-as the elimination of a board<br />
chairman. T'he president hereafter will serve<br />
as chairman of the board.<br />
The Allied board named Glen Thompson<br />
delegate to the National Allied board meeting<br />
and drive-in convention at St. Louis, February<br />
6-10. Also plaruiing to attend the St.<br />
Louis sessions are Eddie Jones, Sand Springs;<br />
Snyder, Bernard McKenna jr., Norman, and<br />
Worley.<br />
The next meeting will be held January 31<br />
because of the St. Louis convention, instead<br />
of February 7, with plans for the Oklahoma<br />
Allied convention February 28-March 1 as<br />
the chief order of bu.siness. Already scheduled<br />
for the Allied parley is a buffet dinner<br />
dance on the night of February 28 in the<br />
Persian room of the Skirvin Hotel here. A<br />
cocktail party and a banquet with professional<br />
talent floor show will be featured the<br />
following night.<br />
Attending the Allied meeting were Snyder,<br />
McKenna, Henry Simpson, Cliff Lance, Glen<br />
Thompson and son Dick, Claude Motley,<br />
Jimmy Kelly, Athel Boyter, Max Feinsilber<br />
and H. H. Carlile. Nordean is a member of<br />
both TOO and the Allied boards.<br />
McLendon Group Buys<br />
WEMP at Milwaukee<br />
MILWAUKEE—WEMP, local radio station,<br />
has been sold to a group of Texas residents<br />
contingent on approval by the FCC. It Is<br />
understood Gordon McLendon heads Foster<br />
& Holmes Corp., the company formed to<br />
make the piu-chase. Others involved axe<br />
Barton McLendon, father of Gordon; James<br />
Foster, William Weaver and Dorothy Maning.<br />
The .senior McLendon is a Texas motion<br />
picture owner and is associated with his son<br />
in radio station KLIF-TV, Dallas, and KELP<br />
and KELP-TV, El Paso.<br />
The sale of WEMP assets is necessary before<br />
Milwaukee Broadcasting Co. can buy<br />
radio station WCAN, a deal which is in the<br />
pending stage.<br />
Big Screen to Enid Airer<br />
ENID. OKLA.—Video Theatres is enlarging<br />
the screen to 100-feet wide at the Trail<br />
Drive-In, and also installing new arc lamps<br />
and cooling equipment for the projectors.<br />
It will soon reopen for the winter.<br />
Max Utay Starts Double Features<br />
DALLAS—Max Utay. who recently purchased<br />
the Ewing Theatre in Trinity Heights,<br />
has announced a policy of double features.<br />
anuary 8, 1955 SW 59
.<br />
Rubin Frels Dies; Owner<br />
Of South Texas Circuit<br />
—<br />
VICTORIA, TEX. — Rubiil Prels. who<br />
opened his fii-st motion picture theatre in<br />
New Ulm in 1914 after working eight years<br />
as a mailman there,<br />
died at his home here<br />
last week (31). He was<br />
the owner of 15 theatres<br />
here and in eight<br />
other cities of south<br />
Texas.<br />
All Frels theatres<br />
five regular hou.ses and<br />
two drive-ins here,<br />
^<br />
two each in EI Campo<br />
V<br />
and Bay City, and one<br />
I ' each in Wharton. Goliad,<br />
Yorktown, Nixon,<br />
Rubin Fri'ls Brookshire and New<br />
Braunfels—closed Sunday, the day of the<br />
funeral.<br />
Fi-els long was a leader in the independent<br />
exhibitor field. He was vice-president<br />
for many years of Allied Theatre Owners<br />
of Texas, and took a prominent role in<br />
the industry campaign for relief from the<br />
federal amusement tax.<br />
In 1936 he filed an antitru.st suit against<br />
distributors and large theatre circuits charging<br />
conspiracy to deprive him of motion picture<br />
product for his theatres. The $1,000,000<br />
case was tried in Dallas. Although he lost,<br />
some of the evidence he submitted at the<br />
trial later was used by the government in<br />
r/fe POPCORN MAUSo^s;<br />
IF ITS CONCESSION<br />
SUPPLIES YOU NEEO-<br />
WB G-OT '£M/<br />
ASSOCIATED<br />
POPCORN DISTRIBUTORS. Inc.<br />
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yOl/ QAU AVNA'iS DEPEND ON<br />
FOR THE BEST<br />
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DROP A CARD
, busy<br />
. to<br />
. Theatre.<br />
•<br />
Year's<br />
RN OKLAHOMA<br />
\RT LA MAN<br />
now in eastern Oklahoma<br />
he million dollar rain and<br />
uring the last days of 1954,<br />
ace of Old Man 1954 before<br />
works to Little Junior '55.<br />
it the rain and snow were<br />
r more to every small town<br />
ce the moistm'e assures a<br />
and that's what keeps the<br />
eman in the black. So 1955<br />
good look. Now it's up to<br />
rate the theatres to crank<br />
with the stunts and<br />
e product to the customers.<br />
* « •<br />
'ulsa most of the theatres<br />
Eve previews. The<br />
vith "Three Ring Circus"<br />
lusiness at a buck top; the<br />
top trade with "20.000<br />
18 Sea," while out at the<br />
Gene Welch featured a<br />
lictures. Some of the teenjs<br />
up a bit by shooting a<br />
iside the theatre: which, of<br />
ueals from the gals and got<br />
out on their ears. So all<br />
spots around town pulled<br />
g-dings. with the big one<br />
irron ballroom w'here Leon<br />
old year out while KOTV<br />
a ringside view of the fesis<br />
WTiter stayed home and<br />
nd, by the by, while watchng<br />
for the midnight blowance<br />
to catch on to some<br />
ly many people are sitting<br />
V sets instead of sitting in<br />
;n a couple of hours we<br />
; comedy shows featuring<br />
rv and screen: we had a<br />
id watched other features,<br />
ling we noticed was the<br />
with a lot of serious and<br />
intermingled. The theatre<br />
groups and various others<br />
g talk with the people who<br />
,g of motion pictures, some<br />
most forgotten that people<br />
like smart comedies with<br />
formed by good actors—90<br />
opie want to laugh and are<br />
enjoy a good comedy,<br />
Dyal Theatre, one of the<br />
leatres, a new wide screen<br />
before they ever had the<br />
it to the public the rear<br />
jed over and went through<br />
However, Gene McKenna<br />
itched and ready to go by<br />
er would call a very nice<br />
n I. B. Adelman, owner of<br />
He phoned from<br />
ish Delman Manager Gene<br />
w year. This Ls what makes<br />
)etween the big man and<br />
er who helps to make the<br />
roo bad that there are not<br />
will take time out to say<br />
! guys down the line.<br />
• • *<br />
le little Irish guy who gets<br />
s once in a while to crank<br />
)usiness on Columbia's pictures,<br />
was in to work on Columbia's first<br />
Cinemascope feature, "The Violent Men,"<br />
which was given its southwest premiere at<br />
the TuLsa and Will Rogers theatres on the<br />
5th.<br />
The Cove Theatre, located on the west side<br />
in the Red Fork district, recently was taken<br />
back by owners Howard and Carter from<br />
Vernon McGinnis, who operated it several<br />
years. Pat Silvero remains as house manager.<br />
The owners have started a complete cleaning,<br />
repainting and general overhaul job.<br />
The front has been repaired and the theatre<br />
is taking on a new look. A new wide screen<br />
is on order and will be installed soon. Bookings<br />
have been rearranged which now puts<br />
the Cove day and date with the drive-ins.<br />
Pat lined up a two-night weekly giveaway to<br />
start during the second week of January.<br />
To this we say, "Go to it: that's the right<br />
start to put the Cove back on its feet."<br />
* • •<br />
The Admiral Drive-In, under the able<br />
management of Alex Blue, is now adding a<br />
second screen on the back of its present<br />
screen tower, which will give Tulsa its first<br />
twin drive-in. When the Admiral was first<br />
built by Earl Snyder jr. the twin idea was<br />
drafted in the original plans: even extra<br />
land was provided. So converting this popular<br />
single into a double job is no great<br />
problem.<br />
* * *<br />
Here's a nice little idea to the managers<br />
who are willing to try something extra to<br />
help take up the slack days at their boxoffices.<br />
I mentioned recently that Bob Getter<br />
had taken our stage show on at the Criterion<br />
in Sapulpa on Wednesday night before<br />
Christmas. With the tow'n packed with snow<br />
and hardly a place to park a car, the show<br />
pulled in a record business. Grace and Speedy<br />
Moulder, former owners of the Criterion,<br />
were in to catch the show. In years back.<br />
Speedy played bass fiddle with Sapulpa's own<br />
Catfish Creek band and he knows what he's<br />
talking about when he rates such attractions.<br />
He described the Criterion presentation as<br />
—<br />
"one of the best shows we have ever had<br />
in this town." Gracie told us that the take<br />
was over five times the amount the Criterion<br />
had last year on the Wednesday before<br />
Christmas, which made us feel good. It also<br />
proves once more that if you give 'em a good<br />
stage show and advertise it, the paying customers<br />
will come regardle.ss of the picture<br />
fare.<br />
We hear that some of the other eastern<br />
Video theatres have spots open for stage attractions<br />
in the next few weeks.<br />
Strong 'Leagues' Opening<br />
Hits Good 200 in Dallas<br />
DALLAS— "20,000 Leagues Under the Sea"<br />
proved a strong draw in Dallas where it piled<br />
up a healthy 200 per cent. Business in general<br />
was very good with all grosses going<br />
above average.<br />
(Average Is 100)<br />
Majestic 20,000 Leagues Under the Sea<br />
IBuena Vista) 200<br />
Melba—This Is Cinerama (Cineramo) MO<br />
Riolto— Duel in the Sun (5R0), reissue I 30<br />
Palace—Young ot Heart (WB) 110<br />
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ORDERS FILLED<br />
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ORDER NOW<br />
HERBER THEATRE EQUIPMENT CO.<br />
"Fair Treatment and Adequate Service for 25 Years"<br />
408 S. HARWOOD DALLAS I. TEXAS<br />
inuary 8, 1955 61
'<br />
Variety 22 Preparing<br />
To Expand Its Charity<br />
OKLAHOMA CITY—Dave Hunt launched<br />
his administration as chief barker of Variety<br />
Tent 22 with a "state of Variety" message<br />
at the new crew's initial meeting Monday in<br />
the clubrooms.<br />
The crew elected one delegate and two<br />
alternates to the Variety International convention<br />
in May at Los Angeles: George<br />
Fisher. MGM manager, as delegate, and R.<br />
Lewis Barton, president of the Barton circuit,<br />
and C. R. Guthrie. Video executive,<br />
as alternates. Chief Barker Hunt, Sam<br />
Brunk. Buena Vista, immediate past chief<br />
barker, automatically become delegates, giving<br />
Tent 22 three voting delegates to the<br />
convention.<br />
Hunt, film director for station KWTV, explained<br />
that Don TuUius, Warner manager<br />
and first assistant chief barker, automatiically<br />
is an alternate.<br />
The crew also elected four associate crewmen<br />
without voting privileges. Named -were<br />
Fred Sanders, vice-president of the Liberty<br />
National Bank: Leonard Kilfoy, real estate<br />
and insurance agent: W. H. Lewis, attorney,<br />
and Johnny Wilkinson, insurance man.<br />
Re-elected chaplains were Rabbi Israel<br />
Chodos, the Rev. William H. Alexander, and<br />
the Very Rev. Msgr. Charles Buswell.<br />
The five past chief barkers on the crew<br />
are Brunk: Charley Hudgens, U-I manager:<br />
C. H. "Buck" Weaver, Paramount exchange<br />
chief: C. A. "Dewey" Gibbs, Columbia manager,<br />
and J. C. Hunter, retired theatreman<br />
from Tulsa who now is in the hotel business<br />
at Fort Lauderdale, Pla.<br />
The crew empowered Hudgens and Hunt to<br />
plan an installation ceremony, tentatively<br />
.
.' Business"<br />
. Watson<br />
at Omaha<br />
'/o Week<br />
tate Theatre set a new<br />
d price showings when<br />
ider the Sea" scored 320<br />
hristmas week, Ralph D.<br />
jldberg Theatre Corp. re-<br />
) this was "The Silver<br />
pheum. which had a 150<br />
hers went above average<br />
\ peaks.<br />
age Is 100)<br />
ngeonce (AA); Port of Hell<br />
105<br />
Gretel (RKO); A>rico<br />
105<br />
>rivate Hell 36 (Filmakers) . 105<br />
:holice (WB) 150<br />
Under the Sea (Buena<br />
320<br />
y the Kid (Col) 105<br />
Opens<br />
leapolis<br />
Holdovers were preponnewcomers.<br />
"There's No<br />
and "Sign of<br />
ularly the former, cut a<br />
ce sw'ath.<br />
^), 2nd wk 150<br />
(WB), 2nd wk 90<br />
lues Under the Sea (BV),<br />
175<br />
nsos (Col); A Bullet is<br />
90<br />
> Business Like Show<br />
225<br />
an (U-l) 150<br />
ort (MGM), 2nd wk 150<br />
ison, 36 Years<br />
I, Retires<br />
One of thie city's oldest<br />
jint of length of industry<br />
kson of Warner Bros., is<br />
and will settle down and<br />
lorida in the winter and<br />
e. Wis,, home during the<br />
11-liked mdustry member<br />
nds throughout the t«rribeen<br />
selling pictures out<br />
36 years. He joined the<br />
ire in March 1919.<br />
a member of the Warner<br />
r 18 years. Prior to that<br />
with Paramount for 14<br />
t National for three years<br />
CHRISTM.AS I'HK.SKMS— .At the recent<br />
Christmas dinner and cocktail party<br />
of the Columbia exchange in Minneapolis,<br />
Manager H. J. "Hy" Chapman presented<br />
cashier Genevieve Donovan, left, and Jean<br />
Paulsen, inspector, watches for their 2.5<br />
years of service to the company.<br />
Death to Jack Heywood<br />
And Charles McCarthy<br />
MINNEAPOLIS — Two longtime industry<br />
members. Jack Heywood of New- Richmond,<br />
Wis., and Charles McCarthy of Minneapolis,<br />
died recently.<br />
Heywood, who died at the age of 71 after<br />
a long illness, was a New Richmond exhibitor<br />
for many years and in his younger days a<br />
film salesman here. Before his illness he<br />
was a frequent visitor to the Northwest<br />
Variety Club of which he was an active member.<br />
McCarthy, 51, formerly was in film transportation<br />
here. He later became a Minnesota<br />
Amusement Co. theatre manager in Fargo,<br />
N. D.<br />
Scott Memorial Fund<br />
Passes $500 in Omaha<br />
OMAHA—Tlie Variety Club'.s heart fund<br />
to be used for a Joe E. Scott Memorial room<br />
in the new Rehabilitation Center, a project<br />
now- under way for handicapped children, last<br />
week topped $500. Heading the list of contributions<br />
was $100 from A. H. Blank of<br />
Des Moines on behalf of Tristate Theatre<br />
Corp. Other gifts came from as far away as<br />
California and New York, the latter from a<br />
20th-Fox member.<br />
Bill Barker, Tent 16 property master, said<br />
particularly gratifying were the number of<br />
gifts from exhibitors. He said a lot of the<br />
donations came from theatremen in small<br />
situations and that the amount received so<br />
far was mostly from theatre operators. Exchange<br />
collections have not started to come in.<br />
Scott. 20th-Fox manager 20 years, died in<br />
a hospital here after suffering a heart attack<br />
at his home. Contributions are being sent to<br />
1508 Davenport St., Co-Op Theatre Services.<br />
McLendon Group Buys<br />
WEMP at Milwaukee<br />
MILWAUKEE—WEMP, local radio station,<br />
has been sold to a group of Texas residents<br />
contingent on approval by the FCC. It is<br />
understood Gordon McLendon heads Foster<br />
& Holmes Corp.. the company formed to<br />
make the purchase. Others involved are<br />
Barton McLendon, father of Gordon; James<br />
Foster, William Weaver and Dorothy Maning.<br />
The senior McLendon is a Texas motion<br />
picture theatre owner and is associated w^ith<br />
his son in radio station KLIF-TV, Dallas,<br />
and KELP and KELP-TV, El Paso.<br />
The sale of WEMP assets is necessary before<br />
Milwaukee Broadcasting Co. can buy<br />
station WCAN, a deal which is pending.<br />
as well, Jackson also<br />
friends in the theatrical<br />
; born in Great Britain<br />
lis family still reside, and<br />
rs has made numerous<br />
on Shutters<br />
A—The Diagonal Theatre,<br />
Watson, has been closed<br />
said the reason<br />
vas lack of patronage.<br />
ew Processes<br />
rank Lismeister has preleatre<br />
for the showing of<br />
1 processes.<br />
agle River<br />
WIS.—Theft of about $70<br />
Manager Swede Anderson<br />
xe.<br />
DRIVE PL.\NXERS—Managers and salesmen from the Des Moines and Omaha<br />
Universal exchanges met recently with Jeff Livingston, eastern advertising manager;<br />
Foster Blake, western sales manager, and Lester Zucker, district manager (left to<br />
right, sealed, top photo) to plan the annual Charles J. Feldman drive, which extends<br />
to .Vpril 30. Standing in top photo are Manager Iz VVeiner, Carl Reese. Harry Fisher<br />
and Lewis Cole of the Omaha V-l office and, at bottom, Manager Lou Levy, Oliver<br />
Patrick, Chris Langhlin and Ralph Olson of Des Moines.<br />
luary 8, 1955 NC S3
. . . Dick<br />
. . Ethel<br />
. . the<br />
. .<br />
MILWAUKEE<br />
. . .<br />
Tack Frackman, Republic manager, was back<br />
on Filmrow following a stay in the hospital<br />
Ralph Farrington has sold his<br />
. . . Fenway Theatre at Fennimore . . . Jack Frost,<br />
film salesman in this territory, died recently<br />
Harry Oshan, Columbia manager, vacao!LiUUUL8J)J)JIJUU>J)-OJI-0-ft-g-a.gJU>JULiLiLlU>:<br />
a<br />
tioned in Florida. Also vacationing from Columbia<br />
was Dave Chapman, who went to<br />
Mexico. Harry Oshan's son is engaged to be<br />
married to the daughter of Morris Podell.<br />
Harry Weiss, Paramount salesman, was on<br />
a honeymoon in Florida Ray and Oliver<br />
Ti'ampe attended the two-day convention of<br />
National Film Carriers Service at Chicago<br />
"Muscles" Grede gave a party for<br />
the employes of the Blue Mound Drive-In,<br />
POPCORN Elm Grove . Wilson, former manager<br />
of the Bay Theatre, is now assistant<br />
—Save the difference —<br />
cashier at the Columbia.<br />
Ralph Gromley, a pioneer stage hand here,<br />
fractured his skull when he fell down the<br />
stairs of the stage employes union office<br />
while attending a Christmas party and died<br />
shortly afterwards at the hospital . . . Ruddy<br />
RUSH HOUR $4.75<br />
Gran Enterprises<br />
Leddy was a Filmrow visitor . . .<br />
SILVER HULLESS 4.85<br />
purchased the Century Theatre at<br />
2342 No. 3rd St. The sale was approved by<br />
GOLDEN HULLESS 5.65<br />
Judge Robert E. Tehan for $92,000. This<br />
theatre was in banki-uptcy reorganization in<br />
POP KING HULLESS 5.25<br />
the federal court.<br />
Per 50-pound sack.<br />
1,000 lb. lots 25c 100 less.<br />
John S. Falco, manager of the Majestic in<br />
Beloit, broke the boxoffice record of the theatre<br />
with "White Christmas." Falco recently<br />
was named president of the Beloit A.ss'n of<br />
Commerce . . . Sol Hankin, a district manager<br />
for Warner Theatres here many years<br />
ago, was in the Jewish Hospital. St. Louis,<br />
after suffering from a stroke.<br />
Use Popcorn in SO-pound bags— instead of<br />
cans—ond save the difference— as much os<br />
S3. 00 per 100 pounds. Our prices today, f.o.b.<br />
St. Louis, in 50-pound bags are as follows:<br />
100-pound sacks cost less. Price list of our<br />
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PRUNTY POPCORN DIVISION<br />
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REDFIELD, IOWA<br />
COVERING DES MOINES<br />
FILM EXCHANGE AREA<br />
BUYING AND BOOKING FOR WHAT<br />
YOU CAN AFFORD TO PAY<br />
Lef \Ne%ierr\ Show You the Advantages of<br />
RCA Stereoscope<br />
A meeting of the Better Films Council of<br />
Milwaukee County, held in the screening<br />
Sound<br />
EQUIPMENT<br />
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• Professional counsel by RCA engineers<br />
• Complete installation . . . costs less than you think<br />
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THEATRICAL ADVERTISING CO.<br />
2310 CASS AVE. • DETROIT I, MICH.<br />
WRITE FOR SAMPLE5-WO.I2i;8<br />
Hundreds of theatres throughout the nation are<br />
building up big grosses on new wide screen pictures<br />
with RCA installations. Ask us to prove it. And remember,<br />
Western can supply you with everything<br />
else for the theatre, i
:<br />
nFeie<br />
! Monday<br />
"Jorthwesl Variety Club's<br />
ling Chief Barker L. J.<br />
elected, will be installed<br />
ler meeting in the clubit<br />
(10 1. Miller is urging<br />
or the event as "a vote<br />
he new crew and a weirs.<br />
Miller also announced<br />
lintments as follows<br />
Frosch. chairman, and<br />
lairman.<br />
lul Malisow, chairman;<br />
, Jack Greenberg. Don<br />
d and Sol Torodor.<br />
Heller, and Charles Ruell<br />
and Ben Meshbesher.<br />
Winchell. and Everett<br />
Al Bloom and Edward<br />
hanson. chairman.<br />
anton, and Harold Kap-<br />
I.<br />
arer.<br />
ss McBride, Sim Heller.<br />
nstein, Ben Berger and<br />
:s Jackson and Joe Podo-<br />
Adcock, and Saul Malilan,<br />
Jess McBride, Fay<br />
aw, Abbott Sw'artz and<br />
ler. Tent 12's 1955 officers<br />
;t a.ssistant chief barker:<br />
second assistant; Tom<br />
3ter. and Joseph Podoloff.<br />
:or Britt, Iowa<br />
The Chief Theatre here<br />
iving installation of new<br />
it and redecoration of part<br />
new Century projector<br />
le Hilux curved panoramic<br />
ed. The screen replaces<br />
H. S. "Doc" Twedt put in<br />
.go. Twedt explained that<br />
allow presentation of both<br />
'ista Vision. In addition to<br />
trovement, the two restew<br />
wood paneling. Further<br />
ome in later months.<br />
Foulkes,65,Dies<br />
EMward W. Foulkes, 65,<br />
Paramount Theatre, died<br />
Iowa Methodist Hospital<br />
ttack. He was a charter<br />
ectionists Local 286. Born<br />
es had lived in Des Moines<br />
rived by a son, a daughter,<br />
brothers.<br />
:onsin House<br />
:hien. wis. — Manager<br />
X the Metro Theatre has<br />
Cinemascope screenings.<br />
illey. Wis.<br />
Y, wis.—The Valley Thed<br />
a wide screen and Cin-<br />
;nt, according to owner<br />
OMAHA<br />
T>on McLucas, UA manager, came through<br />
. . .<br />
the trip back from Arizona w'ith only<br />
about one hour of bad roads while a snowstorm<br />
swept the Texas-Oklahoma-Kansas<br />
area. The McLucases switched their route,<br />
and roads to either side of them were blocked<br />
while they got through without mi.shap<br />
Ollie Schneider, Osceola exhibitor, came back<br />
from a w'estern trip with reports of fine theatre<br />
business in the Los Angeles and San<br />
Francisco areas.<br />
Omaha Offices Split<br />
On Working Times<br />
Omaha—The new 37'^ -hour schedule<br />
for Filmrow is being observed in two ways.<br />
—about 50 per cent of the exchanges are<br />
on an 8 a.m. to 4:30 basis, the others from<br />
8:30 to 5. The 8:30 starters include MGM,<br />
Paramount, Columbia and Universal.<br />
Going on the 8-4:30 schedule were Warner<br />
Bros. 20th-Fox, United Artists, Republic<br />
and Allied Artists.<br />
on Filmrow included Warren Hall,<br />
Visitors<br />
Bunvell; Don Campbell, Central City; Ollie<br />
Schneider, Osceola, and these lowans: Ray<br />
Brown and Jamie Booth, Harlan; H. P. Carlton.<br />
Griswold; Frank Good, Red Oak, and<br />
Mrs. C. N. John.son and Richard Johnson,<br />
Red Oak.<br />
Three Iowa theatres announced they were<br />
closing their doors last week. They are the<br />
Princess at Sanborne, owned by Dr. J. C.<br />
Sanders; the Marland at Marcus, owned by<br />
Charles Nielsen, and the Sutherland at Sutherland,<br />
owned by Everett Olhausen. Earlier<br />
the Community Theatre at Winside, Neb., operated<br />
by the Business Men's Ass'n. was<br />
shuttered.<br />
Mrs. J. B. Blank and her daughter Ruth<br />
of Los Angeles are spending about a month<br />
in Omaha visiting Mr. and Mrs. Joe Jacobs,<br />
her son-in-law and daughter, and her son<br />
Ralph Blank. Jacobs is Columbia manager<br />
and Ralph owns the Admiral and Chief theatres<br />
and is a partner in operation of the big<br />
Sky View Drive-In . . . Tlie Lake Andes and<br />
Pickstown theatres in South Dakota are now<br />
on the booking string of Bill Barker's Co-Op<br />
Theatre Service.<br />
The MGM exchange started the new year in<br />
high gear as the MGM 1955 Motion Picture<br />
Theatre Celebration got under way over a<br />
January 1 -April 30 period. Staffers were<br />
wearing badges boosting the theme, "There's<br />
More Fun at the Movies" . . . Hob Hirz, manager<br />
of the Cass Theatre at Plattsmouth, said<br />
his new bowling alley should be in operation<br />
by February.<br />
YOU CAN ALWAYS DEPEND ON<br />
FOR THE BEST<br />
SPECIAL<br />
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Standard Yellow Popcorn Per 100 lbs. 9.00<br />
"Seazo" Coconut Oil Seasoning Per 50 lbs. 14.25<br />
Liquid Popsit Plus Seasoning Per Case 16.25<br />
Popcorn Salt Per Case 2.95<br />
No. 400 Automotic Bottom Boxes, 1% or Per 1000 9.50<br />
No. 300 Automatic Bottom Boxes, 2 oz Per 1000 10.65<br />
Large 25c Popcorn Boxes Per 1000 18.75<br />
1 lb. White Popcorn Sacks Per 1000 2.20<br />
1 lb. Brown Popcorn Sacks Per 1000 1.80<br />
Vi lb. Popcorn Sacks Per 1000 1.50<br />
1/2 lb. Popcorn Sacks Per 1000 1.20<br />
IV2 lb. White Popcorn Socks Per 1000 2.95<br />
1 lb. Printed Noiseless Sacks Per 1000 3.80<br />
Mt lb. Printed Noiseless Sacks Per 1000 3.40<br />
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Prices Subject to Change Without Notice<br />
DES MOINES THEATRE SUPPLY GO.<br />
1121-23 High St. Des Moines, Iowa<br />
luary 8. 1955 65
. . Orin<br />
. . Dee<br />
. . Manager<br />
. . . Herb<br />
After<br />
LONG SERVICE RECOGNIZED—J. H.<br />
Jacobs, left, manager of Columbia's Omaha<br />
exchange, acting in behalf of the company<br />
presented a watch to General Grant<br />
Green, exchange custodian, in recognition<br />
of his 25 years serWce. Looking on, at<br />
the right, is District Manager Ben Marcus<br />
from Kansas City. This presentation was<br />
made at a special luncheon attended by<br />
all of the exchange employes and many<br />
film buyers and exhibitors from the area.<br />
DES MOINES<br />
pmployes at Warner Bro.s. had Christmas<br />
cards from low former co-workers. Pat<br />
Crossland, Manchester, sent her greetings<br />
from Santa Ana. Calif., where she is hving<br />
while her hihsband is in Korea. Donnie Snow's<br />
card was from Cherry Point, N. C. Helen<br />
Knop wrote from her home in Mission. Kas.,<br />
and Sally Knop Smith sent greetings from<br />
her husband, two .sons and herself from Okla-<br />
homa City . . . Phyllis Kost. Columbia, .spent a<br />
weekend at her home in Humeston<br />
and Mrs. V. E. Gorham, owners of the theatre<br />
at Redfield, report their 2-year-old son Hudd<br />
is home from Blank Hospital where he was<br />
hospitalized for 34 days following surgery.<br />
Thelma Washburn, RKO office manager<br />
and head booker, .spent a two-week vacation<br />
visiting her daughter and family in Florida<br />
. . . RKO salesmen Bob Evans and Mai Pugh<br />
were on vacation . Benton has resigned<br />
as contract clerk at RKO to join<br />
her husband who is serving with the army in<br />
Germany . Fitzgibbon, owner of the<br />
Wapello Theatre, Wapello, presented his annual<br />
Christmas treat to kiddies in his community<br />
with a free show . Van<br />
Boxtel of the Luna Theatre in Battle Creek<br />
was host at a free showing on Christmas<br />
night.<br />
Mary Warrick, manager of the Rialto Theatre<br />
in Missouri "Valley, estimated the total<br />
attendance at the free shows there just before<br />
Christmas at about 1,600 . . . Frank<br />
Rubel, Central States executive and newly<br />
elected chief barker for the Variety Club, is<br />
spending a month vacationing in Mexico<br />
City. He expects to return around the middle<br />
of January.<br />
Sells Minnesota House<br />
FAIRMONT, MINN.—Leslie Larson ha-s sold<br />
his interest in the Ringsted Theatre to Harold<br />
Ki-amer, who said he would not change<br />
the house's playing policy.<br />
MINNEAPOLIS<br />
pxploiteer John Thompson was in from New<br />
York to beat the drum for Columbia's first<br />
Cinemascope picture. "The Violent Men."<br />
.scheduled for the Minneapolis and St. Paul<br />
RKO Orpheums . . . Frank Ander.son. Warner<br />
North Dakota salesman, who headquarters at<br />
Minot, was here . . . Eph Rosen, MOM assistant<br />
manager, is in Des Moines to pinch-hit<br />
there for Manager Jerry McGlynn, who has<br />
been ill.<br />
. . . Stan<br />
Abbott Swartz, UA manager, and wife are<br />
vacationing in New York . . . M. A. Levy, 20th-<br />
Fox division manager, and Alex Harrison,<br />
western division sales manager, were on a<br />
tour of the Omaha and Des Moines branches<br />
Greenblatt, RKO domestic sales<br />
manager, and Roy Haines, WB western division<br />
sales manager, were in . . . Harold Lundquist,<br />
20th-Fox assistant to the division manager,<br />
was at the Omaha branch<br />
Kane. North Central Allied executive counsel,<br />
appeared at a city council committee hearing<br />
and helped induce the aldermen to exclude<br />
theatre marquees from a proposed ordinance<br />
to bar overhanging signs in the city's uptown<br />
business section.<br />
The Variety Club New Year's Eve party was<br />
attended by 130 .. .<br />
20 years at the<br />
post, William Donnelly has retired as business<br />
agent of the stagehands union to devote<br />
hi.s time to his new duties as the international<br />
vice-president. Dick Marietta succeeds<br />
him with the Minneapolis local.<br />
Local circuit owner and Hollywood producer<br />
W. R. Frank is reissuing his "Great Dan<br />
Patch" under the title of "Ride a Reckless<br />
Mile." He coupled it ^^ith his newest production,<br />
"Sitting Bull," for a holiday booking at<br />
. . "Illicit Interlude" moved<br />
his ace Minneapolis neighborhood theatre,<br />
the Boulevard .<br />
from the downtown World after two weeks to<br />
the Suburban World.<br />
Files Percentage Suits<br />
MILWAUKEE—Nick Johnson and Harry E.<br />
Tope, operating the Strand, Manitowoc, and<br />
the Wisconsin and Majestic, Sheboygan, have<br />
been named defendants in four percentage<br />
suits in federal court for the Eastern district<br />
of Wisconsin. The actions were by Loew's,<br />
20th-Fox, United Artists and RKO.<br />
Closes at Lorimore, Iowa<br />
LORIMORE, IOWA—The Lorimor Theatre<br />
has closed indefinitely because of lack of<br />
patronage. For the past year, the Lorimor<br />
has been operating only on Saturday and<br />
Sunday nights.<br />
Installs Wide Screen<br />
WAUTOMA, WIS.—A wide .screen for Cinemascope<br />
pictures is being installed in the<br />
Park Theatre by W. D. Washburn of Conover,<br />
owner. Elmer Thompson is manager.<br />
lowan Adds Wide Screen<br />
CORNING, IOWA — A new wide-view<br />
screen has been installed at the American<br />
Theatre here, according to Dick Kuhl, manager.<br />
Fred MacMurray will star in the Cinema-<br />
Scope galloper. Allied Artists' "Gun Point,"<br />
which will roll in April.<br />
Your best<br />
cancer insurance<br />
"LIFETIME" POLICY. .<br />
See your doctor every<br />
.<br />
.<br />
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yeai<br />
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matter how well<br />
you feel.<br />
"DAY-TO-DAY" POLICE<br />
...See your doctor immediately<br />
at the first sign of an><br />
one of the seven danger signals<br />
that viay mean cancel<br />
(1) Any sore that does nol<br />
heal (2) A lump or thickening<br />
in the breast or elsewhere<br />
(3) Unusual bleeding<br />
or discharge (4) Any diang*<br />
in a wart or mole (5) Per<br />
sistcnt indigestion or dHB<br />
culty in swallowing (6) Per<br />
sistent hoanseness or cougl<br />
(7) .\ny change in norma<br />
bowel habits.<br />
Many cancers can be cured<br />
but only if properly treatec<br />
before they have begun t(<br />
spread or "colonize" in othe<br />
parts of the body.<br />
For any information abou<br />
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to "Cancer" in care of you<br />
local Post Office.<br />
American<br />
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This Space Contributed by<br />
BOXOFFICE<br />
66 BOXOFFICE Januar;
; shown<br />
s Group 16<br />
onic Hall<br />
it was filed recently by<br />
Inthony Demiison, heads<br />
1 Group 16, against the<br />
iig $52,000 damages for<br />
ntract. Salupo and Deniig<br />
$25,000 personal damlal<br />
$2,500 lor actual loss<br />
ionic Hall, after entering<br />
show a series of five<br />
he Group 16 membership,<br />
om its written agreement<br />
Police Chief Frank W.<br />
of women's clubs. The<br />
ed are to compensate for<br />
amage" done by the pubn<br />
the announcement of<br />
withdrawal from the con-<br />
3 that Tom Schulkins, in<br />
Is for Masonic Hall, was<br />
le type of pictui'es to be<br />
)up found a haven in the<br />
ivhere "Dedee." first picfive,<br />
was shown to some<br />
each of whom paid a $5<br />
admission to the entire<br />
the week before<br />
;omt ruled precensorship<br />
id Dennison were arrested<br />
:heduled to be heard be-<br />
;e Lillian Westropp here<br />
t precensorship is out, it<br />
earing would be perfunc-<br />
3f the Masonic Temple<br />
when he entered into a<br />
;h Salupo and Dennison,<br />
; films involved were unit<br />
until newspaper adver-<br />
,t he was aware of this<br />
advertising used," .says<br />
1 that the pictiu-es prowould<br />
be unsuitable for<br />
lasonic Auditorium. Our<br />
presentatives of Group 16<br />
pictures exhibited in the<br />
must comply with the<br />
tions and ordinances of<br />
our entering into a couiid<br />
Dennison, we were not<br />
pictures iJivolved had not<br />
nsor board. So their ex-<br />
,e, was clearly in violation<br />
quiring a censor seal for<br />
n the state. Obviously, it<br />
ir in harmony with the<br />
i'n to show pictures which<br />
;gal state or city require-<br />
of Cleveland<br />
lical Co.<br />
i Sehoen. who has been<br />
years in the manufacture<br />
lintenance chemicals, has<br />
; Chemical Co. and estabjlant<br />
at 1005 Broadway.<br />
:e all types of floor cleanf<br />
of sanitation products,<br />
its, polishing waxes, an<br />
sealer, glass cleaner and<br />
Dick Wright Cleveland SW Chieh<br />
Recounts Theatre Story on TV<br />
The following account of Cleveland's<br />
famous Allen Theatre on Euclid<br />
avenue was presented on a recent<br />
Lights. Questions and Camera program<br />
of TV-WXEL there by Dick Wright,<br />
district manager for Stanley Warner<br />
Theatres at Cleveland. The story was<br />
written by Elsie Loeb, longtime Cleveland<br />
correspondent for BOXOFFICE<br />
from Wright's talk.<br />
The Hon. Robert J. Bulkley, prominent attorney<br />
and former congressman and president<br />
of the Bulkley Building Co., early in<br />
DICK WRIGHT<br />
1916 viewed with great interest the trend of<br />
busine.ss growth in Cleveland eastward along<br />
Euclid Avenue. The Public Square, center<br />
of the city in an earlier day, had ceased to<br />
be the heart of the retail district. Following<br />
in the path of the city's old residential mansions,<br />
famous as "Millionaires Row" lEast<br />
22nd street to East 40th street) a new retail<br />
district came into existence at the intersection<br />
of Huron Road and East 14th street<br />
with Euclid avenue a converging point of<br />
three main arteries of traffic.<br />
At this point was the residence of Mr. and<br />
Mrs. W. S. Tyler, a home which at that time<br />
they had ceased to occupy. In previous years<br />
this was known as the old Dempsey homestead.<br />
On the property next adjoining on<br />
the east stood an old, remodeled residence<br />
with a large gymnasium structure attached,<br />
which formerly belonged to the Cleveland<br />
Athletic Club. This was a four-story structure<br />
set back about 200-feet from the street<br />
and was occupied by Mr. C. A. Selzer, dealer<br />
in fine antiques.<br />
With the end of World War I, there came<br />
a gi-eat rise in values on Euclid avenue. The<br />
announcement of the magnificent Hanna<br />
building at the southeast corner of Euclid<br />
and East 14th, and a general spirit of optimism<br />
in the community, resulted in an increased<br />
demand for new retail stores in this<br />
area. It was then, through the vision and<br />
foresight of Mr. Bulkley that he envisioned<br />
as a part of the development, a theatrical enterprise<br />
in addition to an office building to<br />
be erected on this site.<br />
The attractiveness of a theatrical enterprise<br />
was great since Cleveland, at that time,<br />
was not adequately provided with modern<br />
theatres. So, with the completion of building<br />
plans, arrangements were made with the<br />
most important motion picture exhibitors in<br />
Canada—the Allen brothers Jule and Jay J.<br />
—for the operation of their first theatre in<br />
the United States, the Allen Theatre. The<br />
Allen brothers who were natives of Permsylvania,<br />
had made a success of their circuit<br />
of 50 theatres in Canada. The Allen in Cleveland<br />
was to be theu' first and finest of a<br />
chain to be established in this country.<br />
C. Howard Crane of Detroit, one of the<br />
outstanding architects of America who had<br />
designed a niunber of important New York<br />
theatres as well as a number for the Allen<br />
chain in Canada, was engaged to design the<br />
new Allen in Cleveland.<br />
On July 22, 1919, ground was broken and<br />
work began. As the work progressed, stories<br />
and photos were published in the Cleveland<br />
newspapers. One photo published early in<br />
1921 was the architect's sketch of the rotunda<br />
paved in marble and done in the style of the<br />
Italian Renaissance, showing the great dome<br />
33 feet in height patterned after the Villa<br />
Madomia, located about 18 nules from Rome.<br />
On the night of April 1, 1921, heralded as<br />
a mecca to those who desired the utmost in<br />
entertainment in the photoplay and its allied<br />
arts, the Allen Theatre opened to the public.<br />
The opening program included Phil Spitalny<br />
and his orchestra playing "Caprice Italien,"<br />
an Educational Picture's scenic film, the<br />
Halhoom Boy comedy "High and Dry," a<br />
newsreel and the feature attraction, "The<br />
Greatest Love," starring Vera Gordon and<br />
directed by Hem-y Kolker. Others in the<br />
cast were Hugh Huntley, 'Yvonne Shelter,<br />
Ray Dean, Donald Hall and William Tooker.<br />
After the opening performance, a huge<br />
banquet was served to a large number of invited<br />
guests in the tearoom, followed by<br />
dancing in the rotunda. S. Barrett McCormick<br />
was the managing director.<br />
In the years that followed, the management<br />
operation of the theatre underwent<br />
changes. Loew's Theatre operated the theatre<br />
in the late 1920s and early 1930s. In 1933<br />
it passed to the RKO Theatres management.<br />
On January 1, 1949, Warner Bros., pooled with<br />
RKO in the Allen, took complete control,<br />
and it was operated by Warner Bros, until<br />
March 1, 1953 when Stanley Warner Theatres<br />
took over the management.<br />
For the past 21 years Howard Higley has<br />
been the Allen Theatre's managing director,<br />
continuing in that through the RKO, the<br />
Warner and now the Stanley Warner operation.<br />
The record run of the house, which has<br />
never deviated from a first run policy, was<br />
"The Caine Mutiny" which was held for six<br />
weeks. Higley's campaign on this engagement<br />
won first place in the national Fabian's<br />
Fabulous Forty drive.<br />
Geared for Januar'y Start<br />
Allied Artists' "Wichita," starring Joel<br />
McCrea, to be produced by Walter Mirisch,<br />
is being geared for an early January start.<br />
^1<br />
uary 8. 1955 ME 67
:<br />
. . 29<br />
'.<br />
DETROIT<br />
lyjore than one million patrons have viewed<br />
"This Is Cinerama," now in its 95th<br />
record-making week at the Music Hall. This<br />
breaks the record in Michigan entertainment<br />
history, according to Manager F*i-ank Upton.<br />
Sy Schechter, manager of the Cinema, local<br />
first run art house, announced the appointment<br />
of Lloyd Turel jr., as his assistant . . .<br />
"This Is Cinerama" was in its 94th week at<br />
the Music Hall, a record in Michigan entertainment<br />
history. A second version of the<br />
presentation known as "Cinerama Holiday"<br />
will have its opening play date announced<br />
soon by Manager Prank Upton . . . Korman<br />
Theatres, small Detroit circuit operator, reports<br />
that it has taken over the management<br />
of the Senate and Crystal theatres on<br />
Michigan avenue. There will be no changes<br />
in the theatres' personnel.<br />
Manager C. Williamson of National Theatre<br />
Supply reports eight Simplex Perspecta<br />
sound systems were being installed in outstate<br />
theatres for the showing of "White<br />
Christmas" in VistaVision . . . Manager Tom<br />
Duane of Paramount went to Philadelphia<br />
for a managers' meeting.<br />
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SYRUPS—CUPS—POPCORN BOXES—GUMS<br />
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Priced Theatre Packs.<br />
ERNIE<br />
Sol Bcmk Is Sentenced<br />
For Income Tax Evcision<br />
From Central Edition<br />
ST. LOUIS—Sol Bank, who has owned<br />
theatres in Missouri and Kansas and operates<br />
the Star Theatre in Vandalia, Mo., received<br />
a six-month sentence and a $5,000<br />
fine after he pleaded nolo contendere mo<br />
contest) to one count of a two-count federal<br />
indictment that charged him with income<br />
tax evasion.<br />
Bank, who resides at 916 Trinity Ave., University<br />
City, a suburb of St. Louis, pleaded<br />
no contest to a charge that he had reported<br />
$10,812 of taxable income for 1949 and paid<br />
a tax of $1,532 while his true income was<br />
$19,790 on which a tax of $4,184 was due and<br />
payable.<br />
In the other count, which was dismissed<br />
after Bank entered his plea on the first count,<br />
the government charged the defendant reported<br />
a taxable income of $8,112 for 1948<br />
on which a tax of $1,127 was paid, although<br />
his income actually was $14,217 and the<br />
amount of tax due $2,622.<br />
Judge Roy W. Harper said he would recommend<br />
that the six-month sentence imposed<br />
on Bank be served at the United States Medical<br />
Center in Springfield, Mc, since Bank's<br />
physician had written a letter stating the<br />
defendant was ill.<br />
Judge Harper then stayed execution of the<br />
sentence until January 17, allowing Bank to<br />
continue at liberty under his $2,000 bail<br />
bond until that date.<br />
Mara Corday on Month's Tour<br />
Mara Corday, featured in Universal's "So<br />
This Is Paris," is on a month's tour in connection<br />
with openings of the picture.<br />
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Detroit 8, Mich. Nights- UN 3-1468<br />
BOWLING<br />
DETROIT—Ernie Forbes Theatre<br />
rolled<br />
up a two-point lead in the Ni%<br />
Club BowUng League. Team standi)<br />
as follows:<br />
Team Won Lost<br />
Ernie Forbes. . 23<br />
Locol 199 27 25<br />
Not'l Carbon. . .26 26<br />
Team >V<br />
Amuse. Sup . .<br />
Not'l Sup. . . .:<br />
Altec Sound. .:<br />
Individual high scores rolled wer(<br />
lows: Roy Thompson 193-198, for 5<br />
Mingione 214, 192; Joe Foresta 196, 5<br />
Colwell 191. 526; Edgar Douville ]<br />
Matt Haskin 200, 515; Vii-gil Laza<br />
503, and Thomas Beeton 200.<br />
Nightingale Notes: Nick Forrest, ci<br />
the Ernie Forbes team, liked first<br />
well that he stayed for the second wi<br />
says that he might stay longer. Joe<br />
wa-s the hot shot on his team; he to<br />
two prizes besides taking Beeton.<br />
Owen Blough was the visitor for<br />
who heckled secretary Floyd H. Al<br />
the low three game score, plus the 1<br />
he had to pay for his lunch.<br />
Frank Quinlan was in the groove.<br />
hitting the 3-6 pocket and came ui<br />
very good score, just when his tean<br />
all the pins they could get.<br />
Joe Foresta, Matt Haskiii, Carl ]<br />
and Kenneth Grenke were the wi:<br />
the over-average games, so they<br />
turkey for Christmas dinner.<br />
The next bowling date for the<br />
gales, as announced by secretary ]<br />
Akins, will be Thursday (6).<br />
DETROIT—RKO, Allied Film and<br />
were tied in the Film Bowling Leaguf<br />
ings<br />
Team Won Lost Team<br />
RKO 3 1 UA<br />
Allied Film .... 3 1 Theotricol . . .<br />
Republic 3 1 AA<br />
New high team scores rolled fi<br />
games for the season to date iticlud<br />
Film. 2,407: RKO Radio, 2,356: Unite(<br />
2.314.<br />
Individual high scores for three g:<br />
main the same as at the last gami<br />
618: England, 591; Baran, 583.<br />
Lamont Predicts Films<br />
Will Continue on Upb(<br />
From Eastern Edition<br />
ALBANY—Tlie exhibition end of<br />
pictures should continue on the upw<br />
in 1955 because "there will be more<br />
released and therefore more good<br />
available," in the opinion of Harry<br />
president of Lamont Theatres and a<br />
independent operator.<br />
Lamont pointed out, however, t<br />
business improvement trend, percent:<br />
may be less in 1955 than last year<br />
the fact that there must be a ceilii<br />
.somewhere.<br />
He disagreed with the opinion, so<br />
voiced m area circles, that the new pi<br />
combinations "may lose their financia<br />
Tliere is a ready market for additio<br />
tures. some of which, by the law of<br />
averages," must be clickers, Lamont i<br />
called attention to the great success w<br />
exhibitor-controlled organization of t<br />
First National, achieved. Lamont<br />
Fred Schwartz, Hal Makelim and ot<br />
their courage in launching recent pn<br />
ventures.<br />
68 BOXOFFICE Januar
i<br />
SUPERVISED<br />
agues' Hits<br />
sveland<br />
20.000 Leagues Under<br />
he big attraction over<br />
end. nearing the record<br />
ike held by "Peter Pan."<br />
.sensational 225 per cent<br />
cents for children at all<br />
rs were "No Business Like<br />
Deep in My Heart," "The<br />
1 "Tliree Ring Circus."<br />
houses were jubilant over<br />
tre attendance, neighboriisappointed.<br />
Even "White<br />
report, did not come up<br />
roge Is 100)<br />
ilice (WB) 135'<br />
less Like Show Business<br />
185<br />
terlude (Hakim) 105'<br />
Iter ;W8) 125<br />
!s Under the Sea (BV). . . .225<br />
us Para) 155<br />
Heort (MGM) 150*<br />
('ear's Eve.<br />
es Big 300<br />
>it<br />
. 90<br />
1 Cruz" teamed with "The<br />
it the Palms Theatre drew<br />
le holiday period with an<br />
cent. All other product,<br />
xeptions, did very good<br />
gle bills, "20.000 Leagues<br />
nd "Deep in My Heart,"<br />
place .spot with 250 each.<br />
Iretei :RKO); Utopia (SR) .<br />
try (U-l); The Yellow<br />
1 00<br />
ess Like Show Business<br />
225<br />
ues Under the Sea (Buena<br />
250<br />
Chalice (WB) 200<br />
.); The Diamond Wizord<br />
300<br />
in My Heart (MGM) 250<br />
Cincinnati<br />
Report<br />
rosses, representing just a<br />
were topped by "20,000<br />
Sea" at the Palace with<br />
xoffices were over average.<br />
reus (Para) 135<br />
efel :RK0) 110<br />
IS Under the Sea (Buena<br />
190<br />
s Airer Screen<br />
Industries is supplying a<br />
1 tower for George Manos'<br />
n at Coshocton which will<br />
le for spring opening. The<br />
curved and tilted surface<br />
"eet. The structure is the<br />
ar box trus.s construction,<br />
sat and presentable withstructure<br />
will be painted<br />
d the screen surface will<br />
of Raytone screen paint.<br />
Cleveland Holdover Record for 1954<br />
Made by 'Moon Is Blue at 11 Weeks<br />
CLEVELAND—During the past year, 79<br />
pictures which played the downtown theatres<br />
were held over for extended runs, ranging<br />
from two to 11 weeks. The longest run of<br />
the year was held by "The Moon Is Blue,"<br />
which played one week at the Hippodrome<br />
and then moved over to the Lower Mall for<br />
ten more weeks.<br />
Three pictures which played seven weeks<br />
were MGM's "Knights of the Round Table,"<br />
Paramount's "White Christmas" and Buena<br />
Vista's "Living Desert. MGM had the greatest<br />
number of holdovers with 20 features<br />
playing more than one week in their first<br />
run engagements. United Artists had 14 holdovers,<br />
20th-Fox had 13 and Paramount had 9.<br />
MGM<br />
Two Weeks: Rose Marie. Rhapsody, Flame<br />
and the Flesh, Men of the Fighting Lady,<br />
Valley of the Kings, Beau Brummell,<br />
Athena.<br />
Three Weeks: Easy to Love, The Long, Long<br />
Trailer, Executive Suite, Pi'isoner of War,<br />
Brigadoon. Rogue Cop.<br />
Four Weeks: The Last Time I Saw Paris,<br />
Seven Brides for Seven Brothers, Betrayed.<br />
Five Weeks: Julius Caesar. The Student<br />
Pi'ince.<br />
Six Weeks: Gone With the Wind.<br />
Seven Weeks: Knights of the Round Table.<br />
20th-Fox<br />
Two Weeks: Prince Valiant, River of No<br />
Return, Three Coins in the Fountain, Garden<br />
of Evil. Woman's World, Black Widow,<br />
Desiree.<br />
Three Weeks: King of the Khyber Rifles,<br />
Hell and High Water.<br />
Four Weeks: Beneath the 12-Mile Reef.<br />
Demetrius and the Gladiators, Broken<br />
Lance, The Egyptian.<br />
Paramount<br />
Two Weeks: Here Come the Girls, The<br />
Naked Jungle, Elephant Walk.<br />
Three Weeks: Money From Home, Living<br />
OUTSTANDING<br />
HANDY<br />
CRAFTSMANSHIP AND ENCINEtRINQ<br />
It<br />
Up. Knock on Wood, Rear Window, Sabrina.<br />
Seven Weeks: White Christmas.<br />
United Artists<br />
Two Weeks: Act of Love, Heidi, Beachhead,<br />
The Story of Gilbert and Sullivan, Witness<br />
to Murder. Robinson Crusoe, Crossed<br />
Swords, Man With a Million, Suddenly,<br />
The Little Kidnappers, Carmen Jones.<br />
Three Weeks: Apache.<br />
Foui- Weeks: Barefoot Contessa.<br />
Eleven Weeks: The Moon Is Blue.<br />
Warner Bros.<br />
Two Weeks: The Command, The High and<br />
the Mighty, Drum Beat.<br />
Three Weeks: Dragnet.<br />
Four Weeks: A Star Is Born.<br />
Columbia<br />
Two Weeks: MLss Sadie Thompson, M, On the<br />
Waterfront.<br />
Three Weeks: Fi'om Here to Eternity.<br />
Six Weeks: The Caine Mutiny.<br />
RKO<br />
Two Weeks: Pinocchio. Rob Roy.<br />
U-I<br />
Two Weeks: Magnificent Obsession.<br />
Three Weeks: The Glenn Miller Story.<br />
Buena Vista<br />
Four Weeks: The Vanishing Prairie.<br />
Seven Weeks: The Living Desert.<br />
Allied Artists<br />
Two Weeks: Johnny Guitar.<br />
Miscellaneous<br />
Two Weeks: The Golden Coach, IFE; Violated.<br />
Lippert, and Devil in the Flesh, AFE.<br />
Three Weeks: Bread. Love and Dreams, IFE,<br />
and La Ronde, Hakim.<br />
Four Weeks: Seven Deadly Sins, Arlan.<br />
Bruce Lester in "Chase' Cast<br />
Bruce Lester will play a role in Warners'<br />
"The Sea Chase," a CinemaScope-Warner-<br />
Color entry toplining John Wayne and Lana<br />
Turner.<br />
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. . Among<br />
. . Walter<br />
Foreign CS Campaign<br />
Receives Citation<br />
From Eastern Edition<br />
NEW YORK—The international<br />
"<br />
campaign<br />
on Cinemascope carried out under the direction<br />
of Charles Einfeld, 20th Century-Pox<br />
vice-president in charge of publicity, advertising<br />
and exploitation, has been cited by the<br />
Bureau of Advertising of the American Newspaper<br />
Publishers Ass'n as a "dependable old<br />
Hollywood formula" for "reviving the movie<br />
industry's confidence."<br />
The association has issued an elaborate<br />
six-page booklet with covers in color to<br />
prove that heavy promotion and newspaper<br />
advertising can accomplish w'onders. The<br />
catchline on the front cover reads: "If you<br />
have a product to promote, take a cue from<br />
20th Century-Pox."<br />
"A dejected and worried Hollywood has almost<br />
overnight regained much of its old<br />
spirit and 'colossal' confidence," the bureau<br />
states. "The arrival of Cinemascope has undoubtedly<br />
played a prominent role in the<br />
revival.<br />
"Early in 1953, after a highly successful<br />
first showing of Cinemascope to a trade<br />
audience, 20th Century-Pox's president, declared<br />
: 'If we want to help recreate the habit<br />
of the public going to see the movies, we've<br />
got to start now. As far as I am concerned.<br />
Cinemascope is it.'<br />
The company had no illusions that success<br />
would be automatic, the booklet continues.<br />
The booklet quotes Einfeld as saying: "We<br />
learned our lesson with 'The Robe.' We've<br />
been sticking to our formula ever since. It<br />
recognizes the fact that the newspaper is<br />
the backbone of any movie ad campaign. In<br />
big cities and small towns alike, people look<br />
to the amusement page of their local paper<br />
before they go to buy a movie ticket. That's<br />
the big reason why we depend so strongly on<br />
newspapers."<br />
Draws Assignment on 'Pink Tights'<br />
The directorial assignment on "I*ink<br />
Tights," a 20th Century-Pox film, has been<br />
drawn by Henry Levin.<br />
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CINCINNATI<br />
. . .<br />
•Phomas Fisher, vice-president of Midwest<br />
Theatre Supply Co., has been confined to<br />
his bed ill for several weeks . . . Lester Rosenfeld.<br />
West Virginia exhibitor who recently returned<br />
from a vacation in Japan, suffered<br />
a slight stroke but hop>es to be able shortly<br />
to travel to Plorida H. Pearl DeLong,<br />
State Theatre. Ironton, was on Pilmrow. His<br />
two sons, twins, who are both studying law<br />
at Ohio State University, took over operation<br />
of the theatre during their school vacation,<br />
permitting their father to get away from his<br />
duties for the first time in three years.<br />
Seen on the Row this week were Jerry<br />
Shinbach, division manager of RKO Theatres;<br />
Joe Joseph, Salem, W. Va.: Roy Wells, Dayton:<br />
Charles Behlen, Lexington; Robert<br />
Harrell, Cleves: Moe Potasky, Troy; Chalmer<br />
Bach, Eaton; C. V. Dinkle, Raceland, Ky..<br />
and Katherine Jones, Waverly . . . Children<br />
attending the special classes of the Hamilton<br />
County Council for Retarded Children were<br />
entertained at a gala theatre party by the<br />
Variety Club Ladies Auxiliary, held at the<br />
Avon Theatre through the generosity of owner<br />
Herman Hunt. Mrs. Hunt was chairman in<br />
charge of making plans for the party, and<br />
was assisted by the wives of Morris Dennis,<br />
Jack Pinberg, Robert Jacobs, Stuart Jacobson,<br />
Abe Maiua, Allen Moritz, Abe Strauss, Arthur<br />
van Gelder and Sam Weiss.<br />
Mr. and Mrs. J. E. Watson, he is the local<br />
MGM exploitation manager, spent the Christmas<br />
holidays in Columbus with their daughter<br />
and son-in-law, who just became parents<br />
of a baby son, their first child and the<br />
Watson's second grandchild .<br />
Watson,<br />
AA booker who is leaving the company<br />
after the first of the year to join S&S Amusement<br />
Co.. has been replaced by Philip Kelb<br />
from Chicago.<br />
COLUMBUS<br />
f^hristmas week business was strong in all<br />
situations. RKO Palace held "20,000<br />
Leagues Under the Sea" for a second week.<br />
"Three Ring Circus" at Loew's Ohio, "Hansel<br />
and Gretel" at RKO Grand and "Phffft" at<br />
Loew's Broad were all well attended<br />
Millicent Easter, who was publicity<br />
. . .<br />
manager<br />
of the old B. P. Keith Theatre on East Gay<br />
street in the 20s, was confined to Grand<br />
Hospital suffering from pneumonia. In recent<br />
years, Mrs. Easter has been Southern Hotel<br />
publicity representative.<br />
Members of the Ohio State football team, in<br />
Pa-sadena for the Rose Bowl game, visited<br />
the MGM studios through arrangements<br />
made by Walter Kessler, manager of Loew's<br />
Ohio . Ohio State supporters who<br />
attended the Rose Bowl game were Leo and<br />
Milton Yassenoff. Academy Theatres. The<br />
Yassenoffs were also on hand for the 1950<br />
Bowl game in which Ohio State participated.<br />
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to receive information regularly, as<br />
the following subjects for Theatre P<br />
D Acoustics<br />
n Air Conditioning<br />
n Architectural<br />
Service<br />
D "Black" Lighting<br />
n Building Material<br />
Carpets<br />
n Coin Machines<br />
D Complete RemodeUng ^ Sound E<br />
D Decorating<br />
n Lighting<br />
n Plumbinc<br />
n Projector<br />
Zl Projectio:<br />
n Seating<br />
Signs an<br />
Televisio<br />
n Drink Dispensers Theatre 1<br />
D Drive-In Equipment D Vending<br />
n Other Subjects<br />
Theatre<br />
Seating Capacity..<br />
Address<br />
City<br />
State<br />
Signed<br />
Postage-paid reply cards for your furth<br />
in obtaining information are provided in<br />
THEATRE Section, published with the<br />
each month.<br />
70 BOXOFFICE Janua
. president<br />
,<br />
promoted<br />
. . Bob<br />
. . . FYed<br />
. . Don<br />
. . Meyer<br />
. . Bob<br />
. . Manny<br />
. . Wintner<br />
. . John<br />
. . Glass<br />
.<br />
. . Bob<br />
. . Irving<br />
. . Milton<br />
.<br />
land Area Sees Much Comings and Goings in '54<br />
-The highlights and sidehe<br />
Cleveland Exchange area.<br />
JANUARY<br />
. .<br />
office up for the first time<br />
le Essick brothers, Jack and<br />
)vies at Hanna Theatre .<br />
r<br />
Nat Wolf<br />
from Republic<br />
Haven to Republic manager<br />
. Nat Barach named treas-<br />
's Club to fill the unexpired<br />
Jerry Wechsler.<br />
'oUard . . .<br />
nanager, joined U-I as JAR<br />
. . Steve Hreno, Elm Road<br />
. . . Nat<br />
suilty in firing on a 15-yearjust<br />
outvside the theatre<br />
riety Club produces a short<br />
erebral palsy drive<br />
amer Ohio zone manager,<br />
bitor with purchase of Coin<br />
Portsmouth . . . Ernest<br />
of Cleveland Moibitors<br />
Ass'n. died two weeks<br />
to the office he held 19<br />
"TBRUARY<br />
elected president Indep)enders<br />
of Ohio to succeed Chris<br />
. . . Tower Theatre closed<br />
) mercantile use . . . Prank<br />
leatre division manager, gets<br />
Buffalo added to his terri-<br />
Ramsey closes his Plymouth<br />
)uth after 23 years operation<br />
'ski takes over and reopens<br />
. . . Paramount Theatre, Toirthday<br />
anniversary . . . Judd<br />
,' Lipow fold their Roadshow<br />
iegle joined Republic and<br />
ramount . . . Henry Green-<br />
IPEA president, post vacated<br />
Jrnest Schwartz.<br />
>IARCH<br />
1 of two-hour travelog probig<br />
at Detroit Theatre . . .<br />
all business and traffic . . .<br />
. . .<br />
. .<br />
.<br />
e to repeal local admission<br />
mont and Mansfield repeal<br />
:s, 20th-Pox cashier, resigns<br />
Irwin Pollard tendered<br />
iner upon leaving Cleveland<br />
)etroit . . . Jack Armstrong<br />
rl Schwyn circuit of thea-<br />
Ine Stuman succeeds Al<br />
mount cashier . Hope<br />
Musicarnival . James J.<br />
ed plans to build de luxe<br />
and Fowler roads .<br />
dies one month<br />
. .<br />
after<br />
Mrs.<br />
her<br />
. . James Kalafat appointed<br />
treasurer of Cleveland Chapter of Naval Reserve<br />
Officers . . . Nate and Sam Schultz<br />
buy Ohio Theatre, Lorain, from August Ilg . .<br />
Jack Silverthorne, Variety Club chief barker,<br />
attends International convention in Dallas.<br />
APRIL<br />
. . Pi-incess Theatre at Youngstown<br />
Otto Braeuning and John Sabat have the<br />
HKO Radio sales drive named for them in<br />
honor of their 25 years of service each with the<br />
company . . . Eiglit-inch snow'fall halts drivein<br />
openings .<br />
razed to make way for a parking lot . . .<br />
Cleveland Cinema Club held its 38th birthday<br />
celebration . Glick elected president<br />
of the Salesmen's Club to succeed Sam Lichter<br />
Arthur Debra addressing Cleveland<br />
. . . Motion Picture Council urged members to<br />
support only pictures carrying code seal . . .<br />
Elmer DeWitt elected president of the Lion<br />
Paul Pontius returned<br />
Club in Defiance . . .<br />
to exhibition, taking over Little Flower Drivein<br />
at Ottawa . Bros, open Memphis<br />
Drive-In, Cleveland.<br />
MAY<br />
Shaker Theatre suffers $100,000 fire . . .<br />
Louis Weitz appointed CMPEA general manager<br />
. Jacobs succeeds Maxwell Joice<br />
as Parma Theatre manager . . . "Mom and<br />
Dad" passed by Ohio Censor Board . . .<br />
James Ochs and Mary Kilbane are married.<br />
. . .<br />
JtlNE<br />
Seymour Simon, Chicago attorney, and<br />
RosljTi Biel of Cleveland are married . . . Look<br />
Theatre, Warren, closed . . . Liberty Theatre,<br />
Wellsville, also closed . . . Ohio Exhibitors and<br />
Film Carriers discuss trucking rates . . .<br />
Wargo Bros, buy Uptown and Variety theatres<br />
from Warner Bros, for reported $500,000 . .<br />
Film Council holds its seventh annual Film<br />
Festival.<br />
JULY<br />
Barry Bernard, RKO exploiteer, transferred<br />
to Dallas . Fine attends luncheon at<br />
White House as guest of the President<br />
Community Circuit leases Variety Theatre . .<br />
Shaker Theatre reopens after $150,000 remodeling<br />
job . Tender, Tivoli Thea-<br />
.<br />
. Circuit acquires Uptown<br />
tre in Lorain, marries Estelle Plocos of Pittsburgh<br />
Ancell initiates noon TVradio<br />
15-minute broadcast in front of Hippodrome<br />
... A. J. Kalberer, manager Switow<br />
Theatres in Washington, Ind., advocates "Get<br />
Tough" policy to stop vandalism . . . World<br />
premiere of "Magnificent Obsession" at<br />
Palace Theatre with personal apjjearance of<br />
Jane Wyman, Agnes Moorehead and Ross<br />
Downtown business on the upgrade<br />
Hunter . . .<br />
. . Associated<br />
Theatre . . . Harry Weiss joins Paramount<br />
publicity department.<br />
AUGUST<br />
Max Lefkowich renews lease on Embassy<br />
Theatre for 25 years at reported $700,000 . .<br />
Judge Bartlett, F^-anklin County common pleas<br />
court, upholds constitutionality of film censorship<br />
in suit of RKO Radio, ITOO, Martin<br />
G. Smith and Horace Adams . Mile<br />
Drive-In. Toledo, construction started . . .<br />
A. Foster Strouse named Cleveland-Cincinnati<br />
representative for Barnett Film Service<br />
Holzworth returns to the industry<br />
after a two-year absence . . . Hiram College<br />
becomes first college in this area to install<br />
Cinemascope ... J. Knox Strachan, formerly<br />
with Warners, moves to St. Petersburg, Pla. . .<br />
RKO sells the RKO-105th Street Theatre to<br />
the 105th Corp. headed by Bernard Rubin . .<br />
Aki-on does not re-enact the three per cent<br />
Shia, St. Clair.sville,<br />
local tax . . . Dave<br />
appointed St. Clairsville postmaster . . .<br />
Me.ver Fine<br />
Julius Lamm<br />
Horace Adams attends National Allied board<br />
meeting. White Sulphur Springs, W. Va.<br />
SEPTEMBER<br />
Jack Bernstein, RKO manager, resigned to<br />
become general manager of Allied Artists of<br />
Canada . . . Meyer and Mrs. Fine return from<br />
ITOO plans series of<br />
North Cape cruise . . .<br />
state meetings to discuss exhibitor problems<br />
... J. J. Shannon celebrates 15 years as operator<br />
and owner of New Life Theatre, Woodsfield<br />
. . . Herbert Ochs and Ben Ogron become<br />
associated with J. J. Barton in new-<br />
Pearl Road Drive-In . . . Frand Belles appointed<br />
RKO manager to succeed Jack Bernstein<br />
Lamm, Colony Theatre man-<br />
. . . Julius<br />
ager, celebrates 50 years in show business . .<br />
Marciano-Charles fight telecast plays to about<br />
75 per cent attendance.<br />
OCTOBER<br />
"Lights! Camera! Questions!" starts third<br />
year on TV . . . Variety Club stages a Cerebral<br />
Palsy telethon . . . Irwin Shenker opens a<br />
Berlo office in Detroit, naming Harold Hinkston<br />
manager . Berlin in town to exploit<br />
"White ChrLstmas" . . . Associated Circuit<br />
buys Park and Granada theatres from<br />
Loew's . Wile receives commendation<br />
from State Secretary Ted Brown for his<br />
trailer, "Protect Your American Heritage.<br />
Vote any way you like—but Vote" . . . Arthur<br />
Engelbert, Warner cashier, and wife celebrate<br />
their 29th wedding anniversary.<br />
NOV'EMBER<br />
Oscar Ruby, Columbia branch manager,<br />
dies . . . Edward Shulman takes over Heights<br />
Theatre to operate as an art house. Mae<br />
Rosian appointed house manager . . . Nate<br />
and Sam Schultz take over Horace Shock's<br />
three Lima drive-ins . . . Leo Greenfield,<br />
Buena Vista district sales manager, leases<br />
Film Bldg. office space . . . Harry Weiss resigns<br />
from Paramount publicity staff. Joins<br />
UA to exploit "Vera Cruz" and "Romeo and<br />
Juliet" . . . Jerome Safron appointed Columbia<br />
manager to succeed Oscar Ruby . . .<br />
Jack Silverthorne re-elected Variety Club<br />
chief barker . Grant elected international<br />
president of Silk Screen Process<br />
Printing Ass'n.<br />
DECEMBER<br />
Bernard Rubin, Imperial Pictures, dies of<br />
coronary thrombosis.<br />
lanuary 8, 1955 71
. . The<br />
. . The<br />
. . Henry<br />
CLEVELAND<br />
prnest Sands, Warner Bros, manager who<br />
went to New York for surgery the beginning<br />
of December and stayed on there for<br />
the first part of his convalescence, is completing<br />
the job of getting well in Florida. He<br />
plans to return shortly . . . Sam FYitz. manager<br />
of the Hilliai-d Square Theatre, is the<br />
father of a second daughter . son of<br />
Mary Lou Weaver, secretary to Ernest Sands,<br />
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recently married. He was in for a day to<br />
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. . .<br />
Arthur Ehrlich, who left the industry a<br />
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the new Buena Vista office as booker under<br />
Leo Greenfield, district sales manager<br />
Jerry Lipow, Paramount salesman, is back<br />
from a brief visit to Buffalo . Variety<br />
Club did not stage a New Year's Eve party<br />
this year ... I. J. Schmertz. 20th-Fox manager,<br />
left Wednesday i29i to join his family<br />
in Florida. He'll be back before Monday (17 1.<br />
however, when the industry is honoring him<br />
with a testimonial dinner on the double occasion<br />
of his 50th anniversary with 20th-Fox<br />
and his 28th year as manager of the Cleveland<br />
branch.<br />
Paul Gusdanovic, head of the Gusdanovic<br />
circuit, departed for Florida .<br />
Greenberger<br />
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left for the south following the annual meeting<br />
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Ass'n Thursday i6). Greenberger is<br />
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NEW YORK—Columbia's "On the V<br />
front" and Paramount's "The Country<br />
both black-and-white features, ran neck<br />
neck with the British-made Technicolo<br />
ture. "Romeo and Juliet," distributed :<br />
U. S. by United Artists, by being on al<br />
"Best Ten Pictures of 1954" lists ma<br />
by the New York morning papers, pli<br />
National Board of Review. The im<br />
papers were The Daily News, The New<br />
Times, The New York Herald Tribun<br />
The Daily Mirror. The three New York<br />
noon papers have not yet selected their<br />
Ten" films.<br />
"Romeo and Juliet,"<br />
which was on a<br />
of the newspapers' "Best Ten" lists, 1<br />
a separate list of "Best Ten" foreign<br />
made by the National Board of Review<br />
closest to these three features was the ]<br />
film, "Mr. Hulot's Holiday," distributed<br />
U. S. by GBD International, which v<br />
four lists, including the National Boi<br />
Review's separate foreign film list and<br />
chosen best foreign-language film t<br />
Daily Mirror.<br />
The features w'hich were on three<br />
the five "Best Ten" lists were: "Seven<br />
for Seven Brothers" (MGMI and "C<br />
Jones" (20th Century -Fox) , the onl<br />
Cinemascope pictures to make most<br />
lists; "Sabrina" (Paramount) and '<br />
vieve" and "The Little Kidnappers,'<br />
British pictures, distributed by Uni<br />
International and United Artists, respei<br />
Appearing on two of the five lists<br />
Three Coins in the Fountain," in C:<br />
'<br />
Scope (20th-Fox) ; "Knock on Wood"<br />
"The Glenn Miller Story" (U-I), "A S<br />
Born," in Cinemascope (WB) ; "Gate ol<br />
Japanese picture distributed in the U<br />
Edward Harrison, and "The Vanishing<br />
rie"<br />
(Buena Vista).<br />
"Night People," in Cinemascope<br />
Fox\ "Rear Window" (ParaK "The<br />
foot Contessa" (UA). "The Caine In<br />
(Col), "Executive Suite" (MGM^ anc<br />
Unconquered" (Margolies) were mei<br />
on one out of the five lists.<br />
The "Best Ten" selections for 1954<br />
New York morning newspapers were<br />
by Kate Cameron, for the Dally New;<br />
ley Crowther, for the New York Time<br />
L. Guernsey jr., for the New York<br />
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BOXOFFICE :: January
. Loew's<br />
-<br />
. . James<br />
. . Mayor<br />
. . John<br />
. . Hal<br />
. . Mauiy<br />
. . CinemaScope<br />
rbus Area News in<br />
7954 Reflects Upward Trend<br />
ighlights<br />
ANXJARY<br />
of Columbus the-<br />
caped damage in a wareiestroyed<br />
a nearby building<br />
atres circuit was dissolved<br />
r and Al Sugarman . . .<br />
ved its first Cinemascope<br />
Rowlands installed an As-<br />
1 at the Main .<br />
. . Frank<br />
a wide screen at the Lin-<br />
Dillon, veteran stagehand<br />
vas awarded a gold memle<br />
stagehands union for 50<br />
Broad had an<br />
for "M," which had been<br />
'hio censor board and rei<br />
Supreme Court decision<br />
;ullen, former Loew's cenager.<br />
died at Tucson.<br />
EBRUARY<br />
3 neighborhood, was closed<br />
' a local revival group . . .<br />
oved into a new home in<br />
Russell Bovim<br />
forge Brobst. former local<br />
rowned at Malibu Beach.<br />
A. Bovim, former manager<br />
imed Loew's western divisd<br />
Frank Henson, former<br />
lager, named city manager<br />
Avondale. west side neigh<br />
ired by Academy Theatres<br />
!r was chosen motion picthe<br />
Ohio State University<br />
MARCH<br />
an had a five-week run<br />
^ Paradise" at the World<br />
; Capers over WTVN from<br />
. . .<br />
'alace marquee is the first<br />
show to be telecast with<br />
jn here The Columbus<br />
torially that theatre busithe<br />
best since 1947 and<br />
;tter in 1954 . . . Norman<br />
Dvie editor, said that the<br />
hip should be considered<br />
when it reconvenes in 1955<br />
er has taken an executive<br />
the bigbusiness<br />
Miles circuit . . .<br />
in the history of<br />
se was recorded when "The<br />
;racted 2150 patrons.<br />
APRIL<br />
I passed a more stringent<br />
James Dixon, city<br />
iw . . .<br />
ndent, proposed a 577-car<br />
parking garage for a site at Third and Town<br />
streets, near the downtown theatres . . .<br />
Milton Yassenoff turned over the facilities<br />
of the National Auto Theatre to the Junior<br />
Chamber of Commerce for a shutins Easter<br />
Cinemascope was installed at<br />
service . . .<br />
the Grandview, Hudson and Pythian theatres,<br />
all in Miles . . .<br />
manager of RKO Grand.<br />
Eddie Force named<br />
MAY<br />
Lee Hofheimer became a grandfather when<br />
his daughter Mrs. Joyce Strelitz of Norfolk,<br />
Va., gave birth to a daughter . Make-<br />
. .<br />
lim was here to tell exhibitors details of his<br />
film production plan . Sensenbrenner<br />
said that he has no intention of allowing<br />
bingo . Mrs. Mabel Higgins w'as elected<br />
president of the local Motion Picture Council.<br />
JUNE<br />
. . . Dr.<br />
Auditorium speakers were installed at<br />
Loew's Ohio and Loew's Broad ... An attempt<br />
was made to reactivate the Variety<br />
Tent 2 by a committee which included John<br />
Barcroft, Charles Sugarman, Robert Wile,<br />
Lee Hofheimer, Milton Yassenoff and radio,<br />
pres.s and television representatives<br />
Clyde Hissong, chief Ohio censor for the<br />
past ten years, announced his resignation<br />
. . . John Brobst, former Loew's Ohio stagehand,<br />
died.<br />
JULY<br />
The Dixie, pioneer west side neighborhood<br />
was taken over by the Church of God . .<br />
Arthur Miller, former Miles circuit booker<br />
has entered the real estate .sales field . .<br />
"Gone With The Wind" did big business<br />
in a three-week run at Loew's Ohio . . .<br />
Charles Sugarman was named secretary and<br />
Milton Yassenoff, treasurer, of the Showman's<br />
Club, forerunner of the reactivated<br />
Variety Club . A. Maddox, pioneer<br />
. . .<br />
local theatre manager and first chairman of<br />
Ohio censor board, died. At various times,<br />
Maddox managed the Princess, Colonial,<br />
Southern and Majestic Ted Pekras has<br />
closed the Oak, east side neighborhood, for<br />
remodeling and the installation of a wide<br />
screen.<br />
AUGUST<br />
Judge Bartlett refused to grant an injunction<br />
against the Ohio censor board, which<br />
was sought by RKO, ITOO, Martin Smith<br />
and Horace Adams. Robert Wile said the case<br />
will be appealed to the district court of appeals<br />
. . . Frank Marzetti has installed Super<br />
Panatar lenses at the Linden and Indianola.<br />
SEPTEMBER<br />
. .<br />
. . . Lelia Stearn<br />
.<br />
R. M. Eyman. Lancaster, was appointed<br />
Esther Williams<br />
chief Ohio film censor . . .<br />
and husband Ben Gage were stars of a<br />
stage show at Loew's Ohio . and<br />
Louis Sher leased the Bexley and will open<br />
the house as an art theatre October 1. Robert<br />
Work<br />
Little has been named manager .<br />
was started on a $250,000 drive-in at Whitehall<br />
by the Mainview Corp. of Chicago. The<br />
airer will be opened around January 1 and<br />
will have in-car heaters<br />
celebrated her tenth anniversary as operator<br />
of the Southern Barcroft is<br />
now handling public relations for the J.<br />
Real Neth circuit . . Efforts revive the<br />
. to<br />
local Variety Club have failed.<br />
OCTOBER<br />
Lou Holleb has been named general manager<br />
of the In-Town Auto Theatre . . Lee<br />
.<br />
Hofheimer resigned his executive position<br />
with the Miles circuit . . . Robert Wile fired<br />
the opening pun in the 1955 campaign to repeal<br />
censor.ship by sending letters to general<br />
assembly candidates and Ohio newspapers,<br />
asking for their position on censorship<br />
"The Moon Is Blue" played<br />
repeal . . . to 90.000 admissions during its 26-week run<br />
at the World, Manager Charles Sugarman<br />
estimated ... J. Real Neth installed Cinema-<br />
Scope in the State and Markham.<br />
NOVEMBER<br />
.<br />
The 13-year-old son of Manager Robert<br />
Sokol of Loew's Broad was hospitalized with<br />
head and leg injuries suffered when he was<br />
struck by an automobile while riding his<br />
Floyd Gooding was chosen president<br />
bicycle . . .<br />
of Columbus Boys Club, and Leo Yas-<br />
senoff, vice-president has<br />
been installed in the Ohio censor board<br />
screening room . . . George Pekras installed<br />
Cinemascope at the Ritz and Rivoli, as did<br />
J. Real Neth at the Clinton and Lincoln . . .<br />
Ethel Miles has installed CinemaScope at<br />
the Drexel.<br />
DECEMBER<br />
Lee Hofheimer plans to leave for Norfolk,<br />
Va., his home town, to enter the theatre<br />
business there ... J. Real Neth has installed<br />
CinemaScope equipment at the Eastern.<br />
A Prehistoric Discovery<br />
Results in Odd Publicity<br />
From Southwest Edition<br />
FORT WORTH—The discovery of three<br />
perfect ammonites, prehistoric fossils which<br />
are estimated to be over 200 million years<br />
old, resulted in some unusual publicity for<br />
Ezell's Jacksboro Drive-In. The snail-like<br />
fossils were uncovered by construction men<br />
while excavating as part of a remodeling program<br />
to enlarge the airer's capacity to 1,500<br />
cars.<br />
Experts from Southern Methodist University<br />
said this animal life is from the Mesozoic<br />
age, and National Geogi'aphic and other<br />
scientific organizations are now making special<br />
studies of other formations in the excavating<br />
area. Manager Lee Lipscomb placed<br />
two of the ammonites on exhibit in the snack<br />
bar and reports that the display drew hundreds<br />
of curious patrons.<br />
Film Council Schedules<br />
Annual Meet for April<br />
From Eastern Edition<br />
NEW YORK—The Film Council of America<br />
will hold its .second annual American Film<br />
Assembly April 4-6 at the Waldorf-Astoria<br />
Hotel. The main feature will be the Golden<br />
Reel Film Festival presenting outstanding<br />
16mm films on cultural and informational<br />
subjects.<br />
The committee is composed of Ray Bingham<br />
of Associated Films, chairman; Ed Rasch,<br />
Walt Disney Productions; Warren Sturgis,<br />
Sturgis-Grant Productions; Kern Moyse,<br />
Peerless Film Process Co.; Leo Dratfield,<br />
Contemporary Films, and Maury J. Glaubman,<br />
Anti-Defamation League.<br />
nuary 8, 1955 73
—<br />
Ideas still<br />
pay!<br />
Anyone can find<br />
Ideas,<br />
but successful exhibitors<br />
make ideas work for them *<br />
Whether you create, collect<br />
or adapt ideas, the main<br />
thing is to keep them stirring<br />
to build business for you.<br />
From Cover to Cover —<br />
BOXOFFICE Brims with Helpfulness<br />
*One exhibitor collected BOXOFFICE<br />
Stories on Children's Shows, and has<br />
boosted matinee business 100% by<br />
adapting them for his own theatre.<br />
As never before, better methods pay good tures—every day in every way . . . For good<br />
dividends in show business. Men in high ideas in the news and in the service departplaces<br />
and men in low places all have ments, read and use each issue of<br />
learned that it pays and pays to promote pic-<br />
BOXOFFICE<br />
Nine Sectional Editions - To Fit Every Distribution Area<br />
74 BOXOFFICE :: January
i the<br />
: downtown<br />
iih325is<br />
rpnse<br />
;h Chiiitmas Day and<br />
ig were slow during the<br />
picked up substantially<br />
d the remainder of the<br />
No Business Like Show<br />
xn the second best week<br />
only "The Robe" beating<br />
ir ago, with admissions<br />
25 top for "Show Busi-<br />
;an," playing the Astor<br />
first Cinemascope<br />
use and pulled down ex-<br />
Ls theatre, which rarely<br />
1 of this sort, turned in<br />
leek. "Romeo and Juliet"<br />
ot off to a slow start but<br />
ly.<br />
jge Is 100)<br />
in (U-l) 325<br />
I Juliet UA) 180<br />
3ve ond Dreams :IFEi. . . .200<br />
usincss Like Show Business<br />
400<br />
r Cholice ;WB) 175<br />
—Three Ring Circus (Pora);<br />
250<br />
hffH (Col); Masterson of<br />
95<br />
Leads<br />
area had only<br />
;h trade on the upgrade<br />
1 post-Christmas grosses.<br />
IS (Para); Jomboree (EP)<br />
105<br />
Brs lUA), 2nd wk<br />
en (Col); it Happened in<br />
80<br />
115<br />
(MGM) 100<br />
siness Lilce Show Business<br />
140<br />
t (WB); The Falce [UA). .125<br />
purts<br />
ses<br />
le end of the pre-Christ-<br />
1 brought a big spurt in<br />
itowners. All of the holiiptionally<br />
well, with the<br />
sel and Gretel" which<br />
the SW Roger Sherman.<br />
; The Rocket Man<br />
165<br />
Circus (Para); Jamboree<br />
200<br />
Coptoin Kidd and the<br />
210<br />
ond Gretel ;RKO); Africa<br />
70<br />
5SS Work Gifts<br />
5 Workers<br />
icement of the wage inwork<br />
week for lATSE<br />
oyes was the big Christrow.<br />
esident of Local F-3, rea<br />
telegram from lATSE<br />
ay hike of S5.50 a week is<br />
nber 1, while the reduces<br />
from 40 to 37',2 a week<br />
3. Friday, December 24.<br />
designated as holidays.<br />
eather<br />
e two area holdouts<br />
er—the Pike and Blue<br />
»tres—have finally sucand<br />
have closed for the<br />
11 outdoor units had been<br />
I<br />
Connecticut Exhibitors<br />
Expect Higher Grosses<br />
BEST DRESSED—Mgr. Cliarle> (^audino,<br />
rigfht, looks on as Mayor Daniel D.<br />
Brunton awards a Beau Brummell<br />
statuette to Joseph Redden, the local<br />
best-dressed man, in conjunction with the<br />
opening of "Beau Brummell" at Loew's<br />
Poll in Springfield, >Iass.<br />
Oil-Fired Boiler Explodes<br />
At Fishman Theatres Unit<br />
NEW HAVEN—An explosion of an oil-fired<br />
boiler forced an early evening audience from<br />
the Howard Theatre and cancellation of remaining<br />
night performances. The boiler, in<br />
the basement of the combination theatre and<br />
store block and situated directly below an<br />
independently owned luncheonette, caused<br />
damages totaling S5,000, principally to the<br />
boiler and the restaurant where plate glass<br />
windows were blown out.<br />
The blast rocked the buildings and caused<br />
a little smoke to enter the film house. A<br />
patrolman on duty in the theatre shouted to<br />
the audience of 100 that there was no reason<br />
for alarm. Patrons quietly filed out behind<br />
the officer and Anthony DelGrego, an usher,<br />
after house lights were turned on and emergency<br />
exits opened.<br />
Samuel Calechman, manager of the Howard.<br />
a unit of the Fishman Theatres chain, .said<br />
remaining evening performances were called<br />
off because the auditorium was left without<br />
lieat. Normal schedules were resumed the<br />
next day.<br />
A customer of the luncheonette and a man<br />
walking in front of the store w'ere slightly<br />
cut by flying glass. The fire marshal blamed<br />
the explosion on delayed ignition.<br />
Automatic Phone Unit<br />
HARTFORD—An automatic telephone answering<br />
and recording unit has been installed<br />
at the Interstate circuit's Palace in Rockville.<br />
According to Arthur Poirier. theatre<br />
manager, the equipment, installed by the<br />
Southern New England Telephone Co..<br />
answers incoming calls and tells theatre patrons<br />
what pictures are playing and when the<br />
next show starts.<br />
HARTFORD—Connecticut exhibitors are<br />
going into 1955 with anticipation of higher<br />
grosses with the upcoming quality product.<br />
Both independent and circuit managers<br />
contacted by BOXOFFICE asserted that 1955<br />
should shape up impressively, with one veteran<br />
showman noting: "We're past the experimentation<br />
stage already as far as wide<br />
screen. Cinemascope, Superscope, stereophonic<br />
sound, etc., are concerned, and now<br />
it's once again a matter of concentration on<br />
quality output, and the latter will indeed draw<br />
lorth more trade."<br />
Exhibitors look back on 1954 generally as<br />
an improved season.<br />
"We had product like Caine Mutiny, From<br />
Here to Eternity. A Star Is Born, White<br />
ChrLstmas, Sabrina, Seven Brides for Seven<br />
Brothers and There's No Business Like Show<br />
Business," noted another longtime exhibitor,<br />
"and a quick glance at the early 1955 releases,<br />
including the highly touted Country Girl and<br />
Bridges at Toko-Ri are indications of some<br />
good business at the boxoffice, which is of<br />
paramount importance at all times."<br />
So enthused was Lou Cohen, manager of<br />
Loew's Poll, Hartford, over his January attractions,<br />
that he wired local drama critics:<br />
"We're starting off the 1955 season with a<br />
bang!<br />
"Following our New Year's Eve show, 'Deep<br />
in My Heart,' MGM's enjoyable musical<br />
package, co-starring Jose Ferrer and Helen<br />
Traubel, we've got such releases as 'Sign of<br />
the Pagan,' Jeff Chandler's first in Cinema-<br />
Scope; 'Green Fire,' with Stewart Granger,<br />
Grace Kelly and Paul Douglas; 'Bad Day at<br />
Black Rock,' in Cinemascope, with Spencer<br />
Tracy, and 'Vera Cruz,' co-starring Gary<br />
Cooper and Burt Lancaster."<br />
Exploitation got under way early for the<br />
1955 season, too.<br />
Two exploitation representatives — John<br />
Markle, Columbia, and Bill Brooker, U-I<br />
were in the city for a week in the interests of<br />
"Violent Men" and "So This Is Paris," respectively.<br />
Brooker had Mara Corday, U-I<br />
.starlet, here for a day's round of disk jockeynewspaper<br />
interviews. The pair hosted the<br />
Connecticut press at a Statler Hotel luncheon.<br />
Trinity College Books<br />
Film Classics Series<br />
HARTFORD—The newly formed Cinema<br />
Club of Trinity College is presenting a series<br />
of five film classics through the winter and<br />
spring. The series, open to the public, includes<br />
"Grand Illusion," "Dr. Jekyll and Mr.<br />
Hyde," "Stor>' of Gosta Berling," "Alexander<br />
Nevsky," and four Keystone comedies with<br />
Charhe Chaplin. The films are being shown<br />
in the chemistry auditorium, with season tickets<br />
being sold for $1.50. One film is being<br />
screened each month.<br />
John Markle in Hartford<br />
HARTFORD—John Markle of the Columbia<br />
exploitation department, here for regional<br />
premiere of "Violent Men," his company's<br />
initial release in CinemaScope. arranged a<br />
street ballyhoo, consisting of appropriately<br />
bannered horse and rider. The film opened<br />
at E. M. Loew's.<br />
—<br />
jary 8. 1955<br />
NE 75
. . Eddie<br />
BOSTON<br />
Tames M. Connolly, northeastern division<br />
manager for 20th-Fox, has been elected<br />
chairman of the examining board of the<br />
Boston public library system. As chairman,<br />
he heads a group of 50 prominent citizens<br />
whose duties are to examine the policies and<br />
practices of the library system. He has been<br />
a committee member for the past four years.<br />
Following settlement of labor problems involving<br />
projectionists at the Strand Theatre<br />
in Pawtucket, R. I., the theatre has reopened.<br />
It is a New England Theatres house . . .<br />
Leslie Bendslev, Community Playhouse, Wellesley,<br />
and his wife left on their annua! winter<br />
cruise . . . Bessie Cohen, in the booking department<br />
at 20th-Fox. has announced her<br />
engagement to Samuel Szathmary of Brook-<br />
SELBY ^o SCREEN TOWERS<br />
for Drive-ln Theatres<br />
3 Standard Sizes<br />
SELBY INDUSTRIES, INC.<br />
13S0 Ghent Hills Rd. Akron 13, Ohio<br />
Montrose (through Medino, Ohio) 6-721<br />
IMAGE & SOUND SERVICE CORP.<br />
"The Best Value In Sound Service"<br />
Hancock 6-7984<br />
Boston, Massachusetts<br />
445 StaHer Building<br />
1<br />
line with no definite date set for the wedding.<br />
Richard Young of Washington has been<br />
added to the booking department as an<br />
apprentice.<br />
Mel Davis, head booker at Republic, spent<br />
a week's vacation in New York City . . Al<br />
Arzigian, Park Theatre, Montello. brought<br />
his 7-year-old daughter along on a Filmrow<br />
Roy Smith, Park Theatre, East Walpole,<br />
trip . . .<br />
picked up the luncheon tab for several<br />
industryites at Pinky's coffee shop . . Mrs.<br />
.<br />
E. M. Kelly, owner of the Star Theatre, North<br />
Brookfield, Mass., is driving to the coast for<br />
a long visit. Her brother, Leo Howard, who<br />
has just returned from the coast, is handling<br />
the buying and booking during her absence.<br />
He brought the Star manager, Ernie Beaudette,<br />
with him on a visit to the exchanges.<br />
Lockwood & Gordon Enterprises in association<br />
with Sam Rosen of New Haven, has<br />
acquired a drive-in site on River street in<br />
Bridgeport, Conn., from Seymour Levine for<br />
construction of a 750-car airer. Charles<br />
Abramowitz of New Haven is drawing up the<br />
plans. This will be the 12th drive-in under<br />
the Lockwood & Gordon banner.<br />
. . . Arthur<br />
Affiliated Theatres has added the following<br />
to its buying and booking lineup; Nordica<br />
in Freeport, the Maine for Lester Hughes;<br />
Park in Nashua, N. H., Joe Kennedy; Community<br />
in Guilford, Me., Sam Nyer, and the<br />
Thornton in Riverpoint, R. I.. William Deitch.<br />
The latter spot is reopening after having<br />
been closed for several months<br />
Howard, president of Affiliated, spent the holidays<br />
in Florida with his wife Carol and son<br />
Chuckle . Klein, head of Bay State<br />
Films, entered Massachusetts Memorial Hospital<br />
for an operation.<br />
Connecticut Editors<br />
Hail 'Rivers' Premiere<br />
Hartford—News that Connecticu<br />
serve as world premiere locatioi<br />
MGM's upcoming "Many Rivers to C<br />
has been greeted with enthusiasm c<br />
part of the slate press. The attra<br />
with Robert Taylor appearing oi<br />
night, will open at Loew's Poll in<br />
Haven on January 26, according to<br />
F. Shaw, division manager for I<br />
Poli-New England Theatres.<br />
Allen M. Widem, Hartford Times<br />
the news a four-column banner hej<br />
Other critics had similar treatmei<br />
the upcoming CinemaScope drama.<br />
Jack Simons Is Shifted<br />
To Palace, S. Norwalk<br />
HARTFORD—Nick E. Brickates, C<br />
cut district manager for Stanley<br />
Theatres, has announced shifting<br />
A. Simons from the Palace, Norwich<br />
Palace, South Norwalk.<br />
Phil Allaire, formerly at the Pala<br />
rington, and more recently assistant<br />
Sanson, Strand, Hartford, succeeds<br />
in Norwich.<br />
Simons at one time was manager o<br />
Poll, Hartford, later going to the<br />
State. Providence, R. I.<br />
Ross Hunter will produce and<br />
Cooper will script "1011 Fifth Aveni<br />
romantic comedy-drama for Univers;<br />
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76 BOXOFTICE :; Januai
I Martin<br />
. . . Charlie<br />
. . Arthur<br />
. . Hal<br />
. . James<br />
. . The<br />
. . Ken<br />
. . The<br />
jp Activities Highlight 7954 in Boston Area<br />
lights of 1954 in the Boston<br />
ANUABY<br />
ma" opened at the Boston<br />
Iter A. Brown was named<br />
;he Variety Club of New<br />
J Mullin<br />
d term . . . Joe Cifre retij-ed<br />
after 49 years in the equipkVilliam<br />
Kumins was named<br />
iVarner Bros, . . . Martin J.<br />
ected president of Allied<br />
Ingland.<br />
EBRUARY<br />
. . .<br />
Bin, president of United<br />
res, was cited at Temple<br />
rookline . . . Irving Isaacs<br />
sident of Independent Ex-<br />
Ingland Jimmy Fund<br />
i,384, of which $50,000 was<br />
ibution from tlie Kennedy<br />
MARCH<br />
lie Library saluted the mo-<br />
. .<br />
try with a huge dinner at<br />
iza Hotel, arranged by<br />
lan. general chairman .<br />
:11, president of Middlesex<br />
Maurice N. Wolf<br />
lied . . .<br />
relations representative for<br />
jrs in the industry . . . Ted<br />
led co-chairnran with Joe<br />
54 Jimmy F^^nd Drive . . .<br />
-operator of the Paramount<br />
George Roberts<br />
tres, Salem, died in Flor-<br />
)berts was re-elected presiige,<br />
B'nai B'rith . . . Harry<br />
era House, Newport, R. I.,<br />
.APRIL<br />
er, director of research for<br />
ncer Research Foundation,<br />
Katharine Berkan Judd<br />
York Medical Center . . .<br />
:KO. was elected president<br />
of the Cinema Club of Boston . . . Al Glaubinger<br />
was appointed sales manager at United<br />
Artists . . . Lloyd Clark was elected president<br />
and Winthrop Knox jr., vice-president, of<br />
Middlesex Amusement Co.<br />
MAY<br />
Hy Rne was appointed chairman for the<br />
fifth consecutive year of United Cerebral<br />
Palsy for theatres in<br />
New England . . . Benn<br />
Rosenwald was named<br />
chairman of distribu-<br />
. . Capitol<br />
tion of the 1954 Jimmy<br />
Fund Drive .<br />
Theatre Supply<br />
Co.. of which Kenneth<br />
Douglass is president,<br />
marked its 25th annivery<br />
. . . Joseph Cap-<br />
Ian was elected president<br />
of Local 182,<br />
lATSE, with Ralph<br />
Fiazier business agent Benn Rosenwald<br />
Heath, projectionist at the RKO<br />
screening room for 29 years, retired.<br />
JUNE<br />
Brown received the Great Heart<br />
, . . Jack<br />
Walter A.<br />
Award by the Variety Club of New England<br />
at a dinner in the Hotel Statler<br />
Walter Brown<br />
James M. Connolly<br />
.<br />
Gubbins was re-elected president of the Motion<br />
Picture Salesmans Club R.<br />
Makelim presented his picture production<br />
plan at a exhibition luncheon . M.<br />
Connolly was appointed northeast division<br />
manager for 20th-Fox, while John Feloney<br />
was promoted to manager and John Peckos<br />
to sales manager . Lockwood was<br />
elected president of the Children's Cancer<br />
Research Foundation . . . Mr. and Mi's. C. J.<br />
Russell sr. of Bangor celebrated their 50th<br />
wedding anniversary.<br />
JULY<br />
. .<br />
E. M. Loew Theatres opened a 1,000-car<br />
drive-in at Burlington . Joe Levine of Emba.ssy<br />
tossed an industry luncheon to kick<br />
off the "Duel in the Sun" return engagements.<br />
AUGUST<br />
"The French Line" was banned in both<br />
Boston and L>iin, as well as for Sunday<br />
. . . Fi'ank<br />
showings throughout the commonwealth . . .<br />
Redstone Theatres opened its new Veterans<br />
of Foreign Wars Parkway Drive-In at West<br />
Roxbury Bosketti, veteran<br />
The 1954<br />
Lawrence<br />
Jimmy<br />
exhibitor, died . . .<br />
Fund campaign was launched.<br />
SEPTEMBER<br />
RKO filed a suit in federal court against<br />
state and city censors, as well as the mayors<br />
.<br />
of Boston and Lynn . Embassy shipping<br />
room quarters were destroyed by fire<br />
. . . Hurricane Edna caused havoc throughout<br />
the area University Theatre, Cambridge,<br />
installed an automatic telephone answering<br />
service unit.<br />
OCTOBER<br />
American Theatres Corp. started a managers'<br />
contest in celebration of its sixth<br />
anniversary ... I. J.<br />
Hoffman acquired the<br />
Arcade Theatre,<br />
Springfield, from Nathan<br />
Goldstein<br />
Nathan<br />
.<br />
Buchman<br />
. .<br />
resigned<br />
from American<br />
Theatres Supply Co. to<br />
start a business for<br />
himself and was replaced<br />
by Benjamin<br />
Conviser . Hamilton,<br />
New York territory<br />
salesman for Manley,<br />
won the merchan-<br />
I. J. Hoffman<br />
dising sales contest conducted in the territory<br />
by Lyman O. Seley. division manager.<br />
NOVEMBER<br />
New England Theatres started a managers'<br />
Profit and Pi-estige Drive ... A luncheon<br />
honoring ten exchange personnel who had<br />
been promoted during the year was held at<br />
the Hotel Bradford by the Variety Club of<br />
New England . . . Aji antitrust suit for $10,-<br />
000,000 was filed in federal court by Jean<br />
Campopiano of Lawrence against the majors.<br />
DECEMBER<br />
Independent Elxhibitors of New England, a<br />
unit of National Allied, conducted a one-day<br />
convention . . . Samuel<br />
Pinanski was tendered<br />
a surprise testimonial<br />
luncheon by a<br />
group of friends . . .<br />
MGM held a successful<br />
Ticket Selling<br />
Workshop at the Hotel<br />
Bradford . . . Lockwood<br />
& Gordon Enterprises<br />
conducted its<br />
annual managers and<br />
managers<br />
district<br />
meeting here<br />
Samuel Pinanski antitrust case<br />
. . .<br />
of<br />
The<br />
Victoria<br />
Amu.sement Co., Lawrence, was settled<br />
for a reported $87,500 after nine days of jury<br />
trial.<br />
To Film "The Norman' in Englcmd<br />
Charles Warren will film "The Norman"<br />
under the banner of his Commander Pictures<br />
unit on location in England.<br />
you CAN ALWAYS DEPEND ON<br />
FOR THE BEST<br />
SPECIAL<br />
nuary 8, 1955 77
. . Lou<br />
. . The<br />
. . Tlie<br />
. .<br />
Nick Kounaris, 61, Dies<br />
At New Britain Home<br />
HARTFORD—Nick Kounans, 61, partner in<br />
the Kounaris-Tolis Theatres, operating the<br />
Meriden and Newington, died at his New<br />
Britain home recently (26).<br />
Kounaris, at one time operator of the Music<br />
Box, then the Roxy, in New Britain, also<br />
headed the Crown Dairj' and Ice Cream Co.<br />
of that city.<br />
NEW HAVEN<br />
Dalph Preis of Philadelphia, representative of<br />
Variety Clubs International conferred with<br />
the crew of Tent 31 at a luncheon in Kaysey's.<br />
Chief Barker Henry Germaine and crewmen<br />
discussed methods of increasing activities of<br />
the state unit with Preis . . . U-I's Bill Brooker<br />
accompanied Mara Corday here for a press<br />
luncheon and radio appearance in connection<br />
with "So This Is Paris." Manager Alec<br />
Schimel and Stanley Warner zone officials<br />
were hosts at the luncheon. Brooker also has<br />
been working around the state on "Sign of the<br />
Pagan."<br />
John DiBcnedetto, manager of Loew's Poll,<br />
Worcester, and former assistant manager at<br />
the Poll here, was in with his wife . . .<br />
"Young at Heart" went into the SW Roger<br />
Sherman two days ahead of schedule when<br />
the slated one-week run of "Hansel and<br />
Gretel" was reduced to five days . son<br />
of Nat Fellman, head national film booker<br />
and buyer for SW, was in to tour Yale University<br />
in preparation for applying for admission<br />
to Old Eli.<br />
Definite plans for a $5,200,000; 13-story,<br />
350-room Sheraton Hotel were warmly received<br />
by the industry here. Many movie<br />
parties, press interviews and other activities<br />
are expected to be held in the new building.<br />
Members of Tent 31 also have talked about<br />
shifting permanent clubrooms to the Sheraton<br />
when it opens. Construction will start<br />
early in February and the structure will be<br />
in operation by the fall of 1956 . . Harry<br />
.<br />
. . .<br />
Feinstein, SW zone manager, and his w-ife<br />
and children spent the holidays with relatives<br />
in Pittsburgh Lou Brown, advertising<br />
and publicity chief for Loew's Poli-New<br />
England Theatres, was at the home office.<br />
Max Hoffman and Mort Katz of Connecticut<br />
Theatre circuit and exchange managers<br />
Alec Schimel, U-I; Phil Gravitz, MGM, and<br />
Max Birnbaum. Warner Bros., attended funeral<br />
services for exhibitor Nick Kournaris . . .<br />
MGM publicity men Art Canton, New York,<br />
and Floyd Fitzsimmons, Boston, were at ths<br />
Loew's division offices to map promotions for<br />
future releases . . . Max Birnbaum of Warner<br />
Bros, received an illuminated aquarium as a<br />
Christmas gift from employes . Green,<br />
assistant manager at Loew's College, has returned<br />
to the job after several weeks rest<br />
ordered by his doctor because of strained<br />
chest muscles.<br />
James Gleason in 'Girl Rush'<br />
Character comedian James Gleason has<br />
been signed for the VistaVision-Technicolor<br />
tunefilm, "The Girl Rush," a Paramount release.<br />
New Haven Detective Fund<br />
Reaches Over $32,200<br />
NEW HAVEN—The Ralph Palma memorial<br />
fund, set up to aid the family of a city detective<br />
who was fatally shot in the downtown<br />
Paramount Theatre May 13, reported a net<br />
of over $32,200. Of this sum, $20,000 went<br />
into a trust fund to be used to provide college<br />
educations for Detective Palma's two sons.<br />
The remainder w'as used by the committee<br />
to help purchase and furnish a new home for<br />
the hero's 30-year-old widow and the boys.<br />
Until the time when the children are ready<br />
for higher educations, income from the trust<br />
fund will be given the family for living expenses.<br />
The motion picture industry and others in<br />
the entertainment field heavily supported the<br />
fund. Most of the money was raised at a<br />
benefit show in the Yale Bowl August 3.<br />
Harry Shaw, division manager of Loew-'s Poli-<br />
New England Theatres, was entertainment<br />
chairman. Volunteer performers included<br />
several of the brides from "Seven Brides for<br />
Seven Brothers." Many motion picture people<br />
were on the various subcommittees, and<br />
tickets for the benefit were sold at theatres.<br />
Palma was shot as he and other detectives<br />
attempted to arrest two burglars seated in<br />
the Paramount. The gunmen successfully<br />
shot their way out of the theatre, but each<br />
committed suicide in separate parts of the<br />
city within a few hoiu-s.<br />
Palma died 32 days after he was shot.<br />
HARTFORD<br />
f^eoTge E. Landers, division manager for<br />
E. M. Loew's Theatres, and wife flew to<br />
San Fi'ancisco to visit their son-in-law and<br />
daughter, Dr. and Mrs. Ben Vicas and grandchildren.<br />
John Silverwatch, manager of the<br />
Hartford Drive-In, relieved at E. M. Loew's.<br />
Mara Corday, U-I starlet, was here for a<br />
day of newspaper office visits, squired by<br />
Bill Brooker. exploiteer, and Jean DuBarry,<br />
Strand relief manager ... A sizeable Connecticut<br />
delegation planned to attend the January<br />
11 testimonial at Sheraton-Ten Eyck<br />
Hotel in Albany, N. Y., honoring Charlie<br />
Smakwitz, who was promoted to Newark<br />
zone manager for Stanley Warner.<br />
Allen M. Widem, the Hartford Times motion<br />
picture editor, was in New York for a day of<br />
personality interviews and screenings .<br />
The 1,162-seat Parsons, downtown area's only<br />
legitimate playhouse, will be dark through<br />
late January.<br />
Mrs. Hazel Florian promoted extra seasonal<br />
goodwill by running a benefit performance of<br />
"Tonight We Sing" at the Lockwood & Gordon<br />
Strand in Winsted, Conn., for the benetit<br />
of the Litchfield County Ho.spital auxiliary<br />
campaign.<br />
. .<br />
.<br />
Johnnie Markle. Columbia exploiteer, was<br />
in this area in conjunction w-ith "Violent<br />
Men" openings . Ray McNamara, Allyn, ran<br />
two morning screenings of "Three Ring Circus"<br />
and "Jamboree" for Boy Scouts and<br />
other youth patrons. The Scouts tied up on an<br />
extensive promotion campaign, distributing<br />
upwards of 25.000 heralds Manchester<br />
Drive-In is being expanded from 750<br />
to 1,000 cars. Back of the venture are Bernie<br />
Menschell and John Calvocoressci.<br />
RESEARCH BUI<br />
for<br />
MODERN THEATRE PL/<br />
ENROLLMENT FORM FOR FREE IN<br />
The MODERN THEATRE<br />
PLANNING mSTTTUTE<br />
825 Van Brunt Blvd.<br />
Kansas City 24, Mo.<br />
Gentlemen:<br />
Please enroll us in your RESEARC<br />
to receive information regularly, as<br />
the following subjects for Theatre Pli<br />
n Acoustics<br />
n Air Conditioning<br />
n Architectural Service<br />
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n Building Material<br />
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D Complete Remodeling<br />
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D Drink Dispensers<br />
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n Lighting I<br />
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in obtaining information are provided in<br />
THEATRE Section, published with the<br />
each month.<br />
78 BOXOFFICE Januarj
; fell<br />
, in<br />
)IAN SURVEY REPORTS '53 GROSSES UP<br />
jased Admission Rates More Than Offset Decline in<br />
Attendance<br />
Canadian motion picture<br />
and distributors received<br />
he year 1953 tlian in 1952,<br />
ral survey compiled by the<br />
u of Statistics.<br />
1 receipts of motion pietors<br />
in regular theatres,<br />
tialls operated as comand<br />
in halls serviced by<br />
increased by 3 per cent<br />
ndance decreased 1 per<br />
eipts, exclusive of taxes,<br />
83 in 1952 to $109,072,528<br />
jmber of paid admissions<br />
to 259,346,837.<br />
S<br />
FALL<br />
"es paid admissions fell<br />
241.182,726, while receipts<br />
,851,349 to $100,889,361.<br />
jorted an increase in paid<br />
'9,586 in 1952 to 11,134,788<br />
ts expanded from $4,409,-<br />
e number of paid admisty<br />
enterprises advanced<br />
47,668 while receipts grew<br />
1.851.685. For halls servierators,<br />
paid admissions<br />
120 in 1952 to 1,381,655 in<br />
from $495,584 to<br />
theatres of all types in<br />
ch included 1,906 regular<br />
1 theatres, 669 community<br />
lalls serviced by itinerant<br />
nt taxes, over and above<br />
;d for the four groups to<br />
as follows: regular thearive-ins,<br />
$685,389: com-<br />
;105,057 and halls, $31,859.<br />
provinces except Ontario,<br />
me more extensively used<br />
money on motion picture<br />
itures averaged $8.30 for<br />
as compared with $8.21<br />
.15 in 1946.<br />
'ER CAPITA BASIS<br />
replaced Ontario as the<br />
ghest per capita expendiures<br />
with an average of<br />
ith $9.94 in 1952. Alberta<br />
place with a per capita<br />
iinst $8.87 in the preced-<br />
) the per capita expendi-<br />
:ompared with $10.06 in<br />
the next highest figure<br />
;t $7.31 in 1952.<br />
the fifth highest per<br />
n movies in 1953 with an<br />
mpared to $6.51 in 1952.<br />
ed with a per capita fig-<br />
76: Quebec, with $7 and<br />
ck with $6.02 and $5.52:<br />
nd with $4.06 and $4.01,<br />
nth $4,03 as against $3.90<br />
nission price (including<br />
heatres was 47 cents in<br />
las highest in Quebec at<br />
Newfoundland at 37<br />
Dlumbia and Alberta the<br />
49 cents, in Ontario 47<br />
^•ard Island and Saskat-<br />
SURVEY IN CAPSULES<br />
Ottawa—Capsule facts on the trend of<br />
motion picture business in Canada follow:<br />
Receipts in regular 35mni theatres<br />
totaled $100,889,361 in 1953 from 241,182.-<br />
726 paid admissions as compared to a<br />
grross of $98,851,349 from 247,732,717 in<br />
1952.<br />
The number of<br />
regular 35mm theatres<br />
in 1953 increased to 1,713 from 1,671.<br />
The average admission price (including<br />
taxes) in 1953 was 47 cents, an increase<br />
from the year before.<br />
British Columbia replaced Ontario as<br />
the province with the highest per capita<br />
expenditure, rising there to $10.56 from<br />
$9.94. Alberta was second with $9.73 compared<br />
to S8.87. In Ontario the per capita<br />
expenditure for motion pictures dropped<br />
to $9.67 In 1953 from $10.06 in 1952.<br />
Canadian drive-in capacity increased<br />
47 per cent in 1953 over the previous year,<br />
increasing in number from 104 to 174.<br />
Both admissions and receipts increased,<br />
from 8,379,586 and $4,409,426 in 1952 to<br />
11,134,788 and $5,862,920 in 1953.<br />
Amusement taxes collected (on top of<br />
above gross figures) totaled $12,760,235<br />
by regular theatres and $685,389 by driveins.<br />
chewan 41 cents, in Nova Scotia and New<br />
Brunswick 40 cents, and in Manitoba 38 cents.<br />
There were 9,027 male employes and 6,723<br />
female employes who received $20,018,413<br />
from the 1.906 regular theatres in 1953, compared<br />
with 8.804 males and 6296 females<br />
receiving $18,868,116 in the previous year.<br />
There was a total of 17,651 persons employed<br />
by the industry during 1953. of which 1,516<br />
were working proprietors and family members<br />
not receiving a regular salary and 385<br />
salaried proprietors. The 15.750 paid employes,<br />
including working executives of incorporated<br />
companies, received $20,018,413 in<br />
salaries and wages. Of the 15.750 paid employes<br />
14.258 were engaged in the operation<br />
of theatres which were opened 300 days or<br />
more during the year and these received<br />
$19,228,653 in salaries and wages.<br />
OVER 2,000 PROJECTIONISTS EMPLOTED<br />
The projectionists and assistant projectionists<br />
numbered 2.156 and they received $6,278.-<br />
966 in salaries and wages. Part-time theatres,<br />
those operating less than 300 days during the<br />
year, employed 1.492 persons who received<br />
salaries and wages amounting to $789,760.<br />
In 1953 the seating capacity of regular<br />
theatres increased by 2.4 per cent, while the<br />
potential capacity rose by 1.7 per cert over<br />
1952. Potential capacity is computed by multiplying<br />
the number of seats in each theatre<br />
by the number of performances. Only 29.5<br />
per cent of a potential capacity of 818.625,591<br />
was utilized in 1953. Capacity utilization was<br />
highest in Newfoundland at 36.3 per cent<br />
and lowest in Quebec at 27.1 per cent.<br />
Over 39 per cent of the 1953 business went<br />
to theatres in Ontario, which had also 35.5<br />
per cent of the total seating capacity. Quebec<br />
theatres, with 24.4 per cent of total seating<br />
capacity, obtained 25.2 per cent of the total<br />
business. British Columbia had 9.5 per cent<br />
of seating capacity and 10.1 per cen' of receipts<br />
while Alberta with 7.5 per cent of the<br />
seats reported 7.6 per cent of total business.<br />
All the other provinces had lesser percentages<br />
of receipts than of seating capacity.<br />
In 1953 circuits operating four or more<br />
theatres in Canada obtained 71 per cent of<br />
the total revenue and 69 per cent of admissions,<br />
although they numbered only 37 per<br />
cent of Canada's 1.906 regular theatres. Circuits<br />
in the 20 and over class received 58 per<br />
cent of the receipts and 54 per cent of the<br />
admissions.<br />
NINETY PER CENT USE 35MM<br />
Ninety per cent of the 1,906 regular theatres<br />
operating (1.713) in 1953 used 35mm projection<br />
equipment and accounted for 99 per<br />
cent of the receipts. These 1.713 theatres<br />
had receipts of $100,204,153 in 1953 compared<br />
with receipts of $685,208 obtained by the 193<br />
theatres which used 16mm equipment.<br />
In 1952 there were 1.671 theatres using<br />
35mm equipment with receipts of $98,322,322<br />
and 172 theatres using 16mm equipment with<br />
receipts of $529,027.<br />
The number of drive-in theatres increased<br />
from 104 in 1952 to 174 in 1953 while total car<br />
capacity increased by 47 per cent. Receipts<br />
rose by almost 33 per cent from $4 409,426 in<br />
1952 to $5,862,920 in 1953. In the year under<br />
review there were 11.134.788 paid admissions<br />
to drive-ins compared with 8.379,586 the previous<br />
year, while amusement taxes amounted<br />
to $685,389 in 1953 compared with $540,390<br />
ia 1952. Ontario's 68 drive-ins collected<br />
$2 572.095 in receipts plus $323,516 in amusement<br />
taxes and accounted for nearly 44 per<br />
cent of paid admissions. A feature of 1953<br />
was the increase in drive-ins in western<br />
Canada, Manitoba now having 13. Saskatchewan<br />
29, Alberta 29 and British Columbia 23.<br />
DRIVE-INS EMPLOY ABOUT 2,000<br />
There were 1,972 persons employed in Canadian<br />
drive-ins in 1953, who received $1,432,636<br />
in wages. Of the total, 194 were projectionists,<br />
who received $420,326 for their services.<br />
In 1953 film exchange companies handled<br />
a volume of business amounting to $35,446,-<br />
293 which represented a 4.3 per cent increase<br />
over the $33,979,599 handled in 1952. There<br />
was an increase in film rentals from $32,911.-<br />
042 in 1952 to $34,436,609 in 1953 but In the<br />
same period advertising receipts dropped<br />
from $567,144 to $533,977 and receipts from<br />
other sources decreased from $501,413. to<br />
$475,707.<br />
Of the total film rental receipts of $34,436,-<br />
609. 83.8 per cent or $28,871,729 represented<br />
35mm films for theatrical use. The value of<br />
16mm film rentals for theatrical use was<br />
$2,022,112.<br />
New films of all types released during the<br />
year numbered 3.521. of which 2.983 were for<br />
theatrical use on a commercial basis.<br />
Segregation of the 1.289 new feature films<br />
released in 1953 as to country of origin follows:<br />
United States. 779: France. 290: Great<br />
Britain. 147: Canada, 2; Italy. 41. and other<br />
countries, 30.<br />
lary 8, 1955 79
I<br />
. . National<br />
. . Bob<br />
. . Sam<br />
'<br />
MONTREAL<br />
/Canada's first Cinerama showing at the Imperial<br />
Theatre here, opened December 27<br />
with ceremony appropriate to the launching<br />
of a battleship. The evening proceeds were<br />
turned over to St. Justine Hospital by Sam<br />
Ro.sen, executive vice-president of the Canadian<br />
Cinerama Corp., and Lester B. Isaac,<br />
national director of the Cinerama Exhibition,<br />
who were on hand to greet civic and other<br />
dignitaries. Rosen and Isaac welcomed Mme.<br />
L. de Gaspe Beaubien. honorary president of<br />
St. Justine Hospital, who commented following<br />
the showing to the effect that "it certainly<br />
is realistic."<br />
The Seville Theatre, a United Amusement<br />
house which dropped its bill of vaudeville and<br />
films for straight motion picture programs<br />
has decided to revert to vaudeville and motion<br />
picture shows . Film Board<br />
has set late 1955 to start moving personnel<br />
and equipment from Ottawa to its new building<br />
being erected here on Cote de Liesse<br />
road. Wet weather last summer held up construction,<br />
but work now is being pushed. For<br />
the first time in its 16 years of existence, all<br />
the board's operations will be housed under<br />
one roof. Facilities will include the first<br />
studios the NFB has owned.<br />
. . .<br />
International Film Distributors was host to<br />
a crowd of distributors, exhibitors, press and<br />
radio officials at a special preview of Verdi's<br />
"Aida" at the Snowdon Theatre, a United<br />
Amusement Corp. theatre managed by Harold<br />
The motion picture hall at<br />
Greenberg . . .<br />
Quyon, Que., 25 miles northwest of Ottawa<br />
operated by J. C. Germain, was completely<br />
destroyed by fire December 27 just a few<br />
minutes after the last patrons had left the<br />
last .show . . . Harry Cohen, RKO manager,<br />
attended the regional sales meeting of his<br />
company at the Warwick Hotel in New York<br />
Archie Cohen, Warner Bros, manager,<br />
and Eddie White, booker, both attended the<br />
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Film Exchange BIdg. Calgory, Alta.<br />
opening of Cinerama presentation at the Imperial<br />
Theatre.<br />
Bill Trow, president of Montreal Poster Exchange<br />
and of Quebec Cinema Booking, along<br />
with John Trow, also of Quebec Cinema<br />
Booking, attended the wedding of their<br />
brother Tom at Three Rivers, Que. Tom is<br />
the owner of the Imperial Theatres at Three<br />
Rivers. John acted as best man for his<br />
brother . Johnson, manager of JARO,<br />
threw a party for his staff at his home preceding<br />
a trip to Winnipeg to visit his<br />
mother. On his way back Johnson planned<br />
to stop at Toronto . . . Bob Brown, artist at<br />
UAC, accompanied by his wife and children,<br />
spent the holiday weekend with his sister and<br />
brother-in-law at Cushing, Que.<br />
Joe Rimer, head accountant of Montreal<br />
Foster Exchange, and his wife spent the holiday<br />
in New york . . . R. Murphy, manager of<br />
Paramount Film Service, along w'ith Leo Berco<br />
of Ruby Foo's again entertained charges of<br />
the Sisters of Good Shepherd at Maison<br />
Lorette with a movie and tea along with gifts.<br />
The girls received five gifts each.<br />
. . .<br />
. . . John Levitt, sales representative<br />
Rene Brosseau, accountant at Montreal<br />
Poster Exchange, became engaged over the<br />
holidays to Helene Vanier. The party took<br />
place at Ste. Marguerite-du-lac Masson in the<br />
Laurentians. Following the engagement party,<br />
the couple were the guests of friends at<br />
Jasper Lodge St. Donat . Kunitsky,<br />
United Artists manager, accompanied by his<br />
w'ife and baby, spent the holiday weekend<br />
with his parents at Saint John, N. B. . . .<br />
Barbara Jehu, office employe of United Ai'tists.<br />
became engaged to Morrie Neilson<br />
Johnny Larose, shipper at JARO, is the father<br />
of a baby boy<br />
for Columbia, accompanied by<br />
his<br />
. . . Canadian<br />
wife spent Christmas at the home of his<br />
daughter in New York City<br />
National Railways' motion picture "The Museum<br />
Train" was shown in Boston by Jean<br />
Fournier, Canadian general consul at Boston,<br />
for the first time in the United States.<br />
Rapid Grip & Batten Makes<br />
First Public Sale of Stock<br />
TORONTO—Formerly a famUy controlled<br />
company of many years standing. Rapid Grip<br />
& Batten made its first public offering of<br />
common and preferred shares at the year's<br />
end for expansion purposes. It was originally<br />
engaged in news service and engraving operations<br />
but branched into film production.<br />
Blocks of 30,000 common stock and 4,000 preferred<br />
shares are offered to the public but<br />
control of the company will be retained by the<br />
Batten family.<br />
In April 1953 the company purchased the<br />
Queensway Studios in nearby Islington for<br />
the making of 16mm and 35mm moving pictures<br />
and has become a member of the Ass'n<br />
of Motion Picture Producers and Laboratories<br />
of Canada. The studio building had been a<br />
unit of the J. Arthur Rank companies in<br />
the Dominion under a proposed Canadian<br />
production program.<br />
Tlie pre.sident of Rapid Grip & Batten is<br />
R. A. Batten, a son of the late A. C. Batten,<br />
founder of the original news service and<br />
former editor of the Toronto Daily News.<br />
The sales manager is Frank O'Byrne, onetime<br />
Canadian studio manager for JARO.<br />
Early Leaders Nairn<br />
In Odeon's Contest<br />
Hamilton, by Nicky Langstor<br />
'<br />
Halifax; Varscona. Edmonton; Garrick<br />
TORONTO—Fifteen theatres have<br />
to commanding positions in the Better<br />
agement contest of Odeon Theatres, a<br />
ing to the initial progress report b<br />
Hardiman, advertising and publicity<br />
who is directing Operation 26, the t<br />
the 26-week competition.<br />
In the showmanship and attendar<br />
vision of the race in which 98 ma<br />
across the country are participatini<br />
leaders are<br />
managed<br />
lined up as follows: C<br />
ner of last year's drive; Odeon. Port A<br />
Odeon, Toronto; Electra, Montreal;<br />
Fort William; Hyland, Toronto; C(<br />
Oakville, Ont.; Roxy, Brampton; C<br />
fax; Villeray, Montreal: Broadway,<br />
toon: Empress, Moncton, and the E<br />
Winnipeg.<br />
The Odeon at Victoria, B. C, is also<br />
running for the early stages of the<br />
paign after having run up a formidabL<br />
on showmanship alone. Among the<br />
for both promotion and patronage<br />
were Don Gauld of the Odeon at For<br />
liam, who captured second prize in tl:<br />
contest; Vic Nowe of the Toronto (<br />
winner of a district prize last year; Le<br />
Guire of the Odeon, Port Arthur, and<br />
Tyers who took over the management<br />
Toronto Hyland a couple of months ai<br />
Hardiman pointed out. however, th<br />
standing of the contenders was sub;<br />
quick change, so the boys had better<br />
'<br />
their toes because of expected jockey;<br />
improved position.<br />
A different story is told in the c<br />
tionery sales section with the interim st;<br />
being almost a reverse of the point;<br />
for exploitation and attendance gains.<br />
group the top performer is the Mci<br />
at Belleville, Ont., with the Palace, St.<br />
arines. and the neighborhood Parad<br />
Toronto second and third.<br />
Canadian Radio, TV Sc<br />
Climb During 1954<br />
TORONTO—According to a statem<br />
the Canadian Radio and Television :<br />
factiuers Ass'n, sales of TV sets ii<br />
country for the first 11 months of 1954 1<br />
530.350, representing a 69 per cent ir<br />
over the same period of the previous<br />
The value was placed at $134,607,675<br />
increase of 43.7 per cent over the comp<br />
1953 months.<br />
Radio sales in the 11 months totaled<br />
sets, valued at $28,236,657, for a decl<br />
29.5 per cent in number and 38.5 per c<br />
selling value.<br />
Granada in Hamilton \<br />
Reopen as the Downtov<br />
HAMILTON—In the transformation<br />
99-seat Granada at Hamilton, which ha<br />
closed in early December by 20th C<br />
Tlieatres circuit for reconstruction, t!<br />
opening is being marked by the cha;<br />
theatre name to "Downtown" to emj:<br />
the modernization of the theatre th;<br />
once operated as the Gra;nd Opera Hi<br />
Paul Tiu-nbull continues as the m;<br />
and his assistant is David Whitelaw.<br />
80 BOXOFFICE January
. Is<br />
: protesting<br />
. Theatres<br />
. . Fred<br />
I PEG Business in Vancouver VANCOUVER<br />
houses in the Foto-Nite<br />
. . . Ernie Diamond opery<br />
night every Wednesday<br />
The main prize recently<br />
r stainless steel cutlery . . .<br />
JinemaScope to play at<br />
linion was "Hell and High<br />
;aifeer now has such good<br />
jreening room that the<br />
ion asked by viewers after<br />
d is. "Is this picture just<br />
r in Cinemascope?" You<br />
the difference with the<br />
screen Saifeer now has.<br />
midnight shows included<br />
e Plain" at the Odeon;<br />
Paris" at the Garrick;<br />
md "Africa Adventure"<br />
aramount's "Three Ring<br />
:. and Warners' "A Star<br />
Airport Drive-In<br />
)itol . . .<br />
een to provide for new<br />
IS . . . "Duel in the Sun"<br />
for its second downtown<br />
lest priced show in town<br />
5 Capitol had no trouble<br />
ar Is Born."<br />
ing of Main street," is<br />
tremendous volume of<br />
sales racked up by the<br />
rland during the festive<br />
offered "mustard" or<br />
hot dogs, there are no<br />
lack of additional choice<br />
i<br />
ions or sauerki'aut. Both<br />
y installed Glenray barines.<br />
operating on the re-<br />
}le—a bun warmer is a<br />
he compact machine. No<br />
red. Hurwitz claims.<br />
( in arms here over the<br />
Saturday matinee fiasco<br />
:-TV station starting its<br />
Idies at 2 p.m. instead of<br />
were virtually<br />
ind exhibitors are writing<br />
the unwarheir<br />
matinee trade. There<br />
t to insist the CBC start<br />
i-me time as weekdays.<br />
iouse Changes<br />
Policy<br />
The Elmwood, a 620-seat<br />
Theatres of Toronto, has<br />
cy starting with the enn<br />
Times" after operating<br />
the Park in joint bookeriod.<br />
The name of the<br />
inged to Elmwood Cinema<br />
—<br />
—<br />
—<br />
Up as Holiday Ends<br />
VANCOUVER—Downtown busuiess moved<br />
into high gear now that Christmas shopping<br />
Is over. Vancouver theatres were away above<br />
average. Top coin went to "Show Business."<br />
while second position was taken by "Three<br />
Ring Circus" and "Sign of the Pagan." both<br />
tops ill spite of a slow Christmas Day business.<br />
All three continued through the holidays.<br />
(Average Is 100)<br />
Capitol There's No Business Like Show<br />
;20th-Fox)<br />
Business<br />
Smash<br />
Cinema Passion (RKO), The Sponish Main iRKO),<br />
revival<br />
Good<br />
Orpheum Three Ring Circus (Para) Excellent<br />
Porodise Bowery to Bagdad (AA); Renegades<br />
(Col), reissue Good<br />
Plaza and Fraser Destry (U-l) Good<br />
Strand Atheno (MGM) Good<br />
Studio The Belles of Sf. Trinion's (IFD) Good<br />
Vogue Sign of the Pofi^an (U-l) Excellent<br />
Eight First -Runs Hold<br />
At Toronto Houses<br />
TORONTO— Holiday attractions at eight<br />
first run theatres held for a second week,<br />
more or less as expected, with grosses well<br />
above the line. The biggest money-maker<br />
was "Three Rnig Cncus" in its second lap<br />
at the Imperial. "The Purple Plain" grossed<br />
well as a new picture at the Odeon, aided by<br />
an extra midnight showing.<br />
Eglinton, University Young at Heart (WB),<br />
2nd wk. I ID<br />
Hyland— Trouble in the Glen (Rep), 2nd wk 110<br />
Imperiol Three Ring Circus (Para), 2nd wk 140<br />
Loews Deep in My Heart (MGM), 2nd wk 140<br />
Nortown Brigadoon :MGM) 110<br />
Odeon The Purple Plain (JARO) 1 45<br />
Shea's There's No Business Like Show Business<br />
120th-Fox), 2nd wk 1 40<br />
Tivoli, Capitol Rear Window (Para) 110<br />
Towne The Vanishing Prairie (BV), 2nd wk 120<br />
Uptown Sign ot the Pagan (U-l), 2nd wk 120<br />
'Belles' in Toronto<br />
TORONTO—"The Belles of St. Trinians,"<br />
a British comedy, started the post-Christmas<br />
season at the International Cinema in substantial<br />
-style, while Italian pictures were<br />
noted at other art theatres around town.<br />
. . . Safecrackers<br />
/^eorge Brewerton, owner of the east side<br />
Rex, has taken over the suburban Cambie,<br />
a 488-seater, from A. Milan and Pete Junas,<br />
former operators of the Roxy which is now<br />
being used for chmch meetings<br />
spent a lost weekend trying to get<br />
into the safe at the Odeon-Park but were<br />
unable to open the inner doors guarding the<br />
weekend holiday receipts . . . The brother of<br />
Pat Murray, Lux cashier, died in his 43rd<br />
year . Ritchie of the Lux floor staff,<br />
was ill.<br />
.<br />
Bob Foster of the Orpheum was re-elected<br />
president of lATSE B-71 theatre employes<br />
union . . Bill Forward, manager of General<br />
Theatre Supply Co., reports that with the<br />
installation of wide .screen in four more FPCC<br />
. . . Ro.ss Forrester, former<br />
suburban houses, the chain will be 100 per<br />
cent equipped<br />
assistant at the Capitol, has resigned from<br />
the circuit.<br />
.<br />
Steve Rolston, secretary of Canadian Picture<br />
Pioneers, spent the holidays in the<br />
Seattle area Jack Brent of CP Film Delivery<br />
has<br />
. .<br />
bought himself a home in the<br />
south Vancouver area.<br />
Canada Now Second Only<br />
To U. S. in Television<br />
OTTAWA—In a year end statement on the<br />
development of television in Canada since its<br />
beginnings in September 1952, A. D. Dunton,<br />
chairman of the board of the Canadian<br />
Broadcasting Corp.. said here that the Dominion<br />
had become the world's second-ranking<br />
TV country. Dunton declared that Canada<br />
was second to the United States in TV program<br />
production, second in the number of<br />
stations and a bare second in television<br />
viewers.<br />
About three-quarters of the population, he<br />
said, was served by 24 stations, seven of which<br />
were owned by the government TV agency,<br />
the CBC, which also controls all broadcasting.<br />
J. M. RICE & CO., Ltd.<br />
202 Canada Bldg.<br />
Telephone 93-5486<br />
Winnipeg, Manitoba<br />
10029 Jasper Ave.<br />
Telephone 28502<br />
Edmonton, Alberta<br />
35mm and 16mm Motion Picture and Sound Equipment<br />
EXPERT REPAIR DEPARTMENT<br />
Sole agents in Western Canada for Ballontyne Sound, Projectors, Drivein<br />
Equipment and 3-D Equipment.<br />
ay and Date<br />
Famous Player.s' key<br />
Bloor, College. Oakwood.<br />
1 Runnymede. started the<br />
e Egyptian" as the Show<br />
)ther units of the circuit,<br />
St. Clair, were the last<br />
to continue with "Hansel<br />
iginal lineup having in-<br />
. Tivoli. Capitol, Century<br />
Screens<br />
Arc Lamps<br />
Q] Rectifiers<br />
Check This List<br />
and See Us Soon:<br />
Radio Tubes and<br />
Tungar Bulbs<br />
Q Theatre Chairs<br />
Carbons Lenses<br />
Generators<br />
g Lamps D<br />
n Tickets<br />
Electrical Supplies ^ Batteries<br />
lary 8, 1955 81
. . Theatres<br />
.<br />
. .<br />
OTT AV\/ A<br />
IWTanager Walter Lackenbauer of the Soper<br />
at Smiths Falls attracted much attention<br />
by presenting a double pass, good for<br />
one month, to the parents of the first baby<br />
born after the stroke of midnight at New<br />
Year's in the Ottawa Valley community .<br />
Pierrette Paquin, daughter of Donat Paquin,<br />
owner of the Laurier, had the misfortune of<br />
being the season's first skiing casualty when<br />
she suffered a broken ankle while essaying<br />
a tricky slope. The injury will keep Pierrette<br />
out of figure skating. She is the star performer<br />
of the Minto Skating Club.<br />
Alex Dixon has resigned from his executive<br />
post in the National Film Board to return to<br />
Toronto Monday (101 to join the Dunlop<br />
Tire sales staff . . . Manager Ray Tubman<br />
of the Capitol Theatre had a holdover at the<br />
turn of the year when big grosses caused a<br />
carry-over of "There's No Business Like Show<br />
Business" for a second week. The run had<br />
one break when "Three Ring Circus" took<br />
the screen for the New Year's Eve midnight<br />
show.<br />
For the last day of 1954. Morris Berlin of<br />
the Somerset had a gift for the ladies who<br />
took in the program topped by "Living It<br />
Up." The New Year's present was a comb<br />
novelty . in Hull, Que., across<br />
the river from Ottawa, conducted late shows<br />
Sunday night (2) to round out the holiday<br />
season. The features included "Beau Brummell"<br />
at the Cartler, "Knock on Wood" at<br />
the Montcalm and "Stranger on the Prowl"<br />
at the Laurier.<br />
Manager Fred Leavens passed up a midnight<br />
show for New Year's Eve at the Elm-<br />
J' I<br />
PLAY SAFE...<br />
NEXT TINE VSE<br />
'i^S<br />
467 SPADINA AVE.<br />
TORONTO, ONTARIO<br />
"Eieluslve Canadian Dislribulor For Filmack"<br />
dale, although other theatres featured a special<br />
attraction for the traditional frolic.<br />
Manager Frank Gallop of the Centre brought<br />
in "Ricochet Romance," Ernie Warren gave<br />
an advance screening of "Tonight's the Night"<br />
at the Elgin while Jim Chalmers, manager<br />
of the Odeon, got a good crowd with "The<br />
Purple Plain" . . . The first stage presentation<br />
of 1955 at the local Capitol is the concert<br />
engagement of Leon Fleisher, pianist,<br />
Monday night (lOi, which comes as a break<br />
film policy.<br />
in<br />
FPC Head Cites Strong<br />
Paramount Position<br />
TORONTO—In his message to the 5,500<br />
shareholders of Famous Players Canadian<br />
Corp. at the end of 1954, President J. J.<br />
Fitzgibbons pointed to the extensive technical<br />
developments which had provided wide diversification<br />
for Paramount Pictures Corp.<br />
"By taking an active part in the development<br />
of these and other inventions," Fitzgibbons<br />
stated, "your company will be in a<br />
position to take full advantage of whatever<br />
competitive effects these devices may have<br />
upon theatres."<br />
The Famous Players president listed a number<br />
of features now available for theatre entertainment<br />
which bore his personal recommendation.<br />
These included: "White Christmas,"<br />
"Three Ring Circus," "The Last Time I<br />
Saw Pai^s," "A Star Is Born," "Deep in My<br />
Heart," "Young at Heart," "Desiree," "There's<br />
No Business Like Show Business" and "20,000<br />
Leagues Under the Sea."<br />
Fitzgibbons referred to the final quarterly<br />
dividend of 37^2 cents on the Famous Players<br />
Canadian shares, to which had been added<br />
an extra 10 cents per share.<br />
Many New Art Films Open<br />
At Toronto Theatres<br />
TORONTO—Seekers of<br />
the unusual had a<br />
field day with a wide variety of special offerings<br />
for the week, topped by "The Belles of<br />
St. Trinians" in its second week at the International<br />
Cinema. The Studio tm-ned up with<br />
"Onore e Sacrificio" and the Pylon featured<br />
"Torna a Sorrento."<br />
Following a Canadian premiere of "Up to<br />
His Neck," a British pictiu-e, the Hollywood<br />
had another Canadian first run in "Children<br />
of Love." The Melody presented the German<br />
feature, "The Colored Dream."<br />
HANDY
CMjupme^nl * C0ftCAidi»n^ » ^(UtiiMiaA\£c<br />
JANUARY 8, 1955<br />
TION OF BOXOFFICE<br />
Portland welcomed the<br />
new one-mitlion-dollar<br />
Fox Theatre recently<br />
with the biggest downtown<br />
turnout on record.<br />
The late Charles P.<br />
Skouros and a bevy of<br />
film stars and officials<br />
headed by Johnnie Ray,<br />
Edward Arnold, Edmond<br />
O'Brien and his wife.<br />
Van Heflin and Maria<br />
English appeared at<br />
opening.<br />
the<br />
The 1,509-seat<br />
bouse is equipped for<br />
all forms of screen presentation,<br />
and is the<br />
culmination of a scientific<br />
study of comfort<br />
and safety, public health<br />
and new conveniences<br />
by Evergreen Theatres in<br />
order to offer to patrons<br />
the finest theatre possible<br />
to build.<br />
turing<br />
csDeAlan,<br />
(^ondtructi<br />
id<br />
Kenouation
THERE'S A SECOND BOX OFFICE<br />
INSIDE YOUR THEATER...<br />
The theater owner with money on his mind has long since learned<br />
to look to the lobby for extra profits. That's where his patrons<br />
come to get refreshment with their entertainment. Because of this<br />
pleasant custom, you make more money when you feature ice-cold<br />
Coca-Cola, favorite of America for more than four generations.<br />
There's a variety of vending equipment available. For the moneymaking<br />
details, write The Coca-Cola Company, P. O. Bo.x 1734,<br />
Atlanta, Georgia.<br />
COPYRIGHT 1954, THE COCA-COLA COMF
-<br />
Lirious<br />
)^wood<br />
eating<br />
)mfort<br />
Exterior of Cinema Theatre<br />
kes Both These Theatres S. R. 0.<br />
use Theatre<br />
Interior of Cinema Theatre<br />
/aber Theatres of Baltiid<br />
to convert their Playtre<br />
from a conventional-<br />
•e into an intimate art<br />
lir aim was to halt a de-<br />
•onage by showing better<br />
B most luxuriously comoundings<br />
possible.<br />
Bct proved so successful<br />
y they converted another<br />
Theatres, the Cinema,<br />
me lines. From the start,<br />
es have enjoyed "Stand<br />
nly" patronage, at higher<br />
rices than formerly asked,<br />
tres attain a new concept<br />
sating comfort with Heysfield's<br />
TC 706 Airflo<br />
;)hair" Lege. And both<br />
lint the way to bigger<br />
audiences for theatre owners everywhere.<br />
Heywood-Wakefield's TC 706 Airflo<br />
"Rocking Chair" Loge has a coil<br />
spring seat and back as restful as the<br />
finest easy chair in your own home<br />
. . . plus the recUning "rocking chair"<br />
action, exclusive Heywood-Wakefield<br />
base mechanism which retains a<br />
scientifically correct pitch of back to<br />
seat regardless of how you shift your<br />
weight.<br />
* * *<br />
For further information on the luxuriously<br />
comfortable Airflo "Rocking<br />
Chair" Loges, contact your Heywood-Wakefield<br />
representative or<br />
write for the fully illustrated catalogue<br />
on Hey wood-Wakefield<br />
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Jk<br />
HEYWOOD-<br />
WAKEFIELD<br />
W<br />
Theatre Seating Diiision<br />
MKNOMINEE, MICHIGAN<br />
Sales Offices:<br />
Baltimore • Chicago • New York<br />
lary 8, 1955
N<br />
YOUR PICTURE BRILLIANCE<br />
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Endeavoring to<br />
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the use of more current is pure v/aste, costs<br />
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Strong Precision Reflectors, long recog-<br />
ENG iN EERiNG | nized for their superiority, are carefully<br />
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ALTER FUTTER, 625 MADISON AVE., NEW YORK 22, N. Y.<br />
luary 8, 1955
The<br />
World's Oldest'<br />
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of Theatre<br />
Sqiiipment<br />
The Hero Will Not Lisp<br />
When They<br />
The only speaker<br />
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now OFfERS 3 LinES<br />
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The only speakei<br />
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Unbelievably resist<br />
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Lf
, which<br />
I, 19 5 5<br />
#1 t n t<br />
ht, New Concept in Theatre Design Julian Lee 9<br />
)x All New But the Walls Arnold Marks 14<br />
lurn" Away Dollars in Exposed Steel<br />
ded Lyne S. Metcalfe 18<br />
itenance Questions and Answers Dave E. Smalley 20<br />
sreophonic System for Three or Four Channels<br />
Two Models 22<br />
Theatre in First-Class Condition Calls for Regular<br />
ce and Replacement Elsie Loeb 24<br />
; Money on Your 1954 Income Tax? Harold J. Ashe 28<br />
Promotions Rebuild Sales David 0. Tubbs 31<br />
itioned to Higher Prices by Other<br />
ent Fields Carl Siegel 38<br />
Servicing of Sound Systems Wesley Trout 39<br />
!rs Win Heavy Patronage 44<br />
TS:<br />
Service 31 Drive-In Theatres 44<br />
ice Bureau 35 ^ew Equipment and<br />
Developments 49<br />
"^^"^ 36 Literature 51<br />
d Sound 39 About People and Product 52<br />
'Ut the brick exterior walls ayid roof is the Fox Theatre,<br />
re. Balconies arid apartments in the old Mayfair Theateas<br />
originally constructed as the Heilig in 1909<br />
timate theatre, were torn out and the entire interior<br />
and rebuilt. The Fox has the second largest screen in<br />
only two feet smaller than the Roxy in New York.<br />
İXHIBITORS who are planning<br />
to modernize their theatres this year<br />
will find many ideas of design and<br />
decoration in the photographs and<br />
articles describing two major remodeling<br />
jobs which are presented in this<br />
issue.<br />
Especially intriguing is the fresh and<br />
spirited architecture of the San Diego<br />
theatre which is illustrated on the<br />
pages immediately following. A radical<br />
departure from the usual concept<br />
of theatre design, the dramatic sweep<br />
of bold and simple planes creates a<br />
showcase of extraordinary character.<br />
Fully OS interesting, and productive<br />
of ideas, is the interior decoration of<br />
this theatre which has been carried<br />
out in the gay, bright spirit of the<br />
building itself.<br />
The complete metamorphosis of this<br />
old, ornate movie palace into what<br />
may well be described as "the theatre<br />
of tomorrow," brought about a tremendous<br />
upsurge in patronage, and<br />
is evidence to all exhibitors of the<br />
profit advantages of modernization.<br />
The beautiful, modem theatre which<br />
has been created within the shell of a<br />
45-year-old house, originally built for<br />
legitimate productions, in Portland,<br />
Ore., also offers exhibitors many suggestions<br />
for adaptation in the remodeling<br />
of their own houses. It represents<br />
the thorough study and scientific planning<br />
of an outstanding theatre organization<br />
in order to give patrons the<br />
utmost in comfort, convenience and<br />
screen presentation in<br />
ideal surroundings<br />
and atmosphere.<br />
Many new materials have been employed<br />
in the construction and decoration<br />
of these theatres, as described in<br />
the articles, and these also will be of<br />
interest to theatremen who plan to<br />
modernize this<br />
year.<br />
I L. THATCHER, Monaging Editor<br />
\TRE Section of BOXOFFICE is included in the first issue of eoeri month.<br />
business corresponaence should be addressed to Associated Publicotioru,<br />
I., Konsas City 24, Mo. Eostern Representative: A. J. Stocker, 9 Rockefeller<br />
20, N. Y.; Central Representatives: Ewing Hutchison and E. E. Yeck, 35<br />
!, Chicago I, III.; Western Representative: Bob Wettstein, 672 South<br />
:e, Los Angeles 5, Calif.
Wm.<br />
1 -'^'jj«»tr »4V<br />
.«jjT't^:*«.ii'
MODERNIZE. The exteiit<br />
aphically illustrated by<br />
Burton Jones who in-<br />
the old<br />
i remodeling<br />
BRIGHT, NEW CONCEPT IN THEATRE DESIGN<br />
Art Gallery Sets Theme for Conversion of Old San Diego House<br />
\ Run Neighborhood Showcase Grossing Up to $10,000 a Week<br />
in San Diego. Transd<br />
the Capri, the house,<br />
averaging $600 a week<br />
as grossed as much as<br />
week of a hit show,<br />
idem art was, perhaps,<br />
single influence affectle<br />
new Capri. The con-<br />
5 of light, the sharp,<br />
js, the freshness and<br />
n this new look in an<br />
creating many new<br />
s as important a conshowcase<br />
design as the<br />
I'ospect, garish, picture<br />
!0s.<br />
The Capri itself, as the old Egyptian,<br />
embodied such embellishments associated<br />
with the bygone days of dark and plushy<br />
interiors as the rotund, squat and ornamental<br />
pillars which graced the theatre's<br />
front and set the tone for the overly designed<br />
styling prevalent throughout the<br />
house.<br />
Jones spent over six months, with the<br />
theatre closed, on the program which involved<br />
a virtual rebuilding of the theatre's<br />
exterior and facade, foyer and lobby, and<br />
complete redecoration and refurnishing of<br />
the auditorium. The results are startling.<br />
On approaching the theatre from the<br />
street, with its 17-foot-high, solid-tinted<br />
glass front, opening the entire lobby to<br />
public view, one is immediately aware of<br />
the theatre's transformation. The window,<br />
broken up with black metal dividers for a<br />
geometrical pattern, sets the motif for the<br />
lobby floor which, made of white terrazzo<br />
with heavy black dividers, presents a similar<br />
geometric api>earance. Through this<br />
broad sweep of window, an actual art gallery<br />
can be seen occupying the wall directly<br />
opposite the front.<br />
These paintings, lithographs and sculptures,<br />
gathered from Jones' own collection<br />
and supplemented with a new selection, influenced<br />
the theatre's design. Represented<br />
Continued on following page<br />
md stimulating is the design of the new Capri Theatre in San<br />
OS far removed from the heavy tines of the old Egyptian, above,<br />
Bay of Sorrento from the Nile. Far advanced from the usual<br />
ts of theatre design, a series of simple planes provides background<br />
space for sculpture and modern paintings which may be seen<br />
through the entirely open glass front. Note the turnstile at right of<br />
the boxofflce which makes a doorman unnecessary. The display cases<br />
and theatre name are illuminated by neon black light.<br />
zept and execution is the lobby of the new Capri Theatre, San Diego. The concession stand is custom-built, as is manager's desk at left,<br />
laxy 8, 1955 9
This modern art gallery featuring such names as Mattisse, Miro,<br />
Chagall and Marino, from the private collection of Burton Jones, owner<br />
of the Capri, was a major influence in the design concept of the<br />
theatre. The huge abstract sculpture in bronze and brass alloy is<br />
named "Stars Over Capri." Note the manager's desk at right. He is<br />
always out where he can meet the patrons.<br />
Structurally, the walls an<br />
of the old Egyptian y<br />
zhanged, but the ornate di<br />
on columns and supportii<br />
disappeared under stronc<br />
colors of bright red, ye<br />
blue.<br />
The walls are sprayec<br />
tatone and are white witi<br />
and black fleck. Acousi<br />
forated metal decking,<br />
blue in color, forms thi<br />
The waterfall drapery is ?<br />
entire atmosphere is boi<br />
lating and restful.<br />
The auditorium in the old Egyptian.<br />
NEW CONCEPT IN THEATRE DESIGN<br />
Continued from preceding page<br />
in the art group are such famous names as<br />
Mattisse, Miro, Chagall and Marino. This<br />
uifluence is also revealed in the over-all<br />
color scheme which utilizes black and<br />
white with accents of pure primary reds,<br />
yellows and blues.<br />
Bernard Rosenthal, a world-famous<br />
sculptor, was commissioned to work with<br />
Pi'ank Gruys of Beverly Hills, the architect<br />
who also styled the lobby and foyer decor,<br />
in the preliminary planning. The result is<br />
a. huge abstract sculpture, in a broi<br />
brass alloy, suspended from the ceil<br />
spotlighted to cast an interesting i<br />
pattern on the west lobby wall. Na:<br />
Continued on<br />
CREDITS: Air condiHoning : WesHnghouse<br />
tect: Frank M. Gruys • Auditorium decor<br />
Leichter • Canopy ceiling: Guth Lightinc<br />
pet and drapes: Karogheusion • Drink (<br />
Everfrost • Facade paint: Paramount<br />
Laquer • Lenses: Wollensack and Kolln<br />
Poster coses: Theatre Specialties • Proje(<br />
sound: Simplex • Screen: Raytone • Se(<br />
wood-Wakefleld.<br />
10 The MODERN THEATRE S
THE fl T R E<br />
iwings on this page illustrate how the old forecourt<br />
he Egyptian were eradicated in favor of a spacious,<br />
of sweeping lines. Stores on either side of the old<br />
rated into the new plan, providing space for larger<br />
addition of a cryroom. Below, at right, the large,<br />
olor panels in bright red, yellow and blue contrast<br />
e walls and light terrazzo floor. At left, the o'd,<br />
heavy Egyptian columns.<br />
inuary 8, 1955 il
NEW CONCEPT IN THEATRE DESIGN<br />
Continued from page 10<br />
the theatre, the design is called "Stars Over<br />
Capri."<br />
The art gallery and Rosenthal sculpture<br />
achieved immediate patron acceptance and<br />
have been the reason for much publicity for<br />
the theatre.<br />
The initial reaction to all this would be<br />
to assume that the Capri is an art house.<br />
It is not. Although located in a neighborhood<br />
area, Pai-amount, RKO. United Artists<br />
and Warner Bros, are now permitting<br />
Jones to bid for first run San Diego product<br />
against the large downtown houses. However,<br />
he has confined his bidding to pictures<br />
that have specific adult appeal, not<br />
admitting children under 17 unless accompanied<br />
by an adult.<br />
In this respect, he has been following<br />
a policy of presenting, at exceptionally<br />
high prices, pictures of unusual quality<br />
and merit that have the potential of extended<br />
runs. Admission prices are $1.25,<br />
general, $1.50 for loges and 50 cents for<br />
children. Other local first run prices are<br />
about 90 cents.<br />
That this piolicy, made feasible by the<br />
modernization, has paid off is attested to<br />
by the tremendous patronage increase<br />
since Jones took over this Fox West Coast<br />
divestiture house.<br />
To achieve the resulting astronomical<br />
The attraction board features 18 ar)d 36 inch letters<br />
of black Masonite and is frontlighted by spots and<br />
floods. The boxoffice canopy and window mullions<br />
ere black metal, and all exterior gloss is Solex-type<br />
blue glass.<br />
leap at the boxoffice, the theatre's entire<br />
appearance was changed. Gone are the<br />
ornate pillars, the pretentious trappings,<br />
and gone is the Egyptian.<br />
The building's new facade, flanking the<br />
broad glass front, is of plaster, painted<br />
white with a Zolatone spray containing<br />
large black globules creating a white<br />
razzo effect. Two moderate-sized dis<br />
cases are inset within the facade<br />
topped by a large signature sign ag£<br />
the wall, both illuminated by charme:<br />
neon black light.<br />
the canopy and eliminates the usual (<br />
Topping the boxoffice and projec<br />
partially out over the sidewalk is a na:<br />
frame canopy painted a flat black, wi<br />
luminous plastic eggcrate ceiling. The<br />
crate openings are about ^i-inch sq<br />
and permit an even and intense<br />
spread from 14 6-foot cool white Luml<br />
For additional light type R-40, 150-<br />
down lights with louvred reflectors<br />
set in the soffit of the canopy, fou<br />
each side.<br />
The attraction board is separate<br />
bination with a neon-flashing mart<br />
Letters, of black Masonite 18 and 36 ir<br />
high, fasten to the perforated Tra<br />
board with spring clips through the<br />
forations. It is front lighted by floods<br />
spots rather than the usual luminous<br />
lighting. The signature sign over the t:<br />
is of vari-colored plastic with neon<br />
lighting and raised letters. For pa<br />
entering the theatre, Jones install<br />
turnstile in conjunction with the cas<br />
eliminating the necessity for a door<br />
The boxoffice is entirely glass enc<br />
over a black terrazzo base wdth a<br />
rounding marble ledge as a deal plat<br />
Continuing a modern trend, is th<br />
Continued on pc<br />
R£'SiAT with the<br />
I R<br />
W I<br />
N<br />
•<br />
/*fifJiCT<br />
-'^'^<br />
^ SOUND,<br />
m- INVESTMENT!<br />
Now that you again have 'em coming, don't lose 'em with old,<br />
inferior or uncomfortable seating. Re-seat with the IRWIN COMET chair. It's<br />
designed and built to provide that extra measure of comfort and good<br />
appearance that keeps your customers coming back again and again. Its<br />
newly improved cons/ruction assures exceptionally long and dependable<br />
service with a very minimum of maintenance cost. Write today for complete<br />
details on how you can boost profits by re-seating with the modern-to-the-minute<br />
IRWIN COMET, the investment that quickly pays for itself<br />
GRAND RAPIDS M I<br />
C H I G<br />
A N^<br />
12 The MODERN THEATRE SEC
You can do something about the matter of<br />
whether theatregoers patronize you or the<br />
theatre down the street.<br />
Don't let old fashioned equipment steal your<br />
profits. What good is a theatre with no audience?<br />
Old equipment just won't do. Theatres with<br />
obsolete equipment cannot compete with those<br />
modernly equipped. You can't fool the public.<br />
even though Barnum is reputed to have so<br />
claimed. Today's requirements demand equipment<br />
that is geared to the times. Things have<br />
happened with projection arc design in<br />
the last<br />
few years. Modern equipment is no relative of<br />
extravagance. It pays, doesn't cost. We're sure<br />
you'll junk your old projection arc lamps when<br />
you see the<br />
OUECTION ARC LAMP<br />
... the lamp that is<br />
readily adaptable to all types of modern screen presentation.<br />
National's Reflect-0-Heat unit permits the<br />
great increase in volume of light at the<br />
mammoth new screens, without a corresponding<br />
increase in heat at the aperture.<br />
The Automatic Crater Positioning<br />
Control<br />
System insures that both carbons are so fed<br />
as to maintain a correct arc gap length and<br />
to keep the position of the positive crater at<br />
the exact focal point of the reflector.<br />
Thus,<br />
throughout the presentation, the screen light<br />
is always of the same color, without variations<br />
from white to either blue or brown.<br />
The projectionist is accordingly freed from<br />
the necessity of constantly supervising the<br />
arc so that he can devote himself to the care<br />
ITIONAL<br />
EATRE SUPPLY<br />
gl Nol.ox.l • SImplr. . Bludwotlk.lni.<br />
riUyMklMMMkMAADkkilMMiNlilil^<br />
of other technical features of projection<br />
which are not on an automatic basis and<br />
which require continual attention.<br />
The arc is stabilized by a stream of air<br />
which maintains a prescribed system of ventilation<br />
of the area surrounding the arc. This<br />
air jet prevents the hot tail flame of the arc<br />
from reaching the reflector,<br />
supplies enough<br />
oxygen so that no black soot is produced,<br />
and keeps white soot from collecting on the<br />
reflector in such quantity as to absorb heat<br />
which would cause breakage.<br />
Unit construction<br />
permits easy removal of<br />
the elements for inspection in servicing.<br />
luary 8, 1955 13
The carpet was literally rolled out into this handsome outer lobby for the<br />
opening of the Fox Theatre in Portland, Ore., after a complete interior reconstruction<br />
of a 45-year-old theatre, plus a new facade and marquee. The<br />
carpet remained in place until Thanksgiving when it was replaced t<br />
matting, but it will be returned to the lobby in the spring for use u<br />
winter. There are two cashiers at the boxolfice to speed service in bu<br />
PORTLAND'S FOX ALL<br />
NEW BUT THE WALLS<br />
Dynamic Design, New Materials, Dramatic Decoration Employed in Convers<br />
By<br />
ARNOLD MARKS<br />
I HE New Million-Dollar Fox recently<br />
opened in Portland. Ore., embodies<br />
many unusual features in design, including<br />
a huge vertical sign with 75.000 watts of<br />
illumination. The lighting effects within<br />
and without this newly created edifice<br />
are outstanding. The Fox is conceded<br />
to be one of the most complete and<br />
artistic structures of its kind in the world.<br />
New features of architecture, engineering<br />
and acoustical treatment are revolutionary<br />
in the construction of this entertainment<br />
palace. The slope of the aisles, the<br />
width of the stair treads, the convenience<br />
of the exits and specially designed aisle<br />
lights were all planned for the patrons'<br />
safety and convenience.<br />
All new but the exterior walls and roof,<br />
the theatre was built within the shell of the<br />
45-year-old Mayfair Theatre.<br />
The marquee includes hundreds of feel<br />
of neon tubing and plenty of animation<br />
and commands the entire length of Broadway,<br />
the street on which the theatre is<br />
situated.<br />
The boxoffice is so arranged that patrons<br />
will not have to wait in line for a long<br />
period of time as two cashiers are there to<br />
serve patrons in the busy hours. The poster<br />
frames display current attractions with<br />
The plain functional lines of the Fox Theatre's facade<br />
are dramatically contrasted fay the highly decorative<br />
marquee and huge vertical sign.<br />
proper lighting so the patron can<br />
determine the nature of the cum<br />
traction.<br />
The lobby doors are full length<br />
bordered with aluminum, and pan:<br />
are operated by a special device.<br />
The foyer ceiling is treated with<br />
acoustic plaster and includes r<br />
lighting. The concession counter is<br />
facing the entrance doors and was d<br />
,so the merchandise can be easil;<br />
and for quick service.<br />
The lounge rooms are located<br />
mezzanine. This luxurious space ha<br />
fortable seating, with soft, mello><br />
which comes from recessed lightir<br />
entrance to the ladies' and men's<br />
rooms is directly off the main<br />
These rooms are rich in appearan<br />
are enhanced with comfortable c<br />
made furnishings.<br />
There is a drinking fountain r<br />
in the side wall of the mezzanine.<br />
is also provided for the children. Th<br />
telephone system is connected betw<br />
cashier, the doorman, the manage<br />
fice, the ushers' room, stage and tl<br />
14<br />
The MODERN THEATRE S!
'<br />
direct<br />
specially designed telecated<br />
on the mezzanine,<br />
•ve been provided for the<br />
3 and other employees,<br />
.his theatre is of special<br />
;ver before been used in<br />
thick in pile and is pad-<br />
;h provides a very soft<br />
of the new Fox Theatre<br />
adical innovations. The<br />
5 tlie perfect sound whicli<br />
by the use of ZonoUte<br />
ilown on with a machine.<br />
OS, is fireproof and has<br />
icient of absorption.<br />
IGHTED FROM COVE<br />
leries extend across the<br />
le theatre. A special fesbeen<br />
installed, also a<br />
1, and all draperies are<br />
otlight cove, in a shield<br />
of the stage. The title<br />
on curtain are operated<br />
emote control from the<br />
["he lighting in the entire<br />
rolled by motor-operated<br />
:-set arrangement of the<br />
.vitchboard provides flexectionist<br />
can pre-set any<br />
,0 obtain a wide selection<br />
spended lighting fixtures<br />
e auditorium. AU the 11-<br />
issed. The house lighting<br />
white light, is concealed<br />
ceiling, in lighting coves,<br />
her colors,<br />
red and blue,<br />
)r pictui'e lighting. Aisle<br />
i in all aisle space, stairways<br />
in the auditorium,<br />
le entire theatre is con-<br />
;hts are of special design<br />
ference with the patrons'<br />
en. The electrical wiring<br />
to date in every respect,<br />
otected by relays instead<br />
Ornamental staff work, running along the wall elevations forms a graceful dado line and upper wall<br />
decoration in the auditorium. The staff work is finished in ivory, gold leaf and pastel carmine. Altogether,<br />
in the mezzanine, loge and balcony, there are 1,509 padded-back and spring-edge seats.<br />
Over the<br />
proscenium<br />
arch the sunburst effect<br />
is composed of<br />
staff ornaments in<br />
gold leaf, indirectly<br />
lighted. The ornamental<br />
border behind<br />
which cove lighting<br />
is concealed runs<br />
unbroken around the<br />
dome of the ceiling.<br />
Draperies over the<br />
32x63<br />
- ^oot screen,<br />
said to be the second<br />
largest in the<br />
country, are controlled<br />
from the projection<br />
room. Lighting,<br />
in a wide selection<br />
of colors, is also<br />
controlled<br />
there.<br />
d backbar and engroved-aluminum counter facing distinguish this large concessions<br />
s located just inside the foyer, facing the entrance doors. Note the generous use of<br />
ceiling lights, as well as inside the cose.<br />
of fuses in all the main lighting and circuit<br />
panels.<br />
A 32x63 foot screen has been installed,<br />
and the projected picture on this screen<br />
can be viewed from all angles without distortion.<br />
The stage is constructed in width and<br />
height to take care of standard and wide<br />
picture projection—Cinemascope. Vista-<br />
Vision, Magna and large screen television.<br />
The length of the projection throw was<br />
reduced to a minimum to lessen eye strain,<br />
and the picture appears natural from every<br />
seat. There will be no elongated, or out of<br />
proportion projection. The arrangement of<br />
seats similar to an extended fan also aids<br />
m providing perfect sight lines.<br />
The owners are particularly proud of<br />
the sound in the theatre, for there are no<br />
dead spots, and a constant volume of sound<br />
is assured in all parts of the auditorium.<br />
The sound and projection room equip-<br />
Continued on following page.<br />
nuary 8, 1955 15
FOX THEATRE ALL NEW BUT THE WALLS<br />
Continued from preceding page<br />
ment includes the latest optical type sound<br />
with 60 watts of power output. The theatre<br />
is equipped with the latest, improved<br />
magnetic stereophonic sound equipment<br />
capable of producing frequencies from 30<br />
cycles to 15,000 cycles. There are four<br />
channels of amplification: three of these<br />
channels feed three sets of directional<br />
speakers back of the projection screen and<br />
the fourth channel supplies a number of<br />
auditorium side wall speakers.<br />
LIGHTS, CURTAIN CONTROLLED IN<br />
BOOTH<br />
The projection room includes a public<br />
address system which is connected to concealed<br />
horns. A specially designed control<br />
enables the projectionist to have full control<br />
of the lighting system, curtains and<br />
public address system at all times. Special<br />
effects for the screen and curtain illumination<br />
have been planned for main titles and<br />
also for intermissions. This sound equipment<br />
has dual amplification to take care<br />
of any emergency which may arise due to<br />
trouble in one of the amplifiers.<br />
The decorative scheme of the 1,509-seat<br />
auditorium is one of dynamic design that<br />
flows unbroken around the dome in the<br />
ceiling. The proscenium arch is designed<br />
to be the center of interest with strength<br />
of detail. Over the center of the proscenium<br />
arch is a sunburst effect composed of staff<br />
ornaments indirectly lighted. The entire<br />
ornament is made out of staff work covered<br />
with gold leaf. The same ornamental staff<br />
work runs along the wall elevation, gracefully<br />
forming the dado line on each side<br />
of the theatre, which is finished in ivory,<br />
gold and pastel carmine. A very elaborate<br />
valance made of staff work and leafed with<br />
gold is installed at the head of the proscenium<br />
arch, to receive the beautiful<br />
stage drapes and curtains, made of red,<br />
peach and gold colors.<br />
A specially woven carpet of unique design laid over heavy cushioning, and custom-built furnitu<br />
the Fox mezzanine lounge on inviting place to rest. Restrooms are located off the lounge, as well a<br />
phone booth. There is also a cup-vending beverage machine as may be noted at the center right<br />
The Fox is owned by the Evergreen circuit,<br />
a subsidiary of National Theatres<br />
It is managed by Oscar Nyberg, a veteran<br />
in Portland theatre management.<br />
A cavalcade of stars and Hollywood<br />
theatre personalities were on hand for the<br />
theatre opening, as well as theatre executives<br />
from Oregon and Washington.<br />
CREDITS: Air conditioning and filtering: Westinghouse<br />
• Architect; Dougan & Hiems • Carpeting:<br />
Alexander Smith • Concession equipment<br />
Drink dispensers. Movie Hour Fountainette; Ice<br />
Cream freezer, Frigidaire; Butter dispenser, But-<br />
R-Churn • Curtain end light control: Grosh Studios<br />
• Plumbing: Standard Sanitary • Custom-made<br />
furniture: Theatre Upholstering Co. • Projection<br />
and Sound: Simplex • Screen: Miracle Mirror •<br />
Seats: Bodiform * Stereophonic sound: Ampex.<br />
Detail of silver aluminum scrolls and /'owe<br />
decorate the walls of the foyer leading<br />
mezzanine lounge.<br />
FILTERED, CONDITIONED AIR<br />
The air conditioning system is the very<br />
latest and is automatically controlled by<br />
thermostats which maintain the most<br />
healthful and comfortable temperatures<br />
throughout the winter and summer. All air<br />
is filtered to remove dust, and the air is<br />
distributed throughout the entire auditorium<br />
through various types of ornamental<br />
ceiling diffusers. The refrigeration system<br />
is hermetically sealed and uses Pi-eon 12,<br />
a safe and harmless refrigerant. The heating<br />
system is of the latest design, usinv<br />
hot water for heat, and is controlled thermostatically,<br />
the thermostats being located<br />
in various parts of the theatre to maintain<br />
an even temperature throughout. Thirty<br />
thousand cubic feet of filtered cold or<br />
heated air is delivered to the theatre each<br />
minute, which is more than adequate for<br />
the seating capacity of this theatre.<br />
Russell F. McCullough, National Theatres<br />
maintenance manager and purchasing<br />
agent supervised the details of this new<br />
modern theatre and Carl Moeller was the<br />
designer.<br />
The ladies' powder room in the Fox is luxuriously appointed, with custom made lounges, and swiyi<br />
before the curved powder bar. Inset down lights in the canopy above the bar and mirrors create sht<br />
illumination. Framed paintings on the walls add a homelike touch.<br />
16 The MODERN THEATRE SI
^PllilW^<br />
Luxurious comfort assured<br />
IN PORTLAND'S NEV\^ FOX THEATRE BY<br />
American Bodiform Chairs<br />
In this new, million-dollar<br />
Fox Theatre in Portland, Oregon,<br />
1536 American Bodiform<br />
Chairs provide the<br />
luxurious comfort which<br />
today's audiences expect.<br />
c^/fie2lca/i SeaH/ig (ompa/u/<br />
World's leader m Public Seating<br />
• Grand Rapids 2. Michigan • Branch Oflices and Distribulors in Principal Cities<br />
Manufacturers of Theatre. School, Church. Auditorium. Transportation, stadium Seating, and FOLDING CHAIR<br />
ALSO DISTRIBUTED BY NATIONAL THEATRE SUPPLY<br />
inuary 8, 1955 17
:<br />
—<br />
RUST WILL<br />
BURN' AWAY DOLLARS<br />
IN EXPOSED STEEL IF UNRETARDED<br />
Improved Techniques Help Solve Theatre Losses<br />
By LYME S.<br />
METCALFE*<br />
A considerable and constantly increasing<br />
part of any theatre property, equipment,<br />
and appurtenanfce investment is in metals,<br />
and for the most part, in steel exposed to<br />
the atmosphere.<br />
That is, such as outside tanks, exterior<br />
piping, fencing, trim and other installations.<br />
And where steel is exposed to water<br />
or even to dampness, it will soon "burn"<br />
away dollars invested in it. After all, corrosion<br />
is only slow burning and though its<br />
attacks call for no alarm bells or emergency<br />
methods, the damage is as sure and<br />
devastating as is destruction by heat or<br />
flame.<br />
For years, science has continuously<br />
sought means to at least retard this<br />
process of destruction and chiefly through<br />
chemistry. And much progress has been<br />
made, is now being made because the<br />
losses through rust to properties of so many<br />
types is becoming one of the major factors<br />
in property obsolescence.<br />
Our chemical laboratories after long reseaixh<br />
and experiment now have made<br />
available methods of rust retardant which<br />
a) Resist and stop progress of rust<br />
that has already begun to "burn" away.<br />
b) Makes sandblasting steel surfaces<br />
prior to rust treatment unnecessary,<br />
also minimizes the labor cost of rust<br />
removal.<br />
•{In collaboration with Dr.<br />
Chemist, Inertol Co., Inc.)<br />
A. F. Pistor, Chief<br />
The solution to the problem of properly<br />
protecting steel is so easy to carry out that<br />
management can keep metal buildings and<br />
equipment in tiptop shape by following a<br />
few good rules.<br />
The prime solution is the application of<br />
a good paint system and, equally important,<br />
regular inspection of all steel to make<br />
sure the paint system is still intact and<br />
doing its job of guarding against corrosion.<br />
The use of a good rust inhibitive primer<br />
applied to clean steel—followed by one<br />
coat ( or preferably two ) of a good weather<br />
resistant finish sets up the first line of<br />
defense against moisture penetration and<br />
the resultant rust.<br />
But, how about metal surfaces that have<br />
been neglected, although perhaps painted<br />
with one coating or another at some time<br />
m the past? Putting such surfaces back<br />
into shape once damage has been done is<br />
natui'ally a more difficult problem than<br />
would otherwise be the case. All deteriorated<br />
paint and foreign matter must be<br />
removed before I'epainting is begun. Formerly<br />
this included the removal of all rust.<br />
The reason for this is that, under ordinary<br />
circumstances, merely covering rust with<br />
paint does not stop its gnawing of steel.<br />
Deterioration will continue as the rust bites<br />
deeper, and spreads beneath the paint film.<br />
Before long, the newly applied paint peels<br />
away and the steel itself has been weakened—perhaps<br />
to the point where its useful<br />
life is at end.<br />
The difficulty of cleaning to "bright"<br />
steel is readily apparent, especially when<br />
the labor factor and also the human element<br />
are considered. The cost of<br />
plete removal of rust might be prohi<br />
and many painters soon despair of g<br />
steel scrupulously clean before pai<br />
Fortunately, complete removal of r<br />
no longer absolutely necessary. Exp<br />
sandblasting or other methods for cor<br />
removal of rust to bright metal ma:<br />
ordinarily be dispensed with.<br />
These important savings in mainte<br />
protection costs are the result of the<br />
opment of special rust inliibitive<br />
primers and finishes. The fundar<br />
problem in developing these time-i<br />
coatings was to create a primer<br />
would completely penetrate every pi<br />
of firmly bonded rust. At the same<br />
the primer had to force out of thi<br />
both air and moisture, and then<br />
the metal against any fui-ther atta<br />
these rust-producing elements.<br />
Finally, the finish coating musi<br />
have the ability to resist the penet<br />
of air and moisture, and at the sam(<br />
must provide an attractive gloss fir<br />
PAINT MUST STAY DRY<br />
Once applied, the paint had to dry<br />
and stay dry despite changes in hue<br />
In considering this special mainte<br />
problem—where all rust cannot be re:<br />
—^there is another type of primer<br />
should also be eliminated from cons<br />
tion. This is the quick-setting syr<br />
primer. Wliile quick-setting syr<br />
primers give very good service on<br />
steel, they cannot do a complete j<br />
rust surfaces. The reason for the<br />
adequacy is their quick-drying featu:<br />
large molecular structure. In other<br />
they dry too rapidly to properly per<br />
the entire rust film down to firm met<br />
the large molecules prevent proper<br />
tration of the rust. In addition, this<br />
drying causes the paint film to bridg<br />
rust formations so that the rust is r<br />
hibited but can go on with its desti<br />
action beneath the paint.<br />
In protecting valuable building:<br />
Sieet tanks on the theatre roof for water storage<br />
are subject to the deterioration of rust. Erosion may<br />
be seen on this tank at the lower and upper right.<br />
Belore application of rust-retarding materials, the<br />
surface must be scraped to remove loose paint and<br />
rust. A wire brush supplements the scraper.<br />
Here the protective coating is being applied<br />
retardant paints are now available in many<br />
tive colors for attractive appearance.<br />
18 The MODERN THEATRE SE
hese are the measures<br />
'Cially where rust has<br />
costly infiltration. The<br />
seep in mind is that<br />
nd fimsh coats suitable<br />
surfaces must be ruled<br />
cially true because all<br />
picks up moisture<br />
p—it<br />
are automatically exy<br />
prepared penetrating<br />
ner. Furthermore, this<br />
;ven be used on damp<br />
!s not have the ordinary<br />
to moisture. The speust<br />
inhibitive primer,<br />
will secure a good bond<br />
;tal is not dry; the ordiwill<br />
fail if applied to<br />
IN OF SURFACE<br />
—-<br />
imer is applied, limited<br />
L only is necessaiy. Obhe<br />
surface preparation.<br />
The paint on the steel<br />
lould be inspected and<br />
ited paint removed by<br />
scraping. Foreign mathould<br />
also be removed<br />
r, such as oil and dirt,<br />
; paint's bond. As for<br />
e too should be wireed<br />
and loose dirt and<br />
—by chipping if necesled<br />
rust need not be<br />
;t is distinguished from<br />
rust scale tends to pop<br />
Pirmly bonded rust will<br />
idency.<br />
1 and time-saving suris<br />
been attended to, the<br />
ner can be applied. A<br />
into the rust right on<br />
metal. It will coat each<br />
rust-retardant film and<br />
Id moisture. Rusting is<br />
THROUGH RUST<br />
has been developed by<br />
lint manufacturers and<br />
I century. This product,<br />
contains no fish oil but<br />
r ingredients for com-<br />
Df rust, meets qualificaletrating.<br />
rust inhibitive<br />
ng. Because of these<br />
it provides an abrasivelich<br />
combines toughness<br />
lasticity enables it to<br />
expansion and contracs<br />
to which it is applied<br />
ts breaking away,<br />
i point. Dr. A. F. Pistor,<br />
nertol, said: "Not alone<br />
nder discussion be rust<br />
primer and finish coats<br />
each other. If they do<br />
will not be afforded."<br />
iride.<br />
management natling<br />
and equipment to<br />
;ause of the many deconable<br />
in these rust - re<br />
can be accomplished as<br />
ng protected.<br />
NEW CONCEPT IN THEATRE DESIGN<br />
Continued from page 12<br />
eating of the manager's desk, a modern<br />
black Formica unit, prominently in the<br />
foyer directly opposite the doors, thus<br />
keeping him in close contact with his patrons.<br />
There is actually no office within the<br />
Capri.<br />
The Capri's concession stand is along the<br />
wall between the managers desk and the<br />
glass front, and has a street entrance as<br />
well as service to the lobby. Jones was able<br />
to use most of the standard concession<br />
equipment that came with the theatre, all<br />
of which was realigned for more efficient<br />
operation in the new custom-built case.<br />
A NEW CONCRETE FLOOR<br />
In the auditorium the remodeling included<br />
the poui-ing of a completely new<br />
concrete floor and installation of 715 seats,<br />
215 of which are the Air-Flo loge type<br />
measuring 44 inches back-to-back. The remainder,<br />
or general admission, measure 36<br />
mches. The chaiis were painted a flat<br />
black to match the interior decor, which<br />
is in gray and black with the columns accented<br />
in Chinese red. The heavy ornamentation<br />
of the Egyptian's columns and<br />
ceiling cross beams disappeared under the<br />
sohd colors in keeping with the neoteric<br />
theme. The waterfall curtain, also in gray,<br />
extends completely across the front of the<br />
auditorium.<br />
To achieve a sufficiently wide enough<br />
picture for the new processes, it was necessary<br />
to bring the screen out in front of the<br />
proscenium. Stereophonic sound was also<br />
installed.<br />
Completing the remodeling, new restrooms<br />
were built with walls and floors<br />
both in terrazzo. The fixtui-es are aU wall<br />
hung and Sanistand units are featui'ed in<br />
the women's room.<br />
NEW AIR<br />
CONDITIONING SYSTEM<br />
An entire new air conditioning and overhead<br />
distribution system was Installed utilizing<br />
two 15-ton Westinghouse compressor<br />
units for refrigeration. Heating is by a<br />
low pressure hot water system through<br />
coils in the main duct. Automatic thermostatic<br />
and aquastatic controls keep temperatures<br />
even.<br />
Another factor contributing to the<br />
Capri's success is the maintenance of two<br />
paved and lighted lots providing adequate<br />
and convenient parking facilities. The theatre<br />
is three miles from downtown, but<br />
geographically in the heart of the city and<br />
easily reached from all parts of San Diego.<br />
Pi-omotion-wise, Jones has devised a<br />
clever sig cut featuring the theatre name.<br />
Attractions are advertised within the large<br />
C. He has cuts in two-column width, four<br />
and one-quarter inches deep, and in onecolumn<br />
widths, two, and one and one-quarter<br />
inches deep. As he puts it: "That large<br />
C certainly does steal a page with only<br />
two inches!"<br />
Assured by<br />
RCA Theatre<br />
SERVICE<br />
With RCA Service Company<br />
in your operating picture,<br />
equipment performance<br />
rolls smoothly. Your RCA<br />
Theatre Service engineer is<br />
an expert on optical or magnetic<br />
sound, single or multiple<br />
track, standard or wide<br />
screen. And in addition, he's<br />
backed by all the broad technical<br />
resources of RCA itself.<br />
At the vital operating heart<br />
of your house, you'll find the<br />
exceptional quality of RCA<br />
Theatre Service a day-in,<br />
day-out box office asset<br />
that's essential.<br />
RCA SERVICE COMPANY, Inc.<br />
A Radio Corporation of America Subsidiary<br />
Camden, N. J.<br />
iary 8, 1955 19
. . Questions<br />
and Answ<<br />
This regular Modern Theatre feoture is conducted by Dove E. Smalley, contributor to mi<br />
important magazines on maintenance and editor of Better Maintenance Magazine. Questions fi<br />
exhibitors are welcomed. Address them to Theatre Maintenonce, The Modern Theatre, 825 \<br />
Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personol re<br />
For<br />
...andmjilkm<br />
You're practically married<br />
to your patrons when you give<br />
them comfortoble seating!<br />
Romance them by letting us repair<br />
or replace worn parts, seats or arms;<br />
and we do it all without interruption<br />
of your show. Our low, low prices will<br />
delight you, too. Just let us give<br />
you the "good news"—a quote.<br />
YOUR<br />
BOXOFFICE<br />
Engraved by<br />
our excluslv*<br />
process on luclte<br />
to your<br />
specifications.<br />
LAMOLITE<br />
ILLUMINATED PRICE ADMISSION SIGNS<br />
Our enlarged plant facilities<br />
assure<br />
OVERNGHT service from coast to coast.<br />
Plastic Signs Engraved for th« Entire Theatre<br />
Send for Folder *Pat pend<br />
Edgar S.<br />
Bowman<br />
682 Sixth Avenue N*w York 10, N. Y.<br />
Q INSTALLING VINYL TILE<br />
r IN COLD WEATHER<br />
When we close our drive-in for the<br />
winter we expect to install semi-flexible<br />
vinyl plastic tile in our concession stand.<br />
Should the room be heated?<br />
Yes. J^ The tile itself and the adhesive<br />
should be stored for at least 24 hours in<br />
a temperature of not lower than 70 °F and<br />
it should be installed under the same conditions.<br />
Such tile becomes more or less<br />
brittle when cold and the adhesive also<br />
becomes thick and difficult to use.<br />
O CLEANING ALUMINUM<br />
We have aluminum stair railings and<br />
doors in our new theatre. They have a<br />
satin finish on which black specks have<br />
appeared. Metal polish does not seem to<br />
remove the specks. Have you any suggestions?<br />
J^ We believe No. 00 steel wool is probably<br />
your best remedy, though we suggest<br />
using a little soap with it. The<br />
well-known kitchen item called "SOS,"<br />
which is soap-saturated steel wool, is also<br />
satisfactory and may be used for removing<br />
most spots and stains from aluminum.<br />
If, after the cleaning, the cleaned places<br />
seem duller than the rest, try a little<br />
powdered pumice or soap stone on a wet<br />
chamois skin. Never use an alkali or acid<br />
for cleaning aluminum.<br />
9<br />
REMOVING CIGARET BURNS<br />
, FROM CARPETING<br />
Can you tell us what is the best<br />
method for removing cigaret burns from<br />
carpeting?<br />
From a recent report of the research<br />
f^<br />
and development department of a large<br />
carpet manufacturer wt find the following<br />
answer to your question:<br />
"1. Use a stiff brush to remove scorched<br />
fiber ends. The usual cigaret burn will thus<br />
leave only a very slight ditch, perhaps<br />
1/16 of an inch deep.<br />
•2. If the burn is so deep when the<br />
scorched fiber has been removed that a<br />
bare or dug-out spot appears, it is best to<br />
have fresh yarn burled into the back of the<br />
carpet. This can usually be done by an<br />
established rug cleaner.<br />
"Certain synthetic fiber carpets make<br />
the correction of burns more difficult because<br />
the fibers melt and form dark beads.<br />
These almost invariably must be treated<br />
by cutting them out with scissors or electric<br />
clippers and burling in new yarr<br />
is done by an experienced rug clean<br />
Q REMOVING LARGE LITTER \\<br />
r VACUUM CLEANER<br />
Do you know of a vacuum dec<br />
a vacuum cleaner attachment<br />
would be best suited for picking<br />
usiw.1 litter on theatre floors? We a<br />
using a blower for this work which<br />
fairly satisfactory.<br />
f( We do not know of a vacuum <<br />
which wUI pick up such large pi<br />
popcorn boxes, paper bags, etc. Fi<br />
less of the size of the attachment,<br />
take is limited to the diameter<br />
hose which, on machines adaptal<br />
theatre use, would rarely be more th<br />
inches. The hose on many such mi<br />
has a diameter of only IV2 inches.<br />
you do not favor the blower funct<br />
forcing large litter toward the fr<br />
the auditorium, we suggest you pu<br />
large litter out into the aisles<br />
broom and then, using a dust pan i<br />
hand, scoop it up and place it in a<br />
tacle, after which pick up the finer<br />
and dust with the suction function<br />
vacuum cleaner.<br />
Q REPAIRING SCRATCHES ON<br />
r OAK FURNITURE<br />
On the arms and backs of om<br />
chairs and on a table there are soi<br />
scratches which evidently somebo<<br />
done with a ring. The furniture 1<br />
oak. Can you suggest a way to<br />
the scratclies without refinishing ii<br />
niture?<br />
J^<br />
First, we suggest you steel w(<br />
scratches or if deep, sandpaper<br />
until the sharp edges are leveled of<br />
will, of course, spread the area to<br />
paired. After which, apply a stain<br />
proper shade, dark oak in this case<br />
stains are available in liquid form.<br />
the stain to set for a few seconds ar<br />
wipe off with a cloth. Continue<br />
until the shade over the patch is u:<br />
If not yet dark enough to mat<br />
rest of the finish, repeat the operat<br />
too dark, remove some with naptha<br />
several hours for the stain to dry.<br />
repair is much duller than the rest<br />
finish, it may be necessary to a<br />
thin coat of varnish or shellac<br />
patch, feathering out the edges t<<br />
an overlap. If the patch is not mucl<br />
than the rest of the finish, waxini<br />
may complete the repair satisfacto<br />
20 The MODERN THEATRE SI
I<br />
PICTURES WILL HOW PULL<br />
cons of building increased patronage is noui available in the use of the reuolutionarif new Wagner-<br />
FLUORESCENT PLASTIC<br />
COPY LEHERS<br />
CHANGEABLE<br />
(Neviol U.S. Pot. No. 2486859. Other patents pending.)<br />
Exclusive with Wagner and adaptable to all existing Wagner (rome installations.<br />
plastic and processed with a newly developed and patented process fluorescent material, each letter, by the use of "black<br />
a separate, octual light source not dependent on transmitted visible light or the translucence of the sign foce. They Create<br />
other Than Lighted Color.<br />
STARTLING BRILLIANCE<br />
ID DISTANT READABILITY WITHOUT GLARE<br />
brightness and strikingly DIFFERENT colors, impossible with other letters, make them ideal for installations "hedged in" by on<br />
>mpeting light. Also unusually effective by daylight.<br />
THE ONLY THIRD-DIMENSIONAL<br />
ILLUMINATED LETTERS EVER MADE!<br />
)rds uniformity of illumination of every letter, virtually impossible heretofore.<br />
GUARANTEED LONG LIFE<br />
led with front illuminated signs which employed fluorescent moteriols, these new letters are processed on the back and will not pass<br />
of the sun. They are accordingly extremely fade-resistant.<br />
THEY<br />
COMMAND ATTENTION!<br />
attention of more people always means better business, for people go to the theatre more often when they know whot is playing,<br />
ural. Theatres with obsolete displays will not be able to compete with those equipped with this powerful new type of advertising.<br />
GET BUSINESS YOU NEVER GOT BEFORE<br />
3 something about the matter of whether they patronize you or the theatre down the street Wagner Neviol letters import a new<br />
atre front. Don't let on old-fashioned display boord steal your profits.<br />
igner Neviol Letters come in glowing blue, yellow, orange and red. There ore four sizes: 4", 8", 10' and 17".<br />
Write, wire or phone tor further details and prices NOWl<br />
WAGNER SIGN SERVICE^ INC<br />
I PICTURES rb« NEVIOL LETTERS jiM BIG BUSINESS!<br />
218 S. HOYNE AVENUE<br />
CHICAGO 12, ILLINOIS<br />
uary 8, 1955<br />
21
Packaged Stereophonic System<br />
For Three or Four Channels<br />
Offered In Two Models<br />
Altec-Lansing Corp. is now marketing an<br />
all-in-one stereophonic sound system, the<br />
S-15. The single unit is complete with<br />
changeover facilities, full amplification and<br />
the controls necessary for either three or<br />
four channel sound systems.<br />
Designed for use in theatres with seating<br />
capacities of 1,200 and less, the new unit<br />
is being produced in two models. The<br />
S-15A has three channels and is so wired<br />
that a fourth surround channel may be<br />
added whenever desired. The second model,<br />
the S-15B, comes with the fourth channel<br />
already installed. If used in houses with<br />
more than 1,200 seats, additional power<br />
amplifiers are required. The S-15 also is<br />
said to be well suited for small situations<br />
with less than 800 seats when used with<br />
Altec's A-7 "Voice of the Theatre" speakers.<br />
A choice of either magnetic or optical<br />
equalization for use with Perspecta sound<br />
has been provided for in the S-15 with a<br />
simple switching system.<br />
Because of its compact size, the<br />
said to be installed with ease and ec(<br />
It may be placed anywhere in the<br />
on the floor, the wall or betwef<br />
machines.<br />
The system may be put into opera<br />
simply connecting the input to the<br />
For Only m MM ,. m«
Don't just i^ for a<br />
good screen...<br />
Insist Oil ft/<br />
Ask for the unconditionally iuaranteed<br />
L Raytone HILUX Screen!<br />
EVEN LIGHT<br />
DISTRIBUTION<br />
Avoids hot spots and too rapid dropoff<br />
beyond useful viewing angles. All<br />
that plus resistance to stray light from<br />
sources other than the projector.<br />
RAYTONE<br />
SCREEN<br />
CORP.<br />
165<br />
Iwest: L<br />
CLERMONT AVE. • BROOKLYN 5, NEW YORK<br />
E. Cooley, 408 S. Oak Park Blvd., Oak Park, linois
Although seven years old, the Fairmount Theatre, Cleveland, still has that<br />
brand new look, due to a regular program of maintenance and replacements<br />
of furnishings and equipment the moment the need is apparent. The new<br />
screen for exact CinemaScope ratio, and new curtain tracks and i<br />
showing other ratio pictures ore part of a recent $50,000 investment<br />
tion and sound equipment made by the theatre's owner.<br />
KEEPING THE THEATRE IN FIRST-CLASS CONDITIOI<br />
CALLS FOR REGULAR MAINTENANCE AND REPLACEMEN<br />
The Fairmount Theatre, Cleveland, Thus Retains That New Look<br />
By ELSIE LOEB<br />
I here's a standard phrase around<br />
Cleveland that sounds like a broken record.<br />
It is "Oh, the Fairmount Theatre can do it<br />
but the rest of us can't." This covers<br />
everything from booking to equipment, to<br />
presentation, to .service. And when one<br />
asks, "Why can the Fairmount do it and<br />
you can't?" the answer is invariably, "The<br />
Fairmount is different." So we set out to<br />
find out what makes the 1,650-seat Fairmount<br />
unique in a city that has at least<br />
half a dozen de luxe theatres in the same<br />
class. And we found it is three things:<br />
the management, the equipment and the<br />
service.<br />
Leonard Greenberger, the manager, has<br />
used psychology to accomplish two things<br />
important to the successful operation of a<br />
theatre. One is to learn what his patrons<br />
like. The other is the slow process of molding<br />
their tastes to something new.<br />
While most managers try to find out<br />
what type of picture their particular patrons<br />
like, Leonard Greenberger has gone<br />
one step farther. He was the first to<br />
present top English pictures in a top neighborhood<br />
house. By repetition, by extensive<br />
mail circulation and by careful booking,<br />
he has established such British actors as<br />
Alex Guinness as one of his best boxoffice<br />
attractions.<br />
People come from all sections of the city<br />
and travel as much as 20 miles to go to the<br />
Fairmount Theatre. And it isn't only the<br />
picture that draws them. Although they<br />
may not be conscious of its drawing power,<br />
the equipment in the projection booth is<br />
one of the main attractions.<br />
It is generally conceded in the tradethat<br />
the Fairmount Theatre, which straddles<br />
two de luxe residential areai<br />
Heights and University Heightsof<br />
the few best-equipped projectii<br />
in the entire Greater Cleveland a<br />
"Everything, and I mean litera<br />
thing, required for the best pict<br />
entation is installed in the F<br />
Theatre." says Ben L. Ogron of C<br />
atre Supply Co. And he ought<br />
because he installed it. Here is i<br />
account of what the best equip<br />
jection booth has in this CinemaS<br />
The Fairmount Theatre booth<br />
jectionisfs delight. It has opt:<br />
phonic sound equipment, KoUmoi<br />
in the enlarged projection port<br />
has Motiograph Model S bases. M<br />
100-amp)ere Hi-Power arc lamp<br />
graph C.S. AAA projector me<br />
Motiograph 125 250 hi-power<br />
i<br />
Motiograph Altec four-track du:<br />
24 The MODERN THEATRE
-<br />
Bausch & Lomb anamorall<br />
other Cinemascope<br />
ng film splicers, rewinds,<br />
iring machine to deternning<br />
time of a picture,<br />
is a tubular steel curved<br />
lufactured by Selby In-<br />
1 an Astrolite screen for<br />
nemaScope ratio. When<br />
•ger put in Cinemascope,<br />
a new Vallen track for<br />
angle picture (not Ciniddition,<br />
he installed a<br />
new curtains to close in<br />
e smaller picture. This<br />
3 47 feet for a Cinema<br />
he result is the proper<br />
presentation for each<br />
on. "The recommended<br />
plus the proper ratio<br />
'Cial masking tracks and<br />
he ideal presentation,"<br />
L<br />
KINDS OF PICTURES<br />
the F^irmount Theatre<br />
nly to show pictures on<br />
a optical Cinemascope,<br />
naScope, VistaVision and<br />
is equipped to show the<br />
ire in each of these new<br />
)f the limited number of<br />
Greater Cleveland area<br />
ed for any type of picor<br />
any type of sound<br />
stereophonic sound reeatre<br />
has 12 auditorium<br />
akers.<br />
Manager Leonard Greenberger is always personally alert to the details of good theatre maintenance, as<br />
shown by this dazzling marquee with every lamp gleaming brightly. Within the theatre, he watches out<br />
for the comfort of patrons by observing the volume of sound, the temperature level and the physical<br />
appearance of the theatre and its appointments.<br />
But all of this fine equipment alone<br />
would not accomplish its purpose, namely,<br />
to bring patrons into the theatre—if it<br />
were not for two other factors. One of<br />
these factors is the high caliber of management.<br />
Manager Greenberger is always<br />
Continued on following page<br />
ppcd projection booths in the entire Greater Cleveland<br />
jirmount It has optical glass in the enlarged projection<br />
h projectors, lamps and generator, Koltmorgen projection<br />
Lomb anamorphic lenses There arc also film splicers,<br />
measuring machine to determine the exact running time<br />
shown.<br />
Altec four track dual stereophonic sound equipment was part of the recent<br />
projection and sound installation In the auditorium, 12 Altec Lansing effects<br />
speakers were installed. One of the factors which creates high public favor<br />
for the Faiimount is the personal interest and pride the two projectionists<br />
take in maintaining and operating the booth so that screen presentation is<br />
the finest possible.<br />
luary 8, 1955 25
—<br />
KEEPING THE HOUSE IN<br />
CONDITIC<br />
Continued from precedi<br />
BRING IN MORE PATRONS<br />
Bausch & Lomb<br />
Projection Lenses<br />
Clearest, brightest, truest-to-life screen<br />
image means more paid admissions<br />
audiences eager to come back again<br />
and it all begins with the Bausch & Lomb<br />
lens on your projector.<br />
• Advance lens design—full, uniform<br />
light; no blur, no fading at edges.<br />
• All-B&L manufanure, from specialformula<br />
"white" glass (for truer color,<br />
richer contrast) to finished lens.<br />
• Matched for finest rendition of movies<br />
filmed with Academy-Award-winning<br />
B&L Baltar Lenses.<br />
• Anti-reflection Balcote—delivers<br />
maximum light to screen, resulting<br />
in crisper, brighter pictures.<br />
• Complete line for all projectors— for<br />
2-D, VistaVision, CinemaScope.<br />
WRITE FOR LITERATU RE<br />
For your free copy o( Catalog<br />
E-123, write Bausch & Loml)<br />
Optical Co., 72037 St, Paul St.,<br />
Rochester 2. New York.<br />
SKfHTER,<br />
:f-<br />
450m ( 114.3itiin)<br />
BAUSCH & LOMB<br />
America's only complete optical source . . . from glass to finished product<br />
personally alert to the details of the<br />
tre operations and to the comforts<br />
patrons. He is always on the floor t<br />
the patrons coming in and going oi<br />
watches the volume of sound, the ri<br />
fall of the temperature, and the p'<br />
appearance of the house. He kee<br />
house in tip-top shape by making r(<br />
ments daily or weekly or monthly e<br />
are required rather than waiting fc<br />
run down and doing a complete a<br />
job.<br />
The other factor is the personal 1<br />
of the theatre's two projectionists, \<br />
Covell and Ed Smith. Covell and<br />
feel a pride of ownership in the t<br />
They are not satisfied unless the sou<br />
the projection is as nearly i>erfect i<br />
sible. They take a personal interf<br />
only in their field but in everythir<br />
helps to make an evening in the<br />
mount Theatre esp>ecially enjoyable.<br />
So these are some of the reasoi<br />
the Fairmount Theatre really is dil<br />
why many people bypass other t.<br />
to become its regular patrons. The;<br />
they are getting more for their adi<br />
than just a place to sit down and<br />
picture.<br />
The Fairmount Theatre owner,<br />
Greenberger, and its manager did i<br />
complish this without the expendi<br />
both effort and money. Leonard m<br />
intensive study of each of the new p<br />
equipment as they were introduced<br />
trade. He knows what it takes to<br />
i<br />
best presentation on the screen. Al<br />
the Fairmount is one of the newes<br />
tres in this area—it's about sever<br />
old—an investment of approximate:<br />
000 was made to encourage both the<br />
and the trade to continue to say "th<br />
mount Theatre is different."<br />
ADLE<br />
for<br />
theatre signs<br />
that build boxoffice It<br />
ADLI<br />
CHANGEABLE<br />
LETTER DISPLAY<br />
• '3D DIMENSION' Plostic<br />
Cost Aluminum Letters<br />
• GLASS-IN FRAME OR<br />
PLASTIC DISPLAYS<br />
• 'REMOVA-PANEL' FRA^<br />
• SECTIONAD' LOW CO<br />
DISPLAYS<br />
For Free Catalog, Write<br />
ADLER<br />
t'<br />
Silhouette Letter C<br />
11843 W. Olympic, Lot Antieles 64,<br />
26<br />
The MODERN THEATRE S
oo<br />
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OO<br />
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ily $695 per pair,<br />
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/ / y this unqjualiffied ^<br />
'<br />
GUARANTEE \ \ N<br />
We guarantee the Super Panatar passes as much or more light*<br />
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also— only Super Panatar is compatible with VistaVision and<br />
only Super Panatar permits instant switching to any aspect ratio<br />
\ by turning one dial.<br />
\<br />
\ *Plus or minus 5'?c'i due to variations in testing /<br />
V. conditions and equipment. y<br />
\<br />
PER PANATAR<br />
The Gotfschalk Lens<br />
-ed by Panavision, Inc.<br />
t<br />
Distributed by<br />
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Roosevelt Road, Chicago 8, 111.<br />
'hone: CRawford 7-6300<br />
)le Address: RADMATCO
WANT TO SAVE MONEY ON YOUR 1954 INCOME T/<br />
Then Take Advantage, As Advised in This Article, Of Changes in New Co<br />
And Do Not Neglect Non-Business Angles Which May Vitally Cut Your Bill<br />
By HAROLD J. ASHE<br />
Before attempting to make his 1954<br />
individual income tax return a theatre<br />
owner should familiarize himself with the<br />
changes made in the ground rules with<br />
passage of the 1954 Internal Revenue Code.<br />
While individual income tax rates have<br />
not been disturbed, an exhibitor's income<br />
tax bill may be substantially less if he<br />
avails himself of the liberalization in some<br />
of the rules and regulations. Reliance on<br />
past regulations may prove misleading, if<br />
not disastrous, in preparing a 1954 income<br />
tax return.<br />
Because of space limitations, no attempt<br />
will be made to go into all of the ramifications<br />
of the new code. Only those aspects<br />
of the law which may be generally helpful<br />
to exhibitors will be discussed and only<br />
in sufficient detail to set forth the principles<br />
and applications.<br />
SAVINGS ARE WHERE YOU FIND THEM<br />
One pwint does need underscoring: taxsavings<br />
are where an exhibitor finds them.<br />
In his preoccupation with gaining every<br />
possible tax advantage from his theatre, an<br />
owner should not neglect non-business<br />
angles which can vitally affect the amount<br />
of<br />
his tax bUl for the year.<br />
Accelerated depreciation: An exhibitor<br />
now has the option of using an accelerated<br />
method for calculating depreciation on<br />
certain theatre assets acquired after 1953.<br />
1 home<br />
: under<br />
Dependency<br />
cost from selling price,<br />
reduced by<br />
any, may be<br />
ist any expenses incident<br />
to make it more<br />
luch as painting and re-<br />
)enses, however, must be<br />
»0 days of the date of the<br />
id must be paid not later<br />
ter the sale. Other costs<br />
sale are also deductible,<br />
s commission.<br />
ENT CHILD CARE<br />
ider certain conditions, an<br />
; permitted to deduct up<br />
are of a dependent child,<br />
lust either be a widower<br />
parated or divorced, and<br />
12 or be physically<br />
le to care for himself. The<br />
r<br />
to a woman. The paymatter<br />
of fact and it may<br />
another dependent,<br />
's<br />
wife works, a deduction<br />
•n if (a) a joint return is<br />
led adjusted gross income<br />
If it is over $4,500. the<br />
iced by the amount it eximple:<br />
Combined adjusted<br />
64,950, resulting in an exft'ith<br />
only $150 deductible,<br />
ily part of a year, the $600<br />
o rated in relation to the<br />
worked. Thus, if a wife<br />
months, only $200 is deto<br />
the other qualifications,<br />
ted that in order to take<br />
eduction, it must be itemlars<br />
use of the standard<br />
DEPENDENT PARENTS<br />
RENTS :<br />
rules<br />
;ized and need watching. If<br />
ontributing to the support<br />
xemption may be available<br />
d him. This category of<br />
have a gross income of less<br />
I't confuse this with abolne<br />
test for certain other<br />
be discussed later, The<br />
i<br />
es that more than half of<br />
support must be contribthis<br />
more -than -half may<br />
buted by several taxpayers.<br />
provides that when two or<br />
contribute to such a dert,<br />
with none of them conthan<br />
half, they can now<br />
lemselves which one shall<br />
ition, provided the ijerson<br />
emption contributed more<br />
t of the support, and total<br />
re more than half. The<br />
contributed to the support<br />
;ten statement disclaiming<br />
for the year. In the past<br />
(vas lost to all contributors<br />
t's support because no one<br />
qualify on the over-oneigreement,<br />
one contributor<br />
emption one year, another<br />
nd so on so that, eventually,<br />
all contributors get a tax benefit for<br />
one year or more.<br />
Child exemption : Dependency exemption<br />
is no longer lost if a child, either natural<br />
offspring, stepchild or adoptive child,<br />
earns more than $600 a year, provided (a)<br />
the child is under 19 or is (b) a student in<br />
a school or college on a fuUtime basis.<br />
Schooling must be for five months or more<br />
during the year. The taxpayer, as in the<br />
past, must contribute more than half of<br />
the dependent's support to qualify the child<br />
as a dependent. A scholarship is not considered<br />
part of the child support in reckoning<br />
the more-than-half test.<br />
DEPENDENTS 'IN<br />
FACT'<br />
Unrelated dependents: Until now, only<br />
those coming, within one of eight relationships<br />
to the taxpayer could be taken as<br />
dependents. The new code provides that<br />
any individual can be claimed as a dependent,<br />
if such is the fact, provided the<br />
dependent is domiciled in the taxpayer's<br />
home. Dependents not residing in the home<br />
are still limited to the same close relationship<br />
as In the past.<br />
Death of spouse and rNCOME splitting:<br />
If an exhibitor's wife dies, he may continue<br />
to have the benefit of split-income<br />
taxation, as conferred on him by a joint<br />
income tax return. This benefit is available<br />
for two years but only if there are<br />
dependent children.<br />
Head of household: An exhibitor is now<br />
able to qualify as the head of a household,<br />
affording about half of the tax-saving<br />
advantages of a split-income tax return,<br />
if he supports a parent, even though the<br />
parent does not live with him. The fact<br />
of support, not the place of residence, is<br />
the controlling factor.<br />
Separate support: A court decree is no<br />
longer necessary to qualify payments made<br />
to a wife, provided they live apart and they<br />
do not file a joint income tax return. Such<br />
payments may be deducted by the husband<br />
and they are taxable to the wife. The separation<br />
agreement must be in writing and be<br />
signed subsequent to passage of the new<br />
law. Court ordered support payments, even<br />
in the absence of a divorce or written<br />
separation agreement, are also deductible<br />
if made after passage of the law. However,<br />
the court order must have been<br />
signed after March 1, 1954.<br />
ANOTHER MONTH'S TIME<br />
Piling deadline: Final date for filing Individual<br />
income tax returns on a calendar<br />
year basis has been pushed forward one<br />
month to April 15. and an additional<br />
month's time is also given those reporting<br />
on a fiscal year basis. Partnership returns<br />
are also due one month later than in the<br />
past.<br />
Declaration of estimated income tax:<br />
The Declaration of Estimated Income Tax<br />
form is also due on April 15 in.stead of<br />
March 15. However, the dates for quarterly<br />
installments on the estimated tax, after<br />
the initial filing and payment, remain the<br />
same: June 15, September 15 and January<br />
15. These are the dates also on which an<br />
amended estimate, if required by changing<br />
circumstances, must be filed.<br />
In addition to giving serious consideration<br />
to the possible tax implications In the<br />
tax law changes, an exhibitor should not<br />
neglect traditional .steps to insure that all<br />
expenses are reflected in his Income tax<br />
return. Every $100 of overlooked business<br />
expenses results in an additional Income<br />
tax bill of at least $20.<br />
New Anamorphic Lens Offered<br />
On a Time Payment Plan<br />
Vice-president Oscar Lightstone of<br />
S.O.S. Cinema Supply Corp. has posed a<br />
solution for small town and neighborhood<br />
theatres which lack the necessary cash<br />
to Install equipment for the new widescreen<br />
processes. S.O.S. is now offering<br />
its advanced anamorphic lens, the Cinematic<br />
IV, on time payments with a $200<br />
down payment.<br />
A special bonus Is also offered in the<br />
new S.O.S. plan. With every pair of<br />
The Cinematic IV anamorphic lens.<br />
Cinematic IV lenses purchased, the buyer<br />
is given $100 credit which may be applied<br />
to the prime lenses or to the price of any<br />
other equipment, at the time or in the<br />
future.<br />
Summing up the plan, Lightstone said:<br />
For the independent exhibitor to operate<br />
successfully, the Installation of anamorphic<br />
lenses Is a must. By eliminating<br />
the lai-ge initial investment, I feel that<br />
every theatre in the country can now afford<br />
to equip for Cinemascope and profit by<br />
increased returns at the boxoffice."<br />
The lens which S.O.S. is offering under<br />
the plan is adaptable to all processes including<br />
VistaVision, Superscope and Cinemascope<br />
as well as the standard ones<br />
thanks to its Micromatic control.<br />
The lightweight cast aluminum lenses<br />
may be installed or removed in a matter<br />
of seconds from all projectors. They are<br />
mounted in front of the objective lens by<br />
Universal adapter brackets. They are also<br />
said to give high quality screen images with<br />
the ultimate in steadiness due to the<br />
combination of a balance indicator and<br />
distortion controls with the coated, achromatic<br />
lenses.<br />
January 8, 1955 29
Fastest Switch<br />
In Soft Drink History<br />
63% more theatres<br />
now vending Pepsi than one year ago.<br />
The most profitable<br />
top quality cola line for you is<br />
m a^ndimCjjJl^<br />
30 The MODERN THEATRE SE(
N^^s^l^<br />
HITTING PROMOTIONS REBUILD SALES<br />
Ice<br />
Units, Special Displays and New Concessions Items Are Answer<br />
Loss of Patronage Due to TV and Change to Single Feature<br />
BBS<br />
items, self-service units<br />
promotion and display<br />
counteracted the original<br />
tronage and refreshment<br />
)ut by TV and a change<br />
re policy, for the Ever-<br />
Jokane, Wash.<br />
past the peak where TV<br />
he Inland Empire," Jack<br />
3en city manager, com-<br />
"We are now regaining<br />
d sales at our concession<br />
ihing their former high<br />
n Theatres, Spokane,<br />
three first run theatres:<br />
nd Orpheum. The Fox<br />
f the most outstanding,<br />
1 the Inland Empire area,<br />
lave, we feel, one of the<br />
irs in the Pacific Northi.id.<br />
"It is a de luxe model<br />
bar. We are planning<br />
other two Spokane theaate."<br />
selling too slowly, or they wished to close<br />
it out: merely placing it near the cash<br />
registers was all that was necessary to close<br />
out that item. Two cash registers are located<br />
at each bar, one near each end, thus<br />
facilitating<br />
service at the major break.<br />
Since the advent of the longer shows,<br />
and cutting down to one feature, the major<br />
break has been placed at the end of the<br />
feature. Hamaker advised. At the break<br />
at the Fox Theatre, five courteous, uniformed<br />
girls care for the bar. At that time,<br />
about 70 per cent of the sales are made.<br />
During the features one or two attendants<br />
care for the customers.<br />
A good .selection of the most popular<br />
G-cent and 12-cent bars, 15-cent packaged<br />
nuts and various packaged candies, such<br />
as Nestle's, Hershey kisses, etc., in aS to 40-<br />
cent units are placed on self-service<br />
shelves located near both cash registers.<br />
Other less popular items are in glass cases<br />
easily seen and readily available. The<br />
closed glass cases have a constant circulation<br />
of cold air which is quite an advantage<br />
in the summer, especially when chocolate-coated<br />
items are kept.<br />
Frozen candy bars and Bon Bons are<br />
placed on a self-service tray sunk slightly<br />
below the level of the bar. This tray was<br />
especially designed by the engineering division<br />
of Evergreen Theatres and then fabricated<br />
there specially for them. The unit,<br />
which is closed and used for storage space<br />
after shows, is set to keep its contents at<br />
15 degrees below zero.<br />
Bon Bons are very popular on the west<br />
coast, Hamaker advised. They sell at 10<br />
cents per package. Each package contains<br />
five units, consisting of vanilla ice<br />
cream balls with a thick, tasty chocolate<br />
coating. These are manufactured at<br />
Seattle, and released at Spokane by the<br />
Carnation Milk Co. Another popular item,<br />
also put out by Carnation, is the walking<br />
sundae. This walking sundae sells for 15<br />
Continued on following page<br />
SPONSIBLE FOR BARS<br />
ice cream, popcoi-n and<br />
srchandised at the Everthe<br />
firms merchandising<br />
le. This division, after<br />
; study of the popularity<br />
ars. soft drinks and packs<br />
those confections which<br />
the individual theatres,<br />
s at Spokane each order<br />
own candies and other<br />
the Seattle warehouse of<br />
eatres. The managers of<br />
te responsibility for the<br />
at their theatres. Jack<br />
at 6 cents and 12 cents<br />
l-known national brands<br />
sr said, "We feel that as<br />
IS possible brings greater<br />
ig department at Seattle<br />
le movement of all items<br />
liscontinues those which<br />
enough."<br />
that frequently when<br />
y bar. or other item, was<br />
Top shows are often incorporated into the backbar displays at the Evergreen Theatres. Here, at the Fox<br />
Theatre, Spokane, Wash., anchors, life belts and flags, obtained through the courtesy of the U. S. Naval<br />
Supply Depot, were utilized in an effective exhibit in connection with the advance promotion of "The<br />
Caine Mutiny." The de luxe bar features self-service candy, nuts and ice cream in addition to popcorn<br />
and beverages The candy case is air conditioned.<br />
luary 8, 1955 31
-<br />
"Starting a Museum?"<br />
''Going Into the<br />
Junk Business?"<br />
>» or //<br />
MGoin3 OrozyP<br />
These are typical comments made by<br />
theater people when they<br />
Manley's BIG trade-in offer.<br />
hear about<br />
They're all wrong. Manley is simply<br />
offering a special incentive to theater<br />
concession operators, as a part of their<br />
program to prove that a new modern popcorn<br />
machine will mean greater sales and<br />
greater profits. That's why Manley is<br />
offering exceptional trade-in allowances<br />
on old model machines. Manley knows<br />
that a modern, up-to-date Super Stadium<br />
popcorn machine will pay for itself in a<br />
short period of time. Why? Because you<br />
get better popcorn, greater popping volume,<br />
more repeat sales, u.se less supplies,<br />
handle big crowds faster and easier . . .<br />
all these things mean just one thing to<br />
you . more profit!<br />
. .<br />
Here's your chance to put a brand<br />
new model Manley popcorn machine in<br />
your concession stand. Act now! Write<br />
Manley direct or contact your Manley<br />
representative.<br />
HARD-HiniNG<br />
PROMOTIONS<br />
Continued from preceding page<br />
cents and is usually made up with chocolate<br />
or strawberry topping.<br />
Soft drinks are dispensed by a Selmi-x<br />
thi-ee-spout disp>enser in paper cups.<br />
Orange, grape and Pepsi-Cola are used at<br />
the bar. Until recently only 10-cent cups<br />
were sold, they were six-ounce cups.<br />
Recently large cups, 12-ounce, were sold<br />
for 20 cents and signs calling atteni<br />
the "thirsty customers" to this larg(<br />
were placed near the dispenser. Tl<br />
creased the sale of soft drinks by<br />
25 per cent.<br />
Three Spacarb, four-flavor selfunits<br />
are placed at strategic points<br />
theatre. Hamaker suggests that th<br />
placed singly, instead of in batteri<br />
the greatest effectiveness. Lime, roc<br />
Pepsi-Cola, and Dr. Pepper are u<br />
these dispensers. It has been foun<br />
orange in self-service units does r<br />
MANLEY SUPER STADIUM .<br />
. ideal for<br />
drive-in operations, has fast, big capacity<br />
to meet big demand in a hurry. The<br />
counter of this practically designed machine<br />
is low enough for over-the-counter<br />
service. Fits right into your present<br />
counter. Be ready to serve those big<br />
intermission crowds faster . . . and make<br />
more profits. Write today! Manley, Inc.,<br />
1920 Wyandotte St., Kansas City's, Mo.<br />
Address Dept. BO-155<br />
Evergreen Theatres never over/oo(c on opportunity for seasonal and holiday decorations. Autumn<br />
cornucopias and a tinsel canopy created a holiday mood, during the Thanksgiving season, at the<br />
sions bar of the State Theatre, Spokane. Note the sign promoting a king-size drink, at the lef<br />
have increased about 25 per cent since the 20-cent drink has been available.<br />
My, that popcorn smells good .<br />
let's go back oncf gef some!'<br />
.^„<br />
,.3^^^^^^^'<br />
OAiir<br />
WITH BUTTERLIKE FLAVOR AND AROMA<br />
BRINGS 'EM BACK EVERY TIME!<br />
Check the<br />
plusses<br />
of<br />
Popsit Plus}<br />
! bar<br />
, that<br />
lavors in the theatres,<br />
'heatres use pre-popped<br />
popped in their Seattle<br />
ect to each theatre in<br />
;d bags, assuring its<br />
)opcorn is usually re-<br />
11 heaters. The corn is<br />
cardboard boxes, speprinted<br />
for the individlich<br />
was recently intro-<br />
% a one-ounce shot of<br />
;ular 15-cent box and<br />
)r 25 cents. After the<br />
s idea sales of popcorn<br />
oximately 50 per cent.<br />
is displayed in an anilutter-R-Churn.<br />
A salt<br />
the popcorn, is greatly<br />
customers,<br />
be made to conform to<br />
theatre, Hamaker bele<br />
so attractive, and so<br />
there is no doubt<br />
Attractive backbar dis-<br />
1 evidence at the Ever-<br />
:luding special seasonal<br />
and backbar, such<br />
Easter, Christmas and<br />
p shows are often built<br />
le concession bar.<br />
lers, Hamaker suggests,<br />
ep the customers from<br />
hem. At the Fox Thea-<br />
Evergreen Theatres in<br />
Thii closeup of the<br />
concessions<br />
counter<br />
at the Fox, Spokane,<br />
shows how the face<br />
of the counter is<br />
utilized for displays.<br />
Hershey's kisses are<br />
shown on the top<br />
shelf of the left window,<br />
soft drinks at<br />
the bottom. In the<br />
right window case,<br />
walking sundaes are<br />
shown at the top,<br />
and ice cream Bon<br />
Bans below. The selfseryice<br />
tray for ice<br />
cream is sunk slightly<br />
below the level of<br />
the bar. It was designed<br />
by<br />
EYOrgreen.<br />
Spokane, eight different trailers are used<br />
and are changed each performance. These<br />
trailers are the attractive, animated cartoon<br />
typ>e.<br />
"The importance of the break cannot be<br />
overestimated," said Hamaker. "With the<br />
addition of self-service units, five girls can<br />
lake care of as many customers as could<br />
25 without those units. At that break<br />
over 50 per cent of our confection sales are<br />
made in five minutes."<br />
When asked about losses due to selfservice<br />
he said that the Fox Theatre, which<br />
grosses $250,000 per year on its bar, has<br />
approximately only $5 a week loss through<br />
pilferage. Weekly inventories are kept by<br />
each of the Evergreen Theatres on its merchandise<br />
and any leaks can be noted<br />
rapidly. If a higher loss than usual is noted,<br />
it is quite likely due to dishonest employes<br />
and can be controlled at that point.<br />
At special children's shows the higher<br />
priced units are placed in the glass cases<br />
away from the tiny hands. The 6-cent<br />
and 12-cent bars are left out, since they<br />
are the largest seller to juvenile customers.<br />
"Children have to be especially watched,"<br />
Continued on page 37<br />
Gives You All<br />
r<br />
Soda Bar<br />
The Drink Dispenser That<br />
These Outstanding Features<br />
Model ESB 33-A<br />
Red Dulux Body<br />
with Stainless Steel<br />
* THREE 2-GALLON SYRUP TANKS<br />
* POSITIVE CONTROL SYRUP FLOW<br />
* NEW, FAST-ACTING FAUCETS<br />
* PATENTED REFRIGERATED CARBONATOR<br />
r" • V2 H.P. HERMETIC COMPRESSOR<br />
l^S^ • ALL DRY REFRIGERATION<br />
* DUAL TEMPERATURE CONTROL<br />
* GREATER EYE-APPEAL<br />
''<br />
Chsck Thii Profit Story<br />
Model ESB 33-C<br />
All Stainless Steel Finish<br />
SODA BAR<br />
AREST DEALER<br />
If You Serve<br />
Bottled Drinks<br />
If You Serve<br />
Soda Bar Drinks<br />
tre Service, Inc.<br />
tre Service<br />
itre Supply<br />
rheatre Supply<br />
itrc Supply<br />
eatie Supply<br />
lance Equip. Co.<br />
tre Equip. Co.<br />
re Supply Co.<br />
Zo.<br />
Theatre Equip. Co.<br />
«re Supply Co.<br />
itre Supply<br />
itre Supply, Inc.<br />
Model ESB 33B<br />
Stainless Steel Dispenser,<br />
Red Oulux Base with Stainless<br />
Steel Capping<br />
Write Today for Complete Information<br />
EVERFROST SALES, INC.<br />
14815 S. Broodwoy— Gordeno, Colifornio<br />
You buy, store and cool<br />
30 cases of bottles<br />
to serve 720 drinks.<br />
Average cost<br />
per bottle<br />
5 Vic<br />
Handling, Icing,<br />
breakage, loss . . .l'/2C<br />
Cost Per Bottle<br />
7c<br />
Sales-720<br />
bottles® lOc. $72.00<br />
Cost of<br />
bottled drinks . . 50.40<br />
Your Profit $21.60<br />
720 drinks from a Soda<br />
Bar can be served from<br />
just 6 gallons of syrup.<br />
Cost of syrup<br />
per drink<br />
IVic<br />
Cost of CO, gas,<br />
electricity, wat er ViZ<br />
Cost per drink<br />
2c<br />
Sales-720<br />
drinks @ lOc. $72.00<br />
Cost of<br />
Soda Bar drinks 14.40<br />
Your Profit $57.60<br />
uary 8, 1955<br />
as
for<br />
there is<br />
Tomorrow's Flexibility...<br />
only V/ne anamorphic...<br />
th caa Lb CD XZ7<br />
ariable anamorphic lens<br />
e>rnterchangeable — the only lens tc<br />
fit both 2%" and 4" lenses . .<br />
.<br />
at the same Xow price!<br />
. . . plus<br />
the exclusive iPual Mmnot<br />
controls for perfect screen coverage<br />
Price includes .<br />
. .<br />
support brackets, storage<br />
case, corrector lenses one<br />
cleaning brush .<br />
. . truly c<br />
complete package.<br />
See Your Theatre Supply Dealer NOV<br />
YEARS OF SKILLED OPTICAL CRAFTSMANSHIP<br />
PROJECTION OPTICS CO.<br />
Wherever Fine Optics are Important<br />
330 Lyell Avenue Rochester 6, N. Y.<br />
34<br />
The MODERN THEATRE SE
I wont<br />
. ivuu^.1<br />
r^uTci&i^^u ii(<br />
New Equipment and news poges or for copies<br />
Literature listed herein — Use Postcards Below. BUKtAU<br />
NPMENT<br />
DPMENTS<br />
escription starting on page 49<br />
Ker<br />
Number<br />
P-1280<br />
apcrlure plate, which is avail:ihie<br />
the LaVezzI Maetiinc Woiks. does<br />
landling of two plate? at one time<br />
ovL'd and malies the cliances faster<br />
Xds designed for use on the Simplex<br />
WARI^ER<br />
P-12S1<br />
dri\e-in concessions patrons, the<br />
T requires no attention from the<br />
merely inserted into the device and<br />
temperature within a few minutes<br />
made of aluminum and Is controlled<br />
pacity of four large and two small<br />
1)11 Products Co., it operates on a<br />
X P-1282<br />
i up with a new floor wax which<br />
insects with self-polishing qualities,<br />
out last and out shine other wiues,<br />
wet moppings but can be easily<br />
tlon of soap and water. Another<br />
rsatlie wax is a non-skid property<br />
rs Laboratories.<br />
MACHINE<br />
P-12S3<br />
manufactured by the Von Scbrader<br />
theatre furniture and seats by dry<br />
3 the fabric with an electrically-<br />
:n removes it with an accomp.iuying<br />
ocess Is quick drying and mothproofs<br />
idditlve to the cleaning fluid. Tlie<br />
;t9 pounds and is mounted on ballcrgcr<br />
is designed for durability and<br />
ntee against defects.<br />
P-1284<br />
ies. Inc., is now offering a choice<br />
finished bronze wall urns to combat<br />
tlie problem of floor Utter In theatre lobbies and foyers.<br />
Tiic s:Mid-fiiled urns arc designed to fit any type of decorative<br />
scheme and are said to be easy to maintain. They are fitted<br />
to the walls by means of adhesives or bolts.<br />
COIVIPACT MULTI-DRINK DISPENSER P-1285<br />
.\\uililile in one, thtL'e or four-drink units, the ColeSpa<br />
Special made by the Cole Products Corp. Is said to be "the<br />
smallest multiple-drink cup machine ever made." Tlie stainless<br />
steel unit comes complete with drhik adjuster for<br />
determining the amount of syrup used and automaiic counters.<br />
Capacities vary from 830 druiks on the one-drink model to<br />
oier 1.500 on the other two. Tlie machine will serve either<br />
carbonated on non-carbouaied beverages and dispense them at<br />
a rate of one every five seconds.<br />
FORMFITTING THEATRE CHAIR<br />
P-12S6<br />
Tlic addition of a new line of theatre seats, the Pacemaker,<br />
li;is been luiiiounced by international Seat Co.. originators of<br />
all-stiel unit construction. Like the company's other chairs<br />
the I'accra.ikcrs arc constructed of steel throughout and are<br />
said to offer a deeper and better fitting uphoblery for the<br />
conifort of patrons. The construction Ls claimed to reduce<br />
costs and minimize errors during Installation.<br />
DOUBLE-BILL EXPLOITATION FRAME P-1287<br />
The itumar-Viiie Co. has designed and Is now producing a<br />
double-hilling frame to solve the problems that arise when<br />
c.^pioiiing a late booking. The new frame, the Duplex, will<br />
hold two Usl4-inch inserts as well as a 2x14 date strip.<br />
Cuii.^triirted of double-strength glass and stainless steel, the<br />
Duplex is SiUd to be weatherproof. E;ich friune conies with<br />
a guarantee.<br />
OZONE AIR CLEANER P-1288<br />
X sell-contained device designed for use with forced-air<br />
eirculatiug systems cleans the air by adding small amounts of<br />
ozone to It. .\ product of the General Ozone Corp., it attaches<br />
to the sidewall of heating-cooling equipment or on the suction<br />
side of an air duct. The ozoue which is added to the air<br />
deodorizes it by oxidizing foreign matter and is not noticeable<br />
if used In the proper proportions.<br />
ANIMATED DISPLAY SIGNS P-12S9<br />
Tile new animated display signs made by the Liquid Light<br />
Co. boast two qualities: eye appeal and durability. Eye appeal<br />
is achieved in the signs by using a constantly revolving drum<br />
uf six dllfercnt lights which are reflected through the Plexiglas<br />
letters on the message plate. I/ong life is assured by<br />
tlie use of IkMvy gauge metal and Plexiglas in the construction.<br />
TIic signs are finished In a silver hammertone for additional<br />
attraction.<br />
MOBILE FIRE-FIGHTING UNIT P-1290<br />
llic Crest Fire Knginette being marketed by Norpat Sales.<br />
Inc., is well-suited for use at drive-in operations. Biiuipped<br />
witii three different types of extinguishers and mounted on<br />
iO-lncii rubber wheels, the unit can be speedily taken to<br />
the most reoiolc corners of the drive-in area and used to fight<br />
all types of fire. Servicing of the equipment Is simple and<br />
can be handled by the members of the theatre staff.<br />
VERSATILE LANDSCAPING TOOL P-1291<br />
Scleral models of sickle bar moAcrs have been developed<br />
by Jari Products, Inc.. and are practical for use at drive-ins<br />
that have extensive lawns and landscaping to care for. The<br />
motor-driven units have varied uses and can be conierted to<br />
cultivators, snow plows, reel mowers and sprayers when needed.<br />
The larger machine has a floating sickle bar which adjusts<br />
to the ground surface to assure smooth and consistent cutting<br />
iierformance.<br />
LETiERATURE<br />
Briefed from the description on page 51.<br />
Key<br />
Number<br />
AUTOMATIC HAND DRYER STORY L-16S9<br />
A well-lllustratcd catalog Issued by tbe Electric Aire Curp.<br />
lulls the complete slory of the firm's h;ind driers. The<br />
literatuie Includes a variety of data ranging from tfte plarmlng<br />
of installations, architects' specifications, to the worklnfi parts<br />
of the different models. The two models discussed, one a<br />
recessed type and the other designed for surface mounting,<br />
feature two-year guarantees, variable air direction, lighted<br />
instructions, breakproof housing and other qualities.<br />
OUTDOOR WIDE SCREEN INFORMATION L-1690<br />
Mi(tioi;ra|)li, Inc.. is distributing a circular which offers a<br />
wea:th uf information about the installation of wide screens<br />
at drive-ins. It starts by listing the many reasons for Increasing<br />
the width of the screen. The technical problems of additional<br />
projection and sound equipment are discussed generally<br />
and speiilically in terms of the individual pieces of equipment.<br />
Tliough the material was prepared by Motiograph, it does not<br />
discuss its own equipment exclusively but offers data on that<br />
1)1' otlier firms.<br />
DATA ON SERVICE CONTRACTS 1-1691<br />
By means of a photograph-story, tbe Altec Service Corp. outlines<br />
the advantages available througli the service contract It<br />
ofiers theatrcmen. The company operating out of 31 branch<br />
ulTices throughout tbe nation handles problems of InstJillatlon,<br />
inspection, seriice and maintenance of sound equipment In over<br />
li.uUU theatres. According to the Information in the eight-page<br />
booklet, the service and protection are rendered by 200 field<br />
enguieers.<br />
COUPONS<br />
separate couipnient<br />
item,<br />
above) which<br />
for each Adside<br />
of this<br />
e<br />
more<br />
key number<br />
Tiber<br />
you
READERS' BUREAU<br />
A<br />
For literature on products advertised or mentioned in this issue,<br />
side of this sheet and read how to use the postcard coupons belov<br />
PRODUCTS ADVERTISED IN<br />
ADMISSION SIGNS<br />
Bowman, Edoar S 20-B<br />
THIS ISSUE<br />
APERTURES,<br />
PROJECTOR<br />
LaVe2zi Machine Works 48.A<br />
ATTRACTION BOARDS AND LETTERS<br />
Adier Silhouette Letter Co 27-B<br />
Wagner Sign Service Co 21-<br />
CANDY<br />
Henry Heide, Inc 37.A<br />
CANDY FLOSS MACHINES<br />
Concession Supply Co .38-E<br />
CARBON<br />
SAVERS<br />
Call Products Co 22-B<br />
CONCESSION CARTS<br />
Walky Service Co .3S-B<br />
CONCESSION EQUIPMENT, DRIVE-IN<br />
Concession Supply Co 3g.E<br />
Walky Service Co 3g-B<br />
DRINKS,<br />
SOFT<br />
Coca-Cola Co 2-A<br />
Pepsi-Cola Co 30.A<br />
DRINK<br />
DISPENSERS<br />
Everfrosl Sales, Inc 33.A<br />
DRIVE-IN<br />
PUNS<br />
Ballanlyne Co 47.A, 47-8<br />
FOUNTAINETTES<br />
Superior Refrigerator Mfg. Co. 3g-C<br />
HAND<br />
DRYERS<br />
Electric-Aire Engineering Co 51-B<br />
LAMPHOUSE<br />
BLOWERS<br />
Drive-ln Theatre Mfg 4g.B<br />
e
)MOTIONS<br />
Continued from page 33<br />
)inetimes I think that<br />
'St ones think that the<br />
,he show and just walk<br />
;r 40,000 TV sets in<br />
ist two years and the<br />
long feature have both<br />
I sales, Hamaker said,<br />
ising items and ideas,<br />
.ons, large soft drinks,<br />
pcorn. and large units<br />
;, this set-back is being<br />
ergreen Theatres.<br />
nal idea used has been<br />
under 12 years of age<br />
a parent, or parents.<br />
n many away from the<br />
'es.<br />
peration<br />
isiness at drive-in theafrom<br />
a pop and popa<br />
full-grown business<br />
int money can be made<br />
is operated and progent<br />
manner. The exh<br />
the problem of opern<br />
either with his own<br />
e concession out to a<br />
rienced<br />
sis.<br />
concessionaire<br />
Plan Aggressive Campaign<br />
To Promote Root Beer<br />
"The pillow fight is over" is the way<br />
Vice-President Barney Berns described the<br />
aggressive new advertising and promotion<br />
program initiated by Dad's Root Beer Co.<br />
Plans for<br />
the nationwide promotion got<br />
Barney Berns (right), vice-president of Dad's Root<br />
Beer Co., Chicago, and Howard Williams, president<br />
of Erwin, Wasey & Co., Dad's newly appointed advertising<br />
agency, discuss expanded merchandising<br />
program of the beverage company.<br />
under way w-ith the appointment of Erwin.<br />
Wasey & Co.. advertising agency, which<br />
will handle all phases of merchandising<br />
and advertising for the firm's own bottling<br />
plant, fountain flavor division and national<br />
iranchise bottling division. The newagency<br />
was selected because of its experience<br />
in the field of package goods and its<br />
conveniently located branches at New<br />
York, Chicago, Minneapolis, Oklahoma<br />
City and Los Angeles. The number and<br />
location of the offices will make it possible<br />
for the agency to aid bottlers throughout<br />
the United States.<br />
Several new product developments are<br />
expected to aid the drive for increased<br />
sales. One of the developments is the<br />
sugarless Dietricious Dad's root beer, made<br />
without sugar.<br />
Conviser Appointed<br />
Chairman<br />
TOA Concessions Committee<br />
Benjamin<br />
Conviser<br />
E. D. Martin, president<br />
of the Theatre<br />
Owners of America,<br />
has appointed Benjamin<br />
Conviser to serve<br />
as the national cochairman<br />
of the TOA<br />
concessions committee.<br />
Conviser is a<br />
vice-president and<br />
the general manager<br />
of the American Theatre<br />
Supply Corp. in<br />
charge of maintenance, construction and<br />
supplies including the candy and popcorn<br />
department. Members of the TOA committee<br />
are expected to be announced in a<br />
short time.<br />
IT with the public<br />
because of VARIETY of<br />
LICIOUS FLAVORS<br />
clear ATTRACTIVE COLOR!<br />
I<br />
all feature<br />
lary 8, 1955 37
See<br />
the
i<br />
, audio<br />
AND SOUND<br />
Series on Leading Sound Equipment<br />
^STEP SERVICING OF SOUND SYSTEMS<br />
intenance of Motiograph Sound Heads, Speakers, Pre-Amplifiers<br />
In this second<br />
ARTICLE on servicing<br />
leading sound<br />
systems, we will present<br />
some p>ertinent<br />
information on Motiograph<br />
sound syst<br />
e m s, particularly<br />
covering single, three<br />
and four - channel<br />
stereosound reproduction.<br />
With a<br />
limited amount of<br />
ch as a good multisignal<br />
gentest<br />
reel, 8,000 and<br />
s, good set of high re-<br />
!, plus good screwdriv-<br />
;tc., one can do connd<br />
keep the equipment<br />
ing condition,<br />
ment is<br />
very rugged in<br />
ill give many years of<br />
ovided parts are rehave<br />
become badly<br />
components are given<br />
tularly as per instrucdepartment.<br />
Condensormers,<br />
resistors and<br />
other components are of extra heavy capacity<br />
to take care of an overload, and the<br />
system is fully protected with fuses.<br />
In order to intelUgently service any<br />
sound system, a set of schematics is absolutely<br />
necessary; generally these are fui--<br />
nished with the equipment. While the<br />
writer does have schematics on every existing<br />
sowid system ]or theatres, they are tor<br />
his use only and cannot be sent out. Most<br />
manufacturers are glad to furnish these<br />
on request; also, very necessary are voltages<br />
used at tube elements, etc.<br />
ADJUSTING SOUND HEADS<br />
MAGNETIC REPRODUCER—Let us fii'st<br />
start with the sound head adjustments.<br />
Sound heads are very cai-efully adjusted<br />
at the factory but in shipping they may,<br />
sometimes, get slightly out of adjustment,<br />
which will mar reproduction.<br />
Adjusting magnetic head—this sound<br />
head should be adjusted as per instructions<br />
given in column two, page 42, Modern Theatre,<br />
issue December 4, 1954. To repeat<br />
the same instructions here would be a<br />
waste of space that we can use to tell you<br />
about some other details regarding this<br />
equipment.<br />
The filter mechanism uses the tight loop<br />
system having two impedance drums and<br />
flywheels. The filtering effect is provided<br />
by two damping rollers on the ends of<br />
long arms which pivot on shafts and housing<br />
assemblies and which are especially<br />
fitted and lubricated with low viscosity oil.<br />
This condition is quite capable of reducing<br />
the flutter content to a very low level.<br />
These components should be checked at<br />
regular periods to see they are operating<br />
correctly so there will be practically no<br />
flutter content in the sound reproduction.<br />
cerned. As you probably know, this<br />
sprocket does the puUing and must be kept<br />
in good condition, absolutely free of undercutting.<br />
As soon as any of these sprockets<br />
shows considerable wear, it should be replaced.<br />
Any ii'regular motion or flutter in the<br />
movement of the upper feed sprocket will<br />
increase the amount of flutter elimination<br />
to be done by the filter system. The use<br />
of a stroboscope is recommended if any<br />
unusual flutter condition exists. Engineers<br />
use a stroboscope for checking flutter.<br />
We have known of very bad flutter<br />
caused by badly bent exchange reels in the<br />
upper magazine, and often it has been<br />
traced to the scraping of the reel against<br />
the magazine body. A Motiograph engineer<br />
made a special trip of 400 miles (the<br />
writer made a trip of over 200 miles) to<br />
discover this very trouble—projectionist<br />
Continued on following page<br />
Motiograph penthouse reeen<br />
threaded in the sound<br />
lould be threaded lor best<br />
the pad rollers are unusual<br />
b in both open and closed<br />
t easier for threading, etc.<br />
ic material has been used<br />
his sound head. All rollers<br />
e of aluminum and mounted<br />
g long wear. The 32-tooth<br />
ilt up" type and only the<br />
tgnetic material. The tooth<br />
gn and of the "fat" tooth<br />
ost satisfactory. The mag-<br />
? Don't make any adjustre<br />
the component requires<br />
ions given in last month's<br />
adjusting rollers, head, etc.<br />
ALIGN REPRODUCERS CAREFULLY<br />
Penthouse or button-on" reproducers<br />
are mounted between the top magazine and<br />
the mechanism head. They should be carelully<br />
aligned so the film wOl travel in a<br />
straight line down from the top magazine,<br />
sound head, projector mechanism, down<br />
through the optic sound head and lower<br />
magazine. Due to the fact that the picture<br />
projector mechanism pulls the film down<br />
through the magnetic reproducer, the perfect<br />
performance of the latter wiU strictly<br />
dep>end to a certain extent upon the condition<br />
.of the projector mechanism. There<br />
should be a minimum of wear and backlash<br />
in the mechanism gear train, especially as<br />
far as the upper feed sprocket is con-<br />
The interior of Motiograph sound system, model<br />
S3 and S4, three-channel and four-channel. Principal<br />
features of this system are the plug-in amplifiers,<br />
volume control, only two tube types which promote<br />
ease and economy of maintenance. All the<br />
components, as you will note, are easy to get at<br />
and service. A defective unit can be quickly removed<br />
and repaired, or a new one easily installed<br />
while a defective unit is repaired. The circuit is not<br />
complicated, making it very easy to trace for<br />
trouble with your ohmmeter or multimeter.<br />
Voltages,<br />
very important in good sound reproduction, can be<br />
checked quickly. Also, tubes can be quickly removed<br />
for checking in a good tube checker. See<br />
that all plug-ins fit tightly, the vacuum tubes fit<br />
tightly in socket, and be sure to keep tube prongs<br />
bright and all other components free of dust and<br />
carbon dust.<br />
Follow servicing as outlined in previous<br />
articles in this department on audio amplifiers.<br />
ary 8, 1955 39
40 The MODERN THEATRE S<br />
SERVICING<br />
SOUND SYSTEMS<br />
Continued from preceding page<br />
using exchange reel that was badly bent,<br />
or the reel scraping against the sides of<br />
the magazine. Other engineers have had<br />
the same headache when this could have<br />
been avoided by the use of good house<br />
reels and not exchange reels. Never use a<br />
reel that is not in good condition.<br />
With many leading projector manufacturers,<br />
the practice is to supply extra-wide<br />
magazines which is one method o/ correction<br />
for the above trouble. Motiograph<br />
supplies extra-wide magazines with all<br />
its<br />
projectors. The company incorporates an<br />
upper reel shaft tension device and a fully<br />
enclosed takeup that will, aft^r initial<br />
setting, stay correctly adjusted for years.<br />
Many of the other leading manufacturers<br />
also equip their upper and lower magazines<br />
with devices that maintain correct<br />
upper reel tension and perfect takeup tension<br />
which once properly adjusted by the<br />
installer, will give trouble-free operation<br />
for many years. The only maintainence is<br />
keeping them clean and lubricated as per<br />
instructions by manufacturer.<br />
ADJUSTING PAD ROLLERS<br />
The pad rollers are unusual in design<br />
and will latch in both open and closed<br />
positions, making threading easier for the<br />
projectionist. If these should need adjusting<br />
anytime, it is a very simple procedure,<br />
spacing is<br />
adjusted with three thicknesses<br />
lin most heads, two) of film. They<br />
should be kept cleaned and run freely.<br />
A very excellent feature of this sound<br />
head is a pivoted idler roller provided to<br />
reduce the danger of film breaking when<br />
starting projector.<br />
In order to assure perfect synchronization<br />
between picture and sound the lower<br />
idler roller is adjustable, making it possible<br />
to obtain the necessary 28 frames separation.<br />
This is generally always adjusted<br />
when the sound head is installed and no<br />
further adjustment will be necessary.<br />
MANY IMPROVEMENTS MADE<br />
The Motiograph 910-D is the modified<br />
p)enthouse reproducer which is equipped<br />
with a "pull away" plug for the magnetic<br />
head, and a changed position of the terminal<br />
strip to simplify wiring, for single<br />
or four-channel stereosound. Many other<br />
improvements have been made in this head<br />
to assure easier threading, cleaning and<br />
servicing of the various components. The<br />
interior should be cleaned every day. The<br />
sprocket should be cleaned with a stiff<br />
bristle tooth brush: the pad rollers should<br />
be checked daily, and the stabilizers should<br />
be inspected for correct operation.<br />
The four-track magnetic head has a<br />
nominal impedance of 30 ohms for each<br />
section, an inductance of 35 millihenries<br />
per section, and is assembled in a mu-metal<br />
shield to prevent noise pickup. This pickup<br />
head should be kept free of any lint and<br />
dust accumulation. Use only a lintless<br />
clean cloth and a soft bristle brush for<br />
cleaning magnetic heads.<br />
^GND<br />
A<br />
EXCITER<br />
MOTIOGRAPH OPTICAL SOUND HEAD U^^ED IN CONJUNCTION WITH<br />
STEREOSOUND SYSTEMS<br />
FRAME OF SOUND HEAD<br />
LAMP<br />
/<br />
D C FROM EXC LAMP POWER SUPPLY<br />
CATHODE<br />
(light sensitive plote emits<br />
90V<br />
f /"<br />
D. C. VOLTAGE<br />
(approx. 90 voUs) from preamptifier<br />
to establish photo<br />
cell current<br />
electrons<br />
/ / /<br />
Steody light beam<br />
LENS<br />
ELEMENTS<br />
SLIT \<br />
LENS AND SLIT ASSEMBLY<br />
Fluctuating light beam ofter<br />
passing through sound track<br />
PHOTO CELL<br />
"-r<br />
CORE<br />
FILM<br />
LENS AND MIRRORS T<br />
DIRECT LIGHT TO<br />
PHOTO CELL<br />
RELAY LENS TO FOCUS<br />
LIGHT ON PHOTO CELL<br />
ANODE (collector for electrons<br />
emitted by cothode)<br />
Coupling<br />
Resistonce<br />
Signol<br />
Voltage<br />
4<br />
Current through photo cell (fluctuating in accordance with<br />
light beam intensity variotions) flows through coupling<br />
resistance, thus developing signal voltoge varying in some<br />
manner.<br />
V<br />
Shielded lead (coaxial<br />
coble) carrying signal<br />
voltage to amplifier<br />
system<br />
This is a drawing of a typical wiring layoirt and components of a modern sound head, varying<br />
of course, in different makes. This is a Mirrophonic reproducer (sound head). The purpose<br />
drawing is to illustrate the arrangement of the various components and the wiring of the pi<br />
shielded cable, and the wiring of the exciter lamps. (Note: Not all sound heads use a rest:<br />
are wired via transformer, direct, etc.) We would like to point out here it is important t<br />
exciter lamps be kept correctly adjusted and replaced when they become blacken^sd, and they<br />
be kept clean and free of oil; oil should be kept off the shielded cable and photocell. All com<br />
should be electrically firm and clean at all times. Oil and dirt should be kept off of soui<br />
surfaces. Clean every day with lens tissue.<br />
The height of this sound head is 7'2<br />
inches at the front and it tapers off to<br />
^V4 inches at the rear. It can be installed<br />
on any other make of projector very easily,<br />
with only some small modifications.<br />
A small compass can be used to detect<br />
the magnetization of any projector or<br />
sound head pai-ts that could cause trouble<br />
in the sound or damage the recording on<br />
the magnetic tracks. The magnetic head<br />
is a four-track assembly designed to scan<br />
one 29 mil and three 63 mil tracks. Number<br />
4 is the 29 mil or sound effects track<br />
and when used delivers sound effects for<br />
the auditorium speakers. Single track<br />
operation uses the 63 inil track.<br />
NOTE—The operation of the flutter filter<br />
unit depends upon the proper assembly<br />
and adjustment of the damping arm assemblies,<br />
especially the shaft and housing<br />
assemblies which allow arms to pivot. During<br />
assembly these parts are honed together<br />
to insure proper surfaces an<br />
cated in such maruier as to excl<br />
from the assembly and keep the sh<br />
ervoir permanently full of oil. N<br />
lubrication is needed for at least o:<br />
When new oil is required, use only<br />
graph selected oil known as part I<br />
i<br />
It is possible any magnetic sour<br />
and the projector mechanism wil<br />
times become magnetized, possibly<br />
inadvertent contact with magnetic<br />
because some of the projector or m<br />
parts are highly magnetized, part<br />
when the equipment has been wo:<br />
with a screw driver or some othe<br />
A magnetized sound head will a<br />
increase in background noise, and<br />
bination with certain other condil<br />
the sound track may produce a bad<br />
noise sounding like a swarm of bi<br />
careful handling of magnetic-recorc<br />
and frequent checking of your soun
. Motiograph<br />
»und head and magabe<br />
avoided.<br />
i<br />
demagmetizing<br />
personal opinion that<br />
)ry degausser<br />
any make of<br />
e Motiograph SE-7625<br />
3ly a voltage from zero<br />
J5 volts across the head<br />
)tentiometer, and then<br />
al back to zero. This<br />
;d on each head and as<br />
,0 discomiect the head<br />
of the circuit, it makes<br />
1. The amplifier must<br />
ig this operation. This<br />
ilso supply considerable<br />
demagnetize projector<br />
d parts.<br />
) Projectionists—Never<br />
: head with a piece of<br />
'<br />
highly magnetized as<br />
lough of the magnetic<br />
1 to cause considerable<br />
found several recent<br />
of trouble in the field<br />
!<br />
.<br />
corded films away from<br />
generators and other<br />
t. Rewinding should be<br />
void damaging track or<br />
)f caution about using<br />
Is and never to try using<br />
)iscard any house reel<br />
ontinued on following page<br />
i^g^l<br />
. . . And there are millions like them<br />
throughout the country<br />
No question about it: "movies tonight"<br />
is a favorite American tradition —<br />
and every exhibitor wants to keep that tradition<br />
going strong! Best u^ay to do this is<br />
by making and keeping your theatre genuinely<br />
inviting for all patrons. Its appearance<br />
... the comfort it<br />
provides ... the<br />
modern equipment it has to show the exciting<br />
new picture techniques — all are vitally<br />
important when putting out the welcome<br />
mat.<br />
Check ijour theatre for all<br />
the features<br />
that make it inviting. Then check<br />
NATIONAL THEATRE SUPPLY for any<br />
equipment<br />
requirements.<br />
ws (he latest "Voice ol the<br />
speaker unit, with high and<br />
distributes sevdepending<br />
on the size of<br />
je auditorium requires more<br />
ier to obtain complete coverrnonce<br />
required is an occairing,<br />
routine cleaning of the<br />
cause these are placed back<br />
?oson (o forget them and let<br />
late, thereby causing damage<br />
s.<br />
Whsfevet yout need,<br />
ijOQ e$n ^ef if horn . .<br />
ATIONAL<br />
THEATRE SUPPLY<br />
Oivitien el Nolionol • Simples • Bludwerlh. Inc.<br />
luary 8, 1955 41
SERVICING<br />
SOUND SYSTEMS<br />
Continued from preceding page<br />
that is not in good condition. You will<br />
seciire better sound reproduction, avoid<br />
"flutter" and other troubles.<br />
Motiogi-aph manufactures equipment for<br />
the reproduction of single optical, single<br />
and four-channel magnetic and Perspecta<br />
sound recording. Models range from 20, 40,<br />
75 and 150 watts of power output. The<br />
writer has serviced and inspected all the<br />
various models of sound and projection<br />
equipment and found it very rugged in<br />
construction, delivering excellent sound reproduction,<br />
both optical and magnetic: the<br />
projectors and arc lamps giving long service<br />
and fine projection in every respect.<br />
Sound equipment is also manufactured<br />
for drive-in theatres for the reproduction<br />
of optical sound prints. By the addition<br />
of penthouse reproducers, and additional<br />
preamplifier and switching apparatus, all<br />
systems can also be modified to reproduce<br />
single and foiu--track magnetic sound at<br />
a very reasonable outlay of money. The<br />
multiple amplifier systems are best suited<br />
for drive-in theatres of from 250 to 850<br />
cars, as the exhibitor can obtain emergency<br />
faculties at a lower cost in this type<br />
of system.<br />
Data on the S3 and S4 Systems—The S3<br />
system is provided with three amplifier<br />
channels and the S4 system has an additional<br />
fourth channel for amplification of<br />
the auxiliary or effects track. Each channel<br />
contains the preamplifier and equali-<br />
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For all exhibitors -<br />
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miss these new FAST<br />
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SUPER SNAPLITE<br />
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Send for Bulletin 222<br />
kolla\oim;cn<br />
Plant: 347 King Street<br />
Northampton, Massachusetts<br />
NEW YORK OFFICE:<br />
YOU can BUY<br />
coitroirATioK<br />
30 CHURCH STREET, NEW YORK 7, N. Y.<br />
zation necessary for magnetic repro'<br />
and the power amplifier stages nee<br />
to drive theatre speakers. The am<br />
channels, a single power supply, all o<br />
ing controls, and relays for changeov<br />
tween two magnetic reproducers ar<br />
tween magnetic and optical sound 1<br />
are all contained in a single cabinet<br />
cabinet may be floor or wall mountt<br />
cording to space available in pro;<br />
room. AU controls and indicator ligl<br />
contained on a sloping top panel, the<br />
layout making it very handy to opera<br />
see for the projectionist. Tubes, coi<br />
ers, resistors, transformers and othei<br />
ponents are very easy to get at and s<br />
ONLY TWO TUBE TYPES<br />
Features which promote ease and<br />
><br />
omy of maintenance are the use c<br />
two tube types in the amplifiers (<br />
for the fourth channel which uses ar<br />
tional 12AT7 typei, and the emplc<br />
of plug-in construction so that each<br />
fier channel may be quickly remo<br />
replaced as a single independent u<br />
spare amplifier should be kept on h<br />
case of trouble in any one of the arr<br />
units. The amplifiers are mounte(<br />
aU wiring, components and controls<br />
the front of the cabinet. Tubes n<br />
serviced by loosening a thumb-sere<br />
connecting the input and gain<br />
plugs, and swinging the amplifier fc<br />
When the single bracket that clam<br />
amplifier to its mounting-rod is rt<br />
and the power and output wiring c<br />
tors are loosened, the amplifier n<br />
lifted out of cabinet. All amplifie<br />
power supply may be removed easily<br />
projectionist for servicing or a good<br />
ing of all the components.<br />
In this<br />
CAN OBSERVE TUBE OPERATION<br />
model the power rectifier<br />
three rectifier tubes, 5U4G, are pic<br />
the bottom, of the cabinet behind a<br />
on the front panel. The operation<br />
tubes may be easily obseiwed withoul<br />
ing the cabinet. In order to keep th<br />
'<br />
ages at recommended value at the<br />
tube elements and points in the cir<br />
the power and preamplifier, it is ve<br />
portant that you check, in a goo<br />
checker or by your local radio servi<br />
all rectifier tubes at least every<br />
three months. It is also importar<br />
filter condensers, etc., in power sui<br />
kept in good condition and replace<<br />
they become defective or have been i<br />
ice a long time.<br />
Another very nice feature of th;<br />
ticular model: it has been designed t<br />
addition of the fourth channel at ai<br />
after original installation. It can b(<br />
installed and electrical connectio<br />
simple to make. It contains, in add<br />
switching circuit to control speaker<br />
tlon from a 12KC signal on the<br />
sound track and filters to remc<br />
12KC signal from the audio outpu<br />
fourth channel amplifier is ident<br />
size, mounting arrangement, and eli<br />
connections with the other three.<br />
The use of low-noise tube types<br />
42 The MODERN THEATRE S:
: or<br />
ST 10 STEREOPHONIC KIT— SINGLE CHANNEL SYSTEM FOR ONE MAGNETIC TRACK<br />
NOTE— SWITCH SUCH AS SE 7621 OR SE 7624 iWHICH INCLUDES MA 2690<br />
TRANaFORMERi CAN BE USED TO SWITCH FROM OPTICAL TO<br />
MAGNETIC SOUND<br />
stages, also provision of<br />
ed controls for adjust-<br />
1 equalization in each<br />
important features in<br />
system for better sound<br />
is suggestion for better<br />
lect only well-known<br />
)r send direct to your<br />
es the sound system you<br />
)es. as he will send you<br />
rays keep a fuU set of<br />
1 for the amplifiers and<br />
TO REGUUR AMPLIFIER<br />
SYSTEM (See Notel<br />
INCLUDES SINGLE PREAMPLIFIER,<br />
POWER SUPPLY, CHANGEOVER, AND<br />
MUTING RELAY<br />
REQUIRED TO WORK INTO HIGH<br />
IMPEDANCE AMPLIFIER<br />
center and right channels from monitor<br />
terminals of the system. The use of<br />
building-out resistors in the switching circuit<br />
for "AUD" and "ALL" positions of the<br />
monitor selector necessitates a highimpedance,<br />
or bridging typ^e. monitor amplifier<br />
in these positions. We have found,<br />
for very best results, use of an amplifier<br />
such as the Altec A-336-A amplifier supplied<br />
with the 625 monitor speaker is<br />
recommended<br />
by the manufacturer.<br />
May we point out here, for your information,<br />
building-out resistors on the<br />
monitor selector switch are of such value<br />
that monitoring level wlU be approximately<br />
the same in all positions of the selector, for<br />
a monitor amplifier input impedance<br />
greater than 10,000 ohms, and for 16 ohms<br />
output impedance of the stereophonic<br />
channels and 70-volt Une connection of<br />
the auditorium effects speakers channel.<br />
System Changeover—This equipment has<br />
a rapid changeover between the stereophonic<br />
system and existing optical track<br />
amplifier. A momentary-contact turn or<br />
rotary switch with associated neon indicator<br />
light is provided to or>erate a latching<br />
type relay which opens all loudspeaker<br />
lines from the stereosound system amplifiers<br />
and connects the output of the existing<br />
house system to the center stagespeaker<br />
line.<br />
It may be found necessary in some cases<br />
to adjust contacts on the muting relay<br />
for closer spacing to prevent audible clicks<br />
when switching from optical to stereosound<br />
system. This is to ensure that the muting<br />
relay contacts will be closed before the<br />
speaker lines are reconnected to the stereosound<br />
amplifiers. We have found this adjustment<br />
has had to be made in several<br />
installations and is not too difficult for the<br />
projectionists to do. Contacts should be<br />
kept free of any dust or carbon dust. etc.<br />
As with all sound systems, all the electrical<br />
connections should be made firm,<br />
plug-ins should fit snugly, connections on<br />
terminal strips should be carefully made<br />
Continued on page 47<br />
1 ADJUSTMENTS<br />
screw-driver operated<br />
ing sound level on your<br />
ince you make this ad-<br />
; to data given in this<br />
lonth. and in previous<br />
rHE.ATFE, do not disturb<br />
:ain until you are sure<br />
;g. Too many times in<br />
Lve checked sound syse<br />
adjustments were innd<br />
the entire system<br />
se the projectionist did<br />
he read in this depart-<br />
1 booklet, how to make<br />
rhe master stereosound<br />
s of thi-ee, 2 db per step,<br />
itiometers. ganged to-<br />
,rol may be easily re-<br />
replacing. Connecare<br />
made through short<br />
in plugs to mate with<br />
mplifier chassis. A high<br />
entiometer is used for<br />
urth-channel gain con-<br />
;em. and it is similarly<br />
aplifier.<br />
saker selector switches<br />
minals at the bottom of<br />
her one of the three<br />
lel outputs, to the outchannel,<br />
or to all four<br />
ously. A low impedance<br />
ed to monitor the left.<br />
A RESEARCH BUREAU<br />
The MODERN THEATRE PLANNING INSTITUTE<br />
825 Van Brunt Blvd.<br />
Kansas City 24, Mo.<br />
Gentlemen:<br />
for MODERN THEATRE PLANNERS<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
^-^-^^<br />
Please enroll us in your RESEARCH BUREAU to receive information regularly, as<br />
released, on the following subjects for Theatre Planning:<br />
n Acoustics<br />
n Air Conditioning<br />
Architectural Service<br />
n "Black" Lighting<br />
n Building Material<br />
n Carpets<br />
n Coin Machines<br />
n Other Subjects<br />
Complete Remodeling<br />
n Decorating<br />
Drink Dispensers<br />
Drive-In Equipment<br />
Lighting Fixtures<br />
n Plumbing Fixtures<br />
n Projectors<br />
Theatre Seating Capacity<br />
Address<br />
City..<br />
Signed .<br />
State<br />
Projection Lamps<br />
Seating<br />
Signs and Marquees<br />
n Sound Equipment<br />
Television<br />
n Theatre Fronts<br />
Vending Equipment<br />
(Owner-Manager)<br />
lary 8, 1955 43
iN-CAR HEATERS WIN HEAVY PATRONA<br />
New Half-Million-Dollar Toledo Drive-in Installed 1,200 Heaters;<br />
Found a Ten-Cent Charge Inadequate, So Increased to<br />
25-Cents<br />
4-<br />
The functional "pin-typt<br />
struction of the screen t<br />
the Miracle Mile Drive-ln<br />
Toledo, Ohio, also creates<br />
tiful effect in light and<br />
The screen itself is of Mai<br />
wood which was painted<br />
patrons haye told the r<br />
"is very beautiful." The hi<br />
marquee, adjoining the i<br />
an unusual design, is 57 f<br />
and 38 feet high. As may I<br />
by the door in the base<br />
screen tower, there is am^<br />
for storage of supplies an<br />
tenance<br />
equipment.<br />
\^ Hio's FIRST DRIVE-IN theatre<br />
equipped with in-car heaters for yeararound<br />
operation, the Miracle Mile, opened<br />
in Toledo late in November and has been<br />
patronized so heavily that it has been<br />
necessary to turn patrons away from the<br />
completely filled ramps.<br />
The in-car heaters, which operate off the<br />
speaker stands, are provided for 1.200 cars<br />
in the 1.500-car drive-in. and if demand<br />
increases will be supplied for all.<br />
HEATERS GIVEN<br />
OUT AT CONCESSIONS<br />
Brass heater tags are issued to all cars<br />
at the boxoffice. and the heaters are given<br />
out at the concessions stand upon presentation<br />
of the tags. When patrons leave, they<br />
cither surrender the tag or the heater at<br />
the exit.<br />
The management first tried issuing the<br />
heaters at the boxoffice. but found that it<br />
created more confusion and traffic delays<br />
than the present method of giving them<br />
out at the concessions stand. F\irther, the<br />
concessions business benefits by the trip to<br />
the stand for the heater.<br />
A charge of 10 cents was made for the<br />
heaters, but this proved insufficient to<br />
cover the cost of personnel and operation,<br />
and beginning the first of December the<br />
theatre began advertising that the charge<br />
would be 25 cents beginning January 1.<br />
This new and elaborate drive-in is one<br />
of but four such theatres east of the Mississippi<br />
and north of the Mason-Dixon Line<br />
now operating 12 months in the year, it is<br />
believed.<br />
To assure the theatre being the most<br />
modern possible, plans were changed several<br />
times during construction to enable<br />
the builders to take advantage of new and<br />
improved equipment and ideas.<br />
The present facilities for 1,500 cars will<br />
be increased to 1,870 cars in the spring,<br />
making it among the largest in the United<br />
States.<br />
Costing in excess of $500,000. the new<br />
drive-in is located on Toledo's new "Miracle<br />
Mile," almost directly across from a new<br />
$20,000,000 shopping center now being built<br />
on Jackman and Laskey roads, west of the<br />
city. It is owned by the Glass Mile Drive-In<br />
Theatre, Inc., and managed by Theatre<br />
Operating Co., both of Toledo. Al Boudouris.<br />
owner of the latter company<br />
neered and installed the projection,<br />
and field equipment.<br />
The theatre was completed 14 wee<br />
two days after ground was broken<br />
i<br />
21 days of rain that prevented any i<br />
work.<br />
DOUBLE RAMPING IN THEATRE<br />
The Miracle Mile provides double<br />
ing to bring all cars closer to the<br />
than ever before possible, and is eq<br />
with highway-type maintenance equi<br />
for snow removal in winter.<br />
The curved screen tower was de<br />
for the presentation of all the new<br />
screen projection processes, the sen<br />
self being 60x120 feet. With the pro,<br />
booth 425 feet from the screen, it<br />
of the longest projection throws :<br />
country.<br />
The screen tower consists of si?<br />
frames set in nine bases and is of the<br />
type" construction w^ith pipes of te:<br />
diameter imbedded in concrete. It<br />
signed to withstand wind stress up<br />
44 The MODERN THEATRE SE
, building<br />
; crowded<br />
fact, towers of identical<br />
?sign withstood all three<br />
which swept the east<br />
;e and exit, the Miracle<br />
Kjxoffices<br />
strategically<br />
six entrance lanes intwo.<br />
There are 12 exit<br />
le four which are com-<br />
57 feet long and 38 feet<br />
?e design is modern in<br />
s an angled pylon which<br />
!hts.<br />
is 92x90 feet,<br />
cafeteria-style. It is<br />
itest stainless steel units<br />
and. with four cashiers<br />
die in excess of 3,800<br />
It will be operated by<br />
Co.<br />
.E ENTRANCES<br />
istile entrances require<br />
back along the conces-<br />
When<br />
.ting longer lines.<br />
patrons are<br />
three times, creating an<br />
z that speeds service,<br />
nute" impulse racks loers'<br />
stands are used to<br />
candy and cigars only,<br />
has found that this<br />
ying these items has<br />
f these items over ordijndling<br />
them.<br />
>o houses the projection<br />
loms. The latter are<br />
lewest and most modern<br />
.iences and are finished<br />
e entire building has a<br />
ich took six weeks to<br />
th a crew working seven<br />
OPHONIC SOUND<br />
projection and sound<br />
istalled. This includes<br />
projectors: high fidelity<br />
1, Super 135 projection<br />
pere selenium rectifiers,<br />
r objective lenses and<br />
morphic lenses,<br />
,ts of undistorted audio<br />
; to the three-unit, high<br />
lie sound speakers from<br />
ch were specially modid.<br />
A specially designed<br />
rack was used for the<br />
to get patrons to the<br />
irly is the exhibition of<br />
irtoons before regular<br />
lall 8xl2-foot screen in<br />
sions building. These are<br />
or children is planned<br />
size of the Miracle Mile<br />
lad from the following<br />
I<br />
22-acre site about four<br />
ontinued on following page<br />
Liary 8, 1955 45
IN-CAR HEATERS WIN PATRONAGE<br />
Continued from preceding page<br />
THE<br />
ASHCRAFT<br />
HYDRO-ARC<br />
designed to produce<br />
MORE LIGHT at LESS COST<br />
than any Suprex Lamp. It is the most<br />
economical and high-powered lamp for<br />
SMALL and MEDIUM<br />
DRIVE-INS<br />
We recommend the HYDRO-ARC for<br />
drive-in screens from 40 to 57 feet wide.<br />
s ASHCRAFT MANUFACTURING<br />
36-32 Thirty-Eighth Street Long Island Ciry 1, N. Y.<br />
miles west of Toledo on a highly traveled<br />
highway which is expected to be made into<br />
a six or eight-lane expressway in the near<br />
future.<br />
There were 5,000 yards of concrete and<br />
25,000 yards of stone used in its construction.<br />
If 190,000 feet of underground wiring<br />
used were converted into 14-gauge wire it<br />
would amount to 10,000 miles, enough to<br />
cro.ss the United States three times.<br />
When the theatre is in full operation, the<br />
connected electrical load is equal to that<br />
used by the city of Maumee, population<br />
6,000, located just southwest of Toledo.<br />
SPECIAL PRE-OPENING PROMOTION<br />
Pre-openlng promotions, included the<br />
specially prepared comic book which was<br />
mailed to 60,000 Toledo homes: a saturation<br />
campaign on both radio and TV: bus<br />
cards: bumr>er strips: downtown window<br />
displays of the equipment being used:<br />
various hand-outs and even a Santa Claus<br />
"arriving early so he wouldn't miss the<br />
grand opening" working the downtown<br />
streets. Full page newspaper ads were also<br />
utilized.<br />
Boudouris, who will operate the Miracle<br />
Mile, operates five other drive-in theatres<br />
in Ohio.<br />
i^jMrW<br />
jHUltillH mvi ^*«m<br />
This view of the Miracle Mile Drne-ln<br />
shows the 92x90-foot concessions and p<br />
building in the distance. In the foregn<br />
speaker stand with electrical outlet for h<br />
seen. The theatre is surfaced at presen<br />
regular highway berm mix of crushed st<br />
stone dust. Later it will be macadamized.<br />
Most Economical,<br />
Compact Stereophonic<br />
In-The-Car Speaker!<br />
CREDITS: Amplifiers: Century • Changeable<br />
Letters: Wagner • Drink dispensers: Carbonic •<br />
InCar Heaters: Arvin • Lamps: Strong • Lenses:<br />
Kollmorgen and Bausch & Lomb * Marquee: Dickey<br />
Advertising Service • Popcorn mochine: Manley •<br />
Projection and Sound: Century • Rectifiers: Strong<br />
• Screen paint: Unimex • Screen tower: Selby •<br />
Stereophonic speakers:<br />
Eprad.<br />
The marquee of the Miracle Mile is impi<br />
night. The angled pylon at the right, whicf<br />
is solid, appears only in outline when illi<br />
THE<br />
LOW-COST EPRAD<br />
"STEREO 2 -Only S12.00<br />
With the new "Stereo 2" you con give your<br />
patrons Stereophonic Sound effects — ECO-<br />
NOMICALLY. A new concept of binaural sound<br />
bringing all three channels through two 31/2"<br />
cones in one speaker cose. Drive-ins with<br />
smgle-coned speakers can now add Stereophonic<br />
Sound without re-wiring ramps.<br />
HI-FIDELITY<br />
PERFORMANCE<br />
or low cost. Two-way speaker same size and<br />
weight as standard speaker. Mounts on rear<br />
view mirror, top of dash, ash tray or window.<br />
Also avoiloble:<br />
"The Star," $5.50; "Universal/*<br />
$7.60; "Stereo 3," $14.75, and the famous<br />
"Glow-Top" illuminated junction box<br />
EPRAD<br />
1206 Cherry Street Toledo 4, Ohio<br />
The cafeteria-style concessions at the Miracle Mile was designed for a speedy flow of t<br />
with long lines proceeding through the turnstile entrances, "snaking" around three times<br />
the concessions counters and back to the cashiers. The facing of counters and cashiers' stoi<br />
blond Formica and the floor is terrazxo.<br />
46 The MODERN THEATRE S
SERVICING<br />
SOUND SYSTEMS<br />
ntyne<br />
f-Cone<br />
luse<br />
JND<br />
antyne representnstrate<br />
the Dub'lere<br />
will you find<br />
undistorted sound<br />
at all volume<br />
lOOF<br />
n the speaker has<br />
against moisture<br />
i<br />
1. Diaphragm is<br />
:ect against dampce<br />
coil is noncorjm—will<br />
not buciwell.<br />
)z. Alnico V mag-<br />
-IREE to FIVE<br />
power of earlier<br />
erials.<br />
B'L-CONE<br />
ne super imposed<br />
r with a 3 16-in.<br />
;n for tonal resonxterior<br />
cone prohe<br />
interior cone<br />
sound. Both are<br />
/eatherproof. If<br />
, you can replace<br />
It in a matter of<br />
purpose equipment<br />
fw techniques<br />
antyne<br />
Co.<br />
Omaha, Nebraska<br />
Continued from page 43<br />
and screwed down tight in order to insure<br />
good electrical contact. A poor connection<br />
will cause rioise in the system, in some<br />
cases it ivill cause the loss of sound. Keep<br />
oil off of wiring near the sound head, particularly<br />
wires to exciter lamp and P.E.<br />
in optical sound head.<br />
cells<br />
EASY<br />
TO SERVICE<br />
COMMENTS—The Motiograph S3 and<br />
S4 systems are very simple to service, and<br />
only a limited amount of test equipment<br />
is necessary. With a good multimeter and<br />
test loops you can do very satisfactory<br />
maintenance. A complete set of tubes,<br />
namely, on the A337A amplifier, tube complement:<br />
three 12AY7, two 6L6G. and for<br />
the A-338A amplifier, the same tube complement<br />
with one more tube, 12AT7: the<br />
PK)wer supply tube complement: three<br />
5U4G. The small number of tubes promotes<br />
ease and economy of maintenance,<br />
and the employment of plug-in construction<br />
so that each amplifier may be easily<br />
removed or replaced makes easy servicing.<br />
Most modern theatre amplifiers are now<br />
being manufactured so that amplifiers can<br />
be removed or replaced quickly. It is a<br />
very good idea to keep a spare pre-amplifier<br />
on hand, and a power amplifier, in<br />
case of trouble. The defective one can be<br />
repaired later. In a future issue, we will<br />
present complete step-by-step data on<br />
all leading amplifier circuits.<br />
The servicing procedure of Motiograph<br />
sound systems is no different than with<br />
other makes. In case of a defective audio<br />
stage, in some cases it can be located by<br />
"circuit disturbance" test. Condensers<br />
(capacitors^ , resistors and wiring should be<br />
checked with your ohmmeter, checking tube<br />
first, voltages next, etc., vmtil defective<br />
part is located. Noise is caused by a<br />
p)oorly made cormection, defective tube,<br />
resistor, condenser—usually quickly found<br />
if traced according to previous servicing<br />
instructions given in this department. See<br />
page 41. checking amplifier, Modern<br />
Theatre, issue December 4, for simplified<br />
servicing tips on checking audio amplifiers.<br />
The same advice applies to this<br />
.sound sy."rtem.<br />
MODELS TO FIT ALL THEATRES<br />
Motiograph manufactures several different<br />
models of stereosound to fit the requirements<br />
of any size theatre. Some time<br />
ago we told you about its MA- 7505A amplifiers<br />
for both stereosound and optic<br />
sound reproduction which have been used<br />
successfully in standard theatre sound<br />
systems for many years. In the company's<br />
slightly modified penthouse reproducer, a<br />
few months ago, a few important improvements<br />
were made in the case 'housingi and<br />
wiring, otherwise it is the same sound head.<br />
The changes made were the rounding off<br />
of all the comers .so it will have a much<br />
more attractive appearance and a few<br />
Continued on following page<br />
Drive-ln NOW<br />
and let us<br />
HELP<br />
When it comes to drive-ins The Ballantyne<br />
Company has always taken pride<br />
in being more than just a manufacturer<br />
of sound and projection equipment.<br />
We feel that countless owners and<br />
operators want help and advice on how<br />
to build a better, more economical<br />
drive-in.<br />
That's why we offer these services.<br />
If you have purchased land for a new<br />
drive-in, just send us the general plan<br />
and elevations. Without cost to you we<br />
will lay out the entire theatre. If you<br />
need plans for a projection booth, a<br />
refreshment area or ticket entrance, as<br />
illustrated above, we'll be glad to furnish<br />
them without charge. And of<br />
course, we furnish you with complete<br />
wiring diagrams as well.<br />
Now is not too soon to plan for next<br />
season. Take just two minutes and<br />
drop us a line if you're planning a new<br />
drive-in. We'd like to help.<br />
Originators of the complete pack'<br />
age for ttie Drive-ln Theofres<br />
'^Ballanti/ne(j&<br />
1712 Jackson Street Omaha, Nebraska<br />
\ars 8. 1955 47
SERVICING<br />
SOUND SYSTEMS<br />
Continued from preceding page<br />
slight changes in the wiring to facilitate<br />
service.<br />
The equipment can be very easily installed,<br />
in many cases by the theatre projection<br />
staff, provided they have had some<br />
audio servicing experience, and is very<br />
easy to keep in tip-top operating condition<br />
with only a limited amount of test equipment<br />
necessary as the circuits are not too<br />
complicated. Of course, where the theatre<br />
can afford it. the services of a good engineer<br />
should be employed to make the installation<br />
and instruct the projectionist<br />
how it should be operated for best results.<br />
After installation, only routine cleaning<br />
and occasional check of tubes is necessary.<br />
Tubes should be checked about every two<br />
or three months. Very little •expert" servicing<br />
is necessary all the time, but an occasional<br />
checkup by a sound engineer wiU<br />
assure good performance.<br />
A non-inverting, pressurized, water-type<br />
extinguisher that offers immediate firefighting<br />
efficiency is excellent for inexperienced<br />
operators, who can operate this<br />
type of extinguisher expertly because of<br />
its squeeze grip or lever action control.<br />
REPLACE APERTURES QUICKLY<br />
with the NEWs^S%^<br />
SPRING LOADED<br />
New Drive-In Speakers S<br />
To Offer Stereo Effects<br />
Without Rewiring Ramps<br />
Drive-in operators using singl«<br />
speakers may now convert to stereof<br />
sound without rewiring the ramps 1<br />
stalling the Stereo 2. one of four sp<<br />
now being offered by Eprad, Inc.<br />
By using an automatic coupling<br />
over system, the Stereo 2 combin<br />
three channels through two 3 '2-inch<br />
in a single speaker case. The new pri<br />
in binaural sound is said to make th<br />
in-car sp>eaker one of the most co<br />
and economical on the market. It n<br />
the number of speakers, junction boxi<br />
^I^B^^ 1<br />
FINGER<br />
GRIP<br />
PLATE/<br />
THE SPRING<br />
IS THE THING<br />
For<br />
Standard and Super Projectors.<br />
Remove one aspect ratio<br />
plate and replace with another —<br />
zip-zip -that quick! The blue tempered spring steel wedge holds<br />
plate firmly in place and the new finger grip facilitates rapid removal.<br />
Eliminates the P-445-E Sliding<br />
Piece.<br />
At your Theatre Equipment Dealers Now<br />
MANUFACTURED BY<br />
LaYezzi Machine Works<br />
4635 WEST LA|(E ST. • CHIC AGO 44, III.<br />
This is the Stereo 2, one of four speakers<br />
foctured by Iprad, Inc.<br />
the amount of booth equipment and i<br />
ground wiring normally required.<br />
Another speaker in the Eprad line<br />
Stereo 3 with three driver units. B<br />
necting each unit to the proper cl<br />
amplifier, it reproduces the sound<br />
the portion of the screen from wl<br />
emanates in its complete dynamic ra<br />
The other two speakers being offe<br />
Eprad are the Universal and the Sta:<br />
inexpensive Universal with its die-ca<br />
minum case was designed as a replac<br />
model. It is said to offer unusual b;<br />
sponse, fidelity and dynamic rangt<br />
Star, which has a Fiberglas case li<br />
Stereo models, is small enough to<br />
hand.<br />
Dit-Mco's New Atomic Jet Lamp House<br />
BLOWERS<br />
•Keep Reflectors CLEAN<br />
•Keep Lamps COO-L-E-R<br />
Should be considered as standard booth equipment to draw out<br />
increased hcot and carbon osh from lamp house ond stocks os<br />
result of higher ampcrancs from oil new, wide pictures. Exhousting<br />
carbon osh prevents trouble with change-over-switches,<br />
volume controls, tube sockets, switches . . stops danger of<br />
.<br />
scratching film.<br />
These grcot time, work ond money savers protect valuoble<br />
tooted lenses; give longer life to reflectors by eliminating<br />
icid, milky condition. Operate with lower omperogc^, reduce<br />
rorbon consumption, exhaust projection room heat and gases.<br />
Tit-Mco Blowers solve oil these problems.<br />
Available in 6 in. and 8 in. pipe sizes<br />
SPEAKER STAh<br />
and GUIDE LIG<br />
POSTS<br />
Fobricated to your specific<br />
from new or used steel pi<br />
tubing—black and golvan<br />
Write—Wire—P/ione<br />
Single<br />
Stack<br />
Write or Wire fnr Full Pctails. Prices on all items<br />
DRIVE-m THEATRE MFG. CO. "ditImco<br />
"World's Largest Manufacturer of Drlve-ln TlKatrc<br />
Equipment"<br />
505 W. 9th Street. HArrison 8007-8484. Kansas City. Mo.<br />
SONKEN-GALAMBA C<br />
2nd ond Riverview<br />
Kansas City 18, Konst<br />
ATwoter 9305<br />
48<br />
The MODERN THEATRE SI
, replacement<br />
rture Plate<br />
hanges<br />
P-1280<br />
FOR MORE<br />
INFORMATION<br />
Machine for Cleaning<br />
Upholstered Furniture<br />
P-1283<br />
USE Readers'<br />
Bureau Coupons, Page 35<br />
loaded aperture plate<br />
the LaVezzi Machine<br />
le need for handling two<br />
he aperture is removed<br />
s from one aspect ratio<br />
and easier. The new<br />
lich is available in all<br />
has a new finger grip<br />
itate removal. Consisty<br />
of an aperture plate<br />
red spring steel wedge<br />
)late in place, the new<br />
lown as the SP-672-E<br />
ed for use on either the<br />
uper Simplex projector<br />
for the<br />
aperture plate and the<br />
Bce.<br />
ner<br />
ns<br />
P-1281<br />
; baby bottle warmer of<br />
^pe. especially designed<br />
re concessionaires, was<br />
cent tradeshow in Chi-<br />
:equires no attention by<br />
;s. Patrons merely help<br />
laby's bottle is Inserted<br />
into the heating unit and it is warmed<br />
to the correct temperature, which is controlled<br />
by a thermostat, within a few minutes'<br />
time. The unit is designed to accommodate<br />
four large and two small bottles<br />
at the same time. There is no overheating,<br />
nor broken bottles or buined out units, the<br />
makers claim. Marketing it nationally<br />
under the name of Jobil Baby Bottle<br />
Warmer, the manufacturers report a growing<br />
acceptance for the new drive-in product.<br />
The unit is made of cast aluminum<br />
with Calrod heating elements, and is designed<br />
to operate on 110-220 volts alternating<br />
current only. The product is fabricated<br />
by the Jobil Products Co.<br />
Floor Wax Is Combined<br />
With An Insecticide<br />
P-1282<br />
Floors glow—Bugs<br />
"<br />
go is the claim made<br />
by the Freewax Corp.<br />
for its new combination<br />
floor wax and insecticide.<br />
Unconditionally<br />
guaranteed,<br />
PreeWax is said to<br />
not only kill insects<br />
such as ants, roaches<br />
and silver fish on<br />
contact but will outshine<br />
and outwear other waxes. The twoin-one<br />
wax also boasts many other superior<br />
qualities as a floor dressing. Because<br />
it is self-polishing. FreeWax is easy<br />
to apply yet it will not wash off from<br />
damp moppings. Removal is simply accomplished<br />
with soap and water. Another<br />
feature of the wax is that it offers nonskid<br />
protection on all surfaces whether<br />
they are wood, cement, rubber tile or<br />
others. The claims about its anti-slip<br />
properties are verified by the Underwriters<br />
Laboratories.<br />
Claims made (or prtducts described ediloriolly<br />
on this and other pages are token from the<br />
monutocturers'<br />
statements.<br />
Upholstered seats and lobby furniture<br />
in theatres can now be cleaned quickly and<br />
easily with the Upholstery Deterger and<br />
detergent, made by Von Schrader Manufacturing<br />
Co. The detergent is worked into<br />
dry air-blown suds which are thoroughly<br />
brushed into the fabric where they absorb<br />
dirt and foreign matter by means of an<br />
electrically powered nylon brush. The suds<br />
are then removed by a vacuum attachment.<br />
The cleaning process eliminates rinsing<br />
and assures quick drying. The detergent<br />
does not leave any sticky films which promote<br />
soiling nor will it harm wood surfaces.<br />
A moth-resistant ingredient has also been<br />
added to the cleaning fluid. The machine<br />
is designed for convenience. It weighs<br />
only 39 pounds and is easy to handle due<br />
to its handle and ball-bearing casters.<br />
Solidly constructed for durability, the<br />
Deterger operates from two universal<br />
motors on either AC or DC of 105 to 120<br />
volts. A six-month guarantee against mechanical<br />
or material defects accompanies<br />
each unit.<br />
Wall Sand Urns Require P-1284<br />
Minimum Maintenonce<br />
The problem of cigaret butts and like<br />
litter on the floor can be reduced with<br />
installation of the wall urns developed by<br />
Witte Building Specialties, Inc. The attractive<br />
receptacles, which are available in<br />
a choice of stainless steel or satin-finished<br />
bronze to fit any decorative scheme, are<br />
mounted on the wall surfaces by means of<br />
adhesives or bolts. The urns are filled<br />
with sand, are said to be easy to maintain.<br />
uary 8, 1955 49
The MODERN THEATRE SE<br />
Multiple Drink Dispenser P-1285<br />
Unusually Compact Unit<br />
"The smallest multiple<br />
drink cup machine<br />
ever made" is<br />
how Cole Products<br />
Corp. describes its<br />
new ColeSpa Special.<br />
Available in one,<br />
three and four-flavor<br />
models, the unit measures<br />
65 inches high.<br />
24^2 inches wide and<br />
22 '2 inches deep. The<br />
Special, said to be the<br />
lowest-priced unit in<br />
the history of the industry,<br />
has a syrup<br />
capacity that ranges from 830 drinks on<br />
the single-flavor model to over 1,500 on<br />
the three and four-drink models. Drinks<br />
can be dispensed at the rate of one every<br />
five seconds and are counted with nonresettable<br />
automatic register. A choice of<br />
either carbonated or non-carbonated beverages<br />
may be served and a drink adjustor<br />
allows the operator to set the ratio of<br />
syrup to water at a constant measure. The<br />
mechanism may be serviced through the<br />
front door of the stainless steel unit. Complicated<br />
electrical circuits have been eliminated<br />
in favor of two relays which control<br />
the operation. Illuminated flavor card<br />
panels are standard equipment.<br />
A New Formfitting Chair P-1286<br />
For Theatre Auditoriums<br />
International Seat Corp., originators of<br />
,0^^<br />
all-steel unit construction in theatre seats,<br />
has announced the addition of a new line,<br />
the Pacemaker. The new seats are said to<br />
offer a deeper and more formfitting back<br />
and seat upholstery to give the patron<br />
greater comiort. Like all other International<br />
seats, the Pacemakers are constructed<br />
of steel throughout. The backs<br />
are attached to the sideplates by means<br />
of steel wings which assui-e proper back<br />
pitch and rigidity. The system is claimed<br />
to reduce costs and minimize errors during<br />
the installation of the seats. Details on the<br />
new chairs are obtainable from most independent<br />
theatre supply dealers or the<br />
manufacturer.<br />
mmmi)<br />
m<br />
Exploitation<br />
For Double Billing<br />
Frame Designed<br />
The problem of advertising<br />
late bookings<br />
may be solved by<br />
means of the Duplex,<br />
a double - billinp<br />
frame designed and<br />
produced by the<br />
Romar-Vide Co. The<br />
nationally distributed<br />
frame will hold two<br />
11x14 - inch inserts<br />
plus a 2x14 date strip.<br />
Constructed for durability,<br />
the weatherproof<br />
Duplex is made<br />
of double-strength<br />
P-<br />
^"o NOW SHOW<br />
glass and stainless<br />
steel frames. Each<br />
unit is fully guaranteed<br />
and replacements<br />
ai'e made without<br />
charge. The frames are installed<br />
ject to the exhibitor's approval. The<br />
pany also makes signs for concessions<br />
bars, counters and for boxoffices. A :<br />
escent card stock is<br />
used.<br />
New Device Uses Ozone<br />
To Clean Air<br />
The General Ozone Corp. has re(<br />
placed on the market an air deodori<br />
be attached to the sidewall of hei<br />
cooling equipment or on the suctioi<br />
of an air duct. The self-contained<br />
which is designed for use with forci<br />
circulating systems, operates on the<br />
ciple of adding small quantities of<br />
to the air stream. The ozone is immed<br />
diffused in the air where it oxidizes tl:<br />
desirable foreign matter. The rr<br />
state the ozone is not noticeable if<br />
in the proper proportions.<br />
P<br />
-RICE REDUCTIOI^S<br />
in their World Famous<br />
Here's good news!<br />
Bodde Seamless<br />
aluminum or matte 2ualiiu<br />
white cast-plastic screens now<br />
competitively priced<br />
No welded seams<br />
* No streaks<br />
Hard aluminum surface does not mar when touched<br />
or cleaned, and truly washable<br />
"New" screen brightness LASTS!<br />
Plus double-weight screen for added strength<br />
Three gain factors to choose from<br />
M<br />
%Z\^%1\%<br />
KSi^SSSiS-<br />
See your Local Supply Dealer (or contact //.« direct for further information)<br />
THE BODDE SCREEN COMPANY<br />
8829 VENICE BOULEVARD • LOS ANGELES 34, CALIFORNIA<br />
.ff<br />
.«4<br />
Animated Signs in Multicolor P<br />
For Theatre Display Advertising<br />
HOTDIi<br />
Eye appeal plus durability is the<br />
that the Liquid Light Co. makes in 1<br />
to its animated display signs. Animal<br />
achieved in the signs by a constant<br />
volving drum of six<br />
different colors<br />
are reflected through the Plexiglas 1<br />
mounted on a Plexiglas message<br />
Constructed of heavy gauge meta<br />
dm-ability and finished in a silver har<br />
tone, the signs may be plugge<br />
anywhere. The signs have been api;<br />
by the Underwriters' Laboratories. Th<br />
wired with a six-foot cord.
—<br />
v^ounted<br />
!-lns<br />
P-1290<br />
of the drive-in. It is<br />
n and is equipped with<br />
; carbon dioxide, dry<br />
izing liquids. The three<br />
carrying the Under-<br />
:e it possible to fight<br />
f fires that might occur<br />
ition such as gasoline<br />
,<br />
electrical and upholthe<br />
units after use may<br />
sily by members of the<br />
sol P-1291<br />
in operators who have<br />
id landscaping to care<br />
Inc., has developed sev-<br />
:le bar mowers that, it<br />
every cutting job plus<br />
iltivating soil in garden<br />
;, the Junior and the<br />
'd for these uses at out-<br />
The larger Champion<br />
ckle bar which will hug<br />
I and mow heavy weeds,<br />
The<br />
without stalling.<br />
ed by a 2'2-h.p. motor<br />
nd the Junior operates<br />
tor. The two machines<br />
ir except for size. Snow<br />
rer. sprayer and tiller<br />
mailable for both.<br />
to revarnish your wood<br />
what kind of varnish<br />
jI<br />
lishes become more or<br />
dy heat and that makes<br />
ion. Use only varnish<br />
for seating, but if you<br />
•ouble of stickiness, try<br />
.t of a good water wax,<br />
the wax is dry.<br />
The toUowing concerns have recently<br />
filed copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies may<br />
obtain them promptly by using the Readers'<br />
Bureau postcard in this issue of The Modern<br />
Theatre.<br />
L-1689 The complete story of the hand<br />
di-yers manufactured by the Electric Aire<br />
Engineering Corp. is told in a well-illustrated<br />
catalog. Two types of the "C" model<br />
dryers, one a recessed wall model and the<br />
other a surface type, are fully discussed<br />
from the architects' specifications to their<br />
working parts. Among the many features<br />
listed for both models are variable air direction,<br />
electric lighted instructions, breakproof<br />
housing and nozzle guard and easy<br />
repair plus a two-year guarantee. Instructions<br />
on the planning of installations are<br />
also included.<br />
L-1690 Of particular interest to outdoor<br />
operators will be the new ciixular entitled<br />
"Wide Screens for Drive-Ins" prepared<br />
and distributed by Motiograph, Inc.<br />
After giving many reasons for increasing<br />
the width of screens, the problem of additional<br />
projection and sound equipment is<br />
discussed. Each of the special needs in<br />
lenses, arc lamps, filters, power sources,<br />
current supply, sound equipment and projectors<br />
are dealt with in full by means of<br />
words and photographs. Although the material<br />
is being distributed by Motiograph,<br />
il does not concern itself solely with that<br />
firm's equipment but makes recommendations<br />
on the products of other manufacturers.<br />
The circular, by outlining conversion<br />
problems and offering solutions for<br />
each, may save theatremen much confusion.<br />
L-1691 The advantages of the service<br />
contract offered by Altec Service Corp.<br />
are detailed in a new eight-page booklet<br />
prepared by the firm. By means of a photostory,<br />
the service and protection rendered<br />
by Altec's 200 field engineers to over 6,000<br />
theatres is told. Operating out of 31<br />
branch offices throughout the nation, the<br />
fieldmen handle the installation, inspection,<br />
service and maintenance of all types<br />
of sound equipment.<br />
MODERN THEATRE SEATING<br />
inFAl<br />
(totntbelovesl m the i""— —==<br />
priced to t\^e«»«^^ =<br />
Ytee_^<br />
luxurious.<br />
- p\anmnSservKC.^<br />
\Hera^<br />
^nle tor<br />
SEATING COMPANY<br />
MODERNIZED<br />
WASHROOMS<br />
INCLUDE<br />
recessed<br />
ELECTRIC-AIRE<br />
New Recessed "C" Model<br />
HAND<br />
Electrjc-Aire<br />
DRYERS project only<br />
3-'!4" from the wall. Especially<br />
designed for low<br />
cost installation in new<br />
construction and modernizeti<br />
walls.<br />
ARCHITECTS and ENGI-<br />
NEERS specify Electric-<br />
Aire. It preserves the<br />
original conception of a<br />
modern washroom and<br />
assures many years of<br />
trouble-free dependable<br />
service.<br />
OWNERS and USERS<br />
prefer Electric -A ire because<br />
of its quick, chap<br />
free hand and face drying,<br />
and automatic around the<br />
clock service . . . and because<br />
it keeps washrooms<br />
looking neater and<br />
cleaner.<br />
IF YOU WOULD LIKE THE FACTS-<br />
Write Todoy to . . .<br />
lary 8, 1955 51
—<br />
about PEOPLE/and PRODUCT h<br />
W.W"'<br />
Richard N. Greenwood, president of the<br />
Heywood-Wakefield Co., recently observed<br />
his 25th anniversary at the helm of the<br />
firm which manufactures theatre seats and<br />
other types of furniture. A direct descend-<br />
At the annual fall membership meeting<br />
of the Carpet Institute, the trustees elected<br />
Charles A. Karagheusian to serve as chairman<br />
of the board. Karagheusian, who is<br />
chairman of the board of A&M Karagheusian,<br />
Inc., succeeds James G. Law, vicepresident<br />
of the Magee Carpet Co. Two<br />
new members were elected to the association's<br />
board and two others were re-elected.<br />
The new members are Herbert Shuttleworth,<br />
president of the Mohawk Carpet<br />
Mills, and Alfred de Gozzaldi, president of<br />
Roxbury Carpet Co. Re-elected were James<br />
D. Wise, president of Bigelow-Sanford<br />
Carpet Co., and Joseph L. Eastwick, president<br />
of James Lees & Sons Co.<br />
Richard N.<br />
Greenwood<br />
ant of the original Heywood brothers,<br />
Greenwood took over the presidency of the<br />
129-year-old firm at the beginning of the<br />
depression. While other seating manufacturers<br />
were going out of business, he developed<br />
Heywood-Wakefield into one of the<br />
leaders in its field by the inauguration of<br />
systems and policies such as the development<br />
of new products, national advertising<br />
and the installation of conveyors at the<br />
plant.<br />
STANDARDIZE With<br />
Super Cleaning<br />
Replace outmoded mops, brooms, domestic type vacs<br />
and other miscellaneous hard-to-use cleaning aids with<br />
a Super Heavy Duty Suction Cleaner. Standardize with<br />
the Super and especially designed Super Tools that<br />
squarely meet your individual problems of theater<br />
cleaning. Do the job better, faster, for less money.<br />
Everybody's doing it. A recent letter to a Super Distributor<br />
is typical. **We are now planning to standardize<br />
on the National Super Service Cleaner Model M.<br />
Kindly send us 4 additional copies of the parts list<br />
for this unit." (Name on request)<br />
Theaters all over the country are standardizing<br />
their cleaning job with a Super. Let your Super<br />
dealer show you how to get the best job for the<br />
least money. Or write.<br />
NATIONAL SUPER SERVICE CO., INC.<br />
1941 N. 12th St., Toledo 2, Ohio<br />
At a series of banquets across the United<br />
States, 265 employes of the product manufacturing<br />
and service divisions of the Radio<br />
Corp. of America were inducted into the<br />
RCA Victor 25-Year Club and presented<br />
with gold watches in recognition of their<br />
long service. The addition of the new'<br />
group brought the number of eligible employes<br />
to nearly 1,800.<br />
It was originally organized<br />
by RCA product and service division<br />
in 1948.<br />
The largest ceremony took place at<br />
Philadelphia where 166 new members were<br />
em-oUed at a luncheon which was attended<br />
by 1,200 other club members. The<br />
main speaker at the ceremony was Theodore<br />
A. Smith, vice-president and general<br />
manager of the engineering products division.<br />
D. P. Schmit, vice-president in charge<br />
of engineering, awarded the watches.<br />
The other new members were enlisted at<br />
plant ceremonies at Lancaster, Pa.; Indianapolis,<br />
Cincinnati, Los Angeles, Detroit,<br />
Camden and Harrison, N. J.<br />
Super Model BP-1<br />
— Quiet, double<br />
dutycleaner<br />
both wetand<br />
dry pickup.<br />
M<br />
Model<br />
general cleaning<br />
Easily converted to<br />
blower.<br />
o<br />
Sales and Service in Principal Cities<br />
In Canada: Plant Maintenance Equipment Co,<br />
Toronto, Montreal, Vancouver<br />
"Once Over Does If"<br />
SUPER SUCTION<br />
SINCE 1911 (§)<br />
THE DRAFT HORSE OF POWER SUCTION CLEANERS"<br />
o<br />
Jerry Prizant, installation engineer (left',<br />
c section of the thousands of electrical!<br />
plates in the new Westinghouse Preci<br />
purefier which was just recently insolli<br />
Clark Theatre, Chicago, while James Stev<br />
tre engineer, looks on. The precipitron, c<br />
installed in theatres throughout the U. S<br />
daily designed to remove allergyproducin<br />
from the air. The purefier was installed<br />
a $50,000 modernization program at the C<br />
Three executive appointments<br />
Three Dimension Co., a division c<br />
Howell Co., were announced by R<br />
Smith, vice-president of sales ant<br />
tising. John P. Stewart was nai<br />
tional manager of filmstrip projec<br />
and Wes Summerfield was appoint<br />
ager of tape recorder sales. John<br />
ken will be the new assistant to t<br />
president in charge of sales and ad\<br />
The sales service division of t<br />
man Kodak Co. is now distributin<br />
revised edition of its "Notes on<br />
Photography." The pamphlet, v<br />
punched to fit Kodak's Photograpl<br />
book, contains advice for photogra<br />
the handling of film and equip<br />
tropical areas where heat and hum<br />
the main sources of trouble. It ma<br />
tained by writing the Sales Service<br />
Eastman Kodak Co., Rochester 4,<br />
"y[ou Can t ^uy. JSett<br />
Wl LLI AMS<br />
SCREEN<br />
COMPAI<br />
1679 SUMMIT LAKE BLVD., DepL1679AKF<br />
ORIGINATORS OF All.PlASriC t SEAMLESS PLASTI<br />
52 The MODERN THEATRE £
1 will<br />
. The<br />
—<br />
(OFFICE<br />
J|]^^iJJl)5<br />
ilTOR HAS HIS SAY ABOUT PICTURES<br />
ARTISTS<br />
(AA)—This is an extra<br />
Play it on a weekend<br />
dian fans will love it.<br />
Theatre, St. Stephen,<br />
n (AA)—John Hodiak,<br />
;e Bennett. Just a waste<br />
;, it was a good thing<br />
vas excellent. Title will<br />
3y sure let you know<br />
ut. Played Wed., Thurs.,<br />
;old with light snow.<br />
House Theatre, Coati-<br />
1 and rural patronage.<br />
JMBIA<br />
)<br />
— Humphrey Bogart,<br />
lacMurray. If you want<br />
be proud of, play<br />
n't think it will be a<br />
W. S. Funk, Star The-<br />
C. Population 1,200.<br />
MOUNT<br />
-Alan Ladd, James Ma-<br />
.. A good picture with<br />
vorth what Paramount<br />
Too cruel to suit the<br />
Dod and if you can buy<br />
ertainly won't have any<br />
I little money. Played<br />
jood.—Fred L. Murray,<br />
iritvvood, Sask. Smallnage.<br />
1)—Bing Crosby, Bob<br />
or. Bing, Bob and Dot-<br />
; comedy. It had plenty<br />
e plentiful. Good color,<br />
un. Weather: O. K.—<br />
Stic Theatre, Eureka,<br />
,d rural patronage.<br />
(Para)—Charlton Hesibert<br />
Young. Fairly good<br />
rticular drawing power,<br />
bought right. Charlton<br />
ere. Played Sun., Mon.<br />
;ool.—Terry Axley, New<br />
t. Small-town and rural<br />
s (Para)—Betty Hutton,<br />
rt Keith. Betty Hutton<br />
J didn't have many of<br />
chimp in the pic-<br />
. Played Wed., Thurs.<br />
lael Chiaventone, Valley<br />
;y. 111. Small-town and<br />
RADIO<br />
Disney Cartoon Feature,<br />
le ole wooden head, my<br />
t has done well again,<br />
ith "Tarzan and (of all<br />
vil." Played Tliurs. to<br />
.—Lew Bray jr.. Queen<br />
xa.s. Medium size town,<br />
iking patronaige.<br />
UBUC<br />
eeps<br />
(Rep)—Gig Young,<br />
uide Jan. 8. 1955<br />
Mala Powers, William Talman. Interesting<br />
cops and crooks drama of Chicago after<br />
dark. Customers go for this type occasionally.<br />
Biz good.—Frank Sabin, Majestic Theatre,<br />
Eureka, Mont. Small-town and rural patronage.<br />
20th CENTURY-FOX<br />
David and Bathsheba (20th-Fox)—Gregory<br />
Peck, Susan Hayward, Raymond Massey. An<br />
oldie that we were forced to play percentage<br />
'It Should Happen to You<br />
—And It Did!<br />
•ToEHHS:<br />
I haven't been reporting^ lately because<br />
I haven't been able to buy a 3c<br />
stamp to mail the letter. I have had TV<br />
in this area about two and a half years<br />
now. In the beginning all the motion picture<br />
salesmen told me that it would cut<br />
down my business for a year or a year<br />
and a half and then let up. Now, some<br />
of them say three years and some admit<br />
that they don't know if my business will<br />
ever come back.<br />
If any readers know how I can get<br />
back my lost audience I wish they would<br />
answer me in BOXOFFICE. No matter<br />
what I play—and I am playing the top<br />
pictures—I can only take in $25 to $50<br />
top in two days. On many pictures at<br />
$20 to $17.50 flat, I'm paying 60 to 75 per<br />
cent for film. And I have paid as high as<br />
110 per cent. A few days ago on a Columbia<br />
picture I guaranteed $20 and grossed<br />
$19 in two days. The title of this picture<br />
was "It Should Happen to You."<br />
Thanks to our friendly theatre supply<br />
house, we put in CinemaScope and opened<br />
several weeks ago with "The Kobe." I<br />
found that all my patrons had gone to<br />
large towns at a distance of 50 to 100<br />
miles to see the picture eight months<br />
to a year ago. Our second 'OS picture<br />
was "How to Marry a Millionaire" on<br />
which we did less than average business.<br />
The same was true for "Ring of Fear."<br />
What's the answer?<br />
W. S. FUNK<br />
Star Theatre<br />
St. Stephen, S. C.<br />
and it wasn't worth it. If possible play it<br />
straight and you can make a dollar. Played<br />
Wed., Thurs., Fri., Sat. Weather: Cold.—<br />
Harold Bell, Opera House Theatre, Coaticook.<br />
Que., Small-town and rural patronage.<br />
Garden of Evil (20th-Fox)—Gary Cooper,<br />
Susan Hayward, Richard Widmark. This picture<br />
is no big special by a long shot. Just a<br />
fair outdoor picture and certainly not worth<br />
the percentage terms asked. Played for three<br />
days, Thursday through Saturday and the<br />
picture's draw was only fair. I weis left with<br />
only $9.36 for my share. 'Scope is a great<br />
thing but where is all the money we were<br />
going to make by putting it in?—W. L. Stratton.<br />
Lyric Theatre, Challis, Idaho. Small-town<br />
and rural patronage.<br />
Inferno (20th-Fox)—Robert Ryan, Rhonda<br />
Fleming, William Lundigan. Another excellent<br />
film from Fox. Thoroughly enjoyed by till<br />
patrons. Because of the title many missed It<br />
and then complained bitterly because of it.<br />
This is in brilliant Technicolor, has top performances<br />
and plenty of action. We played the<br />
2-D version. Those equipped for 3-D should<br />
do very well with this film. Played Thurs.,<br />
Fri., Sat. Weather: Very hot.—Dave S. Klein,<br />
Astra Theatre, Kitwe-Nkana, Northern Rhodesia,<br />
Africa. Mining, government and business<br />
patronage.<br />
Ruby Gentry (20th-Fox)—Jennifer Jones<br />
Charlton Heston, Karl Maiden. Boy, there<br />
are surprises in this business every day.<br />
Thought this was going to be another "turkey"<br />
but it really upset the applecart. Best<br />
Wednesday night in over a year, topping even<br />
"Quo Vadis." Jennifer Jones, Charlton Heston<br />
and Karl Maiden give outstanding dramatic<br />
portrayals. Played Wed., Thurs. Weather:<br />
Cool.—Norman Merkel. Time Theatre, Albert<br />
City, Iowa. Small-town and rural patronage.<br />
Three Young Texans (20th-Fox)—Mitzi<br />
Gaynor, Keefe Brasselle, Jeffrey Hunter. Just<br />
another western as far as story is concerned<br />
but the atmosphere was very pleasing and<br />
enjoyed by all. Played Wed., Thurs., Fri.,<br />
Sat. Weather: Cool.—Harold Bell, Opera<br />
House Theatre, Coaticook, Que. Small-town<br />
and rural patronage.<br />
UNITED ARTISTS<br />
Lone Gun, The (UA)—George Montgomery,<br />
Dorothy Malone, Frank Faylen. A good<br />
western—not in the old formula of the general<br />
run of stuff. Business above average.<br />
Played Sat. Weather: O. K.—D. W. Trisko,<br />
Runge Theatre, Runge, Texas. Small-town<br />
and rural patronage.<br />
Sabre Jet (UA)—Robert Stack, Coleen Gray,<br />
Richard Arlen. Airplane stories draw well<br />
with my folks. Price was right. Color helped<br />
put it over. Fair enough! Played Tues., Wed.<br />
Weather: O. K.—Frank Sabin, Majestic Theatre,<br />
Eureka, Mont. Small-town and rural<br />
patronage.<br />
Shark River (UA)—Steve Cochran, Carole<br />
Mathews, Warren Stevens. Not a bad film but<br />
it wasn't worth the rental we were charged.<br />
The UA office in Johannesburg has a bad<br />
habit of saying 50 per cent each time they<br />
think they have a fair film. Yes, "Shark<br />
River" is right—title and rental quite coincidental.<br />
Now, if you can get it at the right<br />
rental, action houses will do well. We just<br />
about broke even. Played Sun., Mon. Weather:<br />
Hot.—Dave S. Klein, Astra Theatre,<br />
Kitwe-Nkana, Northern Rhodesia, Africa.<br />
Mining, government and business patronage.<br />
Top Banana (UA)—Phil Silvers, Rose Mary,<br />
Danny Scholl. Better screen this before you<br />
show it. Some towns like Phil Silvers and<br />
some towns don't.—E. M. Freiburger, Dewey<br />
Theatre, Dewey, Okla. Small-town and rural<br />
patronage.<br />
UNIVERSAL-INTERNATIONAL<br />
Border River (U-D—Joel McCrea, Yvonne<br />
De Carlo, Pedro Armendariz. Picture is good.<br />
Played to slightly better than average business<br />
on my Friday and Saturday change.<br />
We did miss the Indians in this one but it<br />
was a change anyway.—W. L. Stratton, Lyric<br />
Theatre, Challis, Idaho. Small-town and<br />
rural patronage.<br />
Johnny Dark (U-D—Tony Curtis, Don<br />
(Continued on next page)<br />
<<br />
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'<br />
The EXHIBITOR HAS HIS SAY<br />
(Continued from preceding page)<br />
Taylor, Piper Laurie. Saw this on wide screen<br />
in a neighboring city. Good sport car racing<br />
picture. Don Taylor and Piper Laurie turn<br />
in good acting jobs. Tony Curtis is in it for<br />
the bobbysox bunch. Business was fair at<br />
their theatre. Played wed.-Sat.—Norman<br />
Merkel, Time Theatre, Albert City, Iowa.<br />
Small-town and rural patronage.<br />
Law and Order (U-D—Ronald Reagan,<br />
Dorothy Malone, Preston Foster. This is a<br />
real rough one. Ronald Reagan is made marshal<br />
and proceeds to carry out his duties to<br />
the letter. Has plenty of trouble with town<br />
bosses but, of course, "law and order" is the<br />
final result. Color and story good. Played<br />
Wed., Thurs. Weather: Still cold and cloudy.<br />
—James Wiggs, jr., Tar Theatre, Tarboro,<br />
N. C. Small-town and rural patronage.<br />
Saskatchewan (U-D—Alan Ladd, Shelley<br />
Winters, J. CarroU Naish. This is one of the<br />
better films in Technicolor and, except for<br />
Shelley Winters, who in our estimation louses<br />
up any picture, drew fairly well. Whoever<br />
designed her gowns was certainly playing to<br />
the male pait of the audience. Played Sun.,<br />
Mon. Weather: Rainy and cool.—Walt and<br />
Ida Breitling, Comfrey Theatre, Comfrey,<br />
Minn. Small-town and rural patronage.<br />
Thunder Bay (U-D—James Stewart, Dan<br />
Duryea, Joanne Dru. Splendid picture classified<br />
as a drama but it should have been<br />
called melodrama. Plenty of action yet not a<br />
shot fired—something new! James Stewart<br />
is splendid in this picture and so are the<br />
rest of the cast. It's a better picture than<br />
"Bend of the River." Drew 140 per cent even<br />
with very bad roads. Played Mon., Tues.<br />
Weather: Poor.—Fred L. Murray, Strand Theatre,<br />
Spiritwood, Sask. Small-town and rural<br />
patronage.<br />
Yankee Pasha (U-D— Jeff Chandler,<br />
Rhonda Fleming, Mamie Van Doren. C3ood<br />
picture. What lovely "babes in the harem."<br />
Sort of an Arabian Nights tale. Color wonderful.<br />
Played Tues. Weather: Warm.—<br />
Michael Chiaventone, Valley Theatre, Spring<br />
Valley, 111. Small-town and rural patronage.<br />
WARNER BROS.<br />
(WBi—Kirk Etoug-<br />
Along the Great Divide<br />
las, Virginia Mayo, Walter Brennan. Just a<br />
good average western in color. If your patrons<br />
like westerns they will go for this one. Not<br />
too much shoot-em-up and a little more<br />
story. This is old and Warners sold it to<br />
me right and I made a little money which<br />
is more than I can say for the last two<br />
months. Played Fri., Sat. Weather: Good and<br />
the farmers busy.—Fi-ed L. Murray, Strand<br />
Theatre, Spiritwood, Sask. Small-town and<br />
rural patronage.<br />
Desert Song, The (WB)—Kathryn Grayson,<br />
Gordon MacRae, Steve Cochran. This<br />
wasn't as well liked as the previous version<br />
which starred Dennis Morgan. Dick Wesson<br />
really had an opportunity to show audiences<br />
that he is a great comedian. He stole the<br />
picture so far as acting was concerned.<br />
Music beautiful—business normal. Played<br />
Sun., Mon. Weather: Cool.—Michael Chiaventone,<br />
Valley Theatre, Spring Valley, III. Medium<br />
size town second run patronage.<br />
Dial M For Murder (WB)—Ray Milland,<br />
Grace Kelly, Robert Cummings. One of the<br />
top murder mysteries of all time. Top playing<br />
time. Advertise it big—W. S. Funk, Star<br />
Theatre, St. Stephen, S. C. Population 1,200.<br />
Fort Worth (WB^—Randolph Scott, David<br />
Brian, Phyllis Thaxter. This Randolph Scott<br />
is an "oldie" but a "goodie." The previous<br />
exhibitor here had passed it up although I<br />
wouldn't know why. Doubled it with "Black<br />
Fury" (WB) to our best Friday-Saturday<br />
business since the first of the year. Can't un-<br />
Bob Walker since he's still big here. Played<br />
Friday-Saturday. Weather: Cool.—Norman<br />
Merkel, Time Theatre, Albert City, Iowa.<br />
Small-town and rural patronage.<br />
High and the Mighty, The (WB)—John<br />
Wayne, Claire Trevor, Laraine Day. Now<br />
here is a motion picture! It is very good and<br />
holds interest from the start for the full<br />
147 minutes. It is nice to get pictures like<br />
this to run for your public but I would like<br />
to know why we do it when the producers<br />
won't let us make a dime profit on them?<br />
This picture was sold to me for 50 per cent<br />
of the gross. Did over $300 and I came up<br />
nearly $4 short of breaking even. I just cannot<br />
understand why the producers cannot—<br />
or won't sell these pictures to the small towns<br />
so that they can make a fair profit. This is<br />
the seventh Cinemascope picture I have<br />
played and I have not even started to regain<br />
the money paid out for the lens to run them<br />
with. I am going to refuse to buy any more<br />
50 per cent pictures as it is just a waste of<br />
time to work for the producers. Played for<br />
four days: Sun. through Wed.—W. L. Stratton,<br />
LjTic Theatre, Challis, Idaho.<br />
Island in the Sky (WB)—John Wayne,<br />
Lloyd Nolan, James Arness. For an egg well<br />
laid, take this—and I hope you get some<br />
business—I didn't. We had the egg but didn't<br />
make the coffee money to go with it. Played<br />
Tues., Wed. Weather: Cool.—Lew Bray jr..<br />
Queen Theatre, McAllen, Tex. Medium smalltown<br />
English-Spanish speaking patronage.<br />
Moonlighter, The (WB)—Barbara Stanwyck,<br />
Fred MacMuiTay, Ward Bond. Have yet<br />
to run a 3-D picture in 2-D that was worth<br />
the film it was printed on. Just a waste of<br />
two good stars—Fred MacMurray and Barbara<br />
Stanwyck. If these two will draw for<br />
you—okay, but you still won't please folks.<br />
Played Wed., Thurs., Fri., Sat. Weath3r: Rain.<br />
—Harold Bell, Opera House Theatre, Coaticook.<br />
Que. Small-town and rural patronage.<br />
Three Sailors and a Girl (WB) — Jane<br />
Powell, Gordon MacRae, Gene Nelson. Nothing<br />
wrong with the picture except the drawing<br />
power. We just can't seem to sell music,<br />
regardless. Guess our patrons are tired of<br />
seeing this type of picture on TV so they<br />
want a change when they venture out to a<br />
picture sliow. Played Sun., Mon. Weather:<br />
Fair.-Mayme P. Musselman, Roach Theatre,<br />
Lincoln, Kas. Small-town and rural patronage.<br />
(WBi-Jane Pow-<br />
Three Sailors and a Girl<br />
ell, Gordon MacRae, Gene Nelson. Very entertaining<br />
little musical with good comedy.<br />
However, I've said before and I repeat; unless<br />
it's a musical of the caliber of "Gentlemen<br />
Prefer Blondes," it doesn't go over here. Of<br />
the 143 programs we've shown this year, only<br />
seven have grossed lower than this. Played<br />
Tues., Wed. Weather: Good.—James H. Hamilton,<br />
Pine Hill Drive-In Theatre, Picayune<br />
Miss. Small-town and rural patronage.<br />
Thunder Over the Plains (WB)—Randolph<br />
Scott, Lex Barker, PhylUs Kirk. A Randy<br />
Scott movie that is good but westerns have<br />
shown the biggest drop in attendance since<br />
TV. We just can't do anything with a western<br />
any more—super or not, they do not draw.<br />
Business: Just over 75 per cent. Played<br />
Thurs., Fri., Sat. Weather: Pair.—Ken Christianson,<br />
Roxy Theatre, Washburn, N.D.<br />
Small-town and rural patronage.<br />
MISCELLANEOUS<br />
Amazing Mr. X, The (SR)—Turhan Bey,<br />
Lynn Bari, Cathy O'Donnel. Doubled with<br />
Abbott and Costello in "Who Done It" for<br />
a Halloween midnight show. • We had a lot<br />
of competition around us so we didn't do as<br />
well as expected—but not bad, considering<br />
we stUl had a good average day's business.<br />
Toward the end of "Mr. X" we turned the<br />
hghts off and a small spot on and had our<br />
aisles. This sure clammered everyone U]<br />
ing to find out who it was. Played Sat.<br />
night. Weather: Cool.—Lew Bray jr., (<br />
Theatre, McAilen. Tex. Small-town<br />
mixed English-Spanish speaking patr(<br />
Country Parson (SR)—In a Lutheran<br />
munity. which ours is, this one put m£<br />
the table. My patrons liked it better<br />
"Martin Luther" and it made me more n<br />
Play it, by all means, and you'll be :<br />
and so will your patrons. This film was<br />
by the Lutheran church and in no wa;<br />
offensive to any other church group. Pi<br />
like this make it great to be in this bu<br />
Rental fair—no percentage—no adve:<br />
budget—nobody trying to tell you how<br />
your theatre and it was one of the t<br />
grosses all summer. We have two live<br />
nels on TV batting us down and we<br />
shows like this to drag them away frorr<br />
sets. Rush a date if you haven't yet<br />
;<br />
it. I played it on big screen 2:1 and it<br />
out swell. Played Fri., Sat. Weather: G<br />
Ray S. Hanson, Fox Theatre, Fertile,<br />
Small-town and rural patronage.<br />
I'm From Arkansas (SR)—If you ar<br />
small rural situation this hillbilly is gi<br />
teed to pull them in. There is plenty c<br />
in this one and, for the first time in n<br />
moon, I got what I call a good Fridayday<br />
turnout. A prolonged dry spell h<br />
only dried up the land but the farme<br />
come as well so it was wonderful to<br />
good house for a change. I booked i<br />
the Wallace Film Exchange in Atlant<br />
this company has the best terms for<br />
towns of any distributor there. Wf<br />
Clear and cold.—I. Roche, Vernon T<br />
Vernon, Fla. Small-town and rural f<br />
age.<br />
Keep 'Em Slugging (SR^—Reis.sue.<br />
End Kids, Evelyn Ankers, Frank Alb<br />
This is an old one and a good little<br />
but, due to low line voltage, my patror<br />
disappointed all three nights. Believe it<br />
have done all right under normal com<br />
Played Tues., Wed., Thurs. Weather<br />
and cool.—Garland Lamb. Crown T<br />
Lincoln, Ark. Small-town and rural i<br />
age.<br />
Knockout Parade (Swartz-Ind.i—<br />
ette. If you need a good selling shoi<br />
ject with a^punch—this is it. Sold rigl<br />
good paper and trailer. We need rr<br />
these featurettes that can be sold tc<br />
some of the small pictures to make the<br />
money-makers. <strong>Boxoffice</strong> only a<br />
Played Fri., Sat. Weather: Warm<br />
Christianson, Roxy Theatre, Washburr<br />
Small-town and rural patronage.<br />
Reaching From Heaven (SR)—Here<br />
of the best small-town pictures I ha'<br />
played in my drive-in theatre. We pi<br />
on a Tuesday-Wednesday-Thursday t(<br />
250 per cent of normal top busines<br />
third day outgrossed the second daj<br />
eating it had good word-of-mouth a(<br />
ing. Still getting compliments from i<br />
trons.—Ray Schmidt, Family Drive-I:<br />
atre, Jasper, Ind. Small-town and rur<br />
ronage.<br />
Tomorrow Is Too Late (Burstyn)—<br />
geli, Vittorio DeSica, Lois Maxwell,<br />
one honey of a film which played to<br />
lent houses. Usually our crowd does i<br />
"sub" titles but they came in their hi<br />
to see it. I would recommend any hoi<br />
where to play it. Slant your advertis<br />
ward the family and ask them to brir<br />
children 12 and over. You'll make pi<br />
friends. And, small houses, don't pa<br />
cause it's in Italian. If your patrons a<br />
they'll love it and word-of-mouth wi<br />
in "the others. Played Sun., Mon.,<br />
Weather: Fine.—Dave S. Klein, Astra<br />
tre, Kitwe-Nkana, Northern Rhodes<br />
rica. Mining, government and busine<br />
TnnQCTP
I Drama<br />
e number. For listings by company, in the order of releose, see Feature Chart. JJ^^JJ^^^ Ui^Z^^i<br />
od; Good; — Fair; ~ Poor; — Very Poor. In the summary if is rated 2 pluses, — as 2 minuses.<br />
rama Para 5- 1-54 d:<br />
UA 1- 2-54 tt<br />
tie<br />
20th-Fox 10-16-54 ±<br />
oe (90) Drama UA 6- 5-54 ff<br />
106) Drama. . .Col 6-27-53 +<br />
cumenlary RKO 9-25-54 +<br />
I.F.E. 7-31-54 +<br />
Para 2- 6-54 —<br />
(Jy U-l 6- 5-54 +<br />
a<br />
RKO<br />
ry. .Mayer-Kingslty 2- 6-54 +<br />
UA 7- 3-54 +<br />
raraa AA 4-17-54 +<br />
MGM 11- 6-54 ff<br />
nedy Rep 12-18-54 ±<br />
^<br />
2) Western. .MGM 12-18-54 +<br />
Drama Col 12-26-53 ±<br />
Col 2-27-54 ±<br />
3 Col 12-18-54 ±<br />
!g) Drama... UA 10- 9-54 ++<br />
Col 2-27-54 ±<br />
UA<br />
ima UA 1- 1-55 +<br />
UA 1-30-54 +<br />
UA 3- 6-54 -<br />
a MGM 10- 9-54 4+<br />
a<br />
LP<br />
AA<br />
AA 3-13-54 +<br />
Vestern Col 9-11-54 +<br />
LP<br />
Western U-l 5-22-54 +<br />
rama Col 10-30-54 +<br />
Drama<br />
le<br />
LP 4-24-54 ±<br />
LP<br />
U-l 8- 7-54 +<br />
20th-Fox U-27-54 -<br />
UA 12-25-54 +<br />
2mh-Fox 10-30-54 ++<br />
I) Drama AA 10- 9-54 +<br />
U-l 1- 9-54 ±<br />
Drama U-l 1-23-54 +<br />
Western WB 8-28-54 +<br />
ers (66)<br />
imedy<br />
AA 7-17-54 ±<br />
AA<br />
8) Drama... WB 1-16-54 +<br />
0) Drama. I.F.E. 10-23-54 +<br />
15) Drama.. .Para 1- 1-55 ++<br />
MGM 8-14-54 )+<br />
2Glh-Fox B- 7-54 ff<br />
irama Col 8-21-54 —
tEVIEW DIGEST « very Good; + Good; ± Fair; - Poor; = Very Poor. In the summory ff is rated 2 pluses, — as 2 minuses.<br />
>31 Great Gilbert and Sullivan, Tlis (112)<br />
Musical UA U-14-53 +t<br />
;73Grecn Fire (100) Drama MGM 12-25-54 +<br />
)79 Guilt Is My Shadow (86) Drama Siratlord 5- 8-54 ±<br />
i53 Gypsy Coll (72) Drama MGM 1-30-54 -f<br />
++<br />
+<br />
-f- ± -f tt<br />
4+ tt 1>4-<br />
+ + s-fi-<br />
- 1+2-<br />
+ 7+1-<br />
H<br />
Half-way to Hell (61) Documentary. .Hallmafk<br />
Hans Christian Andcreen (112)<br />
Musical<br />
RKO 11-29-52 H<br />
Hansel and Gretel (75) Fantasy RKO 10-16-54 +<br />
Heat Wave (70) Drama LP 10-16-54<br />
Heidi (97) Drama UA 1- 9-54 ++<br />
Hell and High Water (103) Drama<br />
(Cinemascope) 20th-F(a 2- 6-54 H<br />
Hell Below Zero (90) Drama Col 5-29-54 -f<br />
Hell Raiders of tite Deep (93) Drama. . I.F.E. 5- 8-54 +<br />
Hell's Half Acre (91) Drama Rep 2-13-54 ±<br />
Hell's Outpost (..) Drama Rep<br />
Ho- Twelve Men (91) Comedy-Drama MGM 7- 3-54 (+<br />
Hijh and Dry (93) Comedy U-l 8-28-54 -f<br />
High and the Mighty, The (153) Drama<br />
(Cinemascope) WB 5-29-54 tt<br />
Highway Dragnet (72) Drama AA 1-30-54 ±<br />
His Last Twelve Hours (89) Com-Or.. . I.F.E. 6-26-54 +<br />
His Majesty O'Keefe (88) Drama WB 1- 2-54 +<br />
Hohson's Choice (107) Comedy UA 6-19-54 f)-<br />
Hondo (83) Drama (Three-dimension) WB 12- 5-53 tt<br />
Horse's Mouth, The (77)<br />
Comedy Hayer-Klngsley 1-23-54 +<br />
Human Desire (90) Drama Col 8-14-54 ±<br />
Human Jungle (82) Drama AA 9-18-54 +<br />
Husband for Anna, A (105) Drama I.F.E.
I; + Good; * Foir; — Poor; = Very Poor. In the summary W is rated 2 pluses, — os 2 minuses. REVIEW DIGEST<br />
3<br />
5
I<br />
Return From the Sea (80). . . .0.<br />
.W.<br />
.<br />
I<br />
i<br />
©aStudent<br />
mWMi fiiJiJil?<br />
.<br />
time is in parentheses. Letters ond combinations thereof indicote story type as follows: (C) Com<br />
Dromo; (AD) Adventure-Dramo; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SV<br />
western. Releose number follows, o denotes EOXOFFICE Clue Ribbon Award Winner. Phot<br />
G Color; \' 3-D; a Wide Screen. For review dates and Picture Guide pogc numbers, see Review Die<br />
.<br />
ALLIED<br />
ARTISTS<br />
Forty-Ninen, The (70'/2) W. .5424<br />
Wild BUI Elliott. Virginia Grey, Denver Pyle<br />
IS Bowery Boys Meet the Monsters<br />
(66) C..5419<br />
Leo Oorcey, Huntz Hall. L«ura Mason<br />
@ Desperado, The (81) W. .5426<br />
Wayne Morrto, Betetly Oarland. J. Lydon<br />
m Weak and the Wicked, The<br />
(72) 0..5432<br />
Olynlj Jofana, Jobn Qregson. Simons BHva<br />
.5409<br />
Jan Sterling. Neville Brand, Robert Arthur<br />
COLUMBIA<br />
-J/Mod Mogicion, The (72) D. .640<br />
Vincent Price. Mary Murphy. Eva Gabor<br />
Massacre Canyon (66) W. .635<br />
Phil Carey. Audrey Totter, Charlita<br />
Mioml Story, The (75) D. .641<br />
Barry Sullivan, Adeie Jergens. Luther Adler<br />
Jungle Mon-Eoters (68) O. .707<br />
Johnnv Wei^smiiller. Karin Booth, B. Stapley<br />
©Soracen Blade (76) D. .633<br />
liicardo Montalban, Betu St. John<br />
©Hell Below Zero (91) D. .709<br />
Alan Ladd. Joan Tetzel, Basil Sidney<br />
Indiscretion of an American<br />
Wife (63)<br />
D..703<br />
Jennifer Jones, Montgomery CUft, V. De8ia<br />
©Outlaw Stallion (64) W. .705<br />
Phil Carey, Dorothy Patrick<br />
LIPPERT<br />
S Monster From the Oceon Floor<br />
(64) D..5328<br />
Stuart<br />
a (69)<br />
Anne Klmbell,<br />
©The Cowboy<br />
Wade<br />
Doc .. 5408<br />
Narrators : Tei Rltter. BUI Conrad. John Dehner<br />
a Big Chose, The (60) D. .5328<br />
Lon Chaney, Glenn Langan<br />
m Paid to Kin (70) D. .5326<br />
Dane Clark, Cecil Chevrean, P. Carpentef<br />
a River Beat (73) D . . 5329<br />
Phyllis Kirk, John Bentley. Eobert Ayres<br />
M-G-M<br />
a ©Prisoner of Wor (81)..<br />
Ronald Rta^an. Dewey Martin,<br />
Is ©Flame and the Flesh (10<br />
Lana Turner, Carlos Thompson<br />
31 ©Men of the Fighting Lad<br />
Van Johnson. Dewey Martin. 1<br />
Prince, The (1i<br />
.\nn BIyth, Edmund Purdom.<br />
gl ©Valley of the Kings (83)<br />
Robert Taylor. Eleanor Parker<br />
3) Security Risk (69) D. .5417<br />
John Ireland. Dorothj &lalone, Keith Lanen<br />
!<br />
Kifier Leopard (70) O. .5412<br />
Juhtiny Sbefrield. Beverl; Oarlaod<br />
©Law vs. Billy the Kid, The<br />
(73) W. .711<br />
Scott Brady, Betta St. John, Alan Hale jr.<br />
Pushover (88) D. .704<br />
Fred .MacMurray. Kim Novak, Phil Carey<br />
@ Thunder Poss (76) W. .5405<br />
Dane Clark, Dorothy Patrick, Andy Devlne<br />
S UQcrSeven Brides for Se<br />
Brothers (102)<br />
Jane Powell. Howard Keel. Ji<br />
i©Her Twelve Men (91). .<br />
Greer Garson. Robert Ryan, B<br />
H) Jungle Genti (64) C. .5420<br />
Leo Gorcey, Hunts HaU, Laiirette Lua<br />
lis Two Guns and o Bodge (69) . .5427<br />
Wayne Morris, Damian cnynn, B. Barcroft<br />
©Black Dokotas, The (65) W. .721<br />
Gary Merrill. Wanda Hendrli, John Bromfield<br />
©Bullet Is Waiting, A (82) . . . .D. .712<br />
Jean Shnmons, Rory Calhoun, Stephen McNally<br />
Human Desire (90) D . . 71<br />
Glenn Ford. Gloria Grahame, B. Crawford<br />
m Terror Ship (72) D . . 5330<br />
William Lundlgan<br />
63 Silent Raiders (65) D . . 5404<br />
Bichard Bartlett. Earle Lyon, Jeanette Bordeaux<br />
a Unholy Four, The (80) D, .5401<br />
Paillette Goddard, William Sylvester<br />
g] ©Betrayed (108)<br />
Lana Turner, (Hark Gable, V<br />
0©i=>Brigadoon (108),...<br />
Gene Kelly. Van Johnson, C<br />
[5] Human Jungle, The (82) D. .5501<br />
Gary Merrill. Jan Sterliiis, Paula Raymond<br />
On ttie Waterfront (108) D..702<br />
Marlon Brando. Karl Maiden, Lee J. CM><br />
©Three Hours to Kin (77) W. .720<br />
Dana Andrews, Donna Beed, Diane Poster<br />
H) Deadly Game, The (. .) D, .5402<br />
Uoyd Bridges, Flnlay Currie. Slmone Silva<br />
E Rogue Cop (92)<br />
Robert Taylor. George Bait, J,<br />
a Bob Mothios Story, The (80).. D .5502<br />
Bob Mathiaf, Diane Jergens, Ward Bond<br />
il ©Beau Brummell (107)..<br />
Elijibetb Taylor. Stewart Gran<br />
a Target Earth (75) D. .5503<br />
Virginia Grey, Richard Denning, K. Crowley<br />
iS Cry Vengeance (83) D . . 5504<br />
Mark Stevens, Martha Hyer, Joan Vohi<br />
Affoirs of Messalino, The ( 1 06) . . D .<br />
Maria Felii. Georges Marchal<br />
©Block Knight, The (85) D. .719<br />
Alan Ladd, Patricia Medina. A. Morrell<br />
Cannibal Attack (69) D. .718<br />
Johnny Weissmuller. Judy Walsh, David Braet<br />
©Fire Over Africa (84) D..716<br />
Maureen O'Hara, Macdooald Carey<br />
SThe Siege (63).<br />
Special east<br />
.D..5323<br />
©Athena (96)<br />
Jane Powell. Vic Damone, D(<br />
©Last Time I Saw Paris,<br />
(116)<br />
Elizabeth Taylor. Van Johnson<br />
[S Port of Hell ( . . ) D . . 5505<br />
Dane Clark, Carole Matthews, W. Morris<br />
a ©Tonight's the Night (88) . . . .C. .5506<br />
Yvonne De Carlo, David Nlven, B. Fitzgerald<br />
Phffft (88) C..715<br />
Judy Holliday. Jack Carson, J. Lemmon<br />
©They Rode West (84) W. .717<br />
Robert Francis. Donna Beed, PUl Carey<br />
m Roce for Life, A (69) D<br />
Bichard Conte, Marl Aldon<br />
5403<br />
S ©Black Pirates ( . . ) D . . 5407<br />
.\nthony Dester. Lon Chaney, Robert Clarke<br />
H) Crest of the Wave (91)..<br />
Gene Kelly. John Justin, Jefl<br />
©Deep in My Heart (132)<br />
Jose Ferrer. Marie Oberon, He<br />
(1) Bowery to Bagdad (64) C. .5421<br />
Leo Gorcey, Hiinlz Hall, Eric Blore<br />
Big Combo, The (89) D. .5508<br />
Cornel Wilde. Jack Paiance, Richard Coot*<br />
Treasure of the Ruby Hills (. .).W. .<br />
Zachary Scott, Bart McLane, C. Matthews<br />
Bamboo Prison, The (80) D..73I<br />
Robert Francis. Diane Foster, Brian KeUh<br />
©Masterson of Kansas (73).... W..<br />
George Montgomery. Nancy Gates, David Bruce<br />
©aViolent Men, The (96) W. .735<br />
Glenn Ford, B. Stanwyck. E. G. BoMnsoo<br />
a They Were So Young (..)... .D. .5406<br />
Scott Brady. Raymond Burr<br />
HI Silver Star, The (. .) W. .5411<br />
Bdgar Buchanan. Marie Windsor, L. Chaney<br />
3 ©oBod Day at Black Rod<br />
Spencer Tracy. Robert Ityan, .<br />
in ©aGreen Fire ( 1 00)<br />
Stewart Granger, Grace Kelly.<br />
©Jupiter's Darling (. .)..<br />
Esther Williams. Houard Keel.<br />
©oMony Rivers to Cross (<br />
Eleanor Parker, Robert Taylor<br />
©African Fury Doc . .<br />
©Annapolis Story, The D. .<br />
John Derek, Diana Lynn, Kerln McCarthy<br />
Code Three W. .<br />
Bill Elliot. Keith Larsen<br />
God's Angry Man D. .<br />
Raymond Ma.'^.sey. Debra Paget<br />
High Society C. .<br />
Uo (^rcry, Huntz Hall, Amanda Blake<br />
Murder Is My Beat D. .<br />
Barbara Payton, Paul Langton, Selena Boyle<br />
©Shotgun D .<br />
Sterling Hayden, Y. Dc Carlo. Z. Scott<br />
Twilight Alley D. .<br />
Richard Conte, Virginia Grey, Constance Smith<br />
©Worrier, The D. .<br />
Errol Flyno, Joanne Dm, Peter Pinch<br />
Bandit, The (92) D. .<br />
Alberto Ruschel. .Marisa Prade. M. Bibeiro<br />
QCaine Mutiny, The (125) D..701<br />
Ilumtihrey Bo;art, Van Johnson. Jose Perrer<br />
Detective, The (91) CD. .<br />
Alfc Guinness, Jn.m Greenwood. Peter Finch<br />
End of the Affair, The D. .<br />
I>''l)i)r.Th Kerr. Van Jolinson. John .Mills<br />
©Guy That Won the West W. .<br />
Dennis Morgan. I'aula RaMnond. R. DenDlnc<br />
©cLong Groy Line, The D. .<br />
T>Tone Power. .Maureen O'Hara<br />
©cMon From Laromie, The....D..<br />
James Stewart. Cathy O'lJonneli. Donald Crlip<br />
©Prize of Gold D . .<br />
Richard Widmark. Mai Zett«rU«<br />
©Three for the Show M. .<br />
Betty Grable. .Marge and Gower Champion<br />
Air Strike (. .) D. .5413<br />
Richard Penning. Gloria Jean<br />
Gloss Tomb, The D. .5409<br />
John Ireland<br />
Shock!! (. .) D. .5412<br />
Brian Donlevy, Margia Dean, Jack Warner<br />
©Bedeviled<br />
.\nne Baxier. Steve Forrest<br />
QGIoss Slipper, The<br />
U'^Iie Carnn. Mich.ael Wilding.<br />
0=Hit the Deck<br />
.lani' Tn^ell. Tuny Martin. Del<br />
©alnterrupted Melody<br />
Eleanor Parker, Glenn Ford,<br />
.<br />
R<br />
.<br />
©Invitotion to the Dance.<br />
Gere Kelly, Belita, Tamara To<br />
©It's Always Fair Weothe<br />
Gene Kelly. Cjd Cliarisse. Dan<br />
©c^Love Me or Leave Me.<br />
lUiris Day. James Cagney. C.<br />
©oMoonfleet<br />
Ste\iart Gran^;er. Viveca Undfor<br />
©Prodigal, The<br />
Lana Turner, Bdmond Purdom,
FEATURE<br />
CHART<br />
Type<br />
Rel.<br />
No.
.<br />
.<br />
.<br />
1<br />
©Drognet<br />
.<br />
'<br />
(^TURE<br />
MITED<br />
ARTISTS<br />
CHART<br />
.Witness to Murder (83) D. .5420<br />
Barbara Stan»sck. Gary Merrill, 0. 8»ndtfS<br />
OCaptoin Kidd and the Slave<br />
Girl (83) D..54I8<br />
Eti Cobor, A/ithony Dciter, Alan Hale Jr.<br />
O Yellow Tomahawk, The (82). .D. .5414<br />
Rory Calhoun, Peggie Caslle, Noib Beery<br />
Long Wait, The (93) D..5421<br />
Air.hony Quinn, Charles Coburn, Gene Evans<br />
©Challenge the Wild (72) Doc. .5422<br />
Frank Graham and Family<br />
Hobson's Choice (107) C. .<br />
Cliarles Laucbton, John Mills, Brendi De Banile<br />
©Gog (85) D..5423<br />
Blchard Egan, Constance DowUng, H. Marshall<br />
©Man With o Million (90) C. .<br />
Gregory Peck, Jane GrltriUu, A. B. JUttbeirs<br />
©Adventures of Robinson<br />
Crusoe (90) D. .<br />
Dan OHerllliy. James Femindei, C. Lopei<br />
©Apache (90) W..5427<br />
Burt Lancaster. Jean Peters<br />
Lowless Rider, The (62) W. .5431<br />
Johnny Carpenter. Kraokle Darro<br />
©Return to Treasure Islond (75) D. .5417<br />
Tab Uunter, Dawn Addanu, Jime» Seaj<br />
©Crossed Swords (85) D. .5334<br />
Errol Flynn. Gina Lollobrlglda<br />
Diamond Wiiord, The (83) D. .5432<br />
Dennis O'Keefe, Margaret Sheridan<br />
Down Three Dork Streets<br />
(85) D..5433<br />
Broderlck Crawford, Ruth Roman, Martha Hyer<br />
Malta Story, The (103) D..5429<br />
Alec Guinness. Jack Ilawklus, Flora Robson<br />
Victory at Sea (97) Doc .<br />
©Jessse James' Women . W. .5435<br />
(83). .<br />
Jack Beutel<br />
. .D. .5437<br />
Don Barry, Pegple Castle,<br />
©Golden Mistress, The (82). .<br />
John Agar. Kosemarle Bowe, Klkl<br />
©Khyber Potrol (71) D. .5419<br />
Kirhard Efian. Davrn Addams, Patrlc Knowles<br />
Suddenly (77) D. .5436<br />
Frank Sinatra, Sterling Hayden, Nancy Gales<br />
Barefoot Contesso, The (128).D. .5440<br />
Humphrey Boearl. Ara Gardner, E. O'Brien<br />
LiMIe Kidnappers, The (93) D..5439<br />
Adrii-nne Corrie, J. Whitley, V. Winter<br />
Operotion Manhunt (77) D. .5441<br />
Harry Townes. Irja Jensen, J. Aubuchon<br />
©Sitting Bull (105) W..5434<br />
Dsle Robertson, J. Carrol Nalsb<br />
Shield for Murder (82) 0. .<br />
Edmond O'Brien. Maria £ngllsb<br />
Snow Creature (70) D. .5447<br />
Paul Langlon. Leslie Denison<br />
Twist of Fate (89) D. .5446<br />
Gincer Rogers. Jacques Bergerac, Herbert Lom<br />
©White Orchid, The (81) D..5414<br />
William Lundigan. Pt-gcle Castle<br />
©You Know What Sailors Are<br />
(89) C. .5445<br />
©Romeo ond Juliet (140) D. .5449<br />
Lawrence Uarvev, Flora BobisoD, 8. Shontail<br />
Steel Cage, The (80) D..5443<br />
Paul Kelly, M. O'Sullivan, W. Bleiak<br />
Battle Toxi (. .) D. .<br />
Sterling Hayilen. Arthur Frans, M. Thompson<br />
©Beochcomber, The (82) D. .<br />
Rolii'rt Ntwtnn, Glsnis Johns, Donald Sinden<br />
Block Tuesday (80) D. .5450<br />
E G. Riilnnson, Jean Parker, Peter Graves<br />
©Vera Crui (94) AD.. 5448<br />
Gary Cooper, Burt Lancaster, Denlse Darcel<br />
OaGentlemen Marry Brunettes. M. .<br />
Jane Russell. Jtanne Crain, Scott Brady<br />
Good Die Young, The D.<br />
John Ireland. Clurla Grahame, L. Bariey<br />
©oKcntucklon, The D. .<br />
Burt L.inc.-i5ler. Kiana Lynn, Una Merkel<br />
©Lilacs In the Spring M..<br />
Night of the Hunter D. .<br />
Rdbfrt Mltcbum, Shelley Winters, Ulllao Qlsh<br />
Othello D. .<br />
Orson Welles. Suianne ClouUer, ray Compton<br />
©Purple Ploln, The D. .<br />
Gregory Peck, B. De Banile, Win Mln tti<br />
©Star of Indio D . .<br />
Cornel Wilde. Jean Wallace. Herbert Lorn<br />
©Stronger on Horseback M. .<br />
Joel McCrea, Mlroslava<br />
©Summertime CD. .<br />
UNIYERSAL-INT'L.<br />
Firemon Save My Child (80) C..421<br />
Buddy Hackett, Hugh O'Brian, Adele Jergens<br />
Ploygirl (85)<br />
Shelley Winters, Barry SullivaD,<br />
„'°V,'*^°<br />
a Palmer<br />
Block Horse Canyon (82) D. .423<br />
Joi-1 .McCria. .Marl Blanchard. Murryn Eye<br />
©Drums Across the River (78).SW..422<br />
Audle Murphy, Lisa Gaye, Waller Btennan<br />
Always a Bride (83) C. .485<br />
Peggy L\immins, Terence Morgan. Ronald Squire<br />
©Johnny Dork (85) D. .424<br />
Tony Curtis, Piper Laurie, Ilka Chase<br />
Tanganyika (81) AD. .425<br />
Van Heflin, Ruth Roman. Howard Duff<br />
Fronds Joins the WACs (95). . .C. .427<br />
Donald O'Connor. Julia Adams, Zasu Pitts<br />
UCMognificent Obsession (108).D..428<br />
Jim Wymao, Bock Hudson, Otto Kruger<br />
©oBlock Shield of Falworth,<br />
The (100)<br />
D..430<br />
ot Socorro (80)<br />
Tony Curtis, Janet<br />
©Down<br />
Leigh<br />
D. .431<br />
Hory Calhoun. I'iper Laurie, David Brian<br />
High and Dry (93) C. .486<br />
Paul Douglas. Alex MacKenile, J. Copelaod<br />
Naked Alibi, The (86) D. .431<br />
Sterling Hayden, Gloria Qrahirae, Gene Barry<br />
©Bengal Brigade (87) D . . 434<br />
Rock Hudson. Arlene Dahl, Ursula Thelss<br />
©Four Guns to the Border (87). .W. .502<br />
Rnry Calhoun. Colleen Miller, G. Nader<br />
Ricochet Romance (80) C..504<br />
Marjorle Main. Chill Wills, Budy Vattee<br />
©aSign of the Pagan (92) D. .505<br />
Jeff Cliandlcr. Jane Russell, Dan Durye*<br />
©Yellow Mountain, The (78) W. .510<br />
Lei Marker, Mil* Powers, Howard Duff<br />
©Destry (91) V^. .508<br />
Aiiiiie .Murphj. Marl Blanchard, Lyle Bettger<br />
©So This Is Paris (96) MC . . 507<br />
Tony Curtis. Corlnne Calvet, Gene Nelson<br />
©West of Zonzibor (83) D. .50)<br />
Antliony Steel, Sheila Sim<br />
©criCoptoin LIghlfoot D. .<br />
Rock Hudson. Barbara Rush. Jeff Morrov<br />
©Chief Croiy Horse SW .<br />
Victor Mature, Suzan Ball, John Lund<br />
©For Country, The D..<br />
James Ktcwart, Uutb Roman<br />
©Foxfire D.<br />
Jeff Chandler, Jane Russell, Dan Durye»<br />
©Land of Fury D. .<br />
Jack Ha\\klns, Glynis Johns<br />
Mo and Po Kettle Go to Wolklkl.C.<br />
Marjorle Main. Percy Kilbride, Lori NelsoD<br />
-^'Revengo of the Creature D. .<br />
John Agar, Lori Nelson<br />
Six Bridges to Cross D.<br />
Tony Curtis. Julia Adams. George Nadef<br />
©Smoke SIghol W.<br />
'ana Andrews. I'iper Laurie<br />
I<br />
Thi« Iclnrw4 Fnr4h f^<br />
.<br />
WARNER BROS.<br />
gl©Dlal M for Murder (105) D. .327<br />
Ray Milland, Grace Kelly, Bobert Cummlngs<br />
El Them! (94) D. .328<br />
James n'bltmore, Joaa.WeldOD. Edmund Gwenn<br />
m OO^High and the Mighty,<br />
The (147) D..329<br />
John Wayne, Claire Trevor, Lar&lne Day<br />
aOOaRing of Feor (93) D.i330<br />
Pat O'Brien. Clyde Realty, .Mickey Spillane<br />
U} ©oKing Richard and the<br />
Crusaders (113) D. .331<br />
Virginia Mayo, Rex Harrison, Laurence Harvey<br />
gj ©Duel in the Jungle (102) D. .332<br />
Dana Andrews, Jeanne Grain. David Farrar<br />
(90) D. .401<br />
Jack Webb, Ben Alexander. Ann Robinson<br />
©Bounty Hunter, The<br />
I<br />
(79) SW. .402<br />
Randolph Scott, Marie Windsor. D. Dam<br />
H ©oDrum Beat (111) W. .404<br />
Alan Ladd, Audrey Dalton, Marlsa Pavan<br />
m ©oTrack of the Cat (102) AD. .405<br />
Robert Mitehum, Diana Lynn, Teresa Wright<br />
\<br />
©nStor Is Born, A (154) MD . . 403<br />
Judy Garland, James Mason, Jack Carson<br />
©Young at Heart (121) MC-D..409<br />
Doris Day, Frank Sinatra, E. Barrymore<br />
53 ©aSilver Chalice, The (131) D . . 408<br />
Virginia Mayo, Jack Palance. Pier Angell<br />
a Jump Into Helt (. .) D. .410<br />
Jacques Semas, Arnold Moss, Kurt Kazner<br />
©Bottle Cry D. .<br />
Van lleflin, Aldo Ray, Tab Hunter<br />
©Eost of Eden D. .<br />
Julie Harris, James Dean, Raymond Massey<br />
©Helen of Troy D . .<br />
Rossana Podesta, Jaccjucs Semas, C. Hardwlcke<br />
©Land of the Pharaohs D..<br />
Jack Hawkins. Dewey Martin<br />
©Mr. Roberts C. .<br />
Henry Fonda. James Cagney, William Powell<br />
©Moby Dick D,<br />
Gregory Peck, R. Raschart, Orson Welle*<br />
River Changes, The D.<br />
Itossana itnry. llaral Maresch<br />
©Sea Chase, The D.<br />
John Wayne, L.ina Turner, Tab Hunter<br />
©iStronge Lady in Town, A...D..<br />
Greer Garson. I'ana Andrews, Cameron Mitchell<br />
OTall Man Ridina W..<br />
MISCELLANEOUS<br />
AMERICAN RELEASING<br />
Fast and Furious (74)<br />
John Ireland, Dorotby Malone, Bn<br />
ASTOR<br />
Sleeping Tiger, The (89)...<br />
.\iexis Smith, .Meiander Knox, D<br />
BUENA VISTA<br />
©Living Desert, The (72)<br />
©Vonishing Proirie (71)....<br />
©20,000 Leagues Under tli<br />
Sea (128)<br />
Kirk iiouglas, James Masun, P. U<br />
CARROLL<br />
Four Woys Out (77)<br />
Gina Lolloljrigida. Renalo Raldini<br />
©Out of This World (75) Do<br />
Lowell Thomas, Lowell Thomas j<br />
FILMAKERS<br />
Private Hell 36 (81)<br />
Stevo Cochran. Ida Lupino, Howi<br />
HALLMARK<br />
Halfway to Hell (61) Dot<br />
Narration by Quentln Reynolds<br />
©Koromoio (63)<br />
Doc<br />
LF.E.<br />
(American Dialog)<br />
Aida (110)<br />
Sophia Loren, Lois Maxwell, Afr<br />
A Husband for Anne (105). .<br />
Silvana Pampaninl<br />
Bread, Love and Dreams (90)<br />
Vittorio de Slca, Gina LoUobrlgi<br />
City Stands Triol (. .)<br />
Siivania I'arapanlni, Auiedeo Nazzi<br />
Girls Marked Danger (75)..<br />
Elconora Rossi Drago, Vittorio (<br />
©Golden Coach, The (105). .<br />
Anna Magnani, Duncan Lament, 1<br />
Hell Raiders of the Deep<br />
(93)<br />
Elconora Rossi Drago, Pierre Cre<br />
Love in the City (110)<br />
Sensuolito (74)<br />
Eltonora Rossi Drago. Pierre Or<br />
©Theodora, Sieve Empress (8<br />
Gianiii. .Maria Canale. George Jl<br />
Too Young for Love (..)...<br />
Marin Vlady. P. M. Beck, Aldo I<br />
Voice of Silence (..)...,..<br />
Rosanna Podesta, Aldo Fabrlzi. C.<br />
REISSUES<br />
ASTOR<br />
Dangerous Visitor (formerly .<br />
Kiss for Corliss) (88)...<br />
David Nivtn, Sllirley Temple, Tl<br />
Intruder, The (formerly Cov«<br />
Up) (83)<br />
William Bondli, Dennis O'keefe,<br />
Under Suspicion (formerly Di<br />
Trust Your Husband) (90)<br />
Fred MacMurray, Madeleine Carr<br />
Woman Accused (formerly<br />
Without Honor) (69)<br />
Laraine Hay. Dane Clark, Frano<br />
CARROLL<br />
©Down Memory Lone (72) C<br />
Bing Crosby. W. C. Fldds, Qoi<br />
COLUMBIA<br />
Coroner Creek (90)<br />
Randolph Scott, Marguerite Cha<br />
Gunfighters (87)<br />
Randolph Scott. Barbara Britton<br />
Miss Grant Takes Richmond<br />
(87) .<br />
Lucille Ball, WllUam Holdeo<br />
MGM<br />
Dr. Jekyll and Mr. Hyde<br />
(..)<br />
Spencer Tracy, Ingrid Bergman<br />
Torzon Escapes ( . ) .<br />
Johnny WeLssmullcr, Maureen 0'<br />
Torzon, the Ape Man (..)..<br />
Johnny WcissmuUcr, Maureen 0'<br />
Women's Face, A ( . . )<br />
Joan Crauford. Melvyn Douglas<br />
PARAMOUNT<br />
©Reap the Wild Wind (124).<br />
John Wayne, Susan Uayward, Bj<br />
RKO RADIO<br />
Every Girl Should Be Morrle<br />
(85)<br />
Cary Grant, Betsy Drake. Franc<br />
©She Wore a Yellow Ribbon<br />
(103)<br />
Henry Fonda, Joanne Dru<br />
Window, The (73)<br />
Arlliur Kennedy, Ruth Roman, B<br />
CENTURY-FOX<br />
20th<br />
Orchestra Wives (98)<br />
Glenn Miller & Orch., George<br />
Sun Valley Serenade (86)..<br />
Suiija lieiiic, Jolm Payne, Glenn<br />
UNIVERSAL-INTERNATION<br />
Egg ond I, The (108)<br />
Claudette Colbert, t^cd MacMur<br />
WARNER BROS.<br />
Big Sleep, The (114)<br />
Humphrey Bogart. Lauren Bacal<br />
Saratoga Trunk (135)
[ part<br />
; at<br />
—<br />
ri-jjJUJJi*<br />
. . Blazing<br />
ui,jii*ijij^<br />
'<br />
Players<br />
102 Minutes<br />
Ratio: Drama<br />
2.55-1 (CJnemaScopt,<br />
De Luxe Color)<br />
Rel. Ion. 19S5<br />
lught of logic in the Bard's oft-quoted observae<br />
play being the thing, then certainly this<br />
and opulently mounted vehicle should attract<br />
jafronage as one of the most important pictures<br />
r. The film is, in effect, several plays in one, for<br />
f<br />
3 celluloid biography of Edwin Booth, one of<br />
time greats, are sizable and masterfully staged<br />
le of Shakespeare's more popular immortals<br />
hard III" and "Romeo and Juliet." This arrestblending<br />
of drama and tragedy heaped an<br />
outsize proportions upon the broad shoulders<br />
?he Robe") Burton, an assignment which he<br />
mitless distinction. But for all its excellence<br />
that it will be the biggest factor in generating<br />
to the offering—the topliner's portrayal is only<br />
lure's innumerable assets, all of which, parenilly<br />
cry for the attention of smart merchandising<br />
sression be created that "Prince of Players,"<br />
Shakespearean sequences, will fundamentally<br />
et buyers of artistic persuasions, it might be<br />
—early and emphatically—that there are sufnment<br />
qualities to assure a comparable attracnk-and-file<br />
moviegoers. For this rare diversity<br />
2 goodly proportion of the credit must be<br />
lilip<br />
Dunne, who both produced and directed,<br />
ore, he mounted the vehicle lavishly, spectacmpeccable<br />
taste. To aid him in accomplishing<br />
quality, available were many proven filmlients:<br />
A lustrous screenplay by Moss Hart,<br />
lOok by Eleanor Ruggles; a budget of virtually<br />
rtions; the star-encrusted cast; flawless techni-<br />
:nts; CinemaScope and De Luxe color. Fullest<br />
3ken of each, most especially the photographic<br />
pigmentation, which have never been more<br />
jloyed and which are largely responsible for<br />
any sweeping sequences, evident in both the<br />
ne story proper and the interpolation of the<br />
1 scenes. ,<br />
it is through his piloting that Dunne garners<br />
M of his shining dual credit. To him has to<br />
of the praise for Burton's sterling chord<br />
acting contributions of paralleling excellence<br />
he long list of co-starring troupers. As Booth's<br />
an early age, Maggie McNamara delivers<br />
:ally sensitive portrayal, wherein lies the photong<br />
thread of romance. John Derek is adequate<br />
is Booth, the star's hot-tempered, handsome<br />
frustrations and jealousy over Edwin's stage<br />
partially responsible for sidetracking him into<br />
political activities which culminated in his<br />
of President Lincoln. It is the authentic re-<br />
! part that firebrand John Wilkes contributed<br />
history that supplies a framework for the<br />
actioniul passages. Other mummers rating<br />
leir respective donations to the ensemble of<br />
iority aie Raymond Massey. as Junius Brutus<br />
inken, mad father of the talented brothers;<br />
rd, the understanding manager who helped<br />
rareer, and Elizabeth Sellars, as Asia, his sister.<br />
>n, Maggie McNamara, John Derek, Raymond<br />
y, Charles Bickiord. Elizabeth Sellars.<br />
260)<br />
1. *<br />
The Americano<br />
F<br />
Ratio:<br />
RKO Radio (509) 87 Minutes HeL<br />
Western<br />
1.75-1 (TccKriicolor)<br />
All of the ingredients and situations that are to be expected<br />
in a top grade sagebrush picture, plus the appeal of an offbeat<br />
locale, should make this an unusually attractive film<br />
for at least three classes of theatre customers, namely, the<br />
devotees of action, the disciples of straight, engrossing drama<br />
and those who relish the exotic backgrounds of the jungle.<br />
Inasmuch as that trio of entertainment tastes covers a dominant<br />
percentage of potential ticket buyers, there is every<br />
reason to believe that the entry will prove an impressively<br />
profitable booking.<br />
Certainly there are plenty of tried-and-true qualities upon<br />
which the offering can be successfully merchandised and<br />
without worry that the slightest misrepresentation will enter<br />
into the campaign. Witness: A name-freighted cast, eyefilling<br />
Technicolor photography, an arresting title—which<br />
applies also to a haunting theme song—and the intriguing<br />
blend of subject matter. The adroit and convincing manner<br />
in which Guy Trosper, who wrote the screenplay from an<br />
original by Leslie T. While, created the last-named accorded<br />
producer Robert Stillman and executive producer Sam Wiesenthal<br />
a fascinating framework upon which to build. The<br />
elements they employed for such solid construction included,<br />
principally, excellent performances; the lush, scenic beauties<br />
of Brazil's Matto Grosso; expert, well-paced direction by William<br />
Castle, and the effective photography.<br />
While Glenn Ford's delineation is typically talented, ho<br />
is pressed for acting honors by Frank Lovejoy and Cesar<br />
Romero. The femme thespian contributions come from Ursula<br />
Thiess and Abbe Lane, the latter of whom is responsible for<br />
touches of sex and song which will materially enhance the<br />
photoplay's appeal for the male spectators. Ford portrays<br />
a Texas cowpoke who accompanies three prize Brahma bulls<br />
to Brazil, where he becomes embroiled in a bloody, exciting<br />
land war of the type that has supplied the plot for countless<br />
westerns.<br />
Glenn Ford, Frank Lovejoy, Cesar Romero, Ursula Thiess.<br />
Abbe Lone, Rodolio Hoyos jr., Salvador Baguez.<br />
CATCHLINES:<br />
Here's Blazing Adventure ... as a Man From Texas Finds<br />
Himself in the Danger-Laden Jungles of Brazil . . . and Plays<br />
the Most Dangerous Game of All.<br />
Hell's Outpost<br />
F<br />
Ratio: WestefB<br />
1.66-1 Drama<br />
ReL Ian. 15, '55<br />
RepubUc (5315)<br />
90 Minutes<br />
A fast-moving action film of the modern west, with a firstrate<br />
cast of familiar players, this should do good business<br />
wherever action fare is favored and make a satisfactory<br />
supporting dualler generally. While the players are not top<br />
names, Rod Cameron has starred in many cowboy pictures<br />
and Joan Leslie has been featured by most of the major<br />
studios. Only color is lacking to give it a top outdoorsadventure<br />
film rating.<br />
Based on a novel, "Silver Rock," by Luke Short, the story<br />
deals with mining instead of cattle and associate producerdirector<br />
Joe Kane has provided the usual chases, gun<br />
battles and fistic encounters, including a slam-bang fight<br />
between Cameron and John Russell, who plays one of the<br />
most hateful villains encountered in pictures in recent<br />
years. It is to Russell's credit that he makes the portrayal at<br />
all believable. However, Cameron is a forthright, two-fisted<br />
hero and Joan Leslie does a good acting job as does Kristine<br />
Miller as Russell's down-trodden sister.<br />
Rod Cameron arrives in a western mining town, ostensibly<br />
to call on Chill Wills, father of his late war buddy. Actually<br />
Cameron is interested in getting his hands on valuable<br />
tungsten mining claims owned by Wills, but also sought<br />
after by John Russell, the local bariker and town bully,<br />
who refuses permission for a road to move Will's ore. Both<br />
Cameron and Russell are interested in Joan Leslie and, after<br />
a fight over the girl, Cameron gets a loan from Russell's<br />
bank. But the latter soon starts trouble by hiring thugs to<br />
sabotage Wills' equipment and then brings an injunction<br />
to close the road through which his trucks have been transporting<br />
the ore. Russell then plans to set off a dynamite<br />
charge to destroy Wills' mining operations. But Russell is<br />
killed in the blasts, which actually makes room for a new<br />
and better roadway.<br />
Rod Cameron, Joan Leslie, John Russell, Chill Wills, Ben<br />
Cooper, Kristine Miller, Barton MacLone, Jim Davis.<br />
ittable Story of an American Immortal . . .<br />
. . One of the Great Actors of All Time .<br />
. .<br />
Tas Woven Into the Fabric of Our Nation's<br />
an Era When the Country Faced Its Gravest<br />
CATCHLINES:<br />
He Had a Mine to Work and Neither Heaven Nor Hell<br />
Could Stop Him . . . Winner Takes the Girl—and the Ore at<br />
Hell's Outpost . Action and Thrills in the Mining<br />
Country of the Modem West.
'<br />
fascinated<br />
. The<br />
EVIEWS<br />
Adiines for Newspaper and Prog<br />
n Inspector Calls A<br />
Ratio: Drama<br />
Standard<br />
socicrted Artists 80 Minutes Rel.<br />
k serious, thought-provoking and neatly contrived British-<br />
3de film based on the play by J. B. Priestley v/hich had a<br />
ig London and a shorter Broadway run, this is strong fare<br />
the art houses. While Alastair Sim (remembered from "A<br />
iristmas Carol" and other English pictures) is the only<br />
irquee name, the entire cast is excellent. Priestley's name<br />
11 also be a selling angle with many class patrons. Hower,<br />
the picture v/ill have scant appeal for general audiences,<br />
s v/ith so many of Priestley's plays, this has a fascinating<br />
;a— in which five members of a family group are all shown<br />
be involved in the suicide of a young shopgirl, but each<br />
thout the others' knowledge. The ironic twist at the ending<br />
11 be a surprise to everyone. Produced by A. D. Peters<br />
British Lion and well directed by Guy Hamilton, the<br />
n is actually better than the ploy which could only tell<br />
; episodes in the dead girl's past. Here they are enacted<br />
flashbacks.<br />
I<br />
3im plays the Inspector in properly mystifying fashion<br />
d Olga Lmdo, as a high-handed matron, and Bryan Forbes,<br />
the titled hero, make their scene stand out, while Jane<br />
snham is appealing as the unfortunate girl.<br />
A. prosperous, middle-class businessman, his socially surior<br />
wife, their self-indulgent son and their attractive daughare<br />
celebrating the latter's engagement to the eligible<br />
ian Worth when police inspector (Alastair Sim) arrives to<br />
restigate the suicide of Jane Wenham, a girl who once<br />
jrked in the father's office. All of them disclaim all knowlge<br />
of the tragedy until Sim draws each one out and shows<br />
w the father made the girl lose her job, the daughter was<br />
jtrumental in making her lose her next job, the fiance<br />
ide her his mistress and the son was the father of her<br />
born child and the mother refused to aid her charity-wise,<br />
hen the jigsaw is complete, the inspector disappears. Assoited<br />
Artists is at 345 Madison Ave., New York City.<br />
Alastair Sim, Eileen Moore, Arthur Young, Olga Lindo,<br />
Brian Worth, Jane Wenham, Bryan Forbes.<br />
ITCHLINES:<br />
[. B. Priestley's Great Play Becomes a Greater Motion Pic-<br />
. . The Mysterious Visitor Who Made All the Members<br />
e .<br />
the Family Learn the Truth About Themselves ... A<br />
irring Play—At Last on the Screen.<br />
afe of Hell (Jigokumon)<br />
A<br />
trrison & Davidson 89 Minutes<br />
The first Japanese picture in color<br />
Ratio:<br />
Costume Drami<br />
Standard ( Eastman Color)<br />
Rel.<br />
to be shown in the<br />
S. is an exquisitely beautiful, frequently moving tragedy<br />
lich is certain to win critical acclaim and be a boxoffice<br />
nner in the art spots. Winner of the grand prize at the<br />
54 Cannes Film Festival, it was produced by Masaichi<br />
igata for Daiei Studios, which also produced "Rashomon"<br />
,d the recent "Ugetsu," which also attracted attention<br />
the art houses. In these spots, stress the fact that<br />
3chiko Kyo is Japan's most popular screen actress who<br />
30 played the lead in these two earlier films.<br />
Based on historic events in Japanese history, the picture<br />
3S filmed on the island of Mayajima and the photographer,<br />
ihei Sugiyama, and the color consultant have secured<br />
me breathtaking lovely shots of the temples, the homes<br />
id the night sequences. Teinosuke Kinugasa, who directed<br />
id wrote the screenplay, builds the interest, after a slightly<br />
nfusing opening, and eventually achieves a tender and<br />
svitably tragic ending.<br />
The plot, which has its source in a 13th century chronicle,<br />
familiar to every Japanese, but American audiences will<br />
for the first time by the story of a bold warir<br />
in the 1159 insurrection who is assigned to protect a<br />
autiful noblewoman and, after saving her life, falls in love<br />
th her. At the victory celebration, the warrior's chief<br />
ants him any wish but his' plea for the lady's hand is<br />
eeted with laughter and the other warriors tell him she is<br />
ready married to Wataru. The warrior challenges Wataru<br />
a race but the latter loses. The warrior then becomes<br />
slent and pleads with the lady to abandon her husband<br />
he will kill him. She returns'to her husband and asks to<br />
>ep in his bed so that when the warrior thrusts his sword<br />
rough the curtain she is killed. The repentant warrior asks<br />
ataru's forgiveness and vows to expiate his crime by beming<br />
a monk. Harrison iS Davidson is at 1501 Broadway,<br />
;w York City.<br />
Machiko Kyo, Eazuo Hawgawa, Isao Yamagata, Yataro<br />
Kurokawa, Eikue Mohri.<br />
\TCHLINES:<br />
Beauty Never Before Seen on the Screen<br />
-_* T ; »; 1 TT 1 r».*l n 1..<br />
Year's<br />
/(78).<br />
rilter<br />
Ills Th<br />
87).<br />
diklkl<br />
^'\<br />
34,<br />
i3 iJCiJlI V lUljl reviewed in BOXOFFICE during the last twelve months. This is designed<br />
her convenience for Picture Guide Users, the page numbers being the key to reviews kept therein,<br />
quarters. Review Digest pages serve as a cumulative P. G. index.<br />
[TERLY INDEX<br />
PICTURE GUIDE REVIEWS<br />
1954<br />
September 11<br />
Thru December<br />
T SUBJECTS INDEX<br />
MBM<br />
Ilomedies<br />
P. G. Page<br />
1657<br />
napshots<br />
Up 1617<br />
t>le Man 1633<br />
March On. .1629<br />
an Parade. .1669<br />
ial<br />
falo Bill 1657<br />
lomedies<br />
f<br />
Sports<br />
OLDWYN-<br />
YER<br />
.1633<br />
.1665<br />
.1665<br />
.1677<br />
.1633<br />
sons<br />
1617<br />
a 1617<br />
w 1653<br />
1677<br />
1621<br />
>pe Special<br />
The 1613<br />
\OUNT<br />
Cartoons<br />
:e Sportlights<br />
mps 1641<br />
Rides 1677<br />
Itoon<br />
lakers<br />
in Texas,<br />
ghfs . . . .<br />
Cartoons<br />
.1645<br />
.1637<br />
.1621<br />
nish 1617<br />
>ye 1669<br />
RADIO<br />
Cartoons<br />
1653<br />
uee Musicals<br />
intertime. . . .1613<br />
iliners<br />
idge.<br />
I<br />
cial<br />
...1613<br />
...1645<br />
...1613<br />
.1637<br />
scopes<br />
1613<br />
iames 1641<br />
ion 1617<br />
20th CENTURY-FOX<br />
CinemaScope Specials<br />
P. G. Page<br />
Calypso Cruise 1645<br />
Fabulous Las Vegas 1669<br />
Jet Corrier 1653<br />
Miracle of Stereophonic<br />
Sound 1657<br />
Piano Encores 1637<br />
Pride of the Nation 1665<br />
Roger Wogrter Chorales 1641<br />
See It<br />
Happen<br />
Isles of Destiny 1645<br />
Sports<br />
Sporty Simians 1641<br />
Terrytoons<br />
Heckle & Jeckel in Blue Plate<br />
Symphony 1677<br />
Little Roquefort In the Cafs<br />
Revenge 1665<br />
Mighty Mouse in the Reformed<br />
Wolf 1665<br />
UNIVERSAUNTERN'L<br />
Color Parade<br />
Bonus Land 1 629<br />
Musical<br />
Featurette<br />
Going Strong 1629<br />
Special<br />
Speed Sub-Zero 1669<br />
Variety Views<br />
Brooklyn Goes to Philadelphia<br />
.1633<br />
.1645 Walter Lantz Cartunes<br />
Convict Concerto 1633<br />
Fine Feothered Frenzy 1633<br />
Real Gone Woody 1629<br />
WARNER BROS.<br />
Bugs Buruiy Special<br />
Yankee Doodle Bugs 1621<br />
Featurettes<br />
Camera Hunting 1 677<br />
Joe McDoakes<br />
So You're Toking on a<br />
Roomer 1 645<br />
Merrie Melodies<br />
By Word of Mouse 1641<br />
From A to Z-Z-Z 1677<br />
Goo, Goo, Golioth 1665<br />
Stop, Look ond Hosten 1621<br />
Sports Parade<br />
Circus on Ice 1 629<br />
G. I. Holidoy 1613<br />
Technicolor Special<br />
In Fourtcen-Hundred Ninety-<br />
Two 1641<br />
Who's Who in the Zoo 1617<br />
Vitophone Novelties<br />
This Mechanical Age 1657<br />
Volley of the Sun 1617<br />
260)<br />
, J St.<br />
DO. $<br />
It Ira<br />
le-sej<br />
>nttV<br />
ima. )l<br />
QUARTERLY<br />
INDEX<br />
TO<br />
PICTURE GUIDE REVIEWS<br />
First, Second, Third -iqi:^ January<br />
and Fourth Quarters AoO* Thru December<br />
p. G. Page<br />
Arrow in the Dust 1573<br />
Bitter Creek 1 566<br />
Bob Mothias Story, The 1630<br />
Bowery Boys Meet The<br />
Monsters 1598<br />
Cry Vengeance 1660<br />
Desperado, The 1593<br />
Dragonfly Squadron 1556<br />
Forty-Niners, The 1577<br />
Highway Dragnet 1553<br />
Loophole 1561<br />
Bait 1562<br />
Bamboo Prison 1672<br />
Battle of Rogue River 1562<br />
Block Dakotos, The 1615<br />
Black Knight, The 1643<br />
Bullet is Waiting, A 1607<br />
Coine Mutiny, The 1592<br />
Congoceiro (The Bandit) 161S<br />
Cannibal Attock 1652<br />
Detective, The 1634<br />
Drive o Croaked Road 1572<br />
Drums of Tahiti 1545<br />
Fire Over Af rico 1 630<br />
Hell Below Zero 1 586<br />
Human Desire 1606<br />
Indiscretion of on American<br />
Wife 1575<br />
Iron Glove, The 1569<br />
Allied Artists<br />
Columbia<br />
P. G. Page<br />
Paris Playboys 1 563<br />
Police Story, The 1618<br />
Pride of the Bluegross 1570<br />
Return from the Seo 1598<br />
Riot in Cell Block 11 1557<br />
Security Risk 1607<br />
Texos Bad Man 1 561<br />
Tonight's the Night 1655<br />
Two Guns and a Bodge 1620<br />
Weak and the Wicked, The.. 1600<br />
World for Ransom 1556<br />
It Should Happen to You 1550<br />
Jesse James vs. the Doltons .<br />
Jungle Mon-Eoters 1586<br />
Law vs. Billy the Kid, The. . . .1601<br />
Mad Magician, The 1569<br />
Mossocrc Canyon 1574<br />
Mosterson of Kansas 1661<br />
Miami Story, The 1572<br />
Miss Sadie Thompson 1546<br />
On the Waterfront 1599<br />
Outlaw Stollion, The 1593<br />
Porotrooper 1 546<br />
Phffft 1639<br />
Pushover 1599<br />
Saracen Blade, The 1583<br />
They Rode West 1636<br />
Three Hours to Kill 1618<br />
Violent Men, The 1676<br />
IFE Releasing Corp.<br />
Aida 1602<br />
Anita Garibaldi 1555<br />
Bread, Love and Dreams 1637<br />
Girls Marked Danger 1597<br />
Golden Cooch, The 1559<br />
Greatest Love, The 1552<br />
Hell Roiders of the Deep 1580<br />
Blackout 1576<br />
Cowboy, Th« 1548<br />
Fongs of the Wild 1566<br />
Heat Wove 1 636<br />
His Last Twelve Hours 1593<br />
Journey to Love 1563<br />
Lure of the Sila 1549<br />
My Heart Sings 1580<br />
Sensuolita 1583<br />
Torontella Nopoletono 1589<br />
Theodora, Slave-Empress 1653<br />
Lippert Productions<br />
Paid to Kill 1678<br />
River Beat 1599<br />
Unholy Four, The 1632<br />
White Fire 1557
Metro-Goldwyn-Mayer<br />
p. G. Page<br />
leno 1 647<br />
i Day at Block Rock 1671<br />
rayed 1 600<br />
lu Brummell 1625<br />
gadoon 1606<br />
St ot the Wove 1651<br />
;p in My Heart 1662<br />
cutjve Suite 1 562<br />
me ond the Flesh 1577<br />
en Fire 1673<br />
>sy Colt 1553<br />
Twelve Men 1596<br />
ghts of the Round Toble..1545<br />
t Time I Sow Poris, The.. 1647<br />
>ut Mrs. Leslie 1577<br />
ska Seos 1555<br />
onovo's Big Night 1563<br />
intry Girl, The 1663<br />
>hant Walk 1572<br />
iro 1552<br />
ck on Wood 1572<br />
ng It Up 1578<br />
mie Kid, The 1672<br />
I's Half Acre 1558<br />
nny Guitar 1 579<br />
ilee Trail 1551<br />
ghing Anne 1578<br />
le Haste to Live 1571<br />
cost. The 1595<br />
CO Adventure 1623<br />
livol Story, The 1570<br />
le Queen of Montana. .. .1658<br />
gerous Mission 1561<br />
ch Line, The 1548<br />
sel and Gretet 1 635<br />
Ts From Space 1554<br />
ion 1631<br />
sntures of Hojii Baba....l634<br />
k 13 1659<br />
k Widow 1642<br />
en Lonce 1 604<br />
len Jones 1635<br />
ctrius and the Gladiators. .1590<br />
ee 1654<br />
I's Harbor 1673<br />
bier from Natchez, The.. 1604<br />
en of Evil 1595<br />
la ot Large 1580<br />
ond High Water 1556<br />
Croiy 1546<br />
Faces 1559<br />
t People 1 570<br />
of Love. . 1546<br />
ntures of Robinson<br />
usee 1587<br />
he 1595<br />
oot Contessa, The -.1627<br />
iheod 1553<br />
the Devil 1564<br />
hies of the Night 1573<br />
itn John Smith and<br />
cahontos 1565<br />
in Kidd and the Slave<br />
I<br />
1585<br />
ed Swords 1 602<br />
nn,1 U/:* I -ri vpnn<br />
Paramount<br />
Republic<br />
RKO Radio<br />
20th Century-Fox<br />
United Artists<br />
P. G. Page<br />
Long, Long Trailer, The 1547<br />
Men of the Fighting Lady.... 1582<br />
Monster From the Ocean<br />
Floor 1606<br />
Prisoner of Wor 1569 ^er<br />
Rhapsody 1 560 '<br />
Rogue Cop 1612<br />
Rose Marie 1564<br />
Soodia 1547<br />
Seven Brides for Seven<br />
Brothers 1588<br />
Student Prince, The 1587<br />
Tennessee Champ 1560<br />
Thunder Pass 1 607<br />
Valley of the Kings 1597<br />
Noked Jungle, The 1558<br />
Rear Window 1600<br />
Red Garters 1558<br />
Sobrino 1604<br />
Secret of the incai 1584<br />
Three Ring Circus 1638<br />
White Christmas 1611<br />
Red River Shore 1545<br />
Roogie's Bump 1622<br />
Shanghai Story, The 1632<br />
She-Wolf, The 1564<br />
Tobor the Great 1612<br />
Trouble in the Glen 1664<br />
Untomed Heiress 1576<br />
Quest for the Lost City 1678 U) (71<br />
Saint's Girl Friday, The 1568<br />
She Couldn't Say No 1549<br />
Silver Lode, The 1 582<br />
Sins of Rome 1594<br />
Susan Slept Here 1 594<br />
This Is My Love 1631<br />
Other Womon, The 1680<br />
Outlaw's Daughter, The 1659<br />
Prince Voliont 1571<br />
Princess of the Nile 1591<br />
Rocing Blood 1570<br />
Raid, The 1 600<br />
River of No Return 1576<br />
Rocket Man, The 1578<br />
Royal Tour of Queen<br />
Elizabeth 1593<br />
Siege ot Red River, The 1568<br />
There's No Business Like Show<br />
Business 1 666<br />
Three Coins in the Fountain. . 1583<br />
Three Young Texons 1549<br />
Womon's World 1628<br />
Down Three Dork Streets 1611<br />
Dragon's Gold 1553<br />
Go, Mon, Go!<br />
issi<br />
Gog 1589<br />
Golden Mask, The 1565<br />
Golden Mistress, The 1639 /i<br />
Heidi 1548 ^:<br />
Hobson's Choice 1592<br />
Jesse James' Women 1619<br />
Khyber Potrol 1608<br />
Lawless Rider, The 1643<br />
Little Kidnappers, The 1608<br />
/;<br />
,» rb<br />
Ikl<br />
fl<br />
United Artists (Cont'd)<br />
p. G. Page<br />
Long Wait, The 1577<br />
Malta Story, The 1602<br />
Man With o Million 1585<br />
Operation Manhunt .'..1648<br />
Overland Pocific 1557<br />
Personol Affair 1556<br />
Queen's Royal Tour, A 1567<br />
Return to Treasure island. .. 1 595<br />
Riders to the Stars 1552<br />
Romeo and Juliet 1675<br />
Scarlet Speor, The 1567<br />
Shield for Murder 1611<br />
Sitting Bull 1619<br />
P. G. Pa<br />
Steel Coge, The i<<br />
Snow Creature 1 ^<br />
Southwest Passage 15<br />
Suddenly<br />
1^<br />
Top Banana 15<br />
Twist of Fote 16<br />
Vera Cruz 16<br />
Victory at Sea 15<br />
White Orchid, The 16<br />
Witness to Murder 15<br />
Yellow Tomahawk, The 15<br />
You Know What Sailors Are.. 16<br />
Universal-International<br />
Alwoys a Bride 1588<br />
Bengol Brigade 1 640<br />
Block Horse Canyon 1 584<br />
Block Shield of Folworth 1 603<br />
Border River > 1 547<br />
Both Sides of the Law 1551<br />
Creature From the Black<br />
Lagoon, The 1558<br />
Down at Socorro 1 597<br />
Destry 1667<br />
Drums Across the River 1581<br />
Fireman Save My Child. ... 1575<br />
Four Guns to the Border 1 623<br />
Froncis Joins the WACs 1596<br />
Genevieve 1 563<br />
Glenn Miller Story, The 1548<br />
Boy From Oklahoma, The 1 550<br />
Command, The 1552<br />
Crime Wove 1550<br />
Dial M for Murder 1578<br />
Drognet 1 608<br />
Drum Beat 1 646<br />
Duel in the Jungle 1605<br />
Duffy of San Quentin 1557<br />
Hensel and Gretel 1635<br />
High and the Mighty, The.. 1586<br />
His Majesty O'Keefe 1 545<br />
Angeliko (Joseph Brenner). .. .1660<br />
Angels One Five (Stofford) . . . 1590<br />
Annapurna (Kingsley Int'l) . . . . 1555<br />
Barefoot Battalion (Leon<br />
Brandt) 1594<br />
Cot Women of the Moon<br />
(Astor) 1574<br />
Caroline Cherie (Davis) 1605<br />
Covollerio Rusticono (Astor) .. 1583<br />
Componions of the Night<br />
(Arlan) 1607<br />
Daughter of Darkness<br />
(Screencroft) 1608<br />
Daughters of Destiny (Arlan) .. 1607<br />
Doy of Triumph (Selected) .... 1661<br />
Devil's Pitchfork, The or<br />
Ano-ToHon (Aries) 1580<br />
Dtory of o Country Priest<br />
(Brandon) 1601<br />
Dirty Hands (MocDonold) 1679<br />
Earrings of Modome De, The<br />
(Arlan) 1603<br />
Edge of Divorce (Kingsley) .... 1598<br />
Fast and Furious, The<br />
(A.F.E.) 1649<br />
Final Test, The (Confincntol). . 1561<br />
Fighting Pimpernel, The<br />
(Carroll) 1579<br />
Folly to Be Wise (Fine Arts).. 1559<br />
French Touch, The (Times). . .1624<br />
Glory ot Sea<br />
(Rogers & Unger) 1616<br />
Grapes Are Ripe, The<br />
(Cosino) 1595<br />
Guilt Is My Shadow<br />
(Strotford) 1579<br />
Heort of the Matter<br />
(Assoc. Artists) 1679<br />
Holly and the Ivy, The<br />
(Pocemoker) 1567<br />
Horse's Mouth, The<br />
(Kingsley-lnt'l) 1551<br />
Illicit Interlude (Hakim) 1680<br />
Intimate Relations (Carroll) ..1566<br />
Warner Bros.<br />
Miscellaneous<br />
High ond Dry 16<br />
Johnny Dark 15<br />
Mo and Po Kettle at Home.. IS<br />
Magnificent Obsession 15<br />
Naked Alibi 16<br />
Ploygirl 15<br />
Roils Into Loromie IS<br />
Ride Clear of Diablo 15<br />
Soskotchewon 15<br />
Sign of the Pagan 16<br />
So This Is Poris 16.<br />
Tanganyika 15'<br />
Tozo, Son of Cochise 15!<br />
West of Zanzibar 1 6i<br />
Yankee Pasha 1 5(<br />
Yellow Mountain, The 16!<br />
King Richard and the<br />
Crusaders<br />
1 5f<br />
Lucky Me 15:<br />
Phantom of the Rue Morgue.. 15<<br />
Ricochet Romance 16^<br />
Riding Shotgun 15<<br />
Ring of Fear 15^<br />
Silver Chalice, The 161<br />
Star Is Born, A 1 63<br />
Them! 155<br />
Track of the Cat 16!<br />
Young at Heart 167<br />
(Cosino)<br />
15^<br />
La Ronde (Commercial) 156<br />
Le Ploisir (Kingsley Int'l) 160<br />
Lonely Night, The (Kingsleylnt'l)<br />
....158<br />
Lovers, Happy Lovers<br />
(A.F.E.) 164<br />
Miss Robin Hood (Union) .... 1 54<br />
Moment of Truth (Arlan). .. .1^9<br />
Monte Carlo Baby<br />
(Filmokers) 159<br />
Mr. Hulot's Holiday (GBD)....164<br />
Out of This World (Corroll) . . 1 59<br />
Pickwick Papers, The (Kingsleylnt'l)<br />
157<br />
Pit of Loneliness (Davis) 158<br />
Private Hell 36 (Filmokers) ... 161<br />
Red Inn, The (Davis) 161<br />
Runaway Bus, The (Kromer-<br />
Hyoms)<br />
166i<br />
Salt of the Earth (Ind. Prod.<br />
Corp.) ..f 157;<br />
Sleeping Tiger, The (Astor) ... 1 64'<br />
Scotch on the Rocks<br />
(Kingsley Int'l) 160'<br />
Spell of Irelond, The (Celtic). .158'<br />
Spice of Life, The (Kingsley<br />
Int'l) 155(<br />
Stormy the Thoroughbred<br />
(Bucna Vista) 1563<br />
Three Stops to Murder<br />
(Astor) 1595<br />
Turn the Key Softly (Astor) ... 156C<br />
20,000 Leagues Under the<br />
Sea (Bucno Vista) 1670<br />
Ugetsu (Harrison & Davidson) . 1623<br />
Unconquered, The<br />
(Morgolies) 1605<br />
Vanishing Prairie, The (Buena<br />
Visto) 1603<br />
Vorieteose (Beautiful) 1657<br />
Violated (Palace) 1575<br />
Welcome the Queen (BIS) 1616<br />
Woman's Angle, The
.<br />
Imum $1.50, cash with copy. Four consecutive insertions for price<br />
E: Monday noon preceding publication date. Send copy an<br />
srs to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 24. Mo.<br />
for 1955 seatype<br />
ambitious<br />
lest conditions,<br />
J (irand, Mt.<br />
so iiouse man-<br />
It th;it liiiows<br />
irtll<br />
ary<br />
Carolina.<br />
expected.<br />
-in. Must be<br />
leplies treated<br />
J.<br />
GENERAL EQUIPMENT—USED<br />
Values unsurpassed! DeVry dual sound projectors<br />
\i/amplifler. speaker. e.icellent. $595. Available<br />
on lime. Holmes L25.N' amplifiers, rebuilt.<br />
$95: used reuinds, $6.95 set; automatic enclosed<br />
lewlnds. excellent. $45. Dept. CC. 8.0. S. Cinema<br />
Supply Corp.. 602 \\. 52nd St.. New York 19.<br />
For sale: Complete line of equipment for small<br />
theatre. Very good condition. Simplct mechanisms<br />
and sound master. Boiolflce, 5705.<br />
Peerless Majnarcs, $299 pair: 1 KW. $150 pair,<br />
used: new anamorphics. variable. $545: finest<br />
cylindrical, $595 pair. Get our trade-in offer on<br />
new Strong .Mighty Nineties or "ISSs" before you<br />
deal. Time payment plan available. Dodge Biiuipment<br />
Co.. 2324 Bccchmont Me., Cincinnati 30.<br />
Ohio.<br />
Fifteen sets 24" RC.\ magazines. Complete set<br />
two upper and two lower, special price $iOO. plus<br />
tax: list price $390. First come, first served with<br />
check for $102 per set. Missouri Theatre Supply<br />
Co.. 115 W. 18th St., Kansas City, Mo. BAItimore<br />
3070-71.<br />
Comrlele theatre equipment, piano, super Simplex,<br />
1!CA sound, screen, blower, seats. $1,250.<br />
K. Ililal. I'. 0. Box 187, Annlston. Ala. Ph:<br />
AD-72C14.<br />
For sale, equipment for small theatre. Powers<br />
mechanisms and sound ma.ster. 250 chaifs in<br />
good condition. Howells Theatre, llowells. Neb<br />
For sale. 1 pair rebuilt Simplex mechanism, new<br />
style for film trap for Cinemascope. New style<br />
film gales. Genuine Simplex shutters, double<br />
bearing movement, price $250 for pair. 30 days<br />
free trial. One pair super-Simplex rebuilt, price<br />
$550. I'hilip Bland, .New and Used Equipment,<br />
1130 West Cha.se Ave.. Chicago 26, III.<br />
Lowest prices on anamorphics, lenses and screens!<br />
Contact usl .Motiograph K mechanisms, good.<br />
$225 pair: ehangcovers. complete, $22.50 set:<br />
film cabinets, $1,50 section. What do you need?<br />
Star Cinema Supply, 447 West 52nd St., New<br />
York 19.<br />
Brenkert, Super Simplex, standard Simplex with<br />
rear shutter and Superior projectors. Complete<br />
RCA sound systems with 9030 soundheads. .\shcraft<br />
Bnarc 70 A. and Strong IKW lamps. Enclosed<br />
rewinds, splicers, hand rewinds, 18" magazines.<br />
2-3 bank ticket machines and other items<br />
too numerous to mention. All in excellent condition.<br />
Write for price. Unity. P. 0. Box 442,<br />
Milwaukee, Wis.<br />
GENERAL EQUIPMENT—NEW<br />
You save 70% with .Masonite marquee letters.<br />
Fit Wagner, Adler, Beveiite signs: 4"<br />
8"—<br />
—35c:<br />
50c: 10"— 60c: 12"— 85c; 14"— $1.25:<br />
16"— $1.50: 17"— $1.75; 24"— $2.50. Dept.<br />
CC. S.O.S. Cinema Supply Corp., 602 W. 52nd<br />
St.. New York 19.<br />
"Hiohly recommend Cinemat. IV to fellow exhibitors<br />
lor performance, versatility, savings and<br />
prompt delivery." says .\yer Theatre Circuit. Bangor,<br />
.Maine. Only $200 down brings you Cinema-<br />
Scope and VistaVision. Time deals available.<br />
Dept. CC, S.O.S. Cinema Supply Corp., 602 VV.<br />
52nd St.. New Y'ork 19.<br />
For Sale: Brand new R;iytone Hi Lux screen,<br />
1.3x22. Will sacrifice for $275, cost new $450.<br />
We need larger size. Contact Iowa Tbealre.<br />
B.oumfield, Iowa.<br />
EQUIPMENT WANTED<br />
Lamp.onc kilowatt; rectifier; M, generator. Box-<br />
Wanted: S-lnch metal or plastic letters for Wagner<br />
frame. Bruce Theatre, Crowley, La.<br />
STUDIO AND PRODUCTION<br />
EQUIPMENT<br />
Eastman airgraph lfi/35mm developing machines,<br />
u.sed, $225; motorized dolly with two seats, takes<br />
heaviest cameras, $195; escalator tripod for<br />
heaviest T\' or movie cameras on 3-wheel dolly.<br />
$295; rolling stand multiple floodlites, holding 12<br />
bulbs. $180 value. $29.50; Clneflex 35inm reflex<br />
camera, magazines, lenses, motor, $695; Moviola<br />
35mm composite sound/picture. $495. Dept. CC<br />
SOS. Cinema Supply Corp., 602 W. 52nd St.,<br />
New York 19.<br />
THEATRICAL PRINTING<br />
Window cards, programs, heralds. Photo-Offset<br />
printing. Cato Show Printing Co.. Cato. N. Y.<br />
LCLEflfilOG HOUSE<br />
THEATRES FOR SALE<br />
Know theatre »ali«s? All downtown houses (2)<br />
flourishing Texas key center 9,000. Nearest comparable,<br />
40 miles. Super de luxe "A." fireproof,<br />
refriuented. built 1949. First run everything,<br />
non-bid. 1,000 seats. Ilecords available from opening.<br />
$100,000. $27,500 down to showman. No<br />
trades, outright leases, gimmicks. Boxofficc, 5709.<br />
Drive-in showman! 480-car drive-in, excellent<br />
loealion. 4-lanc federal highway, top city West<br />
Texas. Value this price/terms Immediately obviocLs.<br />
Complete details to recognized prospects. $47,000,<br />
$1S.000 down. Excellent lease. <strong>Boxoffice</strong>, 5710.<br />
Sound, substantial, non-competitive modern theatre.<br />
Live Texas town 5,500. CinemaScoped. 500<br />
seats. Showing $1,000 monthly profit. $33,500,<br />
$15,000 down. Ideal living conditions. <strong>Boxoffice</strong>,<br />
5717.<br />
Completely controlled southwest city 25,000. De<br />
luxe indoor plus fine drive-in. Exceptional growth,<br />
ideal location. Seeking only top-level showm.'in,<br />
$75,000 cash, complete identification. To .such,<br />
show remarkably rare deal. <strong>Boxoffice</strong>, 5711.<br />
THEATRE SEATING<br />
Only drive-in (exceptionally fine. 350 cars) Chair supplies, parts for all chairs, Fensin Seating.<br />
Chicago 5.<br />
|ilu, only Indnor theatre. Texas county seat 3,500.<br />
Lari;e trade area $40,000, $15,000 down. Boxoflirc,<br />
5710.<br />
Recairing and reupholstering In your theatre,<br />
Kensin Seating. Chicago 5.<br />
Portland. Ore., theatre for sale: For sale, lea.se<br />
and eciTiipment, Bagdad Theatre. Second run city<br />
situatiiiu. Thirteen hundred seats. Ten rentals<br />
included In building lease. Center East Portland's<br />
vast residential and business section. Some terms.<br />
Contact Al Myers, P. 0. Box 5204. Portland 16.<br />
For sale, equipment and leases, three key theatre<br />
silnations in principal Pacific Northwest city. May<br />
be bought as a unit or separately. <strong>Boxoffice</strong>, 5700.<br />
New 600-car drive-in theatre, deep south. Year<br />
round operation. Air-conditioned auditorium. B4L<br />
Cinemascope. Mag. sound. Small down payment,<br />
bainnec long easy terms. Good investment. <strong>Boxoffice</strong>,<br />
5715.<br />
CinemaScoped. A completely modern suburban<br />
theatre, in a fast growing city. Completely<br />
equipped, wide-screen. ClnemaScope, high-intensity.<br />
Refrigeration. This is a full-time operation, stabilized.<br />
Ideal neighborhood to live and work. Exclusive<br />
with Ralph Brwin, Broker. Box 811.<br />
Tulsa. Okla.<br />
Will sell to highest bidder, small drive-in in<br />
Missouri. Yearly gross $13,500. <strong>Boxoffice</strong>, 5721.<br />
260 seats, re-seated velour backs and bottoms.<br />
1932. New knotty pine front and marquee, 1934.<br />
Building included. Simplex projectors and sound.<br />
1 kw lamps. Town 1,800, central Illinois. Rea.son<br />
fur selling, excellent position with .Alexander Films.<br />
Must move to center of territory. No brokers.<br />
<strong>Boxoffice</strong>, 5723.<br />
New Mexico mountains. Fine 450-seat only<br />
theatre, good town. Beautiful, healtbv location.<br />
$18,500, $8,500 down. Bo.xoffice. 5718,<br />
Theatre in good farming and dairying area in<br />
Iowa. Well equipped, doing good business. Just<br />
right for family operation, reason, for selling.<br />
<strong>Boxoffice</strong>, 5728.<br />
432-seat theatre, five years old. equipped for<br />
Cinem.aSeope. 400-car parking. 60.000 population<br />
within seven-mile radius. I. A. Field, Box<br />
602. Cortland, Ohio.<br />
San Francisco area. 650 seats. OnemaScopewlde<br />
screen, excellent boxoffice and candy bar<br />
receipts. Books open. $17,500 down. J. D.<br />
Arakelian, Tlieatre Broker, 25 Taylor St.. San<br />
Francisco.<br />
Only theatre, rich Wisconsin county scat of<br />
4.000. Absentee ownership forces sale. 462<br />
seats, exceptional confection stand. Act Now!<br />
No reasonable offer refused! Bo.xorfice, 5731.<br />
For sale. Drive-in theatre in northeastern Ohio.<br />
Well located, good lease. 300-car. <strong>Boxoffice</strong>. 5732.<br />
Oklahoma. Only drive-in. growing city. Rich<br />
new oil, agricultural area. Large territory. First<br />
run. Exclusive with Ralph Erwln. Broker. Box<br />
811, Tidsa.<br />
First run art house in southwest city of 100.000.<br />
Immediate possession. $2,500. Bovofiice. 5702.<br />
THEATRES WANTED<br />
Theatres. Oklahoma, Arkansas, Kansas, Missouri.<br />
Ralph Em in. Broker, Box 811, Tulsa. Okla.<br />
Will lease theatres or drlve-lns with possibilities<br />
In south Alabama, north Florida. Olln Evans Theatres.<br />
Florala. Ala.<br />
Individual wants to buy or lease theatre or<br />
driie-ln In southwest Exnerienoed all phases<br />
Replies confidential. <strong>Boxoffice</strong>. 5729.<br />
New spring seats for all chairs, Fensin Seating<br />
Chicago 5.<br />
Patch'O-seat cement, permastonc anchor cement.<br />
Fensin Seating, Chicago 5.<br />
Seat coverings, sewed combinations, all styles.<br />
Fensin Seating, Chicago 5.<br />
Plastic leatherette, all colors, send sample.<br />
Fensin Sealing, Chicago 5.<br />
Upholstery fabrics, all types, send sample.<br />
Fensin Seating, Chicago 5.<br />
Need Chairs? S.O.S. has 'em! Send for chair<br />
bulk-tin shiiwing our tremendous stock at knockdo.in<br />
prices. Dept. CC, S O.S. Cinema Supply<br />
Corp., 602 W. 52nd St., New York 19.<br />
New and used rebuilt opera chairs. Write for<br />
photos, state incline and iiuality. Parts for all<br />
ch.:irs. send sample for iiuotation. I'ateh-A-Seat<br />
to repair torn seats. $6 complete kit. specify color.<br />
Firmastone to anchor loose chairs, $5 carton.<br />
F.O B. Chicago. General Chair Co., 1308 Elston<br />
Ave., niicago 22, 111. Phone AHmilagc 6-0022.<br />
Several lots good used chairs. Late models.<br />
tVrite for exact photo. Plastic leatherette,<br />
25" X 26", 53c each, good quality. We specialize<br />
in rebuilding chairs in your theatre. Send us<br />
sample. Chicago Used Chair Mart, 820 S. State<br />
St.. Chicago 5. III.<br />
Any needed seat repair, re-covering, re-anchoring<br />
standards, etc., done in your theatre without loss<br />
of seat use. Sect covers made lo order. Good used<br />
theatre seats. Eakcr Theatre Seat Service, Nicoma<br />
I'ark, Okla.. P. 0. Box 335.<br />
635 Heywood, 1.000 International, late model<br />
theatre chairs. Lone Star Seating Co.. Box 1734,<br />
Dallas, Texas.<br />
POPCORN MACHINES<br />
Popcorn machines, all makes and styles. Replacement<br />
kettles for all poppers. Complete replasement<br />
unit fits most machines. $185. 120 So.<br />
Ilalsted. Cliicago, III.<br />
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STATE<br />
ill!
X here's a big difference between<br />
getting down to earth — and hiding your head in it!<br />
Motion picture exhibitors who are out to build better box<br />
office simply can't ignore the many new advances in projection<br />
and sound techniques.<br />
Today's top film money-makers demand the very latest<br />
wide screen projection and directional sound equipment!<br />
Are you hiding from this fact?<br />
Face up to it! Your theatre needs the very latest equipment!<br />
. . . the very finest equipment! . . .<br />
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