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MAY 5. 1958<br />
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m'<br />
It
!<br />
mawi<br />
SOLD SINGL<br />
1^ \<br />
THE LATEST<br />
AND MOST<br />
BLOOD-CHILLING<br />
THRILLER FROM<br />
KARLOFF,<br />
KING OF<br />
MONSTERS<br />
Was an innocent man hung as<br />
the notorious "Haymarket<br />
Strangle!-"? The terrifying<br />
transformation of a<br />
distinguished noveHst into<br />
the bestial beauty-killer,<br />
Dr. Tenant, is the most<br />
shocking thing you've ever<br />
witnessed on the screen.<br />
f<br />
^v;<br />
FCWPi<br />
W-:-<br />
M-G-M presents<br />
BORIS KARLOFF<br />
in<br />
"THE HAUNTED<br />
STRANGLER"<br />
with<br />
JEAN KENT<br />
ELIZABETH ALLAN<br />
ANTHONY DAWSON<br />
Screenplay by<br />
JAN READ and JOHN C.<br />
Directed by ROBERT DAY<br />
COOPER<br />
Produced by JOHN CROYDON<br />
I<br />
AN AMALGAMATED PRODUCTION<br />
An M-G-M Releose
a<br />
Presented singly or as<br />
companion feature to "THE<br />
HAUNTED STRANGLER"<br />
this NEW adventure into<br />
horror is up-to-the-minute in<br />
the field of science-fictionterror!<br />
Mad science spawns<br />
evil shapes of brain-sucking<br />
monsters. Laboratory genius<br />
gone wUd produces the<br />
creatm-e of the future—<br />
Fiend Without A Face!<br />
M-G-M pr»f»nl«<br />
"FIEND WITHOUT<br />
A FACE"<br />
Starring<br />
MARSHALL THOMPSON<br />
Screenplay by<br />
HERBERT J.<br />
LEDER<br />
Original Story by Amvllo Rttyneldt Long<br />
Directed by<br />
ARTHUR CRABTREE<br />
Produced by<br />
JOHN CROYDON<br />
AN AMALGAMATED PRODUCTION<br />
An M-C-M RelMie
For the information of exhibitors everywhere,<br />
20th ANNOUNCES ITS<br />
RELEASE SCHEDULE FOR<br />
JULY '58<br />
1<br />
GREOORY PECK<br />
JOAN COLLINS<br />
STEPHEN BOYD<br />
In<br />
The Bravados<br />
COLOR by DE LUXE<br />
CINemaScoPE<br />
Produced by HERBERT B. SWOPE, Ir.<br />
Directed by HENRY KING<br />
Screenplay by PHILIP rOROAN<br />
From Hell<br />
to Texas<br />
COLOR by DE LUXE<br />
CINemaScoPE<br />
DON<br />
starring<br />
DIANE<br />
MURRAY • VARSI<br />
Produced by ROBERT BUCKNER- Directed by HENRY HATHAWAY<br />
Scfeenpiay by ROBERT BUCKNER and WENDELL MAYES<br />
IT<br />
WILL SCARE THE WITS<br />
OUT OF YOU!<br />
The Fly<br />
COLOR by DE LUXE<br />
CINemaScoP^<br />
starring<br />
AL HEDISON<br />
PATRICIA OWENS<br />
VINCENT PRICE<br />
HERBERT MARSHALL<br />
Produced and Directed by KURT NEDMANN<br />
RICHARD TODD<br />
JULIETTE GRECO<br />
in<br />
The<br />
Naked Earth<br />
CINemaScoPE<br />
Produced by ADRIAN WORKER<br />
Directed by VINCENT SHERMAN<br />
A Four Square Productions. Inc.<br />
Released by 20th Century-Fox<br />
Screenplay by JAMES CLAVELL<br />
BRIAN KEITH • RICK JASON<br />
RITA GAM • MALA POWERS<br />
STEVE BRODIE<br />
in<br />
Sierra Baron<br />
COLOR by DE LUXE<br />
CINemaScoP^<br />
Produced by PLATD A. SKOURAS<br />
Directed by JAMES B. CLARK<br />
>nd<br />
Desert Hell<br />
A REeALSCOPE PICTURE<br />
starring<br />
BRIAN KEITH<br />
BARBARA HALE<br />
RICHARD DENNING<br />
JOHNNY DESMOND<br />
ProdEed by ROBERT STABLER<br />
Directed by CHARLES MARQUIS WARREN<br />
Screenplay by ENDRE BOHEM<br />
An Emirau Production<br />
Presented by Regal Films, Inc<br />
Released by 20th Century-Fox<br />
Screenplay by HOUSTON BRANCH<br />
Clip<br />
and save!
«%<br />
THE NATIONAL FILM WEEKLY<br />
Published In Nine Sectional Editions<br />
BEN SHLYEN<br />
Edilor-in-Chief and Publisher<br />
DONALD M. MERSEREAU. Associate<br />
Publisher & General Manager<br />
NATHAN COHEN. .Executive Editor<br />
JESSE SHLYEN. .. .Managing Editor<br />
HUGH FRAZE Field Editor<br />
AL STEEN Eostern Editor<br />
IVAN SPEAR Western Editor<br />
I L THATCHER. .Equipment Editor<br />
MORRIS SCHLOZMAN Business Mgr.<br />
Published by<br />
ASSOCIATED PUBLICATIONS<br />
Publication Offices: S25 Van Bnint Blvd..<br />
Kansas City 24, Mo. Nathan Cohen. Executive<br />
Editor: Jesse Shlyen, Managing<br />
Editor: Morris Schlozraan. Business Manaser;<br />
llueh Fraie. Field Editor; I. L.<br />
Thnicher, Editor The Modern Theatre<br />
Section. Tcleplione CHestnut 1-7777.<br />
Editorial Offices: 45 Roekefeller Plaxa.<br />
New York 20. N. Y. Donald M. Mersereau.<br />
Associate Publisher & Central<br />
Manager: \\ Sleen. Eastern Editor: Carl<br />
Mos. Equipment Advertising. Telephone<br />
rOlumbtis 5-6370.<br />
Central Offices: Editorial—920 No. Michigan<br />
Ave.. Cliicago 11. 111.. Frances B.<br />
Clovv. Telephone Stiperlor 7-3972. Advertising—35<br />
East Wacker Drive. Chicago 1.<br />
111.. Euinc Hutchison and John Hendrickson.<br />
Telephone ANdover 3-3042.<br />
Western Offices: Editorial and Film Advertising—6404<br />
Hollywood Blvd.. Hollywood<br />
28. Calif. Ivan Spear, manager. Telephone<br />
Hollywood 5-1186. Equipment and<br />
Non-Film Advertising—672 8. Lafayette<br />
Park Place. Los Angeles. CaUf. Bob Wettsteln.<br />
mamger. Telephone DUnklrk 8-2386.<br />
London Office: Anthony Gniner, Queen's<br />
House. Room 47. Leicester Place. Leicester<br />
Square. W. C. 2. Telephone<br />
OERard 5720/8282.<br />
Ibe MODERN THEATRE Section Is Ineluded<br />
in the first Issue of each month.<br />
Atlanta: Martha Chandler. 191 Walton NW.<br />
Albany: J. S. Conners, 21-23 Walter Ave.<br />
Baltimore: George BrowrUng, Stanley Thea.<br />
Birmineham: Eddie Badger. The News.<br />
Boston: Fr.inces Harding. HU 2-1141<br />
Charlotte: Blanche Can-. 301 8. Church.<br />
Cincinnati: Lillian Lazanis. 1746 Carrahen.<br />
Cleveland: Elsie Loeb. Falrmount 1-0046.<br />
Columbus: Fred Oestrelcher. 646 Rhoades<br />
Place.<br />
Dallas: Bill Barker, 4!3 Nimltz St..<br />
FR 2-7971.<br />
Denver: Jack Rose. 1645 La/ayette St.<br />
Des Moines: Russ Scboch. Reglster-Trihune.<br />
Detroit: H. F. Beres. Foi Theatre Bldg.<br />
Hartford: Allen M. Wldem. CH 9-8311.<br />
Indianapolis: Ann Craft. 512 N. Illinois.<br />
Jacksonville: Robert Cornwell, San Marco<br />
Theatre.<br />
Memphis: Null Adams. 707 Spring St.<br />
.Miami: Kitty Harwood, 66 S. Hibiscus.<br />
Milwaukee; Wm. Nichol. 2251 8. Layton<br />
Blvd<br />
Minneapolis: I.es Rees. 2123 Freemont So.<br />
New Orleans; Mrs. Jack Auslet. 2268V4<br />
St. Claude Ave.<br />
OUihoma City: Sam Brank, 3416 N. Virginia.<br />
Om.iha: Irving Baker, 911 N. 51st St.<br />
Philadelphia: Norman Shlgon, 5363 Berk.<br />
Pittsburgh: R. F. Kllngensmith. 516 Jeannette.<br />
Wllklnsburg. CHurchlll 1-2809.<br />
Portland. Ore.: Arnold Marks. Journal.<br />
St. Louis: Dave Barrett. 5149 Rosa.<br />
Salt Lake City: H. Pearson. Deseret News.<br />
San Francl.sco: Call Llpman, 287-28th<br />
Ave.. SKyllne 1-4355: Advertising:<br />
Jerry Nowell. 355 Stockton St.. YUkon<br />
2-9537.<br />
Washington: Sara Y'oung. 415 Tlllrd St.,<br />
N. W.<br />
In Canada<br />
314. 625 Montreal: Room Belmont St ,<br />
Jules Larochelle.<br />
at. John: 43 Waterloo, Sam Babb.<br />
Toronto: 1675 Bayvlew Ave., Willowdale.<br />
Ont , W. Gladish.<br />
Vancouver; Lyric TTieatre Bldg.. Jack Droy.<br />
Winnipeg: 157 Rupert. Barney Brookler.<br />
Member Audit Bureau of Circulations<br />
Entered &s Second Class matter at Post<br />
Office. Kansas City. Mo. Sectional Edition.<br />
$3.00 per year; National Edition. $7.50,<br />
MAY 5 ,<br />
1958<br />
Vol. 73 No. 2<br />
IMPROVING THE IMPRESSION<br />
'VERY so often adverse criticism nf<br />
Ampricaii films abroad lireaks out and it is<br />
given circulation through newspapers and other<br />
publications, creating an unfavorable impression<br />
for our industry. To ])robe the situation, the<br />
Motion Picture Ass'n of America conducted a<br />
survey around the world, the results of whii h<br />
tell a far different story. The reactions in<br />
Europe, the Far East, the Middle East and South<br />
America evidence a very high regard for Hollvwood<br />
product and negate what appears largely<br />
to be theory that these films misrepresent life<br />
in<br />
America and have other bad effects.<br />
As one viewpoint well expresses the overall<br />
opinion, "American movies are not all perfect,<br />
but on the whole they produce a favorable impression<br />
of Americans as well as normal individuals<br />
who live well and are concerned about<br />
their children's education and future."<br />
The report of the survey, which appears elsewhere<br />
in this issue, accents the favorable views<br />
generally expressed. However it does not overlook<br />
the charges made that America is<br />
depicted<br />
as a land of violence, crime and juvenile delinquency,<br />
even though it is revealed that less<br />
than three per cent—only 29 out of 1,000 U. S.<br />
pictures examined—were specifically cited for<br />
their adverse effects. In brief, Eric Johnston, in<br />
making the report to the MPAA board public,<br />
saw in this ratio a most favorable reaction<br />
toward American motion pictures around the<br />
world.<br />
Perhaps the trend toward realism, to some<br />
extent modeled after films of foreign origin, has<br />
played its part in the making of the handful<br />
of American films that created the wrong impressions.<br />
Perhaps it was their timing—being<br />
released too closely together—that exaggerated<br />
the viewpoint. This is not unusual. In fact, that<br />
same "mistake" is being made in the releasing<br />
patterns followed in the I'. S., both with American<br />
and foreign-made films.<br />
Let one picture of a so-called off-beat theme<br />
make a hit, and there immediately follow a<br />
dozen of the same type. That's probably why<br />
there recently has been objection to gangster<br />
stories expressed by J. Edgar Hoover, head of<br />
the Federal Bureau of Investigation, among<br />
others. Whether the story type is about gangsters<br />
or other seamy characters, horror, murder, narcotics,<br />
rock 'n' roll, science-fiction or what-haveyou,<br />
the bunching up of such releases tends to<br />
create an erroneous impression of the facts.<br />
This isn't new, of course. Cycles of one kind<br />
or another have been inimical to the best interests<br />
of this business in wooing patronage from<br />
liiin' immemorial. But still they go on. A theme<br />
is milked dry and then both producer-distributors<br />
and exhibitors begin to wonder why some<br />
of the best of certain types of pictures—take<br />
musicals, for instance—fail to draw. The value<br />
of orderly releasing of (|uality produf:t would<br />
lie considerably enhanced, if its imi)lcmentation<br />
would provide for spacing types of pictures as<br />
well. That would do much to improve the impression<br />
made by our pictures, both here and<br />
abroad.<br />
Another Way Up<br />
A recent bulletin of Allied Theatre Owners of<br />
Indiana made the point that, if this industry's<br />
collective effort in its business-building program<br />
produced only one new theatre patron per week<br />
out of each 100 of the U. .S. population, it would<br />
add millions of dollars to theatre grosses.<br />
This thought was inspired by an advertisement<br />
of the Norfolk and Western Railway which<br />
informed that, in the fourth quarter of 1957,<br />
consumer spending in the U. S. decreased by<br />
SI. 2 billion, which averaged out to 47 cents per<br />
week per family. On this same basis, the AITO<br />
calculation set forth that approximately .$700,000<br />
per week would be added to<br />
theatre grosses or<br />
$36 million per year. That seems like a very<br />
modest goal, easily attainable.<br />
Put on a basis of ticket sales, it would break<br />
down to<br />
an average of 70 additional admissions<br />
per week for each U. S. theatre, or ten per day.<br />
Any exhibitor worth his salt ought to be able<br />
to hit that mark with just routine go-out-andget-eni<br />
effort. And. with agresssive showmanship,<br />
double or triple this result should be obtained.<br />
And what about tieing into the effort the more<br />
than 200.000 people employed in this business?<br />
If each of those, by house-to-house canvass or<br />
whatever way they came in contact with friends<br />
and neighbors, caused just one extra theatre<br />
ticket per day to be purchased, this would produce<br />
a total of another S3.5 million of theatre<br />
income per year.<br />
With evervbod\<br />
working at the job. aided and<br />
abetteti by the industry's promotion program,<br />
the total could be built up to several hundred<br />
millions. Some effort in this direction already<br />
is<br />
under way. principally in circuit organizations.<br />
Put it into full swing and the industry soon will<br />
cast the blues away.<br />
KJ^e^i^
FILMS OUR BEST AMBASSADORS;<br />
85% LEAVE GOOD IMPRESSION<br />
Less Than Five Per Cent<br />
Have Adverse Effect,<br />
Eric Johnston Says<br />
NEW YORK — Charges that American<br />
films portray the U. S. in a distorted and<br />
harmful manner, that they lead people to<br />
believe Americans tend toward violence,<br />
crime and juvenile delinquency and that<br />
they reflect an attitude that Americans are<br />
too well off to be much concerned about<br />
the problems of other people have been<br />
answered by Eric Johnston, president of<br />
the Motion Picture Ass'n of America.<br />
BASED ON RECENT SURETY<br />
Johnston's answer took the form of a report<br />
to the MPAA board based on a recent survey<br />
he authorized and made public Tuesday (29>.<br />
"These charges deserve our attention,"<br />
Johnston reported. "Some reflect local attitudes<br />
and customs. Most are based on individual<br />
motion pictures rather than the<br />
American film generally. Out of more than<br />
1.000 U. S. motion pictures examined, only<br />
29— less than three per cent—^were specifically<br />
cited for their adverse effects."<br />
Johnston summed up the general opinion<br />
by stating four viewpoints found repeatedly<br />
on the impact of U. S. films abroad:<br />
• They don't try to sell<br />
us anything. They<br />
simply tell us that Americans are human<br />
brings, fortunate human beings, perhaps, but<br />
very believable.<br />
• They don't try to hide the faults in your<br />
society. If anything, they explore these faults<br />
and try to solve them. Tliey show us that<br />
you know how to criticize yourselves. That's<br />
why we respect your films.<br />
• American films tell us you believe that<br />
evil men will suffer and good men will finally<br />
prevail. Our religion teaches us this. Therefore,<br />
we think you believe much as we do.<br />
(That comment came from the Far East.i<br />
• Our motion pictures are the finest of<br />
ambassadors and diplomats our country has<br />
in this part of the world. (The comment of<br />
a U. S. ambassador in southeast Asia.)<br />
FEW ARE 'UNFAVORABLE'<br />
The survey shows, Johnston said, that 85<br />
per cent of U. S. films create "a favorable<br />
attitude toward the U. S." Approximately<br />
ten per cent create an attitude neither favorable<br />
nor unfavorable. About five per cent<br />
t«nd to create an "unfavorable attitude" toward<br />
the U. S. That minority is responsible<br />
for the charges against the industry.<br />
"Prom this study," Johnston said, "it is<br />
clear that our films are endorsed and admired<br />
around the world. What interested<br />
me, however, was not the statistics but the<br />
pattern of opinion that emerged everywhere.<br />
It proves and underscores that there is no<br />
other medium comparable to the film for<br />
universal appeal."<br />
The survey is based on comments by many<br />
important persons around the world. Some<br />
of them follow:<br />
"I have found that for every film that<br />
II. S. INFORMATION HEAD HONORED—George V. Allen, director of the United<br />
States Information Agency, which uses motion pictures as one of its important techniques<br />
to channel the American story to peoples of the world, was a recent visitor at<br />
the Hollywood studios to discuss film angles of his program. He is shown here at a<br />
luncheon tendered by Paramount on the studio lot. In the photo, left to right, are:<br />
William Perlberg, producer; Cecil B. DeMille, producer-director; Y. Frank Freeman,<br />
vice-president in charge of studio operations; Allen; George Sidney, president of the<br />
Screen Directors Guild; George Seaton, producer-director and president of the Academy<br />
of Motion Picture Arts and Sciences; and Edmund Hartman, president of Writers<br />
Guild of America—West.<br />
falsifies or glamorizes the American way of<br />
lite, there are a dozen which deal fearlessly<br />
and faithfully and factually with your great<br />
country, its aspirations and problems. The<br />
outstanding candor of the majority of American<br />
films makes them invaluable in promoting<br />
understanding. I wish that more British<br />
films were shown m the U. S. so that our two<br />
nations could the better understand each<br />
other."—Max Aitken, chairman of the Beaverbrook<br />
Newspapers.<br />
"For the British sailor it is very valuable<br />
to be able to see such American films, which<br />
give an excellent idea of the U. S. way of<br />
life. A better understanding of America undoubtedly<br />
contributes to the happy relationship<br />
existing between the American and<br />
British navies and between our two countries."—Admiral<br />
of the Fleet the Earl Mountbatten<br />
of Burma.<br />
"I have seen many wonderful American<br />
films and I know that the people of this<br />
country appreciate them very much. Especially<br />
at this time, our two peoples must<br />
learn to know each other better and appreciate<br />
each other's point of view. Your motion<br />
pictures do much to bring this about."—Lord<br />
Westw(X)d, British industrialist and Conservative<br />
member of the House of Lords.<br />
Exhibitors'<br />
Production<br />
Plan 'Died a-bornin'<br />
NEW YORK—About a year ago, more<br />
than 100 exhibitors met in New York and<br />
pledged financial support for the production<br />
of 16 independently made pictures.<br />
It was estimated that 5,000 theatres would<br />
join in the project. Pledges amounting<br />
to $500,000 reportedly were made on the<br />
spot.<br />
Last week, BOXOFTICE telephoned one<br />
of the principals in the plan and asked<br />
what happened to it.<br />
"It died a-bornin'," was the reply.<br />
U. S. Ambassador Ellsworth Bunker in<br />
India said that American pictures that distort<br />
and cheapen humanity constitute "a<br />
minor part of American film production." In<br />
the main, he said, they reflect general American<br />
viewpoints and customs.<br />
Tw'enty years ago American films were<br />
sharply criticized throughout the Orient because<br />
they dealt almost exclusively with<br />
crime, gangsters and other sensational aspects<br />
of life but today they convey a greater<br />
appreciation of American life and the peaceful<br />
aims of the west to the middle -east,<br />
according to the Rt. Rev. Joseph Lash,<br />
bishop of Bombay and spiritual head of the<br />
middle east branch of the Church of England.<br />
FUNDAMENTALLY 'ENTERTAINMENT'<br />
Frank Moraes, editor of the Indian Express<br />
newspapers, found American films based<br />
fundamentally on entertainment and not<br />
propaganda and for that reason "they get<br />
the absorbed attention of Indian audiences."<br />
American films have strengthened the ties<br />
between Brazil and the U. S. in the opinion<br />
of both Dr. Herbert Moses, president of the<br />
Brazilian Press Ass'n, and Col. Frederico<br />
Mindello, president of the Brazilian Federal<br />
Price Control Board.<br />
Zen Ikezuji, film specialist of NHK, the<br />
Japanese Broadcasting Co., commenting on<br />
the recent furore over "Blackboard Jungle,"<br />
observed that Japanese reaction against the<br />
film was "not because it was bad or because<br />
it was American," but because it was felt it<br />
"provided young people with wrong impressions."<br />
American films, he said, "make an<br />
effort to present honest facts without frills<br />
or nonsense, and I think the Japanese are<br />
becoming increasingly aware of this honesty."<br />
Australians credited American films with<br />
influencing a sense of comradeship. Swedes<br />
like the American individual as they see him<br />
in films. Finns found them contributing importantly<br />
to better world understanding and<br />
a better understanding of America and<br />
Americans.<br />
BOXOFFICE May 5, 1958
704 PROPOSES RERELEASING<br />
PATTERN TO HALT SALES TO TV<br />
Two-Month Test Suggested<br />
With Two Films From<br />
Each of the Majors<br />
NEW YORK—A planned pattern of releleases<br />
of post-1948 films would keep them<br />
off televLsion, the major companies have<br />
been told by Ernest Stellings, president of<br />
Theatre Owners of America.<br />
A 3-VVAY PROPOSAL<br />
He has asked them to test the following<br />
plan:<br />
• Each company would rerelease two of its<br />
best older films a month for a two-month<br />
test.<br />
• Within legal limitations, TOA would urge<br />
its members to book the films, and it is<br />
hoped that other exhibitor organizations<br />
would do likewise.<br />
• Exhibitors would, if desired, help to<br />
select the films.<br />
Favorable rentals revenues would make sales<br />
to TV unnecessai-y and would furnish proof<br />
of that fact to stockholders and directors<br />
who want sales to TV for dividends, Stellings<br />
declared. Exhibitors would come to realize<br />
that their cooperation in this respect would<br />
keep post-1948 films in theatrical channels,<br />
he added.<br />
He also said good results would have a positive<br />
beai-ing on the TOA proposal that all<br />
exhibitors set up a trust fund to buy post-<br />
1948 films from distributors to keep them<br />
off TV.<br />
BOARD AUTHORIZED TRUST<br />
At a meeting of its board in San Francisco<br />
a month ago. TOA authorized the organization<br />
of a nonprofit, tax-exempt trust to purchase<br />
for theatrical exhibition pictures which<br />
otherwise might be sold to television. The<br />
step was designed to forestall sale of post-<br />
1948 films to TV interests.<br />
The plan, as outlined at the meeting, called<br />
for a cash down payment to distributors<br />
and bonds to be issued for the balance. The<br />
films then would be turned back to the distributors<br />
for theatrical playoff, with a percentage<br />
of the rentals to be paid for distribution<br />
costs and the rest to be used to amortize<br />
the bonds.<br />
Norwegian King Attends<br />
'Windjammer' Opening<br />
OSLO, NORWAY—King Olaf and the Norwegian<br />
Royal Family attended the Eto'opean<br />
opening of Louis de Rochemont's "Windjammer"<br />
at the Colosseum Kine April 25.<br />
Oslo's Lord Mayor Rolf Stranger welcomed<br />
Elmer C. Rhoden, president of National Theatres,<br />
which developed the Cinemiracle process,<br />
and Louis de Rochemont, both of them<br />
making stage appearances to thank the local<br />
citizeni-y for their assistance in making the<br />
picture. Also on hand from the U. S. were<br />
Arthur Fiedler, guest conductor in the film;<br />
Russell H. McCullough, National Theatres<br />
projection engineer, and Lothar Wolff, associate<br />
producer.<br />
Paramount Stockholders Receive<br />
Bright Report by Balaban<br />
On Diversified Interests<br />
NEW YORK—The period of transition<br />
through which the motion picture industry Is<br />
now passing is regarded by Paramount Pictures<br />
as a "challenge and opportunity that<br />
calls for constant day-to-day attention of<br />
all responsible levels of the organization."<br />
That is how Barney Balaban, president,<br />
summed up his annual message to stockholders<br />
last week.<br />
HIGH SELECTIVITY DEGREE<br />
Balaban said the industry was subject to<br />
a high degree of selectivity on the part of<br />
the public in its motion picture taste and<br />
that it was more difficult to schedule production<br />
of pictures than it had been in the<br />
past. The company's operating policies, in<br />
taking cognizance of this condition, must adjust<br />
to the resultant peaks and valleys of<br />
productivity and distribution availability, he<br />
said. The Paramount president said that<br />
while the blockbusters were attracting more<br />
customers than in the past, the more modest<br />
pictures tended to have borderline attraction<br />
to the public and "hence meet serious competition<br />
from television films."<br />
Although admitting that "considerable<br />
profits" will be added to the company's<br />
earnings in 1958 from television film sales.<br />
Balaban said it now was clear that one of<br />
the major reasons for the decline of box-<br />
receipts in 1957 was the home viewing<br />
office<br />
of motion pictures on television.<br />
Total viewing of motion pictures increased<br />
about 25 per cent from the latter part of<br />
1956 to early 1958, he said, and while this<br />
implies that the public is enjoying movies<br />
more than ever, it was the rise in home TV<br />
viewing which cut attendance at theatres.<br />
'REASONABLE' SURVEY<br />
The Paramount president cited a "responsible<br />
survey" as the basis for his statement.<br />
"During the period of the survey, boxoffice<br />
revenue of motion picture theatres decreased<br />
correspondingly. The survey period<br />
corresponds with the television release of the<br />
pre-1948 libraries of almost all the motion<br />
picture producer companies, particularly the<br />
important libraries released in 1957."<br />
"The Ten Commandment.s," Balaban told<br />
stockholders, had played only 1,685 engagements<br />
up to the end of 1957 and had resulted<br />
in $30,000,000 in theatre admissions. The 16-<br />
month engagement at the 1,700-seat Criterion<br />
Theatre in New York played to 1,340,000 patrons<br />
who paid $2,744,000 for tickets. Most<br />
of the adverti-sing and print costs on the picture<br />
had been amortized at the end of la.st<br />
year, as well as a substantial amount of the<br />
negative cost. Balaban estimated that by the<br />
end of 1958, based on foreseen world-wide<br />
revenues, "we may have fully amortized all<br />
the costs of the picture."<br />
Turning to International Telemeter Corp.,<br />
in which Paramount holds an interest of<br />
about 90 per cent, Balaban said plans were<br />
under way to install the toll TV system in a<br />
few communities in the United States and<br />
one in Canada around the end of the year.<br />
He said that Telemeter's subsidiary. Telemeter<br />
Magnetics, Inc., earned $151,000 before<br />
taxes in 1957, the second year of its<br />
corporate existence.<br />
Dot Records, Inc., which Paramount acquired<br />
early last year, had seven hits in the<br />
year's top 50 tunes, Balaban said. DuMont<br />
Broadcasting, in which Paramount owns a<br />
22 per cent interest, was a profitable operation<br />
last year, he added, declaring that Du-<br />
Mont's acquisition of radio station WNEW<br />
and other improvements had converted a loss<br />
in previous years to a profitable enterprise.<br />
Latest reports, he said, indicate that DuMont<br />
Laboratories will have an early solution to<br />
the mass production of the Lawrence color<br />
tube for television. Pai-amount's associates<br />
in the project are confident, he explained,<br />
that final pilot models for field testing will<br />
be produced in time to meet the 1958 market<br />
for color television receivers.<br />
Paramount's wholly owned subsidiary. Autometric<br />
Corp., holds proprietary rights on<br />
rapid automatic methods of handling masses<br />
of complex and conflicting information and<br />
reducing them to a decision. Balaban said its<br />
facilities and personnel were being used entirely<br />
by defense agencies to meet the needs<br />
of high speed in modern defense. He said<br />
this company had the potential of developing<br />
into an operation of considerable size.<br />
Balaban said that at the next annual meeting,<br />
stockholders will be asked to approve a<br />
pi'oposal to retire 126,400 shares of treasurv<br />
stock, representing all of the holdings of such<br />
stock at the end of 1957.<br />
Paramount Ad Campaign<br />
Using College Papers<br />
NEW YORK—Paramount has set up an<br />
advertising campaign on Alfred Hitchcock's<br />
"Vertigo" in several hundred college and university<br />
newspapers because some sun'eys<br />
have shown the greatest f)ot«ntial movie audience<br />
to be in the 18-28 age group.<br />
Hitchcock proposed the campaign. Besides<br />
the ads, an amusing ai-ticle by him and a<br />
photo mat of James Stewart and Kim Novak<br />
the stars in the film, have been sent to each<br />
undergraduate editor. Sid Blumenstock, advertising<br />
manager, in a letter to them said<br />
that Paramount was "doing pioneer merchandising<br />
for a motion picture."<br />
BOXOFFICE :<br />
: May<br />
5, 1958
.<br />
Peyton Place<br />
A Farewell To Arms<br />
The Long, Hot Summer<br />
The Young Lions<br />
and now from 20th . .<br />
for Decoration Day. .<br />
GARY COOPER<br />
DIANE VARSI<br />
SUZY PARKER<br />
Ill<br />
!irsiEr\/ixv<br />
M
-<br />
.<br />
'<br />
DIANE VARSI, Oscor nominoied siar of "Peylon Place"<br />
mosi exciting<br />
-acclaimed One o( Hollywood s<br />
new actresses by Look Magazine.<br />
And so'il<br />
they sinnedlL<br />
knowingly and<br />
unknowingly. .<br />
Mgainstf^ p"<br />
each ofAir<br />
"my father<br />
wanted to<br />
be President!<br />
my room-mate<br />
became his<br />
sweetiieart!<br />
my mother<br />
unfaithful and<br />
boasting of it!<br />
my brother<br />
went for<br />
liquor instead<br />
of women!<br />
and I<br />
fell for<br />
the hottest trumpet<br />
in town— the<br />
boy responsible<br />
for my baby!'*<br />
and against lj {<br />
themselves!<br />
'TOM TULLY- Produced by CHARLES BRACKET!- Directed from his own Screenplay by PHILIP
Government Won't Review<br />
National Theatres Case<br />
TOA plea that circuit be permitted to produce<br />
with preemptive rights to show films in<br />
its own theatres, denied by Departjnent of<br />
Justice; might approve production without<br />
those rights alter study of antitrust situation.<br />
SBC May Renew Its Plea<br />
For SBA Drive-In Aid<br />
Senate Small Business Committee chairman<br />
Sparlcman (D.. Ala.) may as^k the Small<br />
Business Administration to reconsider its refusal<br />
to make loans to drive-ins; at present<br />
only indoor theatres are eligible for SBA<br />
loans.<br />
*<br />
COMPO Ad Features Upturn<br />
In Theatre Attendance<br />
Upbeat headlines from three New York<br />
ncw.spapers are reproduced in Saturday (3)<br />
issue of Editor & Publisher; editors urged to<br />
"take a new look at the movies and, of<br />
course, their movie coverage."<br />
*<br />
Columbia Is Streamlining<br />
British Isles Operations<br />
Tran.sferring physical handling and shipping<br />
of films at nine branches outside London<br />
to Paramount, but will continue to handle<br />
sales; Rank recently took over same duties<br />
for RKO; others may follow suit.<br />
Pepsi-Cola Sales a Record;<br />
Net Up in First Quarter<br />
*<br />
Alfred N. Steele, board chaij-man, reports<br />
rise in earnings to $1,540,000, or 26 cents a<br />
share, from 81,475,000. or 25 cents a share, in<br />
first three months of 1957; dome.5tic case<br />
sales five per cent above record 1957 quarter.<br />
•<br />
Italian Goverrunent Reports<br />
Drop in Foreign Revenues<br />
Figure for 1957 was 3.139 billion lire, compared<br />
with 4,899 billion in 1956; feature print<br />
exports dropped to 1,283 from 2,032, but average<br />
return per film increased slightly; Spain,<br />
Canada, Argentina major markets.<br />
*<br />
Commercial Network Service<br />
Observes 10th Anniversary<br />
American Telephone & Telegi-aph Co. long<br />
lines department records show as of May 1<br />
there were 79.000 miles of circuits carrying<br />
TV programs to 551 stations in 366 cities;<br />
May 1. 1948, figure was 916 miles.<br />
Warners Teddington Studios<br />
In London Put Up for Sale<br />
*<br />
Lea.se held for the past several years by<br />
the Hawker Aircraft Co. expired; bids already<br />
have been received from several TV<br />
film producers; Metro's British plant also<br />
has been reported on the market.<br />
TOA Continuing Fight<br />
For Loans to Drive-Ins<br />
NEW YORK<br />
A inillng iigainst government<br />
loans to drive-in theatres will not discourage<br />
ihf Ttieatre Owners of America from continuing<br />
to seek amendment of Small Business<br />
Administration regulations to permit such<br />
loans.<br />
Philip F. Harling, chairman of the TOA<br />
Small Business AdminLstration Committee,<br />
made the statement Tliursday (1) after receiving<br />
official notice of the adverse ruling<br />
from Wiley S. Messick, counsel for thg Senate<br />
Select Committee on Small Business.<br />
The ruling was made by Wendell Barnes,<br />
SB.^ administrator, after the Senate committee<br />
had recommended that drive-ins be<br />
made eligible for loans. Barnes ruled that<br />
extension of the loan provisions for fourwalled<br />
theatres to cover drive-ins would not<br />
be "in the public interest."<br />
Harling commented that Barnes' decision<br />
"seems to have left the door open so that upon<br />
a submission of a full statement of facts and<br />
a full discussion of the question of 'public<br />
interest.' the policy committee of the SBA<br />
would reconsider letting the bars down for<br />
drive-in theatres."<br />
He said a further course of action will be<br />
decided upon after study of the report by the<br />
full TOA committee.<br />
Harling filed the petition for inclusion of<br />
drive-ins as eligible for SBA loans March 21.<br />
He said at that time it was possible without<br />
new legislation.<br />
Late TV Ratings Confirm<br />
Huge Academy Audience<br />
NEW YORK—Late Nielsen television ratings<br />
have confirmed earlier figures on the<br />
size of the audience that viewed the Academy<br />
Awards telecast March 26. They gave as a<br />
record for the current season the total of<br />
19.211.000 homes tuned in to the telecast.<br />
They also found it an unusually large audience<br />
for any program telecast so late at night.<br />
The Nielsen rating was 54.7. The share of<br />
the TV audience of the Academy show was<br />
78.2 per cent, or three out of every four persons<br />
watching TV that night. Officials of<br />
the National Broadcasting Co. said that, except<br />
for the last World Series, it was the<br />
largest share of the audience won by any<br />
TV attraction last year.<br />
New '80 Days' Openings<br />
Discussed at UA Meet<br />
CHICAGO—New summer engagements for<br />
"Around the World in 80 Days" were discussed<br />
by United Artists sales executives<br />
with district and branch managers Thursday<br />
(1 1 at the Blackstone Hotel at a meeting<br />
.scheduled by William J. Heineman, vicepresident<br />
in charge of distribution. It was the<br />
final session in a series on sales policies for<br />
the picture. The previous three meetings were<br />
held in Atlanta, Detroit and New York.<br />
Discussion centered on the selection of cities<br />
for summer dating from June 1 through<br />
Labor Day. There was also a review of all<br />
situations in which the picture has played.<br />
The conference was led by James R. Velde, UA<br />
general sales manager; Milton E. Cohen, sales<br />
supervisor for the picture, and Morris Lefko,<br />
vice-president and sales manager of the<br />
Michael Todd Co.<br />
Half-Year Operations Net<br />
Of SW Put at $1,432,900<br />
NEW YORK—Net income from operations<br />
of Stanley Warner Corp. and .subsidiaries<br />
for the 26 weeks ended March 1 amounted to<br />
$1,432,900 after all charges, including depreciation<br />
and amortization of $2,658,500 and<br />
$1,634,000 for federal and foreign income<br />
taxes. The net was equal to 69 cents a share<br />
on 2,061,099 shares of common stock outstanding.<br />
Disposal of properties, less applicable federal<br />
income tax reductions, resulted in a loss<br />
of $122,000. The net income for the period<br />
including that special item amounted to<br />
$1,310,900. equal to 63 cents a share.<br />
Theatre admission and merchandise sales,<br />
rents from tenants, etc., amounted to $58,-<br />
275,500, compared with similar receipts of<br />
$55,590,500 for the comparable period one<br />
year ago.<br />
Net income from operations for the 26-week<br />
period ended Feb. 23, 1957, was $1,974,900<br />
after all charges, including depreciation and<br />
amortization of $2,498,800 and federal and<br />
foreign income taxes of $2,190,000. equal to<br />
91 cents a share on the 2.153.099 shares then<br />
outstanding. During that period there was<br />
a profit of $32,800 on the disposal of properties<br />
after deducting the federal income tax.<br />
The net profit, including the special item,<br />
was equal to 93 cents a share.<br />
Stockholders of Skiatron<br />
Hear Optimistic Report<br />
NEW YORK—The Skiatron subscription<br />
television system is moving steadily nearer<br />
to the operational stage despite "highly unethical<br />
opposition from lobbies manned by<br />
the television networks and movie theatre<br />
owners." Arthur Levey, president of Skiatron<br />
Electronics & Television Corp., told stockholders<br />
at the annual meeting Wednesday<br />
(301 at the Fifth Avenue Hotel.<br />
Levey said the new-type Skiatron wire network<br />
system required no federal approval,<br />
and the company had solid ground on which<br />
to base its hope that the Federal Communications<br />
Commission will begin consideration<br />
this year of specific applications<br />
for over-the-air subscription trial operations.<br />
In response to questions, Levey said he believed<br />
there will be "good news" in about<br />
three months. He added that Skiatron expected<br />
to enter a major city this year, but<br />
would not identify it. The company has a<br />
contract with Horace Stoneham of the San<br />
Francisco Giants baseball team. Local consent<br />
must be obtained. Negotiations are going<br />
on in Canada, Cuba and western Germany<br />
as well as in the U. S., he said.<br />
U-I Saturation Booking<br />
NEW YORK—Universal-International reports<br />
having scheduled more than 500 dates<br />
on "I Married a Woman" during the period<br />
starting May 15. The RKO picture will be<br />
backed with announcements on the "Monitor"<br />
radio show of the National Broadcasting<br />
Co.<br />
Bartley Renominated<br />
WASHINGTON—Pi-esident Eisenhower has<br />
renominated Robert T. Bartley for a new<br />
seven-year term on the Federal Communications<br />
Commission. Bartley was originally<br />
nominated in 1952 by President Ti-uman for<br />
a term to expire June 30.<br />
10 BOXOFFICE :: May 5. 1958
Russian Film Talks<br />
Recessed 30 Days<br />
WASHINGTON—Inability of the U. S. and<br />
Russian groups to agree on purchases of each<br />
other's films under the cultural program of<br />
their governments has resulted in a 30-day<br />
recess, the time and place of a new meeting<br />
to be decided later.<br />
The recess decision was reached Tuesday<br />
(29> after negotiating sessions conducted<br />
most of the previous night and for several<br />
hours that day. At them Eric Johnston, president<br />
of the Motion Picture E.xport A.ss'n, was<br />
the sole U. S. negotiator. He had been empowered<br />
to act in that capacity by the MPEA<br />
board at a meeting in New- York the day<br />
before. In earlier meetings lie had had advisers<br />
from the ranks of the MPEA.<br />
Among the stumbling blocks are said to<br />
have been a lack of American interest in<br />
Russian films, an attempt by the Rus.sians<br />
to get ratlier high prices for their films and<br />
an attempt to negotiate a co-production deal.<br />
It was reported there was some agreement<br />
on sales for flat sums for five-year periods<br />
and dubbing and subtitling procedures.<br />
The negotiations were halted because the<br />
Russian delegation had to return to Moscow.<br />
The probability is that the negotiations will<br />
be resumed because of the interest of the two<br />
governments in a cultural exchange including<br />
films. Turner Shelton. head of the U. S.<br />
Information Agency, was cautiously optimistic.<br />
MPEA Authorized to Sell<br />
To Poland and Hungary<br />
NEW YORK—The Motion Picture<br />
Export<br />
Ass'n has been authorized by its member<br />
companies to negotiate the sale of films to<br />
Poland and Hungary. Poland is expected to<br />
take about 20 and Hungary between ten and<br />
12.<br />
An MPEA meeting Tuesday (29) also discussed<br />
a division of 200 import permits allotted<br />
by Argentina but reached no decision, nor<br />
was any reached on participation in the San<br />
Sebastian Film Festival.<br />
Walter Brooks Dead at 64;<br />
A Veteran in Film Trade<br />
NEW YORK—Walter Brooks, onetime assistant<br />
director of exhibitor relations for<br />
MGM and more recently with the Quigley<br />
Publications, died in his sleep Wednesday<br />
1 30 1. He was well-known among exhibitor orgajiizations<br />
in the 1940s when he attended<br />
many regional exhibitor association conventions.<br />
He was 64 years old.<br />
He was a veteran of many years in the film<br />
world. He was a theatre usher in 1908. From<br />
1912 to 1918, he managed theatres in New<br />
York and Pennsylvania, then became advertising-publicity<br />
director for Educational Film<br />
Corp. He also served as eastern production<br />
manager and then assistant to the president.<br />
For a time in the 1920s, he was associated<br />
with the legitimate theatre in New York,<br />
and in the 1930s was in press relations for<br />
the National Emergency Council and later<br />
served as assistant to the director of the<br />
agency, and as a press relations officer for<br />
the Coordinator of Inter- American Affairs.<br />
He was with MGM from 1944 to 1947, then<br />
joined the Quigley organization, with which<br />
he was associated until a few' months ago.<br />
Funeral services will be held Monday (51 in<br />
Canton, Pa., his birthplace.<br />
Dangerous Movie, TV Trend Toward<br />
Glorifying Crime, Hoover Charges<br />
WASHINGTON— J.<br />
Edgar Hoover, head of<br />
the Federal Bureau of Investigation, who<br />
several week.s ago urged the film industry to<br />
quit making motion pictures portraying the<br />
lives of headline-making criminals, declared<br />
this week there was a dangerous trend to<br />
glorification of crime in both movies and<br />
television.<br />
In a signed article appearing in the May<br />
issue of the FBI bulletin, he called this<br />
glorification "an affront to our national conscience."<br />
As a law enforcement officer, he<br />
said, he felt he was duty bound "to speak out<br />
against a dangerous trend which is manifesting<br />
itself in the field of film and television<br />
entertainment."<br />
He admitted that there were leaders in<br />
both industries who were helping law enforcement<br />
by "genuine portrayals of criminals,"<br />
but, he added:<br />
"In the face of the nation's terrifying<br />
UA Drive Honoring<br />
Krim Is Under Way<br />
NEW YORK—"A Salute to Arthur Krim"<br />
sales drive has been started by United Ai-tists<br />
and will run 37 weeks. Cocaptains are<br />
Robert S. Benjamin, board chairman, and<br />
William J. Heiiieman, vice-president in<br />
charge of distribution. The drive offers $60,-<br />
000 in prizes to the participating division,<br />
district, branch and sales managers, salesmen<br />
and bookers in the U. S. and Canada.<br />
The drive will run through the first week<br />
of January 1959. It has been divided into<br />
five laps, the first of ten weeks followed by<br />
ones of five weeks, eight weeks, nine weeks<br />
and five weeks. Winners will be chosen on<br />
the basis of the greatest number of bookings<br />
and total revenues reported for their branches,<br />
districts and divisions of operation.<br />
In announcing the drive, Benjamin and<br />
Heineman called attention to the "brilliant<br />
contributioixs" of the company president<br />
which the drive honors. They noted that under<br />
his leadership United Artists revenues<br />
have reached an all-time high of $70,000,000-<br />
plus in terms of worldwide gro.5ses.<br />
European Film Archives<br />
Tour Is Scheduled<br />
NEW YORK—A 30-day European film<br />
archives<br />
tour in July, which calls for visits to<br />
seven countries, screening of about 50 motion<br />
pictures of historical significance in the<br />
development of the industry, and visits to a<br />
number of European studios, is being sponsored<br />
by Travel & Study, Inc., in cooperation<br />
with KLM, the Royal Dutch Airlines. Conducting<br />
the tour will be Gideon Bachmann,<br />
editor of Cinemages and vice-president of<br />
the American Federation of Film Societies.<br />
Film libraries in London, Brussels, Paris,<br />
Milan, Rome and Copenhagen have agreed<br />
to open theii- vaults of old films for the visitors.<br />
In addition, important film producers<br />
and directors in each of the countries will<br />
attend meetings of the American party. The<br />
U. S. group will leave July 1 from New York.<br />
Information regarding the tour can be obtained<br />
from KLM, 430 Park Avenue, New-<br />
York, N. Y.<br />
juvenile crime wave, we are threatened with<br />
a flood of movies and television pre.sentations<br />
which flaunt indecency and applaud<br />
lawle.ssness. Not since the days when thousands<br />
filed past the bier of John Dillinger<br />
and made his home a virtual .shrine have we<br />
witnessed such brazen affront to our national<br />
con.science."<br />
Hoover did not name any .specific pictures<br />
or programs. There are, of course, he commented,<br />
many leaders in the motion picture<br />
and television industries who dedicate their<br />
efforts to producing whole.some entertainment.<br />
"Regrettably," he added, "there are<br />
some un.scrupulous individuals who value<br />
money above morals, and whose actions<br />
should be exposed in the searching klieg<br />
lights of public opinion. In their lust for<br />
bigger and bigger profits, they glorify violence,<br />
glamorize con-uption, and picture criminals<br />
as heroes for youths to idolize."<br />
Rhoden Reports 10%<br />
Rise in NT Earnings<br />
LOS ANGELES—A cheermg report on theatre<br />
business was given to National Tlieatres<br />
stockholders this week by E. C. Rhoden, president.<br />
For the 13 weeks ending March 25, 1958,<br />
earnings were 10 per cent greater than in<br />
the corresponding period a year ago, he said,<br />
in a quai-terly report to shareholders.<br />
"The improvement in earnings began with<br />
the Christmas holidays, and is principally attributable<br />
to the release of outstanding boxoffice<br />
attractions," he said.<br />
The rise in earnings nevertheless was insufficient<br />
to offset a disappointing first<br />
quarter, and the earnings mark for the first<br />
six months of the fiscal year was still below<br />
that of a year ago.<br />
Consolidated net income for the 26-week<br />
period was $743,897, equal to 28 cents a share<br />
on the 2,699,486 shares of stock outstanding<br />
at March 25 last, compared with $1,187,766.<br />
or 44 cents a share for the smiliar period last<br />
year. For the second quarter alone, however,<br />
earnings were $678,000, equal to 25 cents a<br />
share, compared with $615,000, or 23 cents a<br />
share for the like quarter a yeai- ago.<br />
Dispositions of real estate and unproductive<br />
theatres for the half year produced profits<br />
after applicable federal income taxes of<br />
$170,000. compared with $100,000 for the like<br />
period last year. In the second quarter alone,<br />
such dispositions resulted in a net loss of<br />
$9,000, compared with a net loss of $40,000 in<br />
the same quarter last year.<br />
Gross income for the six montlis was $26,-<br />
482,791, compared with $30,283,050 for the like<br />
period a year ago.<br />
'Rebel' Atlanta Opening<br />
NEW YORK—Samuel GoldwjTi jr.'s "The<br />
Proud Rebel," distributed by Buena Vista,<br />
will open at the Rialto Theatre. Atlanta. May<br />
28 as a benefit charity performance. Buena<br />
Vista is recruiting the stars of the picture<br />
Alan Ladd, his ten-year-old son David and<br />
Olivia de Havilland, to fly to Atlanta for the<br />
opening.<br />
BOXOFFICE May 5, 1958 11
Television Gets Spotlight<br />
At SMPTE Convention<br />
LOS ANGELES—Television was a major<br />
topic of discussion at the semiannual convention<br />
of tlie Society of Motion Picture and<br />
Television Engineers here last weelc. but subscription<br />
TV—expected to be a subject of<br />
lively interest^— was limited to a single paper<br />
delivered by Lloyd Hallamore of Hallamore<br />
Electronics Co., which manufactures equipment<br />
for telecasting via cable.<br />
Among the latter was both a report and<br />
demonstration of the new blown-arc projection<br />
lamp being introduced to the trade<br />
by the Strong Electric Corp. Arthur J. Hatch.<br />
president, and Russel Ayling of the Strong<br />
organization, participated in the presentation.<br />
There was both a presentation on the<br />
convention floor and a practical demonstration<br />
at the Laurel Drive-In Theatre in the<br />
San Fernando Valley, wheie the engineers<br />
were taken in a bus Thursday (24).<br />
SHOPPING CENTER TIECP<br />
In his paper on wire TV. Hallamore proposed<br />
a use of subscription television through<br />
the establishment of local TV studios in suburban<br />
community shopping centers—with the<br />
suburban liousing areas wired free. Through<br />
such a facility, he said, a variety of programming<br />
could be developed, including telecasting<br />
of local news, sports and civic events and<br />
motion pictures. A small-scale program of<br />
this type would al.so give local merchants an<br />
opportunity to advertise at a reasonable cost,<br />
and with their messages aimed directly at<br />
their trading area.<br />
A local system of this type would cost about<br />
$20 per house for wiring. Hallamore said. As<br />
for programming, it should be free until the<br />
evening hours, when a charge could be made<br />
for motion pictures, he added. While all<br />
homes would be wired, only those especially<br />
subscribing for the evening entertainment<br />
would pay a special fee on a metered basis.<br />
Altogether 30 papers were presented on<br />
television subjects and 21 on motion pictures.<br />
STRONG LAMP IMPRESSES<br />
At the demonstration of Strong's "Jetarc"<br />
lamp, the engineers were impressed with the<br />
new concepts of producing light by carbon<br />
arc as introduced in the lamp. The Strong<br />
officials characterized the equipment as the<br />
"most powerful projection lamp ever developed."<br />
and one which could deliver 100 per<br />
cent distribution over the entire screen area.<br />
There was considerable interest in the air<br />
jet and blower techniques used to produce the<br />
light which was said to be 51 per cent greater<br />
than that available from any other projection<br />
lamp. The lamp u.ses an outsize 21-inch<br />
main reflector, and all film sizes from 35mm<br />
to 70mm can be projected without any change<br />
of reflectors. The spot size at the aperture,<br />
it was explained, can be changed from 35mm<br />
to 70mm by merely shifting the position of<br />
the main reflector by means of a convenient<br />
control.<br />
The engineers were told that this effective<br />
optical system has been achieved because of<br />
an advanced cai-bon-burning technique developed<br />
by the Strong Corp.. a technique involving<br />
a greater constriction of the arc. This<br />
constriction is accomplished by air jets arranged<br />
around the positive carbon and directed<br />
toward the burning end, with air<br />
STANDEE WINS RECOGNITION—<br />
Emery Austin, right, director of exploitation<br />
of MGM Pictures, is shown accepting<br />
an award from Al Barlow of the<br />
Henneg^an Co. of Cincinnati, in behalf of<br />
MGM for the giant lobby standee on<br />
"Raintree County." The award is an<br />
annual event sponsored by the Lithographers<br />
National Ass'n, Inc. The standee<br />
and other winning items will be sent on<br />
a nationwide tour for display in important<br />
cities. The standee was designed<br />
by Joe Albers. the art director was Lou<br />
Field and the artists were Walter M.<br />
Baumhofer and Wallace Bassford.<br />
pressure for the jets provided by a blower<br />
which is the "heart" of the system. As the<br />
brilliance of the arc increases with constriction,<br />
the cylindrical-shaped light source created<br />
by the air jet pressures boosts the light<br />
picicup angle to 260". This is in contrast to<br />
the 160-degree pickup of conventional lamps.<br />
it was pointed out.<br />
More than 1.500 members of the Society<br />
attended the convention, said to be the largest<br />
turnout for a coast meeting of the Society.<br />
'Kings Go Forth' Opening<br />
Is Set for Monte Carlo<br />
NEW YORK—The world premiere of Pi-ank<br />
RO.SS' production of "Kings Go Forth" will be<br />
held June 14 at the Gaumont Theatre, Monte<br />
Carlo. United Artists said the Prince and<br />
Princess of Monaco will be patrons of a benefit,<br />
"An Evening with Frank Sinatra," in<br />
connection with the premiere. The United<br />
Nations Refugee Fund wUl benefit.<br />
Rerelease 'York/ 'Doodle'<br />
NEW YORK—"Sergeant York" and "Yankee<br />
Doodle Dandy" will go into national release<br />
at the conclusion of a run at the Branford<br />
Theatre, Newark, N. J., according to<br />
Arnold Jacobs, general sales manager of<br />
Dominant Pictures, distributors of the Warner<br />
Bros, re-releases. They opened at the<br />
Branford Friday (2).<br />
Variety's Heart Award<br />
To Philadelphia Tent<br />
LONDON— For iLs .spon.sorship of a children's<br />
club camp and its work in the field of<br />
infantile paralysis, the Philadelphia tent has<br />
been given the 1958 Heart Award of Variety<br />
Clubs International. Announcement that the<br />
Award had been given to the active Philadelphia<br />
barkers was made at the closing dinner<br />
of the Variety Clubs convention Friday<br />
(251 by H. R. H. Prince Philip who was one<br />
of the distinguished guests at the affair.<br />
The Philadelphia tent also won the special<br />
award for having the largest delegation at<br />
the convention. The Philadelphians spent<br />
$262,000 on their chaiitable endeavors during<br />
the last year in projects which benefited<br />
7,285 individuals.<br />
An honorable mention Heart Award went<br />
to the Charlotte tent which sponsors a children's<br />
clinic and an eye clinic, on which<br />
.$140,567 was spent last year, and from which<br />
10.857 persons benefited.<br />
Variety did not make a Humanitarian<br />
Award at the convention, but gave a special<br />
Heart Citation to one of England's most distinguished<br />
philanthropists. Viscount Nuffield.<br />
The widely known automobile manufacturer<br />
gives almost all of the profits from his enterprises<br />
to charitable and educational institution.s—contributions<br />
which now total<br />
more than 27.000.000 pounds.<br />
Presiding at the final dinner was James<br />
Carreras. the newly elected international<br />
property master, the first barker outside of<br />
the United States to be elevated to an international<br />
office.<br />
The convention adopted a resolution paying<br />
tribute to the contributions to the organization<br />
by Jack Dumestre jr.. international<br />
dough guy. who died in Atlanta while the<br />
meetings here were in progress. A message of<br />
condolence was sent to his family.<br />
It was announced that the convention brochure<br />
produced by the London tent—a 210-<br />
page program and souvenir—raised $45,000.<br />
The cover of the book was of white art paper,<br />
embossed in gold with the convention badge,<br />
barker's head and the city of London seal with<br />
a red ribbon tipped on.<br />
$10,000,000 Sports Center<br />
Will Include New Airer<br />
NORWOOD. MASS.—An outdoor theatre is<br />
projected as part of the $10,000,000 sports<br />
center which will be built here by the Hampden-Harvard<br />
Breweries of Willimansett. Included<br />
also in the sports center will be an<br />
aluminum and glass stadium seating 60,000-<br />
65.000. parking facilities for 15.000 cars, New<br />
England's largest .swimming pool, a shopping<br />
center, motels, restaurant, golf range and<br />
bowling alleys.<br />
The site as announced by George K. Bissell,<br />
vice-president and treasurer of Hampden-<br />
Harvard, will be near the eastern terminus<br />
of the Turnpike and Routes 128. 3. 1 and 30<br />
as well as the Norwcwd Airport. The center<br />
will be easily accessible to all residents of the<br />
state as well as parts of Maine. New Hampshire,<br />
Rhode Island and Connecticut.<br />
The stadium would be the first covered<br />
playing area of such size in the world. The<br />
project planners hope to interest the Boston<br />
Red Sox in using the stadium for their league<br />
games, but the construction will not depend<br />
on such an arrangement.<br />
12 BOXOFFICE May 5, 1958
.<br />
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Paramount aims a<br />
pi ctu re<br />
market -the<br />
Opinion Research sj<br />
movie-goers are in t<br />
dynamic promotion v<br />
^<br />
market, as well as i<br />
gross- building penet<br />
A ONE-TWO PUNCH AT THE HUGE NAi.<br />
each of LIFE and LOOK, to i<br />
total<br />
audience for these four<br />
PERSUASIVE SELLING TO THE YOUNG FENJ<br />
IMPORTANT NEW MEDIA TARGETED TO I<br />
newspapers with<br />
half college students.<br />
circulation<br />
HIGH SALES PITCH AT TEENAGE PACE-t|<br />
city<br />
engagements.<br />
TICKET- SELLING USE OF TV . . , thn<br />
arresting TV spots ever des^<br />
of-sale penetration. Plus a sp<br />
the top rated show "Alfred<br />
sents" which will carry plu^<br />
coming presentations to its<br />
audience of youth and adults<br />
SCIENTIFICALLY BLUE-PRINTED RADIO Pi<br />
phasis on point-of-sale effect<br />
hit song "Vertigo" will<br />
register<br />
impressions as its recording<br />
from coast to coast on the tu<br />
jays most listened to by the unc
I<br />
massive barrage at today's major motion<br />
!/oung customers. Sindlinger, Politz and<br />
iveys all<br />
point out that more than half of all<br />
he younger -than -20 group. Every type of<br />
il be aggressively used to hit hard at this<br />
t) reach the general adult audience. This<br />
nation for Alfred Hitchcock's 'Vertigo"includes:<br />
lAL MAGAZINE PUBLIC, with color ads in two consecutive issues<br />
li under 34-readership of well over 25 million. The combined<br />
insertions reaches a staggering 90 million, including all ages.<br />
INE MARKET. . .with ads in Seventeen as well as the entire fan list.<br />
UTH OPINION LEADERS— as Paramount pioneers ads in all college<br />
in excess of 2,500 . reaching a total of a million and a<br />
. .<br />
ITERS through high school papers to be used in all early key<br />
he most eyegned<br />
for point-<br />
^cial tie-in with<br />
Hitchcock Pre-<br />
^ on all its up<br />
vast nationwide<br />
MOTION with emeness.<br />
And the<br />
lillions of sales<br />
start spinning<br />
i<br />
htables of dee-<br />
6r-20 audience.<br />
All This <strong>Boxoffice</strong> Support Is<br />
Perfectly Timed For Early Summer<br />
Dates Of<br />
JAMES STEWART<br />
KIM NDVAK<br />
IN/ILFREDHITCHCDCK'S<br />
MASTERPIECE<br />
CO «T«MniNO<br />
''i^uVii**'<br />
Ve b' rti<br />
OtHCCTIO •<br />
lOM HELMORE HENRY JONES Alf RED HIICHCOCKALEC COPPEL & SAMUEL lAYlORIECHNlCOlOR' P.<br />
BASED UPON THE NOVEL'OtNTBE LES MOnIS' 8Y PIERBE BOILEAU AND THOMAS NABCtJACMUSIC BV BEONARC HEflBMANN ^->fT^^
Motion Picture Investors<br />
Files Corporation Papers<br />
CALENDARofEVENTS<br />
MAY<br />
KANSAS CITY— Ai-ticles of incorporation<br />
for Motion Picture Investors. Inc. have Ix-en<br />
filed with the MLssouri secretary of slate and<br />
a prospectus is now being prepared for the<br />
Securities & Exchange Commission, so that,<br />
with povernment approval, the investment<br />
trust shares will soon be available to all people<br />
of the industry.<br />
In making these announcements. Howard<br />
E. Jamey.'ion. chairman of the board of Commonwealth<br />
Theatres who originated the trust<br />
idea, reaffirmed the basic purpo.ses behind<br />
the plan.<br />
"In proposing an investment trust to deal<br />
with the problem of pa'it-1948 movie sales to<br />
television, we have attempted to tailor it to<br />
the economic facts of life as they relate to the<br />
theatre." he said. "The founders of Motion<br />
Picture Investors. Inc. realize that the exhibitors<br />
of America cannot provide the money<br />
necessary to implement grandiose plans designed<br />
to worlc miracles over night.<br />
"The investment trust." he explained, "is a<br />
simple, practical and a relatively economical<br />
method of taking one step at a time toward<br />
eventual goal.<br />
its<br />
"We are not deluding ourselves. MPI will<br />
not become a 'force' until it has .substantial<br />
investments in the various distributing companies,<br />
but it can be a 'voice'—although a<br />
wee one—in a very short time. Without seeking<br />
or desiring 'control' of any company, it<br />
can gradually develop a healthy 'influence'<br />
upon our whole industry. From our small beginning,<br />
we will be satisfied with a slow.<br />
steady and safe growth. We are not looking<br />
for great oaks before we have planted our<br />
acorns."<br />
Jameyson further stated: "Most of the<br />
plans offered exhibition in the past have depended<br />
solely upon the financial resources<br />
of the theatre and the burden has been too<br />
great for the exhibitors to bear. MPI will invite<br />
all elements of the industry to participate.<br />
It will come as a surprise to many to<br />
learn that almost 50 per cent of our organizational<br />
capital—now considerably in excess of<br />
TO MAKE SCREEN RETURN—Marilyn<br />
Monroe is shown signing a contract<br />
with Harold Mirisch. president of the<br />
Mirisch Company, for a starring role in<br />
"Some Like It Hot," which will mark<br />
her return to the screen. United .•Vrtists<br />
will distribute the film to be produced<br />
and directed by Billy Wilder, scheduled<br />
to go before the cameras in July.<br />
the required SIOO.OOO- has been subscribed by<br />
people who sell equipment, make trailers, sell<br />
film, deliver film or otherwise have some<br />
vested interest in the health of our industry.<br />
Once MPI has qualified with the Securities<br />
& Exchange Commission it expects to offer<br />
its .'ihares to a wide list of potential investors<br />
who have important reasons for giving exhibition<br />
a helping hand.<br />
"Of course, there are those who honestly<br />
and sincerely take a dim view of our proposal.<br />
We think many of these persons are<br />
too quickly relating it to other plans of the<br />
past, without giving it a thorough study.<br />
MPI differs radically from anything heretofore<br />
suggested. A share in MPI will definitely<br />
be an investment that will actually<br />
purchase a portion of an equity in going concerns.<br />
To be sure, it is speculative and one<br />
the average prudent investor would not make,<br />
but it will provide the exhibitor with a ticket<br />
to shareholders meetings and it can become<br />
a tool by which director's doors are opened.<br />
And it can do these things with a minimum<br />
risk to the investor's capital. If MPI becomes<br />
an effective influence in our industry and<br />
helps us back to our former health, its .shares<br />
can increase substantially in value and the<br />
investor can thus profit."<br />
Schine Will Auction<br />
17 of Its Theatres<br />
BUFFALO—The Schine circuit will<br />
put up<br />
17 theatres at public auctions May 19 and<br />
24. Some of the sales, of theatres now in<br />
operation, are in compliance with the federal<br />
antitrust decision of January 1957. but others<br />
are of houses closed because of population<br />
shifts or neighborhood changes.<br />
Eight of the theatres are in Rochester,<br />
including the Monroe, which is equipped for<br />
Todd-AO showings, and the Riviera. Closed<br />
theatres in that city include the Madi.son.<br />
Lake, Liberty, States, West End and the<br />
Cameo. Theatres in Fairport. Cortland. Geneva<br />
and Lockport also are included in the<br />
first group to be auctioned May 19 at the<br />
Manger Hotel in Rochester. The second<br />
group, to be sold May 24 at the Queensburg<br />
Hotel. Glen Falls. N. Y.. includes houses in<br />
Amsterdam. Hudson Falls and Granville.<br />
N. Y.: Ravenna. Ohio, and Cumberland. Md.<br />
Carl Dickerson. city manager for the Schine<br />
theatres in Kodak Town, said the auction is<br />
being handled by the circuit's real estate<br />
division. Signs advertising the auction are in<br />
all the theatres concerned. Dickenson declined<br />
to speculate on whether the change<br />
in ownership will mean a change in management<br />
of the two theatres now operating.<br />
However, Schine shows Todd-AO productions<br />
under an agreement w^th the Todd interests.<br />
and it could be presumed that Schine will<br />
lease the Monroe Theatre to continue<br />
Todd-AO showings.<br />
Dickerson said the other day that the latest<br />
Todd-AO production. "South Pacific," will<br />
be shown in the Monroe as soon as it is<br />
released for Rochester.
Fox Management Buys<br />
$4,271,250 Debentures<br />
NEW YORK The nuuiagemont of 20th<br />
Century-Fox during 1957 purchased in ag-<br />
Kretjute $4,271,250 principal amount of subordinated<br />
debentures, a sum equal to $25<br />
principal amount for each of 170.850 shares<br />
of common stock optioned, and took aggregate<br />
salar.v reductions of $128,137.50 annually<br />
for a period of two years. Options on tlie remaining<br />
29.150 shares out of a total of 200.-<br />
000 did not come into being prior to the expiration<br />
date of Nov. 19. 1957. and have<br />
lapsed.<br />
The purchase of the debentures was in line<br />
with a provision made at the stockholders'<br />
meeting in May 1957 for the creation of<br />
common stock options for management on<br />
200.000 shares, contingent on management<br />
purchasing $5,000,000 principal amount of five<br />
per cent five-year subordinated debentures<br />
and also contingent on management taking<br />
salary reductions of 75 cents a share for each<br />
share of stock optioned.<br />
The $4,271,250 received from the debenture<br />
sale has been added to the funds of the company.<br />
To April 16 last. $2,533,270 of the<br />
amount has been used to purchase 104.800<br />
shares of its common stock. The purchases<br />
were made at an average cost of $24.17 a<br />
share. In addition, the company previously<br />
acquired 25.000 shares at an average cost of<br />
$18.75 a share. Combined, the 129.800 shares<br />
cost $3,002,074.94. Their average cost was<br />
$23.13 a share. The average price of the<br />
options acquired by the management on the<br />
170.850 shares was $23.71.<br />
The company plans to buy additional shares<br />
of common stock from time to time and hold<br />
them in its treasury. None of the options on<br />
the 170.850 shares has been exercised. The<br />
options may be exercised in whole or in part<br />
until 1963. except for shorter periods in the<br />
event of death or termination of active employment.<br />
Fox Oil and Gas Receipts<br />
$730,634 Since Inception<br />
NEW YORK—Twentieth Century-Fox has<br />
received $730,634 in royalties from oil and<br />
natural gas produced on its studio property<br />
since the inception of production late in<br />
1955 to last February 28. according to its<br />
latest annual report.<br />
The sum of $325,435 was received in 1956<br />
and $309,254 in 1957. All drilling and production<br />
costs are advanced by Universal Consolidated<br />
Oil Co. On full recovery of the<br />
costs, the 20th-Fox sliare of proceeds will increase<br />
from the basic royalty of 11.32 per cent<br />
to 51.32 of total gross revenues, less one-half<br />
of operating costs w'hlch. on the basis of actual<br />
production and sales in 1957. is estimated<br />
at approximately $1,263,890 a year.<br />
Additional wells will be drilled until the field<br />
is fully developed.<br />
Liza Music Corp. Formed;<br />
Controls '80 Days' Music<br />
NEW YORK—The Liza Music Corp, has<br />
been organized by Michael Todd jr. and<br />
Elizabeth Taylor Todd. The company owns<br />
the copyrights to all the music in the sound<br />
track of "Around the World in 80 Days."<br />
Jack Saunders is vice-president and manager.<br />
He has been associated with the Iat€<br />
Michael Todd more than 20 years and has<br />
acted as music adviser to the Michael Todd<br />
Co,<br />
20th-Fox 'Merchandising<br />
To Start With Traulein<br />
Packages<br />
Release<br />
Charles Einfeld discussing: the company's new public merchandising packages<br />
before sales executives attending a homeotfice meeting last weekend.<br />
NEW YORK — A "public merchandising<br />
package" for local level, all-media exploitation<br />
for all features, starting with its May<br />
release, "Fi'aulein." is to be inaugurated by<br />
20th Century-Fox, Alex Harrison, general<br />
sales manager, told district managers at a<br />
homeoffice meeting over last weekend.<br />
Charles Einfeld, vice-president, outlined<br />
the composition of the "public merchandising<br />
packages," which will supplement all future<br />
feature contracts. This packaging is in line<br />
with the policy of cooperating with exhibitors<br />
in all situations, to supplement the advance<br />
national publicity drives on the pictures.<br />
The first of the packages has been prepared<br />
so that it can do a selling job "within<br />
a budget any exhibitor can afford." according<br />
to Einfeld.<br />
"Fraulein" was selected for the first "package"<br />
because Einfeld, Han-ison and Spyros P.<br />
Skouras, president, considered it as having<br />
the most exploitation potential required to<br />
set the program off on the right note.<br />
Einfeld's theory that title songs should be<br />
saturated before the release of a picture, will<br />
be tested with five separate recordings of<br />
the title tune, in five separate styles, for<br />
"Fraulin," Steve Lawrence, who will substitute<br />
for Steve Allen this summer on the Sunday<br />
night TV show, will kick off with his<br />
Coral recording of "Fraulein." Kitty Wells<br />
and Bobby Helms, "country and western" recording<br />
stars, have also made recordings of<br />
"Fraulein" as has Don Estes. Decca star, with<br />
a Rock 'N' Roll record. Also a martial version<br />
of "Fi-aulein." recorded in the same manner<br />
as the March from "The Bridge on the<br />
River Kwai," has been waxed by Vic Sabriaio<br />
on the Decca label. The picture, in Cinema-<br />
Scope and De Luxe Color, was filmed on location<br />
in Berlin and the ballad tells the<br />
story of the picture. The earthy, homespun<br />
set of recordings will emphasize the American<br />
music to remove whatever foreign connotation<br />
the title might have, Einfeld said.<br />
In the advertising campaign, a special series<br />
of six teaser ads, the laj'gest of which is<br />
34 lines, has been designed to supplement a<br />
low-budget radio campaign and attract the<br />
audience already presold by the five "Fi'aulein"<br />
recordings. In the same vein, display<br />
ads will afford a maximum sell in a minimum<br />
amount of space.<br />
The other forthcoming pictures with the<br />
"packages," will include: "Ten North Frederick,"<br />
al.so for May release; "From Hell to<br />
Texas." for June release, and "A Certain<br />
Smile." "The Bravados." "Tlie Barbarian<br />
and the Geisha" and "The Diary of Anne<br />
Frank," all summer releases.<br />
Those attending the weekend meeting over which<br />
Harrison presided, included; C. Glenn Norris, central,<br />
Canadian, midwestern and coast division soles<br />
manager; Martin Moskowitz, eastern division sales<br />
manager; Alex Arnswoider, New York branch manager,<br />
and the following district heads: Abe Dickstem,<br />
New York; Al Levy, Boston; Paul S. Wilson,<br />
Atlanta; Mark Sheridan jr., Dallas; Morton A. Levy,<br />
Minneapolis; Tom O. McCleoster, Cleveland, ond Reville<br />
Kniffen, Los Angeles. Those present from the<br />
homeoffice were Neil Agnew, Frank Corroll, Clorence<br />
A. Hill, Lorry Ayers and Roger Ferri.<br />
Wile Lauds Montana Unit<br />
For Aiding Family Films<br />
GREAT FALLS. MONT.—Montana Theatre<br />
Owners Ass'n at its spring convention<br />
Tuesday i29i at the Rainbow Hotel here was<br />
thanked by Robert A. Wile. 20th Century-<br />
Fox exhibitor relations director, for sponsoring<br />
a drive last fall to produce more familytype<br />
pictures.<br />
Wile said that the Montana group was one<br />
of several organizations that had insisted on<br />
scheduling pictures like "The Gift of Love"<br />
and "Sing Boy Sing" which are boxoffice<br />
successes in small-to'vvn theatres catering to<br />
the family trade.<br />
Wile also called for a revaluation of the<br />
use of the Cinemascope trailer, rather than<br />
a standard trailer, for a forthcoming Cinema-<br />
Scope release. A recent survey showed that<br />
80 per cent of the trailei-s on Cinemascope<br />
pictures are flat trailers. Wile advised trailers<br />
be attached to Cinemascope shorts or Terrytoons<br />
as the easiest method.<br />
Seek Chicago Opera House<br />
NEW YORK— National Theatres has applied<br />
to federal court here for permission to<br />
take over the Civic Opera House in Clncago<br />
temporarily to show "Windjammer." first<br />
Cinemiracle picture. The petition stated the<br />
auditorium would be used only at times when<br />
opera is not being shown there.<br />
BOXOFFICE May 5, 1958 17
BETWEEN THE LINES<br />
Status of Telemeter<br />
\A7E dioppt-d into llie office of Howard<br />
Miiiskj- one day last week to see what<br />
was new in regard to Telemeter, Paramount's<br />
pay-as-you-see TV system. Minsky<br />
is vice-president of International Telemeter<br />
Corp. and he bubbles over with enthusiasm<br />
when he talks about the medium.<br />
Just because there hasn't been much news<br />
about the system recently doesn't mean<br />
tliat the company isn't very much alive. It<br />
is rarin' to go, just as soon as one very annoying<br />
obstacle is overcome.<br />
That obstacle is the fees being asked by<br />
the telephone company for its wire and<br />
cable facilities. The charges, Telemeter<br />
claims, are far too high and that's w'hat has<br />
stymied the launching of the system on a<br />
commercial basis. But Minsky is confident<br />
that an agreement will be reached.<br />
When that one obstacle has been cleared<br />
away. Telemeter is ready to start operating<br />
in three areas: New England, west coast<br />
and Canada. Two other spots will follow<br />
shortly thereafter. The principals in New<br />
England and Canada are theatre interests;<br />
involved in the coast operation are both<br />
industry and outside people. A program<br />
director has been retained and he has an<br />
"exciting" array of shows lined up which<br />
can go over the wires on short notice.<br />
Minsky said there had been a steady flow<br />
of interested parties visiting his office.<br />
They have come from almost every country<br />
in the world seeking information and franchises.<br />
A group of church officials wanted<br />
to know if religious services could utilize<br />
Telemeter so that shut-ins and others could<br />
"attend" church via the television screen.<br />
Minsky assured them that this could be<br />
done.<br />
Regardless of adverse opinions about subscription<br />
television in general, Minsky is<br />
one who believes that the ultimate widespread<br />
utilization of the medium is inevitable.<br />
Nothing can stop it, he said. No<br />
green light from the Federal Communications<br />
Commission is required; only a reasonable<br />
arrangement with the telephone<br />
company is needed to get the system rolling.<br />
Mann Overboard<br />
THE time has passed when a producer<br />
can make just another picture. He's<br />
got to latch on to something different,<br />
something unusual. And the amount of<br />
money spent doesn't determine the success<br />
of the film.<br />
"84" CASH DISCOUNT CARDS<br />
See Classified ad under BUSINESS<br />
STIMULATORS this Edition of<br />
BOXOFFICE.<br />
By AL STEEN<br />
The speaker was Anthony Mann whose<br />
"Gods Little Acre" is about to be released<br />
by United Artists. Mann was in New York<br />
recently to di.scuss the promotion of the<br />
picturization of Erskine Caldwell's controversial<br />
novel. And we do mean controversial!<br />
Although the book has been translated<br />
into 21 languages, it still has to be<br />
smuggled into Massachusetts.<br />
The production cost of a picture isn't as<br />
important as the basic idea of the story,<br />
Mann said during an informal chat with<br />
some of the press boys in the UA board<br />
room. A good idea, well developed, will attract<br />
the customers regardless of what the<br />
picture costs, he said. As an example, he<br />
pointed to "Men in War," which he produced<br />
at a cost of $500,000 and which, he<br />
claimed, will roll up a gross of $3,500,000.<br />
"God's Little Acre" had a budget of around<br />
$900,000. But he believes that it's the story<br />
that will intrigue the patrons.<br />
And therein he has a point. Just last<br />
week, sales of the book passed the 9,000,000<br />
mark since its first publication 25 years<br />
ago. Since then, it has been a storm center<br />
of one of the most turbulent literary controversies<br />
in America. Charges were made<br />
that the book was devised solely to incite<br />
lust, but in a historic decision. Magistrate<br />
B. E. Greenspan in New York held that<br />
Caldwell had chosen to write what he believed<br />
to be true and that suppressing<br />
books because they might incite lust would<br />
reduce literature to a tiny fragment of barren<br />
volumes.<br />
So Mann had the problem of producing<br />
such a picture so that it would be in good<br />
taste and still capture the heart of the<br />
novel. Apparently this has been done because<br />
the film has a Code Seal and has<br />
been passed by some pretty strict censor<br />
boards. A piece of irony in connection with<br />
the filming is that Augusta, Ga., refused to<br />
permit the picture to be made there, so it<br />
was filmed in Stockton, Calif. And yet,<br />
the world premiere is to be held in Augusta,<br />
Caldwell's home town.<br />
That CBS Show<br />
Mo use crying over spilled milk, but that<br />
"Seven O'Clock Report" on CBS-TV<br />
on April 25 was something to cry over.<br />
Douglas Edwards' program was a real sock<br />
on the jaw for the film industry, practically<br />
stating that the motion picture theatre was<br />
washed up. The viewer was taken on a<br />
torn-<br />
of sites which formerly had been theatres<br />
but now were supermarkets, rug factories,<br />
etc. At a time when the industry is<br />
launching its business-building campaign<br />
in a drive to restore the theatregoing habit,<br />
this really was an unfortunate program.<br />
A squawk to the producer can do no<br />
good; the harm has been done. But some<br />
sort of vigilance should be created to prevent<br />
a recurrence.<br />
Harry Ballance Retiring<br />
As Fox Division Mgr.<br />
NEW YORK—Harry Ballance, who has<br />
.served as .southern division manager of 20th<br />
Century-Fox for 26<br />
years, will retire on<br />
September 1. Alex<br />
Harrison, general sales<br />
^^^g'-fi<br />
''<br />
manager, told a meet- ^^^^<br />
ing of company district<br />
manager.s here last<br />
week that under a<br />
long-term agreement,<br />
Ballance would continue<br />
to function in an<br />
advisory capacity and<br />
continue to make his<br />
headquarters at the<br />
Harry Ballance<br />
Atlanta branch.<br />
Starting his film career with Paramount<br />
in the Los Angeles branch in 1918, Ballance<br />
joined Fox Film Corp. in 1932 shortly after<br />
the late Sidney R. Kent transferred from<br />
Paramount to Fox. In the meantime, Ballance<br />
had served Paramount as New England<br />
district manager and eastern division sales<br />
manager and, under Kent, general sales<br />
manager for five years. When Paramount<br />
acquired S. A. Lynch Enterprises in the<br />
south, Ballance was put in charge.<br />
Ballance is noted for his development of<br />
sales manpower. Both of the south's district<br />
managers. Paul Wilson, southeast, and<br />
Mark Sheridan jr., southwest, started as<br />
booker and ad sales manager, respectively, in<br />
the Atlanta branch. Six of the eight .south-<br />
other<br />
ern branch managers were among the<br />
present employes who stemmed from Ballance's<br />
manpower development program.<br />
They are Dan Courset. Atlanta: Olin Mock,<br />
Charlotte: Tom Tidwell, Jacksonville; William<br />
A. Briant, New Orleans; William Williams,<br />
Dallas, and Henry Han-ell, Houston.<br />
Annual Rogers Hospital<br />
Inspection June 26-29<br />
NEW YORK—The annual weekend inspection<br />
trip to the Will Rogers Memorial Hospital<br />
at Saranac Lake, N. Y., by the board of<br />
directors will be held this year June 26-29.<br />
Abe Montague, president of the Will Rogers<br />
Memorial Fund, and Robert J. O'Donnell,<br />
chairman, reported last week that this year's<br />
inspection would be a "revelation of progress"<br />
at the hospital.<br />
The directors and trade press representatives<br />
will leave New York on the evening of<br />
June 26 and spend part of the next day at<br />
the hospital. The party then will go to<br />
Schroon Lake and spend the rest of the<br />
weekend at the Edgewater Motel, owned by<br />
Herman Robbins. president of National<br />
Screen Service, and his family.<br />
'God's Little Acre' Set<br />
For 130 Charlotte Dates<br />
NEW YORK—"God's Little Acre," the Anthony<br />
Mann-Security Pictui'es production,<br />
which will have a three-theatre world premiere<br />
in Los Angeles, at Iris, Rialto and<br />
Wilshire theatres. May 7, also will have a<br />
130-date saturation booking in the Charlotte<br />
territory in mid-May, according to James R.<br />
Velde, general sales manager for United<br />
Artists, which is distributing the picture.<br />
The picture, which is being nationally released<br />
in May, is also being set for key city<br />
engagements across the country, beginning<br />
May 28, Velde said.<br />
18 BOXOFFICE May 5, 1958
AT NEW YORK'S<br />
TRANS-LUX NORMANDIE THEATRE<br />
BIGGEST NON-HOLIDAY OPENING<br />
r-^ DAY IN A YEAR!!!<br />
HEADING FOR<br />
THIS AD<br />
IS PART<br />
OF THE<br />
NEW YORK<br />
NEWSPAPER<br />
AD<br />
CAMPAIGN...<br />
MARKED<br />
PLACE,KID!<br />
SMASH<br />
FIRST<br />
WEEK...<br />
AND<br />
LONG<br />
RUN!<br />
HEADING<br />
YOUR<br />
WAY<br />
JVOIV...<br />
starring<br />
co-starring<br />
uci^<br />
JOAN GREENWOOD -HERBERT MARSHALL<br />
HENRY FONDA • SUSAN STRASBERG<br />
and<br />
I<br />
introducing<br />
BOOK IT<br />
FROM<br />
BUENA<br />
VISTA!<br />
TECHNICOLOR ® Screen Play by RUTH and AUGUSTUS GOETZ<br />
• WILLIAM DOZIER in Charge o( Production<br />
Produced by STUART MILLAR • Directed by SIDNEY LUMET<br />
• Music by ALEX NORTH<br />
An RKO Radio Picture-Distributed by Buenj Vista Film Distribution Co., Inc.
:<br />
'f¥Mf€WMd ^cfi
Herman Levy in London to Seek<br />
Closer U,S.-British<br />
NEW YORK—The posslbUlty of establishing<br />
a permanent Joint working group consisting<br />
of members of<br />
Theatre Owners of<br />
America and the Cinenmtojraph<br />
Exhibitors<br />
Assn will be explored<br />
by Herman Levy, general<br />
counsel of TOA.<br />
during his current<br />
visit to London. Levy<br />
sailed Wednesday (30»<br />
on the Queen Elizabeth.<br />
Levy will meet w'ith<br />
Ellis F. Pinkney, general<br />
secretary of the<br />
Herman Levy<br />
CEA of Great Britain and Ireland, for a<br />
series of discussions on subjects ranging from<br />
the effect of television on English theatres<br />
to the product situation and censorship. He<br />
also will meet with other British industry<br />
leaders.<br />
For the last few yeai's there has been an<br />
exchange of visitors to each other's annual<br />
meetings. Levy will seek to determine if the<br />
distance aspect can be overcome to make<br />
such a joint committee's work more beneficial<br />
to the theatre owners of both nations.<br />
Prior to his departure. Levy said he would<br />
attend the meeting of the general council of<br />
the CEA in London on May 14 when he expects<br />
to di.scuss the Eady plan and measures<br />
by which British exhibitors intend to keep<br />
feature films off British television. The effect<br />
of commercial television on theatre attendance<br />
also will be discussed, as well as<br />
assessing the problems of product shortage<br />
on theatre grosses in relation to American<br />
experience. Levy said he would further<br />
check the problem of British censorship toward<br />
American films and determine how<br />
British producers now feel about the American<br />
market.<br />
Noting that British exhibition has set up a<br />
"war chest" financed by a voluntary levy on<br />
admissions to purchase films which might<br />
otherwise be sold to television. Levy said he<br />
intended to investigate this policy to see if<br />
it might be adapted to the American scene.<br />
He said he also planned to bring the British<br />
exhibitors up to date on the efforts of TOA<br />
and all American theatre operators to prevent<br />
the introduction of subscription television.<br />
Levy will deliver a full report on his .studies<br />
to<br />
the TOA membership when he returns.<br />
AIP Sets 12 Releases<br />
For May, June, July<br />
LOS ANGELES — Leon Blender,<br />
general<br />
sales manager for American International<br />
Pictures, has announced 12 releases for May-<br />
June-July, setting a record release for the<br />
company.<br />
For May release are AIP's first Superama<br />
productions. "Machine Gun Kelly" and "The<br />
Bonnie Parker Story," slated for national<br />
showing May 28. In June, "Attack of the<br />
Puppet People," "Terror From the Year<br />
5000," "Hot Rod Gang," and "High School<br />
Hellcats" will be released. "How to Make a<br />
Monster" and "War of the Colos.sal Beast"<br />
will be released July 2. and July 23 will see<br />
"Tank Battalion" and "Hell Squad<br />
"<br />
in release<br />
Exhibitor Ties<br />
Lowe Bros. Retire From<br />
N.E. Concession Field<br />
BOSTON — Philip and K.iinucl L. Lowe jr.,<br />
treasurer and president of Theatre Candy<br />
Co., have announced their retirement from<br />
the New England wholesale concession supply<br />
field. For the past 19 years this company<br />
has been New England'.s largest supply house<br />
for refreshment merchandi.se equipment for<br />
theatres. Nat Buchman of Theatre Merchandising<br />
Corp. has taken over the activities of<br />
Theatre Candy Co. in this territory. The Lowe<br />
brothers continue to hold their interest in<br />
Theatre Candy Co. of Pittsburgh, Pa., in association<br />
with Raymond Showe, and are active<br />
in the operation of their drive-in holdings<br />
in association with Rifkin Theatres oJ<br />
Boston.<br />
Alexander Film Promotes<br />
J. G. Piccinati to Veep<br />
COLORADO SPRINGS, COLO.—Jay G.<br />
Piccinati, formerly director of marketing,<br />
has been promoted to vice-president in charge<br />
of marketing for Alexander Film Co. here.<br />
Piccinati will direct all local sales activities<br />
of the firm's 120-man sales organization and<br />
coordinate the local level servicing of manufacturer-dealer<br />
and merchandising campaigns<br />
sold by the company's national division.<br />
Alexander's theatre relations and theatre<br />
contacts will continue under the direction of<br />
Cliff Parker, theatre division vice-president.<br />
Parker also will coordinate this function with<br />
the local sales activity.<br />
'First'<br />
Canadian Feature<br />
Deal Set<br />
Distribution<br />
TORONTO — The first English-language<br />
feature motion picture produced in Canada,<br />
"Now That April's Here," will have its world<br />
premiere at the Towne Theatre here late in<br />
June. Negotiations for worldwide distribution<br />
of the film were completed this week, with<br />
Klenman-Davidson Productions Ltd. signing<br />
to handle the release for the N. A. Taylor-<br />
David Griesdorf interests. The feature is<br />
based on a quartet of short stories by Morley<br />
Callaghan, widely read Canadian author, and<br />
was filmed principally in and about Toronto.<br />
Pete Lundgren Named<br />
NT's Film Buyer<br />
LOS ANGELES—M. A. "Pete" Lundgren<br />
has been appointed chief film buyer for National<br />
Theatres, it was announced by Frank<br />
H. Ricketson jr., vice-president and general<br />
manager of theatre operations. Lundgren, a<br />
veteran of 26 years with NT, succeeds Bert<br />
Pirosh, who has resigned from the circuit<br />
after a 21 -year tenure. Pirosh will head the<br />
booking and buying department of Pacific<br />
Theatres, effective June 1.<br />
Abbey Chemical Co. Moves<br />
CHICAGO—Abbey Chemical Co., manufacturers<br />
of Sept-O-Solve, is now located at<br />
210 E. Ohio St., here.<br />
Set Fox Stockholders<br />
Meeting for May 20<br />
NEW YORK — Twentieth Century-Fox<br />
stockholders will vote on a management slate<br />
of ten directors at the annual meeting May<br />
20 at the home office. Tlic directors and the<br />
number of shares of company stock they own<br />
beneficially follow:<br />
L. Sherman Adams, retired trustee of Massachusetts<br />
Investors Tiust, 500; Colby M.<br />
Chester, honorary board chairman of General<br />
Foods Corp., 100; Robert L. Clarkson,<br />
board chairman of the American Express Co.,<br />
none; Daniel O. Hastings, lawyer. 1,001; Robert<br />
Lehman, investment banker, 25.000; Kevin<br />
C. McCann, president of Defiance College;<br />
150; William C. Michel. 20th-Fox executive<br />
vice-president. 1.393; B. Earl Puckett. board<br />
chairman and chief executive officer of Allied<br />
Stores Corp., none; Spyros P. Skouras,<br />
20th-Fox president, 10,000. and Gen. James A.<br />
Van Fleet, U. S. Army, retired, 2,400.<br />
In addition, Clarkson and Hastings are directors<br />
of General Precision Equipment Corp.<br />
which owns 16.600 shares, and members of<br />
Skouras' family own an additional 37,766<br />
shares.<br />
2,564,686 SHARES OUTSTANDING<br />
As of April 1, there were 2,564,686 shares<br />
outstanding and entitled to vote.<br />
Employment contracts calling for remuneration<br />
payments proposed to be made in the<br />
future in addition to salaries, retirement<br />
withholdings and retirement benefits are held<br />
by Skouras, Joseph H. Moskowitz, vice-president;<br />
Michel, Murray Silverstone, vice-president,<br />
and S. Charles Einfeld, vice-president<br />
in charge of advertising, publicity and exploitation.<br />
Skouras' full-time employment ends Dec.<br />
31, 1960. His possible total advisory compensation<br />
payable from the date of possible retirement<br />
until Dec. 31. 1965. decreases at the<br />
rate of $150,000 a year until completely extinguished<br />
if he sei-ves out his full-term employment.<br />
There is also a provision for a<br />
death benefit of $250,000 in the event of his<br />
death while employed.<br />
Moskowitz's full-time employment ends<br />
Dec. 31. 1962. and Silverstone's Dec. 31, 1960.<br />
Their advisory employment and rate of compensation<br />
is $1,000 for each week of full-time<br />
performed subsequent to April 30, 1956, and<br />
Jan. 1. 1957, respectively. Payments will continue<br />
to be made to their estates in the event<br />
of their death while employed.<br />
Michel is employed full-time until Dec. 3'.<br />
1960. .subject to prior termination, and in an<br />
advisory capacity thereafter at $50,000 a year<br />
for seven years.<br />
EINFELD PACT PROVISIONS<br />
Einfeld is employed full-time until June 30.<br />
1960. and in an advisory capacity for six years<br />
thereafter at $1,000 a week for the first three<br />
years and $500 a week for the second three<br />
years. In the event of Einfeld's death during<br />
employment the advisory compensation is<br />
payable to his wife, and if death occurs prior<br />
to June 30. 1960. the payment is diminished<br />
by $1,500 for each week between the date of<br />
his death and June 30, 1960.<br />
At the last stockholders' meeting an option<br />
plan was adopted authorizing the directors<br />
during the next six months to grant six-year<br />
restricted stock options to executives to purchase<br />
common stock. The proxy statement<br />
now in the hands of the stockholders states<br />
that no options have been exercised.<br />
22 BOXOFFICE May 5, 1958
Drive-In Parley Held<br />
On 'Dollar Nights'<br />
ALBANY—A meeting was held at<br />
the Palace<br />
Theatre here Wednesday morning to discuss<br />
problems posed by "Dollar nights" and<br />
weekend triple featuring at drive-ins in the<br />
immediate Albany area. The session, over<br />
which Elias Schlenger. Fabian division manager,<br />
presided, was the outgrowth of a threestraight<br />
"buck night" policy at Fabian's Mohawk<br />
and Saratoga drive-ins, which reportedly<br />
stemmed from the fact Lamont's Riverview<br />
Drive-In at Rotterdam Junction observed<br />
Dollar Night Thursday (24) when<br />
"Raintree County" was top-featured.<br />
The Fabian management apparently took<br />
the dramatic action in the hope of persuading<br />
area automobilers that not only Dollar<br />
Night but also Friday-Saturday triple-featuring<br />
should be ended as harmful to the<br />
best interests of the industry.<br />
At the meeting—attended by representatives<br />
of the Mohaw-k and Saratoga, the Riverview,<br />
the Auto-Vision and the Tui-npike (operated<br />
by Alan V. Iselini and the Menands<br />
(conducted by Joe Miller) —a prof)osal was<br />
advanced that all ozoners cease Dollar Nights.<br />
Several exhibitors countered with the suggestion<br />
this would be done only if threefeatures<br />
on Fridays and Saturdays were<br />
ended.<br />
They would go along with the idea, if the<br />
Carman in Guilderland acceded. That drivein,<br />
owned by Peter and John Marotta, was<br />
not represented at the meeting.<br />
The thought was then advanced that S. H.<br />
or Edward L. Fabian be invited to come here<br />
and try to act as intermediaries, with the<br />
idea of scuttling weekend triple-featuring.<br />
Fabian jr. was believed the likely man to<br />
undertake the assignment.<br />
There were strong hints that if some<br />
agreement were not reached price-cutting<br />
might spread. For instance, there was talk<br />
of a 50-cent carload rate to meet the dollar<br />
price.<br />
"Unanimity is the one way to avoid what<br />
could be financial suicide," commented one<br />
of the drive-in representatives.<br />
Named<br />
Maxine Cooper Is<br />
To Alexander Post<br />
NEW YORK—Maxine Cooper, formerly account<br />
executive for WABD (DuMont, New<br />
York), has been appointed New York resident<br />
vice-president for Alexander Film Co.,<br />
Colorado Springs. Miss Cooper will mantain<br />
offices at 500 Fifth Ave. and will be in<br />
charge of the sale of Alexander's film and<br />
merchandising programs to national advertisers<br />
in the New York area.<br />
Miss Cooper joins the Alexander organization<br />
with a background of media selling<br />
and advertising experience, which includes<br />
the position of eastern sales manager for<br />
Sponsor magazine, held prior to her post<br />
at WABD.<br />
Promoting NY Production<br />
NEW YORK—Representatives of<br />
the Film<br />
Producers Ass'n of New York will meet Wednesday<br />
(14) with the borough presidents and<br />
other city officials to examine the effect of<br />
current regulations on film production here.<br />
The meeting was authorized by Mayor Robert<br />
P. Wagner, who is supporting a campaign to<br />
increase local film production. PPA has 34<br />
producer members and 14 associates.<br />
Golf Tourney Is Added Attraction<br />
At Virginia Convention July 75-/7<br />
The chairmen of the convention committees<br />
met at the Chamberlin Hotel in<br />
Old Point Comfort, Va., to complete<br />
plans for the annual convention there in<br />
July of the Virginia Motion Picture Ass'n.<br />
Top photo, left to right: President Syd<br />
Gates, Mrs. Roy Richardson, John<br />
Bromnas and Leonard Gordon. Bottom<br />
photo: Herb Morowitz, Jerome Gordon,<br />
Jim Barham and Roy Richardson.<br />
Barney Balaban Honored<br />
For Saving USS Olympia<br />
NEW YORK—Barney Balaban, president<br />
of Paramount, was honored April 30 for his<br />
part in helping to save the cruiser Olympia,<br />
Admiral Dewey's flagship of Manila Bay in<br />
1898, from the scrap heap. A plaque on which<br />
two large medallions from the melted-down<br />
propellor of the Olympia were mounted was<br />
presented to Balaban in his office by Charles<br />
R. Fish jr.. Philadelphia vice-president of<br />
the Cruiser Olympia Ass'n. Balaban was the<br />
first person to pledge a substantial sum to<br />
the citizens' group formed back in 1954 to<br />
save the Olympia. The repairs now being<br />
made will cost an estimated $158,000.<br />
Guild Books 'Peter Pan';<br />
BV Holds Special Show<br />
NEW YORK—Walt Disney's "Peter Pan."<br />
originally released by RKO in 1953. is being<br />
reissued by Buena Vista in the summer of<br />
1958 and will be the next attraction at<br />
the Guild Theatre, following the current<br />
"Marcelino."<br />
Buena Vista held a private showing of<br />
"Peter Pan" at the Guild Theatre Saturday<br />
morning, May 3, for tradepaper and magazine<br />
repi'esentatives. Special "Peter Pan" souvenir<br />
packages were distributed to the children or<br />
nephews and nieces of those attending.<br />
Eugene Lourie is directing the screenplay<br />
of AAs "The Giant Behemoth" in London.<br />
OLD POINT COMFORT. VA. — A golf<br />
tournament will be added to the activities of<br />
the annual convention of the Virginia Motion<br />
Picture Theatre Ass'n, the committee<br />
chairmen, meeting here last week at the<br />
Chamberlin Hotel, decided. The 1958 convention<br />
will be held at the Chamberlin July<br />
15-17. John Broumas, chairman, said it is<br />
hoped the tournament can be made an annual<br />
convention attraction.<br />
Final plans for the three-day meeting were<br />
to be made in Richmond this week. Exhibitors<br />
of the Virginia area in North Carolina, Maryland<br />
and the District of Columbia will be<br />
invited to attend this "fun" convention.<br />
The committee chairmen; John Broumas,<br />
Washington, general chairman; Jerome Gordon,<br />
Newport News, banquet; Morton Gerber,<br />
Washington, distinguished guests; J. K. Crockett,<br />
Virginia Beach, and R. Dewanner Stallings,<br />
Newport News, drawings; Herb Morowitz,<br />
Newport News, exhibits; William Dalke jr.,<br />
Woodstock, finances; Hal Lyon, Fi-ankJin,<br />
food; Mrs. Roy Richardson, Suffolk, and Mrs.<br />
Helen Duff us, Richmond, ladies; Roy Richard-son,<br />
Suffolk, and Bill Hoyle, Washington,<br />
publicity; Jeff Hofheimer, Norfolk,<br />
president's reception; Seymour Hoffman.<br />
Richmond, progi-am advertising; Jim Barham,<br />
Newport New^s, business building forum;<br />
William Jasper and Jesse Odom, Newport<br />
News, registration; Julian Gordon, Newport<br />
News, Wednesday evening party; Paul Roth.<br />
Washington, prizes; Sidney Bowden, Norfolk,<br />
Jack Rumsey, Covington, and Willis Grist,<br />
Lynchburg, golf tournament, and Carlton<br />
Duffus, Richmond, co-ordinator.<br />
Fortune Magazine Tells<br />
Success Story of UA<br />
NEW YORK—An article in the May issue<br />
of Fortune Magazine titled "The Derring-<br />
Doers of Movie Business" relates how Robert<br />
S. Benjamin, board chairman, and Arthur B.<br />
Ki'im. president, have made a success of<br />
United Artists within the space of a few<br />
years.<br />
Various independent producers are quoted.<br />
Otto Preminger credits the company executives<br />
with recognizing that the independent<br />
has "his own personality," leaving production<br />
details to the producer after agreement<br />
on the basic property and consultation on<br />
the cast.<br />
Stanley Ki-amer is quoted as saying that<br />
"at UA they believe in letting the creative<br />
person create the film," and "as long as the<br />
climate there stays as it is. I don't want to<br />
be any other place."<br />
NY Benefit for 'Paris'<br />
NEW YORK—Bob Hope's "Paris Holiday"<br />
will open May 9 at the Astor Theatre for the<br />
benefit of the Hospitalized Veterans Serv'ice<br />
of the musicians emergency fund, it is announced<br />
by Mrs. Lytle Hull, HVS president.<br />
and William J. Heineman, United Artists<br />
vice-president. A supper dance will follow<br />
at the Waldorf-Astoria Hotel. Hope will attend<br />
both the premiere and the dance. Mrs.<br />
T. Markoe Robertson and Mrs. Angler Biddle<br />
Duke are co-chairmen of the benefit.<br />
BOXOFFICE Mav 5. 1958 E-1
—<br />
,<br />
—<br />
Rain Boosts First Runs on B'way;<br />
'Morningstar Opens Strong at 175<br />
NEW YORK—Rainy weather, starting Sunday<br />
(27>. aided the Broadway first runs by<br />
keeping filmgoei-s tn town and, as a result,<br />
business was better than the previous week<br />
"Marjorie Morningstar" had a smash opening<br />
week at the Radio City Music Hall, with<br />
long waiting lines on the weekend. "Stage<br />
Struck" also had a big opening week at the<br />
tiny Norinandle.<br />
Several of the holdovers continued to fine<br />
grosses, headed by "The Young Lions," In its<br />
fourth stanza at the Paramount, and "The<br />
Long. Hot Summer," also in itv'; fourth week,<br />
at the Mayfair. "Run Silent. Run Deep." in<br />
its fifth week at the Victoria, and "Witness<br />
for the Prosecution," in its 12th week<br />
at the Astor, also held up w-ell.<br />
The two-a-day pictures jumped back to<br />
practically capacity with "The Bridge on the<br />
River Kwal," strongest of them, in its 19th<br />
week at the Palace, followed by "Around the<br />
World in 80 Days," in its 80th week at the<br />
Rivoli. "Windjammer" was very good in its<br />
third week at the Roxy. where advance sales<br />
are reported building, and "South Pacific"<br />
had a strong sixth week at the Criterion.<br />
"Search for Paradise" picked up with a lastminute<br />
rush for its 32nd and final week at<br />
the Warner Theatre, where the original<br />
"This Is Cinerama" returned for a brief<br />
run. starting Sunday (4).<br />
;Averoge Is 100)<br />
Asfor—Witness for the Prosecution (UA), 12th wk 110<br />
Boronet—To Poris With Love (Cont'l); The<br />
Lodykillers (Contn, ressues, 6th wk 100<br />
Capitol—Tcochcr's Pet ;Pora), 6th wk 115<br />
Criterion— South Pocitie (Magna), 6th wk. oif<br />
two-a-dav<br />
1 70<br />
Fine Arts—The Long, Hot Summer (20th-Fox),<br />
4th wk ' ,<br />
... 1 40<br />
5th Avenue— Gervoisc (Cont'l), 15th wk ! 1 20<br />
55th Street— Mitsou (Zenith), 2nd wk 135<br />
Guild—Morcelino (UMPO), reissue, 4th wk. ... 120<br />
Little Cornegie—Mom'zelle Pigolle (Films-<br />
Around-World), 2nd wk ]40<br />
Loews Stote—St. Louis Blues (Poro), 3rd wk.!!![l20<br />
Moyfoir—The Long, Hot Summer (20th-Fox),<br />
4th wk.<br />
1 35<br />
NormarxJie—Stage Strucli ( B V) '.!.!!! 1 50<br />
Odeon The One Thot Got Away (Ronk) ..!!!! 125<br />
Beat the Rain—<br />
with the one-piece, snap-on<br />
MOV-E-VUE Rain Visor<br />
rw<br />
i^sBB^<br />
Eliminates windsltieid wiping<br />
Clips on and off in 20 seconds<br />
Fits all cars— Rolls up for storage<br />
96% of all Connecticut Drive-In<br />
Theatres Sell 'em with Great Success.<br />
Wfife:<br />
We Supply FREE Trailer<br />
PIONEER SALES CO.<br />
P.O. Box 899 Woterbury, Conn.<br />
Palace The Bridge on the River Kwoi (Col),<br />
19th wk. of two a dav 195<br />
Paramount—The Young Lions (20(h-Fox), 4th wk. 145<br />
Pans—And God Created Woman (KIngsley),<br />
27lh wk 140<br />
Plozo—Witness tor the Prosecution lUA), :2thwk. 135<br />
Radio City Music Hall- Morjoric Morningstor<br />
( WB), plus stage show 1 75<br />
Rivoh—Around the WoHd In 80 Days (UA),<br />
80th wk. of two-o-day 1 90<br />
Sutton— Night Ambush (Ronk) 125<br />
Trons-Lux 52nd St -Rouge et Noir (OCA), 3rd<br />
wk 150<br />
72nd St.—Portrait of on Unknown Women (U-l) 110<br />
Victoria—Run Si'cnt, Run Deep (UA), 5th wk. 120<br />
Worner—Scorch tor Porodise (SW), 32nd wk.<br />
of two-o-day 135<br />
World— -The Bride Is Much Too Beouliful<br />
(Ellis-Lox), Mth wk 100<br />
Run Silenf Second Week<br />
Leads Buffalo With 120<br />
BUFFALO—Business was just fair, with<br />
holdovers and not too strong attractions in<br />
several houses. The second week of "Run<br />
Silent, Run Deep" turned in a 120 at tlie<br />
Buffalo and "Tlie Bridge on the River Kwai"<br />
115 in its seventli week.<br />
Buffolo—Run Silent, Run Deep (UA), 2nd wk. 120<br />
Center—Stakeout on Dope Street (WB)<br />
.100<br />
Century—The Bridge on the River Kwoi (Col)<br />
7th wk ,115_<br />
Cinemo— Nights of Cobirio (Lopert) 85<br />
Lafayette— Macabre (AA); Hell's Five Hours (AA) 90<br />
Paramount—Chase a Crooked Shodow (WB) Bitter<br />
Victory (Col) 110<br />
Sunday Downpour Hurts<br />
Baltimore Averages<br />
BALTIMORE — Two newcomers. "Paris<br />
Holiday" and "Marjorie Morningstar." attracted<br />
the busiest boxoffices. Business wasn't<br />
helped by Sunday's all-day heavy downpour<br />
of rain, and those weekend admissions are<br />
a<br />
mainstay.<br />
Century—The Young Lions (20th-Fox), 3rd wk. . . 95<br />
Cinema— Rozzio (Kassler), 3rd wk 95<br />
Film Centre—The Brothers Karamazov (MGM),<br />
2nd wk .110<br />
Five West— Adam and Eve (Equity) 95<br />
Hippodrome—The Bridge on the River Kwai<br />
(Col), 6th wk ]<br />
00<br />
Little—The Bolshoi Bollet (Rank). ...... .......] 40<br />
Mayfair— Poris Holiday (UA) 1 50<br />
New—South Pocific (Mogno), 4th wk !..160<br />
Playhouse—Cost a Dork Shadow (DCA) 125<br />
Stanley—Marjorie Morningstar ( WB) 150<br />
Town— Search for Paradise (Cinerama) 1 50<br />
Ellis Theatres Lease<br />
Delaware Drive-In<br />
NEW YORK— A. M. Ellis Theatres Co. of<br />
Philadelphia, which controls a circuit of<br />
houses in Pennsylvania and Delaware, has<br />
taken a long-term lease on the Kerry Drive-<br />
In Theatre, Wilmington, from the lessor and<br />
builder, the Kerry Drive-In Co., headed by<br />
Robert Carpenter of Wilmington.<br />
Berk and Krumgold, theatre realty specialists,<br />
who closed the deal, also leased to Ellis<br />
Theatres the former Brandywine Drive-In<br />
Theatre, now called the Ellis Drive-In, located<br />
near Wilmington.<br />
Producers tor Life, Times, American Con, PepsU<br />
Colo Shorts. Edited Features, "CODE of the Underworld,"<br />
"Operotlon Monhunt," BHIy Grahcm's<br />
Crusade "Times Square Story."<br />
Spot News Coyeroge by our cameraman.<br />
Will Produce any Subject 16mm, 35mm.<br />
Technicians formerly with March of Time.<br />
David J. Cazalet, Inc.<br />
333 W. 52nd St., N. Y., N. Y., Tele. Ploio 7-7847<br />
U-I FILM COMMENDEI)—Henry H.<br />
"Hi" Martin, Universal Pictures general<br />
sales manager, is shown holding a special<br />
commendation preiyented by Mrs. Dean<br />
Gray Edwards, president of the Federation<br />
of Motion Picture Councils. John<br />
Gavin, at the right, received the commendation<br />
for his "outstanding performance"<br />
as star of U-I's "A Time to Love<br />
and a Time to Die."<br />
NEWARK<br />
The 30th week of "The Ten Commandments"<br />
began at the Adams Theatre here. A<br />
special morning show every Saturday; a family<br />
plan, with 25-cent reduction on family<br />
groups: discounts and seating arranged for<br />
groups of 25 persons or more; student discount<br />
tickets good for all performances made<br />
available at local schools and colleges all are<br />
part of the promotion at the Adams . . . Two<br />
special screenings of "The Mark of the Hawk"<br />
were held at the Central Theatre here. In<br />
addition to members of the clergy of Essex<br />
County, U-I and Stanley Warner representatives,<br />
the press and the picture's associate<br />
producer W. Burton Martin of Harrington<br />
Park attended. A luncheon followed.<br />
Theft of $2,000 from a safe in the Adams<br />
was reported to police by Manager Nicholas<br />
Pasquale. Pasquale said that when he opened<br />
the office he found cabmets and the safe<br />
open, without any signs of forced entry.<br />
Similar circumstances surrounded another<br />
theft in the theatre chain when Thomas<br />
Adams, manager of the Paramount Theatre,<br />
Newark, reported that $5,000 was taken from<br />
a safe in the office of the Paramount. The<br />
assistant manager for the past month at the<br />
Paramount. Philip Harris, a former convict,<br />
left a note admitting the theft. Martin<br />
Friedman, assistant manager of the Adams,<br />
also has been charged.<br />
With the arrival of spring, playgrounds,<br />
free rides and other services tor children are<br />
in full swing at the Newark Drive-In and<br />
the Amboys Drive-In in Sayreville ... A tlieatre<br />
party is being sponsored at the Maplewood<br />
Tlieatre, with proceeds to go to the<br />
kitchen auxiliary for a new building of Congregation<br />
Oheb Shalom, Newark.
I<br />
Dr<br />
When you're providing "good times" for your customers,<br />
include the good taste of Dr Pepper! It's<br />
just plain good business<br />
to heighten their enjoyment by making available the pure, distinctive<br />
flavor that has helped make friends for theater operators for more than<br />
70 years. Dr Pepper is repeat trade .<br />
. .<br />
a product in demand every month in the<br />
year ... by brand name . . . because there<br />
just isn't a substitute for Dr Pepper. If you<br />
haven't added the plus value of Dr Pepper<br />
in your theater or snack bar, try it ... if you<br />
i<br />
^rPeppei<br />
already have Dr Pepper, feature it!<br />
DrPepffer<br />
frosty raan,frostj^/<br />
Pepper Company 1958<br />
BOXOFFICE May 5, 1958 E-3
. . Merl<br />
ALBANY<br />
HI Marrhctti, Whose record of service as<br />
lu'iid booker Is the longest on Fllmrow,<br />
Joined Columbia after Tony Lonibardo resigned<br />
to enter the real estate business.<br />
Maichetti was Universal head booker many<br />
years. Lombardo. who received his training<br />
as booker under Marchetti, was vice-president<br />
and business agent for Local F-43 before<br />
advancing to Ckilumbla as chief datesetter.<br />
Columbia no longer rosters a student<br />
booker. Incidentally, Mrs. Marchetti, former<br />
U-I cashier, is now working in the office<br />
of a trucking company at Latham.<br />
Howard Goldstein, once an assistant<br />
manager<br />
of a Troy theatre, later an RKO booker,<br />
head booker and salesman and for the past<br />
two years a 20th-Pox salesman, has resigned.<br />
He is Joining his father-in-law in<br />
the operation of Roth's dress shop at Schenectady.<br />
Goldstein will continue hLs industry<br />
a.ssocialion. however, by serving as buyerbooker<br />
for several indoor and outdoor theatres<br />
and for a summer hotel.<br />
Constance Toomer of Albany and John W.<br />
Gai-dner Jr.. were married in Christ the King<br />
Catholic Church at Westniere Saturday i3i.<br />
He is the son of Mr. and Mrs. John W. Gardner<br />
of Schenectady, and is associated with<br />
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Write for full information !<br />
CRAMORE fruit<br />
Point Pleasant Beach, N. J.<br />
products. Inc.<br />
his father in drive-in exhibition . . . Bob<br />
Hillabrandt is a projectionLst this sea-son at<br />
Lamont's Riverview Drive-In. Harry Witzke<br />
work.s in the booth at the Vail Mills Drivein.<br />
Bob Hassett. who served at the Riverview,<br />
now is a cameraman at local WTEN-<br />
TV. He lives in Mechanicville . . . The report<br />
in this column of picketing at the Jericho<br />
Drive-In, Glenmont. w-as erroneous. The<br />
original item was ba.sed on information from<br />
a generally reliable source but it was incorrect.<br />
Apparently, the source misunderstood<br />
the situation. The mistake is regretted.<br />
When IVIana«:er Gerry Schwartz told a<br />
young gunman he did not have the evening<br />
receipts of the Sunset Drive-In in hLs office,<br />
the intruder fired a rifle at him. TTie gun<br />
jammed, making only a sizzling noise, and<br />
the lad ran from the office and disappeared<br />
through brush back of the Kingston airer.<br />
Was Gerry frightened? "Not until the next<br />
day," the former World War II Seabee told<br />
associates in the Lamont organization.<br />
Presentation of a pen and pencil set to<br />
George H. Schenck, who resigned as manager<br />
for Tri-State Automatic Candy Corp. to become<br />
general manager for Perlmutter Foods,<br />
highlighted a party in Keeler's restaurant.<br />
Lewis A. Sumberg made a brief, graceful and<br />
witty speech in handing the gift to the longtime<br />
motion picture industry man. Industry<br />
people present included former Variety Chief<br />
barker Elias Schlenger, Mr. and Mrs. John<br />
W. Gardner, Mr. and Mrs. Robert Lamont,<br />
Mr. and Mrs. Peter Gazeley, Mr. and Mrs.<br />
Peter Laverty, Alfred G. Swett, Mr. and Mrs.<br />
Sumberg, Mr. and Mrs. Jules Perlmutter,<br />
Mrs. Schenck and Mrs. Kelly, Schenck's secretary<br />
at Ti'i-State.<br />
Sid Dwore closed the Cameo at Schenectady<br />
for the summer. He said that before<br />
reopening in August with an art policy again,<br />
the theatre would be redecorated, modern<br />
superspeed lenses Installed and high intensity<br />
projectors added . Rose is now manager<br />
of Lamont's Riverview Drive-In at Rotterdam<br />
Junction. Onetime chief of the Overlook<br />
in Poughkeepsie and later of the Sunset<br />
in Hudson, Rose succeeded Howard Cammer,<br />
who resigned to accept a position with the<br />
Civil Aeronautics Administration at the Albany<br />
Airport.<br />
A four-week promotion by the Knickerbocker<br />
News, in cooperation with the Variety<br />
Club and on behalf of Camp Thacher, ended<br />
with the awarding of a two-month-old fox<br />
terrier to Andrew Swartz, a first-grade pupil<br />
at School 16, who submitted the winning<br />
name, Campie. The dog, of the same breed<br />
as the 20-foot replica atop RTA Distributors'<br />
new headquarters on Broadway near Filmrow,<br />
was donated by Harold Gabrilove, president<br />
of that company and an ex-chief barker<br />
of Tent 9. Children submitting names were<br />
required to give $1 to the Camp Thacher<br />
fund. The Gannett paper reported "Hundreds<br />
of entries were submitted." The judges,<br />
who.se pictures appeared in a three-column<br />
layout, were Chief Barker Samuel E. Rosenblatt:<br />
Ben Becker, vice-principal of Philip<br />
Schuyler High School and a Variety member,<br />
and Robert E. Ten Eyck, vice-president<br />
of Albany Boys Club, which operates the<br />
mountain camp. Charles L. Mooney, promotion<br />
manager of the Knickerbocker News and<br />
one of the Variety crew, arranged the contest.<br />
Ziva Rodann, signed for a role in Paramount's<br />
"Showdown at Gun Hill," served in<br />
the Israeli Army for 18 months.<br />
E-4 BOXOFFICE :<br />
; May<br />
5, 1958
Many Top Executives<br />
Direct UJA Campaign<br />
NEW YORK— Scores of<br />
motion picture and<br />
amusement industry executives are directing<br />
the 1958 campaign of the United Jewish Appeal<br />
to be highlighted by a testimonial luncheon<br />
to Barney Balaban, Paramount president.<br />
May 22 at the Park Lane Hotel, with<br />
Robert S. Benjamin. United Artists board<br />
chairman, as guest speaker.<br />
Irving H. Greenfield. Loew's, Inc., secretary.<br />
who is drive chairman, has announced the<br />
following committees:<br />
Steering committee: Bolabon, Benjomrn, William<br />
Brandt, Simon H. Fabian, Leopold Friedman, Leon<br />
Goldberg, A. Montague, Herman Robbins, Somuel<br />
Rosen, Adolph Schimel, A. Schneider, Spyros P.<br />
Skouras and Joseph R. VogeL<br />
Executive committee: Richard Altschuler, Maurice<br />
A. Bergman, Arnold Bernstein, Charles Boasberg,<br />
Horry Brandt, Charles Einfeld, Edward Fabian, Emanuel<br />
Frisch, Williom J. German, Horry Goldberg,<br />
Leonard H, Goldenson, Money Goldstein, Bernard<br />
Goodman, Edword L. Hymon, Arthur Israel jr , Leo<br />
Jaffe, Soul Jeffee, Julius Joelson, Harry M. Kalmine,<br />
Molcolm Kingsberg, Arthur B. Krim, Nat Lefkowitz,<br />
Philip Lewis, Benjamin Lorber and Horry Mandel.<br />
Also, Arthur L. Mayer, Joseph H. Moskowitz,<br />
Chorles B. Moss, Louis Phillips, Arnold Picker, Eugene<br />
Picker, Milton R. Rackmil, Horold Rinzler, Samuel<br />
Rinzler, Arthur Rosen, J. Robert Rubin, Leonard W,<br />
Schneider, Fred J. Schwortz, Leslie Schwartz, Sol A.<br />
Schwartz, Silas F. Seadler, Maurice Silverstone, Nate<br />
B. Spingold, Solomon M. Strousberg, Morton Sunshine,<br />
Adam Wachtel, Albert Warner, Robert M.<br />
Wettman, Mortimer Wormser and Mox E. Youngstein.<br />
Independent exhibitors: Strousberg, William Brandt,<br />
Leo Brecher, Frisch, Robert Goldblatt, Joelson, Horold<br />
J, Klein, Wolter Reade jr., Horold Rinzler, Somuel<br />
Rinzler, Julius Sanders, Herman Schleier, Leslie<br />
Schwartz, George P, Skouras, Spyros S. Skouras and<br />
Sunshine.<br />
Corporote gifts: Spyros P. Skouros, chairman;<br />
Morey Goldstein for Allied Artists, Hymon, American<br />
Broodcasting-Paromount Theatres; Benjamin Gladstone,<br />
Century Theatres; Wormser, Columbia; Seadler,<br />
Loew's; Archie Welt man, Loew's Theatres; Burton<br />
Robbins, Nationol Screen Service; Israel, Poromount;<br />
Mondel, RKO Theatres; Wachtel, Sargoy &<br />
Stein; Louis Weber, Skouras Theatres; Arthur Rosen,<br />
Stanley Warner; Edward R. Solomon, 20th Century-<br />
Fox; Joseph Ende, United Artists; Benjamin Lorber,<br />
Universal-International, and Bernard Goodman, Warner<br />
Bros.<br />
Legitimate theatre: Solly Perkick and Milton Weintroub,<br />
co-choirmen. Amor>g the members ore Oscor<br />
Hammerstein II, Tom Hurtha and Richord Rodgers.<br />
Ticket agencies: James J. Murphy, chairman.<br />
Purchasing agents: Ethel Black, Jules Catsiff, Leo<br />
Cohen, Herman R. Moier, Horry Nodel, Leorrard Pollack,<br />
Robert Schwortz, Herbert L. Smith and Dan<br />
Smoien.<br />
Foreign producer-distributor: Jacques Grinieff ond<br />
Harold J. Klein, co-chairmen.<br />
Records: Arnold Moxin or>d Leonard W. Schneider,<br />
co-chairmen.<br />
Talent: Ted Ashley, Nat Lefkowitz and Moe Gale,<br />
co-choirmen.<br />
Laboratories: German and Jeffee.<br />
Other committee choirmen: Julius Collins, music<br />
publishers; Louis Allerhond, exchanges; Seodler, publicity<br />
and Sunshine, publications.<br />
Astor, Victoria Theatres<br />
Offer Free Parking Space<br />
NEW YORK—Free parking space has been<br />
arranged for patrons of the Astor and Victoria<br />
theatres by Max Pellerman, vice-president<br />
of Lopert Films and operators of both<br />
show cases. The Astor is playing "Witness<br />
for the Prosecution" and the Victoria is playing<br />
"Run Silent. Run Deep," both United<br />
Artists releases.<br />
"Paris Holiday" will open Friday (9) at<br />
the Astor and "The Vikings" will open June<br />
11 at both theatres.<br />
The parking space is at the Hippodrome<br />
Garage. 44th street and Sixth avenue. The<br />
theatre cashiers will validate the parking<br />
stubs. The plan has proved highly successful<br />
for the Paramount Theatre.<br />
BROADWAY<br />
THE stork paid a couple of vi.sits la.st, week.<br />
Ted Spii'gel of Columbia International's<br />
publicity department welcomed home his .second<br />
daughter. And Melvin Danheiser, assistant<br />
foreign sales manager of RKO Pictures,<br />
became the father of a third child,<br />
also a daughter. " • * Paramount President<br />
Bainey Balaban came in from Hollywood.<br />
• • *<br />
Vincent Jefferds, character merchandising<br />
manager of Walt Disney Productions, attended<br />
Buena Vista's exhibitor showmanship<br />
luncheon on "The Light in the Forest" in<br />
Philadelphia. • • ' Gordon Craddock of Rank<br />
Film Distributors spent the week in St. Louis,<br />
Cincinnati, Dayton and Columbus. * * "<br />
Paramount Theatre's free parking arrangement<br />
is proving popular, according to managing<br />
director Robert Shapiro. The theatre<br />
pays the fee for patrons after 6 p.m. Monday<br />
through Saturday and all day Sunday. The<br />
service started April 3.<br />
Alfred W. Schwalberg, director of NTA<br />
Pictures, has been appointed chairman of the<br />
motion picture division of the United Cerebral<br />
Palsy Ass'n drive. The division will launch<br />
its drive Friday (9) with Schwalberg an officer<br />
for the ninth consecutive year. * * *<br />
Andrew and Viriginia Stone, husband-andwife<br />
producing team of MGM's "Cry Terror,"<br />
were in for promotional activities on the picture.<br />
* * * Philip Dunne, who directed and<br />
wrote the screenplay of "Ten North Frederick,"<br />
came in for parleys at 20th-Fox. The<br />
premiere will be for the benefit of the National<br />
Council of Christians and Jews at the<br />
Paramount Theatre May 22. * * * Phil Gerard,<br />
Universal eastern publicity manager, was<br />
in Boston to put on a special screening of<br />
"A Time to Love and a Time to Die." » »<br />
Dave Lipton of U-I returned to the coast.<br />
•' * * Vincente Minnelli, who directed Arthur<br />
Freed's "Gigi" for MGM, will accompany<br />
Freed here for the world premiere at<br />
the Royale on May 15. * * * Joshua Logan<br />
took a print of "South Pacific" to Moscow<br />
for a special screening.<br />
Bernie Serlin of Warners was in Indianapolis<br />
to handle the appearances there of<br />
Douglas Fairbanks jr. and Anne Baxter, producer<br />
and star, respectively, of "Chase a<br />
Crooked Shadow," who are on a ten-city<br />
tour. * • Kenneth Hargreaves, president of<br />
Rank Films Distributors of America, was in<br />
St. Louis, Chicago and Milwaukee during the<br />
week. » • » Herman Kass. eastern exploitation<br />
manager of Universal, was in Cleveland<br />
and Pittsburgh plugging "A Time to Love and<br />
a Time to Die."<br />
9<br />
Judy, 17-year-old daughter of Mort Nathanson,<br />
publicity manager of United Artists, has<br />
won a New 'Vork State Regents scholarship<br />
to Cornell University, following her graduation<br />
from New York City's High School of<br />
Music and Art. * * * Samuel Goldwyn jr.,<br />
producer of "The Proud Rebel," will receive<br />
the Man and Boy award of the Boys Clubs<br />
of America at its 52nd annual convention in<br />
Atlantic City i6).<br />
The spring season and the start of European<br />
film festivals had industry figures heading<br />
abroad. Among them were N. Peter<br />
Rathvon, independent producer, who sailed on<br />
the Liberie May 1 with Anita Loos, playwright;<br />
Jule Styne, comp
, . Buffalo<br />
"<br />
. .<br />
. . George<br />
. .<br />
. .<br />
BUFFALO<br />
Doys Towns of Italy ha,-; been named beneficiary<br />
of the Century Theatre's May 21<br />
opening of "South Pacific." The organization<br />
which has sheltered, clothed, fed and<br />
ministered to 200,000 homeless children, including<br />
girls, since its establishment in 1944.<br />
should receive S7.500 from the capacity opening,<br />
hoped and planned for by William Zlelor.<br />
managing director. The Irish founder of<br />
Boys Towns. M.sgr. John Patrick Carroll-Abbing.<br />
and Mrs, George P. Skouras. his chief<br />
sponsor in the U. S. for 12 years, plan to<br />
lead a party of stars to the opening, according<br />
to Zielor. The latter held a premiere<br />
organization luncheon Monday in the Statler<br />
Hilton under the chairman.ship of Paschel<br />
C. Rubino. The guest of honor was the Reverand<br />
Carroll-Abbing. whose Boys Towns,<br />
schools, clinics and homes total 11. James L.<br />
Kane is co-chairman for the premiere. Mayor<br />
Frank A. Sedita is honorary chaimian.<br />
Meanwhile, the Century's seven-week wonder.<br />
"Tlie Bridge on the River Kwai." draws<br />
near a main stem record as a continuousrun<br />
film, according to Zielor, who estimated<br />
that after taxes, the film will grcss $125,000.<br />
George H. Mackenna. managing director of<br />
Basil's Lafayette, is chairman of the Buffalo<br />
USO committee, which the other evening<br />
staged its Volunteers' awards ball in Hotel<br />
Buffalo, which is given in appreciation for<br />
volunteers who have assisted in USO work<br />
and which will be made an annual affair.<br />
One local sheet u.sed a photo of Mr. and Mrs,<br />
Mackenna cutting a large cake on the top<br />
of which was lettered in tasty frosting,<br />
"Thank You. USO Volunteers." Mayor Sedita<br />
expressed greetings for the city.<br />
"This Is Cinerama," is closing at the Schine<br />
Eckel in Syracuse and "Cinerama Holiday."<br />
the second subject, opens Thursday i8). The<br />
University City continues to use ads in the<br />
papers in Rochester, where tickets also are<br />
on sale at the Monroe and Riviera theatres.<br />
the hotels Sheraton and Manger and the Edwards<br />
department store . , , Dynacolor Corp,<br />
of Brockport has named Warren G, Grabb<br />
vice-president and manager of all its Kodachrome<br />
processing stations. He has been<br />
with the company since 1956 and previously<br />
was plant manager in Brockport, William J.<br />
Bingham jr, becomes director of industrial<br />
relations and Bruce V, Thibault succeeds<br />
Grabb as plant manager.<br />
The Teck, Buffalo's recent home of Cinerama,<br />
reopened May 1 under Loew-Shea supervision,<br />
with the 20th-Fox production "The<br />
Long. Hot Summer." on which a big advance<br />
newspaper, radio and TV campaign was used.<br />
Charles A. McLeary is managing the house<br />
under its new policy. He formerly was assistant<br />
at Shea's Buffalo , . . "Auntie Mame,<br />
the Broadway stage comedy hit, played a<br />
single day engagement the other evening in<br />
Loew's State in Syracuse with Sylvia Sidney<br />
in the title role , exchange managers<br />
threw a bon voyage luncheon in honor<br />
of Myron Gross the othii- day before he and<br />
his party left for the Variely Club International<br />
confab in London, Attending the<br />
Statler-Hilton affair were Jack Mundstuk.<br />
MGM; Nut Marcus. WB: Charles Kosco. Fox:<br />
Jack Chlnell. BV: Ike Erlichman, U-I. and<br />
Lou Lieser, AA.<br />
Richard T. Kemper, former manager of the<br />
Erlanger. the only local legit hou.se. and more<br />
recently zone manager for Dipson Theatres,<br />
now retired and residing in Pompano Beach,<br />
Fla.. has become a.ssociated with Robert O,<br />
Pulgham in the B&L Construction Co,, in<br />
that .southern city. The organization is engaged<br />
in the building of homes and multiple<br />
dwellings. Kemper will be remembered as<br />
the guy who always appeared at the Buffalo<br />
Tent Saints and Sinners powwows in his<br />
white Buffalo Bill costume.<br />
Col. William M. Shirley, UA exploitation<br />
representative, breezed in the other day to<br />
work with Eddie Meade of Shea's Buffalo on<br />
••Run Silent, Run Deep," wearing the season's<br />
first and quite advance model of an oldfashioned<br />
sailor straw or boater hat. Bill declared<br />
he has worn a skimmer ever since he<br />
can remember and finds them light and cool.<br />
As for breaking the custom of not wearing a<br />
straw before May 15, Bill said. "Oh, I don't<br />
let that bother me. In fact, I don't let anything<br />
bother me," That attitude probably<br />
accounts for Bill looking 60 when he is very<br />
much over that age,<br />
Irving Saperston, senior partner of the local<br />
Saperston Real Estate Co,, and his wife were<br />
enjoying '•Marjorie Morningstar" the other<br />
evening in the Paramount, At one point in<br />
the film, the background was a new building<br />
being erected at 693-95 Fifth Ave,, New York<br />
City. The star, Natalie Wood, was driving by.<br />
The building is being erected by the Buffalo<br />
firm with New York interests and standing<br />
out in the picture was the sign: "Rental<br />
Through Saperston!" . . . On Saturday evening<br />
(17) drawings for both the March and<br />
April awards in the donor's fund for 1958<br />
will be made in Delaware avenue headquarters<br />
of Variety Tent 7,<br />
Mrs. Emile Giffoniello, the former Mary<br />
Shea, daughter of the late Michael Shea, has<br />
been elected president of the Buffalo Federation<br />
of Women's Clubs and among her many<br />
committee appwintments was Mrs. Elmer R.<br />
Lux, to head the Redevelopment group .<br />
Beaumont Newhall, curator of pictures at<br />
the George Eastman House in Rochester, is<br />
back from Salzburg, where he taught motion<br />
picture history at the Salzburg Seminar<br />
on American Studies to 50 students representing<br />
15 countries.<br />
Auctions Theatre Building<br />
BENTON. PA,—Tlie Ritz Theatre building,<br />
sold recently at public auction, was purchased<br />
by Mr. and Mrs. Carl Taylor thi^ough<br />
their attorney. Dale Den- of Bloomsburg.<br />
Their high bid was $2,100.00.<br />
Closes Theatre to Await<br />
Business Developments<br />
SUNBUHY, PA. The Stanley Tlieatre,<br />
Sclin.sgrovc, has been clDserl for lack of patronage.<br />
Whether the closing is temporary<br />
or permanent will hinge on general business<br />
conditions.<br />
John Kemberling, manager of the theatre,<br />
said that officials of the Comerford Theatre<br />
Co., operator of the Stanley, told him that<br />
it would remain closed unle.ss business conditions<br />
show improvement in the near future.<br />
All of the equipment at the theatre will remain<br />
intact until the circuit reaches a decision.<br />
The closing of the theatre ended 49<br />
consecutive years of motion picture showings<br />
in Selinsgrove,<br />
Schlanger Is Vacationing<br />
With Daughter in Florida<br />
who re-<br />
PHILADELPHIA—Ted Schlanger.<br />
cently resigned as local zone manager of<br />
Stanley WaiTier Theatres, is in Tampa visiting<br />
his daughter, Mi-s. Samuel Sugarman,<br />
On his return in about three weeks, he will<br />
spend a few months at his summer home in<br />
Bucks County doing .some writing. In his<br />
absence he can be reached through the local<br />
Stanley Warner office.<br />
BALTIMORE<br />
(^ Morton Goldstein was reappointed to a<br />
three-year term as chainnan of the state<br />
board of motion picture censors by Gov.<br />
Theodore McKeldin. effective May 5. Goldstein<br />
assumed the censorship post May 2,<br />
1955, replacing the controversial Sydney R.<br />
Traub, The present chairman is a graduate<br />
of the University of Maryland School of Law<br />
and a practicing attorney. He also is a former<br />
people's court judge.<br />
Jack Whittle, long identified with Baltimore<br />
amusement enterprises, has sold his<br />
Avenue, neighborhood, subsequent-run house,<br />
to Rome Theatres, headed by Leon Back. The<br />
deal becomes effective May 6 at which time<br />
the house will close to reopen May 14, catering<br />
to colored patronage.<br />
.<br />
Walter Gettinger, film buyer and part<br />
owner of the Howard, was in St. Louis where<br />
he addressed one of the Sindllnger & Co.<br />
meetings . . , Alice Garman, daughter of the<br />
late Lauritz Garman, Baltimore exhibitor<br />
and onetime president of the Allied Motion<br />
Picture Theatre Owners of Maryland, was<br />
married last week to Henry Peldman<br />
Mrs. Thomas Goldberg, owner of the Walbrook.<br />
returned from a southern resort vacation<br />
Bob Rappaport of the Rappaport<br />
. . , Theatres, was in Washington on business .<br />
William G. Myers, owner of the Ritz, has<br />
opened his drive-in at Pocomoke City for<br />
the summer . Leopold, publicist<br />
for the Schwaber Theatres, was home ill.<br />
JmrtAOdC<br />
.,A<br />
BOONTON, N. J.<br />
Large Core<br />
Greater Crater Area<br />
meam<br />
MAXIMUM LIGHT<br />
m New York—ALBANY THEATRE SUPPLY, Albany—5-5055<br />
NATIONAL THEATRE SUPPLY, Albany—5-1479<br />
EASTERN THEATRE SUPPLY, Buffalo—Mohawk 0001<br />
SUN CARBON Co., New York—Circle 6-4995<br />
Evenly Disfributed j<br />
E-6 BOXOFFICE :: May 5, 1958
. . . Morty<br />
. . WB<br />
. . The<br />
. . . Walter<br />
. . Before<br />
. . Hank<br />
. . Bernie<br />
. . The<br />
. . Eddie<br />
. . MGM's<br />
. .<br />
The<br />
PITTSBURGH<br />
TXTally Anderson of Mount Jewett. indoor<br />
circuit exliibitor, lias purcliased the<br />
Fairview Drive-In at St. Marys, Pa., from<br />
Joe Farrell, Firman Valentine, E. J. Mulcahy<br />
and company, the builders . scheduled<br />
a tradeshowing of "Dangerous Youth" May<br />
14 at 1:30 p.m., in the 20th-Fox exchange<br />
Henderson, manager of Harris'<br />
Liberty. East Liberty, recuperating from a<br />
slight stroke, moved from Shadyside Hospital<br />
to the Veterans Hospital in Oakland for<br />
sui'gery . . . Joe Wayne, Columbia salesman,<br />
was to have his own car back from the repair<br />
shop late this week and he expected to<br />
.spend the weekend sightseeing in Washington.<br />
His car, mot the film company's workweek<br />
autoi, was struck by a street car while<br />
parked.<br />
Bart Dattola, New Kensington theatre<br />
owner, is looking forward to July 27 and the<br />
annual Italian Day at Falcon Park. He<br />
. .<br />
founded the event and directed the affair for<br />
a number of years . The Larkfield Drive-In<br />
on Route 58, Grove City-Harrisville Road,<br />
this week offered improved projection on a<br />
larger widescreen. The former wooden widescreen<br />
was torn down after completion of<br />
a five-story concrete block building directly<br />
behind the former screen. The new structure<br />
has a fine screen surface, and the building<br />
will be utilized commercially. William De-<br />
Marsh and his son Chester, ozone owners, also<br />
operate an auto parts and service business<br />
here. The DeMarshes broke ground near<br />
Butler on Route 8 for a new drive-in after a<br />
delay of months because a gas line running<br />
through the property liad to be relocated.<br />
Loretta Guehl, secretary to N. C. Rosen,<br />
20th-Fox manager, was back on the job following<br />
surgery . . . Mi', and Mrs. John Amoroso<br />
of the Baden Theatre are parents of a<br />
baby daughter, Charlotte Virginia. They also<br />
have a son, Johnny jr., 3 . . . Nick Dipson,<br />
who heads the West Virginia Theatrical<br />
Enterprises at Wheeling, is up and around<br />
following a kidney operation . Charles<br />
E. Warners, former Clarksburg area indooroutdoor<br />
exhibitors, write that they came<br />
through the recent tornado at Port Pierce,<br />
Fla.. in good order but there was a lot of<br />
mopping up to be done.<br />
The SW circuit petitioned the Wilkinsburg<br />
borough council to end its 10 per cent<br />
amusement tax a month or so ago. Ben F.<br />
Moore, city district manager for the circuit,<br />
attended a Chamber of Commerce session in<br />
the Penn Lincoln Hotel and explained problems<br />
encountered by the theatre and he<br />
pointed out the advantages of having a theatre<br />
in Wilkinsburg. where only the Rowland<br />
Theatre remains after three others closed in<br />
recent years.<br />
A. Fred Serrao, New Kensington exhibitor<br />
who has been in show business most of his<br />
life, was in another type of show business<br />
recently, holding down a sales post with the<br />
Glenn Buick Co., New Kensington . . . Three<br />
city area theatres, the Shadyside, Walnut<br />
street; Crafton, Crafton, and the Studio,<br />
Bellevue, remaining under present ownership,<br />
have merged to exhibit art pictures, mostly<br />
of foreign origm, under the brand of Quality<br />
Theatre Group. The Studio has been a<br />
foreign domestic house for first and second<br />
run of unusual pictures in recent years. The<br />
quality policy opens May 8 with the German-language<br />
film "Confe.ssions of Felix<br />
Krull." Popcorn machines and candy stands<br />
will be reiJlaced with demitas.se counters. The<br />
three theatres are being redecorated. The<br />
city area's other two art houses are the<br />
Squirrel Hill and Guild, both in the Squin-el<br />
William R. Stich, former<br />
Hill district . . .<br />
film ad salesman well known in this area, and<br />
no longer with MPA, is operating a pottery,<br />
novelties and souvenli-s business at Long<br />
Lake. N. Y.<br />
The Miami Theatre in Springdale is to reopen<br />
in a week or two on a daily operation<br />
policy. This house has been dark for about<br />
two years .<br />
discontinuing its amusement<br />
tax last year, the city of McKee.sport<br />
had collected only $909.12 from the levy in<br />
1957 ... An exhibitor came up with a<br />
"switch" story, and true, mind you. Rocco<br />
Serrao, Ford City, picking up a show at a<br />
local film exchange during the recent 50-day<br />
strike of ESCO truck drivers, was handed a<br />
paper which notified him that he could not<br />
take possession of the licensed print until he<br />
had an okay from tlie branch cashier. He<br />
thought he faced a COD for some reason<br />
or another, but was told instead that he had<br />
had a $2 credit standing for many months<br />
and that he had to take it immediately to<br />
balance the company books. No show for<br />
him until he took his credit!<br />
. . .<br />
N. C. Rosen, 20th -Fox manager, is trade<br />
showing "Ten North Frederick" Monday afternoon<br />
i5) W. L. Dunn, Cochi-anton<br />
theatre ow-ner and contractor, was low bidder<br />
for a road improvement project in Mercer<br />
and Crawford counties involving a price tag<br />
of $167,415.<br />
PHILADELPHIA<br />
pddie Rosenbaum, Columbia press agent,<br />
celebrated his 74th birthday . . . William<br />
Goldman of Goldman Theatres is negotiating<br />
for the downtown Locust Street Theatre<br />
to run legitimate stage shows next season.<br />
The Locust, first built as a de luxe film<br />
house, was one of the Shubert-owned and<br />
operated theatres sold by the New York theatre<br />
chain under the government's divorce<br />
decree ... An antiti-ust suit against the film<br />
companies has been filed in U. S. district<br />
court by the YMCA Auditorium, Coatsville,<br />
Pa.<br />
. . . Trl-States buying<br />
.<br />
Willow Grove Park's plan to construct a<br />
drive-in theatre has been turned down by<br />
Abington township Howard, publicist,<br />
has resigned<br />
.<br />
from Sam Shapiro's Eric<br />
and<br />
Theatre Corp.<br />
booking agency Is now handling the work for<br />
Barney Sackett's Grand Tlieatre, Bristol,<br />
Pa. . . Screenplay WTiter Paddy Chayefsky<br />
was here on his tour to plug his latest effort,<br />
"The Goddess."<br />
Jack Greenberg, local theatre owner, and<br />
bride Mary Morgan flew to London with the<br />
lai-ge delegation from the local Variety Tent<br />
13, for the Variety International convention<br />
Leach, manager of the SW State,<br />
resigned . . . Charlie Zagarans, former manager<br />
at RKO resigned from the Stanley Warner<br />
booking department . Brooks is<br />
now a film buyer for SW . SW Sedgwick<br />
has picked up the key run of pictures<br />
formerly used by the now-closed Orpheum.<br />
WASHINGTON<br />
[/••nnelh llargreaves. pre.sident of Rank Film<br />
Oi.siribulors of America, conferred with<br />
Bob FoUiard, regional manager Newbold-Keesling<br />
circuit shuttered the Palace,<br />
.<br />
Pocahontas, Vu., May 1 . . . The son of Lance<br />
. . .<br />
Puller, Sundown Drive-In, Gale City, Va.,<br />
is recovering following a chest operation<br />
Eddie Redstone, Redstone circuit of Boston,<br />
visited with the Lee Hiway manager. Herv<br />
Keator . . . The Metropolitan Opera Company<br />
was featured at the Capitol Theatre<br />
April 28. 29.<br />
The local Variety tent will play host to 40<br />
crippled children being sent by the Pittsburgh<br />
tent for a tour of the nation's capital . . .<br />
Columbia exploiteer Sid Zins was hospitalized<br />
Jim Moore, manager of the Island,<br />
. . . Chincoteague, Va., came in to confer with<br />
Harley Davidson ... To help build Variety's<br />
research center at Children's Hospital a program<br />
for the sale of Christmas cards to the<br />
membership and their friends is under way<br />
Warner's Oscar Kantor is vacationing<br />
in the Caribbean .<br />
Fontaine, a delegate<br />
to the Variety convention in London,<br />
is postcarding his friends along the Row.<br />
Ralph Taylor, brother of Malcolm Taylor,<br />
Gate City, Va., is recuperating nicely following<br />
a heart attack . Ida Barezofsky<br />
was a guest at a donor dinner in behalf of<br />
the Hebrew Home for the Aged . . .<br />
Rex<br />
Fades, Shelby, Bristol, Va., was a Row visitor<br />
. . Ditto Walter Gettinger, George Brehm<br />
and Irwin Cohen.<br />
Gloria Swanson was on the "due in" list<br />
... In conjunction with the current film exchange<br />
pact with Russia, Sol Hui-ok, Lowell<br />
Thomas, Eric Johnston, Turner B. Shelton<br />
and MPA's Kenneth Clark were guests of<br />
Ambassador Memshikov at the Russian Embassy<br />
. . . The Tri-State Drive-In, Hancock,<br />
Md., opened May 2, with the Independent<br />
Theatre Service handling the booking and<br />
buying.<br />
Mrs. Virginia Rollwage Collier, president of<br />
the Motion Picture and Television Council of<br />
the District of Columbia, attended the recent<br />
Conference in Cleveland of the Federation of<br />
Motion Picture Councils. In the photograph<br />
of the federation's founders, which appeared<br />
in the April 28 i.ssue of BOXOFFICE, Mrs.<br />
Collier was erroneously listed as Mrs. Julian<br />
S. Colyer. She is also an active member of<br />
the National Screen Council, which selects<br />
the BOXOFFICE Blue Ribbon Award each<br />
month.<br />
Correction<br />
PHILADELPHIA— An item published in the<br />
April 21 issue of BOXOFFICE that Neil Hellman<br />
had taken over the Roo.sevelt Drive-In<br />
and the Towne Theatre in Leavittown, Pa.<br />
was eiToneous, according to Melvin J. Fox.<br />
under whose ownership they have been operating.
. . The<br />
^(McU*t ^efront<br />
•THE 22nd annual convention of Variety<br />
Clubs International Is over, and neither<br />
the London Tent nor the delegates who attended,<br />
will view things in quite the same<br />
way again. For the overseas delegates the<br />
activities and organization of the convention<br />
turned out to be greater than the most<br />
imaginative memljers had ever envisaged, giving<br />
each delegate an inspiration to go back<br />
determined to do more for the charities<br />
sponsored by each of the Tents. The British<br />
delegates in turn who attended the conferences,<br />
and in particular the Tent reports.<br />
were given a deeper and more profound<br />
understanding of what Variety means and<br />
what the International Tent is doing on behalf<br />
of the underprivileged children. And<br />
both the Briti.'^h and Americans learned at<br />
the conferences and convention the need for<br />
closer understanding and friendship between<br />
the two nations.<br />
Perhaps the highlight of the convention<br />
was the Heart Award banquet that was attended<br />
by Prince Philip, Duke of Edinburgh.<br />
as guest of honor.<br />
Over 1,000 diners filled the enormous Dorchester<br />
Hotel ballroom, resplendent w-ith its<br />
crystal chandeliers, mirrored walls, beautifully<br />
decorated tables, and a giant scarlet<br />
heart sprinkled with gold dust hanging over<br />
the royal guest's chair. Backgrounding the<br />
murmur and chatter of excited conventioners<br />
was the music of the Grenadier Guards band,<br />
the red, blue, gold and white of their ceremonial<br />
di-ess adding to the panorama of<br />
color and splendor.<br />
Col. James Carreras in welcoming the royal<br />
visitor, said how proud Variety International<br />
was to have him as a life-member. After<br />
giving a sui-vey of Variety activity, Carreras<br />
individually introduced international officers,<br />
personalities of Tent 36, representatves of<br />
the Wall's Organization who sponsored the<br />
function, and three founders of British Variety;<br />
C. J. Latta, Bob 'Wolff, and Sam Eckman<br />
jr.<br />
* * *<br />
Mike Frankovich, last year's chief barker<br />
of Tent 36, next handed out cheques on behalf<br />
of the host club, to five leading British<br />
charities. Prince Philip accepted the check<br />
on behalf of the Playing Fields, in which he<br />
is particularly interested. Other distinguished<br />
recipients were Gen. Sir Frederick Browning<br />
(for the Blind Fundi, Earl Attlee, ex-prime<br />
minister of Britain (for the boys' clubi. Sir<br />
Philip 'Warter (<br />
for the Stitchery School for<br />
crippled girls), and Sir Edward Hulton (for<br />
the press chanties i.<br />
Came the highspot of the evening. The<br />
honor of reading the Heart Award citation<br />
fell to Arthur Watkins, a leading Tent 36<br />
member and president of the British Film<br />
Producers' Ass'n. In eloquent phrases he<br />
named Lord Nuffield as winner of the 1957<br />
Heart Award and traced the career of the<br />
80-year-old Englishman who began his working<br />
life repairing bicycles in Oxford as a boy<br />
of 16 and became a great motor-car tycoon.<br />
George Eby, the new International chief<br />
barker, rounded off the proceedings by paying<br />
tribute to the London tent and its officers.<br />
He declared that Variety worldwide was<br />
all the stronger for the London meeting, and<br />
hoped when he returned home to introduce<br />
—^ By ANTHONY GRUNER<br />
an exchange scholarship .scheme between<br />
English, American, Mexican, Irish and Canadian<br />
student.s. This, he said, would contribute<br />
something, even if only in a small way, to<br />
better understanding betw-een nations.<br />
• « •<br />
OTHER HIGHLIGHTS OF THE<br />
CONVENTION:<br />
ELSTREE VISIT—An entire sound stage<br />
transformed into a sumptuous dining hall,<br />
was the sight that greeted more than 400<br />
Variety Club conventionei's when they were<br />
entertained to luncheon at the Elstree film<br />
studios of Associated British Picture Corp.,<br />
the hosts.<br />
Delegates were greeted by Sir Philip 'Warter,<br />
chairman of the picture company. C. J.<br />
Latta. International European representative,<br />
who presided at the luncheon, spoke of the<br />
facilities of the studio and invited those<br />
present who were interested in film production<br />
to consider making pictures at Elstree.<br />
C. J. also stressed the importance of more<br />
playing time for British films in America, so<br />
encouraging greater international production<br />
at a time of great need.<br />
Delegates were seated with stars, directors<br />
and producers currently operating at the<br />
studio, with many players taking extended<br />
lunch-breaks to entertain the Variety visitors.<br />
Everyone was presented with a scroll giving<br />
him the "Freedom of A.ssociated British."<br />
* * *<br />
The Coca-Cola company, supporters of Variety<br />
conventions in past years, came through<br />
again for the 22nd annual meeting in London.<br />
Sixteen London buses transported guests to<br />
the Victoria Palace Theatre to enjoy one of<br />
the funniest and most colorful revues in the<br />
metropolis, then took them back to the Savoy<br />
Hotel. There, 1,000 folk were entertained by<br />
Harold Shai-p and Charles Okun, heads of<br />
LONDON-BOUND—These members of<br />
the Baltimore Variety Club were<br />
snapped just before they boarded a transatlantic<br />
plane at Friendship Airport.<br />
Their destination was the Variety International<br />
convention in London. Left<br />
to right are Bernard Seaman, a former<br />
chief barker of the Baltimore tent; Mrs.<br />
Wilbur M. Brizendine, Mrs. Seaman, and<br />
Brizendine, the present chief barker.<br />
Coca-Cola, at a lavish champagne buffetsupper,<br />
which didn't break up until 3 a.m.<br />
• • *<br />
Bert Knighton, of Pepsi-Cola, was "mine<br />
host" when Variety convention delegates<br />
were entertained to a dinner-cabaret, at<br />
Grosvenor House, which climaxed the third<br />
day of the international congress. Among the<br />
lineup of topflight artists who entertained<br />
were Dick Shawn, Julie Wil.son, Dickie Henderson,<br />
Eddie Short, Channing Pollock,<br />
Johnny Mack and Sabrina. Hugely applauded<br />
Item was the band of the Coldstream Guards.<br />
In full ceremonial dress of bushy hats, scarlet<br />
tunics and blue trousers. They played<br />
Handel's "Trumpet Voluntary" and "St. Louis<br />
Blues," and counter-marched as only the<br />
British Guards know how.<br />
* « *<br />
Teddy Hinge, president of the Cinematograph<br />
Exhibitors' Ass'n, last week took a long<br />
look at the state of the business since the<br />
Budget, and then proceeded to give his view<br />
of the state of the nation. He said: "The<br />
exhibitors are naturally disappointed tJiat<br />
the Chancellor did not concede total abolition<br />
of the cinema tax, because they felt<br />
that they were fully justified to expect the<br />
entire recognition of what is generally recognized<br />
as a legitimate claim . amount<br />
of the remission may seem fairly substantial<br />
to people who are not in a position to appreciate<br />
fully the economic state of the<br />
industry. As far as exhibitors are concerned,<br />
while they receive the remission in the first<br />
place, the money does not remain with them.<br />
There will be many claims from other sections<br />
of the industi-y which will still have<br />
to be met. At least 35 per cent will go in<br />
additional film hire: more money will go to<br />
the statutory levy through the alteration in<br />
net prices of admission; fees payable to<br />
the Performing Rights Society are also based<br />
on money holding capacity."<br />
* * *<br />
Next film for Michael Powell is a romantic<br />
comedy to be made In Spain entitled "Honeymoon,"<br />
which will be in Technicolor and<br />
Technirama. Senor Luis Escobar, the wellknown<br />
Madrid dramatist and theatrical producer,<br />
is collaborating with Powell on the<br />
screenplay, which is based on an original<br />
story by the film director-producer. Stars<br />
lined up for this Everdene production include<br />
Anthony Steel, Antonio the famous<br />
Spanish dancer, Ludmilla Tcherina and<br />
Leonide Masslne. Special dances have been<br />
arranged by Antonio and Massine and the<br />
music has been recorded and conducted by<br />
Sir Thomas Beecham. Powell also has with<br />
him a number of teclmicians associated with<br />
his most successful film, "Red Shoes."<br />
+ *<br />
After "The Bridge" comes "The Key" and<br />
in the words of Mike Frankovich, British<br />
boss of Columbia, "I did not believe I could<br />
get so excited about a film. The picture has<br />
heart, suspen.se, action and powerful love<br />
sequences." So impressed is he that he took<br />
a page in the tradepress to tell the business<br />
how thrilled he had been after seeing the<br />
rough cut of the picture. Now Mike is not<br />
a man to spend money wildly or go in for<br />
claims that he can't substantiate, so the<br />
trade naturally was impressed. Even more<br />
so was the trade impressed when it was<br />
announced that Princess Margaret had agreed<br />
to attend the world premiere of the Carl<br />
Foreman subject, which will be sponsored<br />
by the Variety Club of Great Britain on<br />
Thursday, May 29, at the Odeon Theatre,<br />
Leicester Square.<br />
E-8 BOXOFFICE May 5, 1958
AND VIEWS THE PRODUCTION<br />
I<br />
Hollywood OfJice—Suite 219 at 6404 Hollywood Blvd., Ivan Spear, Western Manager/<br />
Sign Forrest Tucker<br />
To Star in Four Films<br />
HOLLYWOOD—Forrest Tucker will star in<br />
four pictures lor producer William D. Coates<br />
and will be associated in the production of<br />
both these films and others. The first to roll<br />
will be "Pecos Crossing," slated for a June 2<br />
stai't on Texas location.<br />
Others on the schedule are "Saddle and<br />
Soldiers," "Denver" and "Deadwood Passage."<br />
Four in which Tucker will be associated in<br />
production only are "Honolulu Incident,"<br />
"Violent Refuge," "Kiva Monster" and "Angel<br />
Pack."<br />
• • *<br />
Contracts were signed for Tony Curtis to<br />
star with Marilyn Monroe in Ashton Productions'<br />
"Some Like It Hot" which Billy Wilder<br />
will produce and direct for the Mirisch Co.<br />
Curtis will play the role of a musician in a<br />
dance band of the 1920s.<br />
« « *<br />
Edward Small signed Yvonne DeCarlo to<br />
star opposite Victor Mature in "Timbuktu,"<br />
the story about an American in the French<br />
Foreign Legion in World War II. Jacques<br />
Tourneur will direct for UA release.<br />
Tim Healy Named Director<br />
Of Ad Code in Hollywood<br />
HOLLYWOOD—M. A. J.<br />
"Tim" Healy was<br />
named Hollywood du-ector of the Advertising<br />
Code Administration to succeed Simmon<br />
Levy, who retired Api-il 29 after 25 years in<br />
the post.<br />
Healy has been with the Motion Picture<br />
Ass'n of America for 13 years, serving in<br />
posts both in this counti-y and abroad. For<br />
the last four years he has been a member of<br />
the Production Code staff here.<br />
Mexican Musicians to Aid<br />
HOLLYWOOD — Juan Osario,<br />
secretarygeneral<br />
of Mexico's largest musicians union,<br />
has given assurances that its members will<br />
not score American films. While admitting<br />
that his union has had differences with AFM<br />
President James Petrillo in the past, Osario<br />
pledged complete cooperation to the AFM<br />
during its fight against the major film companies.<br />
Option to Edward Byrnes<br />
HOLLYWOOD — Edward Byrnes, young<br />
Warner Bros, contract player, has had his<br />
option picked up as a result of his performance<br />
in "Marjorie MoTningstar." Byrnes, who<br />
made his Warner debut in "Darby's Rangers,"<br />
played the role of Natalie Wood's boy friend<br />
in "Morningstar."<br />
Election Ballots Mailed<br />
For Writers Election<br />
HOLLYWOOD — The Writers Guild of<br />
America West has sent out ballots for its<br />
annual election May 15 and an agenda for<br />
the membership meeting to be held on that<br />
date at the Screen Directors Guild building.<br />
Included on the agenda are a number of<br />
constitutional amendments which were not<br />
voted on at the last membership meeting due<br />
to lack of a quorum. Amendments include<br />
proposals which would combine the top offices<br />
of the guild and reduce the council<br />
from 27 to 23 members, methods of replacing<br />
employes who withdraw, rights of suspended<br />
members,<br />
etc.<br />
* • •<br />
The national council of the Writers Guild<br />
of America here last weekend asserted that<br />
television sponsors, agencies and networks<br />
have contributed to the recession by failing<br />
to sell their products by playing it too safe<br />
and avoiding controversy in the television<br />
shows they represent.<br />
"Almost all originality or challenging ideas<br />
are screened out and the result is that advertisers<br />
are finding out that programs no<br />
longer sell the product," the council agreed.<br />
Other topics discussed and ruled on included<br />
additional financing as a means of<br />
tightening policing of residual films in TV<br />
and a group life insurance program for the<br />
guild. Rod Serling made a special report<br />
on censorship.<br />
Academy Board to Meet<br />
To Elect New President<br />
HOLLYWOOD—The board of governors of<br />
the Academy of Motion Picture Arts and<br />
Sciences will meet May 20 to elect a new<br />
president, with current president George Seaton<br />
bowing out after his third term in the<br />
post.<br />
* * «<br />
Annual Radio & Television Directors Guild<br />
membership meeting will be held to elect<br />
new officers next week. In addition, the<br />
nominating committee for the two national<br />
board vacancies will present its slate and<br />
call for any additions.<br />
Story Analysts Elect<br />
HOLLYWOOD — Margaret Knott was<br />
elected president of lATSE Story Analysts<br />
Local 854. Others elected include Sam<br />
Thomas, business agent: William Cole, vicepresident;<br />
Carolyn Weedman, recording secretary;<br />
Polly Connell, corresponding secretary;<br />
Smith Dawless, treasurer: Marjorie<br />
Duffy, financial secretary, and Philip Chaj--<br />
lot and Kendall Jones to the board of directors.<br />
NBC's Tape Central<br />
Shown to Newsmen<br />
HOLLYWOOD—New.smen got the first look<br />
last week at NBC's Tape Central in Burbank,<br />
a maze of machinery that operates 11<br />
tape-recording machines of which eight have<br />
been converted to color.<br />
The benefits of tape, black-and-white and<br />
color, were explained by NBC President Robert<br />
Sarnoff, who said the new system, representing<br />
an investment of $1,500,000 to NBC.<br />
eliminates the uncertainty and confusion in<br />
local station program schedules caused by<br />
daylight saving time and offers such other<br />
advantages as a superior picture and the integration<br />
of tape recorded segments into live<br />
programs.<br />
* « *<br />
Son of Shock, a package of 20 horror pictures<br />
from the libraries of Columbia and<br />
U-I, is being syndicated by Screen Gems to<br />
follow the trail of Nightmare, a package w'hich<br />
brought 52 horror films to television.<br />
Jerry Hyams. director of syndication for<br />
Screen Gems, said the new package was slated<br />
for release in the fall, but station demands<br />
for more pictm'es of this type updated the<br />
distribution. Some 135 TV outlets have purchased<br />
the original Shock! series.<br />
Starring in the ten films in the new package<br />
are Boris Karloff, Lon Chaney, Peter Lorre,<br />
John Carradine and Lionel Atwill. Titles include<br />
"The Bride of Fiankenstein," "House<br />
of Dracula," "The Mummy's Curse" and "The<br />
Invisible Man's Revenge."<br />
« * *<br />
NBC annomiced that a deal for Milton<br />
Berle to topline a half-horn- comedy show for<br />
Kraft next season is ready for signing. Berle<br />
will do a straight comedy show with his own<br />
routines and flanked by guest stars.<br />
A New TV Series<br />
HOLLYWOOD—Writer Robert Blees has<br />
formed a partnership with Producer Gilbert<br />
Laurence to prepare a new television film<br />
series titled the Trail of the White Poppy,<br />
based upon the international exploits of<br />
Maj. George White, west coast chief of the<br />
Federal Narcotics Bureau. John Michel, OSS<br />
associate of White, will serve as technical adviser.<br />
Eddie Cantor Invited<br />
HOLLYWOOD—Eddie Cantor will be one<br />
of three guests of honor at the tenth annual<br />
brotherhood testimonial dimier of the National<br />
Conference of Christians and Jews to<br />
be held May 22 at the Beverly Hilton Hotel.<br />
BOXOFFICE May 5, 1958 W-1
AFM Ousler Nearly<br />
Upset by Local 47<br />
HOLLYWOOD— Ail efforl U> override the<br />
ouster of 12 dissident AFM Local 47 members<br />
failed when a motion that would have canceled<br />
their expulsion (ailed at a meeting of<br />
more than 1.600 musicians. A heavy majority<br />
of the 1.600 voted against the ouster action<br />
taken by the board of directors, but was shy<br />
of the two-thirds margiii necessary.<br />
The vote was a slim victory for Eliot Daniel<br />
and his administration. The ousted musicians<br />
are supporters of Cecil F. Read, former<br />
Local 47 vice-president who recently organized<br />
the Musicians Guild of America to<br />
represent studio musicians, now represented<br />
by Local 47.<br />
Meanwhile. Judge Bayard Rhone delayed<br />
his decLsion on the ouster action but tied<br />
up Local 47"s club funds pending the outcome<br />
of the battle with the Musicians Guild.<br />
LA Urban League Award<br />
Given 'Kings Go Forth'<br />
HOLLYWOOD—The annual award of<br />
the<br />
LA Urban League for the motion picture that<br />
does most "for the promotion of better relations<br />
and understanding" was made to<br />
Frank Ross and Frank Sinatra for "Kings<br />
Go F\)rth" at the league's 37th annual meeting<br />
held at the Westside Jewish Community<br />
Center. The gold plaque was presented by<br />
Nat King Cole and accepted by Ross.<br />
• * *<br />
The Motion Picture Industry Council held<br />
a cocktail party for Bosley Crowther, New<br />
York Times motion picture editor, at the<br />
Beverly Hills Hotel. Crowther arrived here<br />
for his annual look at the studios.<br />
Robert Aldrich Signed<br />
HOLLYWOOD—Director Robert Aldrich<br />
has been signed to helm MGM's "Tlie Angry<br />
Hills," starring Robert Mitchum. Raymond<br />
Stross is producing. Aldrich will leave for<br />
Europe this month to begin preparations for<br />
a slated mid-June filming start.<br />
To Write 'Wind' Screenplay<br />
HOLLYWOOD — Nathan E. Douglas and<br />
Hai-old Jacob Smith were inked by Stanley<br />
Kramer to collaborate on the screenplay of<br />
"Inherit the Wind." which the producer<br />
wUl turn out for United Artists release. The<br />
two also teamed in writing the original<br />
screenplay of "The Defiant One." Krajner's<br />
upcoming UA release starring Tony Curtis<br />
and Sidney Poitier.<br />
Most Popular Actress<br />
HOLLYWOOD — Linda Cristal. Argentine<br />
actress now under contract to U-I. has been<br />
voted the most pxapular Latin-American actress<br />
of the year in a poll conducted by International<br />
Press Syndicate, largest South<br />
American feature news service.<br />
Navy Chief at MGM<br />
HOLLYWOOD — Rear Admiral Charles<br />
Kirkpatrick, new chief of Navy information,<br />
was a luncheon guest at MGM where he<br />
also visited the set of "Torpedo Run," on<br />
which he discussed Navy cooperation in promotion<br />
and exploitation.<br />
"X^ecutlo-e ^n<br />
East; Fiank Caldwell and Richard Brummer,<br />
pre.sident and co-inventor of Cinema<br />
160 to Santa Fe to scout sites for the first<br />
demonstration film in the new widescreen<br />
process.<br />
• * •<br />
East: Pi'oducer Paul Gregory, to Washington<br />
to screen "The Naked and the Dead."<br />
• * *<br />
East: U-I director Douglas Sirk. to Boston<br />
on a promotion lour on behalf of "A Time to<br />
Love and a Time to Die."<br />
• * •<br />
East: Charles Vidor. to the Cannes Film<br />
Festival, where he will be one of the 11 judges.<br />
• • •<br />
East: Richard Duckett. president of Viscount<br />
Films, to Gotham to finalize plans for<br />
his<br />
next production, "Speed Crazy."<br />
• * *<br />
West: Producer Milo Fi'ank, returned to<br />
MGM following a month in Europe.<br />
• * *<br />
West: Al Horwits, Columbia publicity director,<br />
to the studio from a business trip<br />
to New York.<br />
Disney Signs Janet Munro<br />
For 'Banner in Sky' Role<br />
HOLLYWOOD—Janet Munro, Gaelic actress<br />
who made her screen debut in Walt<br />
Disney's "Darby O'Gill and the Little People."<br />
has been set by Disney for a second<br />
film. "Banner in the Sky." adventure di'ama<br />
in color to be produced in Europe.<br />
Mi.ss Munro will play Lizbeth Hempel.<br />
Swiss lass who encourages her young admirer<br />
to challenge the country's most dangerous<br />
mountain.<br />
Settles Agent's Claim<br />
HOLLYWOOD — Eugene Arnstein,<br />
studio<br />
manager at Allied Artists, was appointed to<br />
the board of trustees of the Motion Picture<br />
Industry Pension Plan, Inc.. to fill the vacancy<br />
created by the death of F^-ed S. Meyer.<br />
Arnstein has been an alternate member of<br />
the board since its creation nearly four<br />
years ago.<br />
'Bravados' Scoring Abroad<br />
HOLLYWOOD—Marking the third 20th-<br />
Fox picture to be scored outside the U. S.<br />
since the start of the musicians strike last<br />
February, "The Bravados" will be scored in<br />
Munich. Germany, next week. The studio is<br />
currently preparing "The Fly" and "The<br />
Barbarian and the Geisha" for scoring.<br />
Consolidate Whitney Interests<br />
HOLLYWOOD—C. V. Whitney Pictures has<br />
moved into new offices in the Whitney building.<br />
1256 Westwood Blvd., Westwood. The<br />
move was made to consolidate all of Whitney's<br />
southern California business interests in<br />
one location, with vice-president Arthur L.<br />
Wilde and treasurer Edward Boerger in<br />
charge of operations.<br />
Australian Premier Guest<br />
HOLLYWOOD—Hon. J. J. CahUl. premier<br />
of New South Wales. Australia, was the guest<br />
of honor at a Paramount studio luncheon<br />
May 1 hosted by Y. Frank Freeman, vicepresident<br />
in charge of the studio.<br />
Nominations by SDG<br />
Covering First Quarter<br />
HOLLYWOOD— Richard Brooks. Delmer<br />
Daves. Martin Ritt and George Seaton received<br />
recognition from their colleagues when<br />
pictures they directed were nominated for<br />
directional achievement award.s. The films<br />
nominated by Screen Directors Guild members<br />
as the best-directed pictures released<br />
during the January-March period, are:<br />
"The Brothers Karamazov" (MGMi, directed<br />
by Brooks; assistant director. William<br />
Shanks.<br />
"Cowboy" (Coll, directed by Daves: assistant.<br />
Sam Nel.son.<br />
"The Long. Hot Summer" (20th-Foxi. directed<br />
by Ritt: assistant. Eli Dunn.<br />
"Teacher's Pet" (Paramounti. directed by<br />
Seaton: assistant, Francisco Day.<br />
SDG President George Seaton explained<br />
that the pictures will compete in the guild's<br />
yearly award for the best-directed feature<br />
film. The major award, along with plaques for<br />
four other outstanding pictures shown for<br />
the first time in 1958. will be presented at the<br />
guild's annual dinner early in 1959.<br />
Studio Theatre Group<br />
To Showcase Stories<br />
HOLLYWOOI>—Formation of the Studio<br />
Theatre Group to showcase story properties<br />
on an invitation basis only was announced<br />
by Producer James Terry and director James<br />
Collier. The first organization of its kind<br />
in Hollywood, it plans four productions annually<br />
with weekend presentations at its new<br />
playhouse at 3759 Cahuenga Blvd.<br />
Currently in preparation for its world premiere<br />
on May 23 is "The Purging of Simon<br />
Madden," written by N. Thaddeus Vane, and<br />
starring Jane Withers and Judi Meredith.<br />
World Editors at Studios<br />
HOLLYWOOD—Eighty-three members of<br />
the International Press Institute, the worldwide<br />
equivalent of the American Society of<br />
Newspaper Editors, were guests of major<br />
Hollywood studios through arrangements<br />
made by the Ass'n of Motion Picture Producers.<br />
The IPI visitors, on a nationwide tour<br />
of Major U. S. cities, were divided into four<br />
groups and taken to MGM. Paramount, 20th-<br />
Fox and Warner Bros, where they were<br />
luncheon guests and taken on tours of the<br />
studios.<br />
Calls 'Suspension' Vote<br />
HOLL"YWOOI>—The board of directors of<br />
the Screen Directors Guild called a special<br />
meeting at which members will be asked to<br />
authorize suspension of services against all<br />
the major studios and the Alliance of Television<br />
Film Pi-oducers. This move followed<br />
the rejection of SDG's counter-proposals to<br />
the majors and vidfilmers. The majors have<br />
refused to discuss pay-TV and have generally<br />
balked at SDG demands.<br />
Lamour Settles Claim<br />
HOLLYWOOD—Dorothy Lamour has settled<br />
for an undisclosed amount a suit brought<br />
in superior court by her former agent, William<br />
Loeb jr., for $3,540. Loeb claimed the<br />
money was due him on a one-year pact entered<br />
into in 1956 involving 10 per cent of<br />
her take.<br />
W-2 BOXOFFICE May 5, 1958
—<br />
—<br />
—<br />
——<br />
—<br />
—<br />
—<br />
—<br />
'Blues' Bows at 110<br />
To Lead LA Openers<br />
LOS ANGELES—"The Young Lions" led<br />
the holdovers with a firm 120 per cent in its<br />
third week. Only opener to break par was the<br />
dual bill of "St. Louis Blues" and "Cole<br />
Younger, Gunfighter," clocking in with 110.<br />
(Average Is 100)<br />
Beverly Canon Sins of Casanova (Timei.} 75<br />
Corfhoy Circle Around the World in 80 Days<br />
(UA), 71st wk 220<br />
Chinese Windjammer (Not! Theatres}, 3rd wk.<br />
Downtown Poromount Moil Bog Robbery<br />
. .215<br />
(Manhattan),<br />
plus srageshow 55<br />
Egyption The Bridge on the River Kwai (Col),<br />
19th wk 145<br />
Fine Arts Stoge Struck (BV), 3rd wk 40<br />
Four Star, Fox Beverly, Loyola, Vogue The Young<br />
Lions (20th-Fox), 3rd wk 1 20<br />
Fox Wilshire ^Poris Holiday (UA), 5th wk 50<br />
Howoii, Warners Downtown, Wiltern and 2<br />
drive-ins Touch of Evil (U-l); The Female<br />
Animal (U-l) 70<br />
Hollywood, Orpheum, Uptown and 6 drive-ins<br />
St. Louis Blues (Pora); Cole Younger, Gunfighter<br />
(AA) 110<br />
Hollywood Poromount Teacher's Pet (Pora),<br />
6th wk 95<br />
Pantoges Les Girls (MGM); Teahouse of the<br />
August Moon (MGM), reissues<br />
Vagabond And God Created Woman (Kingsley),<br />
30<br />
17th wk 85<br />
Warners Beverly Marjorie Morningstar (WB),<br />
5th wk 60<br />
Warners Hollywood Seven Wonders of the World<br />
(Cinerama), 47th wk 75<br />
'South Pacific' 'Gervaise'<br />
Open Big in Denver<br />
DENVER—First runs here reported business<br />
that ran from poor to big, with only<br />
three holdovers. Cool weather slowed down<br />
the drive-ins, with four of them on first<br />
runs. Holdovers included "Teacher's Pet" at<br />
the Denham; "South Pacific" at the Tabor<br />
and "Gervaise" at the Vogue.<br />
, . . .<br />
Aladdin Snow White and the Seven Dwarfs<br />
(BV), 5th wk 100<br />
Centre The Bridge on the River Kwoi (Col),<br />
8th wk 85<br />
Denham Teacher's Pet (Pora) 105<br />
Denver Summer Love (U-l); The Big Beat (U-l) 75<br />
60<br />
Esquire Beautiful But Dangerous (20th-Fox)<br />
Lake Shore, Volley drive-ins The Monolith<br />
Monsters (U-l); Love Slaves of the Amazons<br />
(U-l) 75<br />
Monoco, West drive-ins Lost Paradise (UA); Man<br />
on the Prowl (UA) 75<br />
Orpheum—The Sheepman (MGM); Handle With<br />
Care (MGM) 1 05<br />
Paramount— Porls Holiday (UA); Ride Out for<br />
Revenge (UA) 130<br />
Tatx)r South Pocific (Magna) 250<br />
Vogue Art Gervaise (Cont'l) 1 60<br />
'Kwai' Holds Firm<br />
At Portland<br />
PORTLAND—"The Bridge on the River<br />
Kwai," continues to hold firm despite top<br />
weather which brings in the spring salmon<br />
season and home gardening. The estimate<br />
was 200 per cent.<br />
Broodwoy Moriorie Morningstar (WB), 2nd wk..l25<br />
Fox Bonjour Tristesse (Col) 120<br />
Guild All at Sea (MGM), 4th wk not reporting<br />
Liberty The Long, Hot Summer (20th-Fox) . . . . 1 20<br />
Orpheum The Bridge on the River Kwai<br />
(Col), 5th wk 200<br />
Paramount Teacher's Pet (Para) 130<br />
Two California Drive-Ins<br />
Reopen for New Season<br />
SACRAMENTO. CALIF.—Bill Yost, who<br />
managed the local Fruitridge Drive-In during<br />
the winter months, has reopened El Rancho<br />
Drive-In under the new policy of two changes<br />
each week.<br />
Another recent reopening was at Weed,<br />
where Mr. and Mrs. England gave a free<br />
show to all first night patrons at their Mt.-<br />
Vu Drive-In. This outdoor theatre will operate<br />
on weekends only for the present.<br />
Tucked<br />
away somewhere in the office of<br />
Dave Epstein, dean of Hollywood's<br />
catch-as-catch-can publicity purveyors,<br />
is a frustrated editorialist^-but good. There<br />
was a time when Dapper Dave's handouts to<br />
a breathless press specialized in fan fodder of<br />
the type that recipients thereof took with a<br />
sizable grain of salt and which resultantly<br />
were never confronted with the danger of<br />
drowning in floods of printers ink that they<br />
encountered.<br />
During the past several months, however,<br />
releases from the Ep>stein bailiwick have<br />
taken on a more serious note and one which<br />
has commanded a greatly increased amount<br />
of attention and space. Rare indeed is the<br />
day that doesn't bring forth some profound<br />
observation on industry matters and problems<br />
which kernels of erudition invariably<br />
are attributed to one or another Epstein<br />
client. Witness:<br />
"Independent producer Charles Schnee<br />
yesterday charged that the film industry is<br />
pursuing 'suicidal tactics' by hoarding some<br />
important productions and prematurely exploiting<br />
others for 'strategic' release just before<br />
Oscar-time.<br />
"Roy Rowland predicted yesterday that the<br />
present trend toward over-length 'prestige'<br />
pictures should encourage studios to again<br />
rev up production on one and two-reel<br />
comedies.<br />
"Metro's general musical director, Johnny<br />
Green, yesterday suggested that studios cooperate<br />
in distributing free brochures on<br />
motion picture scoring to college and university<br />
music schools throughout the country,<br />
offering to contribute information on techniques<br />
involved in writing his own complex<br />
'R.aintree County' score."<br />
Etc., ad infinitum.<br />
Let it be noted, parenthetically, that it Is<br />
always "yesterday" that some Epstein client<br />
sounded off on a weighty issue through the<br />
resolution of which at least one problem<br />
confronting a harassed industry would be<br />
benefited.<br />
True, there is unusually little of startling<br />
originality in the E^pstein-spawned compendiums.<br />
But in most cases they are soundly<br />
conceived and articulately written. Resultantly,<br />
they rate several cuts above the average<br />
for the mass of publicity pap which<br />
avalanches down upon Cinemania news outlets.<br />
Unfortunately no publication can afford<br />
the space that would be necessary to print<br />
all of them in full. About the only way<br />
that Dapper Dave could realize such a desired<br />
goal would be to own and publish his<br />
own tradepaper.<br />
Just in case he might be interested, there<br />
are a couple or more that could be acquired<br />
reasonably.<br />
It mi^ht be well to again report the abovementioned<br />
Johnny Green is no longer<br />
"Metro's general music director." He is now<br />
on the staff of Desilu, the burgeoning television<br />
outfit headed by Desi Arnaz and his<br />
spouse Lucille Ball.<br />
In fact Desilu seems to be becoming the<br />
storm port for former Metro-ites. Another<br />
recent addition to Desilu's staff was George<br />
Murphy, who for many years fed at Leo's<br />
trough with the nebulous duties and designation<br />
of Ambassador of Motion Picture Goodwill.<br />
Grady John.son, who exalts to the title of<br />
publicity director for Samuel Goldwyn jr.<br />
Productions, crystalizes his membership in<br />
the Neck-Out Club with the following tidbit:<br />
"For playing father to his own son, David,<br />
in Samuel Goldwyn jr.'s 'The Proud Rebel,'<br />
Alan Ladd has been elected to the Order of<br />
Pin and Nipple by Parents Magazine."<br />
When members of Hollywood's film appraising<br />
corps are summoned to a preview,<br />
they are usually supplied by the publicity<br />
departments staging the clambakes mimeographed<br />
documents that are variously known<br />
as "Production Notes" or "Vital Statistics."<br />
These compilations vary in length in accordance<br />
with the importance of the movies with<br />
which they concern themselves. They are<br />
prepared by the lads and lassies in the blurberies<br />
and understandably bring forth every<br />
superlative in the deck. Nonetheless they<br />
supply much interesting and more valuable<br />
information about the picture, its literary<br />
genesis, where and how it was filmed, background<br />
and biographical data on everyone<br />
who was employed on or in the offering.<br />
Usually they are articulately written and<br />
compiled and it is not unusual for passages<br />
therefrom to subsequently appear virtually<br />
verbatim in critiques appearing in widely<br />
read publications. So, on several counts,<br />
these symposia justify the labor and expense<br />
that they demand.<br />
As a matter of general averages, those<br />
circulated by Harry Brand's 20th Century-<br />
Fox publicity department are the most effective.<br />
Brand's bully boys—they term the compendiums<br />
"Vital Statistics"—surpassed even<br />
their own record performances on the occasion<br />
of the press screening of "South Pacific."<br />
The digest handed to those at the<br />
preview comprised 28 pages of single-spaced<br />
information anent the screen edition of the<br />
famed Rodgers and Hammerstein musical. It<br />
was an exceptionally excellent job of reporting<br />
and writing and rates a sincere bow for<br />
the drum-beaters responsible therefor. Reading<br />
it was about as pleasurable as seeing the<br />
picture. Maybe that's because in this case<br />
the photoplay was in every respect as magnificent<br />
as was claimed in the "Vital Statistics."<br />
Be that as it may, 20th-Fox could do Itself<br />
and the feature a profitable service by reproducing<br />
the epitome en toto and In<br />
pamphlet form for distribution to the nation's<br />
exhibitors.<br />
Indicative of how the film business knows<br />
no national or linguistic boundaries is the<br />
fact that publicity for the Japan American<br />
Society of Los Angeles and the Japanese<br />
Motion Picture Industry is being planted by<br />
one Theodore A. Fl>-nn.<br />
BOXOFTICE May 5, 1958 W-3
Montana Theatre Assn<br />
Asks Excise Tax Repeal<br />
GREAT FALLS. MONT--Thc Montana<br />
Theatre Ass'n. meeting here this week, pa.s.sed<br />
a resolution urglnR the<br />
U. S. Congress to repeal<br />
the federal ex-<br />
;ve tax on theatre ad-<br />
:;is.sions. A copy of the<br />
.solution was sent to<br />
sniators Milie Mans-<br />
^ 'Id and James E<br />
^B Murray and Congressf<br />
^^M men Leroy Anderson<br />
^^H luid Lee Metcalf. nil<br />
'^^^H of Montana,<br />
1^m At the clo.sing busine.ss<br />
session Wednesday<br />
(30) delegates<br />
(hirence Golder<br />
renamed<br />
Clarence Golder of Great Falls as<br />
president and re-elected Finus Lewis, Ljvingston.<br />
as vice-president, and Chris Gorder,<br />
Poplar, as secretary-treasurer. William Larcombe,<br />
Glasgow, was named to the board of<br />
directors.<br />
The resolution read:<br />
"Whereas you have shown an under.standing<br />
of the problems of the motion picture theatre<br />
industry and have in the past given<br />
wholehearted support in our effort to attain<br />
relief from burden-some. discriminatory<br />
taxation, and whereas there remains by<br />
federal law an excise tax on theatre admissions<br />
which is onerous, oppressive and dis-<br />
%mn of<br />
criminatory to the motion picture industry in<br />
its present struggle for preservation, be it re-<br />
that members of the Montana Theatre<br />
.solved<br />
Owners Ass'n respectfully urge your cooperation,<br />
a.ssistance and support in our efforts to<br />
achieve complete elimination of the federal<br />
excise tax impo.sed ui)on theatre admissions."<br />
The convention opened Tuesday with a<br />
luncheon session at which Pat McGee of<br />
Denver, speaking in behalf of the Council of<br />
Motion Picture Organizations, declared "our<br />
business is definitely on the upswing" and<br />
urged his listeners to jiarticipate in an aggressive<br />
effort to rebuild theatre attendance.<br />
He said. "A captive television audience is<br />
being released from living rooms throughout<br />
the nation."<br />
Discussing COMPO's efforts toward remission<br />
of "purely discriminatory" federal<br />
and state amu.sement taxes. McGhee said<br />
that exhibitors charging less than 90 cents<br />
admission soon will benefit from a "further<br />
remission."<br />
He cited newspaper advertising and good<br />
public relations as particularly effective<br />
means of rebuilding theatre attendance. Advising<br />
his listeners not to let their theatre<br />
properties deteriorate, McGee urged, "Make<br />
your theatre the focal point of the community—keep<br />
it up; keep it glamorous."<br />
Bob Selig of Denver, president of Fox Intermountain<br />
Theatres, introduced McGee.<br />
the<br />
POPCORN INDUSTRYHEWS<br />
K-O-R-N Inc., always one of the most modern popcorn processing plants<br />
in the nation (7,000,000 lbs. capacity), is now adding NEW PATENTED<br />
PROCESSING EQUIPMENT HERETOFORE UNAVAILABLE.<br />
The K-O-R-N plant, located in the rich irrigated section of the Platte<br />
Valley, is being readied for early shipment of 1958 crop premium quality<br />
hybrid popcorn. The new equipment will also enable the K-O-R-N plant<br />
to substantially increase production capacity to keep up with the everincreasing<br />
demand for top-quality hybrid popcorn.<br />
WRITE<br />
mm Inc.<br />
NORTH BEND, NEBRASKA<br />
for<br />
Quotations<br />
or Information on<br />
1958 Crop.<br />
Selig complimented the theatre owners on<br />
their .successful "Montana tax fight," which.<br />
he said, shows what can be accomplished by<br />
a "group of men willing to stand up and be<br />
counted."<br />
A ticket-selling work.'ihop was conducted<br />
Tuesday aflernoo.n and Wednesday morning<br />
by M. L. "Mike" Simons of New York City,<br />
vice-president of Sindlinger & Co., indu.stry<br />
analyst.<br />
Simons said that his firm's re.search has<br />
revealed that better motion pictures, better<br />
advertising and promotion at the local level<br />
and construction and rehabilitation of theatres,<br />
including drive-ins, are the principal<br />
reasons for today's impioved theatre bu.siness.<br />
Sindlinger's finding were confirmed at the<br />
workshop by Max A. Connett. operator of 18<br />
theatres in Alabama, Louisiana and Mi.ssissippi;<br />
Fred Lentz. operator of six outdoor<br />
theatres in Ohio and Michigan, and E. J.<br />
'Erv" Clumb. former managing director of<br />
two large Milwaukee theatres and now owner<br />
of two theatres in Baraboo, Wis.<br />
On Wednesday, while convention delegates<br />
attended the ticket-selling workshop, women<br />
attending the convention were guests at a<br />
brunch and style show at the Horizon Club.<br />
The convention concluded Wednesday evening<br />
with a banquet in the Hotel Rainbow<br />
at which Tom Edwards of Eldon. Mo., theatre<br />
operator for 32 years, gave a humorous dissertation,<br />
and local author A. B. Guthrie<br />
jr.. spoke on "A Screen Writer Looks at<br />
Hollywood."<br />
Guthrie is the author of the novels, "The<br />
Big Sky," "The Way West" and "These<br />
Thousand Hills" and wrote the screenplay<br />
for "Shane," along with preparing screenplays<br />
for several other films.<br />
He outlined the things that make up a<br />
good motion picture, starting with the story,<br />
which, he said, must make a good first impression.<br />
It is in determining which is good<br />
script that trouble arises, Guthrie said, deciding<br />
whether the script should rely on established<br />
formulas or whether it should be<br />
done as an original. Above everything else,<br />
he said, a picture must have good actors and<br />
a good director.<br />
Title<br />
Changes<br />
Too Young for Love (Para)<br />
AS WE ARE.<br />
Shake Hands With the Devil (UA) to THE<br />
to AS YOUNG<br />
RAGING MEN.<br />
Gang Girl (AA) to HOT CAR GIRL.<br />
Queen of the Universe (AAi, to QUEEN OP<br />
OUTER SPACE.<br />
William Ludwig Out As Veep<br />
HOLLYWOOD—William Ludwig has resigned<br />
as vice-president of Jack Cummings<br />
Productions, but retains his production interest<br />
in the independent company. Ludwig said<br />
he desires to return to writing. He had completed<br />
two scripts for Cummings — "Paint Your<br />
Wagon" and "The Dragon Tree."<br />
BOONTON, N. J.<br />
Large Core<br />
Greater Crater Area<br />
means<br />
MAXIMUM LIGHT<br />
Evenly Distributed J<br />
In Californto— B. F. Shearer Compony, Los Angeles— Republic 3-1145<br />
B. F. Shearer Company, San Francisco— Underhill 1-1816<br />
in Woshington— B. F. Shearer Company, Seattle— Eliot 8247<br />
in Oregon— B. F. Shearer Company, Portland—Capitol 8-7543<br />
in Colorado—Denver Shipping & Inspection Bureau, Denver—Acomo<br />
2-S616<br />
May 5, 1958
.<br />
When you're providing "good times" for your customers,<br />
include the good taste of Dr Pepper! It's<br />
just plain good business<br />
to heighten their enjoyment by making available the pure, distinctive<br />
flavor that has helped make friends for theater operators for more than<br />
70 years. Dr Pepper is repeat trade . .<br />
a product in demand every month in the<br />
year ... by brand name . . . because there<br />
just isn't a substitute for Dr Pepper. If you<br />
haven't added the plus value of Dr Pepper<br />
in your theater or snack bar, try it ... if you<br />
already have Dr Pepper, feature it!<br />
\^<br />
^]^rPeppeiI<br />
DrPepper<br />
%i,-««rj<br />
fiostj^rasJ^'fr^^Vl<br />
© Dr Pepper Company 1958<br />
BOXOFFICE :<br />
: May<br />
5, 1958 W-5
. . Dan<br />
Inf'l Producers Okay<br />
On Frisco Film Fete<br />
SAN FRANCISCO—This city as;ain invites<br />
tiio attention of the cinema woiid this year<br />
with its second annual International Film<br />
Festival, scheduled for two weelts at the<br />
Metro Theatre starting October 29.<br />
Sponsored by the art commission of the<br />
Golden Gate metropolis, the event is the<br />
only western hemisphere motion picture competition<br />
which carries the sanction of the<br />
International Federation of Film Producers<br />
Ass'n. The sanction was voted at the Paris<br />
meeting in February. J. P. Frogerais, president,<br />
said the action signified approval of the<br />
rules maintained by the San Francisco festival<br />
authorities, that all national associations<br />
of film producers and their individual producer<br />
members are free to submit their highranking<br />
films.<br />
Irving M. Levin, director of the fete for<br />
the city art commission, originated and has<br />
maintained the festival in San Francisco. He<br />
is currently at the Cannes Festival, which<br />
opened May 2. and confening with Director<br />
R. Favre LeBret. While in Europe. I^evin also<br />
planned to see Dr. Floris Ammannati. head of<br />
the Venice Festival.<br />
In issuing invitations to contenders for the<br />
San Francisco Festival, Levin requested that<br />
each country submit two film titles with the<br />
plot synopses and stills, after the country's<br />
appropriate motion pictui'e industry organization<br />
or official makes its choice. Individual<br />
pictures, up to two, would be considered providing<br />
the sanction of the country's official<br />
or appropriate organization is received.<br />
The lists must reach the festival headquarters,<br />
172 Golden Gate Ave., San Fiancisco 2,<br />
Calif.. U. S. A., before August 1.<br />
All feature films submitted must be in the<br />
WHO MAKES GOOD,<br />
LOW-COST TRAILERS?<br />
Motion Picture<br />
Service co.<br />
125 HYDE . SAN FRANCISCO 2. CALIF. . GERRY KARSKI. PRES.<br />
language of the country of origin and have<br />
English subtitles, and must not have been<br />
shown previously in the western hemi.spherc<br />
The film prints are to arrive here before the<br />
first week in October.<br />
The San Francisco Festival bestows prize<br />
plaques upon feature films in four categories:<br />
best film, best actor, best actress and best<br />
director. Winners receive the Golden Gate<br />
Award.<br />
In 1957. the winner w-as the Indian film.<br />
"Father Panchali." which took "best film"<br />
and its director Stayajit Ray received the<br />
nod as "best director." Other winners were<br />
blonde Dolores Dorn-Heft for "best actress."<br />
in the U. S. entry directed and starring<br />
Franchot Tone; Chekhov's "Uncle 'Vanya."<br />
and Heinz Ruhmann in Germany's "The<br />
Captain from Koepenick" as "best actor."<br />
The 1957 event received the support of the<br />
Screen Directors Guild of America.<br />
This year invitations have been issued to<br />
more than 60 film-producing countries. Director<br />
Levin says: "We earnestly seek participation<br />
in this gala international event. I<br />
now offer complete assurance of our sincere<br />
effort to provide the most congenial climate<br />
to the arts in San Francisco."<br />
PORTLAND<br />
pox Evergreen District Manager Rex Hop-<br />
. . .<br />
kins returned after a two-week vacation<br />
in Palm Springs and Los Angeles. Hopkins<br />
is enthusiastic about Cinemiracle which he<br />
saw at Graunian's Chinese The Paramount<br />
exchange here has been reduced to<br />
a sales office w'ith the booking and billing<br />
switched to the Seattle office. Wayne Thiriot,<br />
the manager, operates in a sales capacity<br />
here.<br />
William Hupp, Liberty Theatre manager,<br />
got a top plug over a TV horror show here<br />
with Suzanne Waldron of KPTV boosting the<br />
picture on her late, late movie series. She will<br />
make a theatre appearance for the opening<br />
of "Macabre" at the Liberty.<br />
An Audition by AGVA<br />
HOLL'TWOOD — The American Guild<br />
of<br />
Variety Artists showcased talent for agencies<br />
and producers with an audition program of<br />
16 acts at Plummer Park in West Hollywood.<br />
DENVER<br />
n iinther effort is to be made this year to get<br />
Colorado on daylight saving time. Petitions<br />
are to be circulated for signatures to<br />
get the matter on the fall ballot. The petitions<br />
need more than 48,(M)0 signatures to bring<br />
this about. The matter has been voted down<br />
here several times, most of them overwhelmingly.<br />
The distributorship for Republic for this<br />
area is being taken over by Chick Lloyd, who<br />
is also the distributor for American International<br />
Pictures and other product. Of the<br />
employes at the Republic exchange. Gene<br />
Gerbase, manager, will remain with the company<br />
and Irene Canino, cashier, moves to<br />
Atlas Theatres as secretary to Dave Davis,<br />
general manager. That leaves Don Spaulding.<br />
office manager and booker; Dorothy Orrino.<br />
assistant ca.shier, and Warren West, salesman,<br />
looking for new jobs.<br />
. .<br />
Ilollis Trabue, Manley salesman for New<br />
Mexico, has been named di.strict manager for<br />
the Denver and Salt Lake City areas, succeeding<br />
Arlie Beery, who went to Kansas<br />
City as district manager , . . Joe A. Lopez has<br />
taken over and reopened the Star, Estancia,<br />
N. M. The theatre, closed since 1955, will operate<br />
on two changes a week . Cathy Harris,<br />
formerly a booker in St. Louis for Columbia,<br />
has moved here and is receptionist<br />
at United Artists.<br />
Mr. and Mrs. Sam Langwith of Western<br />
Service and Supply went to Texas and New<br />
Mexico on a combined vacation and business<br />
trip . . . Jerry Debolt has been named<br />
manager of the Rex. Rapid City. S. D., succeeding<br />
Prank Jenkins, who came here as<br />
manager of the Victory . MuiTay has<br />
resigned as comptroller of the Black Hills<br />
Amusement Co., Deadwood, S. D. He is succeeded<br />
by Arlene Kettelhut, who has been<br />
his<br />
assistant.<br />
Pearl Velarde, MGM manager's secretary,<br />
flew to Los Angeles for her vacation<br />
Gustave Mohme. general manager of<br />
. . .<br />
the<br />
Clasa-Mohme exchanges, was in from his<br />
Los Angeles headquarters on his annual visit<br />
to the exchanges. While here he called on<br />
the circuits and conferred with Gilbert Martinez,<br />
manager . . . Jay O'Malin, United Artists<br />
salesman headquartering in Albuquerque,<br />
N. M., was here for conferences with<br />
M. R. Austin, UA manager, following which<br />
Austin left for Chicago to attend a sales<br />
meeting regarding "Around the World in 80<br />
Days." The initial date for this film in Wyoming<br />
has been set for May 29 at the Wyo,<br />
Laramie.<br />
D 2 years for $5 D<br />
D Remirtonce Enclosed D Send Invoice<br />
THEATRE<br />
STREET ADDRESS<br />
TOWN ZONE STATE....<br />
NAME<br />
1 ycor for $3 D 3 years for $7<br />
POSITION..<br />
BOXOfflCE THE NATIONAL FILM WEEKLY 52 issues a year<br />
825 Van Brunt Blvd., Kansas City 24, Mo.<br />
Tom Blair, district manager for the Jones<br />
Theatre circuit, associated with Western<br />
Amusement Co., San Francisco, was here to<br />
install Jack Baldock as manager of the Centennial,<br />
the twin-screen drive-in recently<br />
bought by Western. The ozoner will have a<br />
first-run policy part of the summer.<br />
Freddie Dee Stricken<br />
LOS ANGELES—The rosary was recited<br />
Tuesday i29> for Freddie Dee (DePiano).<br />
who died Sunday. Dee, recently an actor,<br />
previously managed houses for United Artists,<br />
and also was a theatre owner. He is survived<br />
by his wife and a daughter.<br />
W-6 BOXOFFICE May 5, 1958
. . The<br />
. . Mickey<br />
. . . Morrie<br />
. . Henry<br />
SAN FRANCISCO<br />
Tirilliam L. McGee has been named western<br />
division manager of Interstate Television<br />
Corp., in charge of the 11 western<br />
states, Hawaii and Ala.ska with his headquarters<br />
in San Fi'ancisco.<br />
Interstate is a subsidiary of Allied Artists<br />
Pictures Corp.<br />
street.<br />
The Vogue Theatre, art house, has a run<br />
on the women after the Swedish film (also<br />
devoted to the feminine gender), "Smiles of<br />
a Summer Night." Next there is the fiery<br />
Grecian gal "Stella," to be followed by the<br />
Academy Award winning "Cabiria." Giulietta<br />
Masina, famous Italian actress who was a<br />
recent visitor at the home of Mr. and Mrs.<br />
Irving M. Levin, San Francisco Theatres<br />
head, is the star of the latter picture.<br />
AIP Widescreen Duo Bow<br />
In 50 Texas Theatres<br />
LOS ANGELES—American International's<br />
combination of "Machine Gun Kelly" and<br />
"The Bonnie Parker Story," first features in<br />
the company's new Superama widescreen<br />
process, is slated to open in 50 Texas circuit<br />
theatres May 29.<br />
The bookings include Rowley United.<br />
Trans Texas, Jefferson Amusement and<br />
Video circuit houses.<br />
Antelope Valley Drive-In<br />
Started; To Open by June<br />
With the widening of Geary boulevard to<br />
accommodate a row of trees down the middle,<br />
two theatres are forced to cut back their<br />
marquees. Both the Alexandria, de luxe San<br />
Francisco Theatres, Inc., showhouse, and the<br />
Coronet, home of the long-running "Around<br />
the World in 80 Days," are remodeling their<br />
fronts to avoid illegal overlapping of the<br />
ANTELOPE VALLEY, CALIF.—Constmction<br />
will be started immediately on a new<br />
drive-in theatre for Antelope Valley. To be<br />
located at 12th Street east and Avenue Q in<br />
Palmdale, the 750-car theatre will be buUt<br />
by Marion 'Wright, Antelope Valley contractor.<br />
A tentative completion date has been set<br />
for June 1.<br />
Reopen at Carmichael<br />
CARMICHAEL, CALIF. — Free gifts and<br />
personal appearances were features of the<br />
recent grand reopening of the Westerner<br />
Drive-In here. Each woman was given a<br />
potted plant and children w-ere furnished free<br />
balloons, lollipops and ice cream. The ten<br />
entrants in the Miss Sacramento beauty contest,<br />
the Roc-Kats band and Doyle Wilson<br />
appeared in person. Facilities at the theatre<br />
have been remodeled.<br />
Dual 'Sea' and 'Accuse'<br />
LOS ANGELES—"All at Sea" and "I Accuse!"<br />
will open their first local multiplerun<br />
engagement May 14 as a double-bill combination<br />
in four theatres— the State, Pasadena;<br />
Valley Guild, North Hollywood; Wilshire,<br />
Santa Monica, and Fifth Avenue, Inglewood.<br />
Ticket Tax Slash Due<br />
In Seattle on May 15<br />
SEATTLE A reduction in city admission<br />
taxes will become effective May 15, the city<br />
council finance committee announced. The<br />
date was fixed in a propo.sed ordinance recommended<br />
for passage, which embodies an<br />
admi.ssion-tax reduction agreed upon by the<br />
council<br />
a few weeks ago.<br />
The tax now is 1 cent for each 20 cents.<br />
No tax is charged on any admissions of 10<br />
cents or less.<br />
The new tax, applicable only to motionpicture<br />
theatres and events for "charitable,<br />
nonprofit community puiTDOses" will be 3'^<br />
per cent of admissions higher than 50 cents,<br />
with no tax on 50 cents or less.<br />
SEATTLE<br />
p. Jacobs, owner of Favorite of California,<br />
fj<br />
with offices in Los Angeles, San Pi-ancisco<br />
and Seattle, conferred with local Manager<br />
John Cummins regarding the consolidation<br />
with Republic . DeLeo, former<br />
owner of the Rose Theatre in Port Townsend,<br />
died. The Rose had been taken over<br />
by E. E. Thompson.<br />
Filnirow visitors included Jack Partin, representative<br />
of J. Arthur Rank Pictures, and<br />
Archie Holt, U-I salesman, traveling out of<br />
Portland.<br />
Eve Ordell, formerly with 20th-Fox and<br />
well known in the film industry, became a<br />
grandmother. The parents are her daughter<br />
and son-in-law, Mr. and Mrs. Morgan Barokas.<br />
PHOENIX<br />
The Bridge on the River Kwai," in its 9th<br />
week at the Palms Theatre, has broken all<br />
house records, according to Manager Gene<br />
Salyer . Fox Theatre introduced a<br />
weekly stage show for teenagers, called the<br />
Sunday Jam Session. It features the Valley's<br />
top recording artists and combos, including<br />
Ted Newman, Randy Stevens, Judy<br />
Faye, Duane Eddy, the Cliques and others<br />
who have recorded for national release. The<br />
teenagers seemed to enjoy the first of these<br />
sessions, and after a four-week tryout. Manager<br />
Sam Bagwell plans to make it a regular'<br />
feature with guest stars.<br />
Bert Pirosh Named Buyer<br />
For Pacific Theatres<br />
LOS ANGELES—William R. Forman, president<br />
of Pacific Theatres, announced Monday,<br />
April 28, the appointment of Bert Pirosh as<br />
head of the buying and booking department<br />
of this West Coast theatre cii-cuit. Pirosh,<br />
who resigned recently as chief film buyer of<br />
National Theatres, will assume his new position<br />
June 1.<br />
"I consider Pacific Theatres veiy fortunate<br />
in getting a man of the calibre of Bert<br />
Pirosh," said Forman, "Bert, has a fine<br />
reputation in this industry and his ability<br />
and experience will be of great value to us<br />
in the operation of our theatres."<br />
LOS ANGELES<br />
n committee, headed by h red Stein and M.<br />
. ,<br />
. . .<br />
J. E. McCarthy, is planning a testimonial<br />
dinner for Bert Piro.sh who resigned as head<br />
film buyer for National Theatres. The event<br />
will be held at the Crystal room of the Beverly<br />
Hills Hotel on May 21 . . . Marvin Goldfarb,<br />
district manager for Buena Vista, was here on<br />
Alex Harri.son, 20th-Fox sales<br />
business . . .<br />
manager, returned from a business trip to<br />
New York , Red Jacobs, head man at Favorite<br />
Films, is back from a business trip to<br />
San Francisco and Seattle ... I. Shapiro,<br />
20th-Fox booker in Toronto, Canada, was a<br />
Harry Novak<br />
southern California visitor . . .<br />
of Air Dispatch is back at his de.sk after a<br />
trip to Las Vegas on company business<br />
Charley Bragg, Filmrow insurance man, flew<br />
to Gotham on business.<br />
.<br />
. . .<br />
Condolences to Florence Moore, secretary to<br />
Spencer Leve, whose husband died April 22<br />
Abrahams is in Cedars of Lebanon<br />
Hospital for surgery Slater, Harbor<br />
Drive-In, Chula Vista, suffered a heart<br />
attack. Lew Bei-man has taken over Slater's<br />
chores . . . Lillian Charne-ss, American Theatres<br />
Advertisers, is recuperating at home<br />
after surgery . . . John DeCosta, Rank Pictures,<br />
underwent surgery at Queen of Angels<br />
Hospital Neal East, division manager<br />
of Paramount, is in St. Johns Hospital following<br />
a gall bladder operation.<br />
Booking and buying along Filmrow: George<br />
Nick Diamos, Tri Delta Amusement. Tucson;<br />
Jack Grossman, Magnolia, Burbank; Leo<br />
Molitar, American, Newhall; Mason Siler,<br />
Lido and Mes, Balboa; Jim Snelson. Bagdad,<br />
Bagdad, Ai-iz., and Joe Markowitz, Encinitas.<br />
$1,500 to Variety Fund<br />
SAN FRANCISCO—A check for $1,500 has<br />
been given to the Northern California Variety<br />
Club for its Blind Babies Foundation<br />
by Theta Delta Xi, social and philanthropic<br />
sorority. The funds were raised by a theatre<br />
benefit featuring the world premiere of<br />
"Stopover Tokyo," a fashion show donated<br />
by the Joseph Magnin store and a door prize<br />
of a trip to Las Vegas. Irving M. Levin, chief<br />
barker and head of the S. F. Theatres, accepted<br />
the big check from Mrs. Samuel<br />
Clowans, president of the sorority.<br />
Count<br />
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BOXOFFICE :: May 5, 1958 W-7
"<br />
.<br />
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"Every effort<br />
we put into the<br />
SAVINGS BOND PROGRAM<br />
will be richly rewarded<br />
a statement by Julian B. Baird, Under Secretary of the Treasury<br />
?9<br />
"America's great productivity has been made possible<br />
by the willingness of Americans to save a part of their<br />
incomes for in\cstment in productive enterprises. The<br />
Payroll Savings Plan of the Savings Bond Program implants<br />
and helps to sustain the habit of regular savings,<br />
and this benefits our whole economy as well as each<br />
individual saver.<br />
"We need savings as a continued affirmation of our<br />
way of life. The right to build up personal savings and<br />
to choose individually our savings objectives is one of<br />
our cherished freedoms.<br />
"I am convinced that every bit of effort we put into<br />
Savings Bond promotion as part of a broad thrift plan<br />
will be richly rewarded in the contribution we shall be<br />
making to the strength and security of our country in<br />
this critical period.<br />
THE U.S. eOVERNMENT DOES NOT PAY FOR THIS ADVERTISEMENT. THE TREASURY DEPARTMENT THANKS, FOR THEIR PATRIOTISM.<br />
THE ADVERTISING COUNCIL AND THE DONOR BELOW<br />
BOXOFFICE<br />
W-8 BOXOFFICE May 5, 1958
calmly<br />
Chicago Columnist<br />
Cites Long-Run Era<br />
CHICAGO— Will Leonard, in a recent Chicago<br />
Tribune Sunday column noted that the<br />
era of the long-run motion picture is blossoming<br />
in the Loop.<br />
"Until a few seasons ago, there never was<br />
a film that had been shown for a full year<br />
on any screen in Chicago. Nowadays, a movie<br />
that plays completely around the calendar is<br />
a routine occurrence. One of them closed a<br />
70-week engagement (Seven Wonders of the<br />
World! with no fanfare. Another, marking its<br />
first birthday in the Loop (Around the World<br />
I<br />
in 80 Days prepared to run right on<br />
through the summer.<br />
"There now are five motion pictures which<br />
have played a full year or more in the Loop.<br />
"Before 1950, the longest run chalked up<br />
by any film in Chicago was 35 weeks, established<br />
by the history-making 'The Birth<br />
of a Nation,' back in 1915 at the old Illinois<br />
and Colonial theatres, both long since vanished.<br />
That really was a remarkable feat<br />
in an age of silent black and white flickers<br />
that almost pulled the viewer's eyes out of<br />
his head.<br />
"Not for another 35 years did a picture<br />
manage to endure for 12 continuous months.<br />
'The Red Shoes' opened at the Selwyn (now<br />
Todd's Cinestagei in December 1948, and<br />
didn't unwind it^ last reel until February<br />
1950, a full 59 \veeks later. That was the second,<br />
and in all probability, the last of the<br />
old narrow screen photoplays to make it all<br />
the way around the calendar in this town.<br />
"With the coming of Cinerama, the yearlong<br />
showing became a commonplace. 'This<br />
Is Cinerama,' first of the three-camera epics,<br />
lasted almost two years. Opening at the Palace<br />
in 1953, it cranked on and on for 97 long<br />
weeks, a mark no other film yet has approached.<br />
'Cinerama Holiday,' it successor,<br />
ran for 78 weeks. 'Seven Wonders of the<br />
Word' closed after 70 weeks.<br />
" 'Around the World in 80 Days' sailed past<br />
its anniversa:-y without pausing for breath,<br />
and expects to be luring them into Todd's<br />
Cinestage until long after the last summer<br />
strawhat has been fed to the cows.<br />
"A picture doesn't have to toe in Cinerama<br />
or Todd-AO to hang up new records, either.<br />
The Loop has been bulging with winners like<br />
'The Bridge on the River Kwai,' 'The Young<br />
Lions,' and 'Peyton Place,' and has a full<br />
springtime of hits scheduled."<br />
New Name for Theatre<br />
WEST PLAINS, MO.—The Vista<br />
Theatre<br />
is the new name of the 620-seat Davis Theatre<br />
here, recently taken over by B. D. Faddis<br />
and Frank Hall from the family of the late<br />
Dean W. Davis. Faddis and Hall, who also<br />
operate the Midway Drive-In, also acquired<br />
the Avenue Theatre and 63 Drive-In here<br />
from the Davis family. The Avenue, now<br />
closed, will be reopened at the end of the<br />
1958 drive-in season.<br />
Windstorm<br />
Dcnnages To'wer<br />
CASEY, ILL. — The Casey Drive-In on<br />
Highway 50 west of here will be closed for<br />
about two weeks. The screen tower of the<br />
drive-in was blown down by a terrific windstorm<br />
the night of April 24.<br />
Commonwealth Circuit<br />
Adds 5 Wooten Drive-Ins<br />
KANSAS CITY— Elmer Rhoden Jr., presi-<br />
Commonwealth Theatres, announced<br />
dent of<br />
that Jay Woolen's group of five drive-in<br />
theatres in Kansas, has joined the Commonwealth<br />
circuit, effective Sunday (4>. Dick<br />
Orear, executive vice-president of Commonwealth,<br />
concluded the final details of the<br />
deal April 24 in Hutchinson, Kas.<br />
The Wooten theatre units include the Ayr-<br />
Vue and the Southutch at Hutchin.son, the<br />
Ark-Vue and the 166 at Aikansas City, and<br />
the Great Western at Liberal.<br />
It also was announced that Jay Wooten<br />
will join Commonwealth as manager of a<br />
new third district of theatres within the circuit.<br />
Commonwealth has been operating with<br />
just two districts to date, which have been<br />
handled by Roy Tucker and Doug Lightner.<br />
Dick Orear said that Tucker and Lightner<br />
will continue as district managers and the<br />
new district will be a further addition to general<br />
operations.<br />
Orear said: "Commonwealth has expanded<br />
to the point that we must have additional<br />
skill in the executive staff, and we are more<br />
than pleased to have Mr. Wooten bring his<br />
talent and business ability, along with his<br />
many years of experience, to the Commonwealth<br />
Theatres. We are looking forward to<br />
a long and pleasant association."<br />
Wooten's home is in Hutchinson. A Commonwealth<br />
district office will be opened in<br />
Hutchinson and Wooten will continue to reside<br />
there and handle district operations<br />
Michael Gerrid Marking<br />
50th Year as Showman<br />
WESTVILLE, ILL.— Michael Gerrid, operator<br />
of the State Theatre here and the<br />
Georgetown, in Georgetown, will celebrate his<br />
50th anniversary in show business Thursday<br />
(8). Now 70, Gerrid opened his first theatre,<br />
the 190-seat Bijou, in 1908. Admission was<br />
five cents. He built the local Orpheum in<br />
1910 and the Georgetown Theatre in 1938.<br />
At the same time, Mr. and Mrs. Gerrid are<br />
observing their 50th wedding anniversary.<br />
They have two sons, William and John, both<br />
of whom are in theatre business. The Gerrids<br />
also have four grandchildren.<br />
Windsor Theatre Dark;<br />
No Theatre There Now<br />
WINDSOR. MO.—The Windsor Theatre<br />
has been closed by Dorothy Jean Feaster,<br />
leaving this city without a show for the fu'st<br />
time since 1902.<br />
Louis Griefe, w'ho .sold the Windsor in 1945<br />
to Allied Theatres of St. Louis, with Jacob<br />
Smith, father of Mrs. Feaster. later acquiring<br />
the place, recalls that "The Ti'ail of the Lonesome<br />
Pine" drew the largest crowds. It was<br />
.shown three time at regular admission prices<br />
and then brought back a fourth time for 10-<br />
cent night, observed on Friday nights for 17<br />
years. Louis said the show was so packed that<br />
he couldn't get in the front door himself, and<br />
after selling a person a ticket would take<br />
him around to a sidedoor exit and let him<br />
in until the aisles were filled with people. At<br />
Jay Wooten<br />
from his headquarters there. Regarding the<br />
merger, Wooten said: "I am, as are many<br />
people as-sociated with my theatres, very<br />
happy to be a part of Commonwealth. I've<br />
long respected Commonwealth and its progressive<br />
and friendly spirit, and it is very<br />
pleasant to anticipate being a part of such a<br />
fine organization!"<br />
Since January 1, Commonwealth has taken<br />
over the operation of six other theatre properties<br />
in addition to the Wooten theatres.<br />
These units are: the Frontier Drive-In.<br />
Atchison, Kas.: the Twi-Lite Drive-In and<br />
the Baxter Theatre in Baxter Springs, Kas.:<br />
the Iowa Drive-In. Shenandoah, Iowa, and<br />
the Sunset Drive-In in Lawrence, Kas.<br />
The Commonwealth circuit, with the addition<br />
of the Wooten theatres, will consist of<br />
56 indoor theatres and 48 outdoor theatres, or<br />
a total of 104 theatre properties.<br />
one time the double line waiting to buy<br />
tickets extended for a block to the Christian<br />
Church.<br />
"If business gets better we will reopen,"<br />
Mrs. Feaster said. "I need a rest and must go<br />
to Pennsylvania for a time on business."<br />
Mrs. Feaster operated the houses in partnership<br />
with the Dickinson circuit of Mission,<br />
Kas.<br />
Install Officers May 16<br />
ST. LOUIS—The 1958-59 officers of the<br />
Better Films Council of St. Louis will be installed<br />
at the annual luncheon and installation<br />
May 16 at noon at the Congress Hotel.<br />
Mrs. A. F. Burt, founder and honorary president<br />
of the council, will be in charge of the<br />
installation.<br />
To Close House May 3<br />
JOHNSTON CITY.<br />
ILL.— Stewart Cluster,<br />
owner of the Palace Theatre here, will close<br />
the 500-seat theatre May 3. Cluster usually<br />
closes the Palace during the drive-in season<br />
when he operates the Marion Drive-In on<br />
Highway 37 north of Marion. 111.<br />
Mendota, 111., State Open<br />
MENDOTA. ILL.—The State Theatre was<br />
reopened by the Alger circuit with "Old<br />
Yeller." Mayor Chris Troupis asked the public<br />
to patronize the show.<br />
Eva Vanicek, Nerina Colombo and Isolina<br />
Caruso, three young Italian actresses, have<br />
been signed for WB's "The Nun's Story."<br />
BOXOFFICE May 5, 1958 C-1
. .<br />
. . Art<br />
. . Those<br />
. . The<br />
ST.<br />
LOUIS<br />
TJairy C. Arthur Jr., president of Arthur Enterprises.<br />
ha.s returned to St. Louis .<br />
Bill Karstetter. whom oldtlmers In the Industry<br />
will recall as an exhibitor and theatre<br />
manaser at Columbia, Mo. for many<br />
years, stopped off in St. Louis to visit Fllmrow<br />
en route from Chester. 111., where he has<br />
been lesldinR with a sister the last several<br />
yeai-s, to England where he will visit his son.<br />
On the way he plans to visit Indianapolis,<br />
Ind., to .'pend .several days with his bi-other.<br />
Other out-of-town folks seen in St. Louis<br />
during the week included Hei-mann Tanner.<br />
Vandalia: Charley Beninati, Carlyle: Frank<br />
X. Reller. Wentzville; Mayor Ben Beckett,<br />
Valley Park; Fori-est Plrtle. Jerse>^ille: Izzy<br />
Wienshienk, Alton: Joe Goldfarb, Upper Alton:<br />
Russell Armentrout, Louisiana: Harry<br />
Horning, booker and buyer. Turner-Fari-ar<br />
Theatres. Harrisburg; F. Val Mercier, Perryville:<br />
L. J. Williams, Union; Philip T. Hill,<br />
Belleville; Jesse Lee, Carmi; Dale Thornhill,<br />
Centralia: Bob Spencer. Charleston: W. E.<br />
Waring jr.. Cobden; John Falk, Eldorado;<br />
Robert E. Johnson. Fairfield: Harry C. Swan,<br />
Gi-anite City: Chaiies Biechner, Grayville;<br />
Paul U. Reynolds, Hani-sburg: Wayne L.<br />
Smith. Herrin: James Frisina jr., Mattoon;<br />
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Mrs. Arch Hosier<br />
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Eddie Clark, Metropolis; W. H. Eichhorn.<br />
Mounds; Geoi-ge Horning, Ro.siclaie; J. D.<br />
Slaydcn, Sparta: Dave Jones, Springfield:<br />
Ed L. Ti-ainor, Taylorville; Edward D. Klrby,<br />
Bloomfleld; Bernice Montgomery, Chaffee;<br />
Melvin L. Blackledge. Columbia, and Winfred<br />
Garner, Dexter.<br />
, . .<br />
Walter Thimniig, retired pioneer exhibitor,<br />
who had a leg i-emoved at St. Luke's Hospital<br />
on April 18. is doing very nicely , . . Also<br />
reported as in favorable condition is Frances<br />
Murphy foi-mer Warner Bros, booker, who underwent<br />
surgery at St. Mary's Hospital<br />
Tom W. Bridge of Dallas, .southwestern Texas<br />
division manager for Paramount, was here for<br />
three days . LaPlant. city and circuit<br />
sale.sman for Columbia, visited the office<br />
briefly on his way to the doctor's office. He<br />
recently undei-went a hernia operation.<br />
John D. Giachetto, Frisina Amu.sement Co.<br />
executive and civic leader at Springfield, 111.,<br />
lost out in the race for the Republican nomination<br />
for Congressman from the 21st Illinois<br />
district, final returns of the April 19<br />
primary elections revealed . fancy<br />
pictures being framed for tlie Bel Air Motor<br />
Hotel at Lindell boulevard and Euclid avenue,<br />
are the work of Odyssia Skouras. daughter of<br />
George Skouras, former St. Louisan. Odyssia<br />
has the Galleria Odyssia in Rome and has<br />
sold the Bel Air owners many pictures for<br />
use in the hotel's suites. She plans to visit the<br />
hotel with her dad to inspect the Skouras<br />
brothers suite when the hosteli-y has its grand<br />
opening.<br />
James Arthur, attorney for Arthur Enterprises<br />
and the St. Louis Amusement Co.,<br />
made the Globe-Democrat's "Inquiring<br />
Photographer" column April 25, by answering<br />
the question of the day: "Would you like to<br />
buy a new car now?" His answer, heading<br />
the column, was: "Yes, I'd like to. I've given<br />
a lot of thought to it. but I'm not in the market<br />
at the present. The price of automobiles<br />
is so high they have become the most expensive<br />
part of our daily existence." A snap-<br />
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shot of James accompanied the quote<br />
The St. Louis Variety Club, with two very<br />
recent successful benefit film shows for its<br />
Heart Fund, has invited Bob Hope to play<br />
an exhibition golf match at the Lakeside<br />
Golf Club when he comes to St. Louis to fill<br />
an engagement at the St. Louis Municipal<br />
Opera. Funds raised would al.so go to the<br />
Heart Fund of the club.<br />
Thieves who broke into the concession stand<br />
of the Midway Di-ive-In near Lawrenceville,<br />
111., the night of April 17 failed to find any<br />
money. They did make off with .some $50<br />
in cigarets, a large quantity of candy, a lx)x<br />
. . . Gloria<br />
of hot dogs and some hambuigers. They also<br />
emptied all of the packages of coffee into<br />
a sink and let the water run into it. Entrance<br />
was gained with a crowbar to force the fi-ont<br />
door of the concession stand<br />
Swan,son was heie April 24 to preside at fashion<br />
shows at a local department store.<br />
Sanford Berns, a salesman. University City,<br />
had a narrow escape when a section of stone<br />
trim fell from the upper stories of the Hotel<br />
Alverne at the southeast corner of Eleventh<br />
and Locust streets about 4:30 p.m. Two of<br />
the large stones struck the roof of Berns<br />
automobile, partly caving it in. Fragments<br />
of other stones came through the car windows.<br />
Berns. known to the film trade as<br />
"Sandy," will be recalled as a booker for<br />
Eagle Lion in the late '408 and early 1950s.<br />
He has been out of the film business for<br />
several years . offices of Fox Midwest<br />
in the Missouri Theatre building are being<br />
remodeled to obtain more efficient use of the<br />
space.<br />
Hundreds at Services<br />
For Tom J. Bloomer<br />
BELLEVILLE, ILL. — The motion picture<br />
industry and hundreds of friends paid final<br />
tribute to Tom L. Bloomer, 53. president<br />
of Bloomer Amusements Co, Services were<br />
held at St. Paul's United Church of Christ.<br />
Bloomer died of a heart attack early on Sunday<br />
1 20) at his home here. He was found<br />
dead in his bed by his wife Dorothy.<br />
The pallbearers were Ray Ringle and Wilbur<br />
Welker, neighbors and close friends in<br />
Belleville; Tom Williamson, as.sociate general<br />
manager of the Bloomer Amusement Co.;<br />
Dave Morgan, manager, Skyview Drive-In;<br />
Thomas James, board chairman, Missouri-<br />
Illinois Theatre Owners, St. Louis, and Lester<br />
J. Bona, salesman for Warner Bros.<br />
The honorary pallbearers were Eddie Clark,<br />
Metropolis, pi-esident, MITO; George Kerasotes,<br />
L. J. Williams, Tom Edwards, Lester<br />
R. Kiopp, Frank Plumlee, Carson W. Rodgers,<br />
Albert Magarian, Paul lO'ueger, Charles<br />
Goldman, Jimmy James, John Meinardi, Hall<br />
Walsh, D. J. Edele, F. J. Lee, Thomas Dunn,<br />
William Gehring, J. J. Bache, George Reilly,<br />
Ray McCafferty, Clifford Mantle, George<br />
Phillips, Herman Gorelick, William Earle,<br />
Jack Stein, Harry Hoff, Joseph Schrempp<br />
and David P. Barrett.<br />
Whafever<br />
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Weekend Shows at Albion<br />
ALBION, IND.—The Albion Theatre is<br />
now open on weekends under Ted Frymier.<br />
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C-2 BOXOFFICE :: May 5, 1958
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Y^^'""<br />
Pepper Company 1958<br />
BOXOFFICE :<br />
: May<br />
5, 1958 C-3
. . . John<br />
while<br />
. . Jeff<br />
. . The<br />
. . George<br />
KANSAS CITY<br />
'Tom Kdwards, Eldon exhibitor and Monkey<br />
Jungle impresario, is building a name (or<br />
himself as the "Sage of the Ozarks." Vastly<br />
entertained by his<br />
toastmastering at one<br />
of the luncheons at<br />
the national TOA convention<br />
in Miami last<br />
fall, the Montana contingent<br />
told him he<br />
would be invited to the<br />
platform at their<br />
spring convention.<br />
Tom thought they<br />
were kidding until a<br />
formal invitation came<br />
from Clarence Golder,<br />
Tom Edwards<br />
president of the Montana<br />
TOA. and Carl Anderson, the group's<br />
TOA repre.sentative. asking Edwards to act<br />
as banquet toastmaster at the association's<br />
convention held last Tuesday and Wednesday<br />
in Great Falls. The event also allowed<br />
Tom to hold a reunion with two sisters and<br />
a brother who live in the Northwest and who<br />
joined him in Great Falls. One of the sis-<br />
IS<br />
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CAPITOL<br />
FLAG and BANNER CO.<br />
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$2.00 FOX HOLE SPROCKETS $2.00<br />
Let us regrind your old sprockets<br />
STEBBINS THEATRE EQUIPMENT CO.<br />
1804 Wyandotte Koasas City, Mo.<br />
ters lives there and the other in Pocatello,<br />
Ida . the brother lives in Oregon.<br />
Bob Klinge, who used to manage the Uptown<br />
Theatre in Sedalla for J. T. Ghosen and<br />
who Wits an active contributor to our EX-<br />
HIBITOR HAS HIS SAY department, is back<br />
in Mi.s.soiiri and has taken over the Strand<br />
Theatre in Mount Vernon, formerly operated<br />
by Mr. and Mrs. Grover Brook.s. For<br />
a time after leaving Sedalia. Bob managed a<br />
motel in Florida, but the theatre itch wouldn't<br />
go away, so he's trying it again. Several<br />
Filmrowites suggested Bob be given a big<br />
"welcome home" in this column, for, as one<br />
of the exchange men said. "He's a great<br />
showman."<br />
At Atwood. Kas., Jesse Pratt, who has the<br />
Jayhaw^k Theatre, has taken over the Atwood<br />
Drive-In from Arden Holthus and has clo.sed<br />
the Jayhawk for the .summer, switching bookings<br />
over to the drive-in . Aladdin<br />
Theatre, local sub-run house, now is open<br />
only on Friday, Saturday and Sunday, but offers<br />
a different bill each day. Roger Leeton,<br />
formerly with MGM here, is buying and booking<br />
for the house . DeLong, Mankato,<br />
Kas.. exhibitor, suffered a physical setback<br />
recently and again is confined to his home.<br />
He had been making a slow but steady recovery<br />
after a stroke last summer.<br />
Mr. and Mrs. Vernie Anderson have had<br />
Cinemascope installed in their Starview<br />
Drive-In at McPherson, Kas.. and Mr. and<br />
Mrs. Merle Harris have added Cinemascope<br />
to their drive-in theatre at Hugoton. National<br />
Theatre Supply made both these installations.<br />
At Pratt. Kas., Sol Prank has<br />
added Cinemascope at the Trail Drive-In<br />
Egli III has notified local exchanges<br />
he is closing the Hickory in St. Joseph until<br />
The Dickinson circuit Rialto.<br />
further notice . . .<br />
also in St. Joseph, shuttered Saturday<br />
(26). Consideration is being given to converting<br />
the house, possibly to a bowling alley,<br />
but nothing definite has been decided as yet.<br />
Earl Dyson, Rank Film Distributors manager<br />
here, was visited recently by Irving Sochin.<br />
general sales manager from the Rank<br />
offices in New York, and Al Kolitz of Denver,<br />
regional manager. Dyson last week underwent<br />
minor eye surgery at the Menorah Medical<br />
Center and was allowed to return home<br />
and to be at his desk parttime, on condition<br />
that he "take it easy" on the other eye temporarily<br />
W. C. Kroeger, Howco district<br />
. . .<br />
manager from Memphis, Tenn., was here<br />
working with Bob Carnie. local manager, on<br />
"Walk Into Hell" and "Guns Don't Argue"<br />
which open at the Crest and Riverside driveins<br />
and the Regent Theatre Wednesday (7).<br />
Out of the hospital and greeting FHlmrow<br />
friends was Helen Thomas. l)ooker at the<br />
late Republic Exchange. Helen says she's<br />
gaining strength, but w'ants a little more<br />
fresh air and spring sunshine before getting<br />
lined out on a job again .<br />
Kopulos<br />
of Regal Poppers Supply spent several<br />
days covering the north Missouri territory . . .<br />
Tommy Thompson. BV manager, spent several<br />
days in the territory around Wichita .<br />
. .<br />
Bill Cosby of National Carbon was here last<br />
week renewing acquaintances. Bill used to<br />
have the Kansas City territory, but now<br />
works out of the New York office.<br />
Jack Winningham of NSS made a two-week<br />
trip through western Kansas and took time<br />
out to visit his old sidekick Syd Levy in Denver.<br />
Jack says Syd and his family are in<br />
good health and Syd .sent a big "hello" to<br />
all his friends on Fllmrow and in the territory.<br />
Also at NSS. Ruby Stone, Lou Patz's<br />
secretary, was trying to ward off the flu by<br />
resting at home. Warren Smith, liead shipper<br />
in the trailer department, was spending<br />
part of liis vacation remodeling the family<br />
kitchen—and hoped to squeeze in a .short<br />
trip or two before returning to work. NSS<br />
porter George Grayson and his wife have a<br />
brand new baby daughter.<br />
Missouri exhibitors on the Row recently included<br />
Gene Michael of Braymer, Paul Neal<br />
of the Starlitc Drive-In at Higginsville, Mr.<br />
and Mrs. E. L. FoUmer of the Roxy in Warsaw,<br />
Mrs. Harold Porta of Osceola, John Medlock<br />
of Appleton City, Komp Jarrett of Nevada,<br />
Ed Harris of Neosho, Harley Fryer of<br />
Lamar, Jim and Doc Cook of Mai-yville,<br />
Frank Weary jr. of Henrietta, Bob Klinge of<br />
Mount Vernon, Elmer Bills of Salisbury and<br />
J. Leo Hayob of Marshall.<br />
Kansas theatre folk making Filmrow stops<br />
included Hank Doering of Garnett, Bill Flynn<br />
of Emporia, Mr. and Mi-s. Don Burnett of<br />
Larned, Clark Payne who formerly was with<br />
the Starlight Theatre at Newton as a projectionist,<br />
and Bud Broun of Phillipsburg.<br />
Mr. and Mrs. Nat Hechtman of<br />
(Continued on next news page)<br />
the Capitol<br />
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C-4 BOXOFFICE :: May 5, 1958
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BOXOFFICE May 5, 1958 C-5
. . Hank<br />
. . MPA<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
KANSAS CITY<br />
I Continued from preceding news pnRei<br />
Flag & Banner Company spent several days in<br />
St. Louis and on the return journey stopped<br />
In Columbia to visit with son Elliott and his<br />
wife Beverly. Hechtman's business barometer<br />
shows these titles running high in popularity:<br />
Saddle the Wind, Teacher's Pet, The<br />
Bridge on the River Kwai. Pai-is Holiday. The<br />
Long, Hot Summer and Lafayett* EscadrlUe.<br />
Chris Bean of Hollywood Servemaster will<br />
be on hand in Booth C-245 at the National<br />
Restaurant Show on Navy Pier in Chicago,<br />
May 5-9. The display will include the new<br />
Pop-Up Fri, the only patented automatic<br />
French fryer on the market, and the Roto-<br />
Grille which has several new features Just<br />
being introduced to the trade. Among these<br />
features is a new barbecue spit for chickens.<br />
A move to collect admission for children<br />
under 12 at drive-in theatres here, launched<br />
several weeks ago by the Dickinson circuit,<br />
has been abandoned at least for the time<br />
being. Other drive-ins were expected to follow<br />
the Dickin.son lead, but no others put it<br />
into operation. Going it alone was not effecti\-e.<br />
circuit officials said. The Shawnee<br />
and Leawood drive-ins, where the policy was<br />
tried, are first runs, but most other local<br />
drive-ins are in the sub-run category—a factor<br />
in the decision to follow the old policy.<br />
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The Crest and Riverside drive-ins, which have<br />
Hn elastic policy, switching back and forth<br />
from first to sub-run, had given no consideration<br />
to the admission charge for children.<br />
Commonwealth circuit officials said.<br />
Kliss BoFK, WB manager, has been busy on<br />
"The Left Handed Gun" which will have a<br />
big saturation in the southwest, including the<br />
Kansas City, Oklahoma City and Dallas territories<br />
starting June 4. Some 125 bookings<br />
already have been set in this territory, Borg<br />
.^aid . . . Eric Green, 20th-Fox head booker,<br />
reports "A Man Called Peter" is being brought<br />
back in this territory. Woody Sherrill, 20th-<br />
Fox sales manager, says exhibitors are giving<br />
splendid support to the Morton Levy 40th<br />
Anniversary drive, many booking solid 20th-<br />
Fox playing time. The drive extends from<br />
July 18 through August 30 . . . Ralph<br />
Amacher. UA manager, went to Chicago for<br />
a company sales meeting . . . Don Walker, WB<br />
publicity man. spent a week of his vacation<br />
in Pineville, Mo.<br />
The latest change in the National Theatre<br />
Supply offices is the "new" seafoam gi-een<br />
floor. Actually, it's the old concrete floor<br />
with a coat of Apoxic concrete paint—but it<br />
looks brand new and adds a great deal of<br />
light to the office . Wiggam, Heart<br />
Drive-In Theatre manager, brought reinforcements<br />
on a recent visit to the UA exchange<br />
In the form of his huge and awe-inspiring<br />
police dog—a maneuver to get a better<br />
price break? . President Dick<br />
Orear has called a meeting of all the board<br />
of directors and committee members at<br />
Regan's private dining room at 12:15 today<br />
(51.<br />
seruiinG<br />
Eric Johnston to Speak<br />
ST. LOUTS— Eric Johnston, president of the<br />
Motion Picture Ass'n of America, will address<br />
the St. Louis chapter of the American<br />
Ass'n for the United Nations at its annual<br />
dinner meeting in the Tiara room in the Park<br />
Plaza Hotel here May 12. Johnston also is<br />
chairman of President Eisenhower's International<br />
Development Advisory Board.<br />
Airer Opens Tenth Season<br />
LA CROSSE, WIS.—James McKilllp, manager<br />
of the Star-Lite Drive-In, featured Bozo<br />
the clown and gifts for children and adults<br />
as the theatre inaugurated its tenth anniversary<br />
season.<br />
U 2 years for $5 D<br />
D Remiffonce Enclosed D Send Invoice<br />
THEATRE<br />
STREET ADDRESS<br />
TOWN ZONE STATE<br />
NAME<br />
1 year for $3 3 yeors for $7<br />
POSITION,.<br />
fiO.^OfflC. THE NATIONAL FILM WEEKLY 52 issues a year<br />
825 Van Brunt Blvd., Konsos City 24, Mo.<br />
Nice Chicago Start<br />
For 'Search' at 235<br />
CHICAGO — While there were no flash<br />
bulletins to announce outstanding grosses, it<br />
was contended among the Loop theatres that<br />
business maintained a nice level, particularly<br />
since the film fare primarily comprised holdovers.<br />
"Search for Paradise" got off to a nice<br />
start and group business booked for the future<br />
promises a fairly substantial upturn.<br />
(Average Is 100)<br />
Cornegic Miss Julie (Janus), 3rd wk 135<br />
Chicago ^Pcyfon Plocc (20th-Fox), 8th wk 195<br />
Esquire Desire Under the Elms (Pora) 1 75<br />
Gorrick Snow White (BV), reissue, 5th wk 170<br />
Loop Merry Andrew (M(3M), 3rd wk 175<br />
McVickers South Pacific (Mogno), 4th wk 315<br />
Monroe Return o» Droculo (UA), Flome Borrier<br />
lUA) 160<br />
Orientol The Long, Hot Summer (20th-Fox),<br />
4th wk<br />
I 90<br />
Palace Search for Paradise (Cinerama) 235<br />
Roosevelt The Young Lions (20th-Fox), 3rd wk. 200<br />
State Loke The Bridge on the River Kwai (Col),<br />
6th wk 210<br />
Surf Nights of Cobirio (Lopert), 3rd wk ! 1 30<br />
Todd's Cinestage Around the World in 80 Days<br />
(UA), 55th wk 295<br />
United Artists Run Silent, Run Deep (UA), 5th<br />
wk 185<br />
World Ployhouse Smiles of o Summer Night<br />
(Ronk), 2nd wk 1 80<br />
"Paris<br />
Holiday' Brightens<br />
Poor Kansas Cit'y Week<br />
KANSAS CITY—Only two bright patches<br />
appeared in an otherwise gloom-laden week<br />
here— the opening of "Search for Paradise,"<br />
fourth Cinerama attraction, which did wonderfully<br />
well, and "Paris Holiday," which<br />
opened strong at the Roxy. Otherwise, least<br />
said soonest mended.<br />
Glen, Dickinson and Shawnee and Leowood<br />
drive-ins Ride Out for Revenge (UA); Steel<br />
Boyonet (UA) 100<br />
Kimo And God Created Woman (Kingsley)<br />
12th wk 100<br />
Midland Merry Andrew (MGM); The World Was<br />
His Jury (Col) 85<br />
Missouri Seorch for Paradise (Cinerama) 300<br />
Paramount Chase a Crooked Shadow (WB).... 85<br />
Tower, Fairway and Granada The Female<br />
Animal (U-l), Damn Citizen! (U-l) 75<br />
Uptown The Young Lions (20th-Fox), 4th wk. 90<br />
"South Pacific' 250 Opening<br />
Heralds Long Indianapolis Stay<br />
INDIANAPOLIS — A successful Indiana<br />
opening launched "South Pacific" on what is<br />
expected to be a long run at the Lyric.<br />
"Teacher's Pet," at the Circle, and "The Long,<br />
Hot Summer," at Keith's, also opened big and<br />
appeared headed for extra playing time.<br />
Circle Teocher's Pet (Para)<br />
Esquire And God Created Woman (Kingsley),<br />
200<br />
I 6th wk 80<br />
Indiana Motorcycle Gang (AlP); Sorority Girl<br />
(AlP) 90<br />
Keith's The Long, Hot Summer (20th-Fox) . . . . 1 75<br />
Loew's Merry Andrew (MGM); The Safecracker<br />
(MGM) 85<br />
South Pocific (Magna) 250<br />
Lyric<br />
Don Mott New Assistant<br />
To Maurice J. DeSwert<br />
INDIANAPOLIS—Don Mott has been ap-<br />
{Xjinted assistant manager of the Indiana<br />
Theatre of the Greater Indianapolis Amusement<br />
Co., according to Maurice J. DeSwert,<br />
manager of the Indiana.<br />
Mott, 22, has been associated with the Esquire<br />
Theatre and the Shadeland Drive-In,<br />
He has served as promotion director for<br />
WAJC and studied radio and television at<br />
Butler University. He recently returned from<br />
active duty tour with the Air Force Reserve.<br />
C-6 BOXOFFICE May 5, 1958
I<br />
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THEATRE<br />
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each<br />
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the follov/ing subjects for Theatre Planning:<br />
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Lighting Fixtures<br />
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n Architectural Service Q Projectors<br />
n<br />
n "Black" Lighting [-|<br />
D Building Material<br />
LJ Carpets<br />
n Coin Machines<br />
Complete Remodeling -^<br />
Decorating<br />
D Drink Dispensers<br />
Drive-In Equipment<br />
D Other Subjects<br />
Theatre<br />
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Projection Lamps<br />
Seating<br />
Signs and Marquees<br />
Sound Equipment<br />
Television<br />
Theatre Fronts<br />
Vending Equipment<br />
CHICAGO<br />
Mat King Cole, here a day to pluH "SI.<br />
Loui.s Blue.s," had a busy schedule with<br />
visits to the di.sc jockeys and appearances on<br />
TV shows. From here he went to Washington<br />
to meet his wife Marie . Katz,<br />
Universal pre.ss chief, was in New York for<br />
home office conferences . Belman,<br />
head of Midwest Poster Co., went to Omaha<br />
for a visit with his mother.<br />
"Another Time, Another Place" is scheduled<br />
to follow "Desire Under the Elms" at the<br />
Esquire. The "Elms" censorship litigation<br />
was reported to have hurt at the boxoffice.<br />
The theatre is popular with young adults and<br />
college groups and these usually steady patrons<br />
were not allowed in the Esquire during<br />
the "Desire Under the Elms" run. The Chicago<br />
critics denied the obscene implication<br />
placed on the film by the police censor board.<br />
"Teacher's Pet" attendance at the Woods<br />
Theatre has bolstered the opinion that personal<br />
appearances of major personalities<br />
boost business at the boxoffice. The "Pet"<br />
visitors were Clark Gable and Doris Day . . .<br />
Gus Marches! of the Marches! circuit was on<br />
Irving Mack flew to New York<br />
FUmi'ow . . .<br />
to check interests there.<br />
Sam Gorelick, head of Rank Film Distributors<br />
in this area, returned from Milwaukee<br />
Hargreaves, Rank president,<br />
and Manager Sam Gorelick, St. Louis, visited<br />
situations in Minneapolis, Milwaukee and<br />
Chicago . Raymer, general manager for<br />
the Schoenstadt circuit, is going to miss his<br />
father, mother and brother, who left May 1,<br />
to become Miami Beach residents. Brother M.<br />
M. Raymer has been chief deputy recorder<br />
for Cook County for over 30 years . . . MGM<br />
publicist Norman Pyle is already deeply<br />
engrossed in fanfare plans for the opening<br />
of "Gigi" at the Woods Theatre July 1 . . .<br />
Sally Nagel, MGM head booker, has moved<br />
into a new apartment.<br />
Herb Wheeler of Stanley Warner Theatres<br />
vacationed in Florida . . . Abbott Theatre<br />
Equipment Co. installed a pair of new RCA<br />
Brenkert projectors in Sylvan Goldfinger's<br />
Loop Theatre . Bluemenfeld of MGM<br />
is enjoying a three-week vacation at Miami<br />
Beach.<br />
Ira Kutok is returning to Bethany Methodist<br />
Hospital for another session in connection<br />
with a hip injury. Kutok made an<br />
amazing recovery following an automobile<br />
accident some two years ago but the hip has<br />
been a constant source of pain and trouble.<br />
.<br />
age the western territory in addition to the<br />
midwestern area he has handled during his<br />
14 months with the company .<br />
Adele<br />
Wolk of Edward H. Wolk, Inc., attended the<br />
Variety convention in London. She will tour<br />
various European countries for the next<br />
three months . Blumenthal has returned<br />
to Michael Reece Ho.spital . . . The<br />
Variety Club of Illinois Is presenting Its<br />
Mother's Day party Saturday (10). Francois<br />
Pope, whose famous cuisine is known<br />
coast-to-coast, is chairman. Nat Nathan.son<br />
of Allied Artists is co-chairman<br />
Helman of United Artists,<br />
.<br />
recently<br />
. Morris<br />
ho.spitalized<br />
in Plymouth, Ind., because of an automobile<br />
accident, is back on the job, but is<br />
finding that moving about is painful.<br />
Bob Hope took time out from a hectic<br />
opening at the Oriental of "Paris Holiday"<br />
to film an appeal for the Variety Club on<br />
behalf of LaRabida Sanitarium. The filming<br />
was done with a Filmack crew .<br />
A.<br />
Niles Film Productions will conduct a film<br />
seminar May 5-9. A similar seminar was held<br />
at the Niles studios last year, drawing a total<br />
audience of 800 person involved in film production.<br />
Lawrence Goodwin Dies<br />
KANSAS CITY — Services for Lawrence<br />
Merry Goodwin, 56, formerly of Kansas City,<br />
were held at St. Paul's Episcopal Church here<br />
Tuesday (29). Goodwin died Saturday of a<br />
heart attack. He had been Detroit resident<br />
vice-president of United Film Service since<br />
1945. Goodwin was a native of Kansas City.<br />
Burial was in Mount Washington cemetery.<br />
W. Hardy Hendren, president of United Film<br />
Service, was one of the pallbearers.<br />
CANDY-POPCORN<br />
SEASONING — BOXES — BAGS<br />
For Theatres and Drive-ins<br />
— SEND FOR —<br />
NEW LOW PRICE LIST<br />
Distributors For<br />
LORRAINE<br />
CARBONS<br />
(ASSIGN ORANGE<br />
Freight Paid en Ordtra of $100.00 or Mora<br />
KAYLINE CANDY CO.<br />
1220 S. Michigan Chicago 5, III.<br />
Seating Capacity.,<br />
Address<br />
City<br />
State<br />
Signed ....<br />
Postage-paid reply cards for your further conveaience<br />
in obtaining information are provided in The MODERN<br />
Section, published with the first issue of<br />
month.<br />
Producers of "God's Little Acre" agreed to<br />
make several cuts and got a Legion of Decency<br />
"B" rating. The picture opens at the<br />
United Artists Theatre May 15. Author Erskine<br />
Caldwell arrived here Monday (5) to<br />
talk about the film and the censorship involved,<br />
and Tina Louise of the picture is to<br />
arrive Wednesday . Rackmil, president<br />
of U-I Studios and Decca Records, conferred<br />
with the local staff . . . S. I. Hutchinson<br />
arrived here to take over the management<br />
of the Pantheon Theatre. He was formerly<br />
an exhibitor in Boston and Kansas<br />
City.<br />
Kermit Russell of DCA is receiving congratulations<br />
on his promotion as western sales<br />
manager. He will headquarter here and man-<br />
RCA SERVICE COMPANY, INC.<br />
1315 So. Wabash Avenue<br />
Chicago S, Illinois WAbosh 2-0679<br />
theSstre equipment<br />
442 N. ILLINOIS ST., INDIANAPOLIS, INO.<br />
"Everything for the Theatre"<br />
BOXOFFICE May 5, 1958 C-7
Minier, IIL, Keeps Its Theatre Going,<br />
Thanks to Cafe Man, Other Leaders<br />
MINIB:R. ill— This Tazewell County town<br />
of 800 persons wouldn't let its motion picture<br />
theatre die— television or no television.<br />
Jean BeMent, who operates a restaurant<br />
here, offered proof.<br />
He also is the unpaid manager of Minier's<br />
only theatre. The movie house— it's called<br />
the Minier—closed in 1956. unable to stand<br />
the competition of the magic boxes which<br />
moved entertainment into the living room.<br />
Sixteen months ago BeMent and more than<br />
20 other Minier business leaders decided<br />
they couldn't let the community be without<br />
a movie. And since it was BeMenfs idea, he<br />
was assigned the manager's job. He still has<br />
it. a somewhat wiser man than when he<br />
started.<br />
The theatre has survived thus far. and<br />
now screens its films on Saturday nights and<br />
Sunday afternoons. It wasn't able to manage<br />
the six-day-a-week program attempted at<br />
first.<br />
BeMent and the other community leaders<br />
formed the Minier Community Theatre, Inc.,<br />
and each put up $25 to get it started. After<br />
the idea caught on, more money came in from<br />
a number of other citizens who didn't want<br />
to see the town's only movie die. The theatre<br />
still has a small loss on its operations.<br />
"We set our sights too high at first," Be-<br />
Ment said. "None of us knew anything about<br />
rurming a theatre. The programming was one<br />
of the hardest things to figure."<br />
When the community project got started<br />
BeMent attempted to show films aimed at<br />
.specified age groups—adult movie.s. children's<br />
movies and so on.<br />
"Now we stick to family type picturesmovies<br />
everyone likes to see," he said.<br />
In recent weeks 'Cinderella" was probably<br />
the most popular. The family audiences also<br />
liked a film starring Hvis Presley.<br />
BeMent al.so has learned quite a bit about<br />
quibbling over film rental prices. The rental<br />
fees can be reduced with good arguments.<br />
"I told them our life was at stake, and<br />
they've gone along with us," he .said, referring<br />
to film salesmen.<br />
A projectionist, a ticket gii-1 and two high<br />
school students are tJie only employes. They<br />
are paid modestly. The theatre building owner<br />
cooperates by renting the premises for what<br />
its taxes and maintenance add up to.<br />
Movie prices are 25 cents for children and<br />
50 cents for adults. A good weekend draws<br />
at)0ut 500 patrons.<br />
"I'm the cheapest babysitter in town," Be-<br />
Ment said. "I keep them from 1 :30 to 4 o'-<br />
clock for a quarter."<br />
John DeLand Is Manager<br />
LOGANSPORT, IND.—John DeLand has<br />
assumed the duties of manager of the Times<br />
Theatre here from John Crum, who has been<br />
in the post the last six months.<br />
Many New Uses Planned<br />
For Indianapolis House<br />
INDIANAPOLIS — "Hie Indiana Theatre,<br />
the city's largest film house, and the building<br />
of which it is a part will be used for conventions<br />
and similar purposes starting next fall<br />
without abandoning the motion picture policy.<br />
The announcement was made jointly<br />
by Dale McFarland, general manager of the<br />
Greater Indiana|X)lis Amusement Co., which<br />
operates the house, and Leo M. Rappaport,<br />
president of the Circle Theatre Co.. which<br />
owns it.<br />
The roof ballroom, which occupies the fifth<br />
floor and accommodates 2.500 guests at banquet.s,<br />
also will be involved. Plans call for converting<br />
the bowling alleys in the basement<br />
of the building into 25.000 square feet of exposition<br />
space. The theatre, which has closed<br />
circuit television equipment, will be available<br />
for concerts, lectures and legitimate stage<br />
events as well as for conventions, McFarland<br />
said. They will be coordinated with the<br />
theatre's regular film engagements.<br />
Plans for the city and county to build a<br />
civic auditorium jointly have been stymied<br />
by legal difficulties that depend on a further<br />
enabling act by the legislature. Availability<br />
of the Indiana Theatre Building is expected<br />
take up the slack by making further con-<br />
to<br />
vention facilities available immediately.<br />
'80 Days' at Anderson<br />
ANDERSON, IND. — Following renovation<br />
and re-equipping, the Riviera Theatre here<br />
was reopened by Alliance Theatre Corp. for<br />
showing of "Around the World in 80 Days."<br />
If It's Good Promotion<br />
someone<br />
BOXOFFICE<br />
will<br />
report it in • • • •<br />
/" Fresh from the scenes of the activities each "week come constant "^<br />
reports of merchandising of films. Most of these are ideas vou<br />
can use for -your o-wn promotion. All of them are interesting and<br />
most of them are profitable in other similar circumstances.<br />
Make<br />
full use of these practical ideas hy practical sho"wmen, man'y of<br />
whom 'you ma'y know.<br />
Motion pictures lend themselves ideall'y to good advertising. The public interest is<br />
high.<br />
Capitalize on the interest that already exists and increase your attendance<br />
'with proved ideas.<br />
C-8 BOXOFFICE :: May 5, 1958
Alabama-Georgia Assns<br />
Meet in Atlanta May 20<br />
ATLANTA—The oft'iceis and directors of<br />
the Alabama Theatres Ass'n and Motion Picture<br />
Theatre Owners & Operators of Georgia,<br />
at a meeting here, decided to hold their joint<br />
annual convention, but It will be an abbreviated,<br />
strictly business "dividend convention."<br />
so-called because the cost of the<br />
convention will be borne out of the treasuries<br />
of the two organizations. Tliere will be no<br />
registration fees required of the members.<br />
The gathering will be held Tuesday and<br />
Wednesday, May 20. 21. at the Dinkier Plaza<br />
Hotel here.<br />
In keeping with the necessity of bringing<br />
the greatest amount of information and assistance<br />
to exhibitors in the shortest time<br />
possible, the program will be streamlined and<br />
stripped for action. Opening with a luncheon<br />
on Tuesday, at 12;30 p.m.. hosted by the<br />
Nehi Coi-p.. the meeting will immediately<br />
slip into high gear. To be heard in the afterflorida's<br />
FIRST Supply House<br />
NEW ADDRESS . . .<br />
206 MEMORIAL HIGHWAY<br />
TAMPA, FLORIDA<br />
NEW PHONE . . . 8-5189<br />
NEW CONVENIENT PARKING<br />
for Our Customers<br />
Visit us at our new building<br />
UNITED THEATRE SUPPLY CORP.<br />
206 Memorial Highway<br />
lompo, Florida Phone 8-S189<br />
Moil Address: Box J75, Tampo 1, Flo.<br />
I<br />
Sno Cone Machines<br />
Popcorn Machines<br />
Hot Dog Machines<br />
ALSO<br />
Complete Line of Concession Supplies<br />
THE QUEEN FEATURE SERVICE,<br />
Inc.<br />
Complete Theatre & Drive-ln Equipment<br />
& Supplies<br />
1912-1/2 Morris Avenue Phone ALpin« 1-8665<br />
Birmingham 3, Alobamo<br />
wograms<br />
THEATRICAL ADVERTISING CO.<br />
2310 CaSS AVE. • DETROIT I MICH.<br />
WRITE FOR SAMPLESWO.1 11^8<br />
noon se.s,sion will be Ernest Stelling.s. pre.sicient<br />
of TOA.<br />
Al.'-o on the afternoon agenda will be que.stion<br />
and answer forums, a panel di.scus.sion,<br />
report.s on product and outlook and the annual<br />
reports of officers and directors and<br />
election of officers. Thus, an even more comprehensive<br />
agenda will have been presented<br />
in one afternoon than thai formerly requiring-<br />
the batter part of two days<br />
The two organizations have booked Sindlinger<br />
& Co.'s Ticket-selling workshop for<br />
all of Wednesday (21). This, too, will be free<br />
to the member-ship. Nonmembers are welcomed<br />
but they will pay the standard fee of<br />
$15, which will include the luncheon on Wednesday,<br />
to be hosted by Coca-Cola. Exhibitors<br />
from all the southeastern states have been<br />
invited to avail themselves of this opportunity<br />
to attend the work.'ihop.<br />
The Tuesday luncheon and afternoon meeting<br />
will be a "dividend," absolutely free, to<br />
all. including nonmember exhibitors.<br />
JohnB.DumestreDies;<br />
Equipment Firm Head<br />
ATLANTA—Funeral services were held<br />
Tuesday i22) at the St. Thomas More Church<br />
for John B. "Jack" Dumestre, president of<br />
Southeastern Theatre Equipment Co., who<br />
died Sunday night (20) here. Msgr. Thomas<br />
I. Sheehan officiated and entombment was in<br />
Westview Abbey.<br />
Dumestre had long been a leader on Filmrow<br />
in Atlanta and New Orleans, belonging<br />
to the Variety Club and taking an active<br />
part in Mardi Gras affaii-s in the Louisiana<br />
city. He was a native of Gretna. La.<br />
Dumestre started his industry career in<br />
Louisiana with Pathe. following up as a territory<br />
representative for RCA, then came to<br />
Atlanta to open the equipment firm. He established<br />
branch offices for the equipment<br />
firm in New Orleans, Charlotte and Jacksonville.<br />
MEMPHIS „<br />
. . C. N. Eudy,<br />
P"rank Cianoiola of Memphis has purchased<br />
the Grove Theatre at Holly Grove, Ark.,<br />
from Mrs. George Young .<br />
Ackerman. Ackerman: Mrs. Henley Smith,<br />
Skylark Drive-In, Clarksdale. and Lawrence<br />
Foley, Palace, Tunica, were among visiting<br />
Mississippi exhibitors . . E. L. Boggs, Joy,<br />
.<br />
Havti, Mo., was in town.<br />
. . .<br />
From Tennessee came N. B. Fair. Fair.<br />
Somerville; W. F. Ruffin jr.. Ruff in Amusements<br />
Co.. Covington; Robert Lax. Skj-vue<br />
Drive-In. Paris: Guy Amis. Pi-incess, Lexington,<br />
and Amelia Ellis. Ellis Drive-In. Millington<br />
. . . J. C. Tunstill. United Theatres Coi-p-.<br />
announced that the Ark-Air- Drive-In, Clarendon.<br />
Ark., and Dixie Drive-In, Hope. Axk..<br />
Rockwood<br />
were open for the season<br />
Amusement Co. opened the Skyway Drive-In.<br />
Humboldt, and the Carroll. Huntingdon.<br />
ROSKELLEY IS<br />
After illness,<br />
BACK!<br />
the 'Old<br />
Hot Dog Barker" is<br />
with FINEST TAPES<br />
back<br />
Same Quality! Same Price!<br />
LESS<br />
THAN<br />
$'<br />
1<br />
PER NIGHT<br />
FOR<br />
*'KNOW-HOW''<br />
Personalized<br />
TAPE<br />
RECORDED<br />
PROGRAMS<br />
to<br />
bcLL concessions<br />
before the show and<br />
during intermission.<br />
Expertly produced by a former<br />
CBS announcer-producer, who<br />
has been a guest panelist at<br />
MGM Ticket Selling Workshops—we<br />
know that our programs<br />
will sell concessions.<br />
Exnertly done to sound—and<br />
they sound as though the announcer<br />
were present in your<br />
own projection booth.<br />
Expertly tailored to your theatre's<br />
needs, or to each theatre<br />
in<br />
your group.<br />
Expertly being done currently<br />
for theatres in 14 States.<br />
The cost! Yes, less than a<br />
dollar a night—S6.50 per week<br />
—for a complete new recorded<br />
program each week.<br />
send us make and model<br />
lust<br />
of your recorder and complete<br />
details of your theatre. We'll<br />
produce for you tape recorded<br />
programs that will SELL your<br />
concessions.<br />
"Have Tapes<br />
Will<br />
Mail<br />
Everywhere."<br />
^ EDWARD L.<br />
KOSKELLEY producer<br />
Box 2228<br />
Custom-Made Tape Recordings<br />
Phone EMerson 6-2802<br />
Odessa, Texas.<br />
"The HOT DOG BARKER"<br />
BOXOFFICE :: May 5, 1958 SE-1
. RIGHT<br />
. . . Leo<br />
. .<br />
Sympathy<br />
. . Out-of-town<br />
. . Don<br />
. . John<br />
Wf IV<br />
ORLEANS<br />
Uollywood celebrities here to participHte in<br />
prc.show activities for "South Pacific" at<br />
the Panorama Theatre included Frances<br />
Nuyen, French-Chinese actress who plays the<br />
role of a native Rtrl In the film; Linda Darnell<br />
and her husband, Robert Robertson;<br />
BUSINESS<br />
OFF?<br />
B receipts show the results, but never<br />
the CAUSE! Frequently, it's merely o<br />
matter ot improved seating comfort that<br />
spells the difference Check your seots.<br />
Moybe it'll take only a bit of repairing,<br />
replacing some parts or some torn coverings.<br />
No matter how small, we do every<br />
job thoroughly, quickly ond very economically.<br />
Not an hour of show time will<br />
be lost And you hove everything to<br />
gain by asking for our ideas and estimate<br />
NOW!<br />
WRITE, WIRE or PHONE ALPINE S-8459<br />
Manufacturers<br />
Foam Rubber &<br />
Spnr>g Cushiora<br />
bock and<br />
covers.<br />
Distributars<br />
:|::;i:j Uptiolstery fabrics<br />
:^§;S ond general seating<br />
supplies.<br />
Maureen O'Hara and Cleo Moore. The premiere<br />
was at 8 pjn. Tuesday. April 29, with<br />
tickets costing $10 each. Proceeds were for<br />
the benefit of Boys Towns of Italy. Miss<br />
Darnell's appearance here was prompted by<br />
her Interest in the national humanitarian<br />
program for the underprivileged boys of Italy.<br />
New Filmrow babies: Daniel Anderson<br />
Bevelo. second son and third child of Andy<br />
and Maxinc Bevelo. born April 19; father<br />
books for E:xhibltors' Cooperative Service . . .<br />
A son for the Freddie Felger household, the<br />
first boy and fourth child; father is head<br />
shipper for Harold F. Cohen Enterprises.<br />
Judson Moses, MGM, was here to promote<br />
the Friday (2) opening of "Saddle the Wind"<br />
at Loew''s State exhibitors<br />
.<br />
on Filmrow were Tom Watson, EUisville,<br />
Miss.; Ed Jenner, Laurel, Miss.; E. Couch,<br />
Gulf, Pensacola, Fla., and George Wiltse,<br />
Dallas, owner of the St. Bernard Drive-In.<br />
.'\rabi, accompanied by his manager, Robert<br />
Ricouard .<br />
is extended to C. C.<br />
and Henry Meyers, Biloxi, Miss., on the death<br />
of their brother. He was associated with them<br />
in operation of their theatres.<br />
Betty Moore, Richard Center and co-editor<br />
of the WOMPI Whoopee, was honored Friday<br />
night, April 25. by co-workers and friends<br />
at a surprise bridal shower buffet supper at<br />
the home of Jane Ellen Moriarity . . . William<br />
Murphy jr., manager of the Southeastern<br />
Equipment Co., planed to Atlanta for the<br />
funeral of his uncle. John B. "Jack" Dumestre<br />
Seicshnaydre. manager of Republic<br />
Pictures, was on a week's business trek in<br />
northern Louisiana. Republic salesman Bill<br />
Thomas returned from a two weeks trip<br />
through Mississippi.<br />
. . Charley<br />
AI Silvers of the Film Inspection shipping<br />
department was vacationing leisurely at<br />
home, with several fishing trips planned to<br />
nearby lakes and bayous . Yarborough,<br />
20th-Fox publicity representative, was here<br />
from his home base in Atlanta to confer with<br />
local manager William Briant<br />
Jones is one of two bookers<br />
.<br />
slated to come<br />
here from Warner Bros, booking department<br />
at Memphis. The exchange there is being<br />
Barney Woolner of Warner Bros.<br />
closed . . .<br />
Pictures returned to Hollywood after a brief<br />
stay here. His big present in productions is<br />
a series of television pictures.<br />
Xong Summer' Draws<br />
Big 150 in Memphis<br />
MEMPHIS—Two local first runs had better<br />
than average attendance for the week.<br />
All others hit average.<br />
(Average Is 100)<br />
Maico—The Long, Hot Summer (20th-Fox)<br />
3rd wk 150<br />
Palace—Run Silent, Run Deep (UA), 3rd wk 100<br />
State—Touch of Evil (U-l) 100<br />
Strond—St. Louis Blues (Para) 100<br />
Warner—The Bridge on the River Kwoi<br />
(Col), 4th wk<br />
1 20<br />
CHARLOTTE<br />
niice Craver, Universal, was elected president<br />
of the WOMPI Club at the Delmonico<br />
restaurant. Others elected: Betty Beatty,<br />
MGM, fir.st vice-president; Mildred Hoover,<br />
Paramount, second vice-president; Mack<br />
Wess. Allied Artists, treasurer; Viola Wlster,<br />
Howeo, corresponding secretary, and Jo Williams,<br />
Standard, recording secretary. Irene<br />
Monahan, Howco; Mildred Warren. Fox. and<br />
Nancy Wise. United Artists, were elected to<br />
serve two years on the board of directors.<br />
Nancy Wilson, MGM, presided at the meeting,<br />
Rebecca Miller, NSS. was guessed to be<br />
WOMPI OF THE MONTH by Hazel Miller<br />
of Universal.<br />
Effective Sunday, April 27, C. E. Myers took<br />
over operation of the Meyers Theatre, Ayden.<br />
previously operated by Stewart-Everett Theatres<br />
. . . Bill Harris, son of Mack Harris,<br />
Center Theatre. Maiden, has been released<br />
from a Charlotte hospital and is recuperating<br />
at home from injuries received in an<br />
automobile accident . W. Giddens jr.<br />
took over operation of the Circle G Drive-In,<br />
Burlington, April 11. Mr. and Mrs. Giddens<br />
were in town conferring with the Charlotte<br />
Booking Service.<br />
Tommy Shaw of Charlotte Booking Service<br />
became father of a fourth child, named<br />
Jim Wallace of the<br />
Bennie Thomas jr. . . .<br />
Sky-Vue Drive-In. Sumter, S. C, is now doing<br />
his own booking and buying.<br />
SERVICE<br />
and<br />
COU RTESY<br />
for over 20 years<br />
OUR WATCH WORD<br />
•CENTURY t',n^S:i STRONG ^^^-^ps<br />
CONCESSION EQUIPMENT AND SUPPLIES<br />
STANDARD THEATRE SUPPLY CO.<br />
215 E. Washington<br />
GREENSBORO, N. C.<br />
T. E. Lucy<br />
219 So. Ctiurcli St.<br />
CHARLOTTE, N. C.<br />
JoruUMM'
When you're providing "good times" for your customers,<br />
include the good taste of Dr Pepper! It's<br />
just plain good business<br />
to heighten their enjoyment by making available the pure, distinctive<br />
flavor that has helped make friends for theater operators for more than<br />
70 years. Dr Pepper is repeat trade .<br />
. .<br />
a product in demand every month in the<br />
year ... by brand name . . . because there<br />
just isn't a substitute for Dr Pepper. If you<br />
haven't added the plus value of Dr Pepper<br />
in your theater or snack bar, try it ... if you<br />
already have Dr Pepper, feature it!<br />
^vPepfiCi<br />
DrPepifer<br />
fiostj^rasin^frosf^l<br />
© Dr Pepper Company 1958<br />
BOXOFTICE :: May 5, 1958 SE-3
ATLANTA<br />
F, has taken<br />
HoUey. operator of the<br />
•Pony Lombardo of Harriman, Tenn. has<br />
taken over and reopened<br />
Dunnway<br />
the Fox at<br />
Kingston. Tenn. .<br />
over the Rex at<br />
. . C.<br />
Alexander City. Ala., from<br />
J. L. Denny . . . J. R.<br />
drive-In at Wetunipka, Ala., has changed the<br />
name from Encore to Dixie Drive-In .<br />
Robert Rainey. son of UA cashier Beatrice<br />
Finch, recently won the Southside Safe Driving<br />
Road-E-O. This was a contest designated<br />
to test the skill, alertness and attitude of<br />
younR drivers. Twenty-four students from<br />
four Atlanta high schools competed. Robert<br />
received an engraved plaque.<br />
Two cancer films, sponsored jointly by the<br />
auxiliary of the Fulton County Medical Society<br />
and local units of the American Cancer<br />
Society, were shown Thursday ilt at the<br />
following theatres: Empire. Peachtree Art.<br />
East Point. E>ecatur. Gordon. Buckhead,<br />
Plaza. Glenn and Madison. Negro theatres<br />
showing the films were the Ritz. Ashby and<br />
Royal. A physician was present at each theatre<br />
to answer questions. The theatres were<br />
flLfH<br />
BOOHIOG OfflCt<br />
Experience — Industry — Integrity<br />
ALBERT E. ROOK<br />
160 Walton st. n.w. etRV>nt.'^-<br />
P.O. box 1422<br />
atlanta, ga.<br />
*<br />
^Itl^l^'<br />
'"<br />
NOW with TWO convenient locations for<br />
6l<br />
BETTER than EVER service to you<br />
DIXIE<br />
theatre service<br />
supply company<br />
YOUR BALLANTYNE DEALER<br />
1010 North Slappey Drive 95 Walton Street. N.W.<br />
P.O. Box 771<br />
P.O. Box gSS<br />
Albany. Georoia<br />
Atlanta. Georoia<br />
Phone: HEmlock 2-2846 Phone: WAInut «1S<br />
COMPLETE THEATRE EQUIPMENT 4 SUPPLIES<br />
Prompt. Courteous Service 'Round the Clock
$175,000 Fire Ruins<br />
Ardmore Tivoli<br />
ARDMORE, OKLA. — Fire engulfed the<br />
Tivoli Theatre in the center of Ardmore's<br />
business district early Saturday, resulting in<br />
a loss estimated at $175,000. No cause of the<br />
fire was determined.<br />
The entire Ardmore fire department and<br />
three trucks from the Ardmore Air Force base<br />
were called into action to confine the blaze<br />
to the theatre. Additional loss resulted from<br />
smoke and water damage to Eden's restaurant<br />
and Campbell's clothiers, in adjoining buildings.<br />
A barber shop, in the theatre building,<br />
was also lost.<br />
The fire was discovered by a city patrolman<br />
in a cruiser who called the fire department<br />
at 6:10 a.m.<br />
The theatre building was owned by L. T.<br />
Love, and a partner, who lives in Arkansas.<br />
Love estimated loss to the building at $125,000.<br />
Allen B. Dean, manager of the Video Independent<br />
Theatre, estimated loss to fixtures<br />
and equipment at $50,000. The theatre was<br />
currently showing "The Bridge on the River<br />
Kwai."<br />
Wideman Back Home<br />
Tro'y<br />
PONCA CITY. OKLA.—Troy Wideman, for<br />
many years projectionist at the Poncan Theatre,<br />
is back home after an operation at<br />
Temple, Tex. He expects to be back on the<br />
job in about two months.<br />
• PRACTICAL
. . Erskine<br />
. . Douglas<br />
DALLAS<br />
The five-day heavy rains which hit north<br />
central Texas, Including Dallas and Port<br />
Wortii. last week put a crimp In drive-In attendance,<br />
particularly. On Saturday i26i<br />
three and one-half inches of rain deluRod<br />
the city and blocked traffic on a number of<br />
streets. On Tuesday, another storm before<br />
noon, which included heavy rain, hail and<br />
60-mile-an-hour winds, caused havoc among<br />
commercial firms, but no drive-ins reported<br />
blowdowns and all were in operation during<br />
the siege of rain and a pair of tornado<br />
alerts. Of course, business was away off. but<br />
no ozoner had to close. Even Robert Hartgrove's<br />
Twin Hiways Drive-In, on the Port<br />
Worth highway, was able to continue nightly<br />
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following sizes. 24/1') ounce and 6/10<br />
(6 pounds, 8 ounces per can).<br />
Alamo Concession Supply Company<br />
Associated Popcorn Distributors<br />
Cohen Candy Company<br />
Houston Popcorn & Supply Company<br />
San Antonio<br />
Dallas and Houston<br />
Dallas<br />
Houston<br />
Corpus Christ! Concession Supply Company Corpus Christ!<br />
Logan Concession Supply Company<br />
Tulsa<br />
Modern Sales & Service Company Dallas<br />
Panhandle Popcorn Company<br />
Plainvlew<br />
H. G. Townsend Company Shreveport<br />
SW-2<br />
ATCO FOOD COMPANY<br />
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• Dallas<br />
showings, though the area was water-covered.<br />
The Corral Drlve-ln at Breckenrldge,<br />
owned by Bill Creagh, suffered a blowdown<br />
of it,s 55-foot higli screen and other damage<br />
when a windstorm and rain hit the west<br />
Texas city early Sunday (20i. Smashed were<br />
three cabins that were used for storage space.<br />
A fourth cabin, housing brother John<br />
Creagh. his wife and two children. al.so was<br />
struck by the storm, but fortunately all occupants<br />
were safe. The severe damage was<br />
shown in a three-column picture on the<br />
front page of the Breckenrldge daily paijer,<br />
abetted by a two-column story. Tlie Corral<br />
had been open since June 1949. Creagh purchased<br />
the Tiail Drive-In, also in Breckenrldge.<br />
in 1954. but it isn't being operated and<br />
Creagh said he wouldn't reopen it while the<br />
Corral is being rebuilt.<br />
. . .<br />
Fred Beiersdorf, manager for DCA here,<br />
was back at his office after a hospital stay<br />
Andy Sisk. booker, is "sweating" the<br />
Southwest Conference baseball race, since<br />
his son Billy is a pitcher on the Texas Tech<br />
College team at Lubbock .<br />
Pairbanks<br />
jr.. producer, and Anne Baxter, star of<br />
"Chase a Crooked Shadow," appeared at the<br />
Palace Friday i25), where the film is playing<br />
. . Cinerama's "Search for Paradise,"<br />
.<br />
now in five weekend showings only at the<br />
midtown Melba, is due to close May 18 . . .<br />
Mr. and Mrs. Herman Beiersdorf, on a<br />
three-week vacation, have been in Acapulco,<br />
Mexico, and are now in Los Angeles. He's<br />
with Empire Pictures here.<br />
Bob Hope and local girl Martha Hyer, starring<br />
In Hope's latest picture. "Paris Holiday,"<br />
made a 45-mmute stage appearance at the<br />
Palace Friday night, to assist a special charity<br />
benefit showing of the film for the Boys<br />
Camp sponsored by the Salesmanship Club.<br />
Miss Hyer. daughter of Judge Julien C. Hyer,<br />
came in earlier in the week for a visit with<br />
her parents. On Thursday she spent an hour<br />
in the Palace boxoffice, selling tickets to<br />
the charity show.<br />
Al Hughes, United Artists booker, and a<br />
playwright in his spare time, will have his<br />
one-act comedy, "The Wildest Woe," staged<br />
by an acting group, the Entertainers, at the<br />
USO buildings in this area and also at the<br />
Veterans hospitals in Dallas, McKinney and<br />
Waco .<br />
Caldwell, the author, and<br />
Tina Louise, the star of "God's Little Acre,"<br />
will visit here May 6, 7 for a round of interviews<br />
heralding the film, which will open at<br />
the Palace May 22.<br />
Wayne Long Suit Against<br />
Frontier Is Dismissed<br />
EL PASO—The United States district court<br />
has dismissed an antitrust action brought by<br />
Wayne Long against Frontier Theatres. The<br />
action came on a motion to dismiss the case<br />
and was heard by Judge R. E. Thomason.<br />
Long entered a complaint of over-bidding by<br />
Frontier Theatres, thereby depriving his theatres<br />
of important product.<br />
The court held that there was no conspiracy,<br />
and there could be none between a<br />
corporation and its officers and employes in<br />
performance of their ordinary task. There<br />
was, therefore, Judge Thomason said, no<br />
violation of the Sherman Act, even if high<br />
bidding was involved. The motion picture<br />
distributors were not named as defendants.<br />
SAN ANTONIO<br />
. . . Maurice<br />
T awrence Bernard, former Interstate employe.<br />
Is undergoing treatment at Brooke<br />
General Army Hospital at Fort Sam Houston.<br />
Lawrence was treasurer at the State Theatre<br />
for many years. He is now employed at<br />
Perry-Shankle Distributors, distributor of<br />
RCA radios and television<br />
Gleaves. also a former Interstate theatres<br />
manager, is now manager of a new Don &<br />
Ben's liquor store. Maurice formerly was<br />
manager of the Texas Theatre.<br />
. . . Lt. Harris, a<br />
Raymond Rodriguez, former chief of service<br />
at the Majestic Theatre, is home on leave<br />
from the Navy prior to leaving<br />
WUliam<br />
for his next<br />
station in Alaska<br />
graduate of Trinity University and once a<br />
big help to Interstate theatres on college<br />
activities and tieups, was in town for a short<br />
visit. Harris, with the Army Motion Picture<br />
Service of the Signal Corps, is stationed in<br />
New York and his duties are supervising<br />
filming of training films for all branches of<br />
the service. He hopes to enter theatre advertising<br />
and public relations work when he<br />
completes his Army tour.<br />
The Aztec Theatre will show "The Bolshoi<br />
Ballet" for one performance only May 7 at<br />
8:30 p.m.. with all seats reserved.<br />
Kevin Genther, Warner Bros, press agent,<br />
was in town arranging for the personal appearances<br />
of Anne Baxter and Douglas Fairbanks<br />
Jr., at the Aztec Theatre. The press<br />
and radio met Miss Baxter and Fairbanks<br />
at a special breakfast at the Menger Hotel . . .<br />
Eric Brendler. manager of the Broadway<br />
Theatre, is offering free bus transportation<br />
for the showing of "Peyton Place." The local<br />
transit company has a large open-air party<br />
bus and this was used during the Fiesta<br />
celebration. It cruised up and down main<br />
streets three hours before the big parade,<br />
ballyhooing the attraction and picking up<br />
customers for "Peyton Place."<br />
Count on<br />
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OKLAHOMA CITY<br />
p B. "Red" Leathers, who owns and operates<br />
two theatres and one drive-in in Paducah,<br />
Tex., was a recent patient for a checkup<br />
at Mayo's in Rochester, Minn. Red said<br />
the doctors told him that he has nothing to<br />
worry about. Red says he may not open his<br />
drive-in until fall, depending on crop conditions.<br />
Wheat never looked better, and the<br />
land is in fine shape for a big cotton crop<br />
next fall . . . Richard L. Griffith & Co.,<br />
Tulia. Tex., were to reopen the Tulia Drlve-<br />
In last week. They will close the Royal for<br />
extensive remodeling and renovation, including<br />
a complete repainting job, both inside<br />
and out. a new marquee, up-to-date lighting<br />
and sign effects.<br />
Watt Long and his manager, Raymond Patton,<br />
of Hollis, Okla.. are renovating and<br />
painting the Hollis Drive-In, which will open<br />
between May 15 and June 1, depending upon<br />
the weather. Much work al.so will be done<br />
on the Lavista Theatre, which may be closed<br />
for some time while the drive-in is operating.<br />
Mrs. Long is ill and has been confined<br />
to her home for several months, and Long<br />
does not venture far from home.<br />
R. Tom Lewis, who operates the Max Theatre,<br />
Cherokee, has finally taken up fishing.<br />
Tom, who weighs about 250 pounds, says that<br />
if he can get a fishing line strong enough to<br />
hold a small whale, he feels that he has the<br />
courage and strength to try and pull him out<br />
of the water. He is now assembling his fishing<br />
tackle. It is said that in order to be a<br />
good fisherman, one must have at least 57<br />
different pieces of tackle. Prom the looks of<br />
what Tom bought, he's going to be a good<br />
a good number<br />
to call -<br />
RE 6-8691<br />
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85 Van Broom St., Pittsburgh 19, Po.<br />
fisherman. His main fishing .spot will be the<br />
Great Salt Plaiiis Lake Just a few miles east<br />
of Cherokee.<br />
Mrs. Tom McKean, wife of the Paramount<br />
salesman, flew to Pittsburgh, Pa., Friday<br />
(18) to visit her new grandson Tom McKean<br />
III. The father is Tom McKean Jr. The local<br />
McKeans have two granddaughters and this<br />
is the first grandson. It is said here that the<br />
excess baggage cost on the plane was unusually<br />
high, due to all the presents and trinkets<br />
that the McKeans had been buying for<br />
the new arrival. Tom, in his wife's absence,<br />
spent Saturday and Sunday fishing on Lake<br />
Lawtonka, near Lawton, Okla. He reports<br />
a fine catch of fi.sh.<br />
Exhibitors recently seen on Filmrow were<br />
Virby Conley, Ellis and Ranger Drive-In,<br />
Perryton, Tex.; Lay ton Carter, Seminole,<br />
Seminole; Clint Applewhite, Liberty, Carnegie;<br />
John Sanders, Melba and Cleveland<br />
Drive-In, Cleveland: W. E. Gamer, Madlll<br />
Drive-In, Madill, opened on April 20; W. T.<br />
Kerr, Arbuckle Drive-In. Sulphur; H. D. Cox,<br />
Caddo, Binger: B. J. McKenna Jr., Oklahoma,<br />
Norman; H. T. Bums, Opera House, Apache,<br />
and V. E. Hamm, Mount Scott and Hankins<br />
Drive-In, Lawton.<br />
Mr. and Mrs. W. J. Nelson, V. A. Drive-In,<br />
Velma, were recent visitors. They have turned<br />
their buying and booking over to Athel Boyter<br />
of Boyter Booking Agency. Nelson is in the<br />
trucking business and they do not have time<br />
to make trips to Oklahoma City and feel<br />
that someone on the Job here can do a much<br />
better Job . . . Henry Simpson, Princess and<br />
Pirate Drive-In, Bristow, is far too busy to<br />
make frequent trips to Oklahoma City and<br />
has turned over his buying and booking to<br />
the Hull Bros., Jack and Jimmy. Henry is a<br />
deputy sheriff of Creek County and is kept<br />
busy chasing criminals, bootleggers, etc., so<br />
his trips to Oklahoma City will have to be<br />
curtailed. There is a persistent rumor floating<br />
around that he may run for sheriff at<br />
the next election.<br />
Athel Boyter, Boyter Booking Agency here,<br />
has taken on the booking of Wesley Reynolds<br />
and his House Rockers, a rock and roll combination<br />
of five young musicians. Boyter reports<br />
business is excellent and the combo<br />
should help to bring patrons In and augment<br />
the motion picture receipts . . . Bob Busch.<br />
who operates the Villa Theatre here for<br />
Charley Ferris, spent a few days recently on<br />
Lake Ouichita in the Ouichita mountains of<br />
eastern Arkansas. He reports a fine catch.<br />
Gerald Walje, who has leased the El Rancho<br />
Theatre at Ringling for the last several<br />
months, gave up on April 30 and turned it<br />
back to owner Cliff Lance, who closed the<br />
theatre as of May 1 . . . Verol Johnson, right<br />
hand man of R. Lewis Barton, who operates<br />
several theatres and drive-ins in and around<br />
Oklahoma City, is in St. Anthony's Hospital<br />
recuperating from a minor operation. He<br />
hopes to be back on the Job very soon. Barton<br />
says it is rather hard to get along without<br />
him, as he fills in just any place there<br />
happens to be someone else ill or on vacation.<br />
B. J. McKenna jr.. Allied Theatres, has<br />
taken over the operation of the Pettit Theatre,<br />
Hominy, from Video Independent Theatres.<br />
Transfer of this operation was made<br />
on Sunday (26). Allied Theatres now has<br />
theatres in the following towns: Paola and<br />
Osawatomie, Kas., and Perry, Norman, Fairfax<br />
and Hominy, Okla.<br />
Mrs. Roy Shield Improves<br />
After Operation at Enid<br />
ENID. OKLA — Mr.s. Boy Shield, wife of<br />
the owner of the Sooner Theatre, is convalescing<br />
after a gall bladder operation at<br />
St. Mary's Hospital. Virginia Shield, daughter,<br />
residing in New York, flew here to visit<br />
her mother for .several weeks, but had to<br />
return because of theatrical commitments.<br />
She may tour Europe with a large troupe<br />
this .summer for 14 weeks.<br />
Gilbert Fry has been employed as as.slstant<br />
manager to Paul Shipley at Video Independent<br />
Theatres.<br />
George Jones is in charge of the Trail<br />
Drive-In. which opened recently. The Enid<br />
Drive-In is slated to reopen soon.<br />
INSPKCTlill)<br />
every deelish' can Is<br />
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Let us help you merchandise your barbecue.<br />
Write to Ateo Food Company, 2921 Commerce<br />
Street, Dallas, for banners, point-ofsale<br />
material, film trailer and general merchandising<br />
assistance. And today order<br />
Jim-Bo's Barbecued Beef from these fine<br />
distributors. Available in following sizes:<br />
24/15 ounce, 12/29 ounce and (wlO (6<br />
pounds, 8 ounces per can).<br />
Alamo Concession Supply Company<br />
San Antonio<br />
Associated Popcorn Distributors Dallas and Houston<br />
Cohen Candy Company<br />
Dallas<br />
Houston Popcorn & Supply Company<br />
Houston<br />
Corpus Christ! Concession Supply Company Corpus Christi<br />
Logan Concession Supply Company Tulsa<br />
Modern Sales & Service Company Dallas<br />
Panhandle Popcorn Company<br />
Plainview<br />
H. G. Townsend Company Shreveport<br />
ATCO FOOD COMPANY<br />
i921 Commerce<br />
Dallas<br />
BOXOFFICE May 5, 1958 SW-3
I<br />
Dr<br />
wrr<br />
When you're providing "good times" for your customers,<br />
include the good taste of Dr Pepper! It's<br />
just plain good business<br />
to heighten their enjoyment by making available the pure, distinctive<br />
flavor that has helped make friends for theater operators for more than<br />
70 years. Dr Pepper is repeat trade . . .<br />
a product in demand every month in the<br />
year ... by brand name . . . because there<br />
just isn't a substitute for Dr Pepper. If you<br />
haven't added the plus value of Dr Pepper<br />
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1<br />
hPeppei<br />
already have Dr Pepper, feature it!<br />
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SW-4 BOXOFTICE :: May 5, 1958
Berger Says No to NCA<br />
Even If He's Drafted<br />
MINNEAPOLIS—Under no circumstances<br />
will Ben Berger accept the presidency of the<br />
North Central Allied Ass'n, which will open<br />
its arrnual convention here May 13.<br />
Back from a visit to his son in Los Angeles<br />
and to his Laramie, Wyo.. television station,<br />
Berger met talk of drafting him for the post<br />
he formerly held many years by saying: "I<br />
feel I've done my bit in that direction.<br />
Moreover, I have so many other interests that<br />
I haven't time to devote to the position."<br />
Ted Mann, who occupied the post the past<br />
year, will not accept re-election, he says.<br />
Convention chairman Prank Mantzke has<br />
announced that the matter of whether<br />
"forced advanced admissions" is keeping<br />
many potential customers away from the<br />
theatres will be one of the principal discussion<br />
topics.<br />
Members also will be asked "how many<br />
theatres are going to close in this territory<br />
this year and will yours be one of them," he<br />
says.<br />
Up for discussion, too, will be what can<br />
be done about 50 and 60 per cent terms for<br />
pictures and whether such deals should be<br />
passed up entirely and what can be done to<br />
avert the possible loss of film exchanges<br />
here.<br />
Mantzke was the Universal manager here<br />
for years, and now heads a buying-booking<br />
and exhibition-distribution group.<br />
Girl 8, Walks 73 Blocks<br />
To See Western (Free)<br />
OMAHA—Jim Schlater, manager of the<br />
Sky View Drive-In, has found his most avid<br />
fan.<br />
After closing at 2 a.m., he found Ginger<br />
Joann Pendley, 8, sitting alone in the patio of<br />
the empty theatre, with only a wool sweater<br />
and the night decidedly cool.<br />
She was 73 blocks from home. She told<br />
detectives she had walked all the way.<br />
Neighborhood children said they last saw her<br />
at 5 p.m. playing in her backyard.<br />
Her parents waited until 7 p.m. for her to<br />
show up, then called police. Playmates and<br />
Cub Scouts searched the neighborhood.<br />
How did she get into the theatre without<br />
money and unnoticed? This remains a<br />
mystery. Ginger wasn't talking. Of one thing<br />
she's<br />
sure.<br />
"It was a cowboy picture," she said.<br />
Bryon Rowley Appointed<br />
MARSHALLTO'WN, IOWA—Bryon Rowley<br />
is the new manager of the Strand here, succeeding<br />
Neal Houtz who has resigned to go<br />
to New Hampton where he has bought a theatre.<br />
Rowley comes from Savannah, Ga.,<br />
where he has been managing a theatre for the<br />
past year. Prior to that he had been in theatre<br />
work in the Kansas City area.<br />
Confections Brcmch Moves<br />
MONTREAL—The local branch of Theatre<br />
Confections, Ltd., now is located in new offices.<br />
New address is Theatre Confections,<br />
Ltd., 25 Monk St., Longueuil, Que. New telephone<br />
numbers are ORleans 4-6206 and ORleans<br />
4-2607.<br />
Kenneth Shipley Advances<br />
To Fremont City Manager<br />
FREMONT, NEB.—Kenneth Shipley, former<br />
city manager of the Sun Theatre and<br />
Pines Drive-In, York, became city manager<br />
of the three Central States theatres here,<br />
home of the circuit's district office as of May<br />
1. He succeeded Ed Schoenthal, who resigned<br />
to accept a Job as private pilot for an industrial<br />
concern.<br />
Shipley had been city manager of the York<br />
theatres since July 13, 1956, and took a prominent<br />
part in civic: activities. He and Dr.<br />
Harold Nordlund coached the York Swim<br />
Ass'n team to a conference championship.<br />
Shipley recently served as fund drive chairman<br />
of the York County Red Cross, is a new<br />
board member of the Rotary Club; chairman<br />
of the Community Improvement project<br />
recreation committee: board member of the<br />
York Chamber of Commerce; menxber of the<br />
Harvest of Stars committee for the 1958<br />
York County 4-H Fair, and a member of<br />
the York Legion, Elks and Masonic lodges.<br />
His family, including his wife and two daughters,<br />
Judy and Christine, will remain in<br />
York until the present school term ends.<br />
Succeeding Shipley in the York position<br />
is Jerry Darner, who had been managing a<br />
Central States theatre at Clarion, Iowa.<br />
'Prostitute' Is Censored<br />
From Minneapolis Ads<br />
MINNEAPOLIS—The Morning Tribune and<br />
Evening Star, both with the same ownership,<br />
refused to publish ads for the W. R.<br />
Frank Avalon Theatre here carrying the<br />
correct title for its cuiTent attraction, "The<br />
Respectful Prostitute," a screen adaptation<br />
of the French play of that name. Prank had<br />
to rename the picture for advertising purposes,<br />
calling it "The Respectful Tramp."<br />
The newspapers have their own committee<br />
which passes on all theatre advertising. It<br />
turned thumbs down on the word "prostitute,"<br />
although the play and movie have<br />
been shown and advertised in many other<br />
cities by its right name. Prank was permitted<br />
to describe the picture as "the shocker of the<br />
year" and to state it was "for adults only."<br />
Allied Artists Combining<br />
Omaha, Des Moines Offices<br />
OMAHA—Both the Des Moines and Omaha<br />
exchanges of Allied Artists will be managed<br />
out of the Omaha office by Sol Francis under<br />
a change in the company's set-up. This is<br />
direct contrast to many recent moves which<br />
have seen Omaha management shifting to<br />
Des Moines.<br />
The booking office and shipping operations<br />
will be maintained in Des Moines. Accounting<br />
will be handled in the Omaha exchange.<br />
Reopen at Stanton, Neb.<br />
STANTON, NEB.—The Rialto Theatre here,<br />
closed since last Febniarj', has been reopened<br />
by Paul Cavenee, who operated the theatre<br />
until about one year ago. Mrs. Mary Kremer,<br />
owner of the house, leased the business to<br />
Charlton Beatty last year and Beatty closed<br />
the house in February. Cavenee said he would<br />
offer two program changes per week, with<br />
shows on Wednesday and Saturday and on<br />
Sunday and Monday.<br />
Back to Movies Push<br />
Tied to Better Films<br />
ST. PAUL- BUI Diehl, in his St. Paul Dispatch<br />
"Look 'n' Listen" column, notes that<br />
theatre attendance for the first time Is "showing<br />
a continued march back to the plush old<br />
days," and devotes much .space to the fact<br />
that the principal explanation for the up-<br />
.surge is the large amount of quality product<br />
being turned out by Hollywood.<br />
'INSIDE-OUT BUSINESS'<br />
"The movies seem to be an 'Inslde-out'<br />
business," wrote Diehl. "They thrived during<br />
the depression, then faltered after World<br />
War II when other businesses grew fat and<br />
sleek. Now, with a recession or whatever it Is<br />
upon the land, moviegoing has taken a decided<br />
upturn.<br />
"In fact, the trend is so definite that the<br />
Wall Street Journal took note of it in a<br />
lengthy article. It pointed to a statistical report<br />
showing that a perkup in moviegoing<br />
has continued into spring. While theatre attendance<br />
is still much below that of ten<br />
years ago, it nevertheless for the first time<br />
shows a continued march back to the plush<br />
old days.<br />
"Why? Theatremen are quoted as being<br />
pleased with what Hollywood has given them<br />
to show. They like the multimillion-dollar<br />
productions, and the public does, too. A look<br />
around our Loop confirms this—holdovers<br />
have become the rule rather than the exception.<br />
Even the vast Paramount Theatre<br />
with 2,500 seats, many more than a lot of<br />
New York theatres, has had two four-week<br />
attractions recently, 'Sayonara' and 'River<br />
Kwai.'<br />
"There's another factor at w'ork as well.<br />
Theatres are starting to dress themselves up<br />
across the nation. One chain of 40 theatres<br />
bars youngsters on Thursday nights so adults<br />
can enjoy films in peace and quiet. The same<br />
chain installed love seats so that couples<br />
can be comfortable without an arm rest between<br />
them. (To my knowledge, only the<br />
Highland in St. Paul has this type of chair.)<br />
And it built glass-enclosed party rooms in<br />
the rear of four theatres so a group of 12<br />
persons can sit in private in plush chairs,<br />
smoke and relax while viewing. Soimd Is<br />
piped into the rooms via amplifiers . , .<br />
ATTENTION TO KIDDIES<br />
"And in the back-to-the-movies push, the<br />
kids aren't being forgotten. Some theatres<br />
issue .special money-saving junior ticket books.<br />
Others stage special shows at which the kids<br />
get free popcorn or prizes or fan photos . . .<br />
"Unfortunately, it's not all peaches and<br />
cream. I have gone to theatres in this area<br />
where screens are pocked, where the curtain<br />
pulleys squeak, where kids run up and down<br />
the aisles unchecked, where projection is<br />
fuzzy, w'here seats are uncomfortable, w^here<br />
pop>corn grease permeates the air. And sometimes<br />
the managers of these theatres wonder<br />
why business is slow.<br />
"There's a nationwide pattern forming, one<br />
of attractive and well-run theatres cleverly<br />
selling a quality product. These will survive<br />
and keep movie glamor alive. It's inevitable<br />
that the rest will have to move with the times<br />
just as supermarkets, auto dealers and other<br />
businesses have, or time will pass them by."<br />
Actor Burt Lancaster will direct "Take a<br />
Giant Step" for United Artists.<br />
BOXOFFICE May 5, 1958 NC-1
. . George<br />
. . The<br />
D E S<br />
MOINES<br />
Dryon Rowley, mnnnRer of the Strand in<br />
Marshalltown. had 4.407 theatre patrons<br />
sign a giant postcard when they came to see<br />
"Bonjour Tristcsse." At the conclusion of the<br />
run. the card was mailed to Jean Sebei-g.<br />
Marshalltown actress, who played a leading<br />
NATIONAL THEATRE SUPPLY^^^<br />
SuppIlM • Corpatt • ConcMtlen Suppllw<br />
W. R. DAVIS<br />
1130 High Street Dcf Moincf 9, Iowa<br />
role in the film. Attendance for the film exceeded<br />
that for "Peyton Place," one of the<br />
top drawing movie.s of recent years, according<br />
to Rowley.<br />
The Women's Committee of Variety held a<br />
luncheon last week nt the Standard Club<br />
with Mrs. Virginia Piggott. interior designer,<br />
,is the .speaker. Mrs. Frank Rubel, chairman,<br />
has announced the following committee<br />
chainnen: mesdames M. E. Lee, corresponding<br />
secretary; Charles lies, recording secretary.<br />
Jay Barmish, trea.surer; Ralph Olson,<br />
contributions; L. E. Day, historian; Dave<br />
Gold, hostess; Lou Levy, house; Robert Sand-<br />
ler. membership; Carl Olson, program; Don<br />
West, publicity; Calo Mann, telephone, and<br />
Woodrow R. Pi-aught. ways and means.<br />
VV'OMPI held a .social meeting recently at<br />
the parly room of Polk County Federal Savings<br />
and Loan A.ss'n. Hostesses were Margaret<br />
Shields, Nola Bishop, Alice Weaver, Joyce<br />
Brain, Margaret McGaffee and Betty Hemstock.<br />
New officers of the group are Florence<br />
Work, president; Nola Bishop, first vicepresident;<br />
Leone Matthews, .second vice-president;<br />
Margaret Shields, recording secretai-y;<br />
Mary Akers, corresponding secretary, and<br />
Camilla Nealley, trea-surer. On the board of<br />
directors are Giovanna Ries, Florence Bundy,<br />
Helen Wallace. Margaret McGaffee,<br />
Pauline Mo.sler. Joyce Brain and Betty Hemstock.<br />
Lloyd M. Hirstine, chief barker of Variety,<br />
reports the annual golf tournament will be<br />
held May 19 at Hyperion Golf Club . . . Clayton<br />
Boston, manager of the Hilltop Drive-In<br />
in Muscatine, is adding 36 feet to the screen<br />
to make it a 90x40-foot screen when completed<br />
. Mart has opened the Grinnell<br />
Drive-In Theatre . Skylark Drive-<br />
In in Creston opened last week, as did the<br />
Starlite Drive-In in Algona. James Buscher<br />
and Merlin Mertz will be in charge at the<br />
latter theatre again this year. David Long<br />
will be projectionist and Mrs. Long, cashier.<br />
*<br />
*<br />
•<br />
• Our Modem Repair Shop will repair<br />
your Standard and Super Simplex,<br />
Century and Motiograph Projectors.<br />
John McCallum in charge<br />
• Our Sales Department is xmder the<br />
NC-2<br />
direction of Dick Sutton.<br />
OWNER<br />
A. E. THIELE<br />
DES MOINES THEATRE SUPPLY CO<br />
1121-23 High Stnet Des Moines, Iowa Phone CHeny 3-6520<br />
Sioux City, Iowa, Uptown<br />
Closes; to Be Converted<br />
SIOUX CITY. IOWA—The Uptown Theatre<br />
here ha-s closed after ten years of operation<br />
and will be converted to other uses. The<br />
theatre had its last show April 6. It has been<br />
open weekends only for the last several<br />
months.<br />
A representative of the Almar Building<br />
Co., which owns the building, said that the<br />
rear of the theatre will be used for expansion<br />
of the adjacent Soo Thrifty drugstore. The<br />
expansion will add 3. 500 square feet to the<br />
drugstore. The front part of the building<br />
will be rented as store or office space.<br />
The Uptown started showing films ten<br />
years ago in a building formerly occupied<br />
by the old Cleveland Bros, garage. The interior<br />
of the building was rebuilt in the<br />
conversion. The theatre's closing leaves just<br />
two motion picture houses in the city, besides<br />
drive-in theatres, showing second-run<br />
films. The others, both of which operate<br />
weekends, are the Iowa and the West. One<br />
other neighborhood theatre, the Empire, in<br />
Morningside, and two downtown theatres,<br />
the Victory and State, also have closed in<br />
recent years.<br />
To Reopen at North Bend<br />
NORTH BEND. NEB.—Irvin Senders of<br />
Verdigre has taken over operation of the Joy<br />
Theatre here, which has been closed several<br />
months. The Joy formerly was owned by<br />
Nicky Wackel.<br />
To Convert for Bowling<br />
TRIPOLI, IOWA—Lavern Tegtmeier has<br />
purchased the former Tripoli Theatre here<br />
from George Lindsley and plans to convert<br />
it to a bowling alley.<br />
"Ice Palace," purchased by Warner Bros.,<br />
wUl be based on Edna Ferber's novel of<br />
Alaska.<br />
BOXOFFICE :: May 5, 1958
—<br />
—<br />
. . Weather<br />
'Bridge' Omaha Debut<br />
Scores 240 Per Cent<br />
OMAHA—The boxoffice gates became flood<br />
gates at the Oipheum as "The Bridge on the<br />
River Kwai" opened with a 240 mark. Manager<br />
Don Shane said indications pointed<br />
to a fat second week. Two otlier holdovers<br />
did fair in third weeks, "Tlie Young Lions"<br />
at the Omaha and "Marjorie Morningstar"<br />
at the Brandeis.<br />
(Average Is 100)<br />
Brandeis Marjorie Morningstar (WB),<br />
3rd wk,, A days 95<br />
Omaha The Young Lions {20fh-Fox), 3rd wk. . . 90<br />
Orpheum The Bridge on the River Kwoi (Col) 240<br />
State The Brothers Koromazov (MGM) 120<br />
Milwaukee Grosses Even<br />
Except for Big Ones<br />
MILWAUKEE — Except for "Around the<br />
World in 80 Days," in its 45th week at the<br />
Strand, and still racking up strong grosses,<br />
and "The Bridge on the River Kwai," in its<br />
sixth week at the Warner, business at the<br />
downtown theatres held grimly to about an<br />
even break.<br />
Alhambra Screaming Mimi (Col); High Flight<br />
(Col) 95<br />
Poloce Run Silent, Run Deep (UA); Ride Out<br />
for Revenge (UA), 2nd wk 100<br />
Riversrde The Golden Age of Comedy (DCA). ... 100<br />
Strand Around the World in 80 Doys (UA),<br />
45th wk 250<br />
Towne Cry Terror! (MGM) 90<br />
Warner The Bridge on the River Kwoi (Col),<br />
6th wk 1 50<br />
Wisconsin The Young Lions (20th-Fox), 3rd wk. 100<br />
New Bills<br />
Make No<br />
Minneapolis Splash<br />
MINNEAPOLIS — There were only<br />
three<br />
new bills, including two duals of inconsequential<br />
pictures, and none made much headway.<br />
But most of the holdovers came<br />
through respectably, or better.<br />
Academy Around the World in 80 Days<br />
(UA), 42nd wk 200<br />
Century Search for Paradise (Cinerama), 9th wk. 175<br />
Gopher Saddle the Wind (MGM) 90<br />
Lyric The Long, Hot Summer (20th-Fox), 2nd wk 125<br />
Orpheum The Hired Gun (MGM); The Safeerocker<br />
(MGM) 80<br />
Pan—The Girl Most Likely (U-l); Flood Tide (U-l) 75<br />
Rodio City The Bridge on the River Kwoi (Col),<br />
7th wk 125<br />
Stote—Marjorie Morningstar (WB), 2nd wk 100<br />
World The Young Lions (20th-Fox), 4th wk 150<br />
Minnesota Amusement<br />
Abandons Huron Project<br />
HURON, S. D.—Minnesota Amusement Co.<br />
officials have abandoned the building of a<br />
new theatre on the site of the old Huron<br />
Theatre, which was destroyed by fire in<br />
January 1957.<br />
Charles Winchell. president of tlie circuit,<br />
said the decision was reached after conferences<br />
with Donald J. Harris, Highmore, who<br />
owned the old theatre building and planned<br />
the new building to replace it. Rising construction<br />
costs which sent figures far over<br />
earlier estimates were given by Winchell as<br />
the reason for abandoning the Huron project.<br />
"Huron is deserving of a Class A theatre,"<br />
Winchell said, "and I hope some other operator<br />
will see fit to give the city a new showhouse."<br />
Reopens for Summer<br />
LOHRVILLE, IOWA—The Royal Theatre,<br />
closed dui-ing the winter, opened April 18 for<br />
summer operation on Friday, Saturday, Sunday<br />
and Wednesday.<br />
OMAHA<br />
Uowell Robert.s, exhibitor at Wahoo, was<br />
one of seven business men in the town<br />
victimized by burglars in one night. Tliieves<br />
broke open a door, pried open the safe and<br />
stole $314 . . . Lillian Danielson, former Para-<br />
.<br />
mount manager's secretary, has joined the<br />
Allied Artists staff, replacing Helen Elder<br />
Mae Westerman, Pox inspector,<br />
. .<br />
retired<br />
May 3 after 15 years with the company.<br />
Mort Ives, United Artists salesman, said<br />
the calendar read late April but the weather<br />
was midwinter in the Sand Hills. He left<br />
Broken Bow heading for Lexington, ran into<br />
a blizzard and barely made it, taking nearly<br />
three hours to go 48 miles . has<br />
been throwing cui-ves at early drlve-in openings,<br />
not only with cold and snow in the<br />
north but hard w'eekend rains that knocked<br />
thousands of dollars off potential grosses.<br />
One of the last two airers open will be the<br />
Broken Bow Drive-In. Howard Kennedy will<br />
close the Bow indoor theatre for the summer,<br />
except to play "The Ten Commandments."<br />
Joe Jacobs, manager of the consolidated<br />
Des Moines-Omaha exchange, was here<br />
supervising the cleaning out of the local<br />
exchange equipment. Film Transport will<br />
handle the shipping but Jacobs said quarters<br />
would be arranged for salesmen Ed Cohen<br />
and Noi-m Nielsen. A pie company is taking<br />
over the location . . . Don McLucas, United<br />
Artists manager, went to Chicago to discuss<br />
releases on "Around the World in 80 Days."<br />
. . .<br />
Jack Gelfand, operator of the local Muse<br />
Theatre, has turned to an art picture policy<br />
Jim Schlatter, manager of the Sky View<br />
Drive-In, reported "beautiful results" with<br />
the new special drive-in print from UA for<br />
"Run Silent, Run Deep," which threw a<br />
Mary Frangenburg, Fox<br />
lighter picture . . .<br />
cashier, and her sister were on the team<br />
finishing third in the Omaha women's bowling<br />
tournament. Dorothy finished second in<br />
singles, second in all events, rolling her first<br />
200 game (222) and 500 series (520) . . .A<br />
%mM of<br />
Trl-States advertising huddle was held here<br />
with Don Knight of the Des Moines home<br />
office. Present were Don Shane, Omaha<br />
city manager; Carl Hoffman, manager of the<br />
Omaha Theatre; Leon Doherty, Hastings,<br />
and Bill Rudolph, Des Moines.<br />
Al Blakkolb, exhibitor at Bonesteel, S. D.,<br />
and Butte, said his country has plenty of<br />
moisture as .shown by full ponds and roadside<br />
ditches on his trip here. He said what<br />
the farmers want is more .sunshine, what he<br />
wants is less television. Booster stations<br />
throughout the area have his gro.sses . . .<br />
Tony Goodman. Fox .salesman, is still working<br />
out of the Des Moines exchanges during<br />
the continued illness of Larry Dunn of Des<br />
Moines.<br />
Close at Montezuma, Iowa<br />
MONTEZUMA, IOWA— Mrs. Joe Thurber<br />
closed the Montezuma Theatre recently. Mrs.<br />
Thurber said business has been steadily decreasing<br />
for the last three years and that it<br />
is impossible to continue operation. No plans<br />
are in the offing for the theatre, but the<br />
owners would like to sell.<br />
Dustie Martin Manager<br />
PORT WASHINGTON. WIS.—With the retirement<br />
of Bill Roob, the Ozaukee Theatre<br />
now is managed by Dustie Martin of Milwaukee,<br />
who said the theatre would be open<br />
seven nights a week with matinees on Satiu--<br />
days and Sundays.<br />
NATIONAL THEATRE SUPPLY<br />
W. M. "BILL" ALLISON<br />
307 No. 16th St. Omaha, Neb.<br />
iRWW^WvXwlWWe*. >rf»0»v*'Avw«viA«-^>#> w •. vMmi, .MUKVXfjWrjKf. ^"v<br />
the<br />
POPCORN INDUSTRYNEWS<br />
K-O-R-N Inc., always one of the most modern popcorn processing plants<br />
in the nation (7,000,000 lbs. capacity), is now adding NEW PATENTED<br />
PROCESSING EQUIPMENT HERETOFORE UNAVAILABLE.<br />
The K-O-R-N plant, located in the rich irrigated section of the Platte<br />
Valley, is being readied for early shipment of 1958 crop premium quality<br />
hybrid popcorn. The new equipment will also enable the K-O-R-N plant<br />
to substantially increase production capacity to keep up with the everincreasing<br />
demand for top-quality hybrid popcorn.<br />
WRITE<br />
Mmn Inc.<br />
NORTH BEND, NEBRASKA<br />
for<br />
Quotations<br />
or Information on<br />
1958 Crop.<br />
Ui^<br />
BOXOFFICE :: May 5, 1958 NC-3
. . New<br />
. . March<br />
M ILW AU KE E Us Always Movies MINNEAPOLIS<br />
T ouie Orlove. who joined National Screen<br />
Senice. was with MGM as field publicist<br />
for over 20 years. As a salesman out in the<br />
territory for NSS. he will be able to assist exhibitors<br />
in their exploitations. And Manager<br />
Johnny Mednikow is encouraging tliis added<br />
service . officers of the Milwaukee<br />
County Better Films Council: Mrs. Irving J.<br />
Haus. president: Mrs. S. V. Abramson. vicepresident:<br />
Mrs. Richard Loreck, recording<br />
secretary: Mrs. Roy J. Moe. corresponding<br />
secretary: Mrs. F^-ed Kaplan, treasurer. The<br />
Council now holds regular meetings at the<br />
Milwaukee Public Library.<br />
Wayne Berkley. LaCrosse. has replaced Bud<br />
Owens at Marcus' new Vie and Time theatres<br />
at Green Bay. Got right into the harness<br />
the first day, by screening "The Song<br />
of Bernadette" for nuns in Green Bay area,<br />
giving them a little talk prior to the program,<br />
concluding by inviting them to pass the good<br />
word along to the school children. Owens,<br />
after more than 20 years in the show business,<br />
will represent radio station WDUZ in<br />
the Green Bay area.<br />
Gentle reminder—Allied convention at Pewaukee's<br />
swanky Oakton Manor. June 16, 17,<br />
18. American plan, special rates for showmen!<br />
. . . Attending the Variety International convention<br />
in London were Hugo Vogel and wife,<br />
Sam Kaufman and wife and Ollie Tiampe<br />
and wife.<br />
Negotiate on 'Hustler'<br />
HOLLYWOOD—Henry King and 20th-Fox<br />
are negotiating a deal for King to produce<br />
and direct "The Flying Hustler," an original<br />
written by Beirne Lay jr. Cim-ently directing<br />
the company's "The Bravados," PCing has<br />
postponed until next year his independent<br />
production of Paul Kes.sler's novel, "His<br />
Home Country."<br />
C. E. Mosher to Clarion, Iowa<br />
CLARION. IOWA—C. E. Mother, former<br />
manager of the Lake at Clear Lake, has taken<br />
over management of the Clarion Theatre<br />
following the transfer of Gerald Darner to<br />
York, Neb. Mosher recently managed the theatre<br />
at New Hampton for a short period, following<br />
a 14-year term of service in Clear<br />
Lake.<br />
Count on I<br />
NCW YORK<br />
630 Ninth<br />
When you are in need of<br />
A Speciol Announcement<br />
TRAILER<br />
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For Entertainment<br />
MINNEAPOLIS — Television Is largely<br />
mediocrity, and pay TV Is remotely in the<br />
future and likely never will be successful—<br />
these are the opinions of Bosley Crowther,<br />
motion picture critic of the New York Times,<br />
one of the most influential men in his profession.<br />
In a talk on "What You Don't Know About<br />
Movies" at a University of Minnesota convocation,<br />
Crowther declared for the most part<br />
people who are discriminating in their entertainment<br />
demands (and their number increases)<br />
still are faithful to the theatre.<br />
TV A TIME-KILLER<br />
"Video watching is for those persons more<br />
concerned with killing time—having something<br />
to do," he said. "And drive-in theatres<br />
are places of recreation and stomachfilling<br />
rather than places of entertainment."<br />
He said he has no sympathy with those<br />
exhibitors who have permitted their theatres<br />
to become obsolescent and, mainly for that<br />
reason, are faced with extinction.<br />
He slapped at producers who don't keep<br />
abreast of the changed moviegoing times,<br />
and "ridiculously miscast" veteran stars like<br />
Gary Cooper and Fred Astaire as romantic<br />
leads opposite such young beauties as Audrey<br />
Hepburn (witness "Love in the Afternoon"<br />
and "Funny Face) , "especially when we have<br />
so many young talented stars like Brando,<br />
Sinatra, Newman, Douglas, Perkins and<br />
Murray."<br />
Crowther also regrets a tendency by some<br />
producers to use such "used-up" oldtimers<br />
as Joan Crawford "who could retire on their<br />
laurels and millions, giving way to the Doris<br />
Days, the Claire Blooms and Deborah Kerrs,<br />
etc."<br />
TOO MUCH STAR POWER<br />
But he also feels that some of the young<br />
stars have too much power and "go overboard,"<br />
using it to the detriment of the pictures<br />
in which they appear. He believes<br />
Brando, for example, dictated certain changes<br />
in "The Young Lions" and "Sayonara" to<br />
his own ends that detracted from the pictures'<br />
artistic qualities.<br />
In his opinion, the Kim Novaks and Jayne<br />
Mansfields are "passing fancies," but he<br />
expressed a high regard for the acting talents<br />
of Marilyn Monroe and Brigitte Bardot,<br />
had kind words for "And God Created<br />
Woman" and raves for "Windjammer" and<br />
felt that the popularity of foreign films is<br />
encouraging.<br />
Crowther also said he has seen previews<br />
of the upcoming "No Time for Sergeants"<br />
and "Gigi" and considers them outstanding,<br />
that he expects "The Nun's Story" to be an<br />
Academy best picture award contender, and<br />
he anticipates that "God's Little Acre" and<br />
"Auntie Mame" will be notable films.<br />
nil Minneapolis 4,100-seat Radio City and<br />
2,800-seat St. Paul Paramount boxoffice<br />
records have been broken by "The Bridge on<br />
the River Kwai." It's the first picture ever to<br />
run .seven weeks at Radio City and four<br />
weeks at the Paramount, although it,s after-<br />
5 p.m. admission was boosted to $1.50 from<br />
90 cents. Previously, the Radio City record<br />
was held by "The Robe" . building<br />
permits in Minnesota citie.s were up approximately<br />
27 per cent over the corresponding<br />
month a year ago.<br />
Robert B. Mantzke. dii-ector of the Minneaf)olis<br />
Choraliers, local singing group which<br />
will attend the International Musical Festival<br />
in Llangollen, Wales, is the son of FVank<br />
Mantzke, Universal branch manger here and<br />
in Milwukee many years, and now head of<br />
a buying-booking group. The Choraliers<br />
have won many singing honors under<br />
Mantzke's direction. Incidentally, the father<br />
is the chairman for the forthcoming North<br />
Central Allied convention here.<br />
Bob Murphy, Minneapolis Sunday Ti-ibune<br />
critic, named "The Safecracker," playing at<br />
the lower end of an RKO Orpheum twin<br />
bill here, as his Picture of the Week. "It's one<br />
of those films that probably will be picked up<br />
by the art houses for long runs," he wrote<br />
... In the later sub-run houses here the admission<br />
is being raised to 90 cents for "Raintree<br />
County" from 65 and 75 . . . Paramount<br />
Manager Jess McBride is curious to learn<br />
what the stellar presence in a picture of<br />
Lana Turner now means hereabouts after<br />
all the newspaper publicity she has been receiving.<br />
Her "Another Time, Another Place,"<br />
opens day and date at the Minneapolis and<br />
St. Paul RKO Orpheums May 14.<br />
. . Laura<br />
Two United Artists pictures for which great<br />
boxoffice things are expected have been<br />
booked locally. "God's Little Acre" goes to<br />
the Minneapolis and St. Paul RKO Orpheums<br />
day and date May 28, and "The Vikings," was<br />
landed by the Minnesota Amusement Co. for<br />
its Radio City Theatre June 20 and a week<br />
later at the St. Paul Paramount .<br />
McGuire, secretary at Paramount, was home<br />
20th-Fox shipper Fred Haley vaca-<br />
Ul . . .<br />
tioned.<br />
The RKO Orpheum here will interrupt its<br />
straight movie policy during the ensuing fallwinter<br />
season to play whatever Broadway<br />
touring shows may be available for Minneapolis.<br />
The city was left without any home<br />
for such attractions when Ben Berger declined<br />
to exercise his option for renewal of<br />
the Lyceum Theatre at a substantial rental<br />
advance. The Lyceum, where such shows have<br />
been playing for many years, then was sold<br />
to an evangelical group.<br />
Leases Atwoo
S2,500 in ATM Funds<br />
Marked for COMPO<br />
DETROIT—Renewed liaison with COMPO<br />
and legal actions highlighted the board meeting<br />
of Allied Theatres of Michigan Wednesday<br />
Julius Lamm, 72, Dies;<br />
Long at Cleveland<br />
CLEVELAND—Julius Lamm. 72, who In<br />
1954 celebrated 50 years in the show business,<br />
died Saturday t26> In Mount Sinai Hospital<br />
Crowds Prefer Good Films<br />
To Bargain Admissions<br />
CLEVELAND—Whatever medicine is<br />
needed<br />
to bolster theatre attendance, lower admission<br />
prices are definitely not the answer.<br />
This was proved here when patrons flocked to<br />
theatres charging advanced admission for<br />
"Peyton Place" and stayed away in droves<br />
from the Circle Theatre where E. J. Stutz<br />
introduced a 29-cent matinee and 39-cenl<br />
evening "discount" scale. Stutz introduced<br />
the cut price scale at the Circle two weeks<br />
ago in an effort to appeal to those with depressed<br />
incomes due to unemployment. He<br />
got so little response that he discontinued it<br />
and again closed the hou.se.<br />
On the other hand, patrons who wanted to<br />
see "Peyton Place" weren't shopping for<br />
price. While some theatres charged their<br />
regular 90-cent scale, others upped theirs to<br />
SI. 10. Nobody registered an objection, according<br />
to exhibitor statements. Tills was<br />
after the picture had played eight weeks<br />
downtown at $1.50.<br />
JULIUS LAMM<br />
where he had been a patient eight weeks.<br />
With him at death were his wife Elsa, to<br />
whom he had been maiTied 43 years; two sons,<br />
Ii'ving of Los Aiigeles and Jerome of Cleveland;<br />
two daughters. Mis. Theresa Handler<br />
and Mrs. Judy Korman of Cleveland, and<br />
six grandchildren.<br />
Lamm began his career in Chicago selling<br />
opera glasses and candy in a legitimate theatre.<br />
In 1904, he pioneered in the new motion<br />
picture businesss, opening a nickelodeon, the<br />
Palace on Milwaukee avenue, in direct competition<br />
to Carl Laemmle, founder of Universal<br />
Pictures. With profits at the Palace, he<br />
bought the Esthena Theatre, Chicago, but<br />
soon sold this and ventured forth to Waukeegan,<br />
111., acquiring first a vaudeville house,<br />
and then building the Elite where he followed<br />
a combination vaudeville-motion picture policy.<br />
Eventually he became general manager<br />
for Balaban & Katz. When he sold his interest<br />
to B&K, he moved briefly to Milwaukee<br />
to open a new theatre for William Fox.<br />
Lamm came to Cleveland for Warner Bros,<br />
in 1930, an association that thereafter remained<br />
unbroken. For one year, he managed<br />
the Variety Theatre on the west side, but for<br />
the following 23 years he managed the circuit's<br />
Uptown Theatre on the east side.<br />
When the latter was sold he moved to the<br />
Colony in Shaker Heights.<br />
Lamm was not only a showman's showman,<br />
he was also an exponent of the value of public<br />
relations. Wherever he was, he was right in<br />
the center of community activity. In the Uptown<br />
area he was president of the Glenville<br />
Business Men's Ass'n. He always made a<br />
point of knowing as many of his patrons as<br />
possible, and did this by always being on the<br />
floor at opening and closing time.<br />
Tent 27 Raises $30,919.36<br />
On 'Old Newsboys Day'<br />
GRAND RAPIDS. MICH.—When all the<br />
sales were counted after Old Newsboys Day<br />
here, it was found that $30,919.36 had been<br />
raised for Variety Tent 27's main charity,<br />
Youth Commonwealth. Variety members, the<br />
police and fire departments and volunteers,<br />
making up a sales force of more than 800<br />
"newsboys," sold a special edition of the<br />
Grand Rapids Press on the streets for a twohour<br />
period.<br />
This year's receipts represented an increase<br />
of about $800 above the amount raised<br />
in 1957. The Variety co-chairmen for the<br />
event held in connection with the local<br />
12th annual Youth Day were Fred J. Barr jr.<br />
and Clive R. Waxman.
—<br />
. . Jim<br />
. . May<br />
. . Word<br />
. . Also<br />
. . The<br />
. .<br />
. . Joseph<br />
I<br />
Six-Point Krass Program<br />
For Better Business Drive<br />
DETROIT—"You've got to hit them in<br />
every possible point—get them out of the<br />
house and into the theatre," Maj-vin Krass<br />
of the Krass Theatre circuit said in commending<br />
the extensive cooperative promotional<br />
program being launched by local theatres<br />
to build business.<br />
"I think the interest in pictures can and<br />
will be revived." he added, making six specific<br />
suggestions for broadening the scope of the<br />
campaign:<br />
1. Place suitable bamiers and posters in<br />
the individual theatres, telling people at the<br />
point of sale when radio and television programs<br />
sponsored by the theatres are on the<br />
air so patrons can listen for them to learn<br />
about cun-ent or coming product.<br />
2. Give the cashier adequate data on each<br />
picture—is it comedy or drama, in color,<br />
and other good points, to do a good selling<br />
job.<br />
"When a man calls up a theatre," Krass<br />
commented, "that's a potential customer. It<br />
costs you a lot of money to get that man to<br />
call—you should make it interesting enough<br />
to sell him."<br />
3. Use the great advertising medium of the<br />
screen to tell people about product—crossplugging,<br />
for instance, by telling people in<br />
the neighborhoods about good attractions<br />
coming to the first runs.<br />
"Tell them what the good pictures are<br />
get the people back to the movies," Krass<br />
said.<br />
4. Use lobby posters—another strong advertising<br />
medium—in the same way.<br />
5. Take a lesson from advertising in other<br />
fields of business and use special media, such<br />
as "table tents," announcing forthcoming<br />
product being cooperatively promoted, on<br />
restaurant tables and similar places.<br />
6. Most important but often forgotten<br />
keep the theatres themselves clean and in<br />
good housekeeping order.<br />
Coming Attractions 'Deal'<br />
Offered by Advonads<br />
CLEVELAND—Al Sunshine of the<br />
Advanads<br />
Co.. whose firm has been manufacturing<br />
and distributing a black light shadowbox for<br />
coming attractions, has announced a plan<br />
whereby exhibitors may obtain this lobby display<br />
piece without cost. Provision has now<br />
been made for a special top frame which can<br />
be sold to a local merchant. This advertising<br />
strip, said Sunshine, pays for the entire<br />
cost of the display. Previously, there was a<br />
weekly service charge for the attraction box.<br />
Under the new deal, Advanads will provide<br />
the display box and the coming attractions<br />
service, and sell the top frame advertising<br />
space—a method by which the theatreman<br />
gets the service without cost or effort. However,<br />
should the exhibitor prefer to sell the<br />
ad frame himself, he can do so. Sunshine said,<br />
and retain everything over an amount set<br />
in the service contract.<br />
Fly to Variety Meeting<br />
DFTROIT—The Motor City Rialto sent a<br />
flying delegation of 11 to the Variety Clubs<br />
International convention in London. Plying<br />
from New York via chartered plane were<br />
Mr. and Mrs. Jack Zide, Ben Rosen. Mr. and<br />
Mrs, Edward Rosenberg, Mr. and Mrs. Sol<br />
Adler and Dr. and Mrs. Peter Shifrin.<br />
CINCINNATI<br />
•The Corbin (Ky.) Drive-In has been sold by<br />
Ray Mullins. who is moving to Phoenix.<br />
Ariz., to Richard Johnson and Gene Combs,<br />
who operate drive-ins in Hazard. Lexington<br />
and Georgetown, Ky., and another in Sheridan,<br />
Ohio . . . Roscoe E. Purdue of Roanoke,<br />
Va., took over operation of the drive-in theatre<br />
in Raven.swood, W. Va., which was completed<br />
Lester Rosenfeld.<br />
late last sea.son , . . St. Albans, w. Va. exhibitor, returned from a<br />
winter stay in Florida.<br />
Julian Silberstein of Huntington was in<br />
town several days prior to spending a few<br />
Despite the<br />
days in Martinsville, Ind. . . .<br />
fact that a fire destroyed the concession<br />
booth in the Elk Drive-In, Gassaway, W. Va.,<br />
Saturday. April 12, James Rose, operator, did<br />
not suspend concession sales that night. The<br />
booth has now been rebuilt . . . Elugene<br />
Chambers is resigning as manager of the<br />
North Star Drive-In, Dayton, to join one of<br />
Dayton newspaper's cuxulation department.<br />
Ed Parker, the owner, will manage operation.<br />
Irene Marks, switchboard operator at WB,<br />
was vacationing<br />
. was received on<br />
the Row of the closing of the Seale Theatre<br />
in Booneville, Ky., by Charles Seale . . . Frank<br />
Yassenoft, Columbus, made the rounds of the<br />
exchanges with his new general manager,<br />
Lee Heidingsfeld . in the city Monday<br />
were Charles Scott. Vevay. Ind.; Jack<br />
Needham and Harley Bennett. Columbus;<br />
Lou Marcks, who operates drive-in theatres<br />
in Cynthiana and Paris. Ky.; Manny Marcus.<br />
Indianapolis; Johnny Goodno, Huntington,<br />
and William Settos, Springfield.<br />
Donald R. Hicks, manager at Paramount,<br />
attended a division sales meeting in Philadelphia<br />
. and Pat Quigley have a new<br />
baby daughter, their f.rst. Jim is a States<br />
Film shipper, and Pat is a former secretary<br />
at UA.<br />
William Borack of Tristate Theatre Service<br />
has added the Tiail Drive-In, Rand, W. Va.,<br />
recently taken over by Albert Aaron, to his<br />
accounts<br />
. Scholle, bookkeeper for<br />
States Film, was on a week's vacation, which<br />
she is spending in Dillsboro. Ind.. and in<br />
Lexington, Ky., where her daughter lives .<br />
Pat Cross, a former States Film employe, has<br />
a baby boy born April 15.<br />
Larry Lahmann, film trucker, is now delivering<br />
film to theatres in greater Cincinnati.<br />
Sol Winkler is assisting him. Film Service<br />
will continue hauling in Dayton and<br />
. . .<br />
vicinity, depot and bus stations, and air dispatch,<br />
according to Pete Gerhardt, general<br />
manager Sheldon Ti'omberg. manager<br />
for Rank Film Distributors, returned from a<br />
two-week trip in Kentucky . combo<br />
of "Robbery Under Arms" and "Hell Drivers"<br />
is being given a saturation booking in approximately<br />
20 drive-ins in Kentucky.<br />
Art Breider, MGM-TV central division<br />
sales manager, who headquarters in Cincinnati,<br />
is going to Los Angeles to attend the<br />
NAB convention.<br />
. . . Bill<br />
Mrs. Roy Letsinger, wife of the exhibitor at<br />
Amherstdale, W, Va., accompanied her<br />
daughter and son-in-law, Mr. and Mrs.<br />
Kukhstil, to Florida for a vacation<br />
Stepp and Calvin York have taken over operation<br />
of the Main Theatre, Kermit, W. Va.,<br />
. . . L. O. Davis of<br />
. . .<br />
from G. C. Richmond<br />
Hazard. Ky.. has returned from his winter<br />
home in Florida. Construction is continuing<br />
on the fabulous motel resort Davis Ls building<br />
in Hazard and it Is estimated it will be<br />
ready for opening this coming July<br />
Warner Bros, salesmen Ralph Salyer of Kentucky<br />
and Bob Burns. Ohio, are adding West<br />
Virginia theatres to their territories.<br />
. . . 20th-<br />
.<br />
Roy White of Midstates theatres has returned<br />
from his Florida vacation<br />
Fox has a new student booker, Fred Blair.<br />
He is receiving training in the local office for<br />
service in any exchange in the country that<br />
requires him Alexander, city<br />
manager of RKO Theatres, is co-chairman<br />
with Robert MacNabb of Variety's annual<br />
Old Newsboys Day to be held here May 19<br />
in conjunction with the Cincinnati Enquirer.<br />
James A. McDonald, general manager of TOO<br />
will be in charge of downtown sales, and Mrs.<br />
Virginia Wolfson, who is president of the<br />
Variety auxiliary, will be in charge of sales<br />
in the suburbs. Nat Kaplan of the Woodlawn<br />
Drive-In, Glendale, is in charge of transportation,<br />
and trailers in theatres.<br />
Albert Aaron, who operates the West Theatre<br />
in Charleston, W. Va., and the Elkview<br />
Drive-In, Elkview, W. Va., has purchased the<br />
Trail Drive-In, Belle, W. Va., from Ray<br />
Phelan . . . Maurice Chase has notified exchanges<br />
of the closing of his Ritz Theatre on<br />
Woodburn avenue in Cincinnati. Chase also<br />
owns the Vogue Theatre in the city . . . Bill<br />
Miller, Miller Bros., who operates the Millers<br />
Grove Drive-In, Millers Grove, Ohio, has returned<br />
from New York, where he had been<br />
a patient in Memorial Hospital for some<br />
weeks.<br />
Important Columbia Production<br />
"Let No Man Write My Epitaph" has been<br />
acquired by Columbia and will be one of the<br />
studio's most important productions of the<br />
year.<br />
DRIVE-IN<br />
Practically<br />
Yearly<br />
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BOXOFFICE :<br />
: May<br />
5, 1958 ME-3
. Tim<br />
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. . Dan<br />
. . IiTing<br />
. . Joe<br />
. . FYank<br />
DETROIT<br />
.<br />
Tim- KariiiKhaiis of Warner Bros, was spear-<br />
' heading a spring cleanup drive, while Syd<br />
Bowman. UA manager, was making it UA<br />
Week Cleary. Fox salesman, reported<br />
Uie opening of the Port Austin Tlieatre at<br />
Port Austin by Mr. and Mrs. John E. Upthegrove<br />
Rene German! of the Majestic<br />
Jr. . . . In Monroe was back in town on his regular<br />
Monday beat . Krass of the Krass circuit<br />
made a 169-yard hole in one at Glen<br />
Oaks golf course.<br />
Anne Baxter and Douglas Fairbanks were<br />
here for a personal appearance May 1 at<br />
the Palms in connection with "Chase a<br />
Crooked Shadow." with Marie D. Meyer handling<br />
arrangement-s . Clancy, longtime<br />
.secretary of the Detroit Musicians Federation<br />
and now treasurer of the Interna-<br />
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Everything<br />
. .<br />
tional. was in town from Newark to attend<br />
the stai« convention . Paul La.sko, operator<br />
at the National for years, is back from a<br />
seven-week trip to Europe . Karo of<br />
the Broadway-Capitol is heading home from<br />
the hospital to recuperate for .several weeks<br />
Bloiigh returned to the Music Hall<br />
aft.er three months in Florida.<br />
. . .<br />
. . Bill<br />
Theatre change reports—Doris and Edwin<br />
Langley arc taking over and reopening the<br />
Glen-Aiah at White Cloud, formerly operated<br />
by Mrs. Glen W. Beach, and booking<br />
independently Almond Sears and Ruth<br />
Mayfield will book the Silver Drive-In at<br />
Fenton independently this summer .<br />
Chu'k turned in a nice list of 16 drive-ins he<br />
is now buying product for . . . Mrs. Ruth<br />
Blumenthal La.sk. former secretary for the<br />
local BOXOFFICE correspondent, is back in<br />
. . .<br />
the Fox Theatre building with our old friend<br />
Dr. Ira Altshuler Edward L. Hyman,<br />
AB-PT vice-president, was in for a visit with<br />
local film people .<br />
. . Daniel<br />
J. Lewis, head<br />
film booker for Cooperative Theatres, has received<br />
inquiries from Pretoria, Union of<br />
South Africa, about procedure in organizing<br />
a similar setup there,<br />
. Carroll F.<br />
. . .<br />
Harry Braiker, formerly of the Booker T.,<br />
and Russell Ritzer are now at the Dearborn<br />
Drive-In, succeeding Nate Kaufman, who<br />
went to the Highland Park<br />
Kemp and Bill<br />
. .<br />
Napier are switching to full<br />
week operation at the Holiday Drive-In,<br />
which has been open weekends only<br />
Cedric Hardy, on the sick list over a year,<br />
is getting along okay and will soon return to<br />
For All<br />
the New Screen Projection<br />
• Motiograph Sound Systems<br />
• Strong Projection Arc Lamps<br />
Techniques<br />
• Raytone and Radiant Screens<br />
• Kollmorgen and B&L Lenses<br />
• Motiograph In-Car Speakers<br />
• Strong Rectifiers<br />
• Cretors and Star Popcorn<br />
Machines<br />
£.!^€.<br />
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the Jolly Roger, where Julius Pi.scher has<br />
been pinch-hitting for him.<br />
Projection booth news—George Juckett has<br />
moved from the Dearborn Drive-In to the<br />
Algiers Drive-In, joining George Ledward<br />
who came from the Ecorse Drive-In . . . William<br />
Martin left the Algiers to go on the<br />
drive-in swing shift . Foresta. many<br />
years at the Regent, is also joining the swing<br />
shift, with Cliff Vericker of the Lincoln<br />
Square temporarily replacing him.<br />
Irving Abramson, formerly manager of the<br />
De.xter Theatre, is the new manager of the<br />
Jolly Roger Drive-In, succeeding the late<br />
Bernard V. Samuels, for the Nick George circuit<br />
Jack Smukler, his wife Gladys and<br />
. . . young son Dwight are putting on a series of<br />
their famed clown shows for various benevolent<br />
Andy Granger of<br />
organizations . . . Butterfield and Ralph Forman of Cooperative<br />
Theatres received the $100 and $75 bond<br />
prizes re.spectively in AIP drive. Mickey<br />
Zide of Allied Films announced the winners<br />
in the absence of his father Jack Zide, who<br />
was in London.<br />
. . . Ei'nie and<br />
Joe Sullivaji is back in the Film building<br />
after many weeks at the Bel-Air Drive-In,<br />
with Ed Gibson back from vacation at Clearwater,<br />
Fla. . . . Bill Flemion and Bert Holmes<br />
enjoyed an exchange of reminiscences in the<br />
sun on Filmrow . and Adolph Goldberg<br />
are installing new Jet Arc Lamps in the<br />
Bel-Air Drive-In . . . John McMahon, UA<br />
salesman, says the new Mackinac bridge Is<br />
well worth the trip upstate<br />
Floyd Chrysler of Allied Artists and the Lakeview<br />
Theatre respectively are getting their<br />
mail mixed.<br />
. .<br />
. . Robert<br />
. . .<br />
. . . S. and<br />
Theatre change notes—^the Conant, operated<br />
by William and Thaddeus Szypulski in<br />
Hamtramck will reopen with Polish films,<br />
The Affiliated<br />
booking independently . . .<br />
circuit is switching the Lakewood from three<br />
to two changes a week . Ernie Ziegler, U-I<br />
salesman, reported Mrs. Ethel Kilmark reopening<br />
the Loma at Coloma .<br />
Page is now general manager for the Michigan<br />
and Nortown Theatre companies at Flint<br />
. . . Earl H. Evans and Ray Engle jr.. are<br />
switching the Strand at Lowell to a twochange,<br />
single bill policy A. Kleaver<br />
is closing the<br />
.<br />
Uptown at Grand Rapids<br />
Tuesdays through Fridays Don Garey<br />
will close the Hastings at Hastings for the<br />
summer . . . The Joseph B. Krul estate<br />
A<br />
Is<br />
closing the King in Detroit<br />
Richard Montgomery will close the Sun at<br />
Williamston on Wednesdays.<br />
Ernie Conlon, Film Truck secretary, is<br />
progressing favorably following a kidney removal<br />
at Grand Rapids and expects to leave<br />
^IWl*'**"^<br />
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ME-4<br />
BOXOFFICE :: May 5, 1958
, . Bernadette<br />
. . Adalyn<br />
. . Helen<br />
. .<br />
the hospital soon . Bower reports<br />
two Detroiters connected with the forthcoming<br />
"Pork Chop Hill." Actor Georpe Peppard<br />
will have a principal role, while the<br />
original story is by S. L. A. Marshall, who<br />
spoke at a Variety Club gathering several<br />
years ago . Sohneider, who runs<br />
the Stratford Theatre with her sister Gertrude,<br />
has taken up house-painting at their<br />
cottage in Canada, while Gert handles the<br />
domestic duties.<br />
Wayne Roberts, Stratford operator, had<br />
the unwelcome experience of a flat tire on<br />
the expressway . Werner of the<br />
UDT publicity staff headed for Miami Shores<br />
to enjoy a two-week Florida vacation .<br />
Mrs. Bill Clark reports the newly organized<br />
ladies of Variety— the Barkerettes—are meeting<br />
regularly the second Tuesday of each<br />
month and looking for more of the distaff<br />
side of the industry t
. . Laura<br />
. . Ted<br />
. . Bill<br />
. . Leo<br />
. .<br />
. . Leo<br />
. . Eddie<br />
CLEVELAND<br />
IwriUoii A. Mooney. president of Cooperative<br />
Theatres of Ohio, fell in love with the<br />
west on his last winter's vacation and bouRht<br />
a home in Phoenix, Ariz. This does not presage<br />
his retirement but only removes the hazards<br />
of winter travel In the future. He and<br />
Mrs. Mooney plan to spend the summers in<br />
Cleveland. In his absence, his son Blalr will<br />
mind tJie store.<br />
. . . Howard<br />
Health reports: M. B Horwitz, a heart<br />
attack victim, had been back at his desk<br />
several hours a day but Thursday (1> he<br />
ducked out of Cleveland to complete his convalescence<br />
in Miami Beach where he will<br />
team up with his former gin rummy partner.<br />
Izzy Schmertz. retired 20th-Fox manager,<br />
now an enthusiastic Ploridian<br />
Reif of Modern Theatres, still in Lakeside<br />
Hospital, is feeling better and receiving<br />
visitors.<br />
Opening and closings: Jack Gutilla reopened<br />
his Roxy Theatre in DeGraff . . . Edward<br />
J. Modi will follow his usual policy patterns<br />
Monday i5i when he closes the State<br />
Theatre. Barnesville, for the summer ... In<br />
Steubenville. Arthur Diannaballe closed the<br />
Ohio Theatre indefinitely . . In Mansfield,<br />
the Park, a unit of the Skirball Bros, circuit,<br />
reduces summer playing time to four days<br />
starting May 7 according to notification to<br />
exchanges . . . E. L. Staup of the Capitol<br />
Theatre. Delphos. foreseeing a silver lining<br />
in the movie clouds, is restoring a fulltime<br />
THE<br />
BIG COMBINATIONS<br />
COME FROM<br />
Allied Film Exchange Imperial Pictures<br />
2310 Cass Ave.<br />
Detroit, Mich.<br />
2108 Payne Ave.<br />
Cleveland, Ohio<br />
p.>licy at the theatre with two changes a<br />
week. He had been open only three days a<br />
week.<br />
Leonard Mishkind of General Theatres operating<br />
a chain of theatres in Cleveland, Orr-<br />
. . . Bill<br />
.<br />
ville and Cadiz, has been vacationing in<br />
Exchanges received word that<br />
Florida . . .<br />
Park Belden, owner of the Thornton Theatre,<br />
Akron, suffered a heart attack . Wei.ss,<br />
Columbia manager, was out in the territory<br />
making personal calls on exhibitors<br />
Onie. Cincinnati theatre circuit owner, was<br />
here combining business and pleasure . . . Don<br />
and Marv Marcus have moved their Marcus<br />
Advertising Agency out of the Film building<br />
and into a new office building on Euclid<br />
avenue near 30th street Levy. Buenii<br />
Vista district manager, and his wife, attending<br />
the International Variety Clubs convention<br />
in London, are due back in the States<br />
May 12.<br />
. . .<br />
Louis Krenitz, 70, brother of Joe Krenitz.<br />
former MGM salesman currently handling<br />
the sale of "Dr. Sikini's Scream Show" died<br />
Nat Barach. NSS manager, was back on<br />
the job having .successfully overcome whatever<br />
it was that laid him low the early part<br />
of the week . Kovach, secretary to<br />
U-I district manager Peter Rosian. returned<br />
to her typewriter after a week's vacation . . .<br />
HaiTy Buxbaum, Paramount manager, attended<br />
a district meeting in Philadelphia.<br />
. . .<br />
.<br />
.<br />
George Wakely is back at the old stand,<br />
the Limelite Theatre in Woodville, and he<br />
also re.sumed as golf pro at the Chippewa<br />
golf course near Toledo Wanna sell a<br />
boat? Jack Armstrong, circuit owner sold<br />
his large one and is in the market for a<br />
smaller one . . . Mr. and Mrs. Steve Rheno,<br />
Elm Road Drive-In. Warren, staged a gala<br />
wedding last week for theii- daughter<br />
Word has been passed along that the Willow<br />
Theatre at Clyde, operated since July 1957 by<br />
Charles Livingston, has closed Jones'<br />
Indian Trail Drive-In on Route 25 near<br />
Sandusky will not open this year on account<br />
of road building that blocks off the entrance<br />
to the airer.<br />
Mrs. Hazel Lenz, wife of the manager of<br />
the Miracle Mile Drive-In, Toledo, has taken<br />
up a new hobby, the study of hatidwriting.<br />
D 2 years for $5 D 1 yeor for $3 3 years for $7<br />
D Remittance Enclosed D Send Invoice<br />
THEATRE,.<br />
STREET ADDRESS<br />
TOWN ZONE STATE<br />
NAME<br />
^^^<br />
POSITION..<br />
THE NATIONAL FILM WEEKLY S2 issues a year<br />
825 Van Brunt Blvd., Konsas City 24, Mo.<br />
She hopes to become an expert in this field<br />
and use it to good punrose . Bergman<br />
has declined an offer to become manager<br />
of the Variety Club . Greenberger<br />
of the Community circuit is in Florida.<br />
Velma West Sykes. BOXOPFICE Blue Ribbon<br />
Awards chairman, was besieged for information<br />
atxjut pictures from members of<br />
the Federation of Motion Picture Councils<br />
whom she addre.ssed Wednesday (16 1 night<br />
on "Spon.sorship vs. Censor.ship," in which<br />
she stressed the responsibility of council<br />
members to support family type pictures in<br />
order to maintain freedom of cen.sorship for<br />
Adrian Awon is currently handling<br />
films . . .<br />
20th-Fox publicity in this area. He succeeds<br />
Steve Pirozzi.<br />
Detroit Avon Art Theatre<br />
Nears Gala Opening Date<br />
DETROIT—Albert Dezel,<br />
independent film<br />
distributor and art theatre operator here, is<br />
moving into tristate operation with the opening<br />
of the Avon Art Theatre at South Bend,<br />
Ind.. which he will operate in partnership<br />
with Sam H. Kaplan of Chicago, who is also<br />
a partner with Dezel in independent film distribution<br />
in the Windy City. Dezel operates<br />
the Coronet Theatre here and Mrs. Dezel operates<br />
the Surf Theatre.<br />
The Avon is a 1,000-seat downtown house,<br />
formerly a first run. closed about three<br />
months ago. It is being extensively remodeled<br />
for the opening, which features "How<br />
to Murder a Rich Uncle" and "The Lady Killers."<br />
Dale Edmonds, formerly manager of the<br />
Emsee Art Theatre in Mount Clemens, operated<br />
by R&H Theatres under the direction<br />
of Robert H. Vickrey, was appointed house<br />
manager of the Avon.<br />
"Foreign films seem to be gaining in popularity<br />
mostly because Americans have been<br />
traveling more and enjoy seeing places they<br />
have seen in films." Dezel said in announcing<br />
the expansion of his art house investments.<br />
''Men who have been in service also<br />
aid the market because of their wide travels."<br />
Albert Kinzeler Dies;<br />
Retired Ohio Exhibitor<br />
DAYTON—Albert F. Kinzeler, 73, retired<br />
operator of the Elite Theatre and former<br />
president of the North Dayton Amusement<br />
Co., died recently. Three daughters, Mrs,<br />
Ruth Solot, Columbus; Dorothy M. Kinzeler,<br />
Dayton, and Mrs. Elsie Beatty, Cincinnati,<br />
and two sons, C. William and Charles G.,<br />
both of Cincinnati, survive.<br />
Hosts Paul Newman Relatives<br />
CLEVELAND—A special family screening<br />
of "The Long. Hot Summer" was held Thursday<br />
(24) evening in the 20th-Fox screening<br />
room for 62 Cleveland relatives of Paul Newman,<br />
including his mother, Mrs. Arthur<br />
Newman of Shaker Heights. This was also<br />
the occasion of the vicarious introduction of<br />
the aunts, uncles and cousins to Joanne<br />
Woodward, who costars with her husband in<br />
the picture. The screening was arranged by<br />
Adrian Awon, 20th-Fox field publicist.<br />
Rep. to Release 'Place to Land'<br />
LOS ANGELES — Albert Gannaway has<br />
closed a deal with Republic to release his<br />
forthcoming picture, "No Place to Land,"<br />
starring Jackie Coogan, as well as one other<br />
future film.<br />
ME-6 BOXOFFICE May 5, 1958
. . Majeske<br />
. . Bud<br />
. .<br />
Reassign Republic Films<br />
Cleveland<br />
In Detroit,<br />
DETROIT—Allied Film Exchange will<br />
tiUce<br />
over distribution of Republic product here<br />
after the local exchange, long under the direction<br />
of Moe Dudelson, closes May 9. The<br />
details were confirmed by Mickey Zide, son<br />
of Jack Zide, exchange owner, who was in<br />
London for the Variety International convention.<br />
Zide's Imperial Pictures, under the management<br />
of Rudy Norton, will also take over<br />
Republic distribution for the Cleveland territory.<br />
The Republic exchange here was an outgrowth<br />
of the independent exchange, operated<br />
under Monogram and other titles, established<br />
years ago by the late Jack Saxe,<br />
William Hurlbut and Jack Berkowitz of Buffalo.<br />
BOWLING<br />
DETROIT—Altec lost<br />
four points and first<br />
place to National Carbon, while National<br />
Theatre took four points from Local 199 and<br />
Amusement Supply took four from Ernie<br />
Forbes in the Nightingale Club Bowling<br />
League. New standings are:<br />
Team Won Lost Teom Won Lost<br />
Not'l Corbon 64... 40.. Ams't Sply 50... 54..<br />
Altec 62... 42.. Local 199 47... 57..<br />
NTS 61... 43.. Ernie Forbes 28 ...76..<br />
High scorers were: Ralph Haskin, 190-212-<br />
226, 628: Jack Lang, 198-230-195, 623: Francis<br />
Light, 227, 599; Jack Colwell, 191-205. 577:<br />
Jack Lindenthal, 232, 570; Robert Armstrong,<br />
215. 551; Tommy Tliompson, 193, 501; Richard<br />
Connell. 519: Bud Gates, 197; Robert Bloch.<br />
197; Frank Quiiilan, 190.<br />
Bowling Notes—Roy Thompson was missing,<br />
so the high single and high three rolled<br />
by National Theatre Supply didn't count . . .<br />
Robert Armstrong was back on the Altec<br />
team, feeling pretty good . Gates is<br />
getting better by the week, as is Phil Majeske,<br />
.<br />
who rolled 171 after a big first game .<br />
Robert Bloch folded up like a book, with Joe<br />
Pickering helping him fold . . Eddie Waddell's<br />
.<br />
502 was his biggest game of the sea-<br />
son made the 5-6-10 split, Carl<br />
Mingione the 5-7 and 5-6, Edgar Douville the<br />
5-7, and Richard Connell the 6-7-10 . . .<br />
Floyd Akins reports it was Mrs. Richard Connell's<br />
clan rather than her own gang she had<br />
with her last week.<br />
Romm Gives Up Columbia<br />
Post for Production<br />
NEW YORK—Harry Romm, for five years<br />
an executive in the Columbia home office,<br />
has resigned to return to independent film<br />
production. His first new property, to go into<br />
production July 1, is "Senior Prom." Columbia<br />
may release it.<br />
Romm has produced "Swing Parade" with<br />
Gale Storm and "Ladies of the Chorus," a<br />
Columbia release, with Marilyn Monroe. He<br />
also has produced for television.<br />
Ken Carter to CSI<br />
HOLLYWOOD—Kenneth Carter, former director<br />
of public relations of Skiatron TV, has<br />
joined the public relations firm of Cleary-<br />
Strauss & Irwin. Skiatron's public relations<br />
will now be handled by CSI, with Carter as<br />
account executive. Prior to his association<br />
with Skiatron. Carter was for many years<br />
with U-I publicity department.<br />
Ohio Teenagers Crave Better Films,<br />
Regard Horror Shows as Comedies<br />
YOUNGSTOWN, OHIO—The younger generation<br />
appreciates the better pictures, no<br />
matter what Hollywood .surveys show to the<br />
contrary, concludes Fred Childress, motion<br />
picture editor of the Vindicator.<br />
"After reading several surveys about what<br />
teenagers like—Elvis Presley, rock 'n' roll and<br />
all kinds of repulsive stuff," writes Childress,<br />
"I decided to make a survey of my own."<br />
ASKS TEENAGE COUNCIL<br />
He went to the Teenage Motion Picture<br />
Council, which is composed of a representative<br />
from each of the local junior and senior<br />
high schools. Childress' report follows:<br />
Well, now, industry surveys have it that<br />
moviegoers of this age are exclusively devoted<br />
to space antics, rockabilly singers, teenage<br />
Frankensteins and the like. Horror outweighs<br />
rock 'n' roll, since space pictures also<br />
fall into this category—they don't do well<br />
unless there's something horrible about them.<br />
So I asked how many students, out of 20<br />
or so, had seen 'Rodan!'<br />
There were two.<br />
Riecovering from this piece of news, I<br />
suggested feebly that teenagers were supposed<br />
to like horror films and attend them<br />
in droves.<br />
"Sure," the girls said, "We're crazy about<br />
them."<br />
"There's nothing like a horror film for<br />
laughs," one of the boys agreed. "We go for<br />
the comedy."<br />
"But it's no good unless you're with a date,"<br />
another one said. "It's the psychology of the<br />
thing."<br />
"Psychology?" I said.<br />
"You know," he explained. "The girls<br />
scream and the boys hold them. All very<br />
psychological."<br />
At this point it seemed best to change the<br />
subject. "How many of you saw "The Bridge<br />
on the River Kwai'?"<br />
All but two.<br />
"Did you like it?"<br />
The girls were crazy about it, substantiating<br />
a column I wrote earlier this week calling<br />
"The River Kwai" a "woman's picture."<br />
Oh, the boys thought it was all right, but<br />
maybe a little slowmoving. They preferred<br />
"Witness for the Prosecution."<br />
GIRLS SEE TWICE AS MANY<br />
The girls, it turned out, had seen about<br />
twice as many pictures as the boys. There<br />
was some quibbling over the mathematics of<br />
this, since they also said they rarely went to<br />
the movies alone, but usually with a date.<br />
When I pointed out the discrepancy, they<br />
looked at me strangely, as though wondering<br />
whether I was as old as I looked.<br />
"It's not our math that's off," one of them<br />
said, leading me into what I gather is a common<br />
trap. "It's your geometi-y."<br />
They all laughed and then turned to me<br />
expectantly.<br />
"Geometi-y?" I said, feeling helpless. "I<br />
don't get it."<br />
"The eternal triangle!" the girls chorused<br />
triumphantly.<br />
The survey seemed to be getting out of<br />
hand, so I made it more definite. What pictures<br />
did the girls like best? "The Bridge on<br />
the River Kwai," "Sayonara" and "Raintree<br />
County." Not a single mention of Elvis,<br />
Pat Boone or Tommy Sands. "Peyton Place"<br />
wius the best picture of the year.<br />
The boys also liked "Peyton Place," but they<br />
admired "The Enemy Below," "Witness for<br />
the Prosecution" and "The Young Lions"<br />
more.<br />
Now. I a.sk you. What's the younger generation<br />
coming to?<br />
It's coming to better and better pictures,<br />
that's what. No matter what the Hollywood<br />
surveys show.<br />
Cadmus. Golden Panelists<br />
DETROIT—Two managers of northwestern<br />
suburban houses spoke at the annual lunchton<br />
meeting of the Greater Detroit Motion<br />
Picture Council Friday i2) at the Women's<br />
City Club.<br />
Industry public relations were discussed by<br />
William Cadmus, manager of the Redford<br />
Theatre, operated by Community Theatres,<br />
and by Irving Golden, operator of the Irving<br />
Theatre, under the panel title, "Cooperating<br />
with the Community."<br />
Youngslown Bargain Matinee<br />
YOUNGSTOWN. OHIO — The<br />
fii'st-run<br />
Paramount featured a noon to 2 p.m. bargain<br />
Friday il8i with all seats for 25 cents, "because,"<br />
Paramount ads read, "we want<br />
thousands talking about this great show."<br />
The program consisted of "Saddle the Wind"<br />
and "Underwater Warrior." Regular prices<br />
are 50 cents until 2 p.m., 60 cents until 6<br />
p.m. and 80 cents in the evening.<br />
HERE'S YOUR CHANCE<br />
to get in Ihe<br />
BIG MONEY<br />
o screen game,<br />
HOLLYWOOD fakes top<br />
honors. As a box-office attraction,<br />
it is without equal. It has<br />
been o favorite with theatre goers for<br />
over 15 years. Write today for complete details.<br />
Be sure to give seating or cor capacity.<br />
HOLLYWOOD AMUSEMENT CO.<br />
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BOXOFFICE May 5, 1958 ME-7
COLUMBUS<br />
•The tables were turned on Manager Walter<br />
Kessler of Loew"s Ohio, who makes a<br />
specialty of awarding trophies from film<br />
stars, by members of Phi Sigma Delta fraternity<br />
at Ohio State University. Kessler<br />
went to the movie costume ball at the fraternity<br />
to awai-d a trophy In the name of<br />
Clark Gable, star of "Run Silent. Run Deep."<br />
It happened to be Kessler's birthday. The<br />
fraternity members learned of it and surprised<br />
tlie Ohio manager with a big birthday<br />
cake.<br />
Norman Nadel, Columbus Citizen theatre<br />
editor who appears in "Teacher's Pet" starring<br />
Clark Gable and Doris Day, will be given<br />
the star treatment in advance of the picture's<br />
playdate at Loew's Ohio. Manager Walter<br />
Kessler is plaiining radio and television interviews,<br />
press reception and photo coverage . . .<br />
Mary Jose of the Columbus Star editorial<br />
staff has been named tempoi-ary theatre editor<br />
of the weekly. Brock Jones, theatre editor<br />
for the past year, has resigned.<br />
Showing of "Wasted Lives" and "The Birth<br />
of Twins" at the Hudson and Russell neighborhoods<br />
was attacked by Paul J. Lynch.<br />
Democratic candidate for the Ohio House of<br />
Representatives, in a speech here. Lynch accused<br />
the Republican-dominated Ohio legislature<br />
"of failing to protect youths against<br />
unwholesome pictures." He said Senator<br />
Charles Mosher, chairman of the Senate education<br />
committee, stopped enactment of a<br />
new, stronger censorship law "in the name<br />
of civil liberties and all that trash that goes<br />
with it" He said "Wa,sted Lives" is "Just<br />
.smut" and "The Birlh of Twins" "exploits<br />
one of the most beautiful events In the history<br />
of society, the birth of twins."<br />
a fourth and final week at Loew's Ohio,<br />
"Snow White and the Seven Dwarfs" three<br />
weeks at RKO Grand, "The Young Lions"<br />
two weeks at RKO Palace and "And God<br />
Cieated Woman" 16 weeks at the Drexel.<br />
Manager Bob Little of the Bexley art house<br />
will play host to the Columbus Community<br />
Theatre, local amateur group, .sponsor of two<br />
.showings May 1 of "The Golden Age of<br />
Comedy." Receipts from advance sale of<br />
tickets will go to the theatre group.<br />
No Wooster DST<br />
WOOSTER, OHIO—The city council defeated<br />
by a 4-3 vote an ordinance aimed at<br />
putting Wooster on daylight saving time for<br />
the<br />
summer.<br />
Leaving soon for Alaska, Art and Jo<br />
Napoleon, husband and wife writing team,<br />
will do research work for the Warner picture,<br />
"Ice Palace."<br />
Sidney Brant Group Buys<br />
Fairborn, Ohio, Airer<br />
FAIRBORN, OHIO—The Skyborn<br />
. . . Business<br />
Herninn Hunt, operator of Hunt's Cine-<br />
Stage, said 'Around the World in 80 Days"<br />
would close April 29. The Todd-AO attraction<br />
opened last September 12. This is the longest<br />
run of a film in Columbus<br />
continued excellent in several theatres with<br />
"The Bridge on the River Kwai" completing<br />
Cruise-<br />
In has been sold by the estate of D. E. Kinsel<br />
to a Cincinnati firm for $110,000. The firm<br />
is Sidney C. Brant and Associates, headed<br />
by Brant, a Cincinnati lawyer. The transaction<br />
included the lands, buildings, and theatre<br />
equipment, but not a nearby roller skating<br />
rink also owned by the estate. Kinsel,<br />
who founded the drive-in in 1951, was killed<br />
in an automobile accident last summer.<br />
The new owners plan to improve the property<br />
by adding 350 car speakers to<br />
bring the capacity to 1,000 automobiles. They<br />
also plan a new snack bar and service facilities,<br />
said Ed Lange, of the Huffman Realty<br />
Co.. Dayton, who represented both parties.<br />
Film Councils President<br />
Thanks Cleveland Club<br />
CLEVELAND—Mrs. Frederick Chapman,<br />
president, and Mrs. William G. Sullivan,<br />
secretary of the Motion Picture Council of<br />
Cleveland, were on constant duty as hosts to<br />
delegates and members attending the National<br />
Federation of Motion Picture Councils<br />
convention here. All of the local council<br />
members shouldered their tasks to make the<br />
entire conference "run silent, run fast," with<br />
nary a dull moment. Except tor the special<br />
screening, there was no opportunity to leave<br />
the Carter Hotel, so closely knit was the<br />
two-day program. National President Mrs.<br />
Dean Gray Edwards expressed public thanks<br />
for the efficiency of the local council in its<br />
preparation and conduct of the conference.<br />
•;o'«
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
'Macabre' 160 Tops<br />
Grosses in Boston<br />
BOSTON—A balmy weekend bringing the<br />
first signs of spring took the spurt out of<br />
the new product but three new films drew<br />
excellent patronage despite the good weather.<br />
"The Brothers Karamazov" at the State and<br />
"Macabre" at the Paramount and Fenway<br />
vied with each other for top honors. "The<br />
Goddess" in a world premiere did excellent<br />
evening business. "The Bridge on the River<br />
Kwai" moved over to the Capri after 18<br />
weeks at the Gary.<br />
(Average Is 100)<br />
Astor Moriorie Morningstar (WB), 3rd wk 90<br />
Beocon Hill The Goddess (Col) 140<br />
Boston Search for Porodise (SW), 22nd wk 85<br />
Capri Stage Struck (BV), 3rd wk 85<br />
Exeter Street Lucky Jim (Kingsley), 2nd wk. . .<br />
.100<br />
Gory The Bridge on the River Kwai (Col),<br />
17th wk 115<br />
Kenmore Henry V (Rank), 5th wk 80<br />
Memorial The Long, Hot Summer (20th-Fox),<br />
3rd wk 110<br />
Orpheum Run Silent, Run Deep (UA);<br />
The Quiet American (UA), 4th wk 100<br />
Poramount and Fenway Macabre (AA);<br />
Hell's Five Hours ( AA) 1 60<br />
Saxon South Pacific (Magna), 2nd wk 300<br />
Stote -The Brothers Koramaiov (MGM) 1 55<br />
'River Kwai' Still Strong<br />
As Hartford Holdover<br />
downtown holdover<br />
HARTFORD—The sole<br />
was "The Bridge on the River Kwai," doing<br />
healthy business at $1.50 top.<br />
Allyn Mirocle of Marcelino (UMPO);<br />
The Red Balloon (Lopert), revivals 85<br />
Art Nana (Times); Wee Geordie (Times),<br />
revivals 75<br />
Cine Webb Smiles of a Summer Night (Rank). .105<br />
E. M. Loew The Bridge on the River Kwai (Col),<br />
4th wk 220<br />
Polace The Gift of Love (20th-Fox);<br />
Ambush at Cimarron Pass (20t"h-Fox) 95<br />
Poli The Young Lions (20th-Fox) 150<br />
Strand Attilo (Embassy);<br />
Lady of Vengeance (UA) 110<br />
'Bridge' and "Lions'<br />
Strong in New Haven<br />
NEW HAVEN—"The Bridge on the River<br />
Kwai" followed the national pattern here,<br />
chalking up a handsome 220 at Loew's Poli.<br />
"The Young Lions" did nicely in holdover<br />
status at the sister house. Loew's College.<br />
College The Young Lions (20th-Fox); 3rd wk. 165<br />
Crown ^Wells Forgo (Pora); Union Pacific<br />
(Para), revivals 85<br />
Lincoln So Little Time (SR) 100<br />
Paramount Attilo (Embassy); Oklahoma Woman<br />
(AlP) 105<br />
Poli—The Bridge on the River Kwai (Col) 220<br />
Roger Sherman Morjorie Morningstar (WB);<br />
Fort Bowie (UA) 110<br />
Wholley The Golden Age of Comedy (DCA);<br />
Panic in the Parlor (SR) 1 00<br />
Ernest T. Kimball Dies;<br />
Former N. H. Showman<br />
MANCHESTER. N. H.—Ernest T. Kimball,<br />
67, at one time a well-known film exhibitor<br />
here, died in Sacred Heart Hospital April 23<br />
after being stricken with a heart attack while<br />
driving his car on Lowell street.<br />
Early in his career, he had managed the<br />
Modern and Queen theatres and was owner<br />
of the Granite State Theatre. He was a past<br />
president of the Motion Picture Exhibitors<br />
League of New Hampshire.<br />
In addition to engaging in the film business,<br />
Kimball had been a purchasing agent<br />
for the Amoskeag Mills, owner of the City<br />
Construction Co., co-owner of the New Hampshii-e<br />
Frozen Food Locker Service and president<br />
of the Amoskeag Machine Co.<br />
Youthful Enthusiasm, Firm Policy<br />
Make Windsor Sub-Run Pay Off<br />
By ALLEN M. WIDEM<br />
HARTFORD—Tlie suburban theatre, a matter<br />
of much concern in the face of dwindling<br />
revenue reported by some independent circuits,<br />
can be made to pay in these times and<br />
right handsomely at that!<br />
Current case in point is the Plaza Theatre,<br />
situated in Windsor, just over the Hartford<br />
town line. Tlie 800-seater, operated by Lockwood<br />
& Gordon Enterprises, is the sole film<br />
situation in a town with an admittedly burgeoning<br />
population. At last count, Windsor<br />
had upwards of 10,000 population and the<br />
end isn't in sight yet.<br />
Reginald Pelletier, assigned to the Plaza<br />
about a year ago from the Opera House,<br />
Waterville, Me., has instituted a number of<br />
firm, resolute policies that are proceeding to<br />
chalk up encouragement for even the opposition—theatres<br />
in towns not too remote from<br />
Windsor.<br />
The theatre, heretofore on a 14-day availability<br />
as regards product after downtown<br />
Hartford, had been following such a schedule<br />
more or less haphazardly. The Plaza<br />
now is running films right smack on the 14-<br />
day clearance; moreover, a single-feature<br />
policy has replaced a sometimes double-bill<br />
booking. The price scale, boosted from 70<br />
cents to 90 cents for such caliber releases as<br />
"Sayonara" and "Peyton Place," currently<br />
stands at 75 cents and is, of course, subject to<br />
upward revision in event of similar releases.<br />
But beyond the booking practice, the<br />
Plaza has taken on new zestfulness, employe<br />
morale, and interior spirit. Pelletier, a youngish<br />
New Englander with boundless enthusiasm<br />
for the motion picture theatre, has<br />
Sam Badamo Manager<br />
Of New Seekonk Drive-In<br />
SEEKONK, MASS. — Sam Badamo, well<br />
known in New England management circles,<br />
has been appointed<br />
manager of the Family<br />
Drive-In, being completed<br />
here for a May<br />
14 opening by owners<br />
Norman Zalkind and<br />
Hyman Lepes. Badamo's<br />
assistant will be<br />
John Holahan of Tiverton,<br />
R. I., formerly<br />
with the Zalkind-<br />
Lepes Ponta Delgada<br />
Drive-In which was<br />
opened in North Tiverton,<br />
R. I., a year ago.<br />
Joseph Mathias, Fall River, is managing the<br />
Ponta Delgada for the Zalkind-Lepes cu--<br />
cuit.<br />
Badamo is organizing opening activities<br />
that will be marked by presence of town and<br />
state officials while construction workers<br />
put finishing touches on the 1,700-car drivein.<br />
Sam Badamo<br />
"I started up in this business as a bell boy,<br />
then as an usher," Badamo recounted, "and<br />
came up the hard way until I became assistant<br />
to Matt Saunders in Bridgeport, Conn.<br />
Matt, who in my estimation is one of the<br />
finest showmen in the business, was then<br />
and still is manager of the Loew-PoU Theatre."<br />
Badamo later became manager of the Globe<br />
dressed up the house physically, and says,<br />
"We want people to walk into the Plaza and<br />
feel comfortable."<br />
At the same time, the theatre has resumed<br />
its Saturday matinee show for youngsters.<br />
starting the day's regular film program at<br />
6 p.m.<br />
As for patrons aides, Pelletier has arranged<br />
with the progressive-minded management of<br />
the nearby First National supermarket to allow<br />
free, evening parking for 100 automobiles.<br />
An admirable amount of space is also discernible<br />
on the street level.<br />
Pelletier recently pulled off his master<br />
coup—he began going through the metropolitan<br />
Hartford phone book, systematically writing<br />
off addresses in Windsor, Wilson and surrounding<br />
towns, mailing invitation cards<br />
(good for bearer and party) as an introductory<br />
promotion.<br />
He reasoned that new population seeks out<br />
new entertainment, and in the rough-andtumble<br />
atmosphere of competition for potential<br />
customers, the motion picture theatre<br />
can chalk up its share.<br />
The cards read simply: "An invitation to<br />
be the guest of the management at the<br />
Plaza Theatre at Windsor. So that we may<br />
become better acquainted. This invitation<br />
will admit you and a guest to any performance<br />
at our theatre free of charge!"<br />
Working with Douglass N. Amos, general<br />
manager, and William F. Daugherty, district<br />
manager, of the foi-waxd-looking L&G interests,<br />
Pelletier is convinced that constant<br />
public contact, on the field level, daily, will<br />
eventually build up a healthy parade of<br />
steady clientele.<br />
Theatre, Bridgeport, then a vaudeville house,<br />
where he stayed three years. Later management<br />
experience included the College, New<br />
Haven, a Loew-Poli house: the Hope, f>rovidence.<br />
Lockwood & Gordon, and the Pike<br />
Drive-In, Johnston, R. I.. Rifkin circuit. When<br />
the latter circuit built the ultramodern Shipyard<br />
Drive-In, Badamo was named manager<br />
to open it and get it operating smoothly. His<br />
success with the big Shipyard operation was<br />
instrumental in Zalkind and Lepes seeking<br />
him as manager for their new Seekonk unit.<br />
Interstate Corp. Reopens<br />
Milford, Mass., Drive-In<br />
MILFORD. MASS. — The New Milford<br />
Drive-In theatre on Route 16. Mendon, has<br />
been opened for its first full year's operation<br />
by Interstate Theatre Corp., with Carl Baird<br />
as manager. Interstate took over the drivein<br />
late last year and this spring has completed<br />
an extensive renovation project.<br />
Modernization included new projectors,<br />
new screen surface, renovated concessions<br />
stand with new equipment, remodeled offices<br />
and a much-enlai-ged playground.<br />
Baii'd, with Interstate for 13 years, has had<br />
wide experience in drive-in operation and<br />
last was with the Scenic Drive-In, Rochester,<br />
N. H.<br />
Locale for "John Paul Jones'<br />
Warner Bros.' "John Paul Jones" will be<br />
filmed in Scotland, France, the United States<br />
and Spain.<br />
BOXOFFICE May 5, 1958 NE-1
BOSTON<br />
TA/hilr Bob I1i>|m- was hcri' for his two-day<br />
visit to plug "Purls Holiday." he told<br />
the press some anecdotes about making the<br />
picture with Pernandel. the French comic.<br />
"How did we get along? Well. I wanted all<br />
the laughs and Fernaiidel wanted all the<br />
laughs. But I knew the director better. However,<br />
we had such a great time that we are<br />
costarring In another film to start this fall<br />
called 'Hollywood Holiday.' " Hope said that<br />
the reaction to his TV show on the Russian<br />
films was so great that It will be repeated in<br />
June. He said, howe\'er, that there Is so<br />
much film left over from his Russian jaunt<br />
that he is planning to make it Into a 40-<br />
minute documentai-y short for showing in<br />
theatres.<br />
After two world premieres In one week In<br />
this city, plus the first-run showings of<br />
sewn other films, the exchange publicists<br />
should be able to catch their breaths for a<br />
brief spell. This reporter approached Jack<br />
Markle. Columbia's publicist who had just<br />
launched the world premiere of "The Goddess"<br />
at the Beacon Hill Theatre. For this<br />
film, Paddy Chayefsky, author, came to the
. . . George<br />
. . Doug<br />
. . Playing<br />
. .<br />
meeting here last week setting detailed territorial<br />
plans for UA's spaced release progiam.<br />
Gene Tunick, eastern district manager, presided<br />
with Velde. Exchange managers participating<br />
were Harry Segal of Boston and<br />
Irving Mendelson, New Haven. Velde and<br />
Tunick also met with area circuit officials<br />
and theatre owners to plan spring and summer<br />
release of UA product.<br />
Boston Circuit Units Gain<br />
With Separate Film Policy<br />
BOSTON—The management of Loew's<br />
Boston Theatres, headed by Charles E. Kurtzman,<br />
division manager, has decided to make<br />
permanent the new policy established a few<br />
months ago. Heretofore, the two Loew's theatres,<br />
the uptown State and the downtown<br />
Orpheum, have always played day and date.<br />
Starting early in February, the two theatres<br />
were separated productwise. with the<br />
Orpheum playing "Don't Go Near the 'Water"<br />
(which ran for six weeks) and the State<br />
showing •'Witness for the Pi-osecution"<br />
(which ran for eiglit happy weeks).<br />
"It has been years and years since the<br />
State Theatre has taken in $7,000 or $8,000<br />
on a weekend," Kurtzman said. "The State<br />
has always been our problem. Heretofore,<br />
when the two theatres played day and date,<br />
the State would have an excellent first week<br />
but would be apt to drop off badly the<br />
second or<br />
third week. Under the new policy,<br />
the second and third week problems are<br />
eliminated. The State has 3,500 seats and<br />
the Orpheum 3,000. To fill 6,500 seats with<br />
one bill for two or three weeks is a feat,<br />
believe me.<br />
"But we have struck the correct policy<br />
now, we are convinced. The product is better,<br />
stronger and more plentiful. For instance,<br />
'The Brothers Karamazov,' now in its second<br />
stanza at the State, is doing so well that it<br />
will probably go five weeks, while the Orpheum<br />
is now in its fifth week of 'Run Silent,<br />
Run Deep,' and all this despite the first<br />
warm weather aiTiving. In other words, with<br />
each new film we only have to worry about<br />
3,000 seats instead of 6,500."<br />
Jack Mercer, manager of the State for<br />
many years before he was transferred to<br />
Loew's Uptown in Toronto, has been called<br />
back to take over the reins at the State.<br />
During his absence in Canada, Karl Fasick<br />
had been assuming the managerial duties<br />
of the State as well as the publicity duties<br />
of both theatres. But with Mercer's return,<br />
Fasick is now putting his full time into the<br />
publicizing of the two houses.<br />
New England Dates Set<br />
NE'W YORK—"Wanier Bros, has set 150<br />
playdates for the combination show, "Stakeout<br />
on Dope Street" and "'Violent Road," in<br />
Massachusetts and Connecticut for a threeweek<br />
period beginning May 7.<br />
Screen Actor Dies<br />
NE'W HA'VBN—Albert Tovell Smith, 81, who<br />
played the role of Christ in the motion picture,<br />
"Ben Hur," died April 14 at the Norwalk<br />
Hospital after a long illness. Smith, a<br />
native of St. Louis, had been a vaudeville<br />
performer, stage actor and appeared in numerous<br />
silent motion pictures. For the past<br />
ten years, he had served as professional Santa<br />
Claus at Lord and Taylor's New York store.<br />
He had been compiling anecdotes about the<br />
Santa Claus era for a book. There are no<br />
survivors.<br />
HARTFORD<br />
'Day McNamara, Allyn, .sent wires to local<br />
. . .<br />
film critics ahead of the regional bow of<br />
"The Miracle of Marcelino" . Joe<br />
Levine's import, "Attila," which costars Anthony<br />
Quinn and Sophia Loren, Jack Sanson,<br />
the Stanley 'Warner Strand, used nothing<br />
le.ss than full-page newspaper ads, an<br />
activity not seen here since the early days of<br />
Paramount's "The Ten Commandments" a<br />
year ago Jack Keppner and Ed Miller,<br />
Loew's Palace, took a giant step forward with<br />
their booking of UA's "The Quiet American."<br />
They assigned an aide, in Oriental costume,<br />
to walk through the downtown sector, caiTying<br />
a sandwich sign with the legend, "Read<br />
the book—See the picture." They al.so had<br />
the same aide stationed in the lobby and set<br />
up displays in downtown branches of the<br />
public library.<br />
Tom Grace, Perakos Theatre Associates,<br />
and Mi's. Grace are marking their 20th wedding<br />
amiiversaiy. Their daughter is a college<br />
freshman with an eye towards a journalism<br />
career . Amos, Lockwood &<br />
Gordon Entei-prises' general manager, came<br />
through on one of his periodic visits from<br />
Boston, conferring with Bill Murphy, Cine<br />
Webb. 'Wethersfield. and Reginald Pelletier.<br />
Plaza, 'Windsor.<br />
Danbury beauty Pat Crawley has been<br />
signed to a seven-year contract by MGM<br />
E. Landers, division manager of<br />
E. M. Loew's Theatres, discernibly pleased<br />
over audience reaction to Columbia's "The<br />
Bridge on the River Kwai." holding over at<br />
E. M. Loew's here, was talking in terms of an<br />
alltime record holdover for the attraction.<br />
A 15-week stay (Michael Todd's "Ai'ound the<br />
World in 80 Days"i holds the title. The Todd<br />
picture chalked up an unprecedented $150,-<br />
000 gross. "Bridge" is charging $1.50 here on<br />
weekends. This town normally pays only 90<br />
cents for downtown first-run product.<br />
Mickey Daly, Blue Hills Drive-In Theatre<br />
. . .<br />
Coi-p., was a New York business visitor . , .<br />
Robert E. Sternburg, district manager, New<br />
England Theatres lAB-PT affiliate), came<br />
Sam<br />
in to see Ray McNamara, Allyn<br />
Safenovitz, Yale. Noi-wich, started a new<br />
. . .<br />
Saturday .serial feature, "The Batman" .<br />
Lana Turner's starring status in "Peyton<br />
Place" received top billing in regional advertising;<br />
the Croton Drive-In hailed the<br />
Jerry Wald attraction with these words,<br />
"Starring Lana Turner at Her Best!"<br />
Paramount booked "Teacher's Pet" day-anddate<br />
into the Perakos State. Jewett City, and<br />
the Menschell Plainfield. Plainfield. Companion<br />
feature was "The Spanish Affair."<br />
Beat the Rain—<br />
with the one-piece, snap-on<br />
MOV-E-VUE Rain Visor<br />
Eliminates windshield wiping<br />
Clips on and off in 20 seconds<br />
Fits all cars— Roils up for storage<br />
96% of all Connecticut Drive-In<br />
Theatres Sell 'em with Great Success.<br />
Write:<br />
We Supply FREE Trailer<br />
PIONEER SALES CO.<br />
P.O. Box 899 Waterbury, Conn.<br />
Attention-Drive-Ins!<br />
miRmC PROMOTION<br />
ENGLISH-TYPE<br />
BICYCLES<br />
AT<br />
FREE<br />
NO COST TO YOU<br />
ALSO LIVE MAGIC ACT or PUNCH & JUDY SHOW<br />
AVAILABLE WITH DEAL<br />
}Nnie - or Phone ASpinwall 7-9283<br />
I. H. BLOOM 48 Williams St. Brookline, Mass.<br />
25 yEARS OF SATISFACTORY SERVICE<br />
BOXOFFICE May 5, 1958 NE-3
I Loew's<br />
would<br />
. . When<br />
NEW HAVEN<br />
T eonard Sampson. Robert Spodlck and Norman<br />
Biaiek of the Nulmeg Theatre circuit<br />
played a Warner revival bill, consisting of<br />
"Springfield Rifle" and "Drumbeat." and<br />
advertised the fact that Gary Cooper plays<br />
tlie major in the former and Alan Ladd of<br />
"Shane" fame appears in the latter . . , The<br />
territory's drive-ins are back in full strength,<br />
all underskyers accompanying their reopening<br />
shows with praiseworthy display of advertising<br />
in newspapers. A number of these<br />
units. Incidentally, turned to highway advertising<br />
during the winter as appropriate audience<br />
reminders.<br />
The Bowl Drive-In. West Haven, played no<br />
less than three major features, U-I's "The<br />
Lady Takes a Flyer" and "Flood Tide" and<br />
Paramount's "Reap the Wild Wind." on one<br />
program, at no additional admission charge.<br />
This practice is becoming increasingly popular<br />
of late, particularly on weekend nights at<br />
drive-ins both inland and along the Connecticut<br />
shoreline. Exhibitors rea.son the activity<br />
will continue through the summer season<br />
at any rate . . . Floyd Fita.simmons and<br />
Jack Goldstein, formerly with L.oew's and<br />
CBS. respectively, were in the territory ahead<br />
of Joe Levine's "AttUa."<br />
Harr)- Shaw, division manager, and Lou<br />
Brown, ad-publicity chief for Loew's Poli-<br />
New England Theatres, were very much enthused<br />
over initial circuit reaction to "The<br />
Young Uons" openings. Tiade sentiment was<br />
strong indeed for this filmization of the<br />
Ii-win Shaw bestseller, final production under<br />
the distinguished Al Lichtman's banner. Shep<br />
Bloom, 20t.h-Fox manager, got sizable comment<br />
from bookers on this release . . . Irving<br />
Hillman, Stanley Warner's ebullient Roger<br />
Sherman manager, made downtowners sit up<br />
and take notice with his showing of UA's<br />
"Paris Holiday." Irv not only blanketed downtown<br />
streets with "PH" reminders but also<br />
made merchant and school tie-ups.<br />
There's no word as yet from George Le-<br />
Witt. industry pioneer, concerning plans disclosed<br />
several years ago for a drive-in theatre<br />
at Berlin, New Britain suburb. Property<br />
owners have long been protesting the LeWitt<br />
idea, contending that such a facility would<br />
decrease zoning values and also bring in too<br />
much noise for the area. At the same time.<br />
FILMACK<br />
When you are in need of<br />
Announcement<br />
A Speciol<br />
TRAILER<br />
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Hm Qialily Aid Qiiek SeniM.<br />
Producers for Life, Times, American Con, Pepsi-<br />
Colo Shorts. Edited Features, "CODE of the Underworld,"<br />
"Operotion Manhunt," Billy Grahom's<br />
Crusade "Times Square Story."<br />
Spot News Coverage by our cameraman.<br />
Will Produce any Subject 16mm, 35mm.<br />
Technicians formerly with March of Time.<br />
David J. Cazalet, Inc.<br />
333 W, 52nd St., N. Y., N. Y., Tele. Ploio 7-7847<br />
•KING' WELCOMKU—iMorris Simms,<br />
left, manager of the Olympia Theatre,<br />
Fall River, Mass.. welcomes to Boston<br />
Nat "King" Cole, star of Paramount's "St.<br />
Louis Blues," who was there on behalf of<br />
the picture biography of VV. C. Handy.<br />
The two are seen at a press reception at<br />
the Sheraton Plaza Hotel.<br />
New Britain interests<br />
are talking of building<br />
a Disneyland type amusement park in Berlin.<br />
The .^uburb has no amusement facilities at<br />
the moment . . . Julia Smith, Stanley Warner<br />
State, Waterbury, reported admirable public<br />
response to her Wednesday night teenage<br />
dance competitions. Grand finale winners<br />
will get various prizes.<br />
Judge Orders New Trial<br />
In Loew's Damage Case<br />
HARTFORD—A letter that went astray has<br />
resulted in the ordering by Superior Court<br />
Judge John M. Comley of a new trial of a<br />
negligence action.<br />
Roxie Surabian of Hartford brought a<br />
$25,000 damage suit against E. M. Loew's Enterprises<br />
on the grounds that he had been<br />
injured in a fall at E. M. Loew's Theatre here.<br />
He won a final judgment of $5,000 by default<br />
because the suit was not defended.<br />
Judge Comley said that papers in the suit<br />
were sent to the Loew's home office in Boston.<br />
Then Loew forwarded them by regular<br />
mail to the Southern New' England Adjustment<br />
Bureau of Hartford for handling. The<br />
papers were never received, the judge said.<br />
"Had this process been received," Judge<br />
Comley said, 'it Is inconceivable that an appearance<br />
would not have been entered in behalf<br />
of (Loew's), in an action claiming damages<br />
of $25,000.<br />
"Had such an appearance been entered, no<br />
default judgment would have followed and<br />
1 have had an opportunity to<br />
present its defense.<br />
"An apparent injustice has resulted. The<br />
mere fact that (Loew's) mailed the process<br />
by ordinary mail and not by registered mail<br />
does not constitute such negligence or inattention<br />
as to deprive it of its remedy (a new<br />
trial)."<br />
Greenways Move to L.A.<br />
HARTFORD—Fred R. Greenway. retired<br />
Loew's Palace manager, and Mrs. Greenway<br />
have moved to Los Angeles, where the former<br />
showman will be associated with his brotherin-law<br />
in a restaurant chain.<br />
NEW HAMPSHIRE<br />
The Pine Island Drive-In in Manchester Inaugurated<br />
weekly Bumper Strip nights<br />
April 20. E>very Monday night, except holidays<br />
and preholidays, the management said,<br />
a driver will be admitted free if accompanied<br />
by at least one adult. The ozoner Is<br />
located in the Goffs Falls section, adjacent<br />
lo Pine Island Park . "Around the<br />
World in 80 Days" opened at the State In<br />
Manchester, the first 100 women to appear<br />
at the boxoffice were given a free $2.50 bottle<br />
of "My Sin" perfume through the courtesy<br />
of Leavitt's. the largest depai-tment store in<br />
New Hamp.shire.<br />
The r2th annual Mi.ss New Hampshire Pageant,<br />
sponsored by the Union-Leader Fund,<br />
will be held at the Palace Theatre in Manchester<br />
May 13 and May 21. This will be the<br />
first time in the long history of the colorful<br />
event that it has taken place in a theatre.<br />
The previous pageants have been held either<br />
in the State Armory in Manchester or the<br />
Carousel ballroom at Bedford Grove. The<br />
May 13 event will feature the crowning of<br />
Junior Miss New Hampshire, a high school<br />
girl 16 or 17 years old, while the May 21<br />
pageant will feature the selection of Miss<br />
New Hampshire of 1958.<br />
Orton H. Hicks, a director of Loew's International,<br />
has been named vice-president<br />
of Dartmouth College in Hanover, where he<br />
was graduated in 1921 and received a master's<br />
degree from the Amos Tuck school of business<br />
administration the following year.<br />
Two more summer drive-ins started their<br />
new season. The Plaistow Drive-In reopened<br />
April 11. when the copy of a newspaper<br />
advertisement admitted motorists free,<br />
and the Concord Drive-In resumed operation<br />
April 17.<br />
Mario K. Dedo, owner of the Park Theatre<br />
in Jaffrey, has been named to the campaign<br />
committee for Stuart V. Nlms, Keene insurance<br />
broker, who is seeking the Democratic<br />
nomination for congressman from the<br />
Second New Hampshire District.<br />
Stafford Springs Palace<br />
Continues Student Plan<br />
NEW HAVEN—The Markoff Bros.<br />
Palace,<br />
Stafford Springs, is continuing its student<br />
ticket discount plan, under which high schoolers<br />
in that northeastern Connecticut town<br />
are admitted at lower prices with presentation<br />
of cards distributed through the high school<br />
principal. Teenage reaction is described as<br />
lukewarm by Manager Hal Bogue.<br />
Similar plans, approached in past years by<br />
other smalltown Connecticut situations, have<br />
been dropped shortly after their start, theatre<br />
managers attributing such a move to public<br />
apathy. It is felt in filmrow quarters that<br />
any reduced-price idea, even if extensively<br />
promoted, cannot draw continually because of<br />
a variety of reasons, including the regional<br />
outdoor theatre offer of free admission to<br />
youngsters under 12.<br />
Another family approach—the Yale Theatre,<br />
Norwich, offer of free admission to<br />
youngsters under 12 accompanied by parents<br />
on weekday evenings—is reported encountering<br />
only fair public response.<br />
Gene Barry and Beverly Tyler are starred<br />
in United Ai-tists' adventure film, "Hong<br />
Kong Confidential."<br />
NE-4 BOXOFFICE May 5, 1958
. . The<br />
. . For<br />
. , The<br />
Toronto-Made Film<br />
In June Premiere<br />
TORONTO—"Now That. April's Here," the<br />
first English-language feature produced entirely<br />
in Toronto with an all-Canadian cast<br />
by Klennian-Davidson Productions, Toronto,<br />
will be world-premiered in June at the Towne<br />
Cinema, a unit of Twinex Century Theatres<br />
Corp. The 90-minute picture is based on<br />
four short stories by Canadian Morley Callaghan.<br />
William Davidson is co-producer and<br />
director.<br />
Davidson said this feature is the forerunner<br />
of a new development for the film industry<br />
in Canada, pointing out that its production<br />
was independent of government a-<br />
gencies. such as the National Film Board and<br />
the Canadian Broadcasting Corp. The picture<br />
was designed for theatrical markets in<br />
other countries but arrangements had been<br />
made for its world premiere in the city where<br />
it was made.<br />
Distribution of "Now That April's Here"<br />
will be handled, it was stated, by David<br />
Griesdorf. executive vice-president of International<br />
Film Distributors, of which Nat A.<br />
Taylor is president. Griesdorf is the former<br />
head of the Canadian Odeon circuit, Taylor<br />
is also the president and managing director<br />
of the Twinex Corp., popularly known as<br />
20th Century Theatres in its operation of<br />
60 theatres in Ontario,<br />
Louis St.<br />
Laurent Elected<br />
To Directorate of FPC<br />
TORONTO—At the annual stockholders<br />
meeting Monday (28> in the head office of<br />
Famous Players Canadian Corp. here, Louis<br />
St. Laurent, former Liberal prime minister<br />
of Canada, was elected a new director of the<br />
company.<br />
No longer a member of the Canadian<br />
Parliament, he recently turned down a suggestion<br />
that he be appointed to represent<br />
Queen Elizabeth as governor-general of the<br />
Dominion. St. Laurent lives in retirement at<br />
Quebec City.<br />
President J. J. Fitzgibbons presided at the<br />
meeting.<br />
Young Ontario Exhibitor<br />
Robbed by Hitchhiker<br />
TORONTO — Shortly after he had left<br />
Niagara Falls, where he had been with the<br />
Odeon Capitol, Sigardjak Jakovics, 20, was<br />
attacked and robbed by a hitchhiker whom he<br />
had picked up on the Queen Elizabeth highway.<br />
The victim was found unconscious beside<br />
the road and was inished to the hospital<br />
in Hamilton. His condition was reported only<br />
fair. He told police he picked up the stranger<br />
outside St. Catharines.<br />
Toronto Film Officials<br />
See Cinemiracle Film<br />
TORONTO—Cinemiracle and its first production<br />
"Windjammer" were demonstrated<br />
in a Toronto screening room by a group of<br />
theatre and distribution executives and newspaper<br />
reviewers. Among those present were<br />
Canadian Odeon officials but they had no<br />
definite information as to the prospects for<br />
the new process for a Toronto house.<br />
Oil AW A<br />
•The historic ItCRent at Brockville. 974 seats,<br />
closed its doors for the last time April 24<br />
when Famous Players started to remove the<br />
equipment from the building owned by the<br />
eastern Ontario city. R. J. McLennan, who<br />
directed Regent operations, is also manager<br />
of the Brockville Capitol ... In commemoration<br />
of Puccini, the Towne, operated by Umberto<br />
Pusco, featured three operatic singers<br />
in person in a presentation of various arias.<br />
The theatre specializes in foreign-language<br />
films.<br />
After five weeks at the Main Elgin, 1,211<br />
seats, "The Bridge on the River Kwai" was<br />
transferred by Manager Ernie Warren to the<br />
Little Elgin, 410 seats, for a continuing engagement.<br />
Both theatres are under the one<br />
roof. "Paris Holiday" was on the .screen of<br />
the larger Elgin . the third time recently<br />
the five local Foto-Nite theatres paid<br />
a $500 award donated by the Pare Spring<br />
Beverage Co. when Oscar Ladiu-antaye qualified<br />
with a signed attendance card. Pi-eviously<br />
the same amount was paid Theresa<br />
Bellefeuille at the Francais and M. G. Brown<br />
at the Mayfair. A total of $78,550 has been<br />
awarded to date.<br />
Ground has been broken on Riverside Drive<br />
for the construction of the clubhouse for the<br />
Civil Service Recreation Ass'n. Tlie facilities<br />
include a 450-seat theatre, ten bowling<br />
alleys, gymnasium and lounge . Lions<br />
Club of Ottawa South is arranging for an-<br />
. . . Six<br />
other series of open-air bingo games this<br />
season at the Star-Top Drive-In<br />
vaudeville acts were added to the film program<br />
for the last half of the week at the<br />
Francais by R. E. Maynard, proprietor, general<br />
admission being 60 cents.<br />
Betty Zimmerman was re-elected president<br />
of the Ottawa Film Society and Gordon<br />
Stoneham is secretary. The organization has<br />
700 members . Canadian government<br />
travel bureau is distributing 7,000 prints of<br />
200 films throughout the United States for<br />
the promotion of the tourist trade.<br />
AIP Dual Release in June<br />
LOS ANGELES — American International<br />
Pictures has chosen June 18 as the national<br />
release date of "Attack of the Puppet People"<br />
and "Terror From the Year 5000."<br />
Film Qualily Higher,<br />
Say Ontario Censors<br />
TORONTO Ili'li'!- I;i]i(l;u(l . ol<br />
motion<br />
picture produciinii v.iri .ulin vid in the government<br />
fiscal year t'lidiiig Miuch 31, 1958,<br />
according to the annual report of the Ontario<br />
Board of Moving Picture Censors.<br />
"A study of films produced during the 1957-<br />
58 period indicates that the aim of higher<br />
production standards was attained in every<br />
field of production." said O. J. Silverthome,<br />
chairman of the provincial board.<br />
During the 12 months, the board examined<br />
580 feature length pictures from all sources.<br />
Of the U. S. product, 70 per cent of 366 features<br />
were approved by the board without<br />
change. Alterations were ordered in 23 of the<br />
79 British pictures inspected by the cen.sors.<br />
Thirteen of the 137 pictures from other countries<br />
required scissoring.<br />
the board made 198 deletions involv-<br />
In all,<br />
seneftn^<br />
ing elements of realism, dialog, sex, violence<br />
or matters definitely distasteful, and.<br />
in the opinion of the board. po.sse.ssing dangerous<br />
.social influence.<br />
The production of an increasing number of<br />
horror pictures in the period was pointed to<br />
by the board as main reason for an increase<br />
in the number of films classified as Adult<br />
Entertainment.<br />
Rock and Roll Is Losing<br />
Canadian Drawing Power<br />
OTTAWA—Indications are evident that<br />
r.ick and roll is on the wane here and in<br />
Toronto, judging by the dwindling attendance<br />
at performances by rock specialists. For the<br />
"Show of Stars" here at the Auditorium,<br />
2,000 turned up instead of an expected 5,000<br />
and there was jeering for some of the performers,<br />
including Ottawa's own Paul Anka.<br />
At Toronto only 3,500 fans attended a<br />
similar show in the big Maple Leaf Gardens<br />
where Presley at his peak once had been<br />
greeted by a screaming crowd of 12,000 teenagers.<br />
The Toronto Telegram commented:<br />
"Rock seems to be drifting on to the rocks."<br />
One Ontario County Resists DST<br />
TORONTO— Daylight saving time has gone<br />
into effect throughout Ontario—almost. The<br />
people of Essex County refuse to have anything<br />
to do with "summer time."<br />
n 2 years for $5 D<br />
n Remittance Enclosed D Send Invoice<br />
THEATRE..<br />
STREET ADDRESS<br />
TOWN ZONE STATE<br />
NAME<br />
1 year for $3 3 yeors for $7<br />
POSITION<br />
^^^QtHE national film weekly 52 \ssue% a year<br />
825 Van Brunt Blvd., Kansas City 24, Mo<br />
BOXOFFICE May 5, 1958 K-1
. . Max<br />
. . Harland<br />
. . New<br />
. .<br />
. .<br />
. . "Around<br />
VANCOUVER<br />
T ucal film exchanges are busy .streninlining<br />
local operations in an economy move<br />
Some distributors will close out their B. C.<br />
branches and ship and book from the Calgary<br />
offices . Chechik. owner of Myers aiterprises.<br />
is the father of a baby boy. Benny<br />
Chechik. his brother who has been in Australia<br />
for the last seven years. Ls returning<br />
to Canada. Benny built the first drive-in in<br />
Australia and sold it to MGM . . . Tom Moran,<br />
head of Odeon concession units in Canada,<br />
was a local visitor.<br />
Hymie Singer, former operator of B. C.<br />
theatres, is building a $750,000 office building<br />
.<br />
and shopping center in his home town of<br />
Calgary . Fairbanks, head of the<br />
HP popcorn and soft drinks outfit, was here<br />
from Seattle visiting his local branch<br />
Frank Soltice. manager of the Pines Drivein.<br />
Penticton. was here on a booking-buying<br />
Wally Hamilton, owner of Trans-<br />
trip . . .<br />
Canada Films who has been operating Olympia<br />
Film Studios in Seattle, is returning to<br />
Vancouver to take over operation of his<br />
Trans-Canada film studios. He closed out his<br />
Seattle interests on doctors orders.<br />
Earl Haytor, Odeon supervisor for the last<br />
seven years. Ls taking over management of<br />
the Plaza dowiitown. replacing Roy McLeod,<br />
who moves to the Odeon. West Vancouver.<br />
succeeding Johnny Bernard, who takes over<br />
as manager of the Odeon Olympia here .<br />
Harold Wan-en. who operates three theatres<br />
in the Alberni area of Vancouver Island in<br />
partnership with Famous Players and who<br />
built and operated CJAV radio station in that<br />
district, has sold his interest to Kenneth<br />
Huteheson . members of the Vancouver<br />
branch of Canadian Picture Pioneers<br />
are Adrienne Caze of New Westminster and<br />
Cecil Steele of Kitimat.<br />
Two downtown Famous Players theatres.<br />
the Orpheum and Cinema, interrupted their<br />
FOR SALE<br />
THEATRE CHAIRS<br />
$16.50 value for as low as $6.50 ea. Full<br />
Upholstered backs—spring to edge bottoms.<br />
Get our low prices on Foxhole CinemaScope<br />
sprockets. We sell them at U. S. prices in<br />
Canada.<br />
Adler cast oluminum 10" letters while they<br />
last SI.25 ea. Excellent for either indoor or<br />
outdoor sign boards.<br />
DOMINION THEATRE EQUIPMENT CO.<br />
LTD.<br />
847 Davie Street Vancouver, B. C.<br />
film showing for stage shows . the<br />
World in 80 Days" Is now In its tenth month<br />
at the l.OOO-.seat Stanley. It broke all longrun<br />
records for Vancouver. Previous record<br />
was held by "The King and I," which ran<br />
14 weeks. "80 Days" is still playing to 65<br />
per cent of capacity and will exit in three<br />
weeks. "South Pacific" is expected to play<br />
the Stanley in the near future ... An ozoner<br />
on the North Shore took in a record low of<br />
.<br />
$20 one night recently. Ozoner business is<br />
down around 60 per cent from last year, interior<br />
exhibitors report .<br />
Steve Donnelly replaced<br />
. Bill<br />
Bob<br />
Clayton and<br />
McEwan and<br />
Cliff Kerr on the Cinerama crew at the<br />
Strand.<br />
Twin Cities Exhibitors<br />
Challenge DST Claim<br />
MINNEAPOLIS—Exhibitors here are prepared<br />
to challenge the contention of Richard<br />
O. Hanson. Hennepin County (Minneapolis)<br />
commissioner, contained in a letter published<br />
by the Sunday Minneapolis Tribune, that the<br />
local city council and park board in unanimou.sly<br />
supporting the fast time are "representing<br />
the official expression of the will of<br />
the constituency."<br />
Such exhibitor leaders as Harold Field and<br />
Gilbert Nathanson, who are leading the battle<br />
to have DST eliminated when the state legislature<br />
meets next in 1959. feel the majority<br />
of voters in Hennepin County is opposed to<br />
it.<br />
Hanson, who has protested against a decree<br />
by Gov. A. O. Freeman ending of DST this<br />
fall a month earlier than in 1957, suggests a<br />
"county option plan" that would permit this<br />
county to be on the same time "as the other<br />
populous areas of the country" and, at the<br />
same time, "allow rural Minnesota to be on<br />
standard time, if that was determined preferable."<br />
Exhibitor leaders have made known they'd<br />
be glad to have the proposition put to a vote.<br />
They point out that not only are ruralites,<br />
but al.so "most parents of small children,<br />
PTA and working men," opposed to the DST.<br />
They also emphasize that no other state as<br />
far north and west as Minnesota, where<br />
spring and summer daylight is of long duration,<br />
has DST. They dispute the Hanson<br />
claims in the letter that "other populous<br />
areas of the country" (outside of the east)<br />
embrace fast time and that it exists elsewhere<br />
generally. As a matter of fact, they<br />
point out that it is prevalent in only a comparatively<br />
few states.<br />
Buys Davenport House<br />
DAVENPORT. IOWA — Ambrose Hinman<br />
has taken over operation of the Sunset Theatre<br />
here. Hinman, who for the last four<br />
years operated the Uptown confectionery<br />
store, is remodeling the theatre and plans a<br />
late spring opening. The theatre will continue<br />
its operation as a second-ran neighborhood<br />
theatre. The former operator was J.<br />
Robert Williams, Bettendorf, who operated<br />
the theatre the last eight years.<br />
COMPLETE<br />
BUYING
RESEARCH BUREAU<br />
for<br />
MODERN THEATRE PLANNERS<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
The MODERN THEATRE<br />
PLANNING INSTITUTE<br />
825 Van Brunt Blvd.<br />
Kansas City 24, Mo.<br />
5-5-58<br />
Gentlemen:<br />
Please enroll us in your RESEARCH BUREAU<br />
to receive iniormation regularly, as released, on<br />
the following subjects for Theatre Planning:<br />
Q Acoustics
. . The<br />
. . . Joan<br />
. . . "Peyton<br />
. . Kenneth<br />
. . Exhibitors<br />
MONTREAL<br />
Allaire, Victoria, Victoriaville; J. L. St.<br />
Pierre. Bryson. Bry.son, the brothers Uamothe<br />
of the Royal, Di-ummondville.<br />
The Royal Theatre, a new film theatre<br />
with seating t-npiicity for about 350<br />
and fully equipped for Cinemascope projection,<br />
has been opened at Chapais in AbitibI<br />
region of northern Quebec by owner F. Laflamme<br />
. Belmont Theatre, situated<br />
on West Mount Royal street, a United Amusement<br />
Corp. theatre, has been leased for several<br />
years to Louis Soccio, formerly of the<br />
Venezia Theatre. The latter is now known<br />
as the National Theatre. Under the new<br />
management, the Belmont will feature Italian<br />
films. The National, leased by Jean Grimaldi,<br />
features Prench-dubbed pictures as<br />
well as vaudeville turns.<br />
Consolidated Theatres has completed a deal<br />
BEST features<br />
the complete line of<br />
dependable<br />
internationally<br />
and<br />
famous<br />
BflLLflnrvnc<br />
SOUND MASTER<br />
EQUIPMENT<br />
PROJECTORS<br />
LAMPHOUSES<br />
SOUND SYSTEMS<br />
RECTIFIERS<br />
IN-A-CAR<br />
JUNCTION<br />
WILLIAMS<br />
SPEAKERS<br />
BOXES<br />
SCREENS<br />
ANAMORPHIC LENSES<br />
You can always depend on BEST<br />
for PARTS and SERVICE<br />
for ALL types of theatre equipment.<br />
BEST<br />
THEATRE SUPPLY REG'D.<br />
ARMAND BESSE, Prop.<br />
9370 St Hubert Street Montreal, Que.<br />
Phone: DUpont 7-7818<br />
lo .sell Mil' Her Majesty's Theatre for $3.')5,000<br />
10 a Montreal group. The puicha.se was handled<br />
by Allan Toichin and Charles Ei.senstad<br />
of Southern Holding Coi-p. on a 5 'l- -year<br />
lease-back basis. According to Elsenstad,<br />
when the lca.se expires the famous old theatre<br />
will be demolished and a 14-.slory office<br />
building will be erected. The names of the<br />
new owners were not revealed. The passing<br />
of Her Majesty's Theatre, when and if, will<br />
put an end to one of Montreal's best known<br />
places of entertainment.<br />
F. E. Peters has been elected president of<br />
Dominion Sound Equipments Co., succeeding<br />
D. M. Parish, who is retiring. Peters has been<br />
general manager of<br />
the company since<br />
1937, a director since<br />
1939 and a vice-president<br />
since 1947 . . .<br />
Annual report for the<br />
year 1957 of Eastern<br />
Theatres showed a net<br />
profit of $73,268,<br />
equal to $2.29 a share,<br />
compai'ed with $93,221<br />
or $2.91 a share in<br />
1956. Working capital<br />
F. E. Peters<br />
stood at $161,095, down<br />
from $227,551 . . .Directors<br />
of Consolidated Theatres, have declaj-ed<br />
a regular quai'terly dividend of 12<br />
cents per share on class A and the regular<br />
semiannual dividend of ten cents per share<br />
on Class B, both payable June 2, to shareholders<br />
of record May 1.<br />
.<br />
Montreal film people joined in welcoming<br />
Les Canadiens on their return from Boston<br />
where the Plying Pi'enchmen won hockey's<br />
Stanley Cup for the third successive year<br />
Odell is an addition at Warner<br />
Bros. Rosenberg, head booker<br />
at United Artists, was ill a day or so . . .<br />
David Caplan. film carrier, lost several days<br />
John Levitt, Columbia<br />
due to illness . . .<br />
salesman, returned from a trip through the<br />
province, and left for Quebec City and district<br />
Paul Vanier, Warner 16mm. toured<br />
. . . the Lake St. John district . . . Jack Roher,<br />
president of Peerless Films, left for his Toronto<br />
offices.<br />
Astral Films released a double bill for the<br />
Princess featuring two chillers, "I Was a<br />
Teenage Frankenstein" and "Blood of Demon"<br />
.<br />
. . .<br />
Place" is having good success<br />
here and was in its tenth week at two United<br />
Amusement theatres, the Kent and Avon .<br />
The National is<br />
.<br />
presenting "Mains Criminelles"<br />
and "Cap Horn" The Cinema de<br />
Paj-is was presenting for the third week "Les<br />
Louves." starring Micheline Pi-esle . . . The<br />
Palace was in the fifth week of "The Bridge<br />
on the River Kwai," while the St. Denis and<br />
Bijou theatres were showing "Les Esclaves de<br />
Carthage" and "Coup Dur Chez Les Mous."<br />
. . Gratien<br />
Sam Pearlman, Cinerama eastern division<br />
manager, was here to help plan the June 3<br />
opening campaign of "This Is Cinerama,"<br />
which will be brought back in French at the<br />
Imperial for a limited engagement .<br />
Gelinas, Montreal's motion picture, the-<br />
atre and radio and television star, was honored<br />
by being elected to the Societe Royale<br />
du Canada . in town included<br />
Father Despins of the Salle Paroissiale,<br />
Charlemagne: Gonzalgue Tremblay. Capitol,<br />
Chicoutimi: C. Langevin, Tracy, Tracy; Dick<br />
Film Review Board<br />
Named in Waterloo<br />
WATERLOO. IOWA—A citizens committee<br />
for reviewing printed matter and entertainment<br />
was named here last week by Mayor<br />
Edward A. Jochumsen. As an advisory group,<br />
it will review motion pictures and literature<br />
sold on newsstand.s.<br />
The committee was named after the<br />
Knights of Columbus complained to the city<br />
council about the literature and motion pictures<br />
in Waterloo.<br />
Members of the council are Edward Miller,<br />
manager of a wholesale magazine distributing<br />
agency; the Rev. M.sgr. E. J. O'Hagen,<br />
pastor of Sacred Heart Cathohc Church;<br />
Glenda Mabrey, a public school visiting<br />
teacher: the Rev. Fred Graham, president of<br />
the Waterloo Ministerial Ass'n; John W.<br />
Koch, businessman: Marvin Graybeal, manager<br />
of tw'o theatres; attorneys K. L. Kober<br />
and Earl E. Fosselman. and Russell D. Lamson,<br />
real estate dealer.<br />
Special Matinee Combo<br />
Clicks in UDT Theatre<br />
DETROIT—A flexibility of policy that allows<br />
a switch to matinees when the screenfare<br />
justifies it, is drawing exceptional business<br />
to the suburban Norwest Theatre, operated<br />
by United Detroit Theatres, for the<br />
combination of "Old Yeller" and "Escapade<br />
in Japan." The combo was booked for ten<br />
days in this fourth-run house, and drew<br />
about 2,500 persons on a midweek opening<br />
day, Wednesday, with lineups going clear<br />
around the next comer. The policy was three<br />
complete shows, including matinees starting<br />
at 1 p.m. on the first three days, coinciding<br />
with Easter school vacation. 10 a.m. show on<br />
Saturday and 11 a.m. on Sunday, and afterschool<br />
matinees at 4:00 p.m. for the next<br />
five days. The house is managed by Miss<br />
Dale Young.<br />
Louis Feiler Firm Named<br />
To Handle Soft Ice Cream<br />
DETROIT—The Louis Feiler Co. of Detroit<br />
has been named distributor of the Electro-Freeze<br />
soft ice cream and shake machines<br />
in the Detroit area by the Port Morris<br />
Machine & Tool Works of New York. The<br />
Feiler firm, owned and operated by Jess R.<br />
and Paul R. Feiler, was established in 1929.<br />
Associated with the company in the sales<br />
department are Larry M. Feiler, son of Jess<br />
Feiler, and Ed J. Martens, who through owning<br />
and operating soft ice cream stores, is well<br />
qualified for the succesful operation of this<br />
type business.<br />
Tickets Announce Birth<br />
PROVIDENCE — William J. Trambukis,<br />
manager of Loew's State here, and his wife<br />
Betty sent out novel birth announcements,<br />
in the form of theatre tickets, upon the arrival<br />
recently of a new baby daughter, named<br />
Beth.<br />
Leonard Bell, exfootball pro, will portray a<br />
California hoodlum in UA's "The Barbara<br />
Graham Story."<br />
K-4 BOXOFFICE May 5, 1958
taiujtmant • C^ncedltattA, • /rftinttKauncc<br />
MAY 5, 1958<br />
SECTION OF BOXOFFICE<br />
There's just something about the movies that makes everyone hungry and thirsty, especially the small fry, and the modern<br />
theatre concessions in both indoor and outdoor situations offers variety a-plenty in food and drink to satisfy everyone's appetite.<br />
featuring:<br />
Kefredltmentd<br />
an<br />
d ^.y^utiomauc til<br />
Uendin<br />
'9
and<br />
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f-f'U^,>frt40*'««^<br />
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.-,,J is the most effect.^^ ^^^^ ^^^^^^ ,hort board<br />
—the frames which can be installed before the glass.<br />
Accordingly, they can be furnished without limitation<br />
of size, large enough for plenty of powerful<br />
sales copy. This is especially important with driveins,<br />
which must have BIG displays so as to attract<br />
the attention of fast-moving traffic. Wagner boards<br />
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For those who wont a<br />
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PERMIT MORE ATTRACTIVE<br />
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w<br />
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Ihem immovabte by wind or vibration. Yet they are eoiier to change. There<br />
ore no ipring lock clipi to lose their tension and break oflF. • Cannot "freeze"<br />
to the sign as do those which employ channel mounting.<br />
• Afford maximum readability by day ond moximum trontlucence<br />
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no annoying gtore to make them unreadoble. • The stippled<br />
jeweled foce does nol ocquire the unsightly scratches as those<br />
letters with glossy finish and clips. • Can be mounted so close<br />
to the face of the sign os lo proctically eliminate objectionable<br />
shadows. Letters which employ clips must be mounted so for<br />
from the face of the sign as lo cause shadows which by daytime<br />
frequently moke the entire sign unreodoble.<br />
Wagner Plastic Letters are available in 4", 6 , 8 ', 10' and 17 " sizes in gorgeous<br />
red, green blue, amber and black Wagner has the only full line of injection<br />
molded letters. The non-fading, jewel-like colors go all the way through<br />
the letters, hence cannot chip or scale. These strong, durable letters never<br />
require pointing or other maintenance.<br />
Wagner Aluminum Letters ore slotted with uniform spacing to that ANY and<br />
ALL sizes can be used on Wagner Frames An exclusive, patented feature.<br />
Solid color, cove letters and colored or aluminum cove-edge letters are mode<br />
in 4", 8", 10", 12",<br />
'<br />
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12 sizes, and poster letters in 8" and 10 sizes.<br />
copy chonging fast and safe. ..<br />
avoids falls. Can be used only with<br />
Wagner letters, facilitates the servicing<br />
of high panels, particularly those<br />
which heretofore could nol be chonged<br />
without the use of ladders. This<br />
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it straight on the sign face, or removes<br />
it by use of a tensioning lever at the<br />
end of the handle. 6-ft. length (for<br />
signs with top row up to 12 ft.) and<br />
various lengths to 20 ft. (for signs<br />
with top row up to 26 ft.)<br />
Mount on Wagner Frames and provide<br />
for the easy forming of less important<br />
words with 4-inch letters. Permit bet><br />
X^j use of space and moke word-plates<br />
unnecessary. Letters con be staggered<br />
in 3 lines, or 2 straight lines con be<br />
used in o space that ordinarily accommodates<br />
one ro^M of 10" letters.<br />
Available for either straight or curved<br />
attraction boards, ond in horizontal<br />
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Send now for liUralvre on the largest and moit complete line in the world.<br />
WAONii Slii Sii^lOi, lii»<br />
218 S. Hoyne Avenue<br />
3<br />
Chicago 12, Illinois<br />
The MODERN THEATRE SECTION
I<br />
IVftUfiWftit Con Equip Your Tfieofre<br />
with Pfo/ecfion lighting that Mofc/ies Your<br />
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m THBATRB<br />
o n t n I<br />
W,:nSE EXHIBITORS and concessionaires<br />
realize that they must hold<br />
the line on prices wherever possible,<br />
because they must not antagonize the<br />
patron by adding even further to the<br />
cost of going to the movies; otherv/ise,<br />
they may find themselves without<br />
customers.<br />
This does not mean that the concessions<br />
opieration cannot still be highly<br />
lucrative, for there are many items<br />
which can be sold at a reasonable<br />
price that have a high profit margin.<br />
Popcorn and soft drinks are first<br />
thought of in this category, but there<br />
are comparative newcomers, added to<br />
the theatre concessions in recent years,<br />
which produce profits of 86 per cent<br />
(snow cones) and around 70<br />
per cent<br />
(soft ice cream). Yet, in spite of this<br />
profit, the snow cone can be sold for<br />
ten cents and the soft ice cream for<br />
from ten to<br />
size of the serving.<br />
45 cents depending on the<br />
In previous issues of this publication,<br />
the story of successful snow cone operation<br />
in both indoor theatres and driveins<br />
has been told. On the following<br />
pages the successful merchandising of<br />
soft ice cream in a drive-in theatre and<br />
several indoor houses is detailed for<br />
the benefit of exhibitors who have not<br />
yet tried this item which is growing<br />
rapidly in popularity.<br />
It is interesting to note that extra<br />
sales are obtained in one of the hardtops<br />
by a streetside portion of the concessions<br />
stand, and in the drive-m<br />
theatre by setting up the fountain<br />
equipment in a separate part of the<br />
concessions building which has a passthrough<br />
window for<br />
service.<br />
70 Per Cent Up, Normal Profit in Soft Ice Cream 6<br />
Plan Big for TESMA-TEDA-Allied Trodeshow 14<br />
Automatic Coin-Operated Cafeteria Offers<br />
New Sales Opportunities Charles H. Brinkmann 16<br />
Is Your "Quality" Showing? Newton Wylie 20<br />
Profits From Popcorn Phyllis Haeger 24<br />
On the Level With Lobby and Lounge 28<br />
Dance Patio Fun Haven for Young Parents 32<br />
Drive-ln Manager Holds Key to Maintenance Costs 33<br />
Micronic Detector Controls Projection<br />
Light Level Clarence S. Asbcraft 36<br />
Top Quality Sound Reproduction Possible Only When Equipment<br />
Is Properly Serviced Wesley Trout 40<br />
DEPARTMENTS:<br />
^<br />
Drive-ln Theatres 32 About People and Product 50<br />
Projection and Sound 36 „ , , ^ •<br />
d ^ en<br />
'<br />
Readers Service Bureau at 50<br />
New Equipment and<br />
Developments 48 Advertisers' Index at 50<br />
I. L. THATCHER, Monoging Editor<br />
The MODERN THEATRE Section of BOXOFFICE is included in the first issue of each month.<br />
Editorial or general business corresoondence snould be aadressea to Associated Publications,<br />
825 Van Brunt Blvd., Kansas Citv 24, Mo. Eastern Reoresentative: Carl Mos, 45 Rockefeller<br />
Plaza, New York 20, N. Y.: Central Representative: Ewing Hutchison Organization,<br />
35 East Wocker Drive, Chicago 1, III.; Western Representative: Bob Wettstein & Associates,<br />
672 South Lofayette Pork Place, Los Angeles 5, Calif.
m^: Bri<br />
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ng out exciting realism with...<br />
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BOXOFFICE<br />
;<br />
;<br />
May<br />
5, 1958
70% UP, NORMAL<br />
Fountain Department Alone<br />
Takes in $100 a Night,<br />
Adds 25% to Total Gross<br />
Leon Frickberg, operator of the Park View Drive In Theatre, Salt Lake City, is shown<br />
drawing a milk shake from his automatic Milkshake dispenser. Note syrup containers<br />
mounted handily on cabinet while others ore immediately to the right.<br />
cided he must keep labor in his fountain<br />
department at a minimum, and at the same<br />
time give the fastest service possible, if he<br />
were to make a profit. Toward that end,<br />
he installed an automatic soft-serve ice<br />
cream fountain system consisting of two<br />
Sweden dispensers. One is a milk shake dispenser<br />
which turns out a shake ready to<br />
serve except for adding flavoring and .spinning<br />
for a few .seconds. The second is an<br />
automatic soft-serve ice cream dispenser<br />
which turns out a soft-served product for<br />
sundaes, splits and cones.<br />
These two dispensers comprise the automatic<br />
fountain system, and because of their<br />
speed of operation, according to F^-ickberg,<br />
have increased his nightly take by 25 per<br />
cent. An added attraction is the fact they<br />
If Leon Prickberg's operation depended<br />
only upon his films and a conventional<br />
snack bar. he would have just another<br />
drive-in theatre, be as busy as the<br />
rest and no further ahead, but with a little<br />
imagination he has lifted his Park View<br />
Drive-In, Salt Lake City, out of the ordinary<br />
and made his snack bar turn in an<br />
unexpected profit. An extra piece of change<br />
that means success for a happy man.<br />
True enough, he has a snack bar, a very<br />
modern and attractive one, where hamburgers<br />
are sold for 30 cents and hot dogs<br />
for 25 cents, along with popcorn, pizza pie.<br />
soft drinks and candy. But what make.s<br />
this operation stand apart from others is<br />
a fountain department in a smaller room<br />
adjoining the snack bar. Here, is the<br />
profit-making department, for here is a<br />
This modern structure at the Park View<br />
houses the projection booth, left, while<br />
double doors at center open to snack bar<br />
At far right is fountain department, with<br />
pass-out windows for service direct to<br />
patrons in the field. They also can purchase<br />
the soft ice cream products within<br />
the concessions.<br />
streamlined operation that not only tm-ns<br />
out milk shakes, sundaes, banana splits and<br />
cones, but novelties on which the net profit<br />
is 50 per cent—items which are the product<br />
of Fi'ickberg's imagination and extra effort.<br />
To start at the beginning. Frickberg desave<br />
time and labor by eliminating laborious<br />
hand-dipping.<br />
"My servings average three and threequarter<br />
ounces, and I get 384 of them to<br />
Continued on page 10<br />
The Noveify Touch Adds Up to Exfra Income<br />
First step in making a hlutty Buddy<br />
cone is drawing the soft-served product<br />
from an automatic soft-service ice<br />
cream dispenser. It is then dipped in<br />
a special ice cream chocolate coating<br />
and rolled into chipped peanuts<br />
as shown here.<br />
The last step is to sack the Nutty<br />
Buddy and place it in the holding<br />
cabinet until intermission time. Frickberg<br />
says his profit on this item is<br />
50 per cent, for food costs and packaging<br />
of this<br />
no more than five cents.<br />
ten-cent novelty come to<br />
Frickberg estimates that installation<br />
of soft-served ice cream dispensers<br />
increased his nightly take by 25 per<br />
cent. Here he is drawing soft-served<br />
ice cream onto a wafer from an automatic<br />
continuous fountain freezer making<br />
a Big Wheel sandwich.<br />
After pressing the top wafer on his<br />
Big Wheel sandwich, Frickberg sacks<br />
it and places it in holding cabinet.<br />
He estimates his profit on each sandwich<br />
at 64.7 per cent. The Park View<br />
concessions, including fountain, grosses<br />
more than S500 nightly.<br />
The MODERN THEATRE SECTION
PROFIT ON SOFT ICE CREAM<br />
Circuit Plans to Extend<br />
Soft Ice Cream Service<br />
a«;<br />
(s«n^: asMi<br />
^<br />
To All Its Theatres<br />
W iTH ALL THE I'ules to follow and<br />
the necessary sanitation laws to observe.<br />
one may wonder why many theatres indulge<br />
in dispensing soft ice cream. The<br />
answer is quite simple. The margin of<br />
profit is greater than can be realized from<br />
the sales of hard cream.<br />
One circuit which has had profitable experiences<br />
with soft ice cream is Centui-y<br />
Theatres of New York. Four of Century's<br />
theatres sell soft cream, but only the Plainview<br />
in Hicksville, L. I., has a streetside<br />
stand. The success of this has not been<br />
fully determined because it has been open<br />
only since December. As of now the streetside<br />
stand is open only dui'ing show hours,<br />
but it is the intention of the circuit, when<br />
warmer days are here, to operate the stand<br />
continuously from 10 o'clock in the morning<br />
until closing time at night. This stand<br />
also sells the usual concessions items.<br />
A FAVORITE WITH PATRONS<br />
Soft ice cream rapidly is becoming a<br />
popular favorite, said Harold Newman, secretary-treasurer<br />
of the circuit, and its<br />
handling will be extended eventually<br />
throughout the circuit.<br />
There are plenty of rules that must be<br />
followed in selling soft cream, according<br />
to Newman. The operation comes under the<br />
jurisdiction of New York City's Department<br />
of Health, Bureau of Pood and Drugs,<br />
as well as the state's Department of Agriculture<br />
and Markets. County regulations<br />
also must be observed. Although all are<br />
basically similar, each must be met. And<br />
there are permits, too, which must be obtained.<br />
Ceilings must be of specified<br />
heights and facilities must be provided for<br />
drainage.<br />
Century uses the Taylor freezers and the<br />
Punxtawney can refrigerated storage box<br />
which holds 40 quarts, as well as a storage<br />
box at the counter. A hardening cabinet<br />
also is required, as well as stainless steel<br />
accessories, such as pails. Newman said<br />
that the cost of a one-machine operation<br />
is about $2,000 plus an installation cost,<br />
including drainage and hot water heaters<br />
of about $1,000.<br />
Ixtro sales of soft ice cream are derived from this streetside stand in the new Century Ploinview Theatre,<br />
hiicksvitle, Long Island. Three Taylor freezers are installed here. Other Century theatres have two each<br />
At the Plainview, the soft ice cream<br />
menu has variety. Sundaes and shakes sell<br />
for 25 cents and 35 cents. The shakes are<br />
in a 24-ounce cup. Also on sale are cups<br />
and cones. In the hard cream there are<br />
novelties such as tarts, cakes, sandwiches,<br />
giant Dixie cups. Cream in pints and quarts<br />
also is available. At the other theatres.<br />
Century sells 15-cent cones and cups in<br />
.soft ice cream plus giant cups in the hard.<br />
Sundaes will be added in the warmer<br />
months.<br />
Whether soft ice cream is equally saleable<br />
in indoor theatres and drive-ins has<br />
not been determined by Century as yet,<br />
inasmuch as the product will not be introduced<br />
into the circuit's sole outdoor theatre,<br />
the 110 on Long Island, until this<br />
summer. However. Newman said that soft<br />
cream sales should be under the direct<br />
supervision of the management because the<br />
handling must be under "sanitary scrutiny"<br />
at all times. It is planned to install<br />
four Taylor freezers at the 110 where a<br />
building will be erected on the terrace.<br />
The machines must be cleaned every<br />
day. All mix must be removed and none of<br />
it can be stored. The parts must be removed<br />
and cleaned in double sinks in<br />
water of 180° temperature. The parts cannot<br />
be wiped dry—they must be air dried.<br />
A behind-thecounter view of the soft ice cream<br />
equipment in the Queens Theatre, Queens Village,<br />
Long Island.<br />
The machines themselves must be steamsterilized<br />
and treated with a germicide 20<br />
minutes before using. The pails for pouring<br />
Continued on page 10<br />
VARIED PROMOTIONS<br />
Promotional ideas are varied and there<br />
are many ways to attract the customers.<br />
One is the "Flavor of the 'Week" plan<br />
whereby one flavor is played up and given<br />
dominance over the others in displays. Also<br />
a stick is frozen into a vortex cup of ice<br />
cream. The cup is then torn off from the<br />
frozen cream and this item is given a name<br />
to fit an occasion or a locale.<br />
Twin soft ice cream<br />
freezers with serving<br />
counter between and<br />
b a c k b a r displays<br />
dominate the concessions<br />
area at the<br />
Queens, a Century<br />
theatre.<br />
BOXOFFICE May 5, 1958
•i*^'^<br />
they GO people bring their thirst for CANADA DRY tvith them<br />
their pleasure<br />
Canada Dry is<br />
the only national quality brand with a<br />
flavor for every taste . . . your patrons can get them in<br />
a multi-drink cup machine.<br />
Canada Dry Ginger Ale, famous for over 50 years is<br />
the original pale dry, refreshing ginger drink. NOW you<br />
can serve this same delectable flavor from a cup machine<br />
. . . it's a profit maker and sales leader everywhere.<br />
Canada Dry beverage syrups are available in a variety<br />
of flavors at the lift of your phone.<br />
There's a Canada Dry salesman in your area with<br />
profit stories that will leave you pop-eyed.<br />
Call today and ask him ... or write Canada Dry Ginger<br />
Ale, Inc., 100 Park Avenue, New York. N. Y.
"':Vr"'r':*r*:T'':^'':T'r*tt^*f*^"^^<br />
Volume Sales of<br />
Lower-Priced<br />
Soft Ice Cream Delicacies<br />
Can Mean Higher Profits<br />
\I Miark liur iiiMTalor? art'
Novelties in Automatic Vendors<br />
Or Offered Over the Counter<br />
Produce Additional<br />
Income<br />
Novelty items can be an additional source<br />
of revenue to theatremen as well as a service<br />
to patrons.<br />
RKO Theatres, according to Lee Koken,<br />
obtained samples of six different shades of<br />
lipstick and asked employes to try them<br />
out. The girls said tliey liked the quality,<br />
which they felt was better than what they<br />
paid 75 cents to $1 for. RKO installed<br />
vendors in the ladies' rooms offering the<br />
six-shades at 25 cents each, and is grossing<br />
from $20 to $90 a month per theatre.<br />
VENDS VIAL OF PERFUME<br />
This circuit also has installed a vendor<br />
selling a 25-cent vial of perfume, and has<br />
experienced gross sales three times as great<br />
in one month as it had with a ten-cent<br />
plunger vendor of perfume in three months.<br />
Alfred Olander of Montebello Theatres,<br />
Montebello, Calif., has reported excellent<br />
sales selling miscellaneous personal items,<br />
such as combs and handkerchiefs, from<br />
the Mechanical Servants vendors, placed<br />
in both men's and women's restrooms. He<br />
is getting from $10 to $15 a week from each<br />
machine. He says the equipment and merchandise<br />
are good and there has been no<br />
vandalism.<br />
A picture-novelty item tieup was made<br />
by Koken which might be adapted to other<br />
pictures. He promoted 40,000 plastic rain<br />
hats imprinted with "Hatful of Rain," and<br />
sold them at the concessions for 15 to 25<br />
cents. Then he lined up plastic raincoats,<br />
a cape effect with hood encased in a bag,<br />
in all sizes to fit either men or women.<br />
These are being sold at 49 cents in half of<br />
the RKO theatres in the United States.<br />
A special rack near the concessions, with a<br />
sign, "RKO SKRVICE, 49(i:," displays the<br />
raincoats.<br />
A SPECIAL SERVICE<br />
On a rainy day, theatres have sold from<br />
two to 20, but Koken says the circuit was<br />
not so much interested in making a profit,<br />
as in giving a service. "If we sold only<br />
one or 50. we felt that patrons would realize<br />
that we were giving them a special service<br />
because it is certainly cheaper to puixhase<br />
a 49-cent raincoat than have to send a cloth<br />
coat or suit to the cleaners.<br />
All of these novelty items are practical<br />
and could sell at any time. However, in<br />
venturing into the novelty field, theatremen<br />
might heed Van Myers of Wometco<br />
who cautions that it is a good idea to offer<br />
seasonal items, and to try to get them on a<br />
consignment basis.<br />
Push Those Pickles May 22-31, National Pickle Week<br />
A chance to capitalize on a national promotion<br />
is offered to exhibitors by National<br />
Pickle Week, May 22-31.<br />
According to Harold F. Chesler, second<br />
vice-president of the National Ass'n of Concessionaires,<br />
pickles will provide plus profits<br />
for twice as many theatre concessions<br />
this year as in 1957.<br />
Chesler cited the experience of his own<br />
company. Theatre Candy Distributing Co.,<br />
Salt Lake City, Utah: the firm now sells<br />
pickles to 50 theatres and expects this figure<br />
to double when drive-ins are added.<br />
About 20 pickles are sold each day by the<br />
use<br />
this<br />
opening<br />
for more sales on<br />
tlie<br />
most profitable<br />
concession<br />
*<br />
average theatre, with smaller theatres accounting<br />
for the bulk of sales.<br />
Two methods of display are used. Pickles<br />
are either placed in individual bags, illustrated<br />
with a color cartoon of a pickle and<br />
the name Chilly Dilly," and then displayed<br />
in one-gallon open-top jars, or are<br />
placed on an open ice bed. When pickles<br />
are sold from an ice bed, a stick is in.serted<br />
through each pickle, so that the customer<br />
may help himself.<br />
In merchandising the dill pickle, an attention-compelling<br />
name and display are<br />
desirable, according to Chesler.<br />
m your<br />
theatre!<br />
*popcorn of course<br />
\<br />
To sell more of the item that gives you more profit, pour on Popsit Plus<br />
— America's finest popcorn seasoning. Your popcorn takes on a rich<br />
BUTTER-LIKE FLAVOR, an appetizing aroma that brings customers<br />
back for more — and more!<br />
The difference in cost between Popsit Plus and lesser products is negligible<br />
on any size box of popcorn — but the difference in taste and<br />
eye-appeal is really enormous.<br />
Put Popsit Plus to work for you and notice the big difference in your<br />
profits. Your Popsit Plus distributor will be happy to supply you with<br />
the rest of the details. Call him today!<br />
In filling a popcorn box. hold it firmly<br />
on the broad sides, not on the narrow ends.<br />
If you do not, you will give the patron<br />
much more corn than he is entitled to.<br />
popping specialists to the nation<br />
SIMONIN • PHILADELPHIA 34, PA.<br />
BOXOFFICE May 5, 1958 11
for modern theatergoers, intermission calls for
I<br />
i<br />
the light refreshment...<br />
for modern theatre owners, Pepsi means greater profits.<br />
You'll get more drinks per gallon—more profit per drink.<br />
For details, write Pepsi-Cola Company, S West S7th Street, New York 19, N. Y.
PLAN BIG FOR TESMA-TEDA-ALLIED TRADESHOW<br />
2 .<br />
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—r-<br />
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'i
^<br />
QO»CK,EASy<br />
Our own branch office<br />
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9<br />
\<br />
LOCAL SERVICE<br />
FOR A MORE<br />
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^<br />
—<br />
\r^<br />
/<br />
m%'j^<br />
CRispy<br />
PIZZA<br />
•\<br />
t<br />
Pizza stand operators across the U.S.A. are switching to "ORIGINAL CRISPY" because of this new<br />
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And if you're not yet selling Pizza . . . we'll show you how you con<br />
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ORIGINAL CRISPY PIZZA will work out a good business<br />
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Dear Sir:<br />
Name<br />
DR-4<br />
Please send me full information on this tremendous<br />
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Address..<br />
Firm<br />
City<br />
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ORIGINAL CRISPY PIZZA CRUST CO., INC., 1393 Blondell Ave., N.Y.C.<br />
BOXOFFICE May 5. 1958 15
1<br />
Vendors Serve Everything From Soup to<br />
Nuts<br />
Automatic<br />
Coin-Operated Cafeteria<br />
Offers New Sales Opportunities<br />
^ J^ ^u<br />
/^i 1 1<br />
^1 mm<br />
By CHARLES H. BRINKMANN*<br />
J UST AS THE drive-in theatre has<br />
been broadening its operation to include<br />
every member of the<br />
family, we in vending<br />
have been in the<br />
process of broadening<br />
our equipment<br />
base to provide the<br />
machines to vend<br />
every conceivable<br />
Chortei H. Brinkmann<br />
tj'pe of product that<br />
will be in the public<br />
interest.<br />
We have come a<br />
long way toward that<br />
goal. Today we have machines that will<br />
vend hot coffee, chocolate, tea and soup.<br />
Hot meals in cans, such as meat stews,<br />
spaghetti and meat balls, chili con carne,<br />
etc.. supplied by the finest food manufacturers<br />
in the nation. Sandwiches, pastries.<br />
desserts, ice cream, candy and gum. in<br />
addition to the well-known and accepted<br />
cigaret, milk and beverage vendors.<br />
VEND COMPLETE PLATE MEALS<br />
In the near future we will have machines<br />
that will vend hot sandwiches and complete<br />
hot meals on a plate. Even the possibility<br />
of an outdoor grocery store as part<br />
of a drive-in. such as is being tested in<br />
New Jersey, is not beyond the realm of<br />
possibility. Your patrons can shop for<br />
many needed items for "take home" on<br />
departing.<br />
Today we have vending equipment<br />
which delivers everything from soup to<br />
nuts. With the availability of this equipment<br />
a trend has developed in our industry<br />
which has a great deal of significance<br />
to you as drive-in theatre people. And<br />
that is the booming acceptance of the<br />
automatic, coin-operated cafeteria.<br />
We at Rowe anticipated years ago that<br />
eventually there would be a definite need<br />
for multiple vending installations. That is<br />
why we have concentrated our efforts in<br />
recent years to create a line of equipment<br />
which would lend itself to such use—with<br />
each new vendor designed to carry a family<br />
resemblance to the others. There are<br />
now available very flexible combinations of<br />
vending machines which can easily be set<br />
up in multiple units of two or more to<br />
present a uniform, attractive front for<br />
vending hot and cold beverages, hot foods,<br />
pastries, des.serts, candy and cigarets—in<br />
other words, an automatic cafeteria.<br />
Industry, schools, transportation terminals<br />
and institution.s. among others, have<br />
already hopped the automatic cafeteria<br />
band wagon. They have discovered that<br />
such installations can be invaluable as a<br />
supplement to the regular manual cafeteria<br />
during hectic rush periods, and that<br />
people welcome the opportunity to serve<br />
themselves to avoid the pressures at the<br />
counters. Also, that where it is not practical<br />
to have a manual setup the automatic<br />
installation is like manna from heaven.<br />
No wonder drive-in theatres everywhere<br />
are showing such a keen interest in vending.<br />
It offers a quick, convenient and welcome<br />
service for your customers and can<br />
add considerable profits to your overall<br />
operation.<br />
With the wealth of vendors available to<br />
you today, and the transition of the drivein<br />
theatre to where it is catering to the<br />
entire family, over a large area—in daylight<br />
hours as well as night—you have a<br />
wide latitude in the placement of equipment.<br />
Diversified vending units can be set<br />
up in the concessions building to relieve<br />
the pressure at the counters. Also, these<br />
vending setups can be located at various<br />
other places throughout the drive-in.<br />
Vendors can be installed in a shed at the<br />
play areas to stimulate sales which otherwise<br />
might not be made while Mother and<br />
Dad are relaxing while their children are<br />
at play. And vendors can be placed profitably<br />
to dispense such items as cigarets and<br />
candy in the areas where cars are at such<br />
a distance from the concessions building<br />
that sales might otherwise be lost, because<br />
the people in these cars are too lazy or<br />
unwilling to walk until the picture is over.<br />
These types of vending machine installations<br />
can be very profitable for you. How-
-<br />
!<br />
Now you can have<br />
FROM ONE MACHINE • •<br />
AND DOUBLE YOUR PROFITS TOO!<br />
DOUBLE YOUR PROFITS with the New Scotsman combination<br />
automatic ice macliine and soft drink dispenser. It<br />
actually puts profits back into the soft drink business . . .<br />
eliminates unnecessary handling or purchasing of ice.<br />
. . EFFICIENT . . . Simple to use. Ideal for<br />
NOTHING BEATS ICE for merchandising drinks! Add<br />
sparkle to your beverages with pure, quick-cooling Scotsman<br />
crushed ice- from the drini: dispenser itself!<br />
IT'S COMPACT .<br />
small or large fountains. Installs at either front or back<br />
counter.<br />
Send Jor Full Details Today!<br />
Mounts any combinotion of dispensing<br />
heads you wish at convenient operating<br />
height.<br />
Cold water and carbonated water<br />
faucets guarantee an ever ready supply<br />
of cold and carbonated water.<br />
Handy space for storage of holders.<br />
Built-in drain tray for volume serving —<br />
line up two or more glasses for each<br />
dispenser head.<br />
Makes and stores its own ice supply.<br />
Ice storage opening at correct height<br />
for maximum efFicient operation with<br />
dispensers.<br />
Bulk storage compartment for storing<br />
syrups, paper cups, etc.<br />
Convenient on-and-ofF switch. Makes it<br />
possible to turn machine off over holiday<br />
close-ups, etc. While in operation, machine<br />
turns itself on and off automatically.<br />
Removable panels provide easy access<br />
to ice machine and carbonator mechanism.<br />
i€®irSli^^lNI<br />
Automatic Ice Machines<br />
Offering the most complete line of ice machines on the market.<br />
SCOTSMAN in 1958 brings you 50 Golden Models to<br />
Super Cubers, Super Flakers. Super Bins.<br />
choose from . . .<br />
Combination Dispensers, etc. Your local SCOTSMAN ice<br />
specialist can help you select the machine best suited to<br />
your needs. Ask him today!<br />
/^ y Hush new literature and<br />
C/_i' complete details on the<br />
Scotsman combination ice machine and<br />
drink dispenser<br />
ADDRESS<br />
CITY<br />
NAME-<br />
-STATE-<br />
Muil ro SCOTSMAN — Queen Pfoducti, Inc.. 25 Front St., Albert Lea, Minnesota.<br />
Subi.d.or, al KINCSCeilr Corporol.on.<br />
BOXOFFICE :: May 5, 1958<br />
17
.<br />
;<br />
Bigger-Value Hot Dog, Hamburger for Nickel More<br />
As a follow-up to the Modern Theatre<br />
report to the industry on concessions prices<br />
in the April issue. It is Interesting to note<br />
that one circuit did increase prices last<br />
year from 20 to 25 cents for frankfurters<br />
and from 30 to 35 cents for hamburgers.<br />
There was no adverse customer reaction<br />
because the customer benefited, as the increase<br />
permitted the circuit to Klve the<br />
customer a little more product for his<br />
money. Prior to the increase, the circuit<br />
was using ten to the pwund hot dogs, but<br />
with the nickel Increase went to eight to<br />
the pound. Hamburgers had been eight to<br />
the pound; at the new price they were figured<br />
at six to the pound.<br />
An executive of this eastern circuit expressed<br />
the belief that as far as his theatres<br />
and other concessionaires in the area<br />
are concerned, they have gone as high as<br />
they can go. There isn't any room for increases<br />
with the exception, perhaps, of<br />
new items which could afford a little<br />
higher price, since the public would not<br />
have any medium of comparison as it does<br />
with a frankfurter or hamburger.<br />
Candy Wrapper Is<br />
Redesigned,<br />
Bars Available in Six-Packs<br />
The wrapper of the five-cenl Mars Coconut<br />
Bar has been redesigned and the bar<br />
Mars. Inc.. now has a six-<br />
for the first time i.s being sold in a sixpaclc<br />
container.<br />
pack for all five of its five-cent bars and<br />
each of these bars is available in 120-count<br />
boxes.<br />
B. A. Bouchard, vice-president and director<br />
of sales, in announcing the new<br />
wrapper and packs for the coconut bar,<br />
said that the candy company is confident<br />
the new six-pack will be a good seller.<br />
No other coconut bar on the five-cent level<br />
has national distribution, according to<br />
Bouchard.<br />
The company also offers a popular "Family<br />
Choice" assortment in addition to the<br />
six-packs and 120-count boxes of individual<br />
bars.<br />
NAC Adds Six New Members<br />
Six additions to the membership roster<br />
of the National Ass'n of Concessionaires<br />
have been announced by Philip L. Lowe,<br />
Lowe Merchandising Service, NAC general<br />
chairman of the membership drive.<br />
The new members are Philip Brown,<br />
Green River Corp., Chicago; Edward S.<br />
Redstone, Northeast Drive-In Theatre<br />
Corp., Boston: E. I. Rubin, E. I. Rubin Co.,<br />
San Pj-ancisco; Glenn Mercer, Popcorn,<br />
Inc., Denver: Joe P. Pipher, Theatre Candy<br />
Concessions Co., Indianapolis, and John C.<br />
Keyes, Variety Vending Co., Dayton, Ohio.<br />
I<br />
WHEREVER CARBONATED BEVERAGES ARE SERVED.<br />
SERVES THEM BETTER FOR LESS<br />
Wherever people gather ... in corner diners, cocktail lounges, ballparks,<br />
drive-in restaurants, drugstores, taverns, hospitals, clubs or luxury liners . .<br />
beverages are dispensed faster, with better quality, and at less cost by<br />
SODAMASTER. It's the modern, refreshing, sanitary method of serving.<br />
• The identical beverages obtained from bottles—with carbonation equal or higher.<br />
• As much as Ct^Cc savings on bottled flavors. 96*^- savings on club soda.<br />
• Choice of models to serve 2. 3 or -4 high carbonated flavors plus jet and normal<br />
soda stream, or can be installed to serve still drinks as well as carbonated,<br />
including plain drinking water.<br />
• Variety of flavors, instantaneously, at the finger lips.<br />
• Unmatched service speed, avoiding dissatisfaction and "walkouts' of rush periods.<br />
• Elimination of costly, troublesome, time-consuming bottle handling.<br />
• Uniform coldness and perfect proportions of beverages automatically.<br />
Self-Contalned Sodamaster Models Include Refrigerating System, Carbonator,<br />
Syrup Tanks, Automatic Controls, Everything In a Single<br />
Cabinet. Sodamaster Remote Models May Be Installed In Separate Room<br />
or Basement With Only the Faucets In the Service Area.<br />
MAIL THIS COUPON TODAY<br />
Pleose send me full focts on the H Sodamaster<br />
Q Mix Monitor Faucet 100 gallon-per-hour<br />
Supercharger corbonotors.<br />
Firm_<br />
Address-<br />
Nome<br />
West Coast Plant: 16028 S. Marquordt Ave., P.O. Box 142, Norwalk, Calif.<br />
IN CANADA GENERAL EQUIPMENT CORP., LTD.. TORONTO, ONT.<br />
Cost of Sputnik Buttons<br />
A successful sputnik button tie-in promotion<br />
between Theatre Confections, Ltd.,<br />
and the Pepsi-Cola Co., was described in<br />
the April issue of Modern Theatre. Price<br />
of the buttons was quoted at $4.50 per<br />
thousand. This is the individual theatre<br />
share price, the Canadian price to Theatre<br />
Confections was $12.50 per 1,000. The buttons<br />
were obtained from the Green Duck<br />
Co., Chicago, 111.<br />
MORE MEAT ... BY ACTUAL TEST . . .<br />
|<br />
and That Only from SmifhField Flavor!<br />
JAMES RIVER<br />
BRAND<br />
BARBECUES<br />
PORK<br />
and<br />
BEEF<br />
J<br />
18 The MODERN THEATRE SECTION
Result: Colorful cup designs created especially for<br />
For vending machines or over-the.<br />
counter service, Lily has the cup that<br />
puts new sparkle in your beverage<br />
and popcorn sales.<br />
Turninjj to the wonders of electronics<br />
helps The Man With The Lily Flan turn<br />
up exciting new cup designs. Here he<br />
studies figures from an electronic calculator—figures<br />
that show the important<br />
part design plays in impulse sales of<br />
popcorn and beverages.<br />
Probing of this type led to the development<br />
of these three proven profit<br />
makers:<br />
Trouble-free vending cup<br />
The Lilv" ven
I<br />
—<br />
v<br />
IS<br />
By<br />
YOUR QUALITY' SHOWING?<br />
Other Things Being Equal, Patrons Will Favor<br />
Theatre Known for Excellence of Concessions<br />
NEWTON WYLIE*<br />
The concessions stand today Is<br />
accepted and taken for granted by the public,<br />
and is a most necessary part of any<br />
theatre operation no matter what the size.<br />
It is important to realize that the competition<br />
of television to the motion picture<br />
industry today directly involves tlie concessionaire,<br />
because the people must enter<br />
the theatre to gain access to the concessions<br />
stand. People, when watching their<br />
television at home, have acquired the habit<br />
of eating or nibbling during some stage of<br />
the program. This has become such a way<br />
of life that although many homes stock<br />
special foods to serve when viewing television,<br />
a great many viewers simply raid<br />
their refrigerators. The result is, that they<br />
are becoming accustomed to eating quality<br />
foods and drinking quality beverages commensurate<br />
loith their staridard of living.<br />
This is an observation that should be of<br />
the greatest importance to every concessions<br />
operator, because these are the same<br />
people who will frequent the local theatres.<br />
and they have come to expect, and justly<br />
so, to receive quality comparable to that<br />
which they have become accustomed during<br />
the television program in their homes.<br />
Since it is evident that the concessions<br />
is an integral part of the theatre business<br />
if we are to compete with television not<br />
only must the films be inviting, but also<br />
•Sales Deportment, Cramore Fruit Products, Inc.<br />
Hw Are rM^ ^5^^Fi//Mfvn^<br />
the refreshments served at the concessions<br />
stand. The time, money and effort expended<br />
by the motion picture industry in<br />
promoting specific films has been the basis<br />
of successful advertising, and to build up<br />
your attendance it is now important to<br />
advertise and promote your concessions<br />
stand in the same manner. It is imperative,<br />
when describing refreshments, that<br />
you are honest with your patrons; stating<br />
only that which is true, and serving foods<br />
and beverages of the same high quality<br />
that they are accustomed to receiving in<br />
tlit'ir own homes.<br />
There have been many instances over<br />
the years in some theatres of selling inferior<br />
merchandise to the moviegoers, because<br />
they have worked on the basis that<br />
they held a monopoly on all refreshments<br />
served. The American public is patient and<br />
hopeful by nature, however there is a limit<br />
to how much it will stand. As the American<br />
way of life continues to prosper and<br />
the standard of living improves, the public<br />
will spend more money than in the past,<br />
but will want more value. Clear indication<br />
of this is the overwhelming success of the<br />
discount markets and supermarkets which<br />
have flourished in the past 15 years.<br />
SO-CALLED SAVING IS EXPENSIVE<br />
The concessions industry is fortunate in<br />
that it enjoys substantial profits from the<br />
merchandise itself, but there are many<br />
employed in this industry who for lack of<br />
foresight do themselves a great injury by<br />
serving inferior products just to save a<br />
penny or a half a penny a portion. All<br />
humans are creatures of habit and although<br />
habits are easy to acquire, they are<br />
most difficult to break, (ask any smoker).<br />
If the food or beverages are inferior or<br />
overpriced, and your patrons acquire the<br />
habit of taking their own refreshments in<br />
their automobiles with them (in one of the<br />
many inexpensive thermo jugs presently<br />
available on the market) the habit may be<br />
hai-d to break, and in fact spell ruin to<br />
the concessionaire.<br />
F^'om this it is apparent that the selection<br />
of the products merchandised on your<br />
concessions stand, deserves the same attention<br />
and consideration as given in the<br />
selection of the picture and short subjects.<br />
How important is the concessions stand<br />
DOUBLE PROFITS PLUS WITH BUTTER-MAT<br />
Users say this automatic butter<br />
dispenser will step up profits 250%.<br />
Handsome in stainless steel and<br />
enamel, thermostatically controlled,<br />
BUTTER-MAT dispenses 75 servings per<br />
minute and counts them. Write for low<br />
price and specifications.<br />
,A<br />
BUTTERCUP-MORE SERVINGS PER POUND<br />
You qet 80 servings per pound of<br />
butter — a $4.00 return — when<br />
you serve buttered popcorn in<br />
these trademarked, drip-proof<br />
BUTTERCUP cup. Ten sales aid<br />
accessories: Happy Apron, Super<br />
Sparkler 30" Buttercup replica. Butter Pusher<br />
plastic wall or counter sign, Buttercup<br />
replica 18" high. Miss Buttercup mobile.<br />
Buttercup balloons, and Buttercup screen trailer.<br />
' V^<br />
OTHER "BEST SELLERS": HOTRAY- BUTTERMATIC WARMER— BUTTER SERVER— COLDISPLAY—<br />
JUNIOR COLDISPLAY— FRONT & REAR SERVICE CANDY CASES— BUTTER CONSOLE— DISPLAY STAGE<br />
SUPURDISPLAY/ INC» 1324 W. Wisconsin Avenue, Milwaukee 3, Wis.<br />
Where /; the i'/frfrftr Pf^FiT<br />
to you? The reason we ask this question is<br />
that there are many drive-in operations<br />
in this country wholly dependent on their<br />
concessions business if they are to operate<br />
at a profit. The concessions industry has<br />
become so large and important a part of<br />
the theatre business that there are now<br />
Continued on page 22<br />
20 The MODERN THEATRE SECTION
For Cooler, Cleaner, More Efficient<br />
and More Profitable Food Service!<br />
MAKE "INTERMISSION TIME" PROFIT TIME!<br />
TOASTMASTER HOT-FOOD SERVERS<br />
Cooked foods keep piping-hot and oven-fresh for hours . . .<br />
electrically! Here is the famous stainless-steel "food keeper"<br />
that permits preparation of complete meals well in advance<br />
of serving time. The Toastmaster Hot-Food Server makes<br />
possible immediate service during peak-load periods . . . puts<br />
an end to costly food waste due to shrinkage, loss of flavor,<br />
color and texture. The secret? Perfect heat and moisture<br />
control through Toastmaster's unique six-side warm-air circulation<br />
system, humidity controls, and precision Robertshaw<br />
thermostat. No installation expense— plugs into standard<br />
115-volt circuit. Gain a new economy of labor plun a<br />
greater margin of profit!<br />
•ADD-ON" VERSATILITY! CUSTOM-DESIGN COUNTER LINE<br />
r^ iti< It looks good— it cooks good, elccirically! Combines<br />
"Add-On" versatility with "Perfect-Profile" design.<br />
Requires only 17" of counter depth. Individual<br />
units match perfectly— pieces can be added as<br />
needed. Finished in gleaming stainless steel. Choose<br />
from a full line of "Up-Front" cooking equipment—<br />
big-capacity Fry Kettle, 18" & 30" Griddles, flexible<br />
Food-Warmer, one and two-unit Hot Plates ... all<br />
automatic ... all electric. Faster heating . . . faster<br />
service— greater profits!<br />
Perfect toast every time . . . and fast! That's the famous Toastmaster<br />
"Powermatic" toaster. It thinks for you . . . electrically! No levers to press<br />
. . . reliable electric motors lower the bread — take slices right out of your<br />
hand — serve them up when toasted I Exclusive Toastmaster Superflex Timer<br />
makes each tempting slice uniformly golden brown, regardless of normal<br />
voltage fluctuations. Faster service, better toast, more profit in every slice!<br />
The Complete Line of Electric Cooking Equipment<br />
TOfl^TiWfl^TER<br />
"Toastmaster" is a registered trademark of McGraw-Edison Company, Elgin. Illinoi>i<br />
TOASTERS • BUN TOASTERS • SANDWICH GRILLS • BROILERS • FRY KETTLES GRIDDLES • GRILLS<br />
HOT-FOOD SERVERS • HOT PLATES OVENS • • RANGES WAFFLE BAKERS FOOD WARMERS<br />
•<br />
BOXOFFICE :: May 5, 1958 21
IS YOUR QUALITY SHOWING?<br />
Continued from page 20<br />
many tradppapers and periodicals wluch<br />
are cither devoted entirely to the concessions<br />
industry or devote major sections to<br />
it. Some of these tradepapers have pone<br />
to great lengths to break down the profit<br />
relation and spending relation to the food<br />
and beverage products in the Indoor and<br />
outdoor theatres, and their findings although<br />
they vai-y slightly are sufficient<br />
to stimulate the thought and consideration<br />
of the concessions stand owner. The relation<br />
in indoor theatres runs approximately<br />
20 to 25 per cent of the admission price<br />
spent at the concessions stand. However, in<br />
the drive-in it runs as high as 100 per<br />
cent because, on some inducement plans,<br />
moi-e than one person is admitted per<br />
admission charge,<br />
A TERRIFIC POTENTIAL<br />
There are many elaborate conce-ssions<br />
stands in drive-in theatres accommodating<br />
approximately 2,500 cars. These concessions<br />
stands can handle 2,000 customers<br />
in a 15-minute period, and frequently sell<br />
5,000 ice-cold, still water beverages during<br />
the evening. The prices of their beverages<br />
range from ten cents, 20 cents to 30 cents.<br />
This is an indication of the terrific potential<br />
of every concessions stand in every<br />
drive-in theatre.<br />
To achieve this potential it is necessary<br />
to get people into the theatre. There are<br />
today many inducements put forward by<br />
the modern drive-in theatre to lure families<br />
away from their television sets and<br />
other activities. One approach has been to<br />
select and promote a particular moving<br />
picture in the famous Hollywood manner,<br />
creating such a strong desire to view the<br />
film that the public can scarcely resist. In<br />
an effort to acquire the attendance of the<br />
entire family, including small children,<br />
many successful installations include an<br />
elaborate kiddyland and also put on a<br />
special family night in which children<br />
under 12 are admitted free. This is a<br />
particularly interesting inducement becau.se<br />
only the very young go to the kiddyhind,<br />
and these children under 12 who gain<br />
free admis.sion on these nights more than<br />
compensate, because like all growing children<br />
they have an unbelievable capacity<br />
for both food and beverage.<br />
FAVORS THEATRE WITH QUALITY STAND<br />
Modern theatre concessions stands, as<br />
we have mentioned before, have become an<br />
American way of life. The appeal of the<br />
picture, the kiddyland and the .specially<br />
promoted family nights, may be lost if the<br />
quality of food and beverage sold at the<br />
concessions booth is inferior. There was a<br />
time when these problems did not concern<br />
the concessionaire because of the scarcity<br />
of drive-in theatres; however, with the<br />
vast building program and the American<br />
habit of driving, drive-in theatres within<br />
ten or 15 miles are taken into consideration<br />
by families selecting a motion picture.<br />
You may be sure that in making their<br />
selection there is weight thrown in favor<br />
of the theatre with the quality, reasonably<br />
priced concessions stand.<br />
Concessionaires whose business has been<br />
dropping off might well be advised to conduct<br />
a survey on the quality of their merchandise,<br />
because it must be remembered<br />
that the concessions is the result of the<br />
American public habit and way of life,<br />
which indicates refreshments and motion<br />
pictures going hand in hand. Patrons when<br />
Leader in its field!<br />
ADCO<br />
DRINK DISPENSERS<br />
Just as certain makes of cars are first choices of successful<br />
people, so also the Adco Drink Dispenser is an overwhelming<br />
favorite with successful individuals in the food and beverage<br />
Q<br />
field.<br />
Possibly the preference of men of discrimination for Adco<br />
Dispensers may be traced to the fact that such men are thinking<br />
first and foremost of maximum sales. And they know that<br />
Adco, in addition to its mechanical perfection, is always selling.<br />
Its handsome appearance and animated beverage display, consistently<br />
compels your customers to stop . . . look . . . and buy.<br />
Would you like this silent salesman to go to work for you?<br />
Would you like to know more about his qualifications?<br />
Write for full information<br />
A. DALKIN COMPANY • 3232 N. Kilpatrick Ave. • Chicago 41, Illinois<br />
a division of AMERICAN MACHINE & FOUNDRY COMPANY<br />
ADCO<br />
0>INK DISPENSEIS<br />
22 The MODERN THEATRE SECTION
attending a movie, will be naturally disappointed<br />
if the picture does not meet<br />
their expectations, but they will leave the<br />
theatre firmly believing that the next time<br />
they attend, the picture will be of better<br />
quality. However, and this is important,<br />
they can have no such reassurance about<br />
the concessions .stand because they know<br />
that concessionaires do not change their<br />
quality two or three times a week.<br />
Build up concessions sales! The same ingenious<br />
thinking that has resulted in the<br />
motion picture business attaining its present<br />
height, if applied to the concessions<br />
outlet, will result in an unbeatable combination.<br />
Some of the imaginative operators<br />
have been successful in putting on<br />
a real production in presenting their concessions<br />
products. Their basis is quality<br />
merchandise, promoted in an enticing<br />
manner to appeal to those who have the<br />
greatest consumption — namely, children<br />
and teenagers.<br />
The American soda pop business, which<br />
has grown into a flourishing, stable industry,<br />
was born in conjunction with the carbonated<br />
waters. Carbonated beverages have<br />
attained their success through quality<br />
products and extensive advertising, and for<br />
many years have been challenged only by<br />
the hot drinks, such as coffee and chocolate.<br />
However, there has been a trend for<br />
parents to limit the amount of carbonated<br />
drinks consumed at one time by the young,<br />
and there is every indication that this is<br />
resulting in a greater demand for the still<br />
water, noncai-bonated type of beverage in<br />
the family theatres.<br />
TASTE<br />
FOR QUALITY<br />
There is a great selection of low-quality<br />
still water beverages and syrups in many<br />
flavors both dry and wet available to the<br />
concessions owner today. The price of these<br />
products varies greatly, partially because<br />
many are local operations which are not<br />
subject to federal supervision, but some are<br />
nationally advertised brands, therefore<br />
every concessions operator must be alert<br />
and aware of the product which he serves.<br />
Many of these products are made up primarily<br />
of sugar, acids and coloring. Here<br />
/^^'-^ /^<br />
^<br />
po f*^ti ptfitfKi WJJ TWf Ttirf<br />
Ls a suggested test: Take any of the beverages<br />
which you .serve and .subject them<br />
to a blindfold test. It will be found that<br />
the majority of these products of inferior<br />
quality will have flavors so insipid that, if<br />
you can not see the color or read the label,<br />
you will be at a loss to name the product.<br />
It would be best to submit the blindfold<br />
test to an individual who is not accustomed<br />
to consuming great quantities of these<br />
specific flavors in the course of his duties.<br />
After each test the taster should rin.se out<br />
his mouth in fresh water, so that his flavor<br />
buds are not influenced. The entire flavor<br />
sensation comes from smell and mouth<br />
taste. Once the beverage has entered the<br />
throat there is no further taste .sensation.<br />
BACK PROMOTIONS WITH QUALITY<br />
Some concessionaires have been successful<br />
in stimulating the desire for their beverages<br />
by creating new names which they<br />
have printed in multicolor on their cups.<br />
Some add a slice of orange with a miniature<br />
parasol stuck to the side. Other concessionaires<br />
dress their employes in promotional-type<br />
unifonns with unusual hats<br />
which has a definite influence on the<br />
younger generation. Many installations<br />
cater to the "rock and roll" set. giving<br />
imaginative names to such common, everyday<br />
items as hot dogs and hamburgers. All<br />
these promotions are destined to be more<br />
successful if the product which they are<br />
pushing contains good quality and flavor.<br />
Some indoor theatres, to stimulate Saturday<br />
matinees, have presented each patron<br />
with a doughnut and a four-ounce cup of<br />
beverage. This creates an interest to the<br />
children, and at the same time whets their<br />
appetite for additional treats at the concessions<br />
counter.<br />
For 20 years our company has been manufacturing<br />
and nationally distributing<br />
many flavors of quality flavor bases for<br />
making noncarbonated still water beverages.<br />
The beverage phase of our business<br />
WEis a by-product of our Lemon Crystals<br />
which are used in industry in place of true<br />
lemon juice.<br />
NEW KIND OF SYRUP<br />
Three years ago. after much research,<br />
Cramore came out with a brand new<br />
product to the beverage business. It packed<br />
what it calls Dri-Syrup, which is made up<br />
in a similar way to wet syrup, except there<br />
is no water added. This was most acceptable<br />
because it required less storage space<br />
and was also convenient and had a longer<br />
shelf life. The product costs a little more<br />
than most syrups but contains the true<br />
fruit flavor. The product was developed<br />
primarily for the convenience of one customer:<br />
however, the idea caught on and<br />
grasped the imagination of the concessionaires<br />
over most of the United States. The<br />
result was that we had to double plant and<br />
production facilities to meet the challenge<br />
of the first year. This product is so successful,<br />
that today it comprises over 25<br />
per cent of our total business. It is sold in<br />
national ball parks, theatres, amusement<br />
Continued on page 27<br />
Are you inferested in<br />
increasing profits ?<br />
If your answer is yes, then you must<br />
try<br />
DELL'S PERFECT BLEND seosonings<br />
and flavors.<br />
• PIZZA SEASONING is the newest<br />
and most desired. PIZZA flavored<br />
popcorn is sensational . . . and<br />
it's<br />
easy to make with DELL'S PIZZA<br />
SEASONING. Your customers will<br />
love<br />
• DELL'S<br />
DELL'S<br />
it!<br />
RICHBO BRAND SEASONING<br />
(the butter flavored salt) is<br />
another outstanding seasoning.<br />
It's easy to use and saves tin-.e<br />
and money.<br />
PERFECT BLEND SEASON-<br />
INGS INCLUDE BAR-B-Q, PIZZA,<br />
CHEESE AND MANY OTHERS<br />
Find wore out about all<br />
of the sensational<br />
Dell flavors and bases.<br />
Samples will<br />
DELL<br />
be sent on request.<br />
FOODS<br />
Sfiecialtiei. Co-., 9nc.<br />
Nationally<br />
Advertised<br />
Beloit, Wisconsin<br />
HENRY HEIDE, INC NEW YORK, N. Y.<br />
PROFITS with<br />
:7, No Pulleys!<br />
No<br />
Oiling!<br />
.'VII BqulpRient Fattnted, HilarjntecJ<br />
and B.icked by 37 Years'<br />
Experience<br />
SAMUEL BERT MFG. CO.<br />
Fiir Park Station<br />
Box 7803, DALLAS, TEXAS<br />
SNOW<br />
MAGIC"<br />
THE NEW SNOW<br />
CONE MACHINE<br />
Cipacity; 50 cones<br />
every 30 seconds.<br />
The Bert's "SNOW<br />
MAGIC" machine<br />
combines eye-appealino<br />
beauty with perfect<br />
mechanical performance<br />
and larqe<br />
capacity. "Snow<br />
Magic" Is easy to<br />
operate and is Fully<br />
Automatic. A Sn»w<br />
Cone costs V,\ to<br />
1I/2C and usually<br />
sells (Of lOc . . .<br />
Ih.it's<br />
FOB.<br />
profit!<br />
Dallai<br />
only S270.00<br />
BOXOFFICE May 5, 1958 23
. . PERMANENTLY.<br />
. Offer<br />
nmm um<br />
fommi<br />
-By PHYLLIS HAEGERv<br />
Last week I saw a sign near the<br />
popcorn machine in a theatre lobby which<br />
riaci: TRY OUR POPCORN. IT ISN'T<br />
VERY GOOD. BUT IT SURE IS NOISY!<br />
It just happened to be a Saturday matinee<br />
and. of course, the theatre was crowded<br />
witli youngsters. The popcorn machine<br />
was jammed.<br />
Obviously the popcorn slogan was meant<br />
to appeal to the kids, and was based on<br />
the theory that young people enjoy being<br />
in on a "joke" which they consider fairly<br />
PIT-COOKED<br />
BARBECUE<br />
CALL YOUR DISTRIBUTOR TODAY-OR WRITE DIRECT TO<br />
adult. In this case, at least, the theory was<br />
.sub.stantiated. The theatre manager told<br />
me that he had sold more popcorn that<br />
day than he had tlie three preceding Saturdays<br />
put togellier.<br />
This approach works equally well with<br />
adults. In recent years, a good many national<br />
advertisers have found that one<br />
can often sell more of a product by poking<br />
fun at it than by usnvA the customary loud<br />
praise and extravagant claims. Many of us<br />
liave seen stores and restaurants use this<br />
technique to excellent advantage. I myself<br />
have witnessed mobs of people around<br />
counters of goods which have been advertised<br />
as "of little use to anyone, but it's<br />
fun to throw money away now and then."<br />
In selling pop>corn. there are many examples<br />
of silly slogans, such as:<br />
• UNDERNOURISHED? ONE BOX OF<br />
OUR POPCORN AND YOU'LL BE FED<br />
UP!<br />
• OUR POPCORN CURES ALL AIL-<br />
MENTS . PLEASE<br />
PAY IN ADVANCE.<br />
CASTLEBERRY'S FOOD CO. Box 1010 AUGUSTA, GEORGIA<br />
The NEW Patented SPEED-SCOOP<br />
Three times more efficient. Scoop and pour o<br />
bagful of popcorn in one single easy motion.<br />
Made of light, stainless oluminum. Cool hardwood<br />
handle. Perfectly balanced for maximum<br />
efficiency ond speed. Only 52.50 at your Theatre<br />
Supply or Popcorn Supply Deoler.<br />
SPEED-SCOOP<br />
109 Thornton Ave., Son Francisco 24, Colif.<br />
The New Imperial<br />
H-D "SODAMAKER'<br />
WITH 2 OR 3 FLAVORS<br />
Complete, Self-Contained Unit<br />
SUPERIOR REFRIGERATOR MFG. CO., INC.<br />
822-24 Hodiomont Ave. St Louis 12, Mo.<br />
• THE POPCORN WE SERVE IS UN-<br />
TOUCHED BY HUMAN HANDS (Insmall<br />
print: It's packed by monkeys.)<br />
Ridiculous and corny? You said it. But<br />
.something in us humans seems to respond<br />
to foolishne.ss like this. Apparently it issues<br />
a challenge we find hard to resist.<br />
WARNING: Of cour.se, when you undertake<br />
to spoof your popcorn, it goes without<br />
saying that it must be the best that<br />
money can buy. If it isn't, a silly slogan<br />
becomes a grim reality<br />
RESPOND TO FOOLISHNESS<br />
The concessions man who knows the<br />
habits and characteristics of the patrons<br />
of his theatre is the only one who can<br />
judge whether or not the occasional use of<br />
"backward advertising" will go in his theatre.<br />
If he decides to use it, he can let his<br />
imagination run riot 'being careful to<br />
keep it within the limits of good taste).<br />
There is no end to the ridiculous promotions<br />
that can be thought up by almost<br />
any concessionaire. This is probably because<br />
we all yearn to be corny at times,<br />
and it's such fun to let loose.<br />
Such "corn" need not be limited to written<br />
slogans. It can be incorporated in theatre<br />
advertising in newspapers and even<br />
on the streets. As an example of this last,<br />
visualize someone dressed as a spook with<br />
a sign that reads; I JUST ATE SOME<br />
YUMMY POPCORN AT THE RITZ THE-<br />
ATRE.<br />
You could use this form of advertising<br />
as an occasional change from your usual<br />
type or you cruld establish it as a consistent<br />
thing which people will watch for with<br />
interest. If you consider doing the latter,<br />
keep your eyes open for the reactions from<br />
your first few attempts to tell whether or<br />
not you should keep it up.<br />
PROMOTION OF THE MONTH-n<br />
you<br />
like the idea of silly slogans but are hard<br />
put to think of some really good ones, why<br />
don't you hold a contest among your patrons<br />
for silly popcorn slogans? Grownups<br />
and kids both would love it.<br />
Have some inexpensive entry blanks<br />
made up and put one in each box of popcorn.<br />
Make up lobby signs plugging the<br />
contest and provide a box for entries iput<br />
the box on a table with several pencils<br />
handy<br />
i<br />
a year's free pass to each of<br />
the five (or however many you chcosei<br />
top winners.<br />
The result will be plenty of slogans, and<br />
many of these will be surprisingly useful.<br />
Slogans should be limited to 15 words at<br />
the most, for your convenience.<br />
The choice of prizes is solely up to your<br />
knowledge of what will appeal to your<br />
customers. However, one thing which is<br />
sure to make them happy is the use of<br />
many of the slogans with credit given to<br />
the persons who made them up.<br />
The type of contest that uses the phrase<br />
"I like popcorn because" is so commonplace<br />
today that I'd be willing to bet that<br />
your patrons will welcome the chance to<br />
be corny!<br />
*The Popcorn Institute.<br />
24 The MODERN THEATRE SECTION
Presenting the TC 500 "FUTURA". .<br />
.from every angle<br />
a new concept in theatre chair styling<br />
(Potent Pend>f>q<br />
The Futura's modern. strcamliiK'd appcaraiiro is a new diitarliirc in<br />
theatre chair styhng. The graceful, sloping standards arc made of<br />
lieavv gauge, ovali/.ed steel. F,\ee|)li(>iiall\ strong, llic) are narrow and<br />
open for ease of cleaning and unrestricted ingress and egress.<br />
Maximum
vr<br />
Heywood seating<br />
is<br />
a profitable<br />
investment in comfort<br />
lc(i.<br />
lo. I.iiii;;. iic|>cii(lal)lc scr\ ice with<br />
low maiiilciiaiu'c costs is llt'\\\ooil s sci'-<br />
onil hiur jirolit |iictiiru.<br />
TC 706 AIRFLO ROCKING CHAIR LOGE<br />
s\ilh exclusive reclining spring base niechanisni<br />
TC 700 ENCORE<br />
Choice of Formed Knhhci or (loil<br />
Spring Cushion<br />
For ncn- ailaloii of<br />
Aiiditoi iiiin<br />
and Theatre Sealing, tvrite:<br />
.1<br />
HEYWOOD-<br />
WAKEFIELD<br />
>V<br />
THEATRE SEATING DIVISION<br />
Menominee, Michigan
Executive<br />
Advancements<br />
At Seating Company<br />
James M. VerMeulen has been elected<br />
president of American Seating Co. by a<br />
newly elected board of directors. Former<br />
president H. M. Taliaferro was named<br />
chairman of the board. Prior to these<br />
changes, stockholders had re-elected the<br />
IS YOUR QUALITY SHOWING?<br />
Continued from page 2i<br />
centers, kiddylands, etc., resulting in an<br />
increased volume which more than compensates<br />
the concessionaire for the fractional<br />
increa.se in unit drink. Lemon flavor<br />
Dri-Syrup has been successfully used in<br />
some irLstallation.s which heretofore served<br />
nothing but lemonade made from fresh<br />
squeezed lemons.<br />
The conccssio7is stajid is big business<br />
and, if given proper attention, supervision<br />
and selection, can result in unthought-of<br />
profits. In every resort town there are concessions<br />
operators who operate on a<br />
two to three-month ba-sis, and make<br />
enough profit to retire for the other<br />
months of the year. These people are becoming<br />
more quality conscious each year,<br />
and are making more money. Exhibitors<br />
have the advantage of capitalizing on this<br />
lucrative field of endeavor in conjunction<br />
with their successful motion picture operation.<br />
H. M. Taliaferro J. M. VerMeulen<br />
seven present members of the board and<br />
added two new board positions.<br />
VerMeulen. who had been serving as executive<br />
vice-president, is only the third<br />
president in the firm's history. He joined<br />
American Seating in 1927. following graduation<br />
from college, his first assignment being<br />
as inspector of box spring seats in the<br />
upholstery department. Now 53, VerMeulen<br />
has been trained in every area of the company's<br />
operation.<br />
Taliaferro, president for 29 years, had<br />
asked the board to be relieved of administrative<br />
duties in order to concentrate on<br />
the corporation's long range planning activities.<br />
The manner in which you keep your<br />
machines or warmers clean is actually one<br />
of the best indirect methods of merchandising<br />
yom- popcorn sales.<br />
Make Your Own<br />
SYRUPS<br />
for<br />
only<br />
70c gallon<br />
WITH FLAVORS FROM HURTY-PECK.<br />
FINEST SYRUPS FOR . . .<br />
if BEVERAGES * SNO-CONES<br />
if<br />
TOPPINGS<br />
Order from Hurty-Peck & Co., America's<br />
largest independent flavor house. For full<br />
information, samples, and booklets on syrupmoking,<br />
write today.<br />
HURTY- PECK & COMPANY<br />
Fine Flavors Since 1903<br />
n era's a complete line of top-quality bars in the<br />
10'' class ... the big, balanced line to satisfy every<br />
taste. No matter where you display them (in candy<br />
case or vending machine) these famous Hollywood<br />
bars ore top sellers, priced to give you a margin<br />
that assures top profits, too. Many bars also<br />
available in the 5'' class. Investigate!<br />
^oi<br />
MAKERS OF / Thc BolanceJ Line of "Best Sellers"<br />
0//ULUOOCl C A fADY DIVISION<br />
HOLLYWOOD BRANDS, I N C —<br />
. C E N T R A 1 1 A , ILLINOIS<br />
1423 Noomi St. Indianapolis, Indiana<br />
BOXOFFICE :: May 5, 1958 27
ON THE LEVEL WITH LOBBY AND LOUNGE<br />
Elimination of two steps down to the lounge<br />
by raising the floor level to that of the lobby creates<br />
a spacious continuous area in the St. Louis<br />
Pork Theotre, Minneapolis. The area was further<br />
opened up by lowering the ceiling and taking niches<br />
out of the walls (which may be seen below in the<br />
lower right) making room for the large concessions<br />
stond which is equipped with o Cretors popcorn machine<br />
and Supurdisploy ice cream cabinets. Lobby<br />
lighting is subdued but builds up in the lounge to<br />
peak brilliance. In the view ot left, taken from the<br />
concessions stond and looking into the lounge, the<br />
simple elegance of smart furnishings contrasted<br />
against white walls moy be seen. The lounge offers<br />
patrons free coffee and coffee cappuccino (o blend<br />
of coffee and chocolate) although the theatre is<br />
not on art house. There is also an RCA color television<br />
set. The davenports were custom-designed for<br />
the theatre. Doors to restrooms are at center left<br />
in the rear, and the foyer is at left out of the picture.<br />
Photograph at lower left is of the lounge before<br />
redecorating, an attractive enough area but<br />
lacking the smartness of the new lounge.
To GIVE THE theatre a new personality,<br />
was the purpose in remodeling the<br />
St. Louis Park Theatre, an outlying de<br />
luxe house in Minneapolis. The theatre is<br />
17 years old, has good sized spaces for<br />
foyer, lounge, lobby and auditorium. It<br />
has excellent parking facilities and is in a<br />
growing suburb. However, it was so thoroughly<br />
dated that over the years, new<br />
rugs, new paint, latest sound equipment<br />
and screen, and even new seats had not<br />
changed its character.<br />
John Field, a recent Yale architectural<br />
graduate, associated with Knorr. Elliott &<br />
Associates in San Pi-ancisco, was given the<br />
challenging order of giving the Park Theatre<br />
a new look, a glamorous look. It was<br />
understood that the owners would approve<br />
the project and the price, but that they<br />
would not interfere with the execution or<br />
the philosophy of the remodeling.<br />
EXCITEMENT INSIDE THE THEATRE<br />
"A theatre, to me, is like a circus." says<br />
John Field. "It should have simple primary<br />
colors and give people the feeling with<br />
lighting that the excitement is on the inside<br />
of the theatre, not the outside."<br />
Consequently, the lobby lighting is subdued<br />
like a night club. The boxoffice was<br />
moved inside and is a long open bar. The<br />
ceiling was lowered. The walls of the lobby<br />
had always been aluminum but they were<br />
pointed up by the shining black Amtico<br />
tile floor laid in an old Mexican pattern<br />
with occasional silver squares to match the<br />
walls. New glass doors with narrow aluminum<br />
frames replaced the old wood doors.<br />
The lighting builds up in the lounge to<br />
peak brilliance. Walls are white, with one<br />
bright blue wall up over the candy counter.<br />
The new candy counter is walnut Formica,<br />
The black Amtico tile floor and white walls<br />
extend through into the lounge. Two steps<br />
down were eliminated by raising the floor<br />
level and the lounge and foyer are now one<br />
continuous area. It is here that coffee cappuccino<br />
is served to patrons coming in or<br />
going out. The lounge is a pleasant space<br />
with new furnitiu'e. Simple elegance is the<br />
keynote of the whole theatre.<br />
A JAPANESE GARDEN<br />
Inner foyer lighting is subdued to make<br />
an entrance for the auditorium. In the<br />
foyer, the same white walls are used with<br />
evenly spaced panels of clear green mosaic<br />
tile around the photoframes, drinking<br />
fountains and drink machine. New. bright<br />
blue carpet with big green circles is used<br />
in this part of the foyer and throughout<br />
the rest of the theatre. The furniture<br />
echoes the lounge furniture. At the end<br />
of the foyer is a Japanese garden to replace<br />
the old curved seat. The garden has<br />
a fountain of green mosiac tile, white<br />
marble chips and an old piece of Japanese<br />
stone sculpture.<br />
Auditorium walls were rubbed down and<br />
cleaned. Modern Danish, white light fixtures<br />
were added on the side walls. A new<br />
close-in curtain in striking sections of blue.<br />
r\ DRAMATIC satellite ceiling installed in the<br />
St. Louis Park lobby antedated the sputniks (the<br />
theatre was reopened last November 8) and illustrates<br />
the forward thinking of Harold D. Field,<br />
owner, and sons, Manager Martin Field and Architect<br />
John Field. The lighting fixtures are of glass<br />
fabric and metal. The view above, taken from the<br />
street, shows the cashier's open bar which replaces<br />
the former outside boxoffice, and the impressive<br />
poster coses. Cutout letters on the panel behind<br />
the cashier also feature coming attractions, including<br />
a live band. Walls are aluminum and floors are<br />
black tile with occasional silver squares to complement<br />
the wolls. Off to the right of the lobby is the<br />
lounge. A view of the old ceiling treatment and the<br />
old-style cashier's cage is shown at right. The St.<br />
Louis Park provides a lighted free parking area for<br />
750 cars, and personalized service through owner<br />
operation.<br />
green and beige was hung over the screen.<br />
The ladies' room had always been off the<br />
lounge, but the size of the powder room was<br />
greatly enlarged. The men's room which<br />
had been in the basement was brought up<br />
on the main floor. Both rooms were tiled.<br />
The ladies' powder room was lined on all<br />
w-alls with striped Naugahyde and the<br />
chairs were upholstered in matching<br />
Naugahyde.<br />
Through the architectural changes of<br />
making the floor all one level, moving the<br />
boxoffice. the men's room and the candy<br />
counter, replacing all the exterior doors,<br />
closing up the stairway to the basement,<br />
and with new lighting throughout the<br />
theatre, new furniture and repainting, the<br />
theatre has a new look and a new personality.<br />
It is young, fresh and exciting,<br />
like its designer and a pleasant, comfortable<br />
place to see a motion picture in a suburban<br />
area.<br />
The manager of the St. Louis Park Theatre<br />
is Martin Field, a third generation<br />
showman with as keen an interest in movies<br />
as his father and his grandfather. He<br />
is constantly experimenting to learn what<br />
people want and how to make his patrons<br />
welcome and enjoy their evening out.<br />
The San FYancisco architect for the St.<br />
Louis Park Theatre is a brother of the<br />
manager.<br />
BOXOFTICE May 5, 1958 29
ST. LOUIS PARK THEATRE . . . Cont'd.<br />
I<br />
A delightful touch in the theatre foyer is<br />
this Japanese rock garden with a pond,<br />
lantern and an artificial plant in St. Louis<br />
Pork blue and green with a purple blossom.<br />
The leaves ol the plant match the carpet.<br />
AFTER:<br />
Green Italian mosaic panels, white walls and a custom-run carpet by American in the theatre's own<br />
shades of blue and green moke the foyer an attractive place. Upholstered benches complete the modern setting.<br />
A Japanese garden is at the far end near the stairway.<br />
BEFORE:<br />
The foyer in the St. Louis Park before remodeling. Comparison with the photo above will show how the<br />
foyer lighting was subdued for a better approach to the auditorium.<br />
White walls of the foyer are broken by<br />
evenly spaced panels of clear green mosaic<br />
tile around the drinking fountains, display<br />
frames and drink machine. Each mosaic<br />
panel is lighted from above.<br />
^<br />
Patrons enjoy the convenience of this attractive<br />
telephone booth and chair. The<br />
chair is chrome plated. Booth was placed<br />
low on the wall for it is intended to be used<br />
while sitting down.<br />
The 960-seat auditorium is highlighted by the velour prcsccnium curtain in stripes of blue, green and beige.<br />
Danish white light fixtures alternate with stereophonic sound speakers on the auditorium walls.<br />
30 The MODERN THEATRE SECTION
CINEX<br />
The<br />
WORLD'S<br />
FINEST<br />
and most<br />
POWERFUL<br />
PROJECTION<br />
LAMP<br />
You have only to read the reviews<br />
in the molion picture trade<br />
journals regarding the opening<br />
of the newest and finest Driveins<br />
and Theatres— you will note<br />
that invariably 100% of these<br />
state<br />
"Equipped with<br />
Ashcraft Super Cinex"<br />
WORLD WIDE<br />
SUPREMACY<br />
SUPER CINEX has become THE<br />
STANDARD of projection excellence<br />
in the finest Drive-ins and<br />
Theatres throughout the world —<br />
in England, in Australia, France,<br />
South Africa, West Germany<br />
and other countries.<br />
We are proud of our twenty<br />
years association with<br />
Westrex<br />
At last a truly precision light control<br />
has been developed.<br />
It does not employ cycling thermostats<br />
but a light beam moving five times<br />
faster than the light source itself.<br />
The MICRONIC CONTROt maintains<br />
the correct crater position within a few<br />
thousands of on inch continuously,<br />
while maintaining an exact arc gap.<br />
Forty years of experience have been<br />
condensed into the design of the<br />
MICRONIC CONTROL-the ultimate in<br />
precision light and screen color control<br />
whereby screen illumination is always<br />
maintained at a maximum light and<br />
distribution level.<br />
ROXY<br />
Theatre<br />
NEW YORK<br />
N.Y.<br />
ASHCRAFT SUPER CINEX<br />
Selected for its superior<br />
performance by<br />
CINEMIRACLE<br />
CHINESE<br />
Theatre<br />
HOLLYWOOD<br />
California
This attractive dine and dance patio fronting the concessions building at the<br />
Star Drive-ln, Btosdcll, N. Y., is an oasis of fun and refreshment for many a<br />
young couple at the end of a tense, busy summer day. On this breeze-swept<br />
patio, sheltered from the final hour of sunshine by white-fringed beach umbrellas,<br />
young parents can relax to jukebox or live band music while their<br />
youngsters play in a supervised Kiddies Korral at the end of the building. The<br />
projection equipment for the 610-foot throw to the mammoth screen is housed<br />
in the small extension directly above the snack bar. The concessions building,<br />
like the boxoffices, is 0/ Roman brick. The 1 ,250-car drive-in is the eighth for<br />
the Blatt Bros circuit which operates theatres in Pennsylvania and New York.<br />
DANCE PATIO FUN HAVEN FOR YOUNG PARENTS<br />
Children Play Under Theatre Supervision While Parents Relax Before Show<br />
^/ne of the most popular dance<br />
spots on the Niagara F^-ontier is the cool<br />
patio across the front of the cafeteria concessions<br />
building at the Star Drive-In, a<br />
Blatt Bros, unit within the city limits of<br />
Blasdell. N. Y. Here, tired parents can relax<br />
and dance before showtime, knowing<br />
their youngsters are playing under watchful<br />
supervisors in the Kiddies Korral immediately<br />
at the rear of the 70x70-foot<br />
Roman brick building.<br />
The dance patio also is 70 feet long, wide<br />
enough for dancing under the extended roof<br />
of the concessions building and for a row of<br />
six restaurant tables and chairs, each table<br />
sheltered by a fringed beach umbrella.<br />
Limiting the front and two shorter sides of<br />
the patio is an attractive 30-inch Roman<br />
brick wall. The front of the low wall is<br />
decorated by 16, dark green planter boxes<br />
with blooming flowers, and each side wall<br />
by seven planters.<br />
In this pleasant, easy atmosphere young<br />
parents and younger couples can en.ioy<br />
themselves before showtime and again at<br />
intermission, dancing to jukebox tunes or<br />
to the music of local bands. Many patrons<br />
also prefer to watch the screen program<br />
from chairs on the patio, which faces the<br />
mammoth screen.<br />
The Star capitalizes on this screen as another<br />
of its major exploitable features, the<br />
85':;xl52-foot screen being advertised as<br />
"the world's largest screen" on the airer's<br />
flower-bordered attractions board. The big<br />
screen rests on a footing of more than 250<br />
yards of poured concrete, the aluminum<br />
facing painted with a highly reflective<br />
coating that assures patrons a clear, perfect<br />
vision from all angles in the 1,250-car<br />
ramp area. The screen, its back closely<br />
paralleling South Park Avenue, is 610 feet<br />
from the projection booth, which is housed<br />
directly above the snack bar area. Light,<br />
Four entrance lanes facilitate the handling of big<br />
crowds by cashiers in three canopy -connected boxoffices.<br />
The two outer boxoffices of gloss, aluminum<br />
and Roman brick serve lanes one and four, while a<br />
matching boxoffice with two windows serves lanes<br />
two and three.<br />
brilliant enough for the long throw, is provided<br />
by 165-ampere equipment.<br />
The Star, which was opened June 12,<br />
1957 with J. R. Stefanon as manager, has<br />
been operated continually with the policy<br />
of providing a clean, pleasant, wholesome<br />
place for family recreation. Children under<br />
12 are admitted free at all times. Also free<br />
to the youngsters is the playground area,<br />
variously referred to as the Kiddies Korral<br />
and Candy Land. It is decorated with a<br />
candy stick motif and offers the kiddies all<br />
the delights of merry-go-rounds, swings,<br />
slides, climbers, teeters and sand boxes,<br />
along with benches for Mom and Dad.<br />
In keeping with the popular Blatt policy<br />
of catering to the family patronage, constant<br />
supervision of the entire theatre area<br />
is maintained throughout show hours; only<br />
pictures recognized as suitable for family<br />
patronage are booked and rest rooms are<br />
kept spic and span daily. Special bottle<br />
warmer service with do-it-yourself equipment<br />
is appreciated by the many young<br />
mothers among the Star's patronage.<br />
The Star advertises this screen on its attractions board as "the world's largest." The 85' 2x1 52-foot screen<br />
rests on a footing of more than 250 yards of poured concrete and the facing was given a special highly reflective<br />
coating. Combined with ?65 ampere lamp lighting, this screen reflectivity gives every patron<br />
in the 33-acre grounds a clearly defined view of the picture.<br />
CREDITS: Concessionaire: Niagara Vending •<br />
Equipment distributors: Buffalo Theatre Equipment<br />
and Seating • Lamps: Ashcraft • Playground:<br />
Miracle • Projection: Century • Screen tower:<br />
Cartright and Morrison * Sound and speakers:<br />
Ballantyne.<br />
32 The MODERN THEATRE SECTION
.47<br />
Drive-ln Manager Holds Key<br />
To Maintenance Costs in<br />
Keeping Up His Theatre<br />
Tone Quality<br />
r ROPER PROCEDURES foi' ClOSillg<br />
down and pioventive maintenance in the<br />
fall will save drive-in opeiatois many dollars<br />
at reopening time. Edward Stokes of<br />
Lippert Theatres of San Francisco told<br />
those attending the Theatre Owners of<br />
America Drive-In Conventionette in San<br />
F^-ancLsco<br />
recently.<br />
Pointing out that quality and availability<br />
of product are often beyond the drive-in<br />
manager's power, Stokes declared the manager<br />
holds the key to labor costs in properly<br />
maintaining his theatre.<br />
'A STITCH IN TIME'<br />
"The preventive inspections and daily<br />
checks which are made for cleanliness will<br />
show up parts of the theatre that are deteriorating<br />
and where a small expenditure<br />
for a gallon of paint or a piece of lumber<br />
will avoid a costly replacement later on.<br />
There are still some capable maintenance<br />
people around who can swing a brush and<br />
can hammer a nail, who don't cost $4 an<br />
hour.<br />
"One of the greatest faults I have found<br />
with drive-in theatres is what transpires<br />
when a theatre is ready to close down for<br />
the winter. I have seen managers as well<br />
as owners close their gates and bid the<br />
place farewell until spring. This I can't<br />
accept. If these same managers and owners<br />
would just take a few more hours to see<br />
that certain things are done to preserve<br />
equipment, they would find that when reopening<br />
time comes along all that is necessary<br />
is to wipe off preserving oil and start<br />
operating.<br />
"I have seen snack bars that were left<br />
with syrups in their machines, freezers not<br />
defrosted and equipment left out uncovered<br />
in the weather. I have seen projection<br />
booth equipment left unattended and without<br />
a protective coat of light oil. And for<br />
only a little investment of about six cents<br />
per ix>st, a speaker can be protected from<br />
the winter elements by a plastic bag.<br />
GET THINGS DONE IN<br />
WINTER<br />
"Even though your theatre is closed for<br />
the winter, it should still be inspected periodically<br />
just in case something happens<br />
which needs immediate fixing. The winter<br />
is also a good time to get all the big and<br />
little things fixed up, so when you open<br />
you can start immediately to promote your<br />
business instead of repairing the premises.<br />
And, I insist, it is a lot cheaper."<br />
On keeping areas painted. Stokes recommended<br />
the maintenance man be given a<br />
roller instead of an old fashioned paint<br />
brush. "We found they can do just as good<br />
a job in half the time, and with lots less<br />
paint," he said.<br />
"Use lots of paint and change the color."<br />
Continued on following page<br />
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MANAGER HOLDS KEY TO COSTS<br />
Continued from preceding<br />
page<br />
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QUANTITY PRICES on Orders Over SO^J-'<br />
Send for Quantity Price Information Sheet<br />
F.O.B. Scranton, Pa., prepaid on 100 or more.<br />
Prices slightly higher West of the Mississippi.<br />
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"In other word.s," he declared, "If it's<br />
green, make it pink, or whatever color you<br />
might think fit.s best. But paint makes<br />
your place look clean, and a change makes<br />
it<br />
interesting."<br />
Speaking of screen maintenance. Stokes<br />
said that in his circuit they had been paying<br />
from $500 to $800 to repaint a screen<br />
annually. "But in tightening our belts," he<br />
said, "we shopped around and came up<br />
with union painters who are now doing our<br />
screen.? for $200. In other words, when<br />
and if<br />
planning any major work, get bids,<br />
they seem too high, get more bids.<br />
"We have found," he said, "that in painting<br />
the back oi the screen, an aluminum<br />
paint seems to be much cheaper to apply<br />
and seems to last longer. The same holds<br />
true for our playgrounds and speaker posts.<br />
However, if you are one who likes color,<br />
you'll have to pay for it. But if you do like<br />
color, you will find colors can be applied to<br />
more accessible spots like the snack bar or<br />
outside cf your buildings much more easily<br />
cheaply than to the back of the screen,<br />
and will still give you a good color effect.<br />
NEW KIND OF<br />
LANDSCAPING<br />
"I have just come back from a trip to<br />
Palm Springs, and was impressed by the<br />
economical type of landscaping employed<br />
by the new Desi Ai-naz Motel there. They<br />
used large boulders and decorated with<br />
white gravel, colored stepping stones, indirect<br />
lighting, and a few cactus plants. There<br />
was no grass, and almost no shrubs, to<br />
maintain. They have figured out a beautiful<br />
outdoor effect that is simple, effective<br />
and practical. I feel this same type of planning<br />
should be applied to a drive-in theatre."<br />
Weeding will be a problem, Stokes said,<br />
if it is not handled systematically. "As soon<br />
as the weeds start appearing in the early<br />
spring, have youi- maintenance man chop<br />
them out and spray the area with your favorite<br />
weed killer. Your problem in season<br />
will then be practically nil. However, if<br />
you let them get away from you, it's going<br />
to cost you money all through the season<br />
to have someone constantly battling the<br />
weeds."<br />
Photographic Exhibit at World's Fair<br />
The role of photography in the service<br />
of mankind will be the theme of Kodak's<br />
gleaming glass, steel, aluminum and wood<br />
building at the Brussels Universal and International<br />
Exposition April 17-October 19.<br />
Six photographic experts able to answer<br />
questions in Flemish. Fi-ench and English<br />
will be on duty every hour to help amateur<br />
photographers among the 35,000,000 visitors<br />
expected at the fair. Kodak's 100x40-<br />
foot pavilion near the Esplanade Gate in<br />
the 500-acre fairgrounds in Hysel Park<br />
will display latest Kodak products for<br />
amateur photography but nothing will be<br />
offered for sale in the building.<br />
The MODERN THEATRE SECTION
.<br />
rpl0Ve-<br />
^y
I<br />
'T<br />
MICRONIC DETECTOR CONTROLS<br />
PROJECTION LIGHT LEVEL<br />
By<br />
CLARENCE ASHCRAFT'<br />
I HE MicRONic Light Control is an<br />
extremely precise device for exact maintenance<br />
of the carbon crater, which is the<br />
source of light, at a predetermined position<br />
from the ellipticiil reflector used in<br />
the Super Cinex projection lamp. It maintains<br />
light level and the distribution of<br />
light over the screen surface with unvarying<br />
accuracy, yet the values may be changed<br />
immediately by the operator.<br />
The electric arc has heretofore been an<br />
erratic light source for motion picture projection,<br />
varying in intensity and color from<br />
minute to minute, which is not conducive<br />
to good projection. Nothing is more distracting<br />
to the audience than browii or<br />
blue color appearing on the screen, whicli<br />
has been characteristic of the light produced<br />
by the average projection lamp.<br />
While the Ashcraft Super Cinex lamp has<br />
eliminated color and light variation to a<br />
great extent, complete automation which<br />
•President, C. S. Ashcraff Monufacturing Co.<br />
The pioneer in Coil Form Repellent<br />
introduces to you . . .<br />
In NON-CRUSHABLE<br />
CUSHION PACKED<br />
BOXES With ALUM-<br />
INUM LINED BOX TOP<br />
ASH TRAY of no extro<br />
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1^ 2 flat coils lasting minimum<br />
14 hours<br />
^ Coils are separated individually<br />
for easy handling<br />
1^ Metal holder secured to box<br />
top<br />
[^ Aluminum lined box top ash<br />
would relieve the projectionist from the<br />
responsibility of any defects in light<br />
variations<br />
seemed impossible before the discovery<br />
of the entirely new principle employed,<br />
and which makes the Micronic<br />
control as near perfection as is possible.<br />
The thermostatic method of light control,<br />
which has been used for years for the<br />
control of searchlight arcs and from time<br />
to time applied to motion picture projection<br />
lamps, is far from satisfactory for the<br />
reason that the image of the arc had to<br />
be necessarily reduced to about one-half<br />
its actual size to create sufficient heat to<br />
operate the bimetal leaves of the thermostat<br />
which operated the controls. The basic<br />
fault of the thermostat as a controlling<br />
means is that the periods of heating and<br />
cooling created "cycling" which resulted in<br />
periodic changes in picture brightness and<br />
color.<br />
The Micronic control employs no thermostats.<br />
It controls light and not heat, therefore<br />
it uses light as a medium for its operation<br />
but in an entirely different way<br />
from any previous methods. When 70mm<br />
wide film projectors were introduced, which<br />
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The new Ashcralt Micronic detector unit.<br />
were also convertible for 35mm film projection,<br />
the Super Cinex lamp was designed<br />
so that either 35 or 70nun film projection<br />
was possible with equal efficiency for<br />
either size. To eliminate the necessity of<br />
the use of light expanding or contracting<br />
lenses, sometimes referred to as relay<br />
lenses which create a substantial light loss,<br />
an entirely new method was discovered<br />
whereby the angles of the light beam or<br />
cone of light from reflector to aperture<br />
could be varied to more perfectly cover the<br />
film area of either 35 or 70min film, with<br />
equal efficiency for both, than was possible<br />
by any existing methods.<br />
NEW PRINCIPLES<br />
DISCOVERED<br />
The new method discovered, was made<br />
possible by reducing the distance from the<br />
large elliptical reflector to the film plane<br />
or aperture far more than had ever been<br />
attempted before. The result was that not<br />
only was the light coverage over the film<br />
area more perfect but. paradoxically, the<br />
projected light was increased to an amazing<br />
extent. All existing theories regarding<br />
magnification and optical speed which determines<br />
the efficiency were completely<br />
disregarded, new and sound optical principles<br />
applying to motion picture projection<br />
were discovered and applied. The phenomenal<br />
result was that it was possible to vary<br />
the size of the intense film-covering light<br />
circle from approximately one and one-half<br />
inch in diameter, necessary for 35mm film,<br />
to approximately three and three-quarter<br />
inches for 70mm film by moving the carbon<br />
crater ithe light source) only .237<br />
inch (7/32 of an inch). This meant that<br />
the area of the light circle was multiplied<br />
six times by a movement of the arc crater<br />
toward the reflector of less than one-fourth<br />
inch. Simultaneous with this light area<br />
increase was an increase in projected light<br />
efficiency of over 25 per cent. This was<br />
Continued on page 38<br />
36<br />
The MODERN THEATRE SECTION
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Big and small theatres are changing to EPRAD<br />
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BOXOFFICE :: May 5. 1958 37
!<br />
MICRONIC LIGHT CONTROL<br />
1<br />
Continued from page 36<br />
considered Impossible before the discovery<br />
of rt new principle which has made the<br />
Super Cinex lamp possible. Its operating<br />
cost has also been reduced to an almost unbelievable<br />
low amount.<br />
The rapid expansion of the light beam<br />
with a very small movement of the carbon<br />
crater characteristic of the new lamp forms<br />
the basic principle of the Micronic light<br />
control.<br />
Extending into the rapidly expanding<br />
light cone of the lamp, close to its perimeter<br />
at the front of the lamphousing and as<br />
near the aperture or film plane as is possible<br />
and practical, is placed a small piano<br />
reflector which deflects a light beam at<br />
right angles to the optical axis of the main<br />
reflector and projection lens onto a small<br />
screen five-eighth inches in diameter. In<br />
this screen is a narrow slit through which<br />
is projected the full intensity of the reflected<br />
beam onto the light detector unit.<br />
Only an incredibly small amount of the<br />
total light reflected by the small auxiliary<br />
mirror is required for the operation of the<br />
controlling unit. The diameter of the aperture<br />
in the detector unit scanner is only<br />
forty thousandtlis of an inch.<br />
The image of the light source which is<br />
projected onto the detector screen is six<br />
times as large and moves six<br />
times as fast<br />
2^ 4. 2^ 2^<br />
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The actuating case enclosing timer, unit operating<br />
rectifier and relay.<br />
as the light source itself. This indicates<br />
the increased precision of the Micronic<br />
method over the thermostatic system. In<br />
the latter the movement of the controlling<br />
image is one-half as fast as the light source<br />
movement. Since the Micronic image<br />
moves twelve times as fast as that used<br />
with thermostatic devices therefore the<br />
Micronic control is twelve times as accurate.<br />
A simple analogy of the operation of the<br />
Micronic control is the functioning of the<br />
nervous system and brain of the human<br />
body. If a hot object comes into contact<br />
with the human hand there is an immediate<br />
transmission through the nerves to the<br />
brain which results in a rapid and involuntary<br />
withdrawal of the hand from the hot<br />
object. It is human nature, if a person is<br />
aware that an object might be heated beyond<br />
the point where it is comfortable or<br />
safe to grasp, to test by repeatedly touching<br />
the object with the fingers lightly in<br />
this manner of the nervous system and, in<br />
the brain we determine what should be<br />
done about it, whether to keep our hands<br />
off of it or otherwise.<br />
CRUSADER<br />
FOR SAFER<br />
. DRIVING<br />
-<br />
^ so/'- -<br />
The Micronic light control unit is located at lower<br />
right on the lamp.<br />
The analogy of the heated object, hand,<br />
nerves and human brain and the sequence<br />
of action have been applied, in principle,<br />
to the Micronic control, the action and sequence<br />
is similar to that of the deflected<br />
light beam detector unit, analyser and actuator<br />
of the Micronic system. The rwsition<br />
and intensity of the light beam projected<br />
onto the screen of the detector unit<br />
is checked eight times per minute or every<br />
seven and one-half seconds by the Micronic<br />
detector. This information is immediately<br />
transmitted to the Micronic analyser which<br />
determines if the light source is in the exact<br />
correct predetermined position relative<br />
to the reflector, or whether a slight change<br />
is necessary. It also determines in which<br />
direction the change should be made, toward<br />
or away from the reflector. This information<br />
is in turn transmitted to the<br />
Micronic actuator which controls the rate<br />
of forward movement of the positive carbon<br />
where at its forward end, facing the<br />
reflector, the crater Uight source) is located.<br />
If the crater position is exactly correct,<br />
the actuator makes no correction; if<br />
a slight movement in either direction is<br />
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38 The MODERN THEATRE SECTION
necessary the actuator acts accordingly<br />
with unfailing accuracy. The result is a<br />
projected light of uniform intensity and<br />
color, the degree of which is immediately<br />
controllable by means of a slight movement,<br />
in either direction, of the detector scanning<br />
plate in the center of which the small light<br />
entrance hole is located.<br />
Pi-om the foregoing description of the<br />
sequence of oi>eration of the Micronic control,<br />
the reader might assume that to accomplish<br />
these astonishing results, the<br />
mechanism must necessarily be extremely<br />
complicated and subject to the possible<br />
failure of some one or other of its components.<br />
This is not true. We have had<br />
forty years of experience in carbon arcs<br />
behind us. Tliis experience, for which<br />
there is no substitute, has taught us that<br />
simplicity and complete elimination of any<br />
questionable units as far as is humanly<br />
possible are the first requisites of good design.<br />
the aperture. The deflecting reflector, approximately<br />
three-quarter-inch square, is<br />
mounted on a heavy frame adjustable to<br />
the correct distance into the light cone,<br />
and also adjustable, swivel-mounted so that<br />
the deflected beam may be directed to the<br />
exact required position on the small detector<br />
screen.<br />
Due to the heavy construction and the<br />
fact that the frame is located in the air<br />
stream which blows over the 18-inch reflector<br />
surface, heat has no effect, which<br />
might alter the direction of the deflector<br />
light beam once it is adjusted and secured.<br />
The highly magnified, deflected light beam<br />
is adju-sted at the factory so that the image<br />
extends to a center line marked on<br />
the detector screen.<br />
This small Micronic detector or analyser<br />
unit is located on the front of the operating<br />
side of the lamphou.se, in the most convenient<br />
ixjsition. On the rear of this unit is<br />
the scanning plate from which extends upward<br />
a movable arm and Indicating<br />
pointer, the position of which relative to<br />
the image center line, is .shown on a graduated<br />
scale. The scanning plate indicator,<br />
in the center position of the scale, places<br />
the small light entrance hole on the center<br />
line of the image screen.<br />
The detector unit is located directly behind<br />
and close to the .scanning plate. The<br />
analysing unit is located in the same case<br />
as the detector unit. The case is hinged in<br />
Continued on page 47<br />
AN ACCURATE CONTROL<br />
F^'ojection lamps are not, as a rule, operated<br />
by electrical or mechanical engineers<br />
but by projectionists who are<br />
trained in the specialized field of presenting<br />
a motion picture to the best of their<br />
ability. This not only applies to those in<br />
the United States, where information and<br />
replacement parts can be transmitted<br />
within a few hours at the most, but in far<br />
away places where our lamps are used in<br />
great numbers. A properly designed projection<br />
lamp, of course, must be installed<br />
correctly and supplied with the proper<br />
electrical energy and carbons recommended<br />
by the manufacturer. Accompanying the<br />
lamp must also be supplied adequate and<br />
clearly written instructions. Pi-om there<br />
on the lamp and its controls should require<br />
no further attention other than placing<br />
the carbons in the lamp and striking the<br />
arc. This is exactly what the Super Cinex<br />
lamp and the Micronic control are designed<br />
and constructed to do, and do with surprising<br />
accuracy.<br />
Naturally, if the manufacturer supplies<br />
detailed instructions he expects them to be<br />
read and followed by the projectionists.<br />
Operating any mechanism without knowledge<br />
or care until, entirely due to indifference<br />
or inattention, it fails to operate<br />
can be a very expensive matter. An automobile,<br />
a projector mechanism or a projection<br />
lamp will operate in exact proportion<br />
to the care it receives.<br />
COMPONENTS OF<br />
UNIT<br />
The component units of the Micronic<br />
control are:<br />
1. The plane beam reflector and adjustable<br />
mounting base and frame.<br />
2. The detector unit; mounting frame including<br />
the image screen.<br />
3. The actuating case enclosing timer,<br />
unit operating rectifier and relay.<br />
The light beam deflecting mirror and<br />
maintaining frame is bolted to the inside<br />
of the front of the lamphou.se with the<br />
mirror extending to the edge of the cone<br />
of light from the main 18-inch reflector to<br />
^^Jjsis<br />
More and more Drive-Ins are demanding<br />
these fine lenses. The Super<br />
Snaplites are guaranteed to give you<br />
Sharper Pictures, More Light on the Screen, Greater Contrast, and Greater<br />
Definition. ..and this under the most trying outdoor operating conditions.<br />
Actually 7 out of<br />
10 new Drive-Ins install Super Snaplite Lenses. ..and<br />
more and more established Drive-Ins are turning to Super Snaplites. Ask<br />
for Bulletin No. 222, it gives you complete information on these lenses.<br />
Northampton,<br />
OKPOKATIOK<br />
Massachusetts<br />
BOXOFFICE :: May 5, 1958 39
:<br />
1^<br />
How to Locate and Correct Trouble in Sound Systems • Part 2<br />
TOP QUALITY SOUND REPRODUCTION<br />
POSSIBLE<br />
ONLY WHEN EQUIPMENT IS PROPERLY SERVICED<br />
Simplified, Practical Servicing Instructions Pertaining to Theatre Sound Systems<br />
By<br />
WESLEY TROUT<br />
WONSIOER-<br />
ABLE WATER has passed<br />
under the bridge<br />
since the introducf^^^<br />
I NAME<br />
^f^lffHg<br />
^^<br />
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FOR MORE LIGHT<br />
— /loWs f/ie f/f/e m eyery class!<br />
""d.-puLd mIdXw. Jj.^WER ""Si.<br />
'" all the other c(a^!I! c. ^''^'^Pion.<br />
aide<br />
^Ae J^ew. STRONG JETARC PROJECTION LAMP<br />
The Most Powerful Controlled Light Source in the World!<br />
Delivers double the light projected by ony 16' 2" reflector lamp. Projects all film widths<br />
by any process without change of reflectors. The main mirror, an integral part of the rear<br />
door, is of the cold glass type, 21 inches in diameter — the largest ever put into regular<br />
production. Delivers up to 65,000 lumens with wide apertures.<br />
A TOTALLY DIFFBRBNT SYSTEM! Three dimensional, cylindrical shaped light source, rather<br />
than the flat, disc-like face of the arc of conventionol lamps, increases the available<br />
pickup angle to more thon 260'. An auxiliary 4-inch spherical reflector is located behind<br />
the positive carbon. A 10 mm. x 25" non-rotating Ultrex positive and rotating 7/16" x 12"<br />
solid Graphite negative burn ot 140 to 160 omperes and 70 to 78 volts.<br />
THE POWERFUL STRONG U-H-l ULTRA HIGH INTENSITY<br />
PROJECTION ARC LAMP<br />
Beam shaper lens provided for use with the 13.6 mm. trim lamps patterns the spot to the<br />
particular size and shape of the aperture so as to efficiently utilize all useful light. Employs<br />
"cold" reflector. Exclusive automatic crater positioning system maintains the tip of the burning<br />
carbon at the focal point of the reflector. Eliminates change of light color at the screen,<br />
caused by variation in carbon burning rates. Optical system quickly adaptable to the various<br />
projection systems.<br />
THE STRONG<br />
SUPER<br />
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Burns a choice of four carbon trims (9,<br />
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burning time. Quick, simple changes<br />
attain the correct light requirements for<br />
ony presentation technique. 18" f 1.7 or<br />
I6V2" f 1.9 reflector. Single control amperage<br />
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(<br />
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BOXOFFICE May 5, 1958 41
this<br />
—<br />
'.<br />
SOUND TROUBLE EASILY CORRECTED<br />
Continued from page 40<br />
system is In tip-top condition, will be very<br />
acceptable to the public.<br />
Before proceedinn further in tlie discussion<br />
of amplifiers and speakers, let us discuss<br />
some important points pertaininp; to<br />
servicinR the general run of sound heads<br />
and penthouse reproducers. High quality<br />
sound repi-oduction is not obtainable unless<br />
these units are in good repair and carefully<br />
adjusted for quality sound output.<br />
Sometimes this part of the sound system is<br />
sadly neglected and little understood.<br />
FUNCTION OF<br />
SOUND HEAD<br />
Basis of Sound Reproduction—Briefly,<br />
the optical sound head is mounted under<br />
the pix)jector mechanism, the distance between<br />
the scene at the aperture and the<br />
light beam of the sound lens is approximately<br />
14 '2 inches in advance of the<br />
scene. Its major function is to translate<br />
the sound track's photographic record of<br />
the original sound into a varying electrical<br />
current. Now. by means of the sound<br />
system's amplification equipment (pre-amplif<br />
ier and power amplifier<br />
1<br />
current<br />
is used to control much stronger currents,<br />
which are then converted into faithful<br />
copies, if the system is correctly adjusted,<br />
of the original sound via amplifiers and<br />
loudspeakers.<br />
We think you understand the action produced<br />
by the sound track passing the very<br />
small light slit produced by exciter lamp<br />
in conjunction with a slit in the sound<br />
lens. The light slit from the sound lens<br />
must be accurately focused on the sound<br />
track, guided by correctly adjusted lateral<br />
guide rollers, of course. The beam of light<br />
projected to the photocell is varied in intensity<br />
by alternating light and dark areas<br />
ccmprising the sound track (either variable<br />
density or variable area 1<br />
. For general<br />
information, either type of recording produces<br />
about the sarjie result, the writer favoring<br />
the variable area type in. most cases.<br />
"We present a picture on page 44 of both<br />
types of recordings.<br />
Moreover, it is still necessary to convert<br />
these light variations in electrical currents,<br />
and then convert these current variations<br />
into sound waves by means of loudspeakers<br />
before you can actually hear sound. Of<br />
course, the very weak currents from the<br />
photocell are amplified many times via the<br />
pre-amplifier and power amplifier before<br />
being sent into the loudspeaker networks.<br />
function of the photocell. We do want to<br />
point out that correct voltage is absolutely<br />
necessary for the operation of the photocell,<br />
and the cell must be in<br />
first-class con-<br />
times<br />
dition and make firm contact at all<br />
in its .socket or container. We say container<br />
twcause some manufacturers place<br />
the photocell in a housing, firmly held in<br />
place by packing material, and pigtails<br />
from the cell are connected to a small terminal<br />
block. We have always favored a<br />
socket for best mounting of the cell, because<br />
a socket holds the cell more rigid.<br />
The current is very weak, in the order of<br />
a few millionths of an ampere, therefore<br />
it has to be greatly amplified before it can<br />
reproduce the sound waves. The circuits<br />
carrying the current from the photocell to<br />
the pre-amplifier. or direct to the input<br />
of some power amplifier setups, must be<br />
very carefully shielded and insulated to<br />
prevent lo.ss of current or the pickup of<br />
noise or hum from other electrical circuits<br />
and apparatus in the projection room. Special<br />
cable is used from the photocell to the<br />
pre-amplifier; the cable is run in flexible<br />
tubing. The exciter lamp supply is always<br />
run in a separate flexible tubing.<br />
It is important that you clean the sound<br />
lens, photocell, and also check the adjustment<br />
of the exciter lamp for uniform illumination<br />
of the light beam, in order to<br />
obtain sharp, clear sound reproduction of<br />
the entire frequency range of the system.<br />
This beam of light must be correctly adjusted<br />
and the lateral guide rollers adjusted<br />
with a "buzz" track test loop so<br />
that the beam does not enter side of picture<br />
or into the sprocket holes of the film.<br />
Guide rollers must turn freely or a groove<br />
will develop and cause trouble.<br />
The setting of the sound lens should not<br />
be disturbed if you find the focus is correct<br />
by using a standard 7,000 cps test loop and<br />
an output meter. We do suggest, however,<br />
checking the focus of the sound lens at<br />
least every three to six months.<br />
CAREFUL ADJUSTMENT VITAL<br />
In the foregoing discussion many important<br />
details regarding the function and<br />
operation have been covered and one should<br />
have a clear overall picture of the device.<br />
It should be clearly understood that the<br />
.sound head is a very important unit In<br />
your sound system and good .sound reproduction<br />
depends upon it functioning correctly.<br />
The adjustment outlined should be<br />
followed very carefully for maximum performance<br />
from this component.<br />
One should know that the pitch or frequency<br />
of the reproduced sound depends<br />
upon the rate at which the .sound track<br />
varies the intensity of the .steady beam of<br />
light from the exciter lamp, via the sound<br />
lens. It should be quite evident that the<br />
film motion at the point where this beam<br />
passes through the sound track must be as<br />
nearly uniform as possible if the reproduced<br />
sound is to be exactly like the original.<br />
Any film speed variation at this<br />
point will cause the pitch to be unsteady<br />
let us say rapid variations such as might<br />
be caused by film .sticking to worn sprocket<br />
teeth, rotary stabilizer not working right,<br />
etc. This will cause a "flutter" in the<br />
sound reproduction which should be immediately<br />
corrected. Moreover, worn and<br />
rough sprocket teeth will cause the sound<br />
reproduction to be vei-y poor quality and<br />
"gargly." Slower variations such as those<br />
resulting from drive motor speed variations,<br />
or, in some instances, defects in mechanical<br />
filtering devices, or too slow motor<br />
speed, cause "drift" or "wow." since they<br />
occur at a slow-enough rate for the ear to<br />
quickly detect the departures from a steady<br />
pitch.<br />
FILM-MOVING MECHANISM<br />
In the early days of motion picture<br />
sound, large flywheels attached to the<br />
sound sprocket were employed for smoothing<br />
or filtering action, and the film was<br />
pulled over either a curved or straight polished<br />
metal housing, or sometimes over a<br />
curved surface with a gate and springs;<br />
the photocell placed inside of this component.<br />
While the performance obtained<br />
with these various arrangements for film<br />
travel was very good in some instances, the<br />
components had to be ruggedly built and a<br />
rather heavy flywheel for smooth film<br />
travel was absolutely necessary. Moreover,<br />
good sound reproduction depended on correct<br />
adjustment of the components and<br />
good sprocket teeth. Today, modern reproducers<br />
have an improved film-moving<br />
^SiSS^<br />
*»<br />
FUNCTION OF PHOTOCELL<br />
To be brief, the exact processes through<br />
which the photocell brings about these results<br />
are somewhat complex and would require<br />
the reader to have a fair knowledge<br />
of advanced principles of electrical physics,<br />
therefore no attempt will be made to go<br />
into such highly technical discussion which<br />
would serve no particular purpose in this<br />
article. What we have already discussed<br />
about photocell action should give the<br />
reader some helpful understanding of the<br />
^<br />
DHMITE<br />
(very projectionist and repairman should know about the various components used in theatre and PA amplifiers.<br />
Shown are photos of three, five and ten-watt axial-lead, vitreous enameled resistors extensively used<br />
in many audio amplifiers; left, the very popular one-half, one and two-watt composition resistors. In general,<br />
resistors give less trouble than capacitors, provided they are the right size (value) to carry the<br />
load. Follow manufacturer's recommendations when making replacement of a defective or burned-out<br />
resistor. The Ohmite brand is an excellent product when making replacement, when the manufacturer's<br />
brand is not available. Keep this in mind, too, many manufacturers of theatre and audio amplifiers<br />
do not manufacture some of the components but use various standard brands like these. Never use<br />
a component that is not manufactured by a well-known and reliable electronic manufacturing company<br />
— Photos, courtesy Ohmite Mfg. Co.<br />
42 The MODERN THEATRE SECTION
mechanism and a superior filtcriiiq<br />
for high qnalit!/ sound.<br />
xystcrn<br />
In modern makes of optical sound heads,<br />
namely. Simplex. Century. Westrex. Motiograpli<br />
and Ballantyne reproducers, tlie film<br />
is supported at the scanning point by a<br />
smooth-faced drum affixed to a freely rotating<br />
shaft carrying on its opposite end a<br />
medium-size flywheel. Generally, the flywheel,<br />
except Ballantyne. is hollow, and inside<br />
it. supported by ball bearings, is a<br />
heavy inner flywheel coupled to the outer<br />
shell only by means of a special liquid.<br />
This arrangement assures a smooth film<br />
travel. Ballantyne uses a little different<br />
arrangement employing a medium-size flywheel<br />
and a spring arrangement in connection<br />
which assures exceptionally fine<br />
sound and smooth film travel past the<br />
scanning beam.<br />
SMOOTH FILM TRAVEL<br />
We think most projectionists, and exhibitors<br />
with some projection and sound<br />
reproduction knowledge, are familiar with<br />
the makeup of various rotary stabilizers<br />
and their fine performance for constant<br />
and smooth film travel past the scanning,<br />
which is absolutely necessai-y for high<br />
quality sound reproduction and reproduction<br />
of all the frequencies, etc. Therefore,<br />
we think the above explanation should suffice.<br />
We would like to add this information,<br />
however. The whole assembly, including<br />
the auxiliary roller with its lateral guide<br />
rollers, is rotated by the film itself, and<br />
thus no mechanical connection to other<br />
moving parts of the reproducer except by<br />
way of the film. Now. in threading film<br />
into the sound head, sufficient slack is allowed<br />
to permit a slight looseness on either<br />
side of the drum can-ying the film, to isolate<br />
the film at the scanning beam point<br />
from nearly all of the disturbances caused<br />
by sprocket teeth entering and leaving the<br />
film perforations. This permissible amount<br />
of slack is taken care of when the projector<br />
is turned on and starts to gather speed.<br />
Not too much slack here, but just enough<br />
so that the film will not be tight when you<br />
release the lateral guide roller bracket.<br />
Correct threading is very important and<br />
should be done as instructed in the booklet<br />
sent with youi- equipment, or as discussed<br />
here.<br />
LaVEZZI this year celebrates 50 YEARS of SERVICE to the motion picture<br />
industry in<br />
the production of highest quality PROJECTOR PARTS.<br />
MACHINE WORKS<br />
4635 WEST LAKE ST., CHICAGO, ILLINOIS<br />
GET MORE OUT OF LIFE ... GO OUT TO A MOVIE!<br />
Frequent change of reflectors is<br />
practicing real economy.<br />
i<br />
CARE OF GUIDE ROLLERS<br />
Be sure that the guide roller assembly is<br />
left open w-hen there is no film in the projector.<br />
If left closed, flat spots will develop<br />
on equipment using felt roller that holds<br />
the film against the di-um, and if flat<br />
spots do develop it will cause flutter and<br />
make replacement necessary. Lateral guide<br />
rollers should always turn freely and should<br />
not have any grooves. One drop of oil at<br />
each end of the shaft is all that is necessary.<br />
Be sure to keep this assembly clean.<br />
It is a good idea to keep a set of felt rollers<br />
and lateral guide roller in your parts cabinet,<br />
in addition to spare photocell and exciter<br />
lamps.<br />
One should fully understand this im-<br />
PRECISION<br />
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— available in types and sizes for use in<br />
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THE STRONG ELECTRIC<br />
vv<br />
CORPORATION<br />
11 CITY PARK AVENUE TOLEDO 1, OHIO<br />
Continued on following page<br />
BOXOFFICE ;<br />
; May<br />
5, 1958 43
SOUND TROUBLE EASILY CORRECTED<br />
Q<br />
Continued from preceding page<br />
portant feature of the modt-ni type ot<br />
sound head, equipped with rotary stabilizer<br />
mtx-hanism. that the absence of direct<br />
mechanical connection effectively isolates<br />
the rotation of the film carrying drum from<br />
disturbances originating in other parts of<br />
the sound head<br />
i<br />
optical and magnetic reproducers*.<br />
This. pliLs very smooth running<br />
of the film past the scanning beam,<br />
pi'oduces all the frequencies clear and<br />
sharp. Briefly . this type of film moving<br />
system is knoion as "rotary stabilizer" or<br />
"kiiietic scanner." This type of film moving<br />
system has been in operation several<br />
years and no particular changes or improvement<br />
have been made because this<br />
lias proved very exceptional in performance.<br />
If kept cleaned and correctly adjusted,<br />
it will give practically trouble-free<br />
operation for many years of continuous<br />
service.<br />
Elsewhere in this article we briefly dis-<br />
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or Brenkert Enarc).<br />
2 Rectifiers, 50 Amp. 220V.<br />
2 Sets 18" Magazines (3000' Capacity).<br />
2 Series II Coated Projection Lenses.<br />
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sometimes overheating of some component<br />
in the amplifier. Therefore, top quaUty<br />
sound reproduction, and practically<br />
trouble-free operation, can be expected<br />
only when the equipment is kept properly<br />
serviced.<br />
Please let me inject a feu' important<br />
points about servicing sound equipments<br />
before going into furtlier discussion on liow<br />
to service amplifiers. The point we want to<br />
bring out strongly is the importance of<br />
maintaining sound systems in tip-top condition<br />
and not try to do too much economizing<br />
I "cutting corners"! which will<br />
cause, in time, inferior sound reproduction.<br />
Frankly, I am a nickel pinchcr, but if I<br />
need repairs to keep a car in first-class<br />
running condition, I do not hesitate to<br />
spend. The same rule, in my opinion,<br />
should apply to servicing and making repairs<br />
(new parts replacement) when it is<br />
necessary and not waiting until a part is almost<br />
worn out, or some coviponent in the<br />
aiiipUfier becomes defective.<br />
OLD SYSTEMS LIMITED<br />
In the early days of talking pictui-es,<br />
there were distinct limitations that prevented<br />
the sound system from fulfilling<br />
many desirable sound reproductions of voice<br />
and music. In other words, the range of<br />
frequencies, both in recording and reproduction<br />
in the theatre, were very limited<br />
and, naturally, quality was unsatisfactory.<br />
Moreover, volume (loudness) was limited<br />
to prevent undesirable distortion due to<br />
components and the limited frequency<br />
range of the system. To be brief, from an<br />
engineering standpoint, shall we say, the<br />
old sound systems were termed "restrictedrange<br />
sound systems."<br />
Today, the modern sound system, if correctly<br />
adjusted and installed, is capable<br />
of bringing out inflections and qualities of<br />
the human voice with complete "naturalness"<br />
in reproduction never before achieved<br />
in an old system, even with modification of<br />
the circuits and added speakers. Also, fine<br />
reproduction of music makes one feel he is<br />
listening to a "live" orchestra or vocal<br />
group.<br />
ROUTINE MAINTENANCE A 'MUST'<br />
SUPER MODEL BP-2<br />
W'fl iind dry pick-up and<br />
blowing. Iniernid filler.<br />
Cap,icity IV2 bu.<br />
SUPER<br />
MODEL RS-1<br />
Really rufiged — wet<br />
and dry pick-up and<br />
blowing. Filler bag<br />
carried on transport<br />
handle. Capacity<br />
I'/i bu.<br />
But we want to emphasize the importance<br />
of routine maintenance of even<br />
modern sound equipment. It is absolutely<br />
necessary in order to keep the equipment<br />
in tip-top condition. One should thoroughly<br />
learn how to keep the equipment<br />
functioning so it will deliver high quality<br />
sound. In these articles we shall endeavor<br />
to tell you how to do this. Even if you have<br />
regular sound service, you should know howto<br />
do many adjustments and make parts<br />
replacement when necessai^y. If you don't<br />
have regular checkup service, you will find<br />
the data helpful in doing your own servicing,<br />
even with a limited amount of test<br />
equipment.<br />
We think you should know that a further<br />
requirement of any modern theatre<br />
sound system is that there be no nonlinear<br />
distortion, whicli distortion is evi-<br />
Motor, fan and (liter<br />
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SOUND TROUBLE EASILY CORRECTED<br />
Continued from preceding page<br />
denced by the introduction of components<br />
that are not present in the oriKinal sound.<br />
To state this more clearly, there must be a<br />
linear relationship between the amplitude<br />
of the input and that of the output in all<br />
parts of<br />
the sound system.<br />
In the modern theatre amplifier, careful<br />
consideration has been siven to the power<br />
output, and distortion, so that there is ample<br />
power, without audible distortion, to fit<br />
any size auditorium. Due to research and<br />
considerable amount of work by ensineering<br />
staffs, it is possible to set the amplifier<br />
requirements rather definitely — power,<br />
gain, frequency response, etc. This makes<br />
it possible to install equipment which will<br />
reproduce very high quality sound in any<br />
auditorium.<br />
CAUSES OF HUM<br />
Before we proceed further in the discussion<br />
of some other very important aspects<br />
to be considered when servicing various<br />
sound systems, let us talk about things<br />
which will cause hum in the sound system.<br />
We do know, of course, filter condensers,<br />
chokes, transformers and rectifier tubes<br />
are some of the simple causes to be first<br />
checked, but often we have found some<br />
rare cases of "loop grounds" which .set up<br />
considerable hum in the system, very hard<br />
to track down. Moreover, we want to<br />
emphasize the importance of properly<br />
grounding the system, etc.<br />
In a number of instances we have found<br />
that the AC power supply can be the source<br />
of a bad hum. and in some cases rather difficult<br />
to clear up. This condition usually<br />
comes about in old theatres where there<br />
have been changes in. or additions to. the<br />
original wiring; or where the wiring has<br />
deteriorated so that there are multiple<br />
grounds, the condition resulting, of course,<br />
is a multitude of loop grounds. The only<br />
answer to this problem is to wire in a complete<br />
new circuit to the sound system from<br />
the power supply furnished to the theatre.<br />
As a matter of fact, if the wiring is old, we<br />
strongly recommend a new wiring job for<br />
the sound system to avoid future headaches.<br />
In cases where the wiring is good and the<br />
power supply is well filtered, one should<br />
not have any audible hum. unless a loop<br />
ground suddenly develops, or one of the<br />
components in the power supply becomes<br />
defective. Most modern sound systems<br />
have a well-filtered power supply for the<br />
exciter lamps, using only filtered AC supply<br />
in case of emergency. In other words,<br />
modern theatre sound systems now use DC<br />
power supply for exciter lamps and only AC<br />
changeover in case of IX; failure.<br />
In most instances, if hum develops in the<br />
exciter lamp .supply, firet check the rectifier<br />
tube via meter or tube checker; next,<br />
check the electrolytic condensers and replace<br />
if necessary. You will find these two<br />
items, particularly if the hum is traced to<br />
the power supply, are causing your trouble.<br />
They can easily and quickly be replaced,<br />
provided ,vou keep a .spare set of capacitors<br />
and rectifier tubes on hand.<br />
We would also like to pass this suggestion<br />
along in cases where the system has developed<br />
hum: Make adequate tests to determine,<br />
if not in the exciter lamp supply,<br />
at what stage in the sound system<br />
i<br />
amplifiers)<br />
the hum enters. We find, using a set<br />
of headphones is the best procedure for<br />
checking each stage. Now, knowing the<br />
point of entry, will eliminate any stages beyond<br />
that point. This is a very simple but<br />
effective method for checking hum and distortion.<br />
Use only a very high quality headset<br />
which will draw practically no current.<br />
Briefly we would like to point out that<br />
hum in stereosound systems can often be<br />
traced to the power supply unit in one of<br />
the amplifiers, or power supply furnished<br />
for the pre-amplifiers. Again, the best procedure<br />
is to track it down with a headset.<br />
Once you pin-point the trouble, the quicker<br />
you can generally eliminate it.<br />
SHOULD CHECK GROUND WIRE<br />
Another thing to carefully check is the<br />
grounding of the magnetic pickup head.<br />
The ground wire provides a low resistance<br />
circuit to each of the four heads in the<br />
cluster. We have known, and personally<br />
found, this wire to be broken where it<br />
comes through the plastic or even within<br />
the plastic block. The cure is replacement<br />
of this component, but be sure to check<br />
carefully before making replacement as<br />
there are other places which will cause<br />
hum and you might think it comes from<br />
here.<br />
Sometimes hum is picked up from a hum<br />
field or as a hum voltage due to a loop<br />
ground. Now this takes a little time, some<br />
ingenuity and logic, to locate and eliminate,<br />
in rare cases. Generally, hum will<br />
not develop if the system is properly<br />
grounded and correctly shielded, but despite<br />
all these precautions, we have been<br />
called upon to locate hum trouble which<br />
suddenly developed out of the clear sky.<br />
Other causes of hum are changeover devices,<br />
framing lights, arc generator, rectifiers,<br />
defective rectifier in changeover cabinet,<br />
defective wire supplying power to the<br />
equipment, etc. If AC is supplied to the<br />
changeover cabinet, try disconnecting it<br />
fii-st, then check the circuit and ground<br />
wires, etc. Be sure no loop ground is present,<br />
of course. We could go on and on<br />
naming things that will cause hum in stereo.sound<br />
or optical sound systems, but we<br />
think this listing should prove most helpful,<br />
and covers the ones most prevalent in<br />
the field.<br />
We have discussed the subject of hum in<br />
sound systems because we have received so<br />
many letters, and have been called to clear<br />
up hum in the field. We have listed most<br />
all the common causes of hum trouble and<br />
one should be able, from the information<br />
presented, to track down and cure most<br />
hum trouble by carefully following the suggestions<br />
given above.<br />
VARIOUS STAGES OF AMPLIFICATION<br />
The modern amplifier consists of a number<br />
of stages of amplification. Each stage<br />
has a particular function and special arrangement<br />
of circuit and components to<br />
meet the requirements of the system. The<br />
combination of all these stages, the values,<br />
circuit arrangement, etc., all add up to la)<br />
Overall gain of the amplifier; ibi Frequency<br />
response; (c) quality of sound reproduction,<br />
and (d) distortion elimination.<br />
(In a well designed amplifier, distortion is<br />
inaudible.)<br />
When checking amplifier, while it is<br />
turned on, use extreme caution on account<br />
of high voltages at various points, particularly<br />
at the power supply. If you are<br />
checking the connections for a defective<br />
connection, again be cautious and use an<br />
orange stick for probing for loose connection.<br />
If you check voltages, in some<br />
cases the manufacturer recommends using<br />
1,000 ohms/voltmeter and in late equipment,<br />
use only a 20,000 ohms/volt multimeter.<br />
You will then obtain accurate readings<br />
and not damage the circuit. F^-ankly,<br />
to correctly measure, let us say grid voltage,<br />
use a 20,000 ohms/voltmeter or a high<br />
quality vacuum tube volt-ohm milliammeter.<br />
For the projectionist, we suggest<br />
using the 20,000 ohm/volt multimeter for<br />
checking voltages, resistance, etc.<br />
One should carefully check all<br />
the vacuum<br />
tubes at least every two months, even<br />
though the amplifier may be equipped with<br />
1<br />
YOU CAN BE SURE IF ITS<br />
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SUPPLY DEALERS<br />
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46 The MODERN THEATRE SECTION
a test meter. There are not so many tubes<br />
when using optical sound, but there are<br />
many important vacuum tubes in a stereosound<br />
equipment. All push-pull stages<br />
should be checked and the tubes matched.<br />
When you have removed the tubes, be sure<br />
to clean the prongs and sockets and make<br />
sure the tubes fit snugly so that they will<br />
make good electrical contact: a loose fitting<br />
tube can cause trouble and noise.<br />
At least once a week, carefully brush, using<br />
a medium-size, stiff-bristle paint brush,<br />
all the dust and carbon soot off the wiring<br />
and the components. Don't go about this<br />
too roughly as you might break a connection<br />
or disturb position of some component.<br />
If carbon dust collects on the wiring<br />
and components, it will undoubtly cause<br />
trouble, sooner or later; sometimes accumulation<br />
of dirt and carbon dust have caused<br />
"shorts," and if let get into the volume<br />
controls, you will really have trouble. No<br />
matter how well- ventilated the projection<br />
lamphouses may be. some carbon dust always<br />
gets into the projection room and into<br />
the equipment. Therefore, trouble can be<br />
avoided by occasional cleaning of the equipment,<br />
including the projector mechanism.<br />
Remember, poorly soldered connections at<br />
resistors, capacitors, output and power<br />
transformers, and particularly loose connections<br />
at each pin on sockets, are a few<br />
of the most frequent causes of noise, loss<br />
of sound, low volume and distortion. Of<br />
course, there are many other places in the<br />
sound system which will cause noise, low<br />
volume and distortion, but these are the<br />
most obvious things to look into for clearing<br />
trouble. A good headset is most excellent<br />
for checking each amplifier stage for<br />
loss of volume, hum. noise and distortion.<br />
In another article we will tell you how to<br />
track down trouble with a multimeter and<br />
headphones.<br />
MICRONIC LIGHT CONTROL<br />
Continued from page 39<br />
order that it may be swung to the right<br />
exposing the image screen. If the image<br />
of the light source moves a minute distance<br />
either side of the indicator line on<br />
the screen an immediate change in the<br />
electric current which operates the analyser<br />
occurs. For instance, if the image<br />
lags to the left of the indicator line, no<br />
matter how slight a distance, the current<br />
is decreased rapidly, opening the analyser<br />
contacts which in turn open the contacts<br />
of the actuator unit which result in a<br />
speeding up of the control motor which<br />
moves the light source toward the reflector.<br />
These slight distances are a matter of<br />
thousandths of an inch. Since the control<br />
motor is at all times moving the positive<br />
carbon forward, the periods of speeding up<br />
or slowing down of the motor are short;<br />
therefore do not have a cycling effect which<br />
might make a noticeable change in screen<br />
light or color.<br />
Conversely any attempt of the detector<br />
screen image to crawl ahead of the line is<br />
immediately counteracted by the closing of<br />
the analyser contacts, decreasing the motor<br />
speed. In this manner the image cannot<br />
move away from tlio line; since the image<br />
is six times the size of the light .source the<br />
latter is maintained within a very few<br />
thousandths of its correct position. On the<br />
front plate of the detector and analyser<br />
unit is a signal lamp which indicates, when<br />
lighted, tlie periods of increasing motor<br />
speed. When not increasing the motor<br />
speed there will always be one-half-second<br />
flashes every 7 ',2 seconds. Motor speed-up<br />
periods may be up to five seconds or longer<br />
depending upon the requirements of the<br />
arc.<br />
This unit, which needs no observation by<br />
the projectionist, is located on the left side<br />
of the lamphouse at the rear. It contains<br />
the small fullwave diode rectifier which is<br />
connected to 115V AC and has an output<br />
voltage of 6V DC for the operation of the<br />
various units requiring that voltage. The<br />
timing device which detects any required<br />
light source position changes every 71/2<br />
seconds, and is operated by a Telechron<br />
motor, is also mounted in this case as is<br />
the small relay which alters the control<br />
motor speed. This relay is operated by the<br />
opening or closing of the analyser contacts.<br />
The negative carbon used in the Super<br />
Cinex lamp has a normal burning rate of<br />
2! 8 inches per hour; its forward motion is<br />
uniform. So slow is its burning rate that<br />
only two oscillations per minute of the<br />
Micronic control unit partly open, showing detector<br />
screen.<br />
feeding clutch are required.<br />
Since the rate<br />
of consumption is uniform the most dependable<br />
source of power is a small synchronous<br />
motor operating on 115V AC current.<br />
The oscillation of the clutch is performed<br />
by the rotation of two, ball-bearingmounted<br />
rollers mounted on a short bar<br />
which is rotated by the motor shaft. The<br />
movement of the clutch arm is adjustable,<br />
the adjusting screw and knob direction being<br />
indicated by an "Increase Feed" arrow.<br />
The normal throw of the arm is only .240<br />
inch.<br />
Since some of the components of the Micronic<br />
control are operated by alternating<br />
current, such as the timer—small rectifier<br />
and negative feed motor, when the burning<br />
of the arc is not required the.se units are<br />
automatically disconnected by meaas of a<br />
IX; relay, connected across the arc DC<br />
terminals. This relay can be operated on<br />
any DC power supply up to 130 volts.<br />
In the small disconnect box, which is<br />
usually mounted on the left hand side of<br />
tlic projector base, is also the unit fu.se and<br />
a switch which connects the automatic control<br />
or, in its "off" position, allows the lamp<br />
to be operated in the normal "manually adjustable"<br />
position.<br />
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For Every Theatre Need!<br />
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MECHANISMS<br />
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RCA PG-230 SOUND SYSTEM<br />
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These Are Government Surplus<br />
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Sound Screens, New and Used<br />
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WORLD'S— First in Quality<br />
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ASK YOUR THEATRE SUPPLY DEALER<br />
BOXOFFICE May 5, 1958 47
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BT<br />
EQUIPMENT Sr<br />
DEVELOPMENTS<br />
Power Machine Picks Up, Shreds P-1708<br />
All Kinds of Drive-ln Trash<br />
FOR MORE<br />
INFORMATION<br />
Four-Flavor Drink Dispenser<br />
For Patron Self-Servicc<br />
P-1711<br />
USE Convenient<br />
Readers' Bureau Coupons<br />
The Tarco Litter-Shark, a two-wheeled.<br />
gasoline motor-operated pickup machine,<br />
is being introduced to drive-in theatre operators<br />
by the Tarrant Manufacturing Co.<br />
as a fast, efficient way for one man to perform<br />
daily clean-up chores. The Litter-<br />
Shark, equipped with a large, rack-supported,<br />
cloth litter bag. will pick up such<br />
varied items as paper cups and plates, serving<br />
boxes, ticket stubs, programs, popcorn<br />
boxes, milk cartons, straws, cigarets. newspapers,<br />
and even cans. Since this litter is<br />
collected in the bag. there is no chance for<br />
it to be scattered by wind, and is easily<br />
disposed of for quick burning in the drivein<br />
incinerator. The Litter-Shark, equipped<br />
with 30-inch wide suction snout of all<br />
welded steel, operates on ten-inch rubbertired<br />
wheels, moving as rapidly as the operator<br />
can walk over ramps, drives, paths,<br />
sidewalks, along gutters and across lawn<br />
areas. The four-cycle, 2'/2 h.p. engine is<br />
air-cooled, equipped with recoil starter,<br />
hand throttle and low tone muffler.<br />
Sturdy Quarter Midget Racer<br />
With Roller Chain Drive<br />
As quarter midget race tracks are<br />
P-1709<br />
being<br />
installed at drive-in theatres in all parts<br />
of the country, the Rocket Manufacturing<br />
Co. has placed the Rassey Rocket in full<br />
scale production. The Rocket, for drivers<br />
48<br />
from the ages of 5-15, features special worm<br />
gear steering mounted in true center steering<br />
fashion, tubular steel frame construction.<br />
51-inch wheelbase and realistic styling<br />
in every detail. The steering is adjustable<br />
to maintain minimum backlash, the<br />
height of the steering<br />
wheel adjustable to<br />
suit each driver. Power is supplied by a<br />
Continental Red Seal 3 h.p. four-cycle, reduction<br />
type engine in the tail of the car.<br />
The racer has roller chain drive from engine<br />
to axle, front and rear bumpers, pneumatic<br />
tires and foot-operated brakes. The<br />
entire cockpit is upholstered in the customer's<br />
choice of red, blue, black or white,<br />
with aircraft type safety belt. Exterior<br />
colors also are available to order.<br />
Pattern Added to Dinnerware<br />
Used as Business Builder<br />
Dwarf Pink Pine has been added to<br />
P-1710<br />
the<br />
line of more than a dozen dinnerware patterns<br />
which De Luxe Theatre Pi-emiums<br />
makes available to theatres needing a promotion<br />
plan that will re-establish regular<br />
theatregoing habits among women patrons.<br />
The sets, including the Dwarf Pink Pine<br />
pattern, come in 50 to 76 pieces, making<br />
possible the giving away of one dish a week<br />
through a 50-week promotion or two giveaway<br />
nights a week for a 25-week period.<br />
The dinnerware giveaway is said to be especially<br />
efficient as a plan for building a<br />
theatre's weakest night into its strongest<br />
night each week. Media aids for promoting<br />
such an attendance-building plan may also<br />
be arranged for through De Luxe, such aids<br />
including circulars, trailers, display cases,<br />
mats and cuts. Operation of regional offices<br />
by the firm enable it to supply<br />
promptly theatres in all parts of the<br />
country.<br />
Claims made for products described editorially<br />
on this and other pages ore taken from the<br />
manufacturers' statements.<br />
A 1,000-cup capacity, four-flavor, cold<br />
drink dispenser featuring a dial-a-size cup<br />
unit capable of handling 7I4. nine and tenounce<br />
paper cups, has been placed in production<br />
by Lyon Industries, Inc. Pour fivegallon<br />
syrup tanks have a combined drink<br />
capacity of 2.400 accurately measured<br />
drinks and carbonation may be regulated<br />
to any desired percentage on three of the<br />
flavors. Each of the four syrup pumps is<br />
operated by an individual motor. All drinks<br />
are served pleasingly cold; a Tecumseh Vb<br />
h.p. unit, coupled with a Lyon exclusive<br />
ice bank reserve system controlling the cold<br />
temperature, holds the top temperature to<br />
40°. The dispenser is easily serviced, the<br />
front swinging open on piano-type hinges<br />
and all operating parts are designed for<br />
easy removal and replacement. Colors are<br />
Coca-Cola red, Pepsi-Cola blue and hammertone<br />
green, with special colors on arrangement.<br />
Automatic Popcorn Machine<br />
Can Vend to Sidewalk Traffic<br />
P-1712<br />
An automatic popcorn vendor which can<br />
double sales volume by being rolled outside<br />
a theatre to take advantage of sidewalk<br />
traffic has been developed by Popcorn,<br />
Inc. The Automatic Popcorn Concession,<br />
cased in a brilliant golden and<br />
white cabinet that makes popcorn more<br />
inviting, rolls easily for stationing where<br />
traffic is heaviest. Although easily maneuverable<br />
to capitalize on different traffic<br />
situations, the vendor has a capacity of<br />
The MODERN THEATRE SECTION
200 24-ounce popcorn cups and a popped<br />
corn capacity of 250 cups. A positive thermostat<br />
control keeps the popcorn and cups<br />
hot,<br />
^.^'VOPCORM<br />
yet the machine has only two moving<br />
parts, indicating years of troublefree service.<br />
Visible through a glass panel, the hot<br />
popcorn itself is a powerful sales stimulus.<br />
An added sales aid is a two-color flasher<br />
sign, "Fresh 'n Hot Popcorn." on top of<br />
the case.<br />
Bulk Syrup Drink Dispenser<br />
With High Profit Margin<br />
P-1713<br />
An electrically refrigerated, self-contained<br />
dispenser of four bulk syrup flavors<br />
said to yield 70 to 250 per cent profits on<br />
cold drinks has been developed by Triple<br />
"AAA" Co. for theatres with a steady flow<br />
of concessions business. The profit percentage<br />
depends on the size of the serving<br />
and the amount charged per drink—five or<br />
ten cents, but the refrigerating system also<br />
contributes to the operating profits by<br />
saving 75 cents to $3.25 a day on ice bills.<br />
Pour one-gallon syrup jugs, inserted upside<br />
down into syrup wells, create an effective<br />
point of purchase visual display<br />
across the top of the stainless steel cabinet<br />
and provide the attendant with a continuous<br />
means of checking the syrup supply in<br />
each well. The four flavors can be dispensed<br />
in any desired combination from the<br />
quartet of continuous flow, mixing type<br />
faucets.<br />
Prefabricated Golf Courses<br />
For Building Airer Income<br />
P-1714<br />
Two prefabricated miniature golf courses<br />
have been developed for building drive-in<br />
theatre patronage and income by Taylor<br />
Bros., designers and builders of commercial<br />
courses for two decades. One is an inexpensive<br />
nine or 18-hole course for installation<br />
inside a drive-in. designed to interest<br />
both children and adults and for use free<br />
by patrons before show time. The second<br />
course is a de luxe layouo for operation outside<br />
the drive-in as a big grosser in its<br />
own right. The 18-hole courses cover a<br />
minimum area of 12,500 square feet. Each<br />
hole has a cleverly designed obstacle representing<br />
a challenge to a skilled golfer as<br />
well as to children and adult novices. The<br />
prefabricated course is delivered within two<br />
weeks, Taylor Bros, staking out the course<br />
for the theatre. They advise the operator,<br />
too, on suitability of location for the course,<br />
adaptability of terrain, parking facilities,<br />
ways to attract the public and keep it coming<br />
back, as well as ways to keep installation<br />
and maintenance costs to a minimum.<br />
stein, Inc., exclusive worldwide distributor.<br />
Automatic clutch permits hand starting,<br />
allows the car to be stopped without hav-<br />
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For<br />
YOUR<br />
BOXOFFICE<br />
Engraved b y<br />
our exclusive
i<br />
or<br />
'<br />
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I<br />
FOR MORE INFORMATION<br />
USE THE FREE RETURN CARD<br />
The postcard at the bottom of this page is designed to help you get more informa-<br />
I tion on products and services advertised in this issue of The Modern Theatre Section,<br />
listed in the "New Equipment and Development" and "Literature" departments.<br />
An alphabetical Index of Advertisers appears below; on the bock of this cord is a<br />
Condensed Index of Products, in both, FIGURES in the Key Number shown for each<br />
advertiser indicate the page on which the firm's advertisement appears. The postcard<br />
below carries numbers corresponding to the page numbers—with letters added.<br />
Circle the Whole Key Number, including the letter, corresponding to the page numbers<br />
! lof the advertisements on which you want more information. Then: Fill in your name,<br />
address, etc., in the space provided, tear out card and mail. For more information<br />
on listings in "New Equipment and Developments" and "Literature" departments,<br />
I<br />
circle number corresponding to Key Numbers published with each item below.<br />
ND BUSINE SS-BUILDING<br />
n and Fun in Sputnuck<br />
^aths of Glory<br />
Opening<br />
ALPHABETICAL INDEX OF<br />
American Trampoline Co 34b<br />
C. S. Ashcraft Mfg. Co 31a<br />
Bollontyne Co<br />
33a, 44c<br />
Samuel Bert Mfg. Co<br />
23c<br />
Cali Products Co 44a<br />
Canada Dry Corp<br />
8a, 9a<br />
Corbonic Dispenser 18a<br />
Costlebarry's Food Co 2ia<br />
A. DolkinCo 22a<br />
Del! Food Specialties, Inc .23a<br />
Diamond Carbons<br />
45b<br />
Drive-ln Thea. Mfg. Co 38b<br />
Dura Engraving Corp 50b<br />
EPRAD<br />
37o<br />
Fisher Mfg. Co<br />
46a<br />
Game-Time, Inc<br />
50c<br />
Gravely Tractors, Inc 34a<br />
Henry Heide, Inc 23b<br />
Heywood-Wokefield Co .25a, 26a<br />
Hollywood Brands, Inc .27a<br />
Hurty-Peck & Co<br />
27b<br />
Inernotionol Projector Corp 35a<br />
King Amusement Co 34d<br />
Kollmorgen Optical Co 39a<br />
LaVezzi Machine Works 43o<br />
PLEASE PRINT<br />
Nome<br />
Position<br />
Theofre or Circuit..<br />
Street<br />
No<br />
ADVERTISERS' KEY NUMBERS<br />
Liberty Display Fireworks Co 50d<br />
Lily-Tulip Cup Corp 19a<br />
National Carbon Co 5a<br />
National Excelite 3a<br />
National Super Service Co 45a<br />
National Theatre Supply 47a<br />
Original Crispy Pizza Crust Co 15a<br />
Pepsi-Cola Co<br />
1 2a, 1 3a<br />
Phillips Electro Extensions 47c<br />
Pic Corporation 36a<br />
PowerCor Co<br />
38a<br />
Scotsman-Queens Products, Inc 17a<br />
C. F. Simonin's Sons, Inc Ho<br />
Smithfield Ham & Products Co 18b<br />
S.O.S. Cinema Supply Corp<br />
Soundcrafters of Scranton<br />
44b<br />
34c<br />
Speed Scoop 24b<br />
Star Cinema Supply Co<br />
47b<br />
Stevens-Burt Co 50a<br />
Strong Electric Corp 41a, 43b<br />
Supurdisplay, Inc .20a<br />
Superior Refrigerofor Mfg. Co .24c<br />
Toastmosfer Products Div .21a<br />
Wagner Sign Service 2a<br />
No<br />
Poctaje Stamp<br />
Necessary<br />
L If Mailed In the<br />
k United States<br />
the top of<br />
., assured<br />
le county,<br />
the openi<br />
Sputnik<br />
Dft by the<br />
L. King,<br />
were tied<br />
ctions atn<br />
on their<br />
iisic<br />
;nger and<br />
;le carried<br />
(and one<br />
ten in a<br />
erald<br />
playise<br />
of the<br />
10 Satur-<br />
retal<br />
misrroup<br />
of<br />
to reach<br />
County<br />
lorts the<br />
it a flaw<br />
when it<br />
hanging<br />
lOVfE GOEIS!<br />
CGOOD TIME.<br />
SMART, AND<br />
)UR FRtENOS!•(<br />
PRE SHOW<br />
U%<br />
/ OMLl OMU;<br />
-c4-tn _,4-tn to^iN<br />
;, ' - - ,«i* ^<br />
. _ _^!^^^ * "*» "iJ*<br />
On Thur.sday following the launching<br />
the Wise County Messenger reported: "No<br />
word has been received from anyone having<br />
found either of the 'Sputnuck' balloons.<br />
Whether they are en route to Moscow, the<br />
Philippines or Alaska remains unknown so<br />
far."<br />
Interest in the Sputnuck was heightened<br />
by prizes, six in all, by three stores and<br />
the theatre. The stores offered a platform<br />
rocker, an outdoor barbecue grill and $15<br />
worth of groceries to the persons guessing<br />
nearest to distance, direction and length<br />
of time of flight.<br />
The launching and prize offering were<br />
publicized via screen trailer, lobby displays,<br />
newspaper ads and 1,000 "Official Flight<br />
Plan for Sputnuck" heralds. The heralds<br />
and ads contained coupons for wTiting<br />
guesses on distance, place of landing, etc.<br />
The filled-out blanks were deposited at one<br />
of the stores offering prizes.<br />
King reports the Sputnuck idea can be<br />
used by any exhibitor on most any picture.<br />
He didn't use radio in the promotion because<br />
Decatur has no station, but he comments<br />
this is a top medium for such a<br />
stiuit.<br />
Two Belles in Buckboord<br />
On Streets for 'Raintree'<br />
M. A. Elklns, manager of the Colbert<br />
Theatre in Florence. Ala., who twice has<br />
been awarded BOXOFFICE Showmandiser<br />
Citations for the excellence of his theatre<br />
displays, borrowed a horse from one of his<br />
patrons and a buckboard from another,<br />
outfitted two usherettes in costume proper<br />
to the period and had an outstanding<br />
ballyhoo for "Raintree County." The local<br />
Muscle Morning Sun published two photos<br />
of the unusual getup.<br />
City<br />
..Stote..<br />
BUSINESS REPLY CARD<br />
First Closs Permit No. 874 - Section 34.9 PL&R - Koruos City, Mo.<br />
MODERN THEATRE Section of BOXOFFICE<br />
825 Van Brunt Blvd.<br />
'''°'^' Mo^'Tsf °""- KANSAS CITY 24, MO.<br />
lOSE OLD UNUSED<br />
00 MIGHT WANT!<br />
in Toledo,<br />
ery Friday<br />
ipaper ads<br />
ced above.<br />
Ebony Feature on 'Blues'<br />
"St. Louis Blues." Paramounts film biography<br />
of the late W. C. Handy, receives<br />
major attention in the May issue of Ebony<br />
magazine. Fifteen stills from the picture<br />
in which Nat King Cole plays Handy are<br />
included in the multi-page feature.<br />
1
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CONDENSED INDEX OF PRODUCTS<br />
POWERFUL NEW PLUNGER CLEARS<br />
CLOCCED TOILETS<br />
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Kty<br />
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Dura Engravlno Corp. ..... .50b<br />
ATTRACTION BOARDS AND<br />
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BARBECUED<br />
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Ca!tltb«rry's rood Co 24a<br />
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BUTTER<br />
MAT<br />
Supurdlsplay, Inc 20a<br />
CANDY<br />
Henry Heide. Inc 23b<br />
Hollywood Brands, Inc 27a<br />
CARBON<br />
SAVERS<br />
Cali Products Co 44a<br />
Phillips Electro Extensions .... 47c<br />
CONCESSIONS EQUIPMENT,<br />
DRIVE-IN<br />
Samuel Bert Mfo. Co 23c<br />
Supurdisplay, Inc 20a<br />
Toastmasler Products Di» 21a<br />
Key<br />
Number<br />
Scotsman-Quecfl Products. Inc. 17a<br />
Superior Refrigerator Mfg. Co. 24c<br />
FILM<br />
CEMENT<br />
Fisher M(g. Co 46a<br />
FIREWORKS<br />
DISPLAY<br />
Liberty Display Fireworks Co. 50d<br />
FLOOR CLEANING MACHINES<br />
National Super Service Co. ..45a<br />
FOOD<br />
SEASONINGS<br />
Dell Foods Specialties Co. ..23a<br />
GROUND MAINTENANCE<br />
EQUIPMENT<br />
ICE<br />
Gravely Tractor, Inc 34a<br />
MACHINE<br />
Scotsman- Queen Products, Inc. 17a<br />
KIDDIE RIDES FOR DRIVE-INS<br />
Game-Time, Inc 50c<br />
King Amusement Co 34d<br />
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Cut Maintenance Costs with<br />
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Castleherry's Food Co 24a<br />
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Smithfield Ham & Products<br />
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CUPS, PAPER<br />
Lily-Tulip Cup Corp 19a<br />
DRINKS,<br />
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Canada Dry Corp 8a, 9a<br />
Pepsi-Cola Co 12a, 13a<br />
Ordinary plungers just don't seat properly.<br />
They permit compressed air and water to<br />
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With "Toilaflex," expressly designed for<br />
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• Double-size cup, double-pressure<br />
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• Designed to flex at any angle<br />
• Centers itself, can't skid around<br />
Ge« a "TOILAFLEX" lor your home loo.<br />
Positive insurance e£ainst sluffed toilet.<br />
$065 fully<br />
j^m guaranteed<br />
adverti:<br />
the ad\<br />
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Order from your Supplier of<br />
Hardware or Janitor Supplies<br />
THE STEVENS-BURT CO.<br />
NEW BRUNSWICK, N. J.<br />
Division of The Wafer Masler Co.<br />
With<br />
than 5,<br />
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Our enlarged plant facilities assure<br />
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LAMOLITE-BOWMAN DIVISION<br />
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• ALPHABETICAL INDEX<br />
• ADLINES & EXPLOITIPS<br />
• BOXOFFICE BAROMETER<br />
• EXHIBITOR HAS HIS SAY<br />
• FEATURE RELEASE CHART<br />
• FEATURE REVIEW DIGEST<br />
~« REVIEWS OF FEATURES<br />
• SHORTS RELEASE CHART<br />
• SHORT SUBJECT REVIEWS<br />
• SHOWMANDISING IDEAS<br />
1<br />
THE GUIDE TO i BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />
1<br />
^)<br />
Here's Old-Time Stunt:<br />
Mail Out Postcards<br />
One little message on a two-penny postcard<br />
speaks loudly if there are enough of<br />
them. Stan Farnsworth, manager of Academy<br />
Theatre in New Glasgow, N. S., sandwiches<br />
in a few cards frequently among<br />
the numerous duties of a theatre manager,<br />
which he mails out to selected addresses.<br />
The message:<br />
"This is an invitation to get more out<br />
of life by going to a movie. We have the<br />
pleasure of extending to you this invitation<br />
for two to attend the Academy Theatre.<br />
Any matinee or evening show (except<br />
Fotonite) up to and including (specific<br />
date or anytime) . present this card<br />
to the theatre doorman.<br />
"You only live once so why not enjoy<br />
it. Get the Moviegoing habit."<br />
On the other side (the address side) are<br />
these words: "Visit Our Candy Bar" and<br />
"Odeon Presents the Best in Movie Entertainment."<br />
Wrong Scene for Break;<br />
No Hamburger Sales!<br />
GKsrdon Spradley, manager of Wometco's<br />
27th Avenue Drive-In in Miami, happily<br />
counted admission noses as patrons flocked<br />
in to view "I Was a Teenage Frankenstein."<br />
Then he went out to check on the concession<br />
business and got a shock—it had<br />
dropped way down below average.<br />
After considerable research, Spradley all<br />
of a sudden got the message. Final scenes<br />
of the picture showed arms and legs disappearing<br />
down an alligator's gullet, while<br />
blood trickled out the creature's mouth.<br />
As this faded from the screen it was replaced<br />
by an intermission trailer urging one<br />
and all to "Try our delicious concession<br />
snacks."<br />
The unappetizing juxtaposition didn't<br />
hardly sell no hamburgers at all, mourned<br />
Spradley. He altered his program.<br />
Huge 'Bridge' Contest<br />
For its campaign on behalf of "The<br />
Bridge on the River Kwai," the State Theatre<br />
in Austin. Tex., conducted a model<br />
bridge building contest. With the aid of<br />
big space in the local press, the contest<br />
was run off in three divisions, for elementary<br />
and junior high students, for high<br />
school students and for adults. The major<br />
prize was a $50 bond, with a three-month<br />
I>ass to the State as prize in each division.<br />
High Promotion and Fun in<br />
Launched for<br />
A "Sputnuck" launching from the top of<br />
Plaza Theatre at Decatur, Tex., assured<br />
some fun for people all over the county,<br />
and three weeks of publicity for the opening<br />
of "Paths of Glory."<br />
This takeoff on the Russian Sputnik<br />
and the missiles sent soaring aloft by the<br />
U. S. was engineered by Albert L. King.<br />
Two six-foot weather balloons were tied<br />
together, with a letter of instructions attached<br />
offering $5 for information on their<br />
descent, etc.<br />
With tape-recorded march music playing,<br />
hundreds watched the release of the<br />
balloons from the Plaza roof at 10 Saturday<br />
morning (April 12).<br />
The local Wise County Messenger and<br />
the Denton, Tex.. Record Chronicle carried<br />
advance, current, etc., stories (and one<br />
photo) on the Sputnuck, written In a<br />
humerous vein. The Record-Herald reported<br />
:<br />
DECATUK—The intercontinental missile,<br />
launched Saturday by a group of<br />
Decatur businessmen, is expected to reach<br />
either Moscow or Chico (a Wise County<br />
town) by the end of the week.<br />
Chief designer A. L. King reports the<br />
"Sputnuck" was launched without a flaw<br />
but tracking became difficult when it<br />
went into orbit behind a low-hanging<br />
cloud.<br />
H*« II BMlia Of fUffi UIE IT UP . . WITH rOOII FEUW «0V1E OOEKS!<br />
.'--.'VJ<br />
'^8-^<br />
Sputnuck<br />
Paths of Glory' Opening<br />
pHAVE A SWAPPING GOOD TIME.^<br />
TRYING IKG TO OUrSHART. AND<br />
BARTER EB WrTH YOUR fHIENOS!<br />
(Ut. a »ov arrVH. »TI »»"<br />
THIS IS VOUI orPODTUIIITV 10 XirtN UP" AMD TItlll THOSE OLD UNUSED<br />
HEMS WTO PIOFIT 01 EXCHAHCE THEM FOI SOMETHJNC TOO HIOHT WAHT!<br />
MIRACLE MILE DRIVE-IN Theatre<br />
The Miracle Mile Drive-ln Theatre in Toledo,<br />
Ohio, is promoting a Swop Shop every Friday<br />
night at its theatre, using both newspaper ads<br />
and handbills such as the one reproduced above.<br />
On Thursday following the launching<br />
the Wise County Messenger reported: "No<br />
word has been received from anyone having<br />
found either of the 'Sputnuck' balloons.<br />
Whether they are en route to Moscow, the<br />
Philippines or Ala.ska remains unknown so<br />
far."<br />
Interest in the Sputnuck was heightened<br />
by prizes, six in all. by three stores and<br />
the theatre. The stores offered a platform<br />
rocker, an outdoor barbecue giull and $15<br />
worth of groceries to the persons guessing<br />
nearest to distance, direction and length<br />
of time of flight.<br />
The launching and prize offering were<br />
publicized via screen trailer, lobby displays,<br />
newspaper ads and 1,000 "Official Flight<br />
Plan for Sputnuck" heralds. The heralds<br />
and ads contained coupons for writing<br />
guesses on distance, place of landing, etc.<br />
The filled-out blanks were deposited at one<br />
of the stores offering prizes.<br />
King reports the Sputnuck idea can be<br />
used by any exhibitor on most any picture.<br />
He didn't use radio in the promotion because<br />
Decatur has no station, but he comments<br />
this is a top medium for such a<br />
stunt.<br />
Two Belles in Buckboord<br />
On Streets for 'Raintree'<br />
M. A. Elkins. manager of the Colbert<br />
Theatre in norence, Ala., who twice has<br />
been awarded BOXOFFTCE Showmandiser<br />
Citations for the excellence of his theatre<br />
displays, borrowed a horse from one of his<br />
patrons and a buckboard from another,<br />
outfitted two usherettes in costume proper<br />
to the period and had an outstanding<br />
ballyhoo for "Raintree County." The local<br />
Muscle Morning Sun published two photos<br />
of the unusual getup.<br />
Ebony Feature on 'Blues'<br />
"St. Louis Blues," Paramount's film biography<br />
of the late W. C. Handy, receives<br />
major attention in the May issue of Ebony<br />
magazine. Fifteen stills from the picture<br />
in which Nat King Cole plays Handy are<br />
included in the multi-page feature.<br />
BOXOFFICE Showmandiser May 5, 1958 — 103 — 1
Skindiver Girls Romance With Frogmen<br />
In Tanks for Underwater Warrior'<br />
Fine cooperation from a Navy school provided<br />
an outstanding promotion for "Underwater<br />
Warrior" at the Paramount Theatre<br />
in Miami. Howard PettengUl, Florida<br />
State Theatres ad-publicity man and his<br />
aides, and Robert Kunce. Paramount manager,<br />
and assistant Leo Hooper arranged<br />
the stunt and got plenty of mileage from it.<br />
SEND ITNDERWATER TEAM<br />
Rrst contacts were made with the Navy's<br />
recruiting station officers in Miami. As a<br />
result, the Navy's underwater swimming<br />
training school at Key West sent five "underwater<br />
warriors" to Miami for the threeday<br />
campaign, under the command of Lt.<br />
Cmdr. Charles Hinman. The first event<br />
was a swim up the Miami River by the<br />
underwater men to the dock of the new Dur>ont<br />
Tarleton Hotel, where they were welcomed<br />
by city officials and presented the<br />
keys to the city, with newspaper and TV<br />
cameras covering the event, nares were<br />
shot off and a demolition charge shot a<br />
huge Jet of water 100 feet into the air.<br />
The following day the group gave underwater<br />
demonstrations at several of the big<br />
swimming jwols for which the area is<br />
noted and appeared on TV and at a club<br />
luncheon demonstrating their equipment.<br />
On the third day the men gave a twohour<br />
show at the Seaquarium, inside the<br />
large tank with sharks, porpoises and other<br />
sea creatures, and in the smaller reef tank.<br />
Two local girl skindivers assisted, doing<br />
some romancing with the boys underwater.<br />
VISIT HOTEL POOLS<br />
The Navy men were guests at a Hmcheon<br />
at the Yankee Clipper Hotel in Fort Lauderdale,<br />
and later gave a demonstration In<br />
the hotel swimming pool. This promotion<br />
was handled by Hal Stanton, manager of<br />
the Warner Theatre, who saw to it that<br />
the show received excellent press and radio<br />
coverage.<br />
On the evening that the film opened at<br />
the Paramoimt the Navy swimmers and the<br />
girl skindivers performed in a 1,000 gallon<br />
water tank in front of the theatre, loaned<br />
by a local underwater sporta concern. The<br />
swimmers amused their audiences with<br />
such stunts as removing their air tanks<br />
and drinking bottles of Coca-Cola, playing<br />
cards and checkers and "romancing" with<br />
the girls a la scenes from the picture. The<br />
theatre lobby was packed the entire evening,<br />
200 or 300 persons crowding around<br />
the performing swimmers.<br />
Color Contest Sells<br />
Tennessee 'Yeller'<br />
A coloring contest conducted through the<br />
county grade schools around Manchester,<br />
Tenn., brought in 1,500 entries and accounted<br />
for four days of packed houses for<br />
"Old Yeller" at the Lyric Theatre there,<br />
managed by Clyde Jacobs jr.<br />
Jacobs obtained permission from the superintendent<br />
of county schools to conduct<br />
the coloring contest. Each teacher in the<br />
county was mailed a bulletin about the<br />
showing of the film, giving a short summary,<br />
playdates, admission price and starting<br />
times, plus information about the coloring<br />
contest. The bulletin ended with an<br />
invitation to the teacher to attend the theatre<br />
as guest of Jacobs.<br />
Each school was given enough entry<br />
blanks for each chUd to enter the contest.<br />
As prizes, Jacobs promoted three craft<br />
painting sets from a local variety store for<br />
the three best entries. As a grand prize for<br />
the best entry, the classmates of the winner<br />
were guests of the theatre for the final<br />
day matinee.<br />
Total cost of the promotion, Jacobs said,<br />
was less than $40, including entry forms,<br />
newspaper and postage expense.<br />
Balloons for 'Andrew'<br />
As part of the New York promotion campaign<br />
for "Merry Andrew," MGM hired an<br />
eight-foot clowri to walk through the<br />
Broadway area and distribute specially designed<br />
"Merry Andrew" balloons during<br />
all of Easter week.<br />
Sponsored Kiddy Show<br />
Shopping Day Feature<br />
Merchants, banking officials and the<br />
local newspaper in Jefferson, Ohio, alert<br />
to the problem of keeping local residents<br />
at home to shop, were quick to fall in with<br />
the free Easter cartoon show for kiddies<br />
proposed by Manager M. E. Ames of the<br />
Ames Theatre, and all participants were<br />
well pleased with the results.<br />
The Jefferson Building & Loan Ass'n<br />
sponsored the free show, consisting of nine<br />
cartoons and two special attractions, a live<br />
elephant named Burma and a circus clown<br />
acquired at a nominal cost from the Mills<br />
Bros. Circus, which wintered at Jefferson.<br />
The show was held on Saturday afternoon,<br />
March 29, and the building and loan<br />
firm ran a 5-col, 17-inch ad to announce it.<br />
The show was tied Ln with other local merchants<br />
on the idea that if the kids attended<br />
the theatre it would leave parents<br />
free to shop and take advantage of the<br />
spring value days sales which were being<br />
conducted that Friday and Saturday. This<br />
tie-in resulted in another 5-col, 15-inch ad<br />
by the Jefferson Banking Co. on behalf of<br />
the local merchants. The ad was headed;<br />
"Spring Shopping Begins at Home . . . Jefferson<br />
Has Everything . . . Jefferson Stores<br />
Are Prepared to Supply the Needs of Your<br />
Hey, KIDS!<br />
TeQ Mother And Dad Now That You Want To Attend<br />
The Gila Eaeter Cvtoon Pestiral At Th»<br />
AMES THEATRE<br />
Saturday Afternoon, March 29lh<br />
FREE MOVIES<br />
COME EAILY<br />
"burmT<br />
Cimfl Clown<br />
_0l£ DOC KAMIT SEZ:-<br />
NINE CARTOON SPECIALS<br />
It Tta nn Jj< Tta<br />
?!15?.'?!.Ji!*A'^ffA?.^9N<br />
-REE PAIKINC IN JOFEBON-<br />
'^f^<br />
"• Jefferson Building *^ Loan Ass'n<br />
FamUy Now," and included a bold face<br />
type insert, "Don't Forget Free Cartoon<br />
Festival for the Kiddies at Ames Theatres,<br />
etc."<br />
On P^iday, the day before the show, the<br />
Jefferson Gazette ran a streamer head<br />
across the top of the front page, reading:<br />
"Kiddies! Free Movies at the Ames 2 p.m.<br />
Saturday," then a story with a two-column<br />
head, also on the front page. The day after<br />
the show, the newspaper ran six-column<br />
photos on the front page showing the clown<br />
and the elephant in front of the theatre<br />
surrounded by youngsters.<br />
"Needless to say," Ames said, "the theatre<br />
was jammed and the concession sales<br />
were terrific."<br />
i<br />
i<br />
— 104 BOXOFFICE Showmandiier May 5, 1958
Letters to 400 Teachers<br />
Get 'Perri' Dates to Kids<br />
The Port Wayne Drive-In on the southern<br />
outskirts of the Indiana city of that<br />
name is being established right in the<br />
front rank of community activities under<br />
the management of Glen Allen.<br />
Allen's promotions frequently have a<br />
broad community impact: for example, his<br />
campaign for "The Story of Perri." He<br />
had neatly printed notes mailed to more<br />
than 400 grade school teachers in the<br />
Fort Wayne area, outlining the story briefly,<br />
asking the teachers to mention the<br />
playdates to their classes and inviting them<br />
to see the film, using the printed letters<br />
as passes.<br />
Allen has obtained much coopei-ation<br />
from the editor of the suburban newspaper,<br />
the Waynedaler, so to show his appreciation<br />
he recently began writing a weekly<br />
column which the paper publishes under<br />
Allen's name. It's subject matter is sports,<br />
on which Allen is well informed, or other<br />
matters he chooses.<br />
For "Seven Brides for Seven Brothers,"<br />
Allen promoted a convertible and drove<br />
seven girls around the area with the sign<br />
wording, "We Aie the Seven Brides for the<br />
Seven Brothers."<br />
'Snow White' Time Table<br />
Gets Heralds in Schools<br />
A good idea comes from Lou Hart at the<br />
Auburn Theatre, Aubm-n, N. Y. When he<br />
had the heralds on "Snow White and the<br />
Seven Dwarfs" made up for distribution<br />
in all local and county grade schools, he<br />
incorporated the following copy:<br />
"Dear Teacher:<br />
"We have been besieged with questions<br />
about the showing of this film from youngsters<br />
and their parents. We shall be very<br />
grateful if you will be kind enough to pass<br />
on this information: (Then followed complete<br />
show times for 'Snow White' during<br />
the entire engagement.)"<br />
In the upper lefthand corner was a bit<br />
of copy reading: "Teachers may use this as<br />
a Guest Ticket for admission to any performance."<br />
Some 250 of these heralds were sent out<br />
by the Board of Education.<br />
No Stars? Local Drama Clubs Supply<br />
18 for' 80 Days' Hollywood Premiere<br />
Showmanship and ingenuity at Its best<br />
flourished in Cuyahoga Palls, Ohio, for the<br />
premiere of "Around the World in 80 Days"<br />
at the State Theatre, de luxe unit of the<br />
Washington circuit of Cleveland headed by<br />
M. B. Horwitz. The campaign originated<br />
and was executed jointly by Sanford Leavitt<br />
and Lewis Horwitz of the Washington<br />
circuit, in association with Ed Smart,<br />
manager of the State Theatre.<br />
They planned a Hollywood premiere for<br />
the April 1 opening of the picture, but were<br />
stymied, so they thought, by the total absence<br />
of Hollywood stars. But not for long,<br />
for the idea presented Itself to enlist the<br />
aid of Little Theatre members, the Palls<br />
Masquers, the Stow Players and the Hudson<br />
Players—who were made up to look<br />
like Hollywood stars.<br />
On opening night, with kleig lights and<br />
the usual Hollywood fanfare. 18 "Hollywood<br />
stars" arrived in shiny new automobiles,<br />
supplied by cooperating dealers. The<br />
"stars" included David Niven, Marlene<br />
Dietrich, Shirley MacLaine, Ronald Colman,<br />
Prank Sinatra, Beatrice Lillie, Cantinflas,<br />
Evelyn Keyes, Joe E. Brown, Edward<br />
R. Murrow, John Carradine, Buster Keaton,<br />
Martha Raye, Clara Bow, Edmund<br />
Lowe and Charlotte Greenwood!<br />
ATTIRE FROM LOCAL SHOPS<br />
The stars were dressed in proper style<br />
through participation of local specialty<br />
shops who supplied the dresses, furs, jewelry<br />
and other accessories. All received ad<br />
credits. Just as a real de luxe premiere,<br />
"the stars" were interviewed as they arrived<br />
at the theatre, signed autographs for<br />
high school students and were deluged<br />
with flowers, courtesy of local florists.<br />
The Palls News devoted most of its<br />
March 27 edition to stories about "Around<br />
the World in 80 Days," stories about the<br />
"stars" headed Life With Louella, and<br />
merchant cooperative ads. Almost the entire<br />
front page of the second section was<br />
given over to a paid theatre ad. half of<br />
which was devoted to the famous balloon.<br />
Co-op ads completed the page. In fact,<br />
the entire edition carried 31 cooperative<br />
ads beside two feature stories.<br />
Several of the co-op advertisers went so<br />
far as to offer free tickets to see "Around<br />
the World." One, Jean Frocks, pasted ten<br />
names in the store window on April 1,<br />
opening day. Persons whose names appeared<br />
were lucky winners. No one was<br />
notified. It was necessary to look Into the<br />
store window to identify the name. A food<br />
chain introduced a new store by offering<br />
free tickets to the show to a family presenting<br />
cash register receipts for $60 worth<br />
of merchandise.<br />
PICTURES ON FRONT PAGE<br />
Front page of the April 3<br />
edition of the<br />
Palls News featured photos of the "stars"<br />
who participated in the premiere, all wellknown<br />
citizens of the area.<br />
In addition, the Akron Beacon Journal<br />
carried a story with art on March 23 and<br />
the Youngstown Vindicator gave it space<br />
on March 30.<br />
For the theatre, Leavitt built a big balloon,<br />
complete with hanging basket, and<br />
suspended It In a strategic place in the<br />
lobby.<br />
Promotes 'Sing Boy* Albums<br />
Allan Heatley, manager of the Avon Theatre<br />
In Watertown, N. Y., promoted five<br />
albums for prizes in a mystery voice identification<br />
contest on the local radio station<br />
in behalf of "Sing Boy Sing."<br />
o<br />
Fisticuff Experts Boost<br />
Patronage for Fightcast<br />
The Ftadio City Theatre in Minneapolis,<br />
Mimi., borrowed an entire live discussion<br />
panel from TV to swell theatre patronage<br />
for the recent Robinson-Basilio fight<br />
telecast, when it had WTCN-TV's "Ringside<br />
Roundtable" panel of three local<br />
fight experts on stage a half-hour before<br />
the fightcast. The panel members discussed<br />
the fight, analyzed it and predicted<br />
the bout's outcome, then answered questions<br />
from the audience.<br />
The panel<br />
appears on WTCN-TV after<br />
the Wednesday night fights and has built<br />
up a considerable TV following. Its appearance<br />
at the theatre was well publicized<br />
over TV and in the theatre ads.<br />
BOXOFTICE Showmandiser : : May<br />
A large window of the Jenkins Music Co., leading musical instrument, television, radio ond sheet<br />
music store in Kansas City, was devoted to "St. Louis Blues," showing at the Paramount Theatre.<br />
Manager Harold Lyons of the Paramount assisted In the arrangement.<br />
5, 1958 — 105 —
,<br />
"<br />
Tested Promotions That Build Family Trade at Drive-ins<br />
By PAUL. KRUEGER<br />
We are a firm believer that drlve-in theatres<br />
should be family theatres and we try<br />
to make our theatres<br />
family theatres, and<br />
we do not cater to<br />
the reputation that<br />
some theatres have<br />
that have been called<br />
passion pits. W e<br />
^ j<br />
think it is very im- H. /<br />
portant that every<br />
drive-in operator, U<br />
he wishes to continue<br />
^^^^<br />
in business, run his ^^^V/.<br />
theatre as a family<br />
theatre.<br />
''»»'<br />
^*e"<br />
We have very elaborate playgrounds in<br />
each of my theatres consisting of ferris<br />
wheels, merry-go-rounds and all other<br />
equipment that you might find in public<br />
school playgrounds, and this is all free to<br />
my p>atrons. We try to have special programs<br />
that apE)eal to families and children.<br />
We have amateur nights on our<br />
playground sponsored by dancing schools<br />
at which we give cash prizes and trophies<br />
for the winners. We have dancing one<br />
night put on by a radio announcer sponsored<br />
by a merchant with no cost to the<br />
theatre operator. We also have square<br />
dancing also sponsored by a merchant for<br />
one hour with no expense to the drive-in.<br />
FAMILIES SPEND MOST<br />
You must operate family theatres where<br />
mom and dad with the children will want<br />
to come, because again it is the family who<br />
spends the largest amount of money at<br />
your concession stand.<br />
Now for some of the ideas that we have<br />
used and that have been successful. We<br />
always have a special Mothers Day program<br />
whereby we give corsages to the mothers,<br />
or orchids, which we are doing again this<br />
The Author<br />
Paul Krueger. co-owner of Wehrenberg<br />
Theatres of St. Louis, delivered<br />
the following address on "Promotions<br />
That Paid Off at the <strong>Boxoffice</strong>" at<br />
the ticket-selling forum held during<br />
the Theatre Owners of America drivein<br />
conventionette at San Francisco the<br />
latter part of March.<br />
year. We promote a giveaway for the oldest<br />
mother and for the mother with the<br />
most cliildren and for the mother who has<br />
lived the closest to our theatre with the<br />
largest family for the longest time.<br />
We also observe Fathers Day on which<br />
our fathers receive cigars and another promotional<br />
deal similar to Mothers Day.<br />
On the 4th of July we also have a promotional<br />
deal of either fireworks or some<br />
outstanding acts or entertainment for our<br />
clients. We have also several group nights,<br />
which operate similarly to each other, one<br />
being license group night, and a bumper<br />
strip night whereby we give membership<br />
cards to all attending on license plate night<br />
and on certain other nights. These license<br />
plate numbers are posted in our concession<br />
stands stating the owners who are entitled<br />
to guest passes if the license number owner<br />
is a member of the drive-in group.<br />
We have also had car nights where you<br />
have a dealer of a certain make display his<br />
car in front of your theatre and award<br />
passes to the drivers of that make of car<br />
attending your theatre. With this same<br />
gimmick we give the person who has the<br />
oldest car a special prize on these nights.<br />
When you have competition as we do, we<br />
have promoted a merchant's deal in which<br />
some 25 merchants participate. They, in<br />
turn, print tickets good for my theatre for<br />
drivers only, for which the merchant pays<br />
half of the admission cost. We know it is<br />
very seldom that anyone attends our theatres<br />
by himself, so in turn we are receiving<br />
additional admission from the passenger<br />
who is with this driver.<br />
For years, we have had Easter Sunrise ^,<br />
Service at our theatres which, we think, is f<br />
very important. We have broadcast by<br />
radio from three of our drlve-lns every<br />
Easter, this service being sponsored again<br />
by some merchant, and we received numerous<br />
suggestions and compliments for this<br />
service to the shut-in people of our city.<br />
CHURCH SERVICES LAST YEAR<br />
Last season we had services every Sunday<br />
morning, at one of our drive-ins, sponsored<br />
by a church in the neighborhood of<br />
the theatre, which is a very good way to<br />
establish goodwill among your patrons and<br />
make them realize you are trying to operate<br />
your theatre for the family.<br />
and one<br />
We have made two firetrucks<br />
train for our drive-ins. The firetrucks are<br />
built on jeeps and our train engine is buUt<br />
on a Fordson tractor with a coach that will<br />
hold 32 children. These rides are used at<br />
the drive-ins each night, and are booked<br />
for school picnics and parades from May<br />
15 until June 15 every day. This gives our<br />
theatres much publicity and lets the children<br />
ride on our equipment, which in turn<br />
prompts them to ask father and mother<br />
to take them out to our theatre to ride on<br />
them again.<br />
We are working on some new ideas and<br />
some new rides for this year to try to con-<br />
tinue to get mother and dad at our theatre<br />
and operate the theatre where mother and<br />
dad wiU want to bring their children. If<br />
we all do this, I am sure we will not have<br />
to worry about competition and will continue<br />
with a nice business as we are now<br />
doing.<br />
These ideas, I am sure have been used<br />
by some of you and they are definitely not<br />
new, but they are very successful.<br />
f<br />
i<br />
f<br />
Says Most Businesses Allied in TV Battle<br />
Motion picture theatres have an effective<br />
ally in most fields of business in<br />
their battle<br />
with television, in the view of Emmett F.<br />
Roche, Hart. Mich., exhibitor, who Is distributing<br />
a pamphlet, "The Homesitter"<br />
presenting his views to Chambers of Commerce,<br />
service clubs, editors, merchants and<br />
other groups.<br />
"The whole story is to move people," he<br />
points out. "The only effective advertising<br />
Is the kind that gets people into your place<br />
of business . . . Money spent to keep people<br />
at home in front of a TV is<br />
not going to<br />
get them into anybody's place of business.<br />
Sitting, they don't even create an appetite,<br />
and the food business suffers."<br />
Roche develops his thesis at length, with<br />
a history of experience in the film business,<br />
and contends that TV sponsors are "inviting<br />
the public ... to sit themselves right<br />
out of jobs." a point tieing in neatly with<br />
the cun-ent recession.<br />
"Don't let the FCC sell the free air to<br />
anyone," he concludes, "to any broadcasting<br />
group or groups for pay TV, whether<br />
sports or entertainment programs. Keep<br />
the airways free. You'll never get the free<br />
airways back once they are sold. This will<br />
Just add to homesitting."<br />
All List First-Run Bills<br />
The Toledo (Ohio) Theatre Managers<br />
Ass'n downtown group, consisting of the<br />
four first-run houses, decided It doesn't<br />
hurt to help your opposition as long as it<br />
is another film house. In the lobbies of<br />
the Loew's Valentine, Paramount, Rivoli<br />
and Princess, there are easy-to-read signs<br />
announcing the attractions currently playing<br />
in each of the other theatres. Toledo<br />
is believed to be the first city in the U. S.<br />
to adopt such a good neighbor policy.<br />
lOG —<br />
Pepsi Tieup on 'Andrew'<br />
Is Called to Attention<br />
The Pepsi-Cola national tieup on "Merry<br />
Andrew" was called to the attention of<br />
Schine circuit managers recently by Zone<br />
Manager Lou Hart in a letter suggesting<br />
that they take advantage of the promotion.<br />
"One of the sequences in the picture,"<br />
Hart's letter read, "has Danny Kaye giving<br />
an oral plug for Pepsi-Cola In one of his<br />
songs. You might lay out a co-op ad which<br />
would feature Danny Kaye and carry copy<br />
such as, 'Danny Kaye sings about Pepsi-<br />
Cola in his newest and greatest musical<br />
comedy adventure, etc'<br />
The Schine circuit also suggested that<br />
managers contact Pepsi-Cola on holding<br />
after-school matinees for the kids, with<br />
Pepsi to furnish the free drinks.<br />
Victor Mature, Elaine Stewart and F^ith<br />
Domergue are starred in United Artists'<br />
"Escort West," off-beat western drama.<br />
BOXOFFICE Showmandiaer May 5, 1958
J<br />
')<br />
Crescent Suggests<br />
Some Bally Ideas<br />
The Crescent Amusement Co. of Nashville,<br />
Tenn., in launching its current Mr.<br />
Showman campaign for circuit managers<br />
came up with a number of ballyhoo suggestions<br />
in its "She' Stuff" House organ.<br />
The ideas follow:<br />
Set a bench or chair in front of the<br />
theatre with a sign reading, "I'm waiting<br />
for (name of attraction) starting at this<br />
theatre (date)." Get an attractive girl to<br />
sit on the bench.<br />
In any idle store window whiten the<br />
windows on the inside, leaving peepholes<br />
at eye level. Use curiosity-teasing lines,<br />
such as "Warning! Don't Look in This<br />
Window!" "Remember What Curiosity<br />
Did!" "Not to Be Read by Inquisitive<br />
People" or "Men Only," any catchline designed<br />
to whet curiosity. Inside the window<br />
place an attractive display or, if the<br />
window is in a choice location, have a<br />
pretty girl changing title cards of aU pictures<br />
for the week. Be sure to use correct<br />
playdates with each attraction. For<br />
the theatre lobby, place a mirror in back of<br />
a piece of beaver board with a peephole<br />
cut into the board and lettering, "For Good<br />
Looking Ladies Only," then print on the<br />
mirror the coming attraction. For another<br />
window display, have two girls in<br />
bathing suits or other brief costume playing<br />
checkers or other games. Have a sign<br />
in the window reading, "The Loser Buys the<br />
Tickets to See (attraction)."<br />
Using either a live donkey or a cutout,<br />
have a sign made to hang over the animal<br />
with copy, "I'm the only one in town that<br />
doesn't want to see (attraction) and you<br />
know what I am."<br />
Have a dart game in your lobby. Use a<br />
cutout of a coming attraction. Place small<br />
stars beside the names of the cast. Invite<br />
people to throw a dart at the board. If they<br />
hit one of the small stars on the board they<br />
receive a free pass.<br />
TV Promotion Is Slated<br />
For 'The Lineup' Film<br />
Columbia Pictures, CBS network and<br />
Young & Rubicam ad agency have worked<br />
out a TV plug promotion for "The Lineup,"<br />
upcoming Columbia theatrical release, to<br />
follow the TV Lineup show on the alternate<br />
weeks when Proctor & Gamble sponsors<br />
the show.<br />
The plugs for the motion picture wiU<br />
take the form of ten-second film clips added<br />
to the end of the TV show. The CBS<br />
program promotion department has asked<br />
its affiliates who use the Lineup show to<br />
work out tie-ins with exhibitors, involving<br />
the stations plugging the local playdate<br />
in return for lobby displays boosting<br />
the TV show.<br />
James E. LeweUen, manager of the Rialto,<br />
a Trans-Texas Theatre in Dallas, displayed<br />
a new Triumph motorcycle at the<br />
boxoffice during the run of "Motorcycle<br />
Gang" and "Sorority Girl."<br />
"Rgn (Ulmt. Hud Dwp'<br />
It a motioa plclur<br />
fulhhiUyuuJ hiUy nuds<br />
tram • b«M wllcr. Book-<br />
•etlara UU na that<br />
tit Uw p«op1o who bought<br />
Uia book wera women.<br />
Why? W«a it aacmt that<br />
ygagirlaaioiplylilianolhini<br />
niurs than a ffooil. alrui<br />
«lUltlOD«lt(«pLIl|{ advcQli<br />
-aapKriitlly abuut men u<br />
•van la your noat iatl-<br />
80 now It la on tba aeraao,<br />
mof dtaply louchlag<br />
tvtr bdfara, atanrinK<br />
two all-Uma<br />
llollywvod<br />
'xraaU', CUrk GabU and<br />
Burt Laocaatcr<br />
Maka your maa talca yoo to<br />
M "Kun Sili-at, tlita Dorp'1<br />
Why<br />
Teoser ads appealing to women were run on the women's pages of the seven New York dally newspapers<br />
by United Artists tor the premiere engagement of "Run Silent, Run Deep" at the Victoria<br />
Theatre The "sell-the-ladies" campaign also was used to spotlight the 312 Easter holiday dates The<br />
program features five different teasers, each capped by a headline aimed squarely at the women, and<br />
the displays range from 240 lines to 112 lines. Three examples are shown here.<br />
Movie Section Alerts City to Spring<br />
And Thrills in New Screen Hits<br />
Accolades for one of the slickest jobs of<br />
general promotion to come to the attention<br />
of Showmandiser this spring go to Harry<br />
F. Wilson, manager of the Capitol Theatre<br />
in Chatham, Ont., and Ralph W. Cole<br />
of the Centre there.<br />
Together they designed, wrote the copy<br />
and sold the ads in a 12-page tabloid-size<br />
(12x16 ','2 inches) movie section published<br />
in the Chatham Daily News.<br />
The section contains 30 star cuts and<br />
scene m^ats, copy throughout on the motion<br />
picture industry and current films,<br />
and 33 ads in excellent layout and style in<br />
aU the dozen pages.<br />
Major headlines proclaimed: "Golden<br />
Anniversary of the Silver Screen . . . Theatres<br />
Announce Top Attractions (this<br />
across the front page in large type) .<br />
. .<br />
Get More Out of Life—SPRING FESTIVAL<br />
OP HITS—Go Out to a Movie (across the<br />
. .<br />
Widely Discussed 'Raintree<br />
Draw<br />
center spread) . . .<br />
County' Opens Tomorrow . Business to Chatham Stores. Movies Prove<br />
Easter Films at Capitol."<br />
Assets . . .<br />
Reproduced on the front page, along with<br />
pictures of eight stars of current films and<br />
of Wilson and Cole, was a reproduction of<br />
a proclamation by Garnet R. Newkirk,<br />
z ><br />
- K<br />
> o<br />
,.<br />
<<br />
U) O<br />
X U<br />
GET MORB<br />
OUT OF LIFI_<br />
28th STREET DRIVE-IN THEATRE<br />
GO OUT TO A DRIVE-IN<br />
mayor of Chatham, setting aside March<br />
24-29 as Movie Week in Chatham in commemoration<br />
of the Golden Anniversary of<br />
the Silver Screen.<br />
Scene mats through the section featured<br />
Old Yeller, Peyton Place, 'Ai-ound the World<br />
in 80 Days. Paris Holiday. The Quiet American,<br />
Raintree County, And God Created<br />
Woman, Kiss Them for Me, The Tall<br />
Stranger, Paths of Glory and Up in Smoke.<br />
The only cost to the theatres was for<br />
their regular display ads on the center<br />
spread.<br />
The cover sheet was printed in yellow in<br />
keeping with Easter and spring. The section<br />
was dated March 25. and truly it<br />
alerted aU Chatham to new season thrills<br />
coming at the Capitol and Centre.<br />
A Bridge-Building Contest<br />
Fi-ank Weatherford, Interstate city manager<br />
at Fort Worth, Tex., and the Press<br />
offered prizes of a hi-fi portable, $30 cash<br />
and a $20 record album, $20 cash and another<br />
$20 album to the warmers of a model<br />
bridge-building contest in connection with<br />
a campaign for "The Bridge on the River<br />
Kwai."<br />
Tampa. Flobio*.<br />
MO\aE<br />
No. 2255<br />
- - AT ONE OF THE ABOVE THEATRES ENJOYMENT<br />
SMOKE IF YOU WISH. DONT HAVE TO DRESS UP<br />
NO PARKINS PROBLEMS NO PARKING TICKETS<br />
FUN FOB ALL<br />
_7a«26ti !Sau _7/i£afT£d, Unc<br />
This novel "fake check" idea is employed by Tampa Boy Theofres, Inc., to promote both its 28th Street<br />
Drive-ln Theatre, Tampa, Flo., and the "Get More Out of Life . .<br />
." industry slogan.<br />
BOXOFFICE Showmandiser May 5, 1958 — 107-^
ERA g^<br />
BOXOFFICE<br />
BAROMETER<br />
n<br />
300\<br />
This chart recordi the performanci of current attractions in the opening week of their first runs In<br />
the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />
are reported, ratings are added and averages revised. Compulation is in terms of percentage in<br />
relation to normol grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />
the figures show the gross rating above or below that mark.<br />
(Asterisk * denotes combination billi.)<br />
^.^i^^S^<br />
^ f^<br />
All at Sea (MGM)
An Inlerprciotlve onolvili of toy and trodapreii review!. The plui end tnlnui ilgni Indicate<br />
deqree of merit. Listlnqs cover current revlcwi, updated reqularly. Thli department lervei<br />
also as an ALPHABETICAL INDEX to feature relcaiet. Symbol IJ denotes BOXOFFICE<br />
Blue Ribbon Aword Winner. Photography: ffl<br />
Color; © ClnemoScope; V VlitoVlilon; 8, Super-<br />
Scope; >Kt Noturama. For listings by company, in the order of release, see Feature Chort.<br />
Review digest<br />
AND ALPHABETICAL INDEX<br />
Very Good; + Good; ^ Fair; - p
^<br />
REVIEW DIGEST Very Good; ' Good, " fait; - Poor; Very Poor. In the jummory<br />
s<br />
£<br />
1<br />
m<br />
*t is rated 2 pluses, - oi 2 minuses.
F«otur« productions by company In order of release. Number In square is notionol release dote. Running<br />
time Is In porcntheses. (£) Is tor ClncmaScope; (Vj VistoVision; (.S' Supcrscope; )tj Naturamo; A Rogolscopo;<br />
ti) Techniramo. Symbol O denotes BOXOFFICE Blue Ribbon Award; O color photography. Letters and combinations<br />
thereof indicate story type—(Complete key on next page.) For review dotoi and Picture Guide<br />
page numbers, see Review Digest.<br />
^EATURE CHART
FEATURE CHART<br />
Th« key to Uttart and comblnatloni thtr*of Indlcoting itory type: (Ad) Adv«ntur* Dromo; (Ac) Action<br />
Oramo; (An) Animotcd-Action; (C) Comedy; (CD) Comody-Dramo; (Cr) Crlm« Drama; (DM) Dramo<br />
with Music; (Doc) Documentary; (D) Drama; (F) Fantosy; (FC) Forca-Comody ; (Ho) Horror Dramo; (HI)<br />
Hlitorical Dromo; (M) Musical: (My) Myittry; (OD) Outdoor Dromo; (SF) Scltnce-Flctlon; (W) Westarn.<br />
n
. D<br />
. May<br />
.<br />
.,<br />
3<br />
1)<br />
oe.<br />
UJ<br />
CO<br />
CO<br />
a:<br />
OQ<br />
><br />
o<br />
UJ<br />
CQ<br />
UJ<br />
Of<br />
<<br />
Th« k«y to lafttra and combination! thtraof Indicating story type: (Ad) Advontur* Drama; (Ac) Action<br />
Drama; (An) Anlmotsd-Action; (C) Comedy; (CD) Comady-Dromo; (Cr) Crime Drama; (DM) Dromo<br />
with Music; (Doc) Documentor^ (D) Drama; (F) Fontosy; (FC) Force-Comedy; (Ho) Horror Dromo; (Hi)<br />
Historical Drama; (M) Muslcol; (My) Mystery; (OD) Outdoor Dromo; (SF) Science-Fiction; (W) Western.<br />
WARNER BROS.<br />
[ilOBand of Angcll (127) 0..621<br />
Clarii Gable, VvoDiie lie<br />
@ Rising of the Moon (SI)<br />
Carlo<br />
D..622<br />
Fraiiit Uiwlon, Denis O'Det<br />
gj) The James Dean Story<br />
(82) Doc. .623<br />
James Dean<br />
UOThe Palama Game<br />
(101) M..701<br />
Doris Oaf, John Rattt, CistA<br />
SS<br />
IlaJiey<br />
Blaci( Patch (83) W..702<br />
George MoDtgomery, Diaae Brewster<br />
UJ Johnny Trouble (80) D..703<br />
KLhel Barrymore, Carolyn Jooes<br />
(S The Helen Morgan Story<br />
(118) © D..704<br />
Ann Blytb, Paul Newmao<br />
Si The Blacli Scorpion (88) Ho. .705<br />
Richard Denning, Mara Corday<br />
g] QThe Story of Mankind<br />
(100) D..706<br />
Ronald Colman, Hedy Lailarr, 40<br />
other stars<br />
g| Woman in a Dressini<br />
Gown (93) D..707<br />
Yvonne Mltcbell. Anthony Quayle<br />
ga ©Bombers B-52 (106) © D. .708<br />
Karl Maiden, Natalie Wood<br />
IB Jamboree (86) R/M..709<br />
Count Basle, Fats Domino, Kay<br />
Medford, Robert Pastlne<br />
Bl Green-Eyed Blonde (73) . . D . .710<br />
Susan ()llver, Tota Greenway<br />
Forbidden Desert (45) Fealurettc<br />
©Sayonara (147) ® ..D..711<br />
Marlon Brando, Patricia Owens,<br />
Martha Scott, James Garner<br />
ESThe Deep Six (105) . .D. .712<br />
Alan Ladd, DUume Faster, William<br />
Bendk<br />
g] Fort Dobbs (90) W. .713<br />
Clint Walker, Vlrglnli Mayo<br />
O Darby's Rangers (121) . . D. .714<br />
James Garner, Etcbika C:houreau<br />
O Lafayette Escadrille (93) D..716<br />
Tab Hunter, Etchlia Choureau<br />
g] ©Marjorie Morningstar<br />
(125) D..717<br />
NaUlle Wood, Oene Kelly, Ed<br />
Wynn, Carolyn Jones<br />
31 Chase a Crooked Shadow<br />
(87) My.. 715<br />
Richard Todd. Anne Baiter<br />
[i] Stakeout on Dope Street<br />
(83) Cr..718<br />
g Violent Road (86) Ac. .719<br />
Brian Keith. Merry Anders<br />
Left Handed Gun (102) W. .720<br />
Paul Newm-in. Llta Milan<br />
H ©Manhunt In the Jungle<br />
(79) Ad.. 721<br />
EI Too Much, Too Soon<br />
(121) D..722<br />
Dorothy Malone, Ena\ Flynn<br />
ASTOR<br />
Stranger In Town (74) . . D . . May 57<br />
Alex Nlcol, CoUn Tapley, Anne<br />
I'aliie<br />
Black Tide (79) D..Jun57<br />
John Ireland. Maureen Clotuell<br />
Time Without Pity (88) . .D. .Jan 58<br />
Michael Redgraie, Ann Todd<br />
Date With Disaster (61) D.. Feb 58<br />
Tom Drake, Shirley Eaton<br />
BUENA VISTA<br />
If All the Guys in the World<br />
(95) *d..Jun57<br />
Andre Valmy, Jean Oaren. Georgea<br />
I'oujoulj', (Francb-lanjuage; ^.<br />
MISCELLANEOUS<br />
titlea)<br />
©Johnny Tremain (80) . .Ad. .Jul 57<br />
Hal SUImaster, Luana Patten<br />
©Perri (75) Nature Fantasy Nov 57<br />
yOOId Yeller (83). . . .OD. .Dee 57<br />
Dorothy McGulre, Feas Parker<br />
©The Story of Vickie<br />
(108) CD.. Feb 58<br />
Romy Schneider, Adrian Hoven<br />
©The Missouri Traveler<br />
(103) WD.. Mar 58<br />
Brandon de WUde, Gary Merrill<br />
BURSTYN<br />
Stella (93) D.. Oct 57<br />
Mellna Mercourl, Georges Founda.-!<br />
(Oreek-lanRuage; Eng. titles)<br />
CONTINENTAL<br />
©The Love Lottery (82) C. Feb 57<br />
iiavld Nlven. i'eggy Cummins<br />
©Raising a Riot (91) . .C. . May 57<br />
Kenneth More, Mandy MlUer<br />
The French They Are a Funny<br />
Race (83) C..Jun57<br />
Marline Carol, Jack Buchanan,<br />
Noel-Noel (English-language)<br />
Maid in Paris (88) C. • Aug 57<br />
Danny Eobhi, Daniel Qelin<br />
(French-language; Biig. titles)<br />
©A Novel Affair (83) ..D.. Sep 57<br />
Ralph Richardson, Margaret<br />
Leitbton<br />
Brothers in Law (95) C. .Oct 57<br />
itlcliard Attenborough, Ian Carmicbael<br />
Deadlier than the Male<br />
(100) D.. Nov 57<br />
Jean Cabin, Danielle Delormc<br />
Genaise (116) D.. Jan 58<br />
Maria ScheU, Francois Perler<br />
DCA<br />
©Don Giovani<br />
(157) Opera Film Apr 57<br />
Cesare Siepi, Usa Delia Casa<br />
Battle Hell (112) D.. May 57<br />
(Formerly "Yangtze Incident")<br />
Richard Todd, Akim Tamlrotf<br />
Monster From Green Hell<br />
(71) Ac. May 57<br />
Jim Davis, Barbara Turner<br />
Half Human (63) Ho.. May 57<br />
John Carradlne, Robert Karnes<br />
©The Miller's Beautiful Wife<br />
(92) C..May57<br />
Vlttorlo de Sica, Sophia Loren<br />
The Green Man (SO) . . M/C. .Jun 57<br />
Alaslalr Sim, George Cole, Jll<br />
Adams<br />
©Scandal in Sorrento<br />
(92) © C.Jun 57<br />
Vlitorio de Sica. Sophia Loren<br />
(Dubbed in English)<br />
The Devil's General (120) D.. Aug 57<br />
Curt Jurgens. Marianne Cook<br />
(German-language; Eng. titles)<br />
The Silken Affair (96) . .C. .Sep 57<br />
David Nlven, Beatrice Straight<br />
Escapade (87) CD. .Sep 57<br />
John Mills. Aiastalr Sjm<br />
Hell in Korea (82) D.. Oct 57<br />
St.-inlpv Baker, George Baker<br />
Please! Mr. Balzac (99) C.. Oct 57<br />
Brlgllte Bardot, Daniel Oelhi<br />
(Krencb-ianguage; Eng. titles)<br />
End of the Road (76) .<br />
. D .<br />
. Oct 57<br />
Ftnlay Curric, Edward CSapntan<br />
©Rodan! (70) SF..Nov57<br />
(English-dubbed; Japanese ca-st)<br />
Cast a Dark Shadow (84) 0.. Nov 57<br />
Dirk Bogarde. Marearet Lockwood<br />
Panic in the Parlor (90) C. Nov 57<br />
Peggy M[>unt. Shirley Eaton<br />
Every Second Counts<br />
(94) © Ac. .Nov 57<br />
Barbara Laage, Jean-Mare Tbibault<br />
(Kronch-langunge; English titles)<br />
The Flesh Is Weak (90) D, Nov 57<br />
John Derek. Mllly Vltale<br />
Blond In Bondage (92) D . . . . Nov. 57<br />
Mark Miller, Anita Thallsug<br />
(Diiblied in English)<br />
The Blue Peter (93) .<br />
. . Dec. 57<br />
Kleron Moore. Greta (Tynt<br />
Teenage Bad Girl (100) D.. Dec 57<br />
Anna Neagle. Sylvia Syms<br />
Teenage Wolf Pack (89) D.. Dec 57<br />
Henry Bookhnlt. Karen Baal<br />
(German-made: Eng. dubbed)<br />
The Golden Age of Comedy<br />
(78) C..Jtn58<br />
WiU Rogers. Laurel k Eardy.<br />
Carole Ix>mbard, other comediana<br />
of the past<br />
The Confessions of Felix Krull<br />
(103) CD..Mar58<br />
Henry Rookbolt, Lisa Puirer<br />
(German-language; Eng. titles)<br />
Of Life and Love (103) D.. Mar 58<br />
Anna .Magnaiil, Aldo Kabrlzl<br />
E^ tltlee)<br />
(lullan-lancuage;<br />
©Three Men in a Boat<br />
(..) © FC.AprSS<br />
Laurence Harvey, Jimmy Edwards<br />
©The Red and the Black<br />
(145) 0.. Apr 58<br />
Gerard Pblllpe, DanlcUe Darrleux<br />
(French-language; Eng. tltlee)<br />
Time Lock (74) D.. Apr 58<br />
Robert Realty, Lee Patterson<br />
The Secret (79) D.. Apr 58<br />
Sam Wanomaker. Mandy<br />
LOUIS deROCHEMONT<br />
©Albert Schweitzer<br />
(SO) Doe Mar 57<br />
(Produced by HIU and Aodersonl<br />
MAGNA<br />
©South Pacific<br />
(170) Todd-AO Apr 58<br />
Rossano Braml, &llt£i Oaynor,<br />
John Kerr, Juanlta Hall<br />
(Fiim version of the Rodgers k<br />
Hammersteln stage show)<br />
TRANS-LUX<br />
La Strada (107) D. .Apr 57<br />
Anthony Qulnn, Oiulletta Maslna<br />
(Italian wtlk Eng. Uties and<br />
English-language versions available)<br />
Danger Flight 931<br />
(78) D.. Apr 57<br />
Danny Robin, Dieter Borche<br />
(Fr. language^Eng. titles)<br />
Bed of Grass (80) D.. Jul 57<br />
Anna Brazzou, Mike Nichols<br />
(Greek language—Eng. titles)<br />
Four Bags Full (85) ..C. Sep 57<br />
Jean Gabln, Bourvil<br />
(Fr. language—Eng. titles)<br />
©Melbourne Rendezvous<br />
(90) Documentary Oct 57<br />
The 1956 Oij-nmlc games<br />
REISSUES<br />
BUENA VISTA<br />
©Snow White and the Seven<br />
Dwarfs (83) An.. Apr 58<br />
COLUMBIA<br />
The Harlem Globetrotters<br />
(80) CO.. Oct 57<br />
Thoma:! Gomez, Dorothy Dandridge,<br />
and the original Harlem Olobetrotterfl<br />
Paratrooper (87) . . . . Ac. .Hay 58<br />
Alan L.add, Leo Genn<br />
Hell Below Zero (91) Ac. May 58<br />
Alan Ladd, Joan Tetiel<br />
MGM<br />
The Bride Goes Wild (98) C. .Jun 57<br />
June Ailyson, Van Johnson<br />
Our Vines Have Tender Grapes<br />
(105) D,. Jun 57<br />
Edward G. Robinson, Margaret<br />
O'Brien<br />
PARAMOUNT<br />
Sailor Beware (96) C. .Sep 57<br />
Dean Martin, Jerry Lewis<br />
Jumping Jacks (103) C. Sep 57<br />
Dean Martin. Jerry Lewis<br />
©Northwest Mounted Police<br />
(125) 0D..May58<br />
Gary Cooper, Paulette Goddard,<br />
Robert Preston<br />
Blaze of Noon (91) D.. May 58<br />
William llolden, Anne Baxter,<br />
Slerling Hayden<br />
REPUBLIC<br />
©The Quiet Man (129) CD.. May 57<br />
John Wiivne. Maureen O'Hara<br />
20TH<br />
CENTURY-FOX<br />
The Song of Bernadette<br />
(156) D..Mar58<br />
Jennifer Jonee, Vincent Price,<br />
Ovaries BIckford<br />
UNIVERSAL-INT'L<br />
Winchester 73 (92) W.. May 58<br />
James Stewart, Shelley Winters<br />
Criss Cross (88) D.. May 58<br />
Burt l,ancaster, Y. De Carlo<br />
WARNER BROS.<br />
Jim Thorpe—All American<br />
(105) D.. May 57<br />
Burt Ijutcaster. Oi.lrles BIckford<br />
The Winning Team (98) . . D . 57<br />
Doris Day, R. Reagan. F. Lovejoy<br />
Bright Leaf (110) D.. May 57<br />
Gary Ovoper, Lauren Bacall<br />
The West Point Story<br />
(107) D.. May 57<br />
James (^gney, V. Mayo, Doris Day<br />
Strangers on a Train<br />
(101) D.. May 57<br />
Farley Granger, Ruth Roman<br />
Young Man with a Horn<br />
(112) D..May 57<br />
Kirk Douglas, Launa Baeall,<br />
fioris<br />
Day<br />
FEATURE CHART<br />
COMING<br />
ALLIED ARTISTS<br />
Joy Ride igi Ac<br />
Gene Evans, Scott Marlowe<br />
The Pagans D.<br />
I'lerre Cressoy, Helene Remy<br />
Cry Baby Killer D..<br />
Jack Nicholson, (^rolyn Mitchell<br />
©Queen of the Universe (g) . . . . D .<br />
tsh Zsa Gabor<br />
Attack of the 50 Foot Woman SF..<br />
Allison Haves, WllUam Hudson<br />
Frankenslein-1970 © Ho..<br />
Korls Karioff, Jana Lund<br />
©Tucson © W.<br />
Mark Stevens, Forrest Tucker<br />
Unwed Mother D.<br />
Norma Moore, Robert Vaughn<br />
Gang Girl D,<br />
Richard Bakalyan, June Kenney<br />
Legion of the Damned Ac.<br />
Hill Williams, Dawn Richard<br />
AMERICAN INTERNATIONAL<br />
Fantastic Puppet People ...Ho..<br />
John Agar, John Huyt, June Kenney<br />
BUENA VISTA<br />
©The Light in the Forest 00..<br />
Fesf Parker, Wendell Corey,<br />
Joanne Dru, James MacArtbur<br />
©The Young Land OD..<br />
Patrick Wayne, Dennis Hopper<br />
©Stage Struck D..<br />
Ilenrv Fonda. Susan Strasberg<br />
©The Proud Rebel OD.'.<br />
Al.m Ladd. Olivia De Havllland<br />
COLUMBIA<br />
She Played With Fire D..<br />
Arlene Dahl. Jack Hawkins<br />
©The 7th Voyage of Sinbad Ad .<br />
Kerwin Mathews, Kathryn Grant<br />
Best of Enemies D..<br />
Danny Kaye. Curt Jurgens<br />
©Gideon of Scotland Yard D..<br />
Jack Hawkins, Dianne Foster<br />
Let's Rock M..<br />
Julius LaRosa, Phyllis Newman<br />
The Lineup Ac.<br />
Eli Wallach, Warner Anderson<br />
©Tank Force © D..<br />
Victor Mature. Leo Genn<br />
The Whole Truth D..<br />
Stewart Granger, Donna Reed<br />
©Revcnne of Frankenstein Ho..<br />
Peter Cii.shlng, Eunice Gayson<br />
The Case Against Brooklyn. .. .Ac .<br />
Macgie H.ayes, Darren McGavin<br />
©Gunman's Walk © OD .<br />
Van Hefiln. Tab Hunter<br />
©Forbidden Island Ac.<br />
Jon Hall. Nan .\dain3<br />
©Apache Territory W.<br />
Rory Calhoun, Barbara Bales<br />
The Key © D.<br />
William Ilolden. Sophia Loren<br />
The Camp on Blood Island. .. .Ac .<br />
Carl Mohner, Andre Morrell<br />
©The Name's Buchanan W.<br />
Randolph Scott, Craig Stevens<br />
The Snorkel D.<br />
Peter Van Eyck, Betta St. John<br />
MGM<br />
©Raintree County 65 D..<br />
Elizabeth Taylor, Montgomery Clilt<br />
©Gigi<br />
C/M..<br />
Leslie Caron, .Maurice Chevalier<br />
©The Sheepman © CD..<br />
Glenn Ford, Shirley MacLalne<br />
Tunnel of Love MC.<br />
Doris Day, Glenn Ford<br />
©Tom Thumb<br />
M..<br />
liuss Tamblyn. Alan Young<br />
Imitation General D..<br />
Glenn Ford. Red Buttons, Talna<br />
Klg<br />
High School Confidential D..<br />
Ru.ss Tamblyn, Jan Sterling<br />
©The Reluctant Debutante ©..C.<br />
Rex Harrison, Kay Kendall, John<br />
Sa-xon, Sandra Dee<br />
©Tarzan's Fight for Life ©..Ad..<br />
Gordon Scott. Eve Brent<br />
The Haunted Strangler Ho..<br />
Boris Karioff, Jean Kent<br />
Fiend Without a Face Ho..<br />
.Marshall Thompson, Kim Parker<br />
PARAMOUNT<br />
The Matchmaker (J) C<br />
Shirley Booth, Anthony Perkhis,<br />
Slilrlry<br />
MacLalne<br />
©Vertigo ® D..<br />
Jame.s Stewart, Kim Novak<br />
©Houseboat (g CD--<br />
Cary Grant. Sophia Loren<br />
King Creole ® M..<br />
Kills Presley. Dolores Hart<br />
©Rock-a-bye Baby (8 C.<br />
Jerry Lewis. Marilyn Maxwell<br />
The Black Orchid ® D.<br />
Anthony Qulnn. Sophia Loren<br />
©The Buccaneer ® O/M..<br />
Yul Bryruier. Charlton Heslon,<br />
Oalre Bloom. Inger Stevens<br />
.<br />
.<br />
.<br />
•<br />
Onionhead C .<br />
Showdown at Gun Hill ® W..<br />
Kirk DouglBS, Anthony Qulnn,<br />
Carolyn Junes, Earl Uolllman<br />
Space Children SF .<br />
AiUra WlllUun, Jllchcl Kay<br />
Too Young (or Love D..<br />
Kolierl Yurgalls, Phllllpa Bcolt<br />
REPUBLIC<br />
Held on Suspicion D..<br />
PlivllLs Kirk, Dan O'HerlUiy<br />
The Man Who Died Twice Ac.<br />
Rud Cameron, Vera Ralston<br />
Maybe Smith Ac .<br />
.Macdonald Carey, Audrey Totter<br />
RANK FILM DIST'RS OF AMER.<br />
©Dangerous Exile ® D..<br />
Louis Jourd,in, Belinda Lee<br />
Night Ambush D..<br />
Dirk Bogarde, Marlus Goring<br />
Seven Thunders D..<br />
Stephen Boyd, Kathleen Harrlico<br />
©The Gypsy and ihe Gentleman D..<br />
Meluu Mercourl, Keith MIchell<br />
20th-FOX<br />
QFraulein © D..<br />
Mel Ferrer, Dana Wyoter<br />
©From Hell to Texas © D..<br />
lion .Murray, Diane VarsI<br />
©The Barbarian © D .<br />
John Wajue, Elko Ando<br />
A Nice Little Bank That<br />
Should Be Robbed ® C.<br />
Tom Ewell, .Mickey Rooney<br />
©Sierra Baron © W..<br />
Brian Keith, Rick Jason, RIU Gam<br />
Blood Arrow W..<br />
Scott Brady. Phyllis Coatee<br />
The Naked Earth © D..<br />
Richard Todd, JuUetU Greco<br />
©The Bravados © OD..<br />
Gregory Peck. Joan Clolllns<br />
©A Certain Smile © 0..<br />
Itobsano Brazzi, Christine Carere,<br />
Joan Fontaine<br />
Villa! ©<br />
OD..<br />
Brian Keith, Cesar Romero<br />
UNITED ARTISTS<br />
Calypso Island Ac.<br />
Maile Windsor, Vlnce Edwards<br />
Bury the Living Cr..<br />
I<br />
itidiard Boone, Peggy Maurer<br />
They Can't Hang Me...^ Ac.<br />
Yolinde Donlan, Terence Morgan<br />
©The Vikings ®<br />
*d- •<br />
Kirk Douglas, Tony Curtis,<br />
Ernest Borgnlne, Janet Leigb<br />
©The Big CounUy ® OD..<br />
Gregory Peck, Jean Simmons<br />
Operation Murder<br />
Tom Conw.iy. Sandra Dome<br />
•<br />
The Defiant Ones D--<br />
Tuny Dirtls, Sidney Poiller<br />
The Extra Edge D..<br />
Jeff Chandler, Jack Palance<br />
The Gun Runners D..<br />
Audie Murpliy, Eddie Albert<br />
UNIVERSAL-INT'L<br />
The Voice in the Mirror D.<br />
Julie London, Richard Bgan<br />
©The Western Story OD..<br />
Jock .Malioiiey. Limla CrIsUl<br />
The Wonderful Years © D..<br />
John Saxon. &indra Dee<br />
©Never Steal Anything Small © D..<br />
James Cagney, Slilrley Jones<br />
And Ride a Tiger © D--<br />
June Ailyson. Jeff Chandler<br />
Once Upon a Horse C.<br />
llan Roll an. Dick Martin<br />
©The Mark of the Hawk D..<br />
Sidney Poltler. Eartha Kltt<br />
Horror of Dracula Ho..<br />
Peter Cushing, Melissa Stribllng<br />
The Thing That Couldn't Die.. Ho..<br />
William Reynolds, Andra Martin<br />
©This Happy Feeling © CO..<br />
Debbie Reynolds, Curt Jurgens<br />
QA Time to Love and a Time<br />
to Die © D--<br />
John Gavin. LLsa Pulver<br />
©Twilight for the Gods D..<br />
Rock Hudson, C>d Charljse<br />
VYARNER BROS.<br />
No Time for Sergeants C.<br />
Andy Griffith. »l>ron McCoroIck<br />
Dangerous Youth D--<br />
George Baker. FranUe Vaughan<br />
©Westbound<br />
OD..<br />
Randolph Scott. Virginia Mayo<br />
Aiuly Griffith, Felicia Farr<br />
©Indiscreet "..<br />
Cary Grant. Iiigrld Bergman<br />
©The Naked and the Dead<br />
©<br />
D •<br />
Aldo Ray. Cliff Robertson<br />
©Across the Everglades D .<br />
Hurl Ives. Ovrlsiopber Plummer,<br />
G>T)sy Rose Lee<br />
©Auntie Mame ® C..<br />
Rinnlliid Riissiell, Forrest Tucker<br />
©The Nun's Story D •<br />
•<br />
Audrey Hepbim. Peter Finch<br />
Island of Lost Women Ac.<br />
Jeff Richards, Diane Jergene<br />
BOXOFFICE BookinGviide May 5, 1958 11
—<br />
"1<br />
"S.<br />
XHIBITOR HAS HIS SAY<br />
ALLIED ARTISTS<br />
Junclo Cients i AA>— Reissue.<br />
Leo Gorcey, Huntz Hall, Lauiette<br />
Luez. Tried a five-unit comedy<br />
show with "Abbott and Costello<br />
Meet the Mummy." a Three<br />
Stooges comedy. Woody Woodpecker<br />
and Droopy cartoons and<br />
"Jungle Gents." It<br />
at the boxoffice. about 35 per cent<br />
above averaee. WiUi the year's<br />
coldest weather and biggest<br />
snowstorm to buck. I consider It<br />
a job well done. All but the Stooge<br />
comedy had played here before,<br />
but were much enjoyed again.<br />
The five-unit deal sounds big.<br />
did Just great<br />
and as far as cost, it's not half<br />
as big as it sounds—just the two<br />
extra short.s if you normally play<br />
double bills, which, as a rule. I<br />
don't. But it was money well<br />
used. I'm all set to try it again<br />
soon on westerns, horror, rock<br />
'n' roll or whatever I can think<br />
up. Without that awful weather<br />
it would have been really wonderful.<br />
But no complaints, as is.<br />
Played FYi., Sat.—Victor Weber,<br />
Center Theatre, Kensett, Ark.<br />
Pop. 1,000.<br />
BUENA VISTA<br />
(BV1—Dorothy Mc-<br />
Old Yeller<br />
Guire. Fe.ss Parker. Tommy Kirk.<br />
This is. no doubt, the finest family<br />
picture that we have ever<br />
played in our theatre. It is my<br />
suggestion that Disney start a<br />
school in "movieland" and teach<br />
our many other producers how<br />
to make family pictures without<br />
all the crime and corruption that<br />
has plagued so many of our pictures.<br />
Give us more. Walt. We're<br />
proud of you and "Old Yeiler."<br />
W. R. Woody. Texas Drive-In.<br />
Fairfield. Tex. Pop. 1,800.<br />
Best Since TV<br />
A boxoffice champion, "Old<br />
Yeller," showed to more patrons<br />
than any other picture since<br />
TV. Was enjo.ved by kids and<br />
adults. An excellent production.<br />
Business way above average.<br />
Admission 25 and 50 cents.<br />
MEL BANNER<br />
Circle Theatre<br />
Waynoka, Okla.<br />
COLUMBIA<br />
Operation Mad Ball (Col) —<br />
Jack Lemmon. Kathryn Grant,<br />
Ernie Kovacs. Plenty of humor,<br />
but not enough audience. Played<br />
Sun.. Mon.. Tues. Weather: Okay.<br />
—D. W. Tiisko. Runge Tlieatre,<br />
Runge, Tex. Pop. 1,055.<br />
Operation Madball (Col)—Jack<br />
Lemmon, Kathryn Grant, Ei-nie<br />
Kovacs. A fine picture that I,<br />
and the few who saw it with me,<br />
really enjoyed. That is, I enjoyed<br />
it until I checked the boxoffice<br />
receipts. This is a picture that<br />
the trailer completely ruined.<br />
Why in the heU they have to<br />
make a lousy ti-ailer like this<br />
completely baffles me. If we had<br />
been smart we'd have jerked the<br />
trailer after the first time it went<br />
on the screen. On Sunday we<br />
12<br />
lABOUT<br />
PICTURESI<br />
ground through four complete<br />
show,
—<br />
Opinions on Current Productions<br />
Feature reviews<br />
Symbol O denotss color photography; ® CInemoScopo; ^ VbtoVUion; ^ Saperteop*; 1)) Neturomo. For story synopsis on ooch picture, sec reverse side.<br />
)<br />
"J<br />
Ten Noith Frederick F ^ °T<br />
20th-Fox (819-3) 102 Minutes Ke\. May 29, '58<br />
Whether showmen and their respective customers seek<br />
motion pictures starring solidly established names or are of<br />
the school that advocates new faces for the screen, they<br />
must find complete satisfaction in this slick celluloid version<br />
of John O'Hara's best selling novel. For here is a blending<br />
of the old and the new in which the performances are<br />
so universally excellent that it remains a matter of personal<br />
preference as to which contingent rates the deepest<br />
bow. Nor is its trouping superiority the only asset upon<br />
which the picture must depend for the ceilingless business<br />
it is certain to enjoy. Bolstering such acting magnificences<br />
are innumerable other patronage guaranteeing qualities<br />
the vast merchandising potential of Gary Cooper and Diane<br />
Varsi, the former of whom is the more potent and who<br />
garners what slight edge there is in histrionic honors; Cinemascope:<br />
the good taste and impressiveness with which producer<br />
Charles Brackett characteristically mounted the<br />
photoplay; and the uncompromising frankness and mastery<br />
with which Philip Dunne—who also directed with paralleling<br />
consummate skill—adapted the O'Hara tome, most especially<br />
the more delicate situations thereof, which, if entrusted to<br />
less expert treatment, might have been subject to censure.<br />
Gary Cooper, Diane Varsi, Suzy Parker, Geraldine<br />
Fitzgerald, Tom Tully. Ray Stricklyn, Phillip Ober.<br />
Blood Arrow F<br />
Ratio: Western<br />
2.55-1 (fi)<br />
20th-Fox (811-0) 75 Minutes Rel. Apr. '58<br />
Hazardous at best are efforts to substitute moods and<br />
character analyzing for the standard action ingredients that<br />
have been part and parcel of westerns for five decades and<br />
have come to be expected by patrons who fancy outdoor adventure<br />
fare. Many are the substantially budgeted, impressively-cast<br />
photoplays that have come a cropper because of<br />
such hazards which are increased automatically in gallopers<br />
geared to supporting bookings. And they are the hurdles that<br />
obviously tripped up Charles Marquis Warren—who is<br />
credited as both executive producer and director—and kept<br />
this photoplay from being as good as it might have been<br />
in view- of the photographic process and the proven acting<br />
abilities of several of the toplining troupers. Regalscope and<br />
talent to the contrary, the finished product falls considerably<br />
short of expectation, largely because the screenplay takes<br />
off too often on the above-listed tangents. What few spots<br />
of action and suspense the film boasts sacrifice much of<br />
their possible effectiveness because of the manner in which<br />
they are interpolated. But with Scott Brady's name at the<br />
head of the cast, the feature will nonetheless serve satisfactorily<br />
at the bottom of the bill. Robert W. Stabler produced.<br />
Scott Brady, Paul Richards, Phyllis Coates, Don Haggerty,<br />
Diana Darrin, Jeanne Bates, Rocky Shaban.<br />
Gang War<br />
20th-Fox (823-5)<br />
F<br />
Ratio:<br />
2.55-1<br />
74 Minutes Rel. June '58<br />
Since the days of "Little Caesar" when there were no limits<br />
on the quantities of blood, belly, bellicosity and bravado<br />
that could be tossed into hardboiled photoplays dealing<br />
with mobsters and their molls, few, if any, pictures of its ilk<br />
have surpassed this for action, suspense, excitement and<br />
many of the other qualities that rank and file theatre<br />
patrons consider good entertainment. True, the offering is<br />
destined for the supporting niche on double bills—that's the<br />
booking sfxjt for which it was created—but it's a cinch that<br />
in many situations it will take the play away from its topside<br />
running mate, which in most instances will have cost<br />
many times more to produce. While there are no marqueemighty<br />
names in the cast, performances without exception<br />
are excellent. For this surprising superiority in every department,<br />
much credit is due scrivener Louis Vittes for a<br />
solid, jet-paced screenplay; producer Harold E. Knox for<br />
the film's impressive mountings and, above all, to director<br />
Gene Fowler jr. for the tempo and above-mentioned praiseworthy<br />
delineations. Regalscope photography, expertly applied,<br />
endows the photoplay with an air of expensiveness<br />
that should aid in merchandising.<br />
Charles Bronson, Gloria Henry, George Eldredge, John<br />
Doucelte, Jack Reynolds, Ralph Manza, Larrj' Gelbmann.<br />
.Meat'<br />
The Light in the Forest F<br />
"^^»^Adv.ntur.^or..a<br />
Buena Vista 93 Minutes Rel. July '58<br />
Walt Disney again turns to an early American theme, the<br />
Indians vs. the settlers in pre-Revo!utionary days, in this<br />
SDlendidly cast, handsomely produced adventure film which<br />
should appeal to youngsters and adults alike. Like the<br />
enormously popular "Old Yeller," this has Fess Parker, Indian<br />
fights and wild life for the kiddies, plus two attractive<br />
newcomers, James MacArthur and Carol Lynley, in romantic<br />
roles to draw the teenage trade, and Joanne Dru<br />
and Wendell Corey as marquee names for adults. Directed<br />
by Herschel Daugherty from the novel by Conrad Richter.<br />
the picture captures the spirit of the American frontier days<br />
so well that most of the actors seem like the real-life characters<br />
and the Tennessee mountains locale, beautifully photographed<br />
in Technicolor, has a truly primeval appearance. As<br />
brought out in both the action and dialog, whites as well<br />
as Indians, exhibit good or evil traits. Young MacArthur,<br />
who made his screen debut in "The Young Stranger." wins<br />
sympathy and credibility as the teenaged hero torn between<br />
conflicting modes of life and the pretty Miss Lynley is appealing<br />
as the shy bondservant who loves him. Outstanding<br />
in support are Jessica Tandy as the boy's white mother,<br />
and Joseph Calleia, as the wise old Indian chief.<br />
Fess Parker. Joanne Dm, Wendell Corey, James Mac-<br />
Arthur. Jessica Tandy. John Mclntire. Carol Lynley.<br />
The Lineup<br />
Columbia (244)<br />
86 Minutes<br />
F[<br />
85-1<br />
Rel. June '58<br />
Derived as this theatrical offering is from the popular<br />
cops and crooks television series of the same name, comparison<br />
between the two will be inevitable. So let it be said<br />
at the outset that the film feature hews to the realistic,<br />
action-laden format established by its TV counteiTiart. with<br />
Warner Anderson recreating his role of Lt. Ben Guthrie<br />
and Jaime Del Valle, producer of the video series, also guiding<br />
the movie production. All of this would indicate that<br />
exhibitors booking the crime drama should expect strong<br />
business wherever TV cables reach—and that takes in practically<br />
the entire U. S. For prospective ticket-buyers unfamiliar<br />
with TV's "Lineup," there is the name of Eli Wallach,<br />
whose thespian ability won him plaudits in the widely publicized<br />
"Baby Doll," and who herein gives an expectedly believable<br />
performance as the brutal narcotics smuggler and<br />
eventual murderer. The story's grim, factual aspects are enhanced<br />
by Don Siegel's tight direction of Stirling Siliphant's<br />
script, and the fine musical score and authentic San Francisco<br />
backgrounds add weight.<br />
Eli Wallach, Robert Keith, Warner .Anderson, Richard<br />
Jaeckel, Mary La Roche, William Leslie, Emile Meyer.<br />
Night Ambush<br />
F Ratio:<br />
War Drama<br />
21<br />
Rank 93 Minutes Rel. July '58<br />
Once again the British filmmakers have exercised their<br />
special talents for turning out realistic and exciting melodramas<br />
docimienting a World War II episode. With Dirk<br />
Bogarde, star of the British "Doctor" comedies, as the<br />
sole marquee name heading an all-male cast, the picture Is<br />
best suited to art spots or action houses. Michael Powell<br />
and Emeric Pressbiu-ger collaborated on the wTiting, producing<br />
and directing (as they did in the recent "The Pursxut<br />
of the Graf Spee") and their story, based on the novel "111<br />
Met By Moonlight," by W. Stanley Moss, was largely filmed<br />
In the rocky mountainous island of Crete, where the camera<br />
captured some striking black-and-white shots. The entire<br />
footage is occupied with the daring capture of a Nazi general<br />
by two British commando officers and their long trek<br />
across Crete until they smuggle him by boat to Cairo. The<br />
only lighter moments are supplied by the helpful Cretan<br />
partisans, who occasionally burst into song, and by some<br />
"stout fellow" English badinage, which is not amusing.<br />
Bogarde is convincing and Marius Goring is an appropriately<br />
pompous Nazi general but the outstanding performance is<br />
that of little Demitri Andreas, as a wily Cretan youngster.<br />
Dirk Bogarde, Marius Goring. David Oxley, Cyril Cusack,<br />
Michael Gough, Rowland Barlrop. Demitri .Andreas.<br />
The reviews on these pogej moy be filed for future reforonce in ony of the following woyj: (1) In ony sloiuJord th'*«-''"9<br />
loose-leaf binder; (2) individuolly, by compony. In ony stondord 3x5 cord index file; or (3) m the BOXOFFICE PICTURE<br />
GUIDE three-ring, pocket-siie binder. The lottcr. Including o yeor'. supply of booking and dorly business record sheeH,<br />
moy be obtained from Associofed PublieoMons, 825 Van Brunt Blvd., Konsos City 24, Mo., for $100, postage poid.<br />
2224 BOXOFFICE BooldnGuide May 5, 1958 2223
FEATURE REVIEWS Story Synopsis; Exploitips; Adlines for Newspaper and Programs<br />
THE STOKY: "The Light In the Forest" (BV)<br />
In 1764, the British negotiate a treaty with the Delaware<br />
Indians and persuade them to give up their white captives,<br />
among them the chiefs son, James MacArthur, who had<br />
been raised as an Indian. MacArthur shows hostility toward<br />
Fess Parlcer. the scout who leads him back to his white<br />
parents, John Mclntire and Jessica Tandy, but he graduallyith .<br />
learns to understand civilized ways and people, except for ha-<br />
Wendell Corey, who hates all Indians. MacArthur fails in<br />
love with Carol LjTiley. Corey's shy bondservant and plans<br />
when Corey shoots one of his Indian friends, MacArthur<br />
nms back to his former people. Eventually, Parker persuades<br />
MacArthur to return to his white parents, settle the score<br />
with Corey and become an established member of the<br />
community.<br />
EXPLOITIPS:<br />
Play up Fes.« Parker as the star of "Davy Crockett" and the<br />
recent "Old Yeller," and James MacArthur. young son of<br />
Helen Hayes, who made his screen debut in RKO's "The<br />
Young Stranger" in 1957. Use romantic stills of MacArthur<br />
with lovely Carol Lynley. Arrange toy store tieups.<br />
CATCHLI>fES:<br />
Torn Between Loyalty for His White Parents and Love<br />
for the Indians Who Raised Him . . . Two Young People<br />
Caught in a Wild Twist of Fate.
1<br />
—<br />
Opinions on Current Productions<br />
^EATURE REVIEWS<br />
Symbol O denotes color photography; O CinemoScop«; ® VbtaVUIon; C> Svpencope; (S><br />
Noturomo. For itory tynopsh on Mch picture, we reverse side.<br />
iia(»#<br />
F Ratio: Action Drama<br />
1.85-1<br />
United Artists (5820) 92 Minutes Rel. May '58<br />
Robert Mitchum, who wrote the original story for his<br />
own DRM Production, has the marquee draw to attract<br />
both action-minded and regular patrons. This topical melodrama<br />
should do good business generally, aided by two^ni i<br />
additional exploitable angles—the fact that Jim Mitchum,''']-<br />
Robert's look-alike teenage son, makes his acting debut as<br />
the star's younger brother and that Keely Smith, popular<br />
recording .star and wife of Louis Prima, is featured and<br />
Thunder Road<br />
sings two tunes, one with music by the star—making it an<br />
all-Mitchum production. His story, with screenplay by<br />
James Atlee Phillips and 'Walter 'Wise, deals with<br />
moonshiners and their constant battles with the tax<br />
division of the U. S. Treasury Department. The action is<br />
replete with wild auto chases and the subsequent spectacular<br />
accidents which result in several deaths, including the star's<br />
violent end. The romantic interludes are singularly pallid,<br />
mainly because of Miss Smith's colorless portrayal of a cafe<br />
singer, but Sandra Knight shows promise as a teenage<br />
mountain girl. The older Mitchum contributes one of his<br />
more taciturn performances and his son seems to have the<br />
same acting quality—but patrons will be intrigued. Gene<br />
Barry is forceful as a federal agent. Arthur Ripley directed.<br />
Robert Mitchum, Gene Barry, Keely Smith, Jacques<br />
Aubuchon. Jim Mitchum, Sandra Knight, Mitch Ryan.<br />
tlieat'<br />
iL. ii.sk><br />
. .<br />
FEATURE REVIEWS Story Synopsis; Exploitips, Adiines for Newspaper and Programs<br />
THE STORY: •QuanlrlH's Raiders" (AA)<br />
Into Lawrence. Kas., rides Steve Cochran, captain in<br />
the Confederate Army, on spy duty and assigned to contact<br />
outlaw Quantrill iLeo Gordons to have him blow up the<br />
Union .\rniy arsenal located tJiere. He tries to impress on the<br />
border raider that there must be no unnecessary killing and<br />
no looting. To cairy out his duties. Cochran poses as a '^ •<br />
"^'<br />
horse trader but is .subsequently suspected and arrested because<br />
of Quantrill's murderous tendencies. Escaping jail<br />
he again contacts the bandit and learns the latter plans<br />
to ravish Lawrence de.spite military orders. He helps save<br />
the town and then gives him.self up as a Southern .spy. is<br />
sentenced to pri.'^on for the duration, but knows the love he<br />
has found. Diane Brewster, will be awaiting his return.<br />
EXPLOITIPS:<br />
Drape Confederate and Union colors around marquee, this<br />
will dre.ss up front of theatre and supply Civil War motif.<br />
Make up teaser snipes for posting around town. Copy migrlit<br />
read: 'W.'VRNING! QUANTRILL'S RAIDERS ARE HEAD-<br />
ING THIS WAY. T.'VKE UTMOST PRECAUTIONS TO<br />
PROTECT LIFE AND PROPERTY!"<br />
C.ATCHLINES:<br />
Tlie Hell-Horde They Called the Butcher's Battalion .<br />
"QuantrUI's Raiders "—A Hundred Renegades Who Scorched<br />
the Land With a Thousand Crimes—Filmed in Cinema-<br />
Scope and De Luxe Color.
BATES: 15c per word, minimum $1.50. cash with copy. Four consecutive insertions lor price<br />
oi three. CLOSING DATE: Monday noon preceding publication dale. Send copy and<br />
• answers to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd., Kansas City 24, Mo. •<br />
cifeRinG Houst<br />
POSITIONS WANTED<br />
Couple; Operation and maDagemcnt. Handle all<br />
phases. Oivn repairs, malnlenanee. Exiiluilatliin.<br />
26 years experience. $120 for both. Bu.\ufrke,<br />
T743.<br />
(<br />
Maiiaoer available two weeks notice. Fnlly experlencwl.<br />
rapable, references, married. Boxofttce,<br />
7749.<br />
Projectionist: Yotme. reliable, sober. E.\perienced<br />
all makes (iinipmcnl. Privo-in ami hard top.<br />
locate anyuheie. ("lay Wayne, Turbevllle. S. C.<br />
I'hone 2441.<br />
Here's a switch! Manager now employed in<br />
Florida first-run theatre desires posiliim in<br />
Soiltlieni California. Fully exi>iTleiu-eil. Bnxoflicc.<br />
7752.<br />
Experienced projectionist and manager wants<br />
permanent position. Cjni furni.sh referoitces. Rt.<br />
3, Bo.x 688, Janet Lane. Ijilieside. California.<br />
HELP WANTED<br />
For better movie positions: M;inagers. cashiers,<br />
ushers phone Miss lleines, Wisconsin 7-3806.<br />
Smith I'ersunnel, 251 West 42nd Street. New<br />
York City.<br />
Wanted: Experienced drlvc-in theatre manager,<br />
must be honest, sober and reliable. Contact Jesse<br />
Wellons. Fayetteville. N. C.<br />
THEATRE TICKETS<br />
Prompt Service. Special printed roll tickets.<br />
100.000. $31.05; lO.OOO. $9.90: 2,000, $5.70.<br />
Bach change in admission price, including change<br />
in color, $4.00 extra. Double numhering extra.<br />
F.O.B. Kansas City, Mo. Cash with order. Kansas<br />
City Ticket Co., Pept. 11, 109 W. ISth St.<br />
Kansas City, Mo.<br />
DHIVE-IN THEATRE EQUIPMENT<br />
Price reduced on our .\nti-Theft Speaker Cable!<br />
Now you can protect your speakers for only 59<br />
cents per speaker! Leading theatre chains and<br />
Individual exhibitors report complete satisfaction.<br />
Write: Speaker Security Company. Ilept. 58.<br />
Willow .\ve. at 17tb St., Hoboken, X. .1.<br />
Take your pick! Century "C", Motiograph<br />
"A.\" or Super Simplex complete drlve-in projection<br />
and sound equipment, excellent condition,<br />
$3,495. Available on time. Strong 85A single<br />
phase, 6 tube rectifiers, like new, $695; new<br />
100/200 amp. generator w.^panel and ihcostats,<br />
$995. Peiit. cc, S.O.S. Cinema Supply Corp., 602<br />
W. 52nd St., New York 19.<br />
Speakers! Brand new replacements, 4-inch PM<br />
ItCA powered by new super magnets. Sacrifice,<br />
$1.09 each. Mack Enterprises. Centralia, III.<br />
GENERAL EQUIPMENT—USED<br />
r^eed a spare? Slni|)lex rear shutter, double<br />
healing mreh.iiiNm. $!i.j: Super Simplex B-7.<br />
Century ('", excellent, $225 each. New Intermlttcnls;<br />
Holmes. $24.50: HeVry, $51): Simplex,<br />
$611.50. Depl. cc. S.O.S. Cinema Supply Corp.,<br />
602 W. 52nd St., New York 19.<br />
Pair RCA M 1-9030 soundheads, used 30 days,<br />
$500. Pair Sutler Simplex mechanisms, excellent<br />
condiiion, $425. Ilegular Simplex KS. BB, mechaiiLsms.<br />
$75. Hebullt. $150. fair UC.\ 0001 soundheads,<br />
excellent condition, $150. Harold .Moore,<br />
Box 782. Charleston 23. West Virgini.i.<br />
Pair Super Panatar wiriahle auamnrphic lens.<br />
Like ne«. $l!i.'). W. W. liinson. I'. (I. Box 07,<br />
Crawford. Texas<br />
GENERAL EQUIPMENT—NEW<br />
Masonite marquee letters, fit Wagner, Adler,<br />
Bevelite signs. 4", 40c: 8". 60c: lO", 75c: 12".<br />
$1.00; 14", $1.50: 16", $1.75: 17". $2.00; 24",<br />
$3.00. Dept. cc, S.O.S. Cinema Supply Corp. 602<br />
W. 52nd St.. New York 19.<br />
Eguippeil for CinemaScope? Met.illic seamless<br />
screens, 00c sq. ft.; anamorphic and piimc lenses,<br />
combination price, $495 pr.: wide angle lenses<br />
from $125 pr. Send projection distance, picture<br />
size, we'll figure lens foctis. Depl. cc, S.O.S.<br />
anema Supply Corp., 602 W. 52nd St., New York<br />
19.<br />
THEATRES FOR SALE<br />
375.car drive-in; diieiailng the year round In<br />
one of best towns In North Central Texas, 14,000<br />
population. Only drlvc-ln In county and only one<br />
theatre In opposition. Boxofflce, 7734.<br />
Theatre for sale, county seat town, fully<br />
equipped. Wisconsin. Boxofncc, 7738.<br />
Colored theatre, Sebihig, Florida. Heart of<br />
nnuige belt, .xsking $7,500. Vi original cost Includes<br />
land, building. Hi and 35mm eiiulpmenl.<br />
snark liar, everything. Write I'.O. Box 108, Fort<br />
Lauderdale, FUirlda.<br />
Retire on Beautiful PuQet Sound: New 850-scat<br />
profitable theatre in center of terrific suburban<br />
growth area. Sale or lc;ise. Boxofflce, 7742.<br />
Out of state business forces quick sale of modern<br />
3fl0-cjir drive-in. (loud size Texas town. Only drlvein.<br />
$12,000 down ajid lake over balance, ten years,<br />
priced right. Investigate . . . you'U want it. <strong>Boxoffice</strong>.<br />
7744.<br />
New 600-car drive-in theatre. Western Kcnttick.v.<br />
IMease check write up In Boxofflce April 7.<br />
195S edition. Tremendous industrial expansion<br />
being developed. Other interests force sale.<br />
I'hone or wrlle owner; Clark Smith, LaCcnter.<br />
Kentucky.<br />
Texas Theatre, Bishop. Texas, $7,500, $2,500<br />
cash, balance 5%. Fine equipment, air conditioned,<br />
etc. Population 4,000. Large industrial<br />
liayroll. Tex.ls best farming. T. L. Harville, Alice,<br />
Tcxa.s.<br />
STUDIO AND PRODUCTION<br />
For sale; Four south Texas closed towns, suitable<br />
family operation. L. Cla.sscock. Box 1266,<br />
Latest Model Arri 35. 3 lenses, mattebox, case,<br />
$2,500 value, $2,095: like new Belhowell 16mm San Antonio, Tex,is, CA 7-5233.<br />
70PA w/3 lenses, case, $395: Mitchell 35mm<br />
tracking camera. $995: ItCA Photophone 35mm<br />
recording outfits, from $2,995: Houston 35mm<br />
processors, $8,000 value, from $1,495; 35mm<br />
Moviolas. $189. Dept. cc. S.O.S. Cinema Suplily<br />
Corp., 602 W. 52nd St., New York 19.<br />
BUSINESS STIMULATORS<br />
Bingo, more action! $4.50M cards. Other games For sale or trade. Approximately 300-car<br />
available, on-off screen. Novelty Games Co.. 106 drive-in. Oilfield and industrial payrolls. Illness.<br />
lingers Ave., Brookbn. N. \.<br />
Box 780, Sweetwater 1, Texas.<br />
Build attendance with real Hawaiian orchids. Drive-in on main highway, no competition, 25 ^r<br />
Few cents each. Write Flowers of Hawaii. 670 ipturn, reasonable. Write Box 86, (ieenville, Vir<br />
ginia.<br />
S. Lafayette Place. Los Angeles o, Calif.<br />
Bingo Cards, Die Cut! 1, 75-500 combinations.<br />
1. 100-200 combination. Can be used for KBNO.<br />
$4.50 per .M. Premium Products, 346 West 44th THEATRES WANTED<br />
Day-Glo Bumper Signs direct from manufacturer,<br />
save 50*^^1 Stimulate your attendance with D.iy-<br />
Glo bum;)er signs on Kleen-Flexslik. Rubber impregnalerl<br />
.stock. Leave no residue on bumpers.<br />
100. $17; 250. $32.50: 500, $60: 1,000, $90<br />
Prepaid t^sh with order, otherwise COD. Send<br />
self addre.ssed envelope for sample. 4"xl8" only.<br />
Ozark Screen Process, Golden City, Mo.<br />
84" Cash Discount Cards, Territic business<br />
builder tor drive-ins. indoors. Working wonders<br />
at m.v drive-in. many others. Really keeps them<br />
coming back. Not lottery. Pays discount for each<br />
$25 spent by patron in admission or snack bar.<br />
New low prices: 5.000 cards (seals mounted).<br />
$75: 5,000 cards (yo(i mount seals), $55;<br />
special punches, $6 each: posters, 15c each;<br />
trailers, Filmack copy, $23.50. Instructions<br />
manual. No shipping cltarges if check accompanies<br />
order. Write today! Watch hiislness boom. E. F.<br />
l!ay. .«! Prive-In. PO Box 397. Amherst. Texas.<br />
Texas Theatre for Sale; Air-conditioned brick<br />
building. 300 upholstered ch.iirs. machines In gooil<br />
condition. Phone 42 or write Box 13, Evant.<br />
Texas.<br />
Drive-in, central Pennsylvania. 225 cars, room<br />
for 450. Good business. Easy terms. Boxofflce.<br />
7751.<br />
Chicago, Illinois theatre wanted. Sixteen hundred<br />
to four thousand seaLs for commercial use.<br />
Will buy or lease. Submit full particulars. Martin<br />
F. Owens, Realtor, 1761 National B.mk<br />
"Secret Panel Treasure Cards." Increases boxoffice<br />
ami cMcrssiDO receipts Oiilslanding super<br />
punch c.inls. Tlieatre Enterprises. 85 Van Braam<br />
street, Pittsburgh, Pa.<br />
Building, Detroit 26. Michigan.<br />
THEATRE SEATING<br />
Chair supj.lies, iiaiis for all chalrn. Fenjla<br />
Seating, Cllieugo 6,<br />
Repairing ano reupholsttring In your tliettrc,<br />
l''ensln Seating, Chicago 5.<br />
New spring seats for all dialri, Fensin Seitlni,<br />
Chicago 5.<br />
Patch. o-Seat cement, permastone anchor cement.<br />
Feusin Sealing. Chicago 5.<br />
Seat coverings, sewed combination, all ityles,<br />
Fensin Sealing, Chicago 5.<br />
Plastic leatherette, all colors, send sample.<br />
Fensin Sealing. Ollcago 5.<br />
Upiiolstery fabrics, all types, send sample.<br />
Fensin Sealing, Chicago 5.<br />
Cash for your old theatre chairs, Fensin Beatin,<br />
ChiiM',.'n 5.<br />
We rebuild chairs in your theatre, flood used<br />
chairs available at lowest prices. 25"l25"<br />
leatheielte, 55c each. 27"x27", 65c each. Chicago<br />
I'sed Chair Mart, 829 So. Slate St., Chicago<br />
5, Hi.<br />
For sale: 1.200 veneer chairs.<br />
POPCORN MACHINES<br />
Popcorn machines. ;ill makes Snow ball and<br />
floss machines. Keplacement kettles all machines.<br />
120 So. Ilalsted, Chicago. III.<br />
I ABOUT<br />
'We Warned You—<br />
NOT USING A BOX<br />
NUMBER ON THAT AD YOU<br />
RAN IN<br />
BOXOFFICE!'
1?MU