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MAY 5. 1958<br />

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!<br />

mawi<br />

SOLD SINGL<br />

1^ \<br />

THE LATEST<br />

AND MOST<br />

BLOOD-CHILLING<br />

THRILLER FROM<br />

KARLOFF,<br />

KING OF<br />

MONSTERS<br />

Was an innocent man hung as<br />

the notorious "Haymarket<br />

Strangle!-"? The terrifying<br />

transformation of a<br />

distinguished noveHst into<br />

the bestial beauty-killer,<br />

Dr. Tenant, is the most<br />

shocking thing you've ever<br />

witnessed on the screen.<br />

f<br />

^v;<br />

FCWPi<br />

W-:-<br />

M-G-M presents<br />

BORIS KARLOFF<br />

in<br />

"THE HAUNTED<br />

STRANGLER"<br />

with<br />

JEAN KENT<br />

ELIZABETH ALLAN<br />

ANTHONY DAWSON<br />

Screenplay by<br />

JAN READ and JOHN C.<br />

Directed by ROBERT DAY<br />

COOPER<br />

Produced by JOHN CROYDON<br />

I<br />

AN AMALGAMATED PRODUCTION<br />

An M-G-M Releose


a<br />

Presented singly or as<br />

companion feature to "THE<br />

HAUNTED STRANGLER"<br />

this NEW adventure into<br />

horror is up-to-the-minute in<br />

the field of science-fictionterror!<br />

Mad science spawns<br />

evil shapes of brain-sucking<br />

monsters. Laboratory genius<br />

gone wUd produces the<br />

creatm-e of the future—<br />

Fiend Without A Face!<br />

M-G-M pr»f»nl«<br />

"FIEND WITHOUT<br />

A FACE"<br />

Starring<br />

MARSHALL THOMPSON<br />

Screenplay by<br />

HERBERT J.<br />

LEDER<br />

Original Story by Amvllo Rttyneldt Long<br />

Directed by<br />

ARTHUR CRABTREE<br />

Produced by<br />

JOHN CROYDON<br />

AN AMALGAMATED PRODUCTION<br />

An M-C-M RelMie


For the information of exhibitors everywhere,<br />

20th ANNOUNCES ITS<br />

RELEASE SCHEDULE FOR<br />

JULY '58<br />

1<br />

GREOORY PECK<br />

JOAN COLLINS<br />

STEPHEN BOYD<br />

In<br />

The Bravados<br />

COLOR by DE LUXE<br />

CINemaScoPE<br />

Produced by HERBERT B. SWOPE, Ir.<br />

Directed by HENRY KING<br />

Screenplay by PHILIP rOROAN<br />

From Hell<br />

to Texas<br />

COLOR by DE LUXE<br />

CINemaScoPE<br />

DON<br />

starring<br />

DIANE<br />

MURRAY • VARSI<br />

Produced by ROBERT BUCKNER- Directed by HENRY HATHAWAY<br />

Scfeenpiay by ROBERT BUCKNER and WENDELL MAYES<br />

IT<br />

WILL SCARE THE WITS<br />

OUT OF YOU!<br />

The Fly<br />

COLOR by DE LUXE<br />

CINemaScoP^<br />

starring<br />

AL HEDISON<br />

PATRICIA OWENS<br />

VINCENT PRICE<br />

HERBERT MARSHALL<br />

Produced and Directed by KURT NEDMANN<br />

RICHARD TODD<br />

JULIETTE GRECO<br />

in<br />

The<br />

Naked Earth<br />

CINemaScoPE<br />

Produced by ADRIAN WORKER<br />

Directed by VINCENT SHERMAN<br />

A Four Square Productions. Inc.<br />

Released by 20th Century-Fox<br />

Screenplay by JAMES CLAVELL<br />

BRIAN KEITH • RICK JASON<br />

RITA GAM • MALA POWERS<br />

STEVE BRODIE<br />

in<br />

Sierra Baron<br />

COLOR by DE LUXE<br />

CINemaScoP^<br />

Produced by PLATD A. SKOURAS<br />

Directed by JAMES B. CLARK<br />

>nd<br />

Desert Hell<br />

A REeALSCOPE PICTURE<br />

starring<br />

BRIAN KEITH<br />

BARBARA HALE<br />

RICHARD DENNING<br />

JOHNNY DESMOND<br />

ProdEed by ROBERT STABLER<br />

Directed by CHARLES MARQUIS WARREN<br />

Screenplay by ENDRE BOHEM<br />

An Emirau Production<br />

Presented by Regal Films, Inc<br />

Released by 20th Century-Fox<br />

Screenplay by HOUSTON BRANCH<br />

Clip<br />

and save!


«%<br />

THE NATIONAL FILM WEEKLY<br />

Published In Nine Sectional Editions<br />

BEN SHLYEN<br />

Edilor-in-Chief and Publisher<br />

DONALD M. MERSEREAU. Associate<br />

Publisher & General Manager<br />

NATHAN COHEN. .Executive Editor<br />

JESSE SHLYEN. .. .Managing Editor<br />

HUGH FRAZE Field Editor<br />

AL STEEN Eostern Editor<br />

IVAN SPEAR Western Editor<br />

I L THATCHER. .Equipment Editor<br />

MORRIS SCHLOZMAN Business Mgr.<br />

Published by<br />

ASSOCIATED PUBLICATIONS<br />

Publication Offices: S25 Van Bnint Blvd..<br />

Kansas City 24, Mo. Nathan Cohen. Executive<br />

Editor: Jesse Shlyen, Managing<br />

Editor: Morris Schlozraan. Business Manaser;<br />

llueh Fraie. Field Editor; I. L.<br />

Thnicher, Editor The Modern Theatre<br />

Section. Tcleplione CHestnut 1-7777.<br />

Editorial Offices: 45 Roekefeller Plaxa.<br />

New York 20. N. Y. Donald M. Mersereau.<br />

Associate Publisher & Central<br />

Manager: \\ Sleen. Eastern Editor: Carl<br />

Mos. Equipment Advertising. Telephone<br />

rOlumbtis 5-6370.<br />

Central Offices: Editorial—920 No. Michigan<br />

Ave.. Cliicago 11. 111.. Frances B.<br />

Clovv. Telephone Stiperlor 7-3972. Advertising—35<br />

East Wacker Drive. Chicago 1.<br />

111.. Euinc Hutchison and John Hendrickson.<br />

Telephone ANdover 3-3042.<br />

Western Offices: Editorial and Film Advertising—6404<br />

Hollywood Blvd.. Hollywood<br />

28. Calif. Ivan Spear, manager. Telephone<br />

Hollywood 5-1186. Equipment and<br />

Non-Film Advertising—672 8. Lafayette<br />

Park Place. Los Angeles. CaUf. Bob Wettsteln.<br />

mamger. Telephone DUnklrk 8-2386.<br />

London Office: Anthony Gniner, Queen's<br />

House. Room 47. Leicester Place. Leicester<br />

Square. W. C. 2. Telephone<br />

OERard 5720/8282.<br />

Ibe MODERN THEATRE Section Is Ineluded<br />

in the first Issue of each month.<br />

Atlanta: Martha Chandler. 191 Walton NW.<br />

Albany: J. S. Conners, 21-23 Walter Ave.<br />

Baltimore: George BrowrUng, Stanley Thea.<br />

Birmineham: Eddie Badger. The News.<br />

Boston: Fr.inces Harding. HU 2-1141<br />

Charlotte: Blanche Can-. 301 8. Church.<br />

Cincinnati: Lillian Lazanis. 1746 Carrahen.<br />

Cleveland: Elsie Loeb. Falrmount 1-0046.<br />

Columbus: Fred Oestrelcher. 646 Rhoades<br />

Place.<br />

Dallas: Bill Barker, 4!3 Nimltz St..<br />

FR 2-7971.<br />

Denver: Jack Rose. 1645 La/ayette St.<br />

Des Moines: Russ Scboch. Reglster-Trihune.<br />

Detroit: H. F. Beres. Foi Theatre Bldg.<br />

Hartford: Allen M. Wldem. CH 9-8311.<br />

Indianapolis: Ann Craft. 512 N. Illinois.<br />

Jacksonville: Robert Cornwell, San Marco<br />

Theatre.<br />

Memphis: Null Adams. 707 Spring St.<br />

.Miami: Kitty Harwood, 66 S. Hibiscus.<br />

Milwaukee; Wm. Nichol. 2251 8. Layton<br />

Blvd<br />

Minneapolis: I.es Rees. 2123 Freemont So.<br />

New Orleans; Mrs. Jack Auslet. 2268V4<br />

St. Claude Ave.<br />

OUihoma City: Sam Brank, 3416 N. Virginia.<br />

Om.iha: Irving Baker, 911 N. 51st St.<br />

Philadelphia: Norman Shlgon, 5363 Berk.<br />

Pittsburgh: R. F. Kllngensmith. 516 Jeannette.<br />

Wllklnsburg. CHurchlll 1-2809.<br />

Portland. Ore.: Arnold Marks. Journal.<br />

St. Louis: Dave Barrett. 5149 Rosa.<br />

Salt Lake City: H. Pearson. Deseret News.<br />

San Francl.sco: Call Llpman, 287-28th<br />

Ave.. SKyllne 1-4355: Advertising:<br />

Jerry Nowell. 355 Stockton St.. YUkon<br />

2-9537.<br />

Washington: Sara Y'oung. 415 Tlllrd St.,<br />

N. W.<br />

In Canada<br />

314. 625 Montreal: Room Belmont St ,<br />

Jules Larochelle.<br />

at. John: 43 Waterloo, Sam Babb.<br />

Toronto: 1675 Bayvlew Ave., Willowdale.<br />

Ont , W. Gladish.<br />

Vancouver; Lyric TTieatre Bldg.. Jack Droy.<br />

Winnipeg: 157 Rupert. Barney Brookler.<br />

Member Audit Bureau of Circulations<br />

Entered &s Second Class matter at Post<br />

Office. Kansas City. Mo. Sectional Edition.<br />

$3.00 per year; National Edition. $7.50,<br />

MAY 5 ,<br />

1958<br />

Vol. 73 No. 2<br />

IMPROVING THE IMPRESSION<br />

'VERY so often adverse criticism nf<br />

Ampricaii films abroad lireaks out and it is<br />

given circulation through newspapers and other<br />

publications, creating an unfavorable impression<br />

for our industry. To ])robe the situation, the<br />

Motion Picture Ass'n of America conducted a<br />

survey around the world, the results of whii h<br />

tell a far different story. The reactions in<br />

Europe, the Far East, the Middle East and South<br />

America evidence a very high regard for Hollvwood<br />

product and negate what appears largely<br />

to be theory that these films misrepresent life<br />

in<br />

America and have other bad effects.<br />

As one viewpoint well expresses the overall<br />

opinion, "American movies are not all perfect,<br />

but on the whole they produce a favorable impression<br />

of Americans as well as normal individuals<br />

who live well and are concerned about<br />

their children's education and future."<br />

The report of the survey, which appears elsewhere<br />

in this issue, accents the favorable views<br />

generally expressed. However it does not overlook<br />

the charges made that America is<br />

depicted<br />

as a land of violence, crime and juvenile delinquency,<br />

even though it is revealed that less<br />

than three per cent—only 29 out of 1,000 U. S.<br />

pictures examined—were specifically cited for<br />

their adverse effects. In brief, Eric Johnston, in<br />

making the report to the MPAA board public,<br />

saw in this ratio a most favorable reaction<br />

toward American motion pictures around the<br />

world.<br />

Perhaps the trend toward realism, to some<br />

extent modeled after films of foreign origin, has<br />

played its part in the making of the handful<br />

of American films that created the wrong impressions.<br />

Perhaps it was their timing—being<br />

released too closely together—that exaggerated<br />

the viewpoint. This is not unusual. In fact, that<br />

same "mistake" is being made in the releasing<br />

patterns followed in the I'. S., both with American<br />

and foreign-made films.<br />

Let one picture of a so-called off-beat theme<br />

make a hit, and there immediately follow a<br />

dozen of the same type. That's probably why<br />

there recently has been objection to gangster<br />

stories expressed by J. Edgar Hoover, head of<br />

the Federal Bureau of Investigation, among<br />

others. Whether the story type is about gangsters<br />

or other seamy characters, horror, murder, narcotics,<br />

rock 'n' roll, science-fiction or what-haveyou,<br />

the bunching up of such releases tends to<br />

create an erroneous impression of the facts.<br />

This isn't new, of course. Cycles of one kind<br />

or another have been inimical to the best interests<br />

of this business in wooing patronage from<br />

liiin' immemorial. But still they go on. A theme<br />

is milked dry and then both producer-distributors<br />

and exhibitors begin to wonder why some<br />

of the best of certain types of pictures—take<br />

musicals, for instance—fail to draw. The value<br />

of orderly releasing of (|uality produf:t would<br />

lie considerably enhanced, if its imi)lcmentation<br />

would provide for spacing types of pictures as<br />

well. That would do much to improve the impression<br />

made by our pictures, both here and<br />

abroad.<br />

Another Way Up<br />

A recent bulletin of Allied Theatre Owners of<br />

Indiana made the point that, if this industry's<br />

collective effort in its business-building program<br />

produced only one new theatre patron per week<br />

out of each 100 of the U. .S. population, it would<br />

add millions of dollars to theatre grosses.<br />

This thought was inspired by an advertisement<br />

of the Norfolk and Western Railway which<br />

informed that, in the fourth quarter of 1957,<br />

consumer spending in the U. S. decreased by<br />

SI. 2 billion, which averaged out to 47 cents per<br />

week per family. On this same basis, the AITO<br />

calculation set forth that approximately .$700,000<br />

per week would be added to<br />

theatre grosses or<br />

$36 million per year. That seems like a very<br />

modest goal, easily attainable.<br />

Put on a basis of ticket sales, it would break<br />

down to<br />

an average of 70 additional admissions<br />

per week for each U. S. theatre, or ten per day.<br />

Any exhibitor worth his salt ought to be able<br />

to hit that mark with just routine go-out-andget-eni<br />

effort. And. with agresssive showmanship,<br />

double or triple this result should be obtained.<br />

And what about tieing into the effort the more<br />

than 200.000 people employed in this business?<br />

If each of those, by house-to-house canvass or<br />

whatever way they came in contact with friends<br />

and neighbors, caused just one extra theatre<br />

ticket per day to be purchased, this would produce<br />

a total of another S3.5 million of theatre<br />

income per year.<br />

With evervbod\<br />

working at the job. aided and<br />

abetteti by the industry's promotion program,<br />

the total could be built up to several hundred<br />

millions. Some effort in this direction already<br />

is<br />

under way. principally in circuit organizations.<br />

Put it into full swing and the industry soon will<br />

cast the blues away.<br />

KJ^e^i^


FILMS OUR BEST AMBASSADORS;<br />

85% LEAVE GOOD IMPRESSION<br />

Less Than Five Per Cent<br />

Have Adverse Effect,<br />

Eric Johnston Says<br />

NEW YORK — Charges that American<br />

films portray the U. S. in a distorted and<br />

harmful manner, that they lead people to<br />

believe Americans tend toward violence,<br />

crime and juvenile delinquency and that<br />

they reflect an attitude that Americans are<br />

too well off to be much concerned about<br />

the problems of other people have been<br />

answered by Eric Johnston, president of<br />

the Motion Picture Ass'n of America.<br />

BASED ON RECENT SURETY<br />

Johnston's answer took the form of a report<br />

to the MPAA board based on a recent survey<br />

he authorized and made public Tuesday (29>.<br />

"These charges deserve our attention,"<br />

Johnston reported. "Some reflect local attitudes<br />

and customs. Most are based on individual<br />

motion pictures rather than the<br />

American film generally. Out of more than<br />

1.000 U. S. motion pictures examined, only<br />

29— less than three per cent—^were specifically<br />

cited for their adverse effects."<br />

Johnston summed up the general opinion<br />

by stating four viewpoints found repeatedly<br />

on the impact of U. S. films abroad:<br />

• They don't try to sell<br />

us anything. They<br />

simply tell us that Americans are human<br />

brings, fortunate human beings, perhaps, but<br />

very believable.<br />

• They don't try to hide the faults in your<br />

society. If anything, they explore these faults<br />

and try to solve them. Tliey show us that<br />

you know how to criticize yourselves. That's<br />

why we respect your films.<br />

• American films tell us you believe that<br />

evil men will suffer and good men will finally<br />

prevail. Our religion teaches us this. Therefore,<br />

we think you believe much as we do.<br />

(That comment came from the Far East.i<br />

• Our motion pictures are the finest of<br />

ambassadors and diplomats our country has<br />

in this part of the world. (The comment of<br />

a U. S. ambassador in southeast Asia.)<br />

FEW ARE 'UNFAVORABLE'<br />

The survey shows, Johnston said, that 85<br />

per cent of U. S. films create "a favorable<br />

attitude toward the U. S." Approximately<br />

ten per cent create an attitude neither favorable<br />

nor unfavorable. About five per cent<br />

t«nd to create an "unfavorable attitude" toward<br />

the U. S. That minority is responsible<br />

for the charges against the industry.<br />

"Prom this study," Johnston said, "it is<br />

clear that our films are endorsed and admired<br />

around the world. What interested<br />

me, however, was not the statistics but the<br />

pattern of opinion that emerged everywhere.<br />

It proves and underscores that there is no<br />

other medium comparable to the film for<br />

universal appeal."<br />

The survey is based on comments by many<br />

important persons around the world. Some<br />

of them follow:<br />

"I have found that for every film that<br />

II. S. INFORMATION HEAD HONORED—George V. Allen, director of the United<br />

States Information Agency, which uses motion pictures as one of its important techniques<br />

to channel the American story to peoples of the world, was a recent visitor at<br />

the Hollywood studios to discuss film angles of his program. He is shown here at a<br />

luncheon tendered by Paramount on the studio lot. In the photo, left to right, are:<br />

William Perlberg, producer; Cecil B. DeMille, producer-director; Y. Frank Freeman,<br />

vice-president in charge of studio operations; Allen; George Sidney, president of the<br />

Screen Directors Guild; George Seaton, producer-director and president of the Academy<br />

of Motion Picture Arts and Sciences; and Edmund Hartman, president of Writers<br />

Guild of America—West.<br />

falsifies or glamorizes the American way of<br />

lite, there are a dozen which deal fearlessly<br />

and faithfully and factually with your great<br />

country, its aspirations and problems. The<br />

outstanding candor of the majority of American<br />

films makes them invaluable in promoting<br />

understanding. I wish that more British<br />

films were shown m the U. S. so that our two<br />

nations could the better understand each<br />

other."—Max Aitken, chairman of the Beaverbrook<br />

Newspapers.<br />

"For the British sailor it is very valuable<br />

to be able to see such American films, which<br />

give an excellent idea of the U. S. way of<br />

life. A better understanding of America undoubtedly<br />

contributes to the happy relationship<br />

existing between the American and<br />

British navies and between our two countries."—Admiral<br />

of the Fleet the Earl Mountbatten<br />

of Burma.<br />

"I have seen many wonderful American<br />

films and I know that the people of this<br />

country appreciate them very much. Especially<br />

at this time, our two peoples must<br />

learn to know each other better and appreciate<br />

each other's point of view. Your motion<br />

pictures do much to bring this about."—Lord<br />

Westw(X)d, British industrialist and Conservative<br />

member of the House of Lords.<br />

Exhibitors'<br />

Production<br />

Plan 'Died a-bornin'<br />

NEW YORK—About a year ago, more<br />

than 100 exhibitors met in New York and<br />

pledged financial support for the production<br />

of 16 independently made pictures.<br />

It was estimated that 5,000 theatres would<br />

join in the project. Pledges amounting<br />

to $500,000 reportedly were made on the<br />

spot.<br />

Last week, BOXOFTICE telephoned one<br />

of the principals in the plan and asked<br />

what happened to it.<br />

"It died a-bornin'," was the reply.<br />

U. S. Ambassador Ellsworth Bunker in<br />

India said that American pictures that distort<br />

and cheapen humanity constitute "a<br />

minor part of American film production." In<br />

the main, he said, they reflect general American<br />

viewpoints and customs.<br />

Tw'enty years ago American films were<br />

sharply criticized throughout the Orient because<br />

they dealt almost exclusively with<br />

crime, gangsters and other sensational aspects<br />

of life but today they convey a greater<br />

appreciation of American life and the peaceful<br />

aims of the west to the middle -east,<br />

according to the Rt. Rev. Joseph Lash,<br />

bishop of Bombay and spiritual head of the<br />

middle east branch of the Church of England.<br />

FUNDAMENTALLY 'ENTERTAINMENT'<br />

Frank Moraes, editor of the Indian Express<br />

newspapers, found American films based<br />

fundamentally on entertainment and not<br />

propaganda and for that reason "they get<br />

the absorbed attention of Indian audiences."<br />

American films have strengthened the ties<br />

between Brazil and the U. S. in the opinion<br />

of both Dr. Herbert Moses, president of the<br />

Brazilian Press Ass'n, and Col. Frederico<br />

Mindello, president of the Brazilian Federal<br />

Price Control Board.<br />

Zen Ikezuji, film specialist of NHK, the<br />

Japanese Broadcasting Co., commenting on<br />

the recent furore over "Blackboard Jungle,"<br />

observed that Japanese reaction against the<br />

film was "not because it was bad or because<br />

it was American," but because it was felt it<br />

"provided young people with wrong impressions."<br />

American films, he said, "make an<br />

effort to present honest facts without frills<br />

or nonsense, and I think the Japanese are<br />

becoming increasingly aware of this honesty."<br />

Australians credited American films with<br />

influencing a sense of comradeship. Swedes<br />

like the American individual as they see him<br />

in films. Finns found them contributing importantly<br />

to better world understanding and<br />

a better understanding of America and<br />

Americans.<br />

BOXOFFICE May 5, 1958


704 PROPOSES RERELEASING<br />

PATTERN TO HALT SALES TO TV<br />

Two-Month Test Suggested<br />

With Two Films From<br />

Each of the Majors<br />

NEW YORK—A planned pattern of releleases<br />

of post-1948 films would keep them<br />

off televLsion, the major companies have<br />

been told by Ernest Stellings, president of<br />

Theatre Owners of America.<br />

A 3-VVAY PROPOSAL<br />

He has asked them to test the following<br />

plan:<br />

• Each company would rerelease two of its<br />

best older films a month for a two-month<br />

test.<br />

• Within legal limitations, TOA would urge<br />

its members to book the films, and it is<br />

hoped that other exhibitor organizations<br />

would do likewise.<br />

• Exhibitors would, if desired, help to<br />

select the films.<br />

Favorable rentals revenues would make sales<br />

to TV unnecessai-y and would furnish proof<br />

of that fact to stockholders and directors<br />

who want sales to TV for dividends, Stellings<br />

declared. Exhibitors would come to realize<br />

that their cooperation in this respect would<br />

keep post-1948 films in theatrical channels,<br />

he added.<br />

He also said good results would have a positive<br />

beai-ing on the TOA proposal that all<br />

exhibitors set up a trust fund to buy post-<br />

1948 films from distributors to keep them<br />

off TV.<br />

BOARD AUTHORIZED TRUST<br />

At a meeting of its board in San Francisco<br />

a month ago. TOA authorized the organization<br />

of a nonprofit, tax-exempt trust to purchase<br />

for theatrical exhibition pictures which<br />

otherwise might be sold to television. The<br />

step was designed to forestall sale of post-<br />

1948 films to TV interests.<br />

The plan, as outlined at the meeting, called<br />

for a cash down payment to distributors<br />

and bonds to be issued for the balance. The<br />

films then would be turned back to the distributors<br />

for theatrical playoff, with a percentage<br />

of the rentals to be paid for distribution<br />

costs and the rest to be used to amortize<br />

the bonds.<br />

Norwegian King Attends<br />

'Windjammer' Opening<br />

OSLO, NORWAY—King Olaf and the Norwegian<br />

Royal Family attended the Eto'opean<br />

opening of Louis de Rochemont's "Windjammer"<br />

at the Colosseum Kine April 25.<br />

Oslo's Lord Mayor Rolf Stranger welcomed<br />

Elmer C. Rhoden, president of National Theatres,<br />

which developed the Cinemiracle process,<br />

and Louis de Rochemont, both of them<br />

making stage appearances to thank the local<br />

citizeni-y for their assistance in making the<br />

picture. Also on hand from the U. S. were<br />

Arthur Fiedler, guest conductor in the film;<br />

Russell H. McCullough, National Theatres<br />

projection engineer, and Lothar Wolff, associate<br />

producer.<br />

Paramount Stockholders Receive<br />

Bright Report by Balaban<br />

On Diversified Interests<br />

NEW YORK—The period of transition<br />

through which the motion picture industry Is<br />

now passing is regarded by Paramount Pictures<br />

as a "challenge and opportunity that<br />

calls for constant day-to-day attention of<br />

all responsible levels of the organization."<br />

That is how Barney Balaban, president,<br />

summed up his annual message to stockholders<br />

last week.<br />

HIGH SELECTIVITY DEGREE<br />

Balaban said the industry was subject to<br />

a high degree of selectivity on the part of<br />

the public in its motion picture taste and<br />

that it was more difficult to schedule production<br />

of pictures than it had been in the<br />

past. The company's operating policies, in<br />

taking cognizance of this condition, must adjust<br />

to the resultant peaks and valleys of<br />

productivity and distribution availability, he<br />

said. The Paramount president said that<br />

while the blockbusters were attracting more<br />

customers than in the past, the more modest<br />

pictures tended to have borderline attraction<br />

to the public and "hence meet serious competition<br />

from television films."<br />

Although admitting that "considerable<br />

profits" will be added to the company's<br />

earnings in 1958 from television film sales.<br />

Balaban said it now was clear that one of<br />

the major reasons for the decline of box-<br />

receipts in 1957 was the home viewing<br />

office<br />

of motion pictures on television.<br />

Total viewing of motion pictures increased<br />

about 25 per cent from the latter part of<br />

1956 to early 1958, he said, and while this<br />

implies that the public is enjoying movies<br />

more than ever, it was the rise in home TV<br />

viewing which cut attendance at theatres.<br />

'REASONABLE' SURVEY<br />

The Paramount president cited a "responsible<br />

survey" as the basis for his statement.<br />

"During the period of the survey, boxoffice<br />

revenue of motion picture theatres decreased<br />

correspondingly. The survey period<br />

corresponds with the television release of the<br />

pre-1948 libraries of almost all the motion<br />

picture producer companies, particularly the<br />

important libraries released in 1957."<br />

"The Ten Commandment.s," Balaban told<br />

stockholders, had played only 1,685 engagements<br />

up to the end of 1957 and had resulted<br />

in $30,000,000 in theatre admissions. The 16-<br />

month engagement at the 1,700-seat Criterion<br />

Theatre in New York played to 1,340,000 patrons<br />

who paid $2,744,000 for tickets. Most<br />

of the adverti-sing and print costs on the picture<br />

had been amortized at the end of la.st<br />

year, as well as a substantial amount of the<br />

negative cost. Balaban estimated that by the<br />

end of 1958, based on foreseen world-wide<br />

revenues, "we may have fully amortized all<br />

the costs of the picture."<br />

Turning to International Telemeter Corp.,<br />

in which Paramount holds an interest of<br />

about 90 per cent, Balaban said plans were<br />

under way to install the toll TV system in a<br />

few communities in the United States and<br />

one in Canada around the end of the year.<br />

He said that Telemeter's subsidiary. Telemeter<br />

Magnetics, Inc., earned $151,000 before<br />

taxes in 1957, the second year of its<br />

corporate existence.<br />

Dot Records, Inc., which Paramount acquired<br />

early last year, had seven hits in the<br />

year's top 50 tunes, Balaban said. DuMont<br />

Broadcasting, in which Paramount owns a<br />

22 per cent interest, was a profitable operation<br />

last year, he added, declaring that Du-<br />

Mont's acquisition of radio station WNEW<br />

and other improvements had converted a loss<br />

in previous years to a profitable enterprise.<br />

Latest reports, he said, indicate that DuMont<br />

Laboratories will have an early solution to<br />

the mass production of the Lawrence color<br />

tube for television. Pai-amount's associates<br />

in the project are confident, he explained,<br />

that final pilot models for field testing will<br />

be produced in time to meet the 1958 market<br />

for color television receivers.<br />

Paramount's wholly owned subsidiary. Autometric<br />

Corp., holds proprietary rights on<br />

rapid automatic methods of handling masses<br />

of complex and conflicting information and<br />

reducing them to a decision. Balaban said its<br />

facilities and personnel were being used entirely<br />

by defense agencies to meet the needs<br />

of high speed in modern defense. He said<br />

this company had the potential of developing<br />

into an operation of considerable size.<br />

Balaban said that at the next annual meeting,<br />

stockholders will be asked to approve a<br />

pi'oposal to retire 126,400 shares of treasurv<br />

stock, representing all of the holdings of such<br />

stock at the end of 1957.<br />

Paramount Ad Campaign<br />

Using College Papers<br />

NEW YORK—Paramount has set up an<br />

advertising campaign on Alfred Hitchcock's<br />

"Vertigo" in several hundred college and university<br />

newspapers because some sun'eys<br />

have shown the greatest f)ot«ntial movie audience<br />

to be in the 18-28 age group.<br />

Hitchcock proposed the campaign. Besides<br />

the ads, an amusing ai-ticle by him and a<br />

photo mat of James Stewart and Kim Novak<br />

the stars in the film, have been sent to each<br />

undergraduate editor. Sid Blumenstock, advertising<br />

manager, in a letter to them said<br />

that Paramount was "doing pioneer merchandising<br />

for a motion picture."<br />

BOXOFFICE :<br />

: May<br />

5, 1958


.<br />

Peyton Place<br />

A Farewell To Arms<br />

The Long, Hot Summer<br />

The Young Lions<br />

and now from 20th . .<br />

for Decoration Day. .<br />

GARY COOPER<br />

DIANE VARSI<br />

SUZY PARKER<br />

Ill<br />

!irsiEr\/ixv<br />

M


-<br />

.<br />

'<br />

DIANE VARSI, Oscor nominoied siar of "Peylon Place"<br />

mosi exciting<br />

-acclaimed One o( Hollywood s<br />

new actresses by Look Magazine.<br />

And so'il<br />

they sinnedlL<br />

knowingly and<br />

unknowingly. .<br />

Mgainstf^ p"<br />

each ofAir<br />

"my father<br />

wanted to<br />

be President!<br />

my room-mate<br />

became his<br />

sweetiieart!<br />

my mother<br />

unfaithful and<br />

boasting of it!<br />

my brother<br />

went for<br />

liquor instead<br />

of women!<br />

and I<br />

fell for<br />

the hottest trumpet<br />

in town— the<br />

boy responsible<br />

for my baby!'*<br />

and against lj {<br />

themselves!<br />

'TOM TULLY- Produced by CHARLES BRACKET!- Directed from his own Screenplay by PHILIP


Government Won't Review<br />

National Theatres Case<br />

TOA plea that circuit be permitted to produce<br />

with preemptive rights to show films in<br />

its own theatres, denied by Departjnent of<br />

Justice; might approve production without<br />

those rights alter study of antitrust situation.<br />

SBC May Renew Its Plea<br />

For SBA Drive-In Aid<br />

Senate Small Business Committee chairman<br />

Sparlcman (D.. Ala.) may as^k the Small<br />

Business Administration to reconsider its refusal<br />

to make loans to drive-ins; at present<br />

only indoor theatres are eligible for SBA<br />

loans.<br />

*<br />

COMPO Ad Features Upturn<br />

In Theatre Attendance<br />

Upbeat headlines from three New York<br />

ncw.spapers are reproduced in Saturday (3)<br />

issue of Editor & Publisher; editors urged to<br />

"take a new look at the movies and, of<br />

course, their movie coverage."<br />

*<br />

Columbia Is Streamlining<br />

British Isles Operations<br />

Tran.sferring physical handling and shipping<br />

of films at nine branches outside London<br />

to Paramount, but will continue to handle<br />

sales; Rank recently took over same duties<br />

for RKO; others may follow suit.<br />

Pepsi-Cola Sales a Record;<br />

Net Up in First Quarter<br />

*<br />

Alfred N. Steele, board chaij-man, reports<br />

rise in earnings to $1,540,000, or 26 cents a<br />

share, from 81,475,000. or 25 cents a share, in<br />

first three months of 1957; dome.5tic case<br />

sales five per cent above record 1957 quarter.<br />

•<br />

Italian Goverrunent Reports<br />

Drop in Foreign Revenues<br />

Figure for 1957 was 3.139 billion lire, compared<br />

with 4,899 billion in 1956; feature print<br />

exports dropped to 1,283 from 2,032, but average<br />

return per film increased slightly; Spain,<br />

Canada, Argentina major markets.<br />

*<br />

Commercial Network Service<br />

Observes 10th Anniversary<br />

American Telephone & Telegi-aph Co. long<br />

lines department records show as of May 1<br />

there were 79.000 miles of circuits carrying<br />

TV programs to 551 stations in 366 cities;<br />

May 1. 1948, figure was 916 miles.<br />

Warners Teddington Studios<br />

In London Put Up for Sale<br />

*<br />

Lea.se held for the past several years by<br />

the Hawker Aircraft Co. expired; bids already<br />

have been received from several TV<br />

film producers; Metro's British plant also<br />

has been reported on the market.<br />

TOA Continuing Fight<br />

For Loans to Drive-Ins<br />

NEW YORK<br />

A inillng iigainst government<br />

loans to drive-in theatres will not discourage<br />

ihf Ttieatre Owners of America from continuing<br />

to seek amendment of Small Business<br />

Administration regulations to permit such<br />

loans.<br />

Philip F. Harling, chairman of the TOA<br />

Small Business AdminLstration Committee,<br />

made the statement Tliursday (1) after receiving<br />

official notice of the adverse ruling<br />

from Wiley S. Messick, counsel for thg Senate<br />

Select Committee on Small Business.<br />

The ruling was made by Wendell Barnes,<br />

SB.^ administrator, after the Senate committee<br />

had recommended that drive-ins be<br />

made eligible for loans. Barnes ruled that<br />

extension of the loan provisions for fourwalled<br />

theatres to cover drive-ins would not<br />

be "in the public interest."<br />

Harling commented that Barnes' decision<br />

"seems to have left the door open so that upon<br />

a submission of a full statement of facts and<br />

a full discussion of the question of 'public<br />

interest.' the policy committee of the SBA<br />

would reconsider letting the bars down for<br />

drive-in theatres."<br />

He said a further course of action will be<br />

decided upon after study of the report by the<br />

full TOA committee.<br />

Harling filed the petition for inclusion of<br />

drive-ins as eligible for SBA loans March 21.<br />

He said at that time it was possible without<br />

new legislation.<br />

Late TV Ratings Confirm<br />

Huge Academy Audience<br />

NEW YORK—Late Nielsen television ratings<br />

have confirmed earlier figures on the<br />

size of the audience that viewed the Academy<br />

Awards telecast March 26. They gave as a<br />

record for the current season the total of<br />

19.211.000 homes tuned in to the telecast.<br />

They also found it an unusually large audience<br />

for any program telecast so late at night.<br />

The Nielsen rating was 54.7. The share of<br />

the TV audience of the Academy show was<br />

78.2 per cent, or three out of every four persons<br />

watching TV that night. Officials of<br />

the National Broadcasting Co. said that, except<br />

for the last World Series, it was the<br />

largest share of the audience won by any<br />

TV attraction last year.<br />

New '80 Days' Openings<br />

Discussed at UA Meet<br />

CHICAGO—New summer engagements for<br />

"Around the World in 80 Days" were discussed<br />

by United Artists sales executives<br />

with district and branch managers Thursday<br />

(1 1 at the Blackstone Hotel at a meeting<br />

.scheduled by William J. Heineman, vicepresident<br />

in charge of distribution. It was the<br />

final session in a series on sales policies for<br />

the picture. The previous three meetings were<br />

held in Atlanta, Detroit and New York.<br />

Discussion centered on the selection of cities<br />

for summer dating from June 1 through<br />

Labor Day. There was also a review of all<br />

situations in which the picture has played.<br />

The conference was led by James R. Velde, UA<br />

general sales manager; Milton E. Cohen, sales<br />

supervisor for the picture, and Morris Lefko,<br />

vice-president and sales manager of the<br />

Michael Todd Co.<br />

Half-Year Operations Net<br />

Of SW Put at $1,432,900<br />

NEW YORK—Net income from operations<br />

of Stanley Warner Corp. and .subsidiaries<br />

for the 26 weeks ended March 1 amounted to<br />

$1,432,900 after all charges, including depreciation<br />

and amortization of $2,658,500 and<br />

$1,634,000 for federal and foreign income<br />

taxes. The net was equal to 69 cents a share<br />

on 2,061,099 shares of common stock outstanding.<br />

Disposal of properties, less applicable federal<br />

income tax reductions, resulted in a loss<br />

of $122,000. The net income for the period<br />

including that special item amounted to<br />

$1,310,900. equal to 63 cents a share.<br />

Theatre admission and merchandise sales,<br />

rents from tenants, etc., amounted to $58,-<br />

275,500, compared with similar receipts of<br />

$55,590,500 for the comparable period one<br />

year ago.<br />

Net income from operations for the 26-week<br />

period ended Feb. 23, 1957, was $1,974,900<br />

after all charges, including depreciation and<br />

amortization of $2,498,800 and federal and<br />

foreign income taxes of $2,190,000. equal to<br />

91 cents a share on the 2.153.099 shares then<br />

outstanding. During that period there was<br />

a profit of $32,800 on the disposal of properties<br />

after deducting the federal income tax.<br />

The net profit, including the special item,<br />

was equal to 93 cents a share.<br />

Stockholders of Skiatron<br />

Hear Optimistic Report<br />

NEW YORK—The Skiatron subscription<br />

television system is moving steadily nearer<br />

to the operational stage despite "highly unethical<br />

opposition from lobbies manned by<br />

the television networks and movie theatre<br />

owners." Arthur Levey, president of Skiatron<br />

Electronics & Television Corp., told stockholders<br />

at the annual meeting Wednesday<br />

(301 at the Fifth Avenue Hotel.<br />

Levey said the new-type Skiatron wire network<br />

system required no federal approval,<br />

and the company had solid ground on which<br />

to base its hope that the Federal Communications<br />

Commission will begin consideration<br />

this year of specific applications<br />

for over-the-air subscription trial operations.<br />

In response to questions, Levey said he believed<br />

there will be "good news" in about<br />

three months. He added that Skiatron expected<br />

to enter a major city this year, but<br />

would not identify it. The company has a<br />

contract with Horace Stoneham of the San<br />

Francisco Giants baseball team. Local consent<br />

must be obtained. Negotiations are going<br />

on in Canada, Cuba and western Germany<br />

as well as in the U. S., he said.<br />

U-I Saturation Booking<br />

NEW YORK—Universal-International reports<br />

having scheduled more than 500 dates<br />

on "I Married a Woman" during the period<br />

starting May 15. The RKO picture will be<br />

backed with announcements on the "Monitor"<br />

radio show of the National Broadcasting<br />

Co.<br />

Bartley Renominated<br />

WASHINGTON—Pi-esident Eisenhower has<br />

renominated Robert T. Bartley for a new<br />

seven-year term on the Federal Communications<br />

Commission. Bartley was originally<br />

nominated in 1952 by President Ti-uman for<br />

a term to expire June 30.<br />

10 BOXOFFICE :: May 5. 1958


Russian Film Talks<br />

Recessed 30 Days<br />

WASHINGTON—Inability of the U. S. and<br />

Russian groups to agree on purchases of each<br />

other's films under the cultural program of<br />

their governments has resulted in a 30-day<br />

recess, the time and place of a new meeting<br />

to be decided later.<br />

The recess decision was reached Tuesday<br />

(29> after negotiating sessions conducted<br />

most of the previous night and for several<br />

hours that day. At them Eric Johnston, president<br />

of the Motion Picture E.xport A.ss'n, was<br />

the sole U. S. negotiator. He had been empowered<br />

to act in that capacity by the MPEA<br />

board at a meeting in New- York the day<br />

before. In earlier meetings lie had had advisers<br />

from the ranks of the MPEA.<br />

Among the stumbling blocks are said to<br />

have been a lack of American interest in<br />

Russian films, an attempt by the Rus.sians<br />

to get ratlier high prices for their films and<br />

an attempt to negotiate a co-production deal.<br />

It was reported there was some agreement<br />

on sales for flat sums for five-year periods<br />

and dubbing and subtitling procedures.<br />

The negotiations were halted because the<br />

Russian delegation had to return to Moscow.<br />

The probability is that the negotiations will<br />

be resumed because of the interest of the two<br />

governments in a cultural exchange including<br />

films. Turner Shelton. head of the U. S.<br />

Information Agency, was cautiously optimistic.<br />

MPEA Authorized to Sell<br />

To Poland and Hungary<br />

NEW YORK—The Motion Picture<br />

Export<br />

Ass'n has been authorized by its member<br />

companies to negotiate the sale of films to<br />

Poland and Hungary. Poland is expected to<br />

take about 20 and Hungary between ten and<br />

12.<br />

An MPEA meeting Tuesday (29) also discussed<br />

a division of 200 import permits allotted<br />

by Argentina but reached no decision, nor<br />

was any reached on participation in the San<br />

Sebastian Film Festival.<br />

Walter Brooks Dead at 64;<br />

A Veteran in Film Trade<br />

NEW YORK—Walter Brooks, onetime assistant<br />

director of exhibitor relations for<br />

MGM and more recently with the Quigley<br />

Publications, died in his sleep Wednesday<br />

1 30 1. He was well-known among exhibitor orgajiizations<br />

in the 1940s when he attended<br />

many regional exhibitor association conventions.<br />

He was 64 years old.<br />

He was a veteran of many years in the film<br />

world. He was a theatre usher in 1908. From<br />

1912 to 1918, he managed theatres in New<br />

York and Pennsylvania, then became advertising-publicity<br />

director for Educational Film<br />

Corp. He also served as eastern production<br />

manager and then assistant to the president.<br />

For a time in the 1920s, he was associated<br />

with the legitimate theatre in New York,<br />

and in the 1930s was in press relations for<br />

the National Emergency Council and later<br />

served as assistant to the director of the<br />

agency, and as a press relations officer for<br />

the Coordinator of Inter- American Affairs.<br />

He was with MGM from 1944 to 1947, then<br />

joined the Quigley organization, with which<br />

he was associated until a few' months ago.<br />

Funeral services will be held Monday (51 in<br />

Canton, Pa., his birthplace.<br />

Dangerous Movie, TV Trend Toward<br />

Glorifying Crime, Hoover Charges<br />

WASHINGTON— J.<br />

Edgar Hoover, head of<br />

the Federal Bureau of Investigation, who<br />

several week.s ago urged the film industry to<br />

quit making motion pictures portraying the<br />

lives of headline-making criminals, declared<br />

this week there was a dangerous trend to<br />

glorification of crime in both movies and<br />

television.<br />

In a signed article appearing in the May<br />

issue of the FBI bulletin, he called this<br />

glorification "an affront to our national conscience."<br />

As a law enforcement officer, he<br />

said, he felt he was duty bound "to speak out<br />

against a dangerous trend which is manifesting<br />

itself in the field of film and television<br />

entertainment."<br />

He admitted that there were leaders in<br />

both industries who were helping law enforcement<br />

by "genuine portrayals of criminals,"<br />

but, he added:<br />

"In the face of the nation's terrifying<br />

UA Drive Honoring<br />

Krim Is Under Way<br />

NEW YORK—"A Salute to Arthur Krim"<br />

sales drive has been started by United Ai-tists<br />

and will run 37 weeks. Cocaptains are<br />

Robert S. Benjamin, board chairman, and<br />

William J. Heiiieman, vice-president in<br />

charge of distribution. The drive offers $60,-<br />

000 in prizes to the participating division,<br />

district, branch and sales managers, salesmen<br />

and bookers in the U. S. and Canada.<br />

The drive will run through the first week<br />

of January 1959. It has been divided into<br />

five laps, the first of ten weeks followed by<br />

ones of five weeks, eight weeks, nine weeks<br />

and five weeks. Winners will be chosen on<br />

the basis of the greatest number of bookings<br />

and total revenues reported for their branches,<br />

districts and divisions of operation.<br />

In announcing the drive, Benjamin and<br />

Heineman called attention to the "brilliant<br />

contributioixs" of the company president<br />

which the drive honors. They noted that under<br />

his leadership United Artists revenues<br />

have reached an all-time high of $70,000,000-<br />

plus in terms of worldwide gro.5ses.<br />

European Film Archives<br />

Tour Is Scheduled<br />

NEW YORK—A 30-day European film<br />

archives<br />

tour in July, which calls for visits to<br />

seven countries, screening of about 50 motion<br />

pictures of historical significance in the<br />

development of the industry, and visits to a<br />

number of European studios, is being sponsored<br />

by Travel & Study, Inc., in cooperation<br />

with KLM, the Royal Dutch Airlines. Conducting<br />

the tour will be Gideon Bachmann,<br />

editor of Cinemages and vice-president of<br />

the American Federation of Film Societies.<br />

Film libraries in London, Brussels, Paris,<br />

Milan, Rome and Copenhagen have agreed<br />

to open theii- vaults of old films for the visitors.<br />

In addition, important film producers<br />

and directors in each of the countries will<br />

attend meetings of the American party. The<br />

U. S. group will leave July 1 from New York.<br />

Information regarding the tour can be obtained<br />

from KLM, 430 Park Avenue, New-<br />

York, N. Y.<br />

juvenile crime wave, we are threatened with<br />

a flood of movies and television pre.sentations<br />

which flaunt indecency and applaud<br />

lawle.ssness. Not since the days when thousands<br />

filed past the bier of John Dillinger<br />

and made his home a virtual .shrine have we<br />

witnessed such brazen affront to our national<br />

con.science."<br />

Hoover did not name any .specific pictures<br />

or programs. There are, of course, he commented,<br />

many leaders in the motion picture<br />

and television industries who dedicate their<br />

efforts to producing whole.some entertainment.<br />

"Regrettably," he added, "there are<br />

some un.scrupulous individuals who value<br />

money above morals, and whose actions<br />

should be exposed in the searching klieg<br />

lights of public opinion. In their lust for<br />

bigger and bigger profits, they glorify violence,<br />

glamorize con-uption, and picture criminals<br />

as heroes for youths to idolize."<br />

Rhoden Reports 10%<br />

Rise in NT Earnings<br />

LOS ANGELES—A cheermg report on theatre<br />

business was given to National Tlieatres<br />

stockholders this week by E. C. Rhoden, president.<br />

For the 13 weeks ending March 25, 1958,<br />

earnings were 10 per cent greater than in<br />

the corresponding period a year ago, he said,<br />

in a quai-terly report to shareholders.<br />

"The improvement in earnings began with<br />

the Christmas holidays, and is principally attributable<br />

to the release of outstanding boxoffice<br />

attractions," he said.<br />

The rise in earnings nevertheless was insufficient<br />

to offset a disappointing first<br />

quarter, and the earnings mark for the first<br />

six months of the fiscal year was still below<br />

that of a year ago.<br />

Consolidated net income for the 26-week<br />

period was $743,897, equal to 28 cents a share<br />

on the 2,699,486 shares of stock outstanding<br />

at March 25 last, compared with $1,187,766.<br />

or 44 cents a share for the smiliar period last<br />

year. For the second quarter alone, however,<br />

earnings were $678,000, equal to 25 cents a<br />

share, compared with $615,000, or 23 cents a<br />

share for the like quarter a yeai- ago.<br />

Dispositions of real estate and unproductive<br />

theatres for the half year produced profits<br />

after applicable federal income taxes of<br />

$170,000. compared with $100,000 for the like<br />

period last year. In the second quarter alone,<br />

such dispositions resulted in a net loss of<br />

$9,000, compared with a net loss of $40,000 in<br />

the same quarter last year.<br />

Gross income for the six montlis was $26,-<br />

482,791, compared with $30,283,050 for the like<br />

period a year ago.<br />

'Rebel' Atlanta Opening<br />

NEW YORK—Samuel GoldwjTi jr.'s "The<br />

Proud Rebel," distributed by Buena Vista,<br />

will open at the Rialto Theatre. Atlanta. May<br />

28 as a benefit charity performance. Buena<br />

Vista is recruiting the stars of the picture<br />

Alan Ladd, his ten-year-old son David and<br />

Olivia de Havilland, to fly to Atlanta for the<br />

opening.<br />

BOXOFFICE May 5, 1958 11


Television Gets Spotlight<br />

At SMPTE Convention<br />

LOS ANGELES—Television was a major<br />

topic of discussion at the semiannual convention<br />

of tlie Society of Motion Picture and<br />

Television Engineers here last weelc. but subscription<br />

TV—expected to be a subject of<br />

lively interest^— was limited to a single paper<br />

delivered by Lloyd Hallamore of Hallamore<br />

Electronics Co., which manufactures equipment<br />

for telecasting via cable.<br />

Among the latter was both a report and<br />

demonstration of the new blown-arc projection<br />

lamp being introduced to the trade<br />

by the Strong Electric Corp. Arthur J. Hatch.<br />

president, and Russel Ayling of the Strong<br />

organization, participated in the presentation.<br />

There was both a presentation on the<br />

convention floor and a practical demonstration<br />

at the Laurel Drive-In Theatre in the<br />

San Fernando Valley, wheie the engineers<br />

were taken in a bus Thursday (24).<br />

SHOPPING CENTER TIECP<br />

In his paper on wire TV. Hallamore proposed<br />

a use of subscription television through<br />

the establishment of local TV studios in suburban<br />

community shopping centers—with the<br />

suburban liousing areas wired free. Through<br />

such a facility, he said, a variety of programming<br />

could be developed, including telecasting<br />

of local news, sports and civic events and<br />

motion pictures. A small-scale program of<br />

this type would al.so give local merchants an<br />

opportunity to advertise at a reasonable cost,<br />

and with their messages aimed directly at<br />

their trading area.<br />

A local system of this type would cost about<br />

$20 per house for wiring. Hallamore said. As<br />

for programming, it should be free until the<br />

evening hours, when a charge could be made<br />

for motion pictures, he added. While all<br />

homes would be wired, only those especially<br />

subscribing for the evening entertainment<br />

would pay a special fee on a metered basis.<br />

Altogether 30 papers were presented on<br />

television subjects and 21 on motion pictures.<br />

STRONG LAMP IMPRESSES<br />

At the demonstration of Strong's "Jetarc"<br />

lamp, the engineers were impressed with the<br />

new concepts of producing light by carbon<br />

arc as introduced in the lamp. The Strong<br />

officials characterized the equipment as the<br />

"most powerful projection lamp ever developed."<br />

and one which could deliver 100 per<br />

cent distribution over the entire screen area.<br />

There was considerable interest in the air<br />

jet and blower techniques used to produce the<br />

light which was said to be 51 per cent greater<br />

than that available from any other projection<br />

lamp. The lamp u.ses an outsize 21-inch<br />

main reflector, and all film sizes from 35mm<br />

to 70mm can be projected without any change<br />

of reflectors. The spot size at the aperture,<br />

it was explained, can be changed from 35mm<br />

to 70mm by merely shifting the position of<br />

the main reflector by means of a convenient<br />

control.<br />

The engineers were told that this effective<br />

optical system has been achieved because of<br />

an advanced cai-bon-burning technique developed<br />

by the Strong Corp.. a technique involving<br />

a greater constriction of the arc. This<br />

constriction is accomplished by air jets arranged<br />

around the positive carbon and directed<br />

toward the burning end, with air<br />

STANDEE WINS RECOGNITION—<br />

Emery Austin, right, director of exploitation<br />

of MGM Pictures, is shown accepting<br />

an award from Al Barlow of the<br />

Henneg^an Co. of Cincinnati, in behalf of<br />

MGM for the giant lobby standee on<br />

"Raintree County." The award is an<br />

annual event sponsored by the Lithographers<br />

National Ass'n, Inc. The standee<br />

and other winning items will be sent on<br />

a nationwide tour for display in important<br />

cities. The standee was designed<br />

by Joe Albers. the art director was Lou<br />

Field and the artists were Walter M.<br />

Baumhofer and Wallace Bassford.<br />

pressure for the jets provided by a blower<br />

which is the "heart" of the system. As the<br />

brilliance of the arc increases with constriction,<br />

the cylindrical-shaped light source created<br />

by the air jet pressures boosts the light<br />

picicup angle to 260". This is in contrast to<br />

the 160-degree pickup of conventional lamps.<br />

it was pointed out.<br />

More than 1.500 members of the Society<br />

attended the convention, said to be the largest<br />

turnout for a coast meeting of the Society.<br />

'Kings Go Forth' Opening<br />

Is Set for Monte Carlo<br />

NEW YORK—The world premiere of Pi-ank<br />

RO.SS' production of "Kings Go Forth" will be<br />

held June 14 at the Gaumont Theatre, Monte<br />

Carlo. United Artists said the Prince and<br />

Princess of Monaco will be patrons of a benefit,<br />

"An Evening with Frank Sinatra," in<br />

connection with the premiere. The United<br />

Nations Refugee Fund wUl benefit.<br />

Rerelease 'York/ 'Doodle'<br />

NEW YORK—"Sergeant York" and "Yankee<br />

Doodle Dandy" will go into national release<br />

at the conclusion of a run at the Branford<br />

Theatre, Newark, N. J., according to<br />

Arnold Jacobs, general sales manager of<br />

Dominant Pictures, distributors of the Warner<br />

Bros, re-releases. They opened at the<br />

Branford Friday (2).<br />

Variety's Heart Award<br />

To Philadelphia Tent<br />

LONDON— For iLs .spon.sorship of a children's<br />

club camp and its work in the field of<br />

infantile paralysis, the Philadelphia tent has<br />

been given the 1958 Heart Award of Variety<br />

Clubs International. Announcement that the<br />

Award had been given to the active Philadelphia<br />

barkers was made at the closing dinner<br />

of the Variety Clubs convention Friday<br />

(251 by H. R. H. Prince Philip who was one<br />

of the distinguished guests at the affair.<br />

The Philadelphia tent also won the special<br />

award for having the largest delegation at<br />

the convention. The Philadelphians spent<br />

$262,000 on their chaiitable endeavors during<br />

the last year in projects which benefited<br />

7,285 individuals.<br />

An honorable mention Heart Award went<br />

to the Charlotte tent which sponsors a children's<br />

clinic and an eye clinic, on which<br />

.$140,567 was spent last year, and from which<br />

10.857 persons benefited.<br />

Variety did not make a Humanitarian<br />

Award at the convention, but gave a special<br />

Heart Citation to one of England's most distinguished<br />

philanthropists. Viscount Nuffield.<br />

The widely known automobile manufacturer<br />

gives almost all of the profits from his enterprises<br />

to charitable and educational institution.s—contributions<br />

which now total<br />

more than 27.000.000 pounds.<br />

Presiding at the final dinner was James<br />

Carreras. the newly elected international<br />

property master, the first barker outside of<br />

the United States to be elevated to an international<br />

office.<br />

The convention adopted a resolution paying<br />

tribute to the contributions to the organization<br />

by Jack Dumestre jr.. international<br />

dough guy. who died in Atlanta while the<br />

meetings here were in progress. A message of<br />

condolence was sent to his family.<br />

It was announced that the convention brochure<br />

produced by the London tent—a 210-<br />

page program and souvenir—raised $45,000.<br />

The cover of the book was of white art paper,<br />

embossed in gold with the convention badge,<br />

barker's head and the city of London seal with<br />

a red ribbon tipped on.<br />

$10,000,000 Sports Center<br />

Will Include New Airer<br />

NORWOOD. MASS.—An outdoor theatre is<br />

projected as part of the $10,000,000 sports<br />

center which will be built here by the Hampden-Harvard<br />

Breweries of Willimansett. Included<br />

also in the sports center will be an<br />

aluminum and glass stadium seating 60,000-<br />

65.000. parking facilities for 15.000 cars, New<br />

England's largest .swimming pool, a shopping<br />

center, motels, restaurant, golf range and<br />

bowling alleys.<br />

The site as announced by George K. Bissell,<br />

vice-president and treasurer of Hampden-<br />

Harvard, will be near the eastern terminus<br />

of the Turnpike and Routes 128. 3. 1 and 30<br />

as well as the Norwcwd Airport. The center<br />

will be easily accessible to all residents of the<br />

state as well as parts of Maine. New Hampshire,<br />

Rhode Island and Connecticut.<br />

The stadium would be the first covered<br />

playing area of such size in the world. The<br />

project planners hope to interest the Boston<br />

Red Sox in using the stadium for their league<br />

games, but the construction will not depend<br />

on such an arrangement.<br />

12 BOXOFFICE May 5, 1958


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Paramount aims a<br />

pi ctu re<br />

market -the<br />

Opinion Research sj<br />

movie-goers are in t<br />

dynamic promotion v<br />

^<br />

market, as well as i<br />

gross- building penet<br />

A ONE-TWO PUNCH AT THE HUGE NAi.<br />

each of LIFE and LOOK, to i<br />

total<br />

audience for these four<br />

PERSUASIVE SELLING TO THE YOUNG FENJ<br />

IMPORTANT NEW MEDIA TARGETED TO I<br />

newspapers with<br />

half college students.<br />

circulation<br />

HIGH SALES PITCH AT TEENAGE PACE-t|<br />

city<br />

engagements.<br />

TICKET- SELLING USE OF TV . . , thn<br />

arresting TV spots ever des^<br />

of-sale penetration. Plus a sp<br />

the top rated show "Alfred<br />

sents" which will carry plu^<br />

coming presentations to its<br />

audience of youth and adults<br />

SCIENTIFICALLY BLUE-PRINTED RADIO Pi<br />

phasis on point-of-sale effect<br />

hit song "Vertigo" will<br />

register<br />

impressions as its recording<br />

from coast to coast on the tu<br />

jays most listened to by the unc


I<br />

massive barrage at today's major motion<br />

!/oung customers. Sindlinger, Politz and<br />

iveys all<br />

point out that more than half of all<br />

he younger -than -20 group. Every type of<br />

il be aggressively used to hit hard at this<br />

t) reach the general adult audience. This<br />

nation for Alfred Hitchcock's 'Vertigo"includes:<br />

lAL MAGAZINE PUBLIC, with color ads in two consecutive issues<br />

li under 34-readership of well over 25 million. The combined<br />

insertions reaches a staggering 90 million, including all ages.<br />

INE MARKET. . .with ads in Seventeen as well as the entire fan list.<br />

UTH OPINION LEADERS— as Paramount pioneers ads in all college<br />

in excess of 2,500 . reaching a total of a million and a<br />

. .<br />

ITERS through high school papers to be used in all early key<br />

he most eyegned<br />

for point-<br />

^cial tie-in with<br />

Hitchcock Pre-<br />

^ on all its up<br />

vast nationwide<br />

MOTION with emeness.<br />

And the<br />

lillions of sales<br />

start spinning<br />

i<br />

htables of dee-<br />

6r-20 audience.<br />

All This <strong>Boxoffice</strong> Support Is<br />

Perfectly Timed For Early Summer<br />

Dates Of<br />

JAMES STEWART<br />

KIM NDVAK<br />

IN/ILFREDHITCHCDCK'S<br />

MASTERPIECE<br />

CO «T«MniNO<br />

''i^uVii**'<br />

Ve b' rti<br />

OtHCCTIO •<br />

lOM HELMORE HENRY JONES Alf RED HIICHCOCKALEC COPPEL & SAMUEL lAYlORIECHNlCOlOR' P.<br />

BASED UPON THE NOVEL'OtNTBE LES MOnIS' 8Y PIERBE BOILEAU AND THOMAS NABCtJACMUSIC BV BEONARC HEflBMANN ^->fT^^


Motion Picture Investors<br />

Files Corporation Papers<br />

CALENDARofEVENTS<br />

MAY<br />

KANSAS CITY— Ai-ticles of incorporation<br />

for Motion Picture Investors. Inc. have Ix-en<br />

filed with the MLssouri secretary of slate and<br />

a prospectus is now being prepared for the<br />

Securities & Exchange Commission, so that,<br />

with povernment approval, the investment<br />

trust shares will soon be available to all people<br />

of the industry.<br />

In making these announcements. Howard<br />

E. Jamey.'ion. chairman of the board of Commonwealth<br />

Theatres who originated the trust<br />

idea, reaffirmed the basic purpo.ses behind<br />

the plan.<br />

"In proposing an investment trust to deal<br />

with the problem of pa'it-1948 movie sales to<br />

television, we have attempted to tailor it to<br />

the economic facts of life as they relate to the<br />

theatre." he said. "The founders of Motion<br />

Picture Investors. Inc. realize that the exhibitors<br />

of America cannot provide the money<br />

necessary to implement grandiose plans designed<br />

to worlc miracles over night.<br />

"The investment trust." he explained, "is a<br />

simple, practical and a relatively economical<br />

method of taking one step at a time toward<br />

eventual goal.<br />

its<br />

"We are not deluding ourselves. MPI will<br />

not become a 'force' until it has .substantial<br />

investments in the various distributing companies,<br />

but it can be a 'voice'—although a<br />

wee one—in a very short time. Without seeking<br />

or desiring 'control' of any company, it<br />

can gradually develop a healthy 'influence'<br />

upon our whole industry. From our small beginning,<br />

we will be satisfied with a slow.<br />

steady and safe growth. We are not looking<br />

for great oaks before we have planted our<br />

acorns."<br />

Jameyson further stated: "Most of the<br />

plans offered exhibition in the past have depended<br />

solely upon the financial resources<br />

of the theatre and the burden has been too<br />

great for the exhibitors to bear. MPI will invite<br />

all elements of the industry to participate.<br />

It will come as a surprise to many to<br />

learn that almost 50 per cent of our organizational<br />

capital—now considerably in excess of<br />

TO MAKE SCREEN RETURN—Marilyn<br />

Monroe is shown signing a contract<br />

with Harold Mirisch. president of the<br />

Mirisch Company, for a starring role in<br />

"Some Like It Hot," which will mark<br />

her return to the screen. United .•Vrtists<br />

will distribute the film to be produced<br />

and directed by Billy Wilder, scheduled<br />

to go before the cameras in July.<br />

the required SIOO.OOO- has been subscribed by<br />

people who sell equipment, make trailers, sell<br />

film, deliver film or otherwise have some<br />

vested interest in the health of our industry.<br />

Once MPI has qualified with the Securities<br />

& Exchange Commission it expects to offer<br />

its .'ihares to a wide list of potential investors<br />

who have important reasons for giving exhibition<br />

a helping hand.<br />

"Of course, there are those who honestly<br />

and sincerely take a dim view of our proposal.<br />

We think many of these persons are<br />

too quickly relating it to other plans of the<br />

past, without giving it a thorough study.<br />

MPI differs radically from anything heretofore<br />

suggested. A share in MPI will definitely<br />

be an investment that will actually<br />

purchase a portion of an equity in going concerns.<br />

To be sure, it is speculative and one<br />

the average prudent investor would not make,<br />

but it will provide the exhibitor with a ticket<br />

to shareholders meetings and it can become<br />

a tool by which director's doors are opened.<br />

And it can do these things with a minimum<br />

risk to the investor's capital. If MPI becomes<br />

an effective influence in our industry and<br />

helps us back to our former health, its .shares<br />

can increase substantially in value and the<br />

investor can thus profit."<br />

Schine Will Auction<br />

17 of Its Theatres<br />

BUFFALO—The Schine circuit will<br />

put up<br />

17 theatres at public auctions May 19 and<br />

24. Some of the sales, of theatres now in<br />

operation, are in compliance with the federal<br />

antitrust decision of January 1957. but others<br />

are of houses closed because of population<br />

shifts or neighborhood changes.<br />

Eight of the theatres are in Rochester,<br />

including the Monroe, which is equipped for<br />

Todd-AO showings, and the Riviera. Closed<br />

theatres in that city include the Madi.son.<br />

Lake, Liberty, States, West End and the<br />

Cameo. Theatres in Fairport. Cortland. Geneva<br />

and Lockport also are included in the<br />

first group to be auctioned May 19 at the<br />

Manger Hotel in Rochester. The second<br />

group, to be sold May 24 at the Queensburg<br />

Hotel. Glen Falls. N. Y.. includes houses in<br />

Amsterdam. Hudson Falls and Granville.<br />

N. Y.: Ravenna. Ohio, and Cumberland. Md.<br />

Carl Dickerson. city manager for the Schine<br />

theatres in Kodak Town, said the auction is<br />

being handled by the circuit's real estate<br />

division. Signs advertising the auction are in<br />

all the theatres concerned. Dickenson declined<br />

to speculate on whether the change<br />

in ownership will mean a change in management<br />

of the two theatres now operating.<br />

However, Schine shows Todd-AO productions<br />

under an agreement w^th the Todd interests.<br />

and it could be presumed that Schine will<br />

lease the Monroe Theatre to continue<br />

Todd-AO showings.<br />

Dickerson said the other day that the latest<br />

Todd-AO production. "South Pacific," will<br />

be shown in the Monroe as soon as it is<br />

released for Rochester.


Fox Management Buys<br />

$4,271,250 Debentures<br />

NEW YORK The nuuiagemont of 20th<br />

Century-Fox during 1957 purchased in ag-<br />

Kretjute $4,271,250 principal amount of subordinated<br />

debentures, a sum equal to $25<br />

principal amount for each of 170.850 shares<br />

of common stock optioned, and took aggregate<br />

salar.v reductions of $128,137.50 annually<br />

for a period of two years. Options on tlie remaining<br />

29.150 shares out of a total of 200.-<br />

000 did not come into being prior to the expiration<br />

date of Nov. 19. 1957. and have<br />

lapsed.<br />

The purchase of the debentures was in line<br />

with a provision made at the stockholders'<br />

meeting in May 1957 for the creation of<br />

common stock options for management on<br />

200.000 shares, contingent on management<br />

purchasing $5,000,000 principal amount of five<br />

per cent five-year subordinated debentures<br />

and also contingent on management taking<br />

salary reductions of 75 cents a share for each<br />

share of stock optioned.<br />

The $4,271,250 received from the debenture<br />

sale has been added to the funds of the company.<br />

To April 16 last. $2,533,270 of the<br />

amount has been used to purchase 104.800<br />

shares of its common stock. The purchases<br />

were made at an average cost of $24.17 a<br />

share. In addition, the company previously<br />

acquired 25.000 shares at an average cost of<br />

$18.75 a share. Combined, the 129.800 shares<br />

cost $3,002,074.94. Their average cost was<br />

$23.13 a share. The average price of the<br />

options acquired by the management on the<br />

170.850 shares was $23.71.<br />

The company plans to buy additional shares<br />

of common stock from time to time and hold<br />

them in its treasury. None of the options on<br />

the 170.850 shares has been exercised. The<br />

options may be exercised in whole or in part<br />

until 1963. except for shorter periods in the<br />

event of death or termination of active employment.<br />

Fox Oil and Gas Receipts<br />

$730,634 Since Inception<br />

NEW YORK—Twentieth Century-Fox has<br />

received $730,634 in royalties from oil and<br />

natural gas produced on its studio property<br />

since the inception of production late in<br />

1955 to last February 28. according to its<br />

latest annual report.<br />

The sum of $325,435 was received in 1956<br />

and $309,254 in 1957. All drilling and production<br />

costs are advanced by Universal Consolidated<br />

Oil Co. On full recovery of the<br />

costs, the 20th-Fox sliare of proceeds will increase<br />

from the basic royalty of 11.32 per cent<br />

to 51.32 of total gross revenues, less one-half<br />

of operating costs w'hlch. on the basis of actual<br />

production and sales in 1957. is estimated<br />

at approximately $1,263,890 a year.<br />

Additional wells will be drilled until the field<br />

is fully developed.<br />

Liza Music Corp. Formed;<br />

Controls '80 Days' Music<br />

NEW YORK—The Liza Music Corp, has<br />

been organized by Michael Todd jr. and<br />

Elizabeth Taylor Todd. The company owns<br />

the copyrights to all the music in the sound<br />

track of "Around the World in 80 Days."<br />

Jack Saunders is vice-president and manager.<br />

He has been associated with the Iat€<br />

Michael Todd more than 20 years and has<br />

acted as music adviser to the Michael Todd<br />

Co,<br />

20th-Fox 'Merchandising<br />

To Start With Traulein<br />

Packages<br />

Release<br />

Charles Einfeld discussing: the company's new public merchandising packages<br />

before sales executives attending a homeotfice meeting last weekend.<br />

NEW YORK — A "public merchandising<br />

package" for local level, all-media exploitation<br />

for all features, starting with its May<br />

release, "Fi'aulein." is to be inaugurated by<br />

20th Century-Fox, Alex Harrison, general<br />

sales manager, told district managers at a<br />

homeoffice meeting over last weekend.<br />

Charles Einfeld, vice-president, outlined<br />

the composition of the "public merchandising<br />

packages," which will supplement all future<br />

feature contracts. This packaging is in line<br />

with the policy of cooperating with exhibitors<br />

in all situations, to supplement the advance<br />

national publicity drives on the pictures.<br />

The first of the packages has been prepared<br />

so that it can do a selling job "within<br />

a budget any exhibitor can afford." according<br />

to Einfeld.<br />

"Fraulein" was selected for the first "package"<br />

because Einfeld, Han-ison and Spyros P.<br />

Skouras, president, considered it as having<br />

the most exploitation potential required to<br />

set the program off on the right note.<br />

Einfeld's theory that title songs should be<br />

saturated before the release of a picture, will<br />

be tested with five separate recordings of<br />

the title tune, in five separate styles, for<br />

"Fraulin," Steve Lawrence, who will substitute<br />

for Steve Allen this summer on the Sunday<br />

night TV show, will kick off with his<br />

Coral recording of "Fraulein." Kitty Wells<br />

and Bobby Helms, "country and western" recording<br />

stars, have also made recordings of<br />

"Fraulein" as has Don Estes. Decca star, with<br />

a Rock 'N' Roll record. Also a martial version<br />

of "Fi-aulein." recorded in the same manner<br />

as the March from "The Bridge on the<br />

River Kwai," has been waxed by Vic Sabriaio<br />

on the Decca label. The picture, in Cinema-<br />

Scope and De Luxe Color, was filmed on location<br />

in Berlin and the ballad tells the<br />

story of the picture. The earthy, homespun<br />

set of recordings will emphasize the American<br />

music to remove whatever foreign connotation<br />

the title might have, Einfeld said.<br />

In the advertising campaign, a special series<br />

of six teaser ads, the laj'gest of which is<br />

34 lines, has been designed to supplement a<br />

low-budget radio campaign and attract the<br />

audience already presold by the five "Fi'aulein"<br />

recordings. In the same vein, display<br />

ads will afford a maximum sell in a minimum<br />

amount of space.<br />

The other forthcoming pictures with the<br />

"packages," will include: "Ten North Frederick,"<br />

al.so for May release; "From Hell to<br />

Texas." for June release, and "A Certain<br />

Smile." "The Bravados." "Tlie Barbarian<br />

and the Geisha" and "The Diary of Anne<br />

Frank," all summer releases.<br />

Those attending the weekend meeting over which<br />

Harrison presided, included; C. Glenn Norris, central,<br />

Canadian, midwestern and coast division soles<br />

manager; Martin Moskowitz, eastern division sales<br />

manager; Alex Arnswoider, New York branch manager,<br />

and the following district heads: Abe Dickstem,<br />

New York; Al Levy, Boston; Paul S. Wilson,<br />

Atlanta; Mark Sheridan jr., Dallas; Morton A. Levy,<br />

Minneapolis; Tom O. McCleoster, Cleveland, ond Reville<br />

Kniffen, Los Angeles. Those present from the<br />

homeoffice were Neil Agnew, Frank Corroll, Clorence<br />

A. Hill, Lorry Ayers and Roger Ferri.<br />

Wile Lauds Montana Unit<br />

For Aiding Family Films<br />

GREAT FALLS. MONT.—Montana Theatre<br />

Owners Ass'n at its spring convention<br />

Tuesday i29i at the Rainbow Hotel here was<br />

thanked by Robert A. Wile. 20th Century-<br />

Fox exhibitor relations director, for sponsoring<br />

a drive last fall to produce more familytype<br />

pictures.<br />

Wile said that the Montana group was one<br />

of several organizations that had insisted on<br />

scheduling pictures like "The Gift of Love"<br />

and "Sing Boy Sing" which are boxoffice<br />

successes in small-to'vvn theatres catering to<br />

the family trade.<br />

Wile also called for a revaluation of the<br />

use of the Cinemascope trailer, rather than<br />

a standard trailer, for a forthcoming Cinema-<br />

Scope release. A recent survey showed that<br />

80 per cent of the trailei-s on Cinemascope<br />

pictures are flat trailers. Wile advised trailers<br />

be attached to Cinemascope shorts or Terrytoons<br />

as the easiest method.<br />

Seek Chicago Opera House<br />

NEW YORK— National Theatres has applied<br />

to federal court here for permission to<br />

take over the Civic Opera House in Clncago<br />

temporarily to show "Windjammer." first<br />

Cinemiracle picture. The petition stated the<br />

auditorium would be used only at times when<br />

opera is not being shown there.<br />

BOXOFFICE May 5, 1958 17


BETWEEN THE LINES<br />

Status of Telemeter<br />

\A7E dioppt-d into llie office of Howard<br />

Miiiskj- one day last week to see what<br />

was new in regard to Telemeter, Paramount's<br />

pay-as-you-see TV system. Minsky<br />

is vice-president of International Telemeter<br />

Corp. and he bubbles over with enthusiasm<br />

when he talks about the medium.<br />

Just because there hasn't been much news<br />

about the system recently doesn't mean<br />

tliat the company isn't very much alive. It<br />

is rarin' to go, just as soon as one very annoying<br />

obstacle is overcome.<br />

That obstacle is the fees being asked by<br />

the telephone company for its wire and<br />

cable facilities. The charges, Telemeter<br />

claims, are far too high and that's w'hat has<br />

stymied the launching of the system on a<br />

commercial basis. But Minsky is confident<br />

that an agreement will be reached.<br />

When that one obstacle has been cleared<br />

away. Telemeter is ready to start operating<br />

in three areas: New England, west coast<br />

and Canada. Two other spots will follow<br />

shortly thereafter. The principals in New<br />

England and Canada are theatre interests;<br />

involved in the coast operation are both<br />

industry and outside people. A program<br />

director has been retained and he has an<br />

"exciting" array of shows lined up which<br />

can go over the wires on short notice.<br />

Minsky said there had been a steady flow<br />

of interested parties visiting his office.<br />

They have come from almost every country<br />

in the world seeking information and franchises.<br />

A group of church officials wanted<br />

to know if religious services could utilize<br />

Telemeter so that shut-ins and others could<br />

"attend" church via the television screen.<br />

Minsky assured them that this could be<br />

done.<br />

Regardless of adverse opinions about subscription<br />

television in general, Minsky is<br />

one who believes that the ultimate widespread<br />

utilization of the medium is inevitable.<br />

Nothing can stop it, he said. No<br />

green light from the Federal Communications<br />

Commission is required; only a reasonable<br />

arrangement with the telephone<br />

company is needed to get the system rolling.<br />

Mann Overboard<br />

THE time has passed when a producer<br />

can make just another picture. He's<br />

got to latch on to something different,<br />

something unusual. And the amount of<br />

money spent doesn't determine the success<br />

of the film.<br />

"84" CASH DISCOUNT CARDS<br />

See Classified ad under BUSINESS<br />

STIMULATORS this Edition of<br />

BOXOFFICE.<br />

By AL STEEN<br />

The speaker was Anthony Mann whose<br />

"Gods Little Acre" is about to be released<br />

by United Artists. Mann was in New York<br />

recently to di.scuss the promotion of the<br />

picturization of Erskine Caldwell's controversial<br />

novel. And we do mean controversial!<br />

Although the book has been translated<br />

into 21 languages, it still has to be<br />

smuggled into Massachusetts.<br />

The production cost of a picture isn't as<br />

important as the basic idea of the story,<br />

Mann said during an informal chat with<br />

some of the press boys in the UA board<br />

room. A good idea, well developed, will attract<br />

the customers regardless of what the<br />

picture costs, he said. As an example, he<br />

pointed to "Men in War," which he produced<br />

at a cost of $500,000 and which, he<br />

claimed, will roll up a gross of $3,500,000.<br />

"God's Little Acre" had a budget of around<br />

$900,000. But he believes that it's the story<br />

that will intrigue the patrons.<br />

And therein he has a point. Just last<br />

week, sales of the book passed the 9,000,000<br />

mark since its first publication 25 years<br />

ago. Since then, it has been a storm center<br />

of one of the most turbulent literary controversies<br />

in America. Charges were made<br />

that the book was devised solely to incite<br />

lust, but in a historic decision. Magistrate<br />

B. E. Greenspan in New York held that<br />

Caldwell had chosen to write what he believed<br />

to be true and that suppressing<br />

books because they might incite lust would<br />

reduce literature to a tiny fragment of barren<br />

volumes.<br />

So Mann had the problem of producing<br />

such a picture so that it would be in good<br />

taste and still capture the heart of the<br />

novel. Apparently this has been done because<br />

the film has a Code Seal and has<br />

been passed by some pretty strict censor<br />

boards. A piece of irony in connection with<br />

the filming is that Augusta, Ga., refused to<br />

permit the picture to be made there, so it<br />

was filmed in Stockton, Calif. And yet,<br />

the world premiere is to be held in Augusta,<br />

Caldwell's home town.<br />

That CBS Show<br />

Mo use crying over spilled milk, but that<br />

"Seven O'Clock Report" on CBS-TV<br />

on April 25 was something to cry over.<br />

Douglas Edwards' program was a real sock<br />

on the jaw for the film industry, practically<br />

stating that the motion picture theatre was<br />

washed up. The viewer was taken on a<br />

torn-<br />

of sites which formerly had been theatres<br />

but now were supermarkets, rug factories,<br />

etc. At a time when the industry is<br />

launching its business-building campaign<br />

in a drive to restore the theatregoing habit,<br />

this really was an unfortunate program.<br />

A squawk to the producer can do no<br />

good; the harm has been done. But some<br />

sort of vigilance should be created to prevent<br />

a recurrence.<br />

Harry Ballance Retiring<br />

As Fox Division Mgr.<br />

NEW YORK—Harry Ballance, who has<br />

.served as .southern division manager of 20th<br />

Century-Fox for 26<br />

years, will retire on<br />

September 1. Alex<br />

Harrison, general sales<br />

^^^g'-fi<br />

''<br />

manager, told a meet- ^^^^<br />

ing of company district<br />

manager.s here last<br />

week that under a<br />

long-term agreement,<br />

Ballance would continue<br />

to function in an<br />

advisory capacity and<br />

continue to make his<br />

headquarters at the<br />

Harry Ballance<br />

Atlanta branch.<br />

Starting his film career with Paramount<br />

in the Los Angeles branch in 1918, Ballance<br />

joined Fox Film Corp. in 1932 shortly after<br />

the late Sidney R. Kent transferred from<br />

Paramount to Fox. In the meantime, Ballance<br />

had served Paramount as New England<br />

district manager and eastern division sales<br />

manager and, under Kent, general sales<br />

manager for five years. When Paramount<br />

acquired S. A. Lynch Enterprises in the<br />

south, Ballance was put in charge.<br />

Ballance is noted for his development of<br />

sales manpower. Both of the south's district<br />

managers. Paul Wilson, southeast, and<br />

Mark Sheridan jr., southwest, started as<br />

booker and ad sales manager, respectively, in<br />

the Atlanta branch. Six of the eight .south-<br />

other<br />

ern branch managers were among the<br />

present employes who stemmed from Ballance's<br />

manpower development program.<br />

They are Dan Courset. Atlanta: Olin Mock,<br />

Charlotte: Tom Tidwell, Jacksonville; William<br />

A. Briant, New Orleans; William Williams,<br />

Dallas, and Henry Han-ell, Houston.<br />

Annual Rogers Hospital<br />

Inspection June 26-29<br />

NEW YORK—The annual weekend inspection<br />

trip to the Will Rogers Memorial Hospital<br />

at Saranac Lake, N. Y., by the board of<br />

directors will be held this year June 26-29.<br />

Abe Montague, president of the Will Rogers<br />

Memorial Fund, and Robert J. O'Donnell,<br />

chairman, reported last week that this year's<br />

inspection would be a "revelation of progress"<br />

at the hospital.<br />

The directors and trade press representatives<br />

will leave New York on the evening of<br />

June 26 and spend part of the next day at<br />

the hospital. The party then will go to<br />

Schroon Lake and spend the rest of the<br />

weekend at the Edgewater Motel, owned by<br />

Herman Robbins. president of National<br />

Screen Service, and his family.<br />

'God's Little Acre' Set<br />

For 130 Charlotte Dates<br />

NEW YORK—"God's Little Acre," the Anthony<br />

Mann-Security Pictui'es production,<br />

which will have a three-theatre world premiere<br />

in Los Angeles, at Iris, Rialto and<br />

Wilshire theatres. May 7, also will have a<br />

130-date saturation booking in the Charlotte<br />

territory in mid-May, according to James R.<br />

Velde, general sales manager for United<br />

Artists, which is distributing the picture.<br />

The picture, which is being nationally released<br />

in May, is also being set for key city<br />

engagements across the country, beginning<br />

May 28, Velde said.<br />

18 BOXOFFICE May 5, 1958


AT NEW YORK'S<br />

TRANS-LUX NORMANDIE THEATRE<br />

BIGGEST NON-HOLIDAY OPENING<br />

r-^ DAY IN A YEAR!!!<br />

HEADING FOR<br />

THIS AD<br />

IS PART<br />

OF THE<br />

NEW YORK<br />

NEWSPAPER<br />

AD<br />

CAMPAIGN...<br />

MARKED<br />

PLACE,KID!<br />

SMASH<br />

FIRST<br />

WEEK...<br />

AND<br />

LONG<br />

RUN!<br />

HEADING<br />

YOUR<br />

WAY<br />

JVOIV...<br />

starring<br />

co-starring<br />

uci^<br />

JOAN GREENWOOD -HERBERT MARSHALL<br />

HENRY FONDA • SUSAN STRASBERG<br />

and<br />

I<br />

introducing<br />

BOOK IT<br />

FROM<br />

BUENA<br />

VISTA!<br />

TECHNICOLOR ® Screen Play by RUTH and AUGUSTUS GOETZ<br />

• WILLIAM DOZIER in Charge o( Production<br />

Produced by STUART MILLAR • Directed by SIDNEY LUMET<br />

• Music by ALEX NORTH<br />

An RKO Radio Picture-Distributed by Buenj Vista Film Distribution Co., Inc.


:<br />

'f¥Mf€WMd ^cfi


Herman Levy in London to Seek<br />

Closer U,S.-British<br />

NEW YORK—The posslbUlty of establishing<br />

a permanent Joint working group consisting<br />

of members of<br />

Theatre Owners of<br />

America and the Cinenmtojraph<br />

Exhibitors<br />

Assn will be explored<br />

by Herman Levy, general<br />

counsel of TOA.<br />

during his current<br />

visit to London. Levy<br />

sailed Wednesday (30»<br />

on the Queen Elizabeth.<br />

Levy will meet w'ith<br />

Ellis F. Pinkney, general<br />

secretary of the<br />

Herman Levy<br />

CEA of Great Britain and Ireland, for a<br />

series of discussions on subjects ranging from<br />

the effect of television on English theatres<br />

to the product situation and censorship. He<br />

also will meet with other British industry<br />

leaders.<br />

For the last few yeai's there has been an<br />

exchange of visitors to each other's annual<br />

meetings. Levy will seek to determine if the<br />

distance aspect can be overcome to make<br />

such a joint committee's work more beneficial<br />

to the theatre owners of both nations.<br />

Prior to his departure. Levy said he would<br />

attend the meeting of the general council of<br />

the CEA in London on May 14 when he expects<br />

to di.scuss the Eady plan and measures<br />

by which British exhibitors intend to keep<br />

feature films off British television. The effect<br />

of commercial television on theatre attendance<br />

also will be discussed, as well as<br />

assessing the problems of product shortage<br />

on theatre grosses in relation to American<br />

experience. Levy said he would further<br />

check the problem of British censorship toward<br />

American films and determine how<br />

British producers now feel about the American<br />

market.<br />

Noting that British exhibition has set up a<br />

"war chest" financed by a voluntary levy on<br />

admissions to purchase films which might<br />

otherwise be sold to television. Levy said he<br />

intended to investigate this policy to see if<br />

it might be adapted to the American scene.<br />

He said he also planned to bring the British<br />

exhibitors up to date on the efforts of TOA<br />

and all American theatre operators to prevent<br />

the introduction of subscription television.<br />

Levy will deliver a full report on his .studies<br />

to<br />

the TOA membership when he returns.<br />

AIP Sets 12 Releases<br />

For May, June, July<br />

LOS ANGELES — Leon Blender,<br />

general<br />

sales manager for American International<br />

Pictures, has announced 12 releases for May-<br />

June-July, setting a record release for the<br />

company.<br />

For May release are AIP's first Superama<br />

productions. "Machine Gun Kelly" and "The<br />

Bonnie Parker Story," slated for national<br />

showing May 28. In June, "Attack of the<br />

Puppet People," "Terror From the Year<br />

5000," "Hot Rod Gang," and "High School<br />

Hellcats" will be released. "How to Make a<br />

Monster" and "War of the Colos.sal Beast"<br />

will be released July 2. and July 23 will see<br />

"Tank Battalion" and "Hell Squad<br />

"<br />

in release<br />

Exhibitor Ties<br />

Lowe Bros. Retire From<br />

N.E. Concession Field<br />

BOSTON — Philip and K.iinucl L. Lowe jr.,<br />

treasurer and president of Theatre Candy<br />

Co., have announced their retirement from<br />

the New England wholesale concession supply<br />

field. For the past 19 years this company<br />

has been New England'.s largest supply house<br />

for refreshment merchandi.se equipment for<br />

theatres. Nat Buchman of Theatre Merchandising<br />

Corp. has taken over the activities of<br />

Theatre Candy Co. in this territory. The Lowe<br />

brothers continue to hold their interest in<br />

Theatre Candy Co. of Pittsburgh, Pa., in association<br />

with Raymond Showe, and are active<br />

in the operation of their drive-in holdings<br />

in association with Rifkin Theatres oJ<br />

Boston.<br />

Alexander Film Promotes<br />

J. G. Piccinati to Veep<br />

COLORADO SPRINGS, COLO.—Jay G.<br />

Piccinati, formerly director of marketing,<br />

has been promoted to vice-president in charge<br />

of marketing for Alexander Film Co. here.<br />

Piccinati will direct all local sales activities<br />

of the firm's 120-man sales organization and<br />

coordinate the local level servicing of manufacturer-dealer<br />

and merchandising campaigns<br />

sold by the company's national division.<br />

Alexander's theatre relations and theatre<br />

contacts will continue under the direction of<br />

Cliff Parker, theatre division vice-president.<br />

Parker also will coordinate this function with<br />

the local sales activity.<br />

'First'<br />

Canadian Feature<br />

Deal Set<br />

Distribution<br />

TORONTO — The first English-language<br />

feature motion picture produced in Canada,<br />

"Now That April's Here," will have its world<br />

premiere at the Towne Theatre here late in<br />

June. Negotiations for worldwide distribution<br />

of the film were completed this week, with<br />

Klenman-Davidson Productions Ltd. signing<br />

to handle the release for the N. A. Taylor-<br />

David Griesdorf interests. The feature is<br />

based on a quartet of short stories by Morley<br />

Callaghan, widely read Canadian author, and<br />

was filmed principally in and about Toronto.<br />

Pete Lundgren Named<br />

NT's Film Buyer<br />

LOS ANGELES—M. A. "Pete" Lundgren<br />

has been appointed chief film buyer for National<br />

Theatres, it was announced by Frank<br />

H. Ricketson jr., vice-president and general<br />

manager of theatre operations. Lundgren, a<br />

veteran of 26 years with NT, succeeds Bert<br />

Pirosh, who has resigned from the circuit<br />

after a 21 -year tenure. Pirosh will head the<br />

booking and buying department of Pacific<br />

Theatres, effective June 1.<br />

Abbey Chemical Co. Moves<br />

CHICAGO—Abbey Chemical Co., manufacturers<br />

of Sept-O-Solve, is now located at<br />

210 E. Ohio St., here.<br />

Set Fox Stockholders<br />

Meeting for May 20<br />

NEW YORK — Twentieth Century-Fox<br />

stockholders will vote on a management slate<br />

of ten directors at the annual meeting May<br />

20 at the home office. Tlic directors and the<br />

number of shares of company stock they own<br />

beneficially follow:<br />

L. Sherman Adams, retired trustee of Massachusetts<br />

Investors Tiust, 500; Colby M.<br />

Chester, honorary board chairman of General<br />

Foods Corp., 100; Robert L. Clarkson,<br />

board chairman of the American Express Co.,<br />

none; Daniel O. Hastings, lawyer. 1,001; Robert<br />

Lehman, investment banker, 25.000; Kevin<br />

C. McCann, president of Defiance College;<br />

150; William C. Michel. 20th-Fox executive<br />

vice-president. 1.393; B. Earl Puckett. board<br />

chairman and chief executive officer of Allied<br />

Stores Corp., none; Spyros P. Skouras,<br />

20th-Fox president, 10,000. and Gen. James A.<br />

Van Fleet, U. S. Army, retired, 2,400.<br />

In addition, Clarkson and Hastings are directors<br />

of General Precision Equipment Corp.<br />

which owns 16.600 shares, and members of<br />

Skouras' family own an additional 37,766<br />

shares.<br />

2,564,686 SHARES OUTSTANDING<br />

As of April 1, there were 2,564,686 shares<br />

outstanding and entitled to vote.<br />

Employment contracts calling for remuneration<br />

payments proposed to be made in the<br />

future in addition to salaries, retirement<br />

withholdings and retirement benefits are held<br />

by Skouras, Joseph H. Moskowitz, vice-president;<br />

Michel, Murray Silverstone, vice-president,<br />

and S. Charles Einfeld, vice-president<br />

in charge of advertising, publicity and exploitation.<br />

Skouras' full-time employment ends Dec.<br />

31, 1960. His possible total advisory compensation<br />

payable from the date of possible retirement<br />

until Dec. 31. 1965. decreases at the<br />

rate of $150,000 a year until completely extinguished<br />

if he sei-ves out his full-term employment.<br />

There is also a provision for a<br />

death benefit of $250,000 in the event of his<br />

death while employed.<br />

Moskowitz's full-time employment ends<br />

Dec. 31. 1962. and Silverstone's Dec. 31, 1960.<br />

Their advisory employment and rate of compensation<br />

is $1,000 for each week of full-time<br />

performed subsequent to April 30, 1956, and<br />

Jan. 1. 1957, respectively. Payments will continue<br />

to be made to their estates in the event<br />

of their death while employed.<br />

Michel is employed full-time until Dec. 3'.<br />

1960. .subject to prior termination, and in an<br />

advisory capacity thereafter at $50,000 a year<br />

for seven years.<br />

EINFELD PACT PROVISIONS<br />

Einfeld is employed full-time until June 30.<br />

1960. and in an advisory capacity for six years<br />

thereafter at $1,000 a week for the first three<br />

years and $500 a week for the second three<br />

years. In the event of Einfeld's death during<br />

employment the advisory compensation is<br />

payable to his wife, and if death occurs prior<br />

to June 30. 1960. the payment is diminished<br />

by $1,500 for each week between the date of<br />

his death and June 30, 1960.<br />

At the last stockholders' meeting an option<br />

plan was adopted authorizing the directors<br />

during the next six months to grant six-year<br />

restricted stock options to executives to purchase<br />

common stock. The proxy statement<br />

now in the hands of the stockholders states<br />

that no options have been exercised.<br />

22 BOXOFFICE May 5, 1958


Drive-In Parley Held<br />

On 'Dollar Nights'<br />

ALBANY—A meeting was held at<br />

the Palace<br />

Theatre here Wednesday morning to discuss<br />

problems posed by "Dollar nights" and<br />

weekend triple featuring at drive-ins in the<br />

immediate Albany area. The session, over<br />

which Elias Schlenger. Fabian division manager,<br />

presided, was the outgrowth of a threestraight<br />

"buck night" policy at Fabian's Mohawk<br />

and Saratoga drive-ins, which reportedly<br />

stemmed from the fact Lamont's Riverview<br />

Drive-In at Rotterdam Junction observed<br />

Dollar Night Thursday (24) when<br />

"Raintree County" was top-featured.<br />

The Fabian management apparently took<br />

the dramatic action in the hope of persuading<br />

area automobilers that not only Dollar<br />

Night but also Friday-Saturday triple-featuring<br />

should be ended as harmful to the<br />

best interests of the industry.<br />

At the meeting—attended by representatives<br />

of the Mohaw-k and Saratoga, the Riverview,<br />

the Auto-Vision and the Tui-npike (operated<br />

by Alan V. Iselini and the Menands<br />

(conducted by Joe Miller) —a prof)osal was<br />

advanced that all ozoners cease Dollar Nights.<br />

Several exhibitors countered with the suggestion<br />

this would be done only if threefeatures<br />

on Fridays and Saturdays were<br />

ended.<br />

They would go along with the idea, if the<br />

Carman in Guilderland acceded. That drivein,<br />

owned by Peter and John Marotta, was<br />

not represented at the meeting.<br />

The thought was then advanced that S. H.<br />

or Edward L. Fabian be invited to come here<br />

and try to act as intermediaries, with the<br />

idea of scuttling weekend triple-featuring.<br />

Fabian jr. was believed the likely man to<br />

undertake the assignment.<br />

There were strong hints that if some<br />

agreement were not reached price-cutting<br />

might spread. For instance, there was talk<br />

of a 50-cent carload rate to meet the dollar<br />

price.<br />

"Unanimity is the one way to avoid what<br />

could be financial suicide," commented one<br />

of the drive-in representatives.<br />

Named<br />

Maxine Cooper Is<br />

To Alexander Post<br />

NEW YORK—Maxine Cooper, formerly account<br />

executive for WABD (DuMont, New<br />

York), has been appointed New York resident<br />

vice-president for Alexander Film Co.,<br />

Colorado Springs. Miss Cooper will mantain<br />

offices at 500 Fifth Ave. and will be in<br />

charge of the sale of Alexander's film and<br />

merchandising programs to national advertisers<br />

in the New York area.<br />

Miss Cooper joins the Alexander organization<br />

with a background of media selling<br />

and advertising experience, which includes<br />

the position of eastern sales manager for<br />

Sponsor magazine, held prior to her post<br />

at WABD.<br />

Promoting NY Production<br />

NEW YORK—Representatives of<br />

the Film<br />

Producers Ass'n of New York will meet Wednesday<br />

(14) with the borough presidents and<br />

other city officials to examine the effect of<br />

current regulations on film production here.<br />

The meeting was authorized by Mayor Robert<br />

P. Wagner, who is supporting a campaign to<br />

increase local film production. PPA has 34<br />

producer members and 14 associates.<br />

Golf Tourney Is Added Attraction<br />

At Virginia Convention July 75-/7<br />

The chairmen of the convention committees<br />

met at the Chamberlin Hotel in<br />

Old Point Comfort, Va., to complete<br />

plans for the annual convention there in<br />

July of the Virginia Motion Picture Ass'n.<br />

Top photo, left to right: President Syd<br />

Gates, Mrs. Roy Richardson, John<br />

Bromnas and Leonard Gordon. Bottom<br />

photo: Herb Morowitz, Jerome Gordon,<br />

Jim Barham and Roy Richardson.<br />

Barney Balaban Honored<br />

For Saving USS Olympia<br />

NEW YORK—Barney Balaban, president<br />

of Paramount, was honored April 30 for his<br />

part in helping to save the cruiser Olympia,<br />

Admiral Dewey's flagship of Manila Bay in<br />

1898, from the scrap heap. A plaque on which<br />

two large medallions from the melted-down<br />

propellor of the Olympia were mounted was<br />

presented to Balaban in his office by Charles<br />

R. Fish jr.. Philadelphia vice-president of<br />

the Cruiser Olympia Ass'n. Balaban was the<br />

first person to pledge a substantial sum to<br />

the citizens' group formed back in 1954 to<br />

save the Olympia. The repairs now being<br />

made will cost an estimated $158,000.<br />

Guild Books 'Peter Pan';<br />

BV Holds Special Show<br />

NEW YORK—Walt Disney's "Peter Pan."<br />

originally released by RKO in 1953. is being<br />

reissued by Buena Vista in the summer of<br />

1958 and will be the next attraction at<br />

the Guild Theatre, following the current<br />

"Marcelino."<br />

Buena Vista held a private showing of<br />

"Peter Pan" at the Guild Theatre Saturday<br />

morning, May 3, for tradepaper and magazine<br />

repi'esentatives. Special "Peter Pan" souvenir<br />

packages were distributed to the children or<br />

nephews and nieces of those attending.<br />

Eugene Lourie is directing the screenplay<br />

of AAs "The Giant Behemoth" in London.<br />

OLD POINT COMFORT. VA. — A golf<br />

tournament will be added to the activities of<br />

the annual convention of the Virginia Motion<br />

Picture Theatre Ass'n, the committee<br />

chairmen, meeting here last week at the<br />

Chamberlin Hotel, decided. The 1958 convention<br />

will be held at the Chamberlin July<br />

15-17. John Broumas, chairman, said it is<br />

hoped the tournament can be made an annual<br />

convention attraction.<br />

Final plans for the three-day meeting were<br />

to be made in Richmond this week. Exhibitors<br />

of the Virginia area in North Carolina, Maryland<br />

and the District of Columbia will be<br />

invited to attend this "fun" convention.<br />

The committee chairmen; John Broumas,<br />

Washington, general chairman; Jerome Gordon,<br />

Newport News, banquet; Morton Gerber,<br />

Washington, distinguished guests; J. K. Crockett,<br />

Virginia Beach, and R. Dewanner Stallings,<br />

Newport News, drawings; Herb Morowitz,<br />

Newport News, exhibits; William Dalke jr.,<br />

Woodstock, finances; Hal Lyon, Fi-ankJin,<br />

food; Mrs. Roy Richardson, Suffolk, and Mrs.<br />

Helen Duff us, Richmond, ladies; Roy Richard-son,<br />

Suffolk, and Bill Hoyle, Washington,<br />

publicity; Jeff Hofheimer, Norfolk,<br />

president's reception; Seymour Hoffman.<br />

Richmond, progi-am advertising; Jim Barham,<br />

Newport New^s, business building forum;<br />

William Jasper and Jesse Odom, Newport<br />

News, registration; Julian Gordon, Newport<br />

News, Wednesday evening party; Paul Roth.<br />

Washington, prizes; Sidney Bowden, Norfolk,<br />

Jack Rumsey, Covington, and Willis Grist,<br />

Lynchburg, golf tournament, and Carlton<br />

Duffus, Richmond, co-ordinator.<br />

Fortune Magazine Tells<br />

Success Story of UA<br />

NEW YORK—An article in the May issue<br />

of Fortune Magazine titled "The Derring-<br />

Doers of Movie Business" relates how Robert<br />

S. Benjamin, board chairman, and Arthur B.<br />

Ki'im. president, have made a success of<br />

United Artists within the space of a few<br />

years.<br />

Various independent producers are quoted.<br />

Otto Preminger credits the company executives<br />

with recognizing that the independent<br />

has "his own personality," leaving production<br />

details to the producer after agreement<br />

on the basic property and consultation on<br />

the cast.<br />

Stanley Ki-amer is quoted as saying that<br />

"at UA they believe in letting the creative<br />

person create the film," and "as long as the<br />

climate there stays as it is. I don't want to<br />

be any other place."<br />

NY Benefit for 'Paris'<br />

NEW YORK—Bob Hope's "Paris Holiday"<br />

will open May 9 at the Astor Theatre for the<br />

benefit of the Hospitalized Veterans Serv'ice<br />

of the musicians emergency fund, it is announced<br />

by Mrs. Lytle Hull, HVS president.<br />

and William J. Heineman, United Artists<br />

vice-president. A supper dance will follow<br />

at the Waldorf-Astoria Hotel. Hope will attend<br />

both the premiere and the dance. Mrs.<br />

T. Markoe Robertson and Mrs. Angler Biddle<br />

Duke are co-chairmen of the benefit.<br />

BOXOFFICE Mav 5. 1958 E-1


—<br />

,<br />

—<br />

Rain Boosts First Runs on B'way;<br />

'Morningstar Opens Strong at 175<br />

NEW YORK—Rainy weather, starting Sunday<br />

(27>. aided the Broadway first runs by<br />

keeping filmgoei-s tn town and, as a result,<br />

business was better than the previous week<br />

"Marjorie Morningstar" had a smash opening<br />

week at the Radio City Music Hall, with<br />

long waiting lines on the weekend. "Stage<br />

Struck" also had a big opening week at the<br />

tiny Norinandle.<br />

Several of the holdovers continued to fine<br />

grosses, headed by "The Young Lions," In its<br />

fourth stanza at the Paramount, and "The<br />

Long. Hot Summer," also in itv'; fourth week,<br />

at the Mayfair. "Run Silent. Run Deep." in<br />

its fifth week at the Victoria, and "Witness<br />

for the Prosecution," in its 12th week<br />

at the Astor, also held up w-ell.<br />

The two-a-day pictures jumped back to<br />

practically capacity with "The Bridge on the<br />

River Kwal," strongest of them, in its 19th<br />

week at the Palace, followed by "Around the<br />

World in 80 Days," in its 80th week at the<br />

Rivoli. "Windjammer" was very good in its<br />

third week at the Roxy. where advance sales<br />

are reported building, and "South Pacific"<br />

had a strong sixth week at the Criterion.<br />

"Search for Paradise" picked up with a lastminute<br />

rush for its 32nd and final week at<br />

the Warner Theatre, where the original<br />

"This Is Cinerama" returned for a brief<br />

run. starting Sunday (4).<br />

;Averoge Is 100)<br />

Asfor—Witness for the Prosecution (UA), 12th wk 110<br />

Boronet—To Poris With Love (Cont'l); The<br />

Lodykillers (Contn, ressues, 6th wk 100<br />

Capitol—Tcochcr's Pet ;Pora), 6th wk 115<br />

Criterion— South Pocitie (Magna), 6th wk. oif<br />

two-a-dav<br />

1 70<br />

Fine Arts—The Long, Hot Summer (20th-Fox),<br />

4th wk ' ,<br />

... 1 40<br />

5th Avenue— Gervoisc (Cont'l), 15th wk ! 1 20<br />

55th Street— Mitsou (Zenith), 2nd wk 135<br />

Guild—Morcelino (UMPO), reissue, 4th wk. ... 120<br />

Little Cornegie—Mom'zelle Pigolle (Films-<br />

Around-World), 2nd wk ]40<br />

Loews Stote—St. Louis Blues (Poro), 3rd wk.!!![l20<br />

Moyfoir—The Long, Hot Summer (20th-Fox),<br />

4th wk.<br />

1 35<br />

NormarxJie—Stage Strucli ( B V) '.!.!!! 1 50<br />

Odeon The One Thot Got Away (Ronk) ..!!!! 125<br />

Beat the Rain—<br />

with the one-piece, snap-on<br />

MOV-E-VUE Rain Visor<br />

rw<br />

i^sBB^<br />

Eliminates windsltieid wiping<br />

Clips on and off in 20 seconds<br />

Fits all cars— Rolls up for storage<br />

96% of all Connecticut Drive-In<br />

Theatres Sell 'em with Great Success.<br />

Wfife:<br />

We Supply FREE Trailer<br />

PIONEER SALES CO.<br />

P.O. Box 899 Woterbury, Conn.<br />

Palace The Bridge on the River Kwoi (Col),<br />

19th wk. of two a dav 195<br />

Paramount—The Young Lions (20(h-Fox), 4th wk. 145<br />

Pans—And God Created Woman (KIngsley),<br />

27lh wk 140<br />

Plozo—Witness tor the Prosecution lUA), :2thwk. 135<br />

Radio City Music Hall- Morjoric Morningstor<br />

( WB), plus stage show 1 75<br />

Rivoh—Around the WoHd In 80 Days (UA),<br />

80th wk. of two-o-day 1 90<br />

Sutton— Night Ambush (Ronk) 125<br />

Trons-Lux 52nd St -Rouge et Noir (OCA), 3rd<br />

wk 150<br />

72nd St.—Portrait of on Unknown Women (U-l) 110<br />

Victoria—Run Si'cnt, Run Deep (UA), 5th wk. 120<br />

Worner—Scorch tor Porodise (SW), 32nd wk.<br />

of two-o-day 135<br />

World— -The Bride Is Much Too Beouliful<br />

(Ellis-Lox), Mth wk 100<br />

Run Silenf Second Week<br />

Leads Buffalo With 120<br />

BUFFALO—Business was just fair, with<br />

holdovers and not too strong attractions in<br />

several houses. The second week of "Run<br />

Silent, Run Deep" turned in a 120 at tlie<br />

Buffalo and "Tlie Bridge on the River Kwai"<br />

115 in its seventli week.<br />

Buffolo—Run Silent, Run Deep (UA), 2nd wk. 120<br />

Center—Stakeout on Dope Street (WB)<br />

.100<br />

Century—The Bridge on the River Kwoi (Col)<br />

7th wk ,115_<br />

Cinemo— Nights of Cobirio (Lopert) 85<br />

Lafayette— Macabre (AA); Hell's Five Hours (AA) 90<br />

Paramount—Chase a Crooked Shodow (WB) Bitter<br />

Victory (Col) 110<br />

Sunday Downpour Hurts<br />

Baltimore Averages<br />

BALTIMORE — Two newcomers. "Paris<br />

Holiday" and "Marjorie Morningstar." attracted<br />

the busiest boxoffices. Business wasn't<br />

helped by Sunday's all-day heavy downpour<br />

of rain, and those weekend admissions are<br />

a<br />

mainstay.<br />

Century—The Young Lions (20th-Fox), 3rd wk. . . 95<br />

Cinema— Rozzio (Kassler), 3rd wk 95<br />

Film Centre—The Brothers Karamazov (MGM),<br />

2nd wk .110<br />

Five West— Adam and Eve (Equity) 95<br />

Hippodrome—The Bridge on the River Kwai<br />

(Col), 6th wk ]<br />

00<br />

Little—The Bolshoi Bollet (Rank). ...... .......] 40<br />

Mayfair— Poris Holiday (UA) 1 50<br />

New—South Pocific (Mogno), 4th wk !..160<br />

Playhouse—Cost a Dork Shadow (DCA) 125<br />

Stanley—Marjorie Morningstar ( WB) 150<br />

Town— Search for Paradise (Cinerama) 1 50<br />

Ellis Theatres Lease<br />

Delaware Drive-In<br />

NEW YORK— A. M. Ellis Theatres Co. of<br />

Philadelphia, which controls a circuit of<br />

houses in Pennsylvania and Delaware, has<br />

taken a long-term lease on the Kerry Drive-<br />

In Theatre, Wilmington, from the lessor and<br />

builder, the Kerry Drive-In Co., headed by<br />

Robert Carpenter of Wilmington.<br />

Berk and Krumgold, theatre realty specialists,<br />

who closed the deal, also leased to Ellis<br />

Theatres the former Brandywine Drive-In<br />

Theatre, now called the Ellis Drive-In, located<br />

near Wilmington.<br />

Producers tor Life, Times, American Con, PepsU<br />

Colo Shorts. Edited Features, "CODE of the Underworld,"<br />

"Operotlon Monhunt," BHIy Grahcm's<br />

Crusade "Times Square Story."<br />

Spot News Coyeroge by our cameraman.<br />

Will Produce any Subject 16mm, 35mm.<br />

Technicians formerly with March of Time.<br />

David J. Cazalet, Inc.<br />

333 W. 52nd St., N. Y., N. Y., Tele. Ploio 7-7847<br />

U-I FILM COMMENDEI)—Henry H.<br />

"Hi" Martin, Universal Pictures general<br />

sales manager, is shown holding a special<br />

commendation preiyented by Mrs. Dean<br />

Gray Edwards, president of the Federation<br />

of Motion Picture Councils. John<br />

Gavin, at the right, received the commendation<br />

for his "outstanding performance"<br />

as star of U-I's "A Time to Love<br />

and a Time to Die."<br />

NEWARK<br />

The 30th week of "The Ten Commandments"<br />

began at the Adams Theatre here. A<br />

special morning show every Saturday; a family<br />

plan, with 25-cent reduction on family<br />

groups: discounts and seating arranged for<br />

groups of 25 persons or more; student discount<br />

tickets good for all performances made<br />

available at local schools and colleges all are<br />

part of the promotion at the Adams . . . Two<br />

special screenings of "The Mark of the Hawk"<br />

were held at the Central Theatre here. In<br />

addition to members of the clergy of Essex<br />

County, U-I and Stanley Warner representatives,<br />

the press and the picture's associate<br />

producer W. Burton Martin of Harrington<br />

Park attended. A luncheon followed.<br />

Theft of $2,000 from a safe in the Adams<br />

was reported to police by Manager Nicholas<br />

Pasquale. Pasquale said that when he opened<br />

the office he found cabmets and the safe<br />

open, without any signs of forced entry.<br />

Similar circumstances surrounded another<br />

theft in the theatre chain when Thomas<br />

Adams, manager of the Paramount Theatre,<br />

Newark, reported that $5,000 was taken from<br />

a safe in the office of the Paramount. The<br />

assistant manager for the past month at the<br />

Paramount. Philip Harris, a former convict,<br />

left a note admitting the theft. Martin<br />

Friedman, assistant manager of the Adams,<br />

also has been charged.<br />

With the arrival of spring, playgrounds,<br />

free rides and other services tor children are<br />

in full swing at the Newark Drive-In and<br />

the Amboys Drive-In in Sayreville ... A tlieatre<br />

party is being sponsored at the Maplewood<br />

Tlieatre, with proceeds to go to the<br />

kitchen auxiliary for a new building of Congregation<br />

Oheb Shalom, Newark.


I<br />

Dr<br />

When you're providing "good times" for your customers,<br />

include the good taste of Dr Pepper! It's<br />

just plain good business<br />

to heighten their enjoyment by making available the pure, distinctive<br />

flavor that has helped make friends for theater operators for more than<br />

70 years. Dr Pepper is repeat trade .<br />

. .<br />

a product in demand every month in the<br />

year ... by brand name . . . because there<br />

just isn't a substitute for Dr Pepper. If you<br />

haven't added the plus value of Dr Pepper<br />

in your theater or snack bar, try it ... if you<br />

i<br />

^rPeppei<br />

already have Dr Pepper, feature it!<br />

DrPepffer<br />

frosty raan,frostj^/<br />

Pepper Company 1958<br />

BOXOFFICE May 5, 1958 E-3


. . Merl<br />

ALBANY<br />

HI Marrhctti, Whose record of service as<br />

lu'iid booker Is the longest on Fllmrow,<br />

Joined Columbia after Tony Lonibardo resigned<br />

to enter the real estate business.<br />

Maichetti was Universal head booker many<br />

years. Lombardo. who received his training<br />

as booker under Marchetti, was vice-president<br />

and business agent for Local F-43 before<br />

advancing to Ckilumbla as chief datesetter.<br />

Columbia no longer rosters a student<br />

booker. Incidentally, Mrs. Marchetti, former<br />

U-I cashier, is now working in the office<br />

of a trucking company at Latham.<br />

Howard Goldstein, once an assistant<br />

manager<br />

of a Troy theatre, later an RKO booker,<br />

head booker and salesman and for the past<br />

two years a 20th-Pox salesman, has resigned.<br />

He is Joining his father-in-law in<br />

the operation of Roth's dress shop at Schenectady.<br />

Goldstein will continue hLs industry<br />

a.ssocialion. however, by serving as buyerbooker<br />

for several indoor and outdoor theatres<br />

and for a summer hotel.<br />

Constance Toomer of Albany and John W.<br />

Gai-dner Jr.. were married in Christ the King<br />

Catholic Church at Westniere Saturday i3i.<br />

He is the son of Mr. and Mrs. John W. Gardner<br />

of Schenectady, and is associated with<br />

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more— make more with this tested, slillwater<br />

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LEMON • PINK LEMON "ORANGE -ORANGE PINEAPPLE • GRAPE<br />

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PROFIT. OPPORTUNITY! Some choice territories still open for distributors.<br />

Write for full information !<br />

CRAMORE fruit<br />

Point Pleasant Beach, N. J.<br />

products. Inc.<br />

his father in drive-in exhibition . . . Bob<br />

Hillabrandt is a projectionLst this sea-son at<br />

Lamont's Riverview Drive-In. Harry Witzke<br />

work.s in the booth at the Vail Mills Drivein.<br />

Bob Hassett. who served at the Riverview,<br />

now is a cameraman at local WTEN-<br />

TV. He lives in Mechanicville . . . The report<br />

in this column of picketing at the Jericho<br />

Drive-In, Glenmont. w-as erroneous. The<br />

original item was ba.sed on information from<br />

a generally reliable source but it was incorrect.<br />

Apparently, the source misunderstood<br />

the situation. The mistake is regretted.<br />

When IVIana«:er Gerry Schwartz told a<br />

young gunman he did not have the evening<br />

receipts of the Sunset Drive-In in hLs office,<br />

the intruder fired a rifle at him. TTie gun<br />

jammed, making only a sizzling noise, and<br />

the lad ran from the office and disappeared<br />

through brush back of the Kingston airer.<br />

Was Gerry frightened? "Not until the next<br />

day," the former World War II Seabee told<br />

associates in the Lamont organization.<br />

Presentation of a pen and pencil set to<br />

George H. Schenck, who resigned as manager<br />

for Tri-State Automatic Candy Corp. to become<br />

general manager for Perlmutter Foods,<br />

highlighted a party in Keeler's restaurant.<br />

Lewis A. Sumberg made a brief, graceful and<br />

witty speech in handing the gift to the longtime<br />

motion picture industry man. Industry<br />

people present included former Variety Chief<br />

barker Elias Schlenger, Mr. and Mrs. John<br />

W. Gardner, Mr. and Mrs. Robert Lamont,<br />

Mr. and Mrs. Peter Gazeley, Mr. and Mrs.<br />

Peter Laverty, Alfred G. Swett, Mr. and Mrs.<br />

Sumberg, Mr. and Mrs. Jules Perlmutter,<br />

Mrs. Schenck and Mrs. Kelly, Schenck's secretary<br />

at Ti'i-State.<br />

Sid Dwore closed the Cameo at Schenectady<br />

for the summer. He said that before<br />

reopening in August with an art policy again,<br />

the theatre would be redecorated, modern<br />

superspeed lenses Installed and high intensity<br />

projectors added . Rose is now manager<br />

of Lamont's Riverview Drive-In at Rotterdam<br />

Junction. Onetime chief of the Overlook<br />

in Poughkeepsie and later of the Sunset<br />

in Hudson, Rose succeeded Howard Cammer,<br />

who resigned to accept a position with the<br />

Civil Aeronautics Administration at the Albany<br />

Airport.<br />

A four-week promotion by the Knickerbocker<br />

News, in cooperation with the Variety<br />

Club and on behalf of Camp Thacher, ended<br />

with the awarding of a two-month-old fox<br />

terrier to Andrew Swartz, a first-grade pupil<br />

at School 16, who submitted the winning<br />

name, Campie. The dog, of the same breed<br />

as the 20-foot replica atop RTA Distributors'<br />

new headquarters on Broadway near Filmrow,<br />

was donated by Harold Gabrilove, president<br />

of that company and an ex-chief barker<br />

of Tent 9. Children submitting names were<br />

required to give $1 to the Camp Thacher<br />

fund. The Gannett paper reported "Hundreds<br />

of entries were submitted." The judges,<br />

who.se pictures appeared in a three-column<br />

layout, were Chief Barker Samuel E. Rosenblatt:<br />

Ben Becker, vice-principal of Philip<br />

Schuyler High School and a Variety member,<br />

and Robert E. Ten Eyck, vice-president<br />

of Albany Boys Club, which operates the<br />

mountain camp. Charles L. Mooney, promotion<br />

manager of the Knickerbocker News and<br />

one of the Variety crew, arranged the contest.<br />

Ziva Rodann, signed for a role in Paramount's<br />

"Showdown at Gun Hill," served in<br />

the Israeli Army for 18 months.<br />

E-4 BOXOFFICE :<br />

; May<br />

5, 1958


Many Top Executives<br />

Direct UJA Campaign<br />

NEW YORK— Scores of<br />

motion picture and<br />

amusement industry executives are directing<br />

the 1958 campaign of the United Jewish Appeal<br />

to be highlighted by a testimonial luncheon<br />

to Barney Balaban, Paramount president.<br />

May 22 at the Park Lane Hotel, with<br />

Robert S. Benjamin. United Artists board<br />

chairman, as guest speaker.<br />

Irving H. Greenfield. Loew's, Inc., secretary.<br />

who is drive chairman, has announced the<br />

following committees:<br />

Steering committee: Bolabon, Benjomrn, William<br />

Brandt, Simon H. Fabian, Leopold Friedman, Leon<br />

Goldberg, A. Montague, Herman Robbins, Somuel<br />

Rosen, Adolph Schimel, A. Schneider, Spyros P.<br />

Skouras and Joseph R. VogeL<br />

Executive committee: Richard Altschuler, Maurice<br />

A. Bergman, Arnold Bernstein, Charles Boasberg,<br />

Horry Brandt, Charles Einfeld, Edward Fabian, Emanuel<br />

Frisch, Williom J. German, Horry Goldberg,<br />

Leonard H, Goldenson, Money Goldstein, Bernard<br />

Goodman, Edword L. Hymon, Arthur Israel jr , Leo<br />

Jaffe, Soul Jeffee, Julius Joelson, Harry M. Kalmine,<br />

Molcolm Kingsberg, Arthur B. Krim, Nat Lefkowitz,<br />

Philip Lewis, Benjamin Lorber and Horry Mandel.<br />

Also, Arthur L. Mayer, Joseph H. Moskowitz,<br />

Chorles B. Moss, Louis Phillips, Arnold Picker, Eugene<br />

Picker, Milton R. Rackmil, Horold Rinzler, Samuel<br />

Rinzler, Arthur Rosen, J. Robert Rubin, Leonard W,<br />

Schneider, Fred J. Schwortz, Leslie Schwartz, Sol A.<br />

Schwartz, Silas F. Seadler, Maurice Silverstone, Nate<br />

B. Spingold, Solomon M. Strousberg, Morton Sunshine,<br />

Adam Wachtel, Albert Warner, Robert M.<br />

Wettman, Mortimer Wormser and Mox E. Youngstein.<br />

Independent exhibitors: Strousberg, William Brandt,<br />

Leo Brecher, Frisch, Robert Goldblatt, Joelson, Horold<br />

J, Klein, Wolter Reade jr., Horold Rinzler, Somuel<br />

Rinzler, Julius Sanders, Herman Schleier, Leslie<br />

Schwartz, George P, Skouras, Spyros S. Skouras and<br />

Sunshine.<br />

Corporote gifts: Spyros P. Skouros, chairman;<br />

Morey Goldstein for Allied Artists, Hymon, American<br />

Broodcasting-Paromount Theatres; Benjamin Gladstone,<br />

Century Theatres; Wormser, Columbia; Seadler,<br />

Loew's; Archie Welt man, Loew's Theatres; Burton<br />

Robbins, Nationol Screen Service; Israel, Poromount;<br />

Mondel, RKO Theatres; Wachtel, Sargoy &<br />

Stein; Louis Weber, Skouras Theatres; Arthur Rosen,<br />

Stanley Warner; Edward R. Solomon, 20th Century-<br />

Fox; Joseph Ende, United Artists; Benjamin Lorber,<br />

Universal-International, and Bernard Goodman, Warner<br />

Bros.<br />

Legitimate theatre: Solly Perkick and Milton Weintroub,<br />

co-choirmen. Amor>g the members ore Oscor<br />

Hammerstein II, Tom Hurtha and Richord Rodgers.<br />

Ticket agencies: James J. Murphy, chairman.<br />

Purchasing agents: Ethel Black, Jules Catsiff, Leo<br />

Cohen, Herman R. Moier, Horry Nodel, Leorrard Pollack,<br />

Robert Schwortz, Herbert L. Smith and Dan<br />

Smoien.<br />

Foreign producer-distributor: Jacques Grinieff ond<br />

Harold J. Klein, co-chairmen.<br />

Records: Arnold Moxin or>d Leonard W. Schneider,<br />

co-chairmen.<br />

Talent: Ted Ashley, Nat Lefkowitz and Moe Gale,<br />

co-choirmen.<br />

Laboratories: German and Jeffee.<br />

Other committee choirmen: Julius Collins, music<br />

publishers; Louis Allerhond, exchanges; Seodler, publicity<br />

and Sunshine, publications.<br />

Astor, Victoria Theatres<br />

Offer Free Parking Space<br />

NEW YORK—Free parking space has been<br />

arranged for patrons of the Astor and Victoria<br />

theatres by Max Pellerman, vice-president<br />

of Lopert Films and operators of both<br />

show cases. The Astor is playing "Witness<br />

for the Prosecution" and the Victoria is playing<br />

"Run Silent. Run Deep," both United<br />

Artists releases.<br />

"Paris Holiday" will open Friday (9) at<br />

the Astor and "The Vikings" will open June<br />

11 at both theatres.<br />

The parking space is at the Hippodrome<br />

Garage. 44th street and Sixth avenue. The<br />

theatre cashiers will validate the parking<br />

stubs. The plan has proved highly successful<br />

for the Paramount Theatre.<br />

BROADWAY<br />

THE stork paid a couple of vi.sits la.st, week.<br />

Ted Spii'gel of Columbia International's<br />

publicity department welcomed home his .second<br />

daughter. And Melvin Danheiser, assistant<br />

foreign sales manager of RKO Pictures,<br />

became the father of a third child,<br />

also a daughter. " • * Paramount President<br />

Bainey Balaban came in from Hollywood.<br />

• • *<br />

Vincent Jefferds, character merchandising<br />

manager of Walt Disney Productions, attended<br />

Buena Vista's exhibitor showmanship<br />

luncheon on "The Light in the Forest" in<br />

Philadelphia. • • ' Gordon Craddock of Rank<br />

Film Distributors spent the week in St. Louis,<br />

Cincinnati, Dayton and Columbus. * * "<br />

Paramount Theatre's free parking arrangement<br />

is proving popular, according to managing<br />

director Robert Shapiro. The theatre<br />

pays the fee for patrons after 6 p.m. Monday<br />

through Saturday and all day Sunday. The<br />

service started April 3.<br />

Alfred W. Schwalberg, director of NTA<br />

Pictures, has been appointed chairman of the<br />

motion picture division of the United Cerebral<br />

Palsy Ass'n drive. The division will launch<br />

its drive Friday (9) with Schwalberg an officer<br />

for the ninth consecutive year. * * *<br />

Andrew and Viriginia Stone, husband-andwife<br />

producing team of MGM's "Cry Terror,"<br />

were in for promotional activities on the picture.<br />

* * * Philip Dunne, who directed and<br />

wrote the screenplay of "Ten North Frederick,"<br />

came in for parleys at 20th-Fox. The<br />

premiere will be for the benefit of the National<br />

Council of Christians and Jews at the<br />

Paramount Theatre May 22. * * * Phil Gerard,<br />

Universal eastern publicity manager, was<br />

in Boston to put on a special screening of<br />

"A Time to Love and a Time to Die." » »<br />

Dave Lipton of U-I returned to the coast.<br />

•' * * Vincente Minnelli, who directed Arthur<br />

Freed's "Gigi" for MGM, will accompany<br />

Freed here for the world premiere at<br />

the Royale on May 15. * * * Joshua Logan<br />

took a print of "South Pacific" to Moscow<br />

for a special screening.<br />

Bernie Serlin of Warners was in Indianapolis<br />

to handle the appearances there of<br />

Douglas Fairbanks jr. and Anne Baxter, producer<br />

and star, respectively, of "Chase a<br />

Crooked Shadow," who are on a ten-city<br />

tour. * • Kenneth Hargreaves, president of<br />

Rank Films Distributors of America, was in<br />

St. Louis, Chicago and Milwaukee during the<br />

week. » • » Herman Kass. eastern exploitation<br />

manager of Universal, was in Cleveland<br />

and Pittsburgh plugging "A Time to Love and<br />

a Time to Die."<br />

9<br />

Judy, 17-year-old daughter of Mort Nathanson,<br />

publicity manager of United Artists, has<br />

won a New 'Vork State Regents scholarship<br />

to Cornell University, following her graduation<br />

from New York City's High School of<br />

Music and Art. * * * Samuel Goldwyn jr.,<br />

producer of "The Proud Rebel," will receive<br />

the Man and Boy award of the Boys Clubs<br />

of America at its 52nd annual convention in<br />

Atlantic City i6).<br />

The spring season and the start of European<br />

film festivals had industry figures heading<br />

abroad. Among them were N. Peter<br />

Rathvon, independent producer, who sailed on<br />

the Liberie May 1 with Anita Loos, playwright;<br />

Jule Styne, comp


, . Buffalo<br />

"<br />

. .<br />

. . George<br />

. .<br />

. .<br />

BUFFALO<br />

Doys Towns of Italy ha,-; been named beneficiary<br />

of the Century Theatre's May 21<br />

opening of "South Pacific." The organization<br />

which has sheltered, clothed, fed and<br />

ministered to 200,000 homeless children, including<br />

girls, since its establishment in 1944.<br />

should receive S7.500 from the capacity opening,<br />

hoped and planned for by William Zlelor.<br />

managing director. The Irish founder of<br />

Boys Towns. M.sgr. John Patrick Carroll-Abbing.<br />

and Mrs, George P. Skouras. his chief<br />

sponsor in the U. S. for 12 years, plan to<br />

lead a party of stars to the opening, according<br />

to Zielor. The latter held a premiere<br />

organization luncheon Monday in the Statler<br />

Hilton under the chairman.ship of Paschel<br />

C. Rubino. The guest of honor was the Reverand<br />

Carroll-Abbing. whose Boys Towns,<br />

schools, clinics and homes total 11. James L.<br />

Kane is co-chairman for the premiere. Mayor<br />

Frank A. Sedita is honorary chaimian.<br />

Meanwhile, the Century's seven-week wonder.<br />

"Tlie Bridge on the River Kwai." draws<br />

near a main stem record as a continuousrun<br />

film, according to Zielor, who estimated<br />

that after taxes, the film will grcss $125,000.<br />

George H. Mackenna. managing director of<br />

Basil's Lafayette, is chairman of the Buffalo<br />

USO committee, which the other evening<br />

staged its Volunteers' awards ball in Hotel<br />

Buffalo, which is given in appreciation for<br />

volunteers who have assisted in USO work<br />

and which will be made an annual affair.<br />

One local sheet u.sed a photo of Mr. and Mrs,<br />

Mackenna cutting a large cake on the top<br />

of which was lettered in tasty frosting,<br />

"Thank You. USO Volunteers." Mayor Sedita<br />

expressed greetings for the city.<br />

"This Is Cinerama," is closing at the Schine<br />

Eckel in Syracuse and "Cinerama Holiday."<br />

the second subject, opens Thursday i8). The<br />

University City continues to use ads in the<br />

papers in Rochester, where tickets also are<br />

on sale at the Monroe and Riviera theatres.<br />

the hotels Sheraton and Manger and the Edwards<br />

department store . , , Dynacolor Corp,<br />

of Brockport has named Warren G, Grabb<br />

vice-president and manager of all its Kodachrome<br />

processing stations. He has been<br />

with the company since 1956 and previously<br />

was plant manager in Brockport, William J.<br />

Bingham jr, becomes director of industrial<br />

relations and Bruce V, Thibault succeeds<br />

Grabb as plant manager.<br />

The Teck, Buffalo's recent home of Cinerama,<br />

reopened May 1 under Loew-Shea supervision,<br />

with the 20th-Fox production "The<br />

Long. Hot Summer." on which a big advance<br />

newspaper, radio and TV campaign was used.<br />

Charles A. McLeary is managing the house<br />

under its new policy. He formerly was assistant<br />

at Shea's Buffalo , . . "Auntie Mame,<br />

the Broadway stage comedy hit, played a<br />

single day engagement the other evening in<br />

Loew's State in Syracuse with Sylvia Sidney<br />

in the title role , exchange managers<br />

threw a bon voyage luncheon in honor<br />

of Myron Gross the othii- day before he and<br />

his party left for the Variely Club International<br />

confab in London, Attending the<br />

Statler-Hilton affair were Jack Mundstuk.<br />

MGM; Nut Marcus. WB: Charles Kosco. Fox:<br />

Jack Chlnell. BV: Ike Erlichman, U-I. and<br />

Lou Lieser, AA.<br />

Richard T. Kemper, former manager of the<br />

Erlanger. the only local legit hou.se. and more<br />

recently zone manager for Dipson Theatres,<br />

now retired and residing in Pompano Beach,<br />

Fla.. has become a.ssociated with Robert O,<br />

Pulgham in the B&L Construction Co,, in<br />

that .southern city. The organization is engaged<br />

in the building of homes and multiple<br />

dwellings. Kemper will be remembered as<br />

the guy who always appeared at the Buffalo<br />

Tent Saints and Sinners powwows in his<br />

white Buffalo Bill costume.<br />

Col. William M. Shirley, UA exploitation<br />

representative, breezed in the other day to<br />

work with Eddie Meade of Shea's Buffalo on<br />

••Run Silent, Run Deep," wearing the season's<br />

first and quite advance model of an oldfashioned<br />

sailor straw or boater hat. Bill declared<br />

he has worn a skimmer ever since he<br />

can remember and finds them light and cool.<br />

As for breaking the custom of not wearing a<br />

straw before May 15, Bill said. "Oh, I don't<br />

let that bother me. In fact, I don't let anything<br />

bother me," That attitude probably<br />

accounts for Bill looking 60 when he is very<br />

much over that age,<br />

Irving Saperston, senior partner of the local<br />

Saperston Real Estate Co,, and his wife were<br />

enjoying '•Marjorie Morningstar" the other<br />

evening in the Paramount, At one point in<br />

the film, the background was a new building<br />

being erected at 693-95 Fifth Ave,, New York<br />

City. The star, Natalie Wood, was driving by.<br />

The building is being erected by the Buffalo<br />

firm with New York interests and standing<br />

out in the picture was the sign: "Rental<br />

Through Saperston!" . . . On Saturday evening<br />

(17) drawings for both the March and<br />

April awards in the donor's fund for 1958<br />

will be made in Delaware avenue headquarters<br />

of Variety Tent 7,<br />

Mrs. Emile Giffoniello, the former Mary<br />

Shea, daughter of the late Michael Shea, has<br />

been elected president of the Buffalo Federation<br />

of Women's Clubs and among her many<br />

committee appwintments was Mrs. Elmer R.<br />

Lux, to head the Redevelopment group .<br />

Beaumont Newhall, curator of pictures at<br />

the George Eastman House in Rochester, is<br />

back from Salzburg, where he taught motion<br />

picture history at the Salzburg Seminar<br />

on American Studies to 50 students representing<br />

15 countries.<br />

Auctions Theatre Building<br />

BENTON. PA,—Tlie Ritz Theatre building,<br />

sold recently at public auction, was purchased<br />

by Mr. and Mrs. Carl Taylor thi^ough<br />

their attorney. Dale Den- of Bloomsburg.<br />

Their high bid was $2,100.00.<br />

Closes Theatre to Await<br />

Business Developments<br />

SUNBUHY, PA. The Stanley Tlieatre,<br />

Sclin.sgrovc, has been clDserl for lack of patronage.<br />

Whether the closing is temporary<br />

or permanent will hinge on general business<br />

conditions.<br />

John Kemberling, manager of the theatre,<br />

said that officials of the Comerford Theatre<br />

Co., operator of the Stanley, told him that<br />

it would remain closed unle.ss business conditions<br />

show improvement in the near future.<br />

All of the equipment at the theatre will remain<br />

intact until the circuit reaches a decision.<br />

The closing of the theatre ended 49<br />

consecutive years of motion picture showings<br />

in Selinsgrove,<br />

Schlanger Is Vacationing<br />

With Daughter in Florida<br />

who re-<br />

PHILADELPHIA—Ted Schlanger.<br />

cently resigned as local zone manager of<br />

Stanley WaiTier Theatres, is in Tampa visiting<br />

his daughter, Mi-s. Samuel Sugarman,<br />

On his return in about three weeks, he will<br />

spend a few months at his summer home in<br />

Bucks County doing .some writing. In his<br />

absence he can be reached through the local<br />

Stanley Warner office.<br />

BALTIMORE<br />

(^ Morton Goldstein was reappointed to a<br />

three-year term as chainnan of the state<br />

board of motion picture censors by Gov.<br />

Theodore McKeldin. effective May 5. Goldstein<br />

assumed the censorship post May 2,<br />

1955, replacing the controversial Sydney R.<br />

Traub, The present chairman is a graduate<br />

of the University of Maryland School of Law<br />

and a practicing attorney. He also is a former<br />

people's court judge.<br />

Jack Whittle, long identified with Baltimore<br />

amusement enterprises, has sold his<br />

Avenue, neighborhood, subsequent-run house,<br />

to Rome Theatres, headed by Leon Back. The<br />

deal becomes effective May 6 at which time<br />

the house will close to reopen May 14, catering<br />

to colored patronage.<br />

.<br />

Walter Gettinger, film buyer and part<br />

owner of the Howard, was in St. Louis where<br />

he addressed one of the Sindllnger & Co.<br />

meetings . . , Alice Garman, daughter of the<br />

late Lauritz Garman, Baltimore exhibitor<br />

and onetime president of the Allied Motion<br />

Picture Theatre Owners of Maryland, was<br />

married last week to Henry Peldman<br />

Mrs. Thomas Goldberg, owner of the Walbrook.<br />

returned from a southern resort vacation<br />

Bob Rappaport of the Rappaport<br />

. . , Theatres, was in Washington on business .<br />

William G. Myers, owner of the Ritz, has<br />

opened his drive-in at Pocomoke City for<br />

the summer . Leopold, publicist<br />

for the Schwaber Theatres, was home ill.<br />

JmrtAOdC<br />

.,A<br />

BOONTON, N. J.<br />

Large Core<br />

Greater Crater Area<br />

meam<br />

MAXIMUM LIGHT<br />

m New York—ALBANY THEATRE SUPPLY, Albany—5-5055<br />

NATIONAL THEATRE SUPPLY, Albany—5-1479<br />

EASTERN THEATRE SUPPLY, Buffalo—Mohawk 0001<br />

SUN CARBON Co., New York—Circle 6-4995<br />

Evenly Disfributed j<br />

E-6 BOXOFFICE :: May 5, 1958


. . . Morty<br />

. . WB<br />

. . The<br />

. . . Walter<br />

. . Before<br />

. . Hank<br />

. . Bernie<br />

. . The<br />

. . Eddie<br />

. . MGM's<br />

. .<br />

The<br />

PITTSBURGH<br />

TXTally Anderson of Mount Jewett. indoor<br />

circuit exliibitor, lias purcliased the<br />

Fairview Drive-In at St. Marys, Pa., from<br />

Joe Farrell, Firman Valentine, E. J. Mulcahy<br />

and company, the builders . scheduled<br />

a tradeshowing of "Dangerous Youth" May<br />

14 at 1:30 p.m., in the 20th-Fox exchange<br />

Henderson, manager of Harris'<br />

Liberty. East Liberty, recuperating from a<br />

slight stroke, moved from Shadyside Hospital<br />

to the Veterans Hospital in Oakland for<br />

sui'gery . . . Joe Wayne, Columbia salesman,<br />

was to have his own car back from the repair<br />

shop late this week and he expected to<br />

.spend the weekend sightseeing in Washington.<br />

His car, mot the film company's workweek<br />

autoi, was struck by a street car while<br />

parked.<br />

Bart Dattola, New Kensington theatre<br />

owner, is looking forward to July 27 and the<br />

annual Italian Day at Falcon Park. He<br />

. .<br />

founded the event and directed the affair for<br />

a number of years . The Larkfield Drive-In<br />

on Route 58, Grove City-Harrisville Road,<br />

this week offered improved projection on a<br />

larger widescreen. The former wooden widescreen<br />

was torn down after completion of<br />

a five-story concrete block building directly<br />

behind the former screen. The new structure<br />

has a fine screen surface, and the building<br />

will be utilized commercially. William De-<br />

Marsh and his son Chester, ozone owners, also<br />

operate an auto parts and service business<br />

here. The DeMarshes broke ground near<br />

Butler on Route 8 for a new drive-in after a<br />

delay of months because a gas line running<br />

through the property liad to be relocated.<br />

Loretta Guehl, secretary to N. C. Rosen,<br />

20th-Fox manager, was back on the job following<br />

surgery . . . Mi', and Mrs. John Amoroso<br />

of the Baden Theatre are parents of a<br />

baby daughter, Charlotte Virginia. They also<br />

have a son, Johnny jr., 3 . . . Nick Dipson,<br />

who heads the West Virginia Theatrical<br />

Enterprises at Wheeling, is up and around<br />

following a kidney operation . Charles<br />

E. Warners, former Clarksburg area indooroutdoor<br />

exhibitors, write that they came<br />

through the recent tornado at Port Pierce,<br />

Fla.. in good order but there was a lot of<br />

mopping up to be done.<br />

The SW circuit petitioned the Wilkinsburg<br />

borough council to end its 10 per cent<br />

amusement tax a month or so ago. Ben F.<br />

Moore, city district manager for the circuit,<br />

attended a Chamber of Commerce session in<br />

the Penn Lincoln Hotel and explained problems<br />

encountered by the theatre and he<br />

pointed out the advantages of having a theatre<br />

in Wilkinsburg. where only the Rowland<br />

Theatre remains after three others closed in<br />

recent years.<br />

A. Fred Serrao, New Kensington exhibitor<br />

who has been in show business most of his<br />

life, was in another type of show business<br />

recently, holding down a sales post with the<br />

Glenn Buick Co., New Kensington . . . Three<br />

city area theatres, the Shadyside, Walnut<br />

street; Crafton, Crafton, and the Studio,<br />

Bellevue, remaining under present ownership,<br />

have merged to exhibit art pictures, mostly<br />

of foreign origm, under the brand of Quality<br />

Theatre Group. The Studio has been a<br />

foreign domestic house for first and second<br />

run of unusual pictures in recent years. The<br />

quality policy opens May 8 with the German-language<br />

film "Confe.ssions of Felix<br />

Krull." Popcorn machines and candy stands<br />

will be reiJlaced with demitas.se counters. The<br />

three theatres are being redecorated. The<br />

city area's other two art houses are the<br />

Squirrel Hill and Guild, both in the Squin-el<br />

William R. Stich, former<br />

Hill district . . .<br />

film ad salesman well known in this area, and<br />

no longer with MPA, is operating a pottery,<br />

novelties and souvenli-s business at Long<br />

Lake. N. Y.<br />

The Miami Theatre in Springdale is to reopen<br />

in a week or two on a daily operation<br />

policy. This house has been dark for about<br />

two years .<br />

discontinuing its amusement<br />

tax last year, the city of McKee.sport<br />

had collected only $909.12 from the levy in<br />

1957 ... An exhibitor came up with a<br />

"switch" story, and true, mind you. Rocco<br />

Serrao, Ford City, picking up a show at a<br />

local film exchange during the recent 50-day<br />

strike of ESCO truck drivers, was handed a<br />

paper which notified him that he could not<br />

take possession of the licensed print until he<br />

had an okay from tlie branch cashier. He<br />

thought he faced a COD for some reason<br />

or another, but was told instead that he had<br />

had a $2 credit standing for many months<br />

and that he had to take it immediately to<br />

balance the company books. No show for<br />

him until he took his credit!<br />

. . .<br />

N. C. Rosen, 20th -Fox manager, is trade<br />

showing "Ten North Frederick" Monday afternoon<br />

i5) W. L. Dunn, Cochi-anton<br />

theatre ow-ner and contractor, was low bidder<br />

for a road improvement project in Mercer<br />

and Crawford counties involving a price tag<br />

of $167,415.<br />

PHILADELPHIA<br />

pddie Rosenbaum, Columbia press agent,<br />

celebrated his 74th birthday . . . William<br />

Goldman of Goldman Theatres is negotiating<br />

for the downtown Locust Street Theatre<br />

to run legitimate stage shows next season.<br />

The Locust, first built as a de luxe film<br />

house, was one of the Shubert-owned and<br />

operated theatres sold by the New York theatre<br />

chain under the government's divorce<br />

decree ... An antiti-ust suit against the film<br />

companies has been filed in U. S. district<br />

court by the YMCA Auditorium, Coatsville,<br />

Pa.<br />

. . . Trl-States buying<br />

.<br />

Willow Grove Park's plan to construct a<br />

drive-in theatre has been turned down by<br />

Abington township Howard, publicist,<br />

has resigned<br />

.<br />

from Sam Shapiro's Eric<br />

and<br />

Theatre Corp.<br />

booking agency Is now handling the work for<br />

Barney Sackett's Grand Tlieatre, Bristol,<br />

Pa. . . Screenplay WTiter Paddy Chayefsky<br />

was here on his tour to plug his latest effort,<br />

"The Goddess."<br />

Jack Greenberg, local theatre owner, and<br />

bride Mary Morgan flew to London with the<br />

lai-ge delegation from the local Variety Tent<br />

13, for the Variety International convention<br />

Leach, manager of the SW State,<br />

resigned . . . Charlie Zagarans, former manager<br />

at RKO resigned from the Stanley Warner<br />

booking department . Brooks is<br />

now a film buyer for SW . SW Sedgwick<br />

has picked up the key run of pictures<br />

formerly used by the now-closed Orpheum.<br />

WASHINGTON<br />

[/••nnelh llargreaves. pre.sident of Rank Film<br />

Oi.siribulors of America, conferred with<br />

Bob FoUiard, regional manager Newbold-Keesling<br />

circuit shuttered the Palace,<br />

.<br />

Pocahontas, Vu., May 1 . . . The son of Lance<br />

. . .<br />

Puller, Sundown Drive-In, Gale City, Va.,<br />

is recovering following a chest operation<br />

Eddie Redstone, Redstone circuit of Boston,<br />

visited with the Lee Hiway manager. Herv<br />

Keator . . . The Metropolitan Opera Company<br />

was featured at the Capitol Theatre<br />

April 28. 29.<br />

The local Variety tent will play host to 40<br />

crippled children being sent by the Pittsburgh<br />

tent for a tour of the nation's capital . . .<br />

Columbia exploiteer Sid Zins was hospitalized<br />

Jim Moore, manager of the Island,<br />

. . . Chincoteague, Va., came in to confer with<br />

Harley Davidson ... To help build Variety's<br />

research center at Children's Hospital a program<br />

for the sale of Christmas cards to the<br />

membership and their friends is under way<br />

Warner's Oscar Kantor is vacationing<br />

in the Caribbean .<br />

Fontaine, a delegate<br />

to the Variety convention in London,<br />

is postcarding his friends along the Row.<br />

Ralph Taylor, brother of Malcolm Taylor,<br />

Gate City, Va., is recuperating nicely following<br />

a heart attack . Ida Barezofsky<br />

was a guest at a donor dinner in behalf of<br />

the Hebrew Home for the Aged . . .<br />

Rex<br />

Fades, Shelby, Bristol, Va., was a Row visitor<br />

. . Ditto Walter Gettinger, George Brehm<br />

and Irwin Cohen.<br />

Gloria Swanson was on the "due in" list<br />

... In conjunction with the current film exchange<br />

pact with Russia, Sol Hui-ok, Lowell<br />

Thomas, Eric Johnston, Turner B. Shelton<br />

and MPA's Kenneth Clark were guests of<br />

Ambassador Memshikov at the Russian Embassy<br />

. . . The Tri-State Drive-In, Hancock,<br />

Md., opened May 2, with the Independent<br />

Theatre Service handling the booking and<br />

buying.<br />

Mrs. Virginia Rollwage Collier, president of<br />

the Motion Picture and Television Council of<br />

the District of Columbia, attended the recent<br />

Conference in Cleveland of the Federation of<br />

Motion Picture Councils. In the photograph<br />

of the federation's founders, which appeared<br />

in the April 28 i.ssue of BOXOFFICE, Mrs.<br />

Collier was erroneously listed as Mrs. Julian<br />

S. Colyer. She is also an active member of<br />

the National Screen Council, which selects<br />

the BOXOFFICE Blue Ribbon Award each<br />

month.<br />

Correction<br />

PHILADELPHIA— An item published in the<br />

April 21 issue of BOXOFFICE that Neil Hellman<br />

had taken over the Roo.sevelt Drive-In<br />

and the Towne Theatre in Leavittown, Pa.<br />

was eiToneous, according to Melvin J. Fox.<br />

under whose ownership they have been operating.


. . The<br />

^(McU*t ^efront<br />

•THE 22nd annual convention of Variety<br />

Clubs International Is over, and neither<br />

the London Tent nor the delegates who attended,<br />

will view things in quite the same<br />

way again. For the overseas delegates the<br />

activities and organization of the convention<br />

turned out to be greater than the most<br />

imaginative memljers had ever envisaged, giving<br />

each delegate an inspiration to go back<br />

determined to do more for the charities<br />

sponsored by each of the Tents. The British<br />

delegates in turn who attended the conferences,<br />

and in particular the Tent reports.<br />

were given a deeper and more profound<br />

understanding of what Variety means and<br />

what the International Tent is doing on behalf<br />

of the underprivileged children. And<br />

both the Briti.'^h and Americans learned at<br />

the conferences and convention the need for<br />

closer understanding and friendship between<br />

the two nations.<br />

Perhaps the highlight of the convention<br />

was the Heart Award banquet that was attended<br />

by Prince Philip, Duke of Edinburgh.<br />

as guest of honor.<br />

Over 1,000 diners filled the enormous Dorchester<br />

Hotel ballroom, resplendent w-ith its<br />

crystal chandeliers, mirrored walls, beautifully<br />

decorated tables, and a giant scarlet<br />

heart sprinkled with gold dust hanging over<br />

the royal guest's chair. Backgrounding the<br />

murmur and chatter of excited conventioners<br />

was the music of the Grenadier Guards band,<br />

the red, blue, gold and white of their ceremonial<br />

di-ess adding to the panorama of<br />

color and splendor.<br />

Col. James Carreras in welcoming the royal<br />

visitor, said how proud Variety International<br />

was to have him as a life-member. After<br />

giving a sui-vey of Variety activity, Carreras<br />

individually introduced international officers,<br />

personalities of Tent 36, representatves of<br />

the Wall's Organization who sponsored the<br />

function, and three founders of British Variety;<br />

C. J. Latta, Bob 'Wolff, and Sam Eckman<br />

jr.<br />

* * *<br />

Mike Frankovich, last year's chief barker<br />

of Tent 36, next handed out cheques on behalf<br />

of the host club, to five leading British<br />

charities. Prince Philip accepted the check<br />

on behalf of the Playing Fields, in which he<br />

is particularly interested. Other distinguished<br />

recipients were Gen. Sir Frederick Browning<br />

(for the Blind Fundi, Earl Attlee, ex-prime<br />

minister of Britain (for the boys' clubi. Sir<br />

Philip 'Warter (<br />

for the Stitchery School for<br />

crippled girls), and Sir Edward Hulton (for<br />

the press chanties i.<br />

Came the highspot of the evening. The<br />

honor of reading the Heart Award citation<br />

fell to Arthur Watkins, a leading Tent 36<br />

member and president of the British Film<br />

Producers' Ass'n. In eloquent phrases he<br />

named Lord Nuffield as winner of the 1957<br />

Heart Award and traced the career of the<br />

80-year-old Englishman who began his working<br />

life repairing bicycles in Oxford as a boy<br />

of 16 and became a great motor-car tycoon.<br />

George Eby, the new International chief<br />

barker, rounded off the proceedings by paying<br />

tribute to the London tent and its officers.<br />

He declared that Variety worldwide was<br />

all the stronger for the London meeting, and<br />

hoped when he returned home to introduce<br />

—^ By ANTHONY GRUNER<br />

an exchange scholarship .scheme between<br />

English, American, Mexican, Irish and Canadian<br />

student.s. This, he said, would contribute<br />

something, even if only in a small way, to<br />

better understanding betw-een nations.<br />

• « •<br />

OTHER HIGHLIGHTS OF THE<br />

CONVENTION:<br />

ELSTREE VISIT—An entire sound stage<br />

transformed into a sumptuous dining hall,<br />

was the sight that greeted more than 400<br />

Variety Club conventionei's when they were<br />

entertained to luncheon at the Elstree film<br />

studios of Associated British Picture Corp.,<br />

the hosts.<br />

Delegates were greeted by Sir Philip 'Warter,<br />

chairman of the picture company. C. J.<br />

Latta. International European representative,<br />

who presided at the luncheon, spoke of the<br />

facilities of the studio and invited those<br />

present who were interested in film production<br />

to consider making pictures at Elstree.<br />

C. J. also stressed the importance of more<br />

playing time for British films in America, so<br />

encouraging greater international production<br />

at a time of great need.<br />

Delegates were seated with stars, directors<br />

and producers currently operating at the<br />

studio, with many players taking extended<br />

lunch-breaks to entertain the Variety visitors.<br />

Everyone was presented with a scroll giving<br />

him the "Freedom of A.ssociated British."<br />

* * *<br />

The Coca-Cola company, supporters of Variety<br />

conventions in past years, came through<br />

again for the 22nd annual meeting in London.<br />

Sixteen London buses transported guests to<br />

the Victoria Palace Theatre to enjoy one of<br />

the funniest and most colorful revues in the<br />

metropolis, then took them back to the Savoy<br />

Hotel. There, 1,000 folk were entertained by<br />

Harold Shai-p and Charles Okun, heads of<br />

LONDON-BOUND—These members of<br />

the Baltimore Variety Club were<br />

snapped just before they boarded a transatlantic<br />

plane at Friendship Airport.<br />

Their destination was the Variety International<br />

convention in London. Left<br />

to right are Bernard Seaman, a former<br />

chief barker of the Baltimore tent; Mrs.<br />

Wilbur M. Brizendine, Mrs. Seaman, and<br />

Brizendine, the present chief barker.<br />

Coca-Cola, at a lavish champagne buffetsupper,<br />

which didn't break up until 3 a.m.<br />

• • *<br />

Bert Knighton, of Pepsi-Cola, was "mine<br />

host" when Variety convention delegates<br />

were entertained to a dinner-cabaret, at<br />

Grosvenor House, which climaxed the third<br />

day of the international congress. Among the<br />

lineup of topflight artists who entertained<br />

were Dick Shawn, Julie Wil.son, Dickie Henderson,<br />

Eddie Short, Channing Pollock,<br />

Johnny Mack and Sabrina. Hugely applauded<br />

Item was the band of the Coldstream Guards.<br />

In full ceremonial dress of bushy hats, scarlet<br />

tunics and blue trousers. They played<br />

Handel's "Trumpet Voluntary" and "St. Louis<br />

Blues," and counter-marched as only the<br />

British Guards know how.<br />

* « *<br />

Teddy Hinge, president of the Cinematograph<br />

Exhibitors' Ass'n, last week took a long<br />

look at the state of the business since the<br />

Budget, and then proceeded to give his view<br />

of the state of the nation. He said: "The<br />

exhibitors are naturally disappointed tJiat<br />

the Chancellor did not concede total abolition<br />

of the cinema tax, because they felt<br />

that they were fully justified to expect the<br />

entire recognition of what is generally recognized<br />

as a legitimate claim . amount<br />

of the remission may seem fairly substantial<br />

to people who are not in a position to appreciate<br />

fully the economic state of the<br />

industry. As far as exhibitors are concerned,<br />

while they receive the remission in the first<br />

place, the money does not remain with them.<br />

There will be many claims from other sections<br />

of the industi-y which will still have<br />

to be met. At least 35 per cent will go in<br />

additional film hire: more money will go to<br />

the statutory levy through the alteration in<br />

net prices of admission; fees payable to<br />

the Performing Rights Society are also based<br />

on money holding capacity."<br />

* * *<br />

Next film for Michael Powell is a romantic<br />

comedy to be made In Spain entitled "Honeymoon,"<br />

which will be in Technicolor and<br />

Technirama. Senor Luis Escobar, the wellknown<br />

Madrid dramatist and theatrical producer,<br />

is collaborating with Powell on the<br />

screenplay, which is based on an original<br />

story by the film director-producer. Stars<br />

lined up for this Everdene production include<br />

Anthony Steel, Antonio the famous<br />

Spanish dancer, Ludmilla Tcherina and<br />

Leonide Masslne. Special dances have been<br />

arranged by Antonio and Massine and the<br />

music has been recorded and conducted by<br />

Sir Thomas Beecham. Powell also has with<br />

him a number of teclmicians associated with<br />

his most successful film, "Red Shoes."<br />

+ *<br />

After "The Bridge" comes "The Key" and<br />

in the words of Mike Frankovich, British<br />

boss of Columbia, "I did not believe I could<br />

get so excited about a film. The picture has<br />

heart, suspen.se, action and powerful love<br />

sequences." So impressed is he that he took<br />

a page in the tradepress to tell the business<br />

how thrilled he had been after seeing the<br />

rough cut of the picture. Now Mike is not<br />

a man to spend money wildly or go in for<br />

claims that he can't substantiate, so the<br />

trade naturally was impressed. Even more<br />

so was the trade impressed when it was<br />

announced that Princess Margaret had agreed<br />

to attend the world premiere of the Carl<br />

Foreman subject, which will be sponsored<br />

by the Variety Club of Great Britain on<br />

Thursday, May 29, at the Odeon Theatre,<br />

Leicester Square.<br />

E-8 BOXOFFICE May 5, 1958


AND VIEWS THE PRODUCTION<br />

I<br />

Hollywood OfJice—Suite 219 at 6404 Hollywood Blvd., Ivan Spear, Western Manager/<br />

Sign Forrest Tucker<br />

To Star in Four Films<br />

HOLLYWOOD—Forrest Tucker will star in<br />

four pictures lor producer William D. Coates<br />

and will be associated in the production of<br />

both these films and others. The first to roll<br />

will be "Pecos Crossing," slated for a June 2<br />

stai't on Texas location.<br />

Others on the schedule are "Saddle and<br />

Soldiers," "Denver" and "Deadwood Passage."<br />

Four in which Tucker will be associated in<br />

production only are "Honolulu Incident,"<br />

"Violent Refuge," "Kiva Monster" and "Angel<br />

Pack."<br />

• • *<br />

Contracts were signed for Tony Curtis to<br />

star with Marilyn Monroe in Ashton Productions'<br />

"Some Like It Hot" which Billy Wilder<br />

will produce and direct for the Mirisch Co.<br />

Curtis will play the role of a musician in a<br />

dance band of the 1920s.<br />

« « *<br />

Edward Small signed Yvonne DeCarlo to<br />

star opposite Victor Mature in "Timbuktu,"<br />

the story about an American in the French<br />

Foreign Legion in World War II. Jacques<br />

Tourneur will direct for UA release.<br />

Tim Healy Named Director<br />

Of Ad Code in Hollywood<br />

HOLLYWOOD—M. A. J.<br />

"Tim" Healy was<br />

named Hollywood du-ector of the Advertising<br />

Code Administration to succeed Simmon<br />

Levy, who retired Api-il 29 after 25 years in<br />

the post.<br />

Healy has been with the Motion Picture<br />

Ass'n of America for 13 years, serving in<br />

posts both in this counti-y and abroad. For<br />

the last four years he has been a member of<br />

the Production Code staff here.<br />

Mexican Musicians to Aid<br />

HOLLYWOOD — Juan Osario,<br />

secretarygeneral<br />

of Mexico's largest musicians union,<br />

has given assurances that its members will<br />

not score American films. While admitting<br />

that his union has had differences with AFM<br />

President James Petrillo in the past, Osario<br />

pledged complete cooperation to the AFM<br />

during its fight against the major film companies.<br />

Option to Edward Byrnes<br />

HOLLYWOOD — Edward Byrnes, young<br />

Warner Bros, contract player, has had his<br />

option picked up as a result of his performance<br />

in "Marjorie MoTningstar." Byrnes, who<br />

made his Warner debut in "Darby's Rangers,"<br />

played the role of Natalie Wood's boy friend<br />

in "Morningstar."<br />

Election Ballots Mailed<br />

For Writers Election<br />

HOLLYWOOD — The Writers Guild of<br />

America West has sent out ballots for its<br />

annual election May 15 and an agenda for<br />

the membership meeting to be held on that<br />

date at the Screen Directors Guild building.<br />

Included on the agenda are a number of<br />

constitutional amendments which were not<br />

voted on at the last membership meeting due<br />

to lack of a quorum. Amendments include<br />

proposals which would combine the top offices<br />

of the guild and reduce the council<br />

from 27 to 23 members, methods of replacing<br />

employes who withdraw, rights of suspended<br />

members,<br />

etc.<br />

* • •<br />

The national council of the Writers Guild<br />

of America here last weekend asserted that<br />

television sponsors, agencies and networks<br />

have contributed to the recession by failing<br />

to sell their products by playing it too safe<br />

and avoiding controversy in the television<br />

shows they represent.<br />

"Almost all originality or challenging ideas<br />

are screened out and the result is that advertisers<br />

are finding out that programs no<br />

longer sell the product," the council agreed.<br />

Other topics discussed and ruled on included<br />

additional financing as a means of<br />

tightening policing of residual films in TV<br />

and a group life insurance program for the<br />

guild. Rod Serling made a special report<br />

on censorship.<br />

Academy Board to Meet<br />

To Elect New President<br />

HOLLYWOOD—The board of governors of<br />

the Academy of Motion Picture Arts and<br />

Sciences will meet May 20 to elect a new<br />

president, with current president George Seaton<br />

bowing out after his third term in the<br />

post.<br />

* * «<br />

Annual Radio & Television Directors Guild<br />

membership meeting will be held to elect<br />

new officers next week. In addition, the<br />

nominating committee for the two national<br />

board vacancies will present its slate and<br />

call for any additions.<br />

Story Analysts Elect<br />

HOLLYWOOD — Margaret Knott was<br />

elected president of lATSE Story Analysts<br />

Local 854. Others elected include Sam<br />

Thomas, business agent: William Cole, vicepresident;<br />

Carolyn Weedman, recording secretary;<br />

Polly Connell, corresponding secretary;<br />

Smith Dawless, treasurer: Marjorie<br />

Duffy, financial secretary, and Philip Chaj--<br />

lot and Kendall Jones to the board of directors.<br />

NBC's Tape Central<br />

Shown to Newsmen<br />

HOLLYWOOD—New.smen got the first look<br />

last week at NBC's Tape Central in Burbank,<br />

a maze of machinery that operates 11<br />

tape-recording machines of which eight have<br />

been converted to color.<br />

The benefits of tape, black-and-white and<br />

color, were explained by NBC President Robert<br />

Sarnoff, who said the new system, representing<br />

an investment of $1,500,000 to NBC.<br />

eliminates the uncertainty and confusion in<br />

local station program schedules caused by<br />

daylight saving time and offers such other<br />

advantages as a superior picture and the integration<br />

of tape recorded segments into live<br />

programs.<br />

* « *<br />

Son of Shock, a package of 20 horror pictures<br />

from the libraries of Columbia and<br />

U-I, is being syndicated by Screen Gems to<br />

follow the trail of Nightmare, a package w'hich<br />

brought 52 horror films to television.<br />

Jerry Hyams. director of syndication for<br />

Screen Gems, said the new package was slated<br />

for release in the fall, but station demands<br />

for more pictm'es of this type updated the<br />

distribution. Some 135 TV outlets have purchased<br />

the original Shock! series.<br />

Starring in the ten films in the new package<br />

are Boris Karloff, Lon Chaney, Peter Lorre,<br />

John Carradine and Lionel Atwill. Titles include<br />

"The Bride of Fiankenstein," "House<br />

of Dracula," "The Mummy's Curse" and "The<br />

Invisible Man's Revenge."<br />

« * *<br />

NBC annomiced that a deal for Milton<br />

Berle to topline a half-horn- comedy show for<br />

Kraft next season is ready for signing. Berle<br />

will do a straight comedy show with his own<br />

routines and flanked by guest stars.<br />

A New TV Series<br />

HOLLYWOOD—Writer Robert Blees has<br />

formed a partnership with Producer Gilbert<br />

Laurence to prepare a new television film<br />

series titled the Trail of the White Poppy,<br />

based upon the international exploits of<br />

Maj. George White, west coast chief of the<br />

Federal Narcotics Bureau. John Michel, OSS<br />

associate of White, will serve as technical adviser.<br />

Eddie Cantor Invited<br />

HOLLYWOOD—Eddie Cantor will be one<br />

of three guests of honor at the tenth annual<br />

brotherhood testimonial dimier of the National<br />

Conference of Christians and Jews to<br />

be held May 22 at the Beverly Hilton Hotel.<br />

BOXOFFICE May 5, 1958 W-1


AFM Ousler Nearly<br />

Upset by Local 47<br />

HOLLYWOOD— Ail efforl U> override the<br />

ouster of 12 dissident AFM Local 47 members<br />

failed when a motion that would have canceled<br />

their expulsion (ailed at a meeting of<br />

more than 1.600 musicians. A heavy majority<br />

of the 1.600 voted against the ouster action<br />

taken by the board of directors, but was shy<br />

of the two-thirds margiii necessary.<br />

The vote was a slim victory for Eliot Daniel<br />

and his administration. The ousted musicians<br />

are supporters of Cecil F. Read, former<br />

Local 47 vice-president who recently organized<br />

the Musicians Guild of America to<br />

represent studio musicians, now represented<br />

by Local 47.<br />

Meanwhile. Judge Bayard Rhone delayed<br />

his decLsion on the ouster action but tied<br />

up Local 47"s club funds pending the outcome<br />

of the battle with the Musicians Guild.<br />

LA Urban League Award<br />

Given 'Kings Go Forth'<br />

HOLLYWOOD—The annual award of<br />

the<br />

LA Urban League for the motion picture that<br />

does most "for the promotion of better relations<br />

and understanding" was made to<br />

Frank Ross and Frank Sinatra for "Kings<br />

Go F\)rth" at the league's 37th annual meeting<br />

held at the Westside Jewish Community<br />

Center. The gold plaque was presented by<br />

Nat King Cole and accepted by Ross.<br />

• * *<br />

The Motion Picture Industry Council held<br />

a cocktail party for Bosley Crowther, New<br />

York Times motion picture editor, at the<br />

Beverly Hills Hotel. Crowther arrived here<br />

for his annual look at the studios.<br />

Robert Aldrich Signed<br />

HOLLYWOOD—Director Robert Aldrich<br />

has been signed to helm MGM's "Tlie Angry<br />

Hills," starring Robert Mitchum. Raymond<br />

Stross is producing. Aldrich will leave for<br />

Europe this month to begin preparations for<br />

a slated mid-June filming start.<br />

To Write 'Wind' Screenplay<br />

HOLLYWOOD — Nathan E. Douglas and<br />

Hai-old Jacob Smith were inked by Stanley<br />

Kramer to collaborate on the screenplay of<br />

"Inherit the Wind." which the producer<br />

wUl turn out for United Artists release. The<br />

two also teamed in writing the original<br />

screenplay of "The Defiant One." Krajner's<br />

upcoming UA release starring Tony Curtis<br />

and Sidney Poitier.<br />

Most Popular Actress<br />

HOLLYWOOD — Linda Cristal. Argentine<br />

actress now under contract to U-I. has been<br />

voted the most pxapular Latin-American actress<br />

of the year in a poll conducted by International<br />

Press Syndicate, largest South<br />

American feature news service.<br />

Navy Chief at MGM<br />

HOLLYWOOD — Rear Admiral Charles<br />

Kirkpatrick, new chief of Navy information,<br />

was a luncheon guest at MGM where he<br />

also visited the set of "Torpedo Run," on<br />

which he discussed Navy cooperation in promotion<br />

and exploitation.<br />

"X^ecutlo-e ^n<br />

East; Fiank Caldwell and Richard Brummer,<br />

pre.sident and co-inventor of Cinema<br />

160 to Santa Fe to scout sites for the first<br />

demonstration film in the new widescreen<br />

process.<br />

• * •<br />

East: Pi'oducer Paul Gregory, to Washington<br />

to screen "The Naked and the Dead."<br />

• * *<br />

East: U-I director Douglas Sirk. to Boston<br />

on a promotion lour on behalf of "A Time to<br />

Love and a Time to Die."<br />

• * •<br />

East: Charles Vidor. to the Cannes Film<br />

Festival, where he will be one of the 11 judges.<br />

• • •<br />

East: Richard Duckett. president of Viscount<br />

Films, to Gotham to finalize plans for<br />

his<br />

next production, "Speed Crazy."<br />

• * *<br />

West: Producer Milo Fi'ank, returned to<br />

MGM following a month in Europe.<br />

• * *<br />

West: Al Horwits, Columbia publicity director,<br />

to the studio from a business trip<br />

to New York.<br />

Disney Signs Janet Munro<br />

For 'Banner in Sky' Role<br />

HOLLYWOOD—Janet Munro, Gaelic actress<br />

who made her screen debut in Walt<br />

Disney's "Darby O'Gill and the Little People."<br />

has been set by Disney for a second<br />

film. "Banner in the Sky." adventure di'ama<br />

in color to be produced in Europe.<br />

Mi.ss Munro will play Lizbeth Hempel.<br />

Swiss lass who encourages her young admirer<br />

to challenge the country's most dangerous<br />

mountain.<br />

Settles Agent's Claim<br />

HOLLYWOOD — Eugene Arnstein,<br />

studio<br />

manager at Allied Artists, was appointed to<br />

the board of trustees of the Motion Picture<br />

Industry Pension Plan, Inc.. to fill the vacancy<br />

created by the death of F^-ed S. Meyer.<br />

Arnstein has been an alternate member of<br />

the board since its creation nearly four<br />

years ago.<br />

'Bravados' Scoring Abroad<br />

HOLLYWOOD—Marking the third 20th-<br />

Fox picture to be scored outside the U. S.<br />

since the start of the musicians strike last<br />

February, "The Bravados" will be scored in<br />

Munich. Germany, next week. The studio is<br />

currently preparing "The Fly" and "The<br />

Barbarian and the Geisha" for scoring.<br />

Consolidate Whitney Interests<br />

HOLLYWOOD—C. V. Whitney Pictures has<br />

moved into new offices in the Whitney building.<br />

1256 Westwood Blvd., Westwood. The<br />

move was made to consolidate all of Whitney's<br />

southern California business interests in<br />

one location, with vice-president Arthur L.<br />

Wilde and treasurer Edward Boerger in<br />

charge of operations.<br />

Australian Premier Guest<br />

HOLLYWOOD—Hon. J. J. CahUl. premier<br />

of New South Wales. Australia, was the guest<br />

of honor at a Paramount studio luncheon<br />

May 1 hosted by Y. Frank Freeman, vicepresident<br />

in charge of the studio.<br />

Nominations by SDG<br />

Covering First Quarter<br />

HOLLYWOOD— Richard Brooks. Delmer<br />

Daves. Martin Ritt and George Seaton received<br />

recognition from their colleagues when<br />

pictures they directed were nominated for<br />

directional achievement award.s. The films<br />

nominated by Screen Directors Guild members<br />

as the best-directed pictures released<br />

during the January-March period, are:<br />

"The Brothers Karamazov" (MGMi, directed<br />

by Brooks; assistant director. William<br />

Shanks.<br />

"Cowboy" (Coll, directed by Daves: assistant.<br />

Sam Nel.son.<br />

"The Long. Hot Summer" (20th-Foxi. directed<br />

by Ritt: assistant. Eli Dunn.<br />

"Teacher's Pet" (Paramounti. directed by<br />

Seaton: assistant, Francisco Day.<br />

SDG President George Seaton explained<br />

that the pictures will compete in the guild's<br />

yearly award for the best-directed feature<br />

film. The major award, along with plaques for<br />

four other outstanding pictures shown for<br />

the first time in 1958. will be presented at the<br />

guild's annual dinner early in 1959.<br />

Studio Theatre Group<br />

To Showcase Stories<br />

HOLLYWOOI>—Formation of the Studio<br />

Theatre Group to showcase story properties<br />

on an invitation basis only was announced<br />

by Producer James Terry and director James<br />

Collier. The first organization of its kind<br />

in Hollywood, it plans four productions annually<br />

with weekend presentations at its new<br />

playhouse at 3759 Cahuenga Blvd.<br />

Currently in preparation for its world premiere<br />

on May 23 is "The Purging of Simon<br />

Madden," written by N. Thaddeus Vane, and<br />

starring Jane Withers and Judi Meredith.<br />

World Editors at Studios<br />

HOLLYWOOD—Eighty-three members of<br />

the International Press Institute, the worldwide<br />

equivalent of the American Society of<br />

Newspaper Editors, were guests of major<br />

Hollywood studios through arrangements<br />

made by the Ass'n of Motion Picture Producers.<br />

The IPI visitors, on a nationwide tour<br />

of Major U. S. cities, were divided into four<br />

groups and taken to MGM. Paramount, 20th-<br />

Fox and Warner Bros, where they were<br />

luncheon guests and taken on tours of the<br />

studios.<br />

Calls 'Suspension' Vote<br />

HOLL"YWOOI>—The board of directors of<br />

the Screen Directors Guild called a special<br />

meeting at which members will be asked to<br />

authorize suspension of services against all<br />

the major studios and the Alliance of Television<br />

Film Pi-oducers. This move followed<br />

the rejection of SDG's counter-proposals to<br />

the majors and vidfilmers. The majors have<br />

refused to discuss pay-TV and have generally<br />

balked at SDG demands.<br />

Lamour Settles Claim<br />

HOLLYWOOD—Dorothy Lamour has settled<br />

for an undisclosed amount a suit brought<br />

in superior court by her former agent, William<br />

Loeb jr., for $3,540. Loeb claimed the<br />

money was due him on a one-year pact entered<br />

into in 1956 involving 10 per cent of<br />

her take.<br />

W-2 BOXOFFICE May 5, 1958


—<br />

—<br />

—<br />

——<br />

—<br />

—<br />

—<br />

—<br />

'Blues' Bows at 110<br />

To Lead LA Openers<br />

LOS ANGELES—"The Young Lions" led<br />

the holdovers with a firm 120 per cent in its<br />

third week. Only opener to break par was the<br />

dual bill of "St. Louis Blues" and "Cole<br />

Younger, Gunfighter," clocking in with 110.<br />

(Average Is 100)<br />

Beverly Canon Sins of Casanova (Timei.} 75<br />

Corfhoy Circle Around the World in 80 Days<br />

(UA), 71st wk 220<br />

Chinese Windjammer (Not! Theatres}, 3rd wk.<br />

Downtown Poromount Moil Bog Robbery<br />

. .215<br />

(Manhattan),<br />

plus srageshow 55<br />

Egyption The Bridge on the River Kwai (Col),<br />

19th wk 145<br />

Fine Arts Stoge Struck (BV), 3rd wk 40<br />

Four Star, Fox Beverly, Loyola, Vogue The Young<br />

Lions (20th-Fox), 3rd wk 1 20<br />

Fox Wilshire ^Poris Holiday (UA), 5th wk 50<br />

Howoii, Warners Downtown, Wiltern and 2<br />

drive-ins Touch of Evil (U-l); The Female<br />

Animal (U-l) 70<br />

Hollywood, Orpheum, Uptown and 6 drive-ins<br />

St. Louis Blues (Pora); Cole Younger, Gunfighter<br />

(AA) 110<br />

Hollywood Poromount Teacher's Pet (Pora),<br />

6th wk 95<br />

Pantoges Les Girls (MGM); Teahouse of the<br />

August Moon (MGM), reissues<br />

Vagabond And God Created Woman (Kingsley),<br />

30<br />

17th wk 85<br />

Warners Beverly Marjorie Morningstar (WB),<br />

5th wk 60<br />

Warners Hollywood Seven Wonders of the World<br />

(Cinerama), 47th wk 75<br />

'South Pacific' 'Gervaise'<br />

Open Big in Denver<br />

DENVER—First runs here reported business<br />

that ran from poor to big, with only<br />

three holdovers. Cool weather slowed down<br />

the drive-ins, with four of them on first<br />

runs. Holdovers included "Teacher's Pet" at<br />

the Denham; "South Pacific" at the Tabor<br />

and "Gervaise" at the Vogue.<br />

, . . .<br />

Aladdin Snow White and the Seven Dwarfs<br />

(BV), 5th wk 100<br />

Centre The Bridge on the River Kwoi (Col),<br />

8th wk 85<br />

Denham Teacher's Pet (Pora) 105<br />

Denver Summer Love (U-l); The Big Beat (U-l) 75<br />

60<br />

Esquire Beautiful But Dangerous (20th-Fox)<br />

Lake Shore, Volley drive-ins The Monolith<br />

Monsters (U-l); Love Slaves of the Amazons<br />

(U-l) 75<br />

Monoco, West drive-ins Lost Paradise (UA); Man<br />

on the Prowl (UA) 75<br />

Orpheum—The Sheepman (MGM); Handle With<br />

Care (MGM) 1 05<br />

Paramount— Porls Holiday (UA); Ride Out for<br />

Revenge (UA) 130<br />

Tatx)r South Pocific (Magna) 250<br />

Vogue Art Gervaise (Cont'l) 1 60<br />

'Kwai' Holds Firm<br />

At Portland<br />

PORTLAND—"The Bridge on the River<br />

Kwai," continues to hold firm despite top<br />

weather which brings in the spring salmon<br />

season and home gardening. The estimate<br />

was 200 per cent.<br />

Broodwoy Moriorie Morningstar (WB), 2nd wk..l25<br />

Fox Bonjour Tristesse (Col) 120<br />

Guild All at Sea (MGM), 4th wk not reporting<br />

Liberty The Long, Hot Summer (20th-Fox) . . . . 1 20<br />

Orpheum The Bridge on the River Kwai<br />

(Col), 5th wk 200<br />

Paramount Teacher's Pet (Para) 130<br />

Two California Drive-Ins<br />

Reopen for New Season<br />

SACRAMENTO. CALIF.—Bill Yost, who<br />

managed the local Fruitridge Drive-In during<br />

the winter months, has reopened El Rancho<br />

Drive-In under the new policy of two changes<br />

each week.<br />

Another recent reopening was at Weed,<br />

where Mr. and Mrs. England gave a free<br />

show to all first night patrons at their Mt.-<br />

Vu Drive-In. This outdoor theatre will operate<br />

on weekends only for the present.<br />

Tucked<br />

away somewhere in the office of<br />

Dave Epstein, dean of Hollywood's<br />

catch-as-catch-can publicity purveyors,<br />

is a frustrated editorialist^-but good. There<br />

was a time when Dapper Dave's handouts to<br />

a breathless press specialized in fan fodder of<br />

the type that recipients thereof took with a<br />

sizable grain of salt and which resultantly<br />

were never confronted with the danger of<br />

drowning in floods of printers ink that they<br />

encountered.<br />

During the past several months, however,<br />

releases from the Ep>stein bailiwick have<br />

taken on a more serious note and one which<br />

has commanded a greatly increased amount<br />

of attention and space. Rare indeed is the<br />

day that doesn't bring forth some profound<br />

observation on industry matters and problems<br />

which kernels of erudition invariably<br />

are attributed to one or another Epstein<br />

client. Witness:<br />

"Independent producer Charles Schnee<br />

yesterday charged that the film industry is<br />

pursuing 'suicidal tactics' by hoarding some<br />

important productions and prematurely exploiting<br />

others for 'strategic' release just before<br />

Oscar-time.<br />

"Roy Rowland predicted yesterday that the<br />

present trend toward over-length 'prestige'<br />

pictures should encourage studios to again<br />

rev up production on one and two-reel<br />

comedies.<br />

"Metro's general musical director, Johnny<br />

Green, yesterday suggested that studios cooperate<br />

in distributing free brochures on<br />

motion picture scoring to college and university<br />

music schools throughout the country,<br />

offering to contribute information on techniques<br />

involved in writing his own complex<br />

'R.aintree County' score."<br />

Etc., ad infinitum.<br />

Let it be noted, parenthetically, that it Is<br />

always "yesterday" that some Epstein client<br />

sounded off on a weighty issue through the<br />

resolution of which at least one problem<br />

confronting a harassed industry would be<br />

benefited.<br />

True, there is unusually little of startling<br />

originality in the E^pstein-spawned compendiums.<br />

But in most cases they are soundly<br />

conceived and articulately written. Resultantly,<br />

they rate several cuts above the average<br />

for the mass of publicity pap which<br />

avalanches down upon Cinemania news outlets.<br />

Unfortunately no publication can afford<br />

the space that would be necessary to print<br />

all of them in full. About the only way<br />

that Dapper Dave could realize such a desired<br />

goal would be to own and publish his<br />

own tradepaper.<br />

Just in case he might be interested, there<br />

are a couple or more that could be acquired<br />

reasonably.<br />

It mi^ht be well to again report the abovementioned<br />

Johnny Green is no longer<br />

"Metro's general music director." He is now<br />

on the staff of Desilu, the burgeoning television<br />

outfit headed by Desi Arnaz and his<br />

spouse Lucille Ball.<br />

In fact Desilu seems to be becoming the<br />

storm port for former Metro-ites. Another<br />

recent addition to Desilu's staff was George<br />

Murphy, who for many years fed at Leo's<br />

trough with the nebulous duties and designation<br />

of Ambassador of Motion Picture Goodwill.<br />

Grady John.son, who exalts to the title of<br />

publicity director for Samuel Goldwyn jr.<br />

Productions, crystalizes his membership in<br />

the Neck-Out Club with the following tidbit:<br />

"For playing father to his own son, David,<br />

in Samuel Goldwyn jr.'s 'The Proud Rebel,'<br />

Alan Ladd has been elected to the Order of<br />

Pin and Nipple by Parents Magazine."<br />

When members of Hollywood's film appraising<br />

corps are summoned to a preview,<br />

they are usually supplied by the publicity<br />

departments staging the clambakes mimeographed<br />

documents that are variously known<br />

as "Production Notes" or "Vital Statistics."<br />

These compilations vary in length in accordance<br />

with the importance of the movies with<br />

which they concern themselves. They are<br />

prepared by the lads and lassies in the blurberies<br />

and understandably bring forth every<br />

superlative in the deck. Nonetheless they<br />

supply much interesting and more valuable<br />

information about the picture, its literary<br />

genesis, where and how it was filmed, background<br />

and biographical data on everyone<br />

who was employed on or in the offering.<br />

Usually they are articulately written and<br />

compiled and it is not unusual for passages<br />

therefrom to subsequently appear virtually<br />

verbatim in critiques appearing in widely<br />

read publications. So, on several counts,<br />

these symposia justify the labor and expense<br />

that they demand.<br />

As a matter of general averages, those<br />

circulated by Harry Brand's 20th Century-<br />

Fox publicity department are the most effective.<br />

Brand's bully boys—they term the compendiums<br />

"Vital Statistics"—surpassed even<br />

their own record performances on the occasion<br />

of the press screening of "South Pacific."<br />

The digest handed to those at the<br />

preview comprised 28 pages of single-spaced<br />

information anent the screen edition of the<br />

famed Rodgers and Hammerstein musical. It<br />

was an exceptionally excellent job of reporting<br />

and writing and rates a sincere bow for<br />

the drum-beaters responsible therefor. Reading<br />

it was about as pleasurable as seeing the<br />

picture. Maybe that's because in this case<br />

the photoplay was in every respect as magnificent<br />

as was claimed in the "Vital Statistics."<br />

Be that as it may, 20th-Fox could do Itself<br />

and the feature a profitable service by reproducing<br />

the epitome en toto and In<br />

pamphlet form for distribution to the nation's<br />

exhibitors.<br />

Indicative of how the film business knows<br />

no national or linguistic boundaries is the<br />

fact that publicity for the Japan American<br />

Society of Los Angeles and the Japanese<br />

Motion Picture Industry is being planted by<br />

one Theodore A. Fl>-nn.<br />

BOXOFTICE May 5, 1958 W-3


Montana Theatre Assn<br />

Asks Excise Tax Repeal<br />

GREAT FALLS. MONT--Thc Montana<br />

Theatre Ass'n. meeting here this week, pa.s.sed<br />

a resolution urglnR the<br />

U. S. Congress to repeal<br />

the federal ex-<br />

;ve tax on theatre ad-<br />

:;is.sions. A copy of the<br />

.solution was sent to<br />

sniators Milie Mans-<br />

^ 'Id and James E<br />

^B Murray and Congressf<br />

^^M men Leroy Anderson<br />

^^H luid Lee Metcalf. nil<br />

'^^^H of Montana,<br />

1^m At the clo.sing busine.ss<br />

session Wednesday<br />

(30) delegates<br />

(hirence Golder<br />

renamed<br />

Clarence Golder of Great Falls as<br />

president and re-elected Finus Lewis, Ljvingston.<br />

as vice-president, and Chris Gorder,<br />

Poplar, as secretary-treasurer. William Larcombe,<br />

Glasgow, was named to the board of<br />

directors.<br />

The resolution read:<br />

"Whereas you have shown an under.standing<br />

of the problems of the motion picture theatre<br />

industry and have in the past given<br />

wholehearted support in our effort to attain<br />

relief from burden-some. discriminatory<br />

taxation, and whereas there remains by<br />

federal law an excise tax on theatre admissions<br />

which is onerous, oppressive and dis-<br />

%mn of<br />

criminatory to the motion picture industry in<br />

its present struggle for preservation, be it re-<br />

that members of the Montana Theatre<br />

.solved<br />

Owners Ass'n respectfully urge your cooperation,<br />

a.ssistance and support in our efforts to<br />

achieve complete elimination of the federal<br />

excise tax impo.sed ui)on theatre admissions."<br />

The convention opened Tuesday with a<br />

luncheon session at which Pat McGee of<br />

Denver, speaking in behalf of the Council of<br />

Motion Picture Organizations, declared "our<br />

business is definitely on the upswing" and<br />

urged his listeners to jiarticipate in an aggressive<br />

effort to rebuild theatre attendance.<br />

He said. "A captive television audience is<br />

being released from living rooms throughout<br />

the nation."<br />

Discussing COMPO's efforts toward remission<br />

of "purely discriminatory" federal<br />

and state amu.sement taxes. McGhee said<br />

that exhibitors charging less than 90 cents<br />

admission soon will benefit from a "further<br />

remission."<br />

He cited newspaper advertising and good<br />

public relations as particularly effective<br />

means of rebuilding theatre attendance. Advising<br />

his listeners not to let their theatre<br />

properties deteriorate, McGee urged, "Make<br />

your theatre the focal point of the community—keep<br />

it up; keep it glamorous."<br />

Bob Selig of Denver, president of Fox Intermountain<br />

Theatres, introduced McGee.<br />

the<br />

POPCORN INDUSTRYHEWS<br />

K-O-R-N Inc., always one of the most modern popcorn processing plants<br />

in the nation (7,000,000 lbs. capacity), is now adding NEW PATENTED<br />

PROCESSING EQUIPMENT HERETOFORE UNAVAILABLE.<br />

The K-O-R-N plant, located in the rich irrigated section of the Platte<br />

Valley, is being readied for early shipment of 1958 crop premium quality<br />

hybrid popcorn. The new equipment will also enable the K-O-R-N plant<br />

to substantially increase production capacity to keep up with the everincreasing<br />

demand for top-quality hybrid popcorn.<br />

WRITE<br />

mm Inc.<br />

NORTH BEND, NEBRASKA<br />

for<br />

Quotations<br />

or Information on<br />

1958 Crop.<br />

Selig complimented the theatre owners on<br />

their .successful "Montana tax fight," which.<br />

he said, shows what can be accomplished by<br />

a "group of men willing to stand up and be<br />

counted."<br />

A ticket-selling work.'ihop was conducted<br />

Tuesday aflernoo.n and Wednesday morning<br />

by M. L. "Mike" Simons of New York City,<br />

vice-president of Sindlinger & Co., indu.stry<br />

analyst.<br />

Simons said that his firm's re.search has<br />

revealed that better motion pictures, better<br />

advertising and promotion at the local level<br />

and construction and rehabilitation of theatres,<br />

including drive-ins, are the principal<br />

reasons for today's impioved theatre bu.siness.<br />

Sindlinger's finding were confirmed at the<br />

workshop by Max A. Connett. operator of 18<br />

theatres in Alabama, Louisiana and Mi.ssissippi;<br />

Fred Lentz. operator of six outdoor<br />

theatres in Ohio and Michigan, and E. J.<br />

'Erv" Clumb. former managing director of<br />

two large Milwaukee theatres and now owner<br />

of two theatres in Baraboo, Wis.<br />

On Wednesday, while convention delegates<br />

attended the ticket-selling workshop, women<br />

attending the convention were guests at a<br />

brunch and style show at the Horizon Club.<br />

The convention concluded Wednesday evening<br />

with a banquet in the Hotel Rainbow<br />

at which Tom Edwards of Eldon. Mo., theatre<br />

operator for 32 years, gave a humorous dissertation,<br />

and local author A. B. Guthrie<br />

jr.. spoke on "A Screen Writer Looks at<br />

Hollywood."<br />

Guthrie is the author of the novels, "The<br />

Big Sky," "The Way West" and "These<br />

Thousand Hills" and wrote the screenplay<br />

for "Shane," along with preparing screenplays<br />

for several other films.<br />

He outlined the things that make up a<br />

good motion picture, starting with the story,<br />

which, he said, must make a good first impression.<br />

It is in determining which is good<br />

script that trouble arises, Guthrie said, deciding<br />

whether the script should rely on established<br />

formulas or whether it should be<br />

done as an original. Above everything else,<br />

he said, a picture must have good actors and<br />

a good director.<br />

Title<br />

Changes<br />

Too Young for Love (Para)<br />

AS WE ARE.<br />

Shake Hands With the Devil (UA) to THE<br />

to AS YOUNG<br />

RAGING MEN.<br />

Gang Girl (AA) to HOT CAR GIRL.<br />

Queen of the Universe (AAi, to QUEEN OP<br />

OUTER SPACE.<br />

William Ludwig Out As Veep<br />

HOLLYWOOD—William Ludwig has resigned<br />

as vice-president of Jack Cummings<br />

Productions, but retains his production interest<br />

in the independent company. Ludwig said<br />

he desires to return to writing. He had completed<br />

two scripts for Cummings — "Paint Your<br />

Wagon" and "The Dragon Tree."<br />

BOONTON, N. J.<br />

Large Core<br />

Greater Crater Area<br />

means<br />

MAXIMUM LIGHT<br />

Evenly Distributed J<br />

In Californto— B. F. Shearer Compony, Los Angeles— Republic 3-1145<br />

B. F. Shearer Company, San Francisco— Underhill 1-1816<br />

in Woshington— B. F. Shearer Company, Seattle— Eliot 8247<br />

in Oregon— B. F. Shearer Company, Portland—Capitol 8-7543<br />

in Colorado—Denver Shipping & Inspection Bureau, Denver—Acomo<br />

2-S616<br />

May 5, 1958


.<br />

When you're providing "good times" for your customers,<br />

include the good taste of Dr Pepper! It's<br />

just plain good business<br />

to heighten their enjoyment by making available the pure, distinctive<br />

flavor that has helped make friends for theater operators for more than<br />

70 years. Dr Pepper is repeat trade . .<br />

a product in demand every month in the<br />

year ... by brand name . . . because there<br />

just isn't a substitute for Dr Pepper. If you<br />

haven't added the plus value of Dr Pepper<br />

in your theater or snack bar, try it ... if you<br />

already have Dr Pepper, feature it!<br />

\^<br />

^]^rPeppeiI<br />

DrPepper<br />

%i,-««rj<br />

fiostj^rasJ^'fr^^Vl<br />

© Dr Pepper Company 1958<br />

BOXOFFICE :<br />

: May<br />

5, 1958 W-5


. . Dan<br />

Inf'l Producers Okay<br />

On Frisco Film Fete<br />

SAN FRANCISCO—This city as;ain invites<br />

tiio attention of the cinema woiid this year<br />

with its second annual International Film<br />

Festival, scheduled for two weelts at the<br />

Metro Theatre starting October 29.<br />

Sponsored by the art commission of the<br />

Golden Gate metropolis, the event is the<br />

only western hemisphere motion picture competition<br />

which carries the sanction of the<br />

International Federation of Film Producers<br />

Ass'n. The sanction was voted at the Paris<br />

meeting in February. J. P. Frogerais, president,<br />

said the action signified approval of the<br />

rules maintained by the San Francisco festival<br />

authorities, that all national associations<br />

of film producers and their individual producer<br />

members are free to submit their highranking<br />

films.<br />

Irving M. Levin, director of the fete for<br />

the city art commission, originated and has<br />

maintained the festival in San Francisco. He<br />

is currently at the Cannes Festival, which<br />

opened May 2. and confening with Director<br />

R. Favre LeBret. While in Europe. I^evin also<br />

planned to see Dr. Floris Ammannati. head of<br />

the Venice Festival.<br />

In issuing invitations to contenders for the<br />

San Francisco Festival, Levin requested that<br />

each country submit two film titles with the<br />

plot synopses and stills, after the country's<br />

appropriate motion pictui'e industry organization<br />

or official makes its choice. Individual<br />

pictures, up to two, would be considered providing<br />

the sanction of the country's official<br />

or appropriate organization is received.<br />

The lists must reach the festival headquarters,<br />

172 Golden Gate Ave., San Fiancisco 2,<br />

Calif.. U. S. A., before August 1.<br />

All feature films submitted must be in the<br />

WHO MAKES GOOD,<br />

LOW-COST TRAILERS?<br />

Motion Picture<br />

Service co.<br />

125 HYDE . SAN FRANCISCO 2. CALIF. . GERRY KARSKI. PRES.<br />

language of the country of origin and have<br />

English subtitles, and must not have been<br />

shown previously in the western hemi.spherc<br />

The film prints are to arrive here before the<br />

first week in October.<br />

The San Francisco Festival bestows prize<br />

plaques upon feature films in four categories:<br />

best film, best actor, best actress and best<br />

director. Winners receive the Golden Gate<br />

Award.<br />

In 1957. the winner w-as the Indian film.<br />

"Father Panchali." which took "best film"<br />

and its director Stayajit Ray received the<br />

nod as "best director." Other winners were<br />

blonde Dolores Dorn-Heft for "best actress."<br />

in the U. S. entry directed and starring<br />

Franchot Tone; Chekhov's "Uncle 'Vanya."<br />

and Heinz Ruhmann in Germany's "The<br />

Captain from Koepenick" as "best actor."<br />

The 1957 event received the support of the<br />

Screen Directors Guild of America.<br />

This year invitations have been issued to<br />

more than 60 film-producing countries. Director<br />

Levin says: "We earnestly seek participation<br />

in this gala international event. I<br />

now offer complete assurance of our sincere<br />

effort to provide the most congenial climate<br />

to the arts in San Francisco."<br />

PORTLAND<br />

pox Evergreen District Manager Rex Hop-<br />

. . .<br />

kins returned after a two-week vacation<br />

in Palm Springs and Los Angeles. Hopkins<br />

is enthusiastic about Cinemiracle which he<br />

saw at Graunian's Chinese The Paramount<br />

exchange here has been reduced to<br />

a sales office w'ith the booking and billing<br />

switched to the Seattle office. Wayne Thiriot,<br />

the manager, operates in a sales capacity<br />

here.<br />

William Hupp, Liberty Theatre manager,<br />

got a top plug over a TV horror show here<br />

with Suzanne Waldron of KPTV boosting the<br />

picture on her late, late movie series. She will<br />

make a theatre appearance for the opening<br />

of "Macabre" at the Liberty.<br />

An Audition by AGVA<br />

HOLL'TWOOD — The American Guild<br />

of<br />

Variety Artists showcased talent for agencies<br />

and producers with an audition program of<br />

16 acts at Plummer Park in West Hollywood.<br />

DENVER<br />

n iinther effort is to be made this year to get<br />

Colorado on daylight saving time. Petitions<br />

are to be circulated for signatures to<br />

get the matter on the fall ballot. The petitions<br />

need more than 48,(M)0 signatures to bring<br />

this about. The matter has been voted down<br />

here several times, most of them overwhelmingly.<br />

The distributorship for Republic for this<br />

area is being taken over by Chick Lloyd, who<br />

is also the distributor for American International<br />

Pictures and other product. Of the<br />

employes at the Republic exchange. Gene<br />

Gerbase, manager, will remain with the company<br />

and Irene Canino, cashier, moves to<br />

Atlas Theatres as secretary to Dave Davis,<br />

general manager. That leaves Don Spaulding.<br />

office manager and booker; Dorothy Orrino.<br />

assistant ca.shier, and Warren West, salesman,<br />

looking for new jobs.<br />

. .<br />

Ilollis Trabue, Manley salesman for New<br />

Mexico, has been named di.strict manager for<br />

the Denver and Salt Lake City areas, succeeding<br />

Arlie Beery, who went to Kansas<br />

City as district manager , . . Joe A. Lopez has<br />

taken over and reopened the Star, Estancia,<br />

N. M. The theatre, closed since 1955, will operate<br />

on two changes a week . Cathy Harris,<br />

formerly a booker in St. Louis for Columbia,<br />

has moved here and is receptionist<br />

at United Artists.<br />

Mr. and Mrs. Sam Langwith of Western<br />

Service and Supply went to Texas and New<br />

Mexico on a combined vacation and business<br />

trip . . . Jerry Debolt has been named<br />

manager of the Rex. Rapid City. S. D., succeeding<br />

Prank Jenkins, who came here as<br />

manager of the Victory . MuiTay has<br />

resigned as comptroller of the Black Hills<br />

Amusement Co., Deadwood, S. D. He is succeeded<br />

by Arlene Kettelhut, who has been<br />

his<br />

assistant.<br />

Pearl Velarde, MGM manager's secretary,<br />

flew to Los Angeles for her vacation<br />

Gustave Mohme. general manager of<br />

. . .<br />

the<br />

Clasa-Mohme exchanges, was in from his<br />

Los Angeles headquarters on his annual visit<br />

to the exchanges. While here he called on<br />

the circuits and conferred with Gilbert Martinez,<br />

manager . . . Jay O'Malin, United Artists<br />

salesman headquartering in Albuquerque,<br />

N. M., was here for conferences with<br />

M. R. Austin, UA manager, following which<br />

Austin left for Chicago to attend a sales<br />

meeting regarding "Around the World in 80<br />

Days." The initial date for this film in Wyoming<br />

has been set for May 29 at the Wyo,<br />

Laramie.<br />

D 2 years for $5 D<br />

D Remirtonce Enclosed D Send Invoice<br />

THEATRE<br />

STREET ADDRESS<br />

TOWN ZONE STATE....<br />

NAME<br />

1 ycor for $3 D 3 years for $7<br />

POSITION..<br />

BOXOfflCE THE NATIONAL FILM WEEKLY 52 issues a year<br />

825 Van Brunt Blvd., Kansas City 24, Mo.<br />

Tom Blair, district manager for the Jones<br />

Theatre circuit, associated with Western<br />

Amusement Co., San Francisco, was here to<br />

install Jack Baldock as manager of the Centennial,<br />

the twin-screen drive-in recently<br />

bought by Western. The ozoner will have a<br />

first-run policy part of the summer.<br />

Freddie Dee Stricken<br />

LOS ANGELES—The rosary was recited<br />

Tuesday i29> for Freddie Dee (DePiano).<br />

who died Sunday. Dee, recently an actor,<br />

previously managed houses for United Artists,<br />

and also was a theatre owner. He is survived<br />

by his wife and a daughter.<br />

W-6 BOXOFFICE May 5, 1958


. . The<br />

. . Mickey<br />

. . . Morrie<br />

. . Henry<br />

SAN FRANCISCO<br />

Tirilliam L. McGee has been named western<br />

division manager of Interstate Television<br />

Corp., in charge of the 11 western<br />

states, Hawaii and Ala.ska with his headquarters<br />

in San Fi'ancisco.<br />

Interstate is a subsidiary of Allied Artists<br />

Pictures Corp.<br />

street.<br />

The Vogue Theatre, art house, has a run<br />

on the women after the Swedish film (also<br />

devoted to the feminine gender), "Smiles of<br />

a Summer Night." Next there is the fiery<br />

Grecian gal "Stella," to be followed by the<br />

Academy Award winning "Cabiria." Giulietta<br />

Masina, famous Italian actress who was a<br />

recent visitor at the home of Mr. and Mrs.<br />

Irving M. Levin, San Francisco Theatres<br />

head, is the star of the latter picture.<br />

AIP Widescreen Duo Bow<br />

In 50 Texas Theatres<br />

LOS ANGELES—American International's<br />

combination of "Machine Gun Kelly" and<br />

"The Bonnie Parker Story," first features in<br />

the company's new Superama widescreen<br />

process, is slated to open in 50 Texas circuit<br />

theatres May 29.<br />

The bookings include Rowley United.<br />

Trans Texas, Jefferson Amusement and<br />

Video circuit houses.<br />

Antelope Valley Drive-In<br />

Started; To Open by June<br />

With the widening of Geary boulevard to<br />

accommodate a row of trees down the middle,<br />

two theatres are forced to cut back their<br />

marquees. Both the Alexandria, de luxe San<br />

Francisco Theatres, Inc., showhouse, and the<br />

Coronet, home of the long-running "Around<br />

the World in 80 Days," are remodeling their<br />

fronts to avoid illegal overlapping of the<br />

ANTELOPE VALLEY, CALIF.—Constmction<br />

will be started immediately on a new<br />

drive-in theatre for Antelope Valley. To be<br />

located at 12th Street east and Avenue Q in<br />

Palmdale, the 750-car theatre will be buUt<br />

by Marion 'Wright, Antelope Valley contractor.<br />

A tentative completion date has been set<br />

for June 1.<br />

Reopen at Carmichael<br />

CARMICHAEL, CALIF. — Free gifts and<br />

personal appearances were features of the<br />

recent grand reopening of the Westerner<br />

Drive-In here. Each woman was given a<br />

potted plant and children w-ere furnished free<br />

balloons, lollipops and ice cream. The ten<br />

entrants in the Miss Sacramento beauty contest,<br />

the Roc-Kats band and Doyle Wilson<br />

appeared in person. Facilities at the theatre<br />

have been remodeled.<br />

Dual 'Sea' and 'Accuse'<br />

LOS ANGELES—"All at Sea" and "I Accuse!"<br />

will open their first local multiplerun<br />

engagement May 14 as a double-bill combination<br />

in four theatres— the State, Pasadena;<br />

Valley Guild, North Hollywood; Wilshire,<br />

Santa Monica, and Fifth Avenue, Inglewood.<br />

Ticket Tax Slash Due<br />

In Seattle on May 15<br />

SEATTLE A reduction in city admission<br />

taxes will become effective May 15, the city<br />

council finance committee announced. The<br />

date was fixed in a propo.sed ordinance recommended<br />

for passage, which embodies an<br />

admi.ssion-tax reduction agreed upon by the<br />

council<br />

a few weeks ago.<br />

The tax now is 1 cent for each 20 cents.<br />

No tax is charged on any admissions of 10<br />

cents or less.<br />

The new tax, applicable only to motionpicture<br />

theatres and events for "charitable,<br />

nonprofit community puiTDOses" will be 3'^<br />

per cent of admissions higher than 50 cents,<br />

with no tax on 50 cents or less.<br />

SEATTLE<br />

p. Jacobs, owner of Favorite of California,<br />

fj<br />

with offices in Los Angeles, San Pi-ancisco<br />

and Seattle, conferred with local Manager<br />

John Cummins regarding the consolidation<br />

with Republic . DeLeo, former<br />

owner of the Rose Theatre in Port Townsend,<br />

died. The Rose had been taken over<br />

by E. E. Thompson.<br />

Filnirow visitors included Jack Partin, representative<br />

of J. Arthur Rank Pictures, and<br />

Archie Holt, U-I salesman, traveling out of<br />

Portland.<br />

Eve Ordell, formerly with 20th-Fox and<br />

well known in the film industry, became a<br />

grandmother. The parents are her daughter<br />

and son-in-law, Mr. and Mrs. Morgan Barokas.<br />

PHOENIX<br />

The Bridge on the River Kwai," in its 9th<br />

week at the Palms Theatre, has broken all<br />

house records, according to Manager Gene<br />

Salyer . Fox Theatre introduced a<br />

weekly stage show for teenagers, called the<br />

Sunday Jam Session. It features the Valley's<br />

top recording artists and combos, including<br />

Ted Newman, Randy Stevens, Judy<br />

Faye, Duane Eddy, the Cliques and others<br />

who have recorded for national release. The<br />

teenagers seemed to enjoy the first of these<br />

sessions, and after a four-week tryout. Manager<br />

Sam Bagwell plans to make it a regular'<br />

feature with guest stars.<br />

Bert Pirosh Named Buyer<br />

For Pacific Theatres<br />

LOS ANGELES—William R. Forman, president<br />

of Pacific Theatres, announced Monday,<br />

April 28, the appointment of Bert Pirosh as<br />

head of the buying and booking department<br />

of this West Coast theatre cii-cuit. Pirosh,<br />

who resigned recently as chief film buyer of<br />

National Theatres, will assume his new position<br />

June 1.<br />

"I consider Pacific Theatres veiy fortunate<br />

in getting a man of the calibre of Bert<br />

Pirosh," said Forman, "Bert, has a fine<br />

reputation in this industry and his ability<br />

and experience will be of great value to us<br />

in the operation of our theatres."<br />

LOS ANGELES<br />

n committee, headed by h red Stein and M.<br />

. ,<br />

. . .<br />

J. E. McCarthy, is planning a testimonial<br />

dinner for Bert Piro.sh who resigned as head<br />

film buyer for National Theatres. The event<br />

will be held at the Crystal room of the Beverly<br />

Hills Hotel on May 21 . . . Marvin Goldfarb,<br />

district manager for Buena Vista, was here on<br />

Alex Harri.son, 20th-Fox sales<br />

business . . .<br />

manager, returned from a business trip to<br />

New York , Red Jacobs, head man at Favorite<br />

Films, is back from a business trip to<br />

San Francisco and Seattle ... I. Shapiro,<br />

20th-Fox booker in Toronto, Canada, was a<br />

Harry Novak<br />

southern California visitor . . .<br />

of Air Dispatch is back at his de.sk after a<br />

trip to Las Vegas on company business<br />

Charley Bragg, Filmrow insurance man, flew<br />

to Gotham on business.<br />

.<br />

. . .<br />

Condolences to Florence Moore, secretary to<br />

Spencer Leve, whose husband died April 22<br />

Abrahams is in Cedars of Lebanon<br />

Hospital for surgery Slater, Harbor<br />

Drive-In, Chula Vista, suffered a heart<br />

attack. Lew Bei-man has taken over Slater's<br />

chores . . . Lillian Charne-ss, American Theatres<br />

Advertisers, is recuperating at home<br />

after surgery . . . John DeCosta, Rank Pictures,<br />

underwent surgery at Queen of Angels<br />

Hospital Neal East, division manager<br />

of Paramount, is in St. Johns Hospital following<br />

a gall bladder operation.<br />

Booking and buying along Filmrow: George<br />

Nick Diamos, Tri Delta Amusement. Tucson;<br />

Jack Grossman, Magnolia, Burbank; Leo<br />

Molitar, American, Newhall; Mason Siler,<br />

Lido and Mes, Balboa; Jim Snelson. Bagdad,<br />

Bagdad, Ai-iz., and Joe Markowitz, Encinitas.<br />

$1,500 to Variety Fund<br />

SAN FRANCISCO—A check for $1,500 has<br />

been given to the Northern California Variety<br />

Club for its Blind Babies Foundation<br />

by Theta Delta Xi, social and philanthropic<br />

sorority. The funds were raised by a theatre<br />

benefit featuring the world premiere of<br />

"Stopover Tokyo," a fashion show donated<br />

by the Joseph Magnin store and a door prize<br />

of a trip to Las Vegas. Irving M. Levin, chief<br />

barker and head of the S. F. Theatres, accepted<br />

the big check from Mrs. Samuel<br />

Clowans, president of the sorority.<br />

Count<br />

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BOXOFFICE :: May 5, 1958 W-7


"<br />

.<br />

w<br />

"Every effort<br />

we put into the<br />

SAVINGS BOND PROGRAM<br />

will be richly rewarded<br />

a statement by Julian B. Baird, Under Secretary of the Treasury<br />

?9<br />

"America's great productivity has been made possible<br />

by the willingness of Americans to save a part of their<br />

incomes for in\cstment in productive enterprises. The<br />

Payroll Savings Plan of the Savings Bond Program implants<br />

and helps to sustain the habit of regular savings,<br />

and this benefits our whole economy as well as each<br />

individual saver.<br />

"We need savings as a continued affirmation of our<br />

way of life. The right to build up personal savings and<br />

to choose individually our savings objectives is one of<br />

our cherished freedoms.<br />

"I am convinced that every bit of effort we put into<br />

Savings Bond promotion as part of a broad thrift plan<br />

will be richly rewarded in the contribution we shall be<br />

making to the strength and security of our country in<br />

this critical period.<br />

THE U.S. eOVERNMENT DOES NOT PAY FOR THIS ADVERTISEMENT. THE TREASURY DEPARTMENT THANKS, FOR THEIR PATRIOTISM.<br />

THE ADVERTISING COUNCIL AND THE DONOR BELOW<br />

BOXOFFICE<br />

W-8 BOXOFFICE May 5, 1958


calmly<br />

Chicago Columnist<br />

Cites Long-Run Era<br />

CHICAGO— Will Leonard, in a recent Chicago<br />

Tribune Sunday column noted that the<br />

era of the long-run motion picture is blossoming<br />

in the Loop.<br />

"Until a few seasons ago, there never was<br />

a film that had been shown for a full year<br />

on any screen in Chicago. Nowadays, a movie<br />

that plays completely around the calendar is<br />

a routine occurrence. One of them closed a<br />

70-week engagement (Seven Wonders of the<br />

World! with no fanfare. Another, marking its<br />

first birthday in the Loop (Around the World<br />

I<br />

in 80 Days prepared to run right on<br />

through the summer.<br />

"There now are five motion pictures which<br />

have played a full year or more in the Loop.<br />

"Before 1950, the longest run chalked up<br />

by any film in Chicago was 35 weeks, established<br />

by the history-making 'The Birth<br />

of a Nation,' back in 1915 at the old Illinois<br />

and Colonial theatres, both long since vanished.<br />

That really was a remarkable feat<br />

in an age of silent black and white flickers<br />

that almost pulled the viewer's eyes out of<br />

his head.<br />

"Not for another 35 years did a picture<br />

manage to endure for 12 continuous months.<br />

'The Red Shoes' opened at the Selwyn (now<br />

Todd's Cinestagei in December 1948, and<br />

didn't unwind it^ last reel until February<br />

1950, a full 59 \veeks later. That was the second,<br />

and in all probability, the last of the<br />

old narrow screen photoplays to make it all<br />

the way around the calendar in this town.<br />

"With the coming of Cinerama, the yearlong<br />

showing became a commonplace. 'This<br />

Is Cinerama,' first of the three-camera epics,<br />

lasted almost two years. Opening at the Palace<br />

in 1953, it cranked on and on for 97 long<br />

weeks, a mark no other film yet has approached.<br />

'Cinerama Holiday,' it successor,<br />

ran for 78 weeks. 'Seven Wonders of the<br />

Word' closed after 70 weeks.<br />

" 'Around the World in 80 Days' sailed past<br />

its anniversa:-y without pausing for breath,<br />

and expects to be luring them into Todd's<br />

Cinestage until long after the last summer<br />

strawhat has been fed to the cows.<br />

"A picture doesn't have to toe in Cinerama<br />

or Todd-AO to hang up new records, either.<br />

The Loop has been bulging with winners like<br />

'The Bridge on the River Kwai,' 'The Young<br />

Lions,' and 'Peyton Place,' and has a full<br />

springtime of hits scheduled."<br />

New Name for Theatre<br />

WEST PLAINS, MO.—The Vista<br />

Theatre<br />

is the new name of the 620-seat Davis Theatre<br />

here, recently taken over by B. D. Faddis<br />

and Frank Hall from the family of the late<br />

Dean W. Davis. Faddis and Hall, who also<br />

operate the Midway Drive-In, also acquired<br />

the Avenue Theatre and 63 Drive-In here<br />

from the Davis family. The Avenue, now<br />

closed, will be reopened at the end of the<br />

1958 drive-in season.<br />

Windstorm<br />

Dcnnages To'wer<br />

CASEY, ILL. — The Casey Drive-In on<br />

Highway 50 west of here will be closed for<br />

about two weeks. The screen tower of the<br />

drive-in was blown down by a terrific windstorm<br />

the night of April 24.<br />

Commonwealth Circuit<br />

Adds 5 Wooten Drive-Ins<br />

KANSAS CITY— Elmer Rhoden Jr., presi-<br />

Commonwealth Theatres, announced<br />

dent of<br />

that Jay Woolen's group of five drive-in<br />

theatres in Kansas, has joined the Commonwealth<br />

circuit, effective Sunday (4>. Dick<br />

Orear, executive vice-president of Commonwealth,<br />

concluded the final details of the<br />

deal April 24 in Hutchinson, Kas.<br />

The Wooten theatre units include the Ayr-<br />

Vue and the Southutch at Hutchin.son, the<br />

Ark-Vue and the 166 at Aikansas City, and<br />

the Great Western at Liberal.<br />

It also was announced that Jay Wooten<br />

will join Commonwealth as manager of a<br />

new third district of theatres within the circuit.<br />

Commonwealth has been operating with<br />

just two districts to date, which have been<br />

handled by Roy Tucker and Doug Lightner.<br />

Dick Orear said that Tucker and Lightner<br />

will continue as district managers and the<br />

new district will be a further addition to general<br />

operations.<br />

Orear said: "Commonwealth has expanded<br />

to the point that we must have additional<br />

skill in the executive staff, and we are more<br />

than pleased to have Mr. Wooten bring his<br />

talent and business ability, along with his<br />

many years of experience, to the Commonwealth<br />

Theatres. We are looking forward to<br />

a long and pleasant association."<br />

Wooten's home is in Hutchinson. A Commonwealth<br />

district office will be opened in<br />

Hutchinson and Wooten will continue to reside<br />

there and handle district operations<br />

Michael Gerrid Marking<br />

50th Year as Showman<br />

WESTVILLE, ILL.— Michael Gerrid, operator<br />

of the State Theatre here and the<br />

Georgetown, in Georgetown, will celebrate his<br />

50th anniversary in show business Thursday<br />

(8). Now 70, Gerrid opened his first theatre,<br />

the 190-seat Bijou, in 1908. Admission was<br />

five cents. He built the local Orpheum in<br />

1910 and the Georgetown Theatre in 1938.<br />

At the same time, Mr. and Mrs. Gerrid are<br />

observing their 50th wedding anniversary.<br />

They have two sons, William and John, both<br />

of whom are in theatre business. The Gerrids<br />

also have four grandchildren.<br />

Windsor Theatre Dark;<br />

No Theatre There Now<br />

WINDSOR. MO.—The Windsor Theatre<br />

has been closed by Dorothy Jean Feaster,<br />

leaving this city without a show for the fu'st<br />

time since 1902.<br />

Louis Griefe, w'ho .sold the Windsor in 1945<br />

to Allied Theatres of St. Louis, with Jacob<br />

Smith, father of Mrs. Feaster. later acquiring<br />

the place, recalls that "The Ti'ail of the Lonesome<br />

Pine" drew the largest crowds. It was<br />

.shown three time at regular admission prices<br />

and then brought back a fourth time for 10-<br />

cent night, observed on Friday nights for 17<br />

years. Louis said the show was so packed that<br />

he couldn't get in the front door himself, and<br />

after selling a person a ticket would take<br />

him around to a sidedoor exit and let him<br />

in until the aisles were filled with people. At<br />

Jay Wooten<br />

from his headquarters there. Regarding the<br />

merger, Wooten said: "I am, as are many<br />

people as-sociated with my theatres, very<br />

happy to be a part of Commonwealth. I've<br />

long respected Commonwealth and its progressive<br />

and friendly spirit, and it is very<br />

pleasant to anticipate being a part of such a<br />

fine organization!"<br />

Since January 1, Commonwealth has taken<br />

over the operation of six other theatre properties<br />

in addition to the Wooten theatres.<br />

These units are: the Frontier Drive-In.<br />

Atchison, Kas.: the Twi-Lite Drive-In and<br />

the Baxter Theatre in Baxter Springs, Kas.:<br />

the Iowa Drive-In. Shenandoah, Iowa, and<br />

the Sunset Drive-In in Lawrence, Kas.<br />

The Commonwealth circuit, with the addition<br />

of the Wooten theatres, will consist of<br />

56 indoor theatres and 48 outdoor theatres, or<br />

a total of 104 theatre properties.<br />

one time the double line waiting to buy<br />

tickets extended for a block to the Christian<br />

Church.<br />

"If business gets better we will reopen,"<br />

Mrs. Feaster said. "I need a rest and must go<br />

to Pennsylvania for a time on business."<br />

Mrs. Feaster operated the houses in partnership<br />

with the Dickinson circuit of Mission,<br />

Kas.<br />

Install Officers May 16<br />

ST. LOUIS—The 1958-59 officers of the<br />

Better Films Council of St. Louis will be installed<br />

at the annual luncheon and installation<br />

May 16 at noon at the Congress Hotel.<br />

Mrs. A. F. Burt, founder and honorary president<br />

of the council, will be in charge of the<br />

installation.<br />

To Close House May 3<br />

JOHNSTON CITY.<br />

ILL.— Stewart Cluster,<br />

owner of the Palace Theatre here, will close<br />

the 500-seat theatre May 3. Cluster usually<br />

closes the Palace during the drive-in season<br />

when he operates the Marion Drive-In on<br />

Highway 37 north of Marion. 111.<br />

Mendota, 111., State Open<br />

MENDOTA. ILL.—The State Theatre was<br />

reopened by the Alger circuit with "Old<br />

Yeller." Mayor Chris Troupis asked the public<br />

to patronize the show.<br />

Eva Vanicek, Nerina Colombo and Isolina<br />

Caruso, three young Italian actresses, have<br />

been signed for WB's "The Nun's Story."<br />

BOXOFFICE May 5, 1958 C-1


. .<br />

. . Art<br />

. . Those<br />

. . The<br />

ST.<br />

LOUIS<br />

TJairy C. Arthur Jr., president of Arthur Enterprises.<br />

ha.s returned to St. Louis .<br />

Bill Karstetter. whom oldtlmers In the Industry<br />

will recall as an exhibitor and theatre<br />

manaser at Columbia, Mo. for many<br />

years, stopped off in St. Louis to visit Fllmrow<br />

en route from Chester. 111., where he has<br />

been lesldinR with a sister the last several<br />

yeai-s, to England where he will visit his son.<br />

On the way he plans to visit Indianapolis,<br />

Ind., to .'pend .several days with his bi-other.<br />

Other out-of-town folks seen in St. Louis<br />

during the week included Hei-mann Tanner.<br />

Vandalia: Charley Beninati, Carlyle: Frank<br />

X. Reller. Wentzville; Mayor Ben Beckett,<br />

Valley Park; Fori-est Plrtle. Jerse>^ille: Izzy<br />

Wienshienk, Alton: Joe Goldfarb, Upper Alton:<br />

Russell Armentrout, Louisiana: Harry<br />

Horning, booker and buyer. Turner-Fari-ar<br />

Theatres. Harrisburg; F. Val Mercier, Perryville:<br />

L. J. Williams, Union; Philip T. Hill,<br />

Belleville; Jesse Lee, Carmi; Dale Thornhill,<br />

Centralia: Bob Spencer. Charleston: W. E.<br />

Waring jr.. Cobden; John Falk, Eldorado;<br />

Robert E. Johnson. Fairfield: Harry C. Swan,<br />

Gi-anite City: Chaiies Biechner, Grayville;<br />

Paul U. Reynolds, Hani-sburg: Wayne L.<br />

Smith. Herrin: James Frisina jr., Mattoon;<br />

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SL Louis Theatre Supply Company<br />

Mrs. Arch Hosier<br />

3310 Otive Street St. Louis 3, Mo.<br />

Telephone JEfferson 3-7974<br />

RCA Theatre Supply Deoler<br />

Eddie Clark, Metropolis; W. H. Eichhorn.<br />

Mounds; Geoi-ge Horning, Ro.siclaie; J. D.<br />

Slaydcn, Sparta: Dave Jones, Springfield:<br />

Ed L. Ti-ainor, Taylorville; Edward D. Klrby,<br />

Bloomfleld; Bernice Montgomery, Chaffee;<br />

Melvin L. Blackledge. Columbia, and Winfred<br />

Garner, Dexter.<br />

, . .<br />

Walter Thimniig, retired pioneer exhibitor,<br />

who had a leg i-emoved at St. Luke's Hospital<br />

on April 18. is doing very nicely , . . Also<br />

reported as in favorable condition is Frances<br />

Murphy foi-mer Warner Bros, booker, who underwent<br />

surgery at St. Mary's Hospital<br />

Tom W. Bridge of Dallas, .southwestern Texas<br />

division manager for Paramount, was here for<br />

three days . LaPlant. city and circuit<br />

sale.sman for Columbia, visited the office<br />

briefly on his way to the doctor's office. He<br />

recently undei-went a hernia operation.<br />

John D. Giachetto, Frisina Amu.sement Co.<br />

executive and civic leader at Springfield, 111.,<br />

lost out in the race for the Republican nomination<br />

for Congressman from the 21st Illinois<br />

district, final returns of the April 19<br />

primary elections revealed . fancy<br />

pictures being framed for tlie Bel Air Motor<br />

Hotel at Lindell boulevard and Euclid avenue,<br />

are the work of Odyssia Skouras. daughter of<br />

George Skouras, former St. Louisan. Odyssia<br />

has the Galleria Odyssia in Rome and has<br />

sold the Bel Air owners many pictures for<br />

use in the hotel's suites. She plans to visit the<br />

hotel with her dad to inspect the Skouras<br />

brothers suite when the hosteli-y has its grand<br />

opening.<br />

James Arthur, attorney for Arthur Enterprises<br />

and the St. Louis Amusement Co.,<br />

made the Globe-Democrat's "Inquiring<br />

Photographer" column April 25, by answering<br />

the question of the day: "Would you like to<br />

buy a new car now?" His answer, heading<br />

the column, was: "Yes, I'd like to. I've given<br />

a lot of thought to it. but I'm not in the market<br />

at the present. The price of automobiles<br />

is so high they have become the most expensive<br />

part of our daily existence." A snap-<br />

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shot of James accompanied the quote<br />

The St. Louis Variety Club, with two very<br />

recent successful benefit film shows for its<br />

Heart Fund, has invited Bob Hope to play<br />

an exhibition golf match at the Lakeside<br />

Golf Club when he comes to St. Louis to fill<br />

an engagement at the St. Louis Municipal<br />

Opera. Funds raised would al.so go to the<br />

Heart Fund of the club.<br />

Thieves who broke into the concession stand<br />

of the Midway Di-ive-In near Lawrenceville,<br />

111., the night of April 17 failed to find any<br />

money. They did make off with .some $50<br />

in cigarets, a large quantity of candy, a lx)x<br />

. . . Gloria<br />

of hot dogs and some hambuigers. They also<br />

emptied all of the packages of coffee into<br />

a sink and let the water run into it. Entrance<br />

was gained with a crowbar to force the fi-ont<br />

door of the concession stand<br />

Swan,son was heie April 24 to preside at fashion<br />

shows at a local department store.<br />

Sanford Berns, a salesman. University City,<br />

had a narrow escape when a section of stone<br />

trim fell from the upper stories of the Hotel<br />

Alverne at the southeast corner of Eleventh<br />

and Locust streets about 4:30 p.m. Two of<br />

the large stones struck the roof of Berns<br />

automobile, partly caving it in. Fragments<br />

of other stones came through the car windows.<br />

Berns. known to the film trade as<br />

"Sandy," will be recalled as a booker for<br />

Eagle Lion in the late '408 and early 1950s.<br />

He has been out of the film business for<br />

several years . offices of Fox Midwest<br />

in the Missouri Theatre building are being<br />

remodeled to obtain more efficient use of the<br />

space.<br />

Hundreds at Services<br />

For Tom J. Bloomer<br />

BELLEVILLE, ILL. — The motion picture<br />

industry and hundreds of friends paid final<br />

tribute to Tom L. Bloomer, 53. president<br />

of Bloomer Amusements Co, Services were<br />

held at St. Paul's United Church of Christ.<br />

Bloomer died of a heart attack early on Sunday<br />

1 20) at his home here. He was found<br />

dead in his bed by his wife Dorothy.<br />

The pallbearers were Ray Ringle and Wilbur<br />

Welker, neighbors and close friends in<br />

Belleville; Tom Williamson, as.sociate general<br />

manager of the Bloomer Amusement Co.;<br />

Dave Morgan, manager, Skyview Drive-In;<br />

Thomas James, board chairman, Missouri-<br />

Illinois Theatre Owners, St. Louis, and Lester<br />

J. Bona, salesman for Warner Bros.<br />

The honorary pallbearers were Eddie Clark,<br />

Metropolis, pi-esident, MITO; George Kerasotes,<br />

L. J. Williams, Tom Edwards, Lester<br />

R. Kiopp, Frank Plumlee, Carson W. Rodgers,<br />

Albert Magarian, Paul lO'ueger, Charles<br />

Goldman, Jimmy James, John Meinardi, Hall<br />

Walsh, D. J. Edele, F. J. Lee, Thomas Dunn,<br />

William Gehring, J. J. Bache, George Reilly,<br />

Ray McCafferty, Clifford Mantle, George<br />

Phillips, Herman Gorelick, William Earle,<br />

Jack Stein, Harry Hoff, Joseph Schrempp<br />

and David P. Barrett.<br />

Whafever<br />

You Need — We Can Supply If.<br />

Weekend Shows at Albion<br />

ALBION, IND.—The Albion Theatre is<br />

now open on weekends under Ted Frymier.<br />

REGRIND YOUR PRESENT SPROCKETS TO FOX HOLE • SAVE MONEY $2.00 EAOI • MY METHOD IS SAFE AND IS FILM COMPANY APPROVED<br />

LOU WALTERS PROJECTOR REPAIR SERVICE . . . 8548 SAN FERNANDO WAY DALLAS, TEXAS.<br />

C-2 BOXOFFICE :: May 5, 1958


I Dr<br />

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include the good taste of Dr Pepper! It's<br />

just plain good business<br />

to<br />

heighten their enjoyment by making available the pure, distinctive<br />

flavor that has helped make friends for theater operators for more than<br />

70 years. Dr Pepper is repeat trade . . .<br />

a product in demand every month in the<br />

year ... by brand name . . . because there<br />

just isn't a substitute for Dr Pepper. If you<br />

haven't added the plus value of Dr Pepper<br />

in your theater or snack bar, try it ... if you<br />

^iPepper<br />

•#<br />

already have Dr Pepper, feature it!<br />

DrPepper<br />

fiost^raan-frostj^l<br />

Y^^'""<br />

Pepper Company 1958<br />

BOXOFFICE :<br />

: May<br />

5, 1958 C-3


. . . John<br />

while<br />

. . Jeff<br />

. . The<br />

. . George<br />

KANSAS CITY<br />

'Tom Kdwards, Eldon exhibitor and Monkey<br />

Jungle impresario, is building a name (or<br />

himself as the "Sage of the Ozarks." Vastly<br />

entertained by his<br />

toastmastering at one<br />

of the luncheons at<br />

the national TOA convention<br />

in Miami last<br />

fall, the Montana contingent<br />

told him he<br />

would be invited to the<br />

platform at their<br />

spring convention.<br />

Tom thought they<br />

were kidding until a<br />

formal invitation came<br />

from Clarence Golder,<br />

Tom Edwards<br />

president of the Montana<br />

TOA. and Carl Anderson, the group's<br />

TOA repre.sentative. asking Edwards to act<br />

as banquet toastmaster at the association's<br />

convention held last Tuesday and Wednesday<br />

in Great Falls. The event also allowed<br />

Tom to hold a reunion with two sisters and<br />

a brother who live in the Northwest and who<br />

joined him in Great Falls. One of the sis-<br />

IS<br />

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Let us regrind your old sprockets<br />

STEBBINS THEATRE EQUIPMENT CO.<br />

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ters lives there and the other in Pocatello,<br />

Ida . the brother lives in Oregon.<br />

Bob Klinge, who used to manage the Uptown<br />

Theatre in Sedalla for J. T. Ghosen and<br />

who Wits an active contributor to our EX-<br />

HIBITOR HAS HIS SAY department, is back<br />

in Mi.s.soiiri and has taken over the Strand<br />

Theatre in Mount Vernon, formerly operated<br />

by Mr. and Mrs. Grover Brook.s. For<br />

a time after leaving Sedalia. Bob managed a<br />

motel in Florida, but the theatre itch wouldn't<br />

go away, so he's trying it again. Several<br />

Filmrowites suggested Bob be given a big<br />

"welcome home" in this column, for, as one<br />

of the exchange men said. "He's a great<br />

showman."<br />

At Atwood. Kas., Jesse Pratt, who has the<br />

Jayhaw^k Theatre, has taken over the Atwood<br />

Drive-In from Arden Holthus and has clo.sed<br />

the Jayhawk for the .summer, switching bookings<br />

over to the drive-in . Aladdin<br />

Theatre, local sub-run house, now is open<br />

only on Friday, Saturday and Sunday, but offers<br />

a different bill each day. Roger Leeton,<br />

formerly with MGM here, is buying and booking<br />

for the house . DeLong, Mankato,<br />

Kas.. exhibitor, suffered a physical setback<br />

recently and again is confined to his home.<br />

He had been making a slow but steady recovery<br />

after a stroke last summer.<br />

Mr. and Mrs. Vernie Anderson have had<br />

Cinemascope installed in their Starview<br />

Drive-In at McPherson, Kas.. and Mr. and<br />

Mrs. Merle Harris have added Cinemascope<br />

to their drive-in theatre at Hugoton. National<br />

Theatre Supply made both these installations.<br />

At Pratt. Kas., Sol Prank has<br />

added Cinemascope at the Trail Drive-In<br />

Egli III has notified local exchanges<br />

he is closing the Hickory in St. Joseph until<br />

The Dickinson circuit Rialto.<br />

further notice . . .<br />

also in St. Joseph, shuttered Saturday<br />

(26). Consideration is being given to converting<br />

the house, possibly to a bowling alley,<br />

but nothing definite has been decided as yet.<br />

Earl Dyson, Rank Film Distributors manager<br />

here, was visited recently by Irving Sochin.<br />

general sales manager from the Rank<br />

offices in New York, and Al Kolitz of Denver,<br />

regional manager. Dyson last week underwent<br />

minor eye surgery at the Menorah Medical<br />

Center and was allowed to return home<br />

and to be at his desk parttime, on condition<br />

that he "take it easy" on the other eye temporarily<br />

W. C. Kroeger, Howco district<br />

. . .<br />

manager from Memphis, Tenn., was here<br />

working with Bob Carnie. local manager, on<br />

"Walk Into Hell" and "Guns Don't Argue"<br />

which open at the Crest and Riverside driveins<br />

and the Regent Theatre Wednesday (7).<br />

Out of the hospital and greeting FHlmrow<br />

friends was Helen Thomas. l)ooker at the<br />

late Republic Exchange. Helen says she's<br />

gaining strength, but w'ants a little more<br />

fresh air and spring sunshine before getting<br />

lined out on a job again .<br />

Kopulos<br />

of Regal Poppers Supply spent several<br />

days covering the north Missouri territory . . .<br />

Tommy Thompson. BV manager, spent several<br />

days in the territory around Wichita .<br />

. .<br />

Bill Cosby of National Carbon was here last<br />

week renewing acquaintances. Bill used to<br />

have the Kansas City territory, but now<br />

works out of the New York office.<br />

Jack Winningham of NSS made a two-week<br />

trip through western Kansas and took time<br />

out to visit his old sidekick Syd Levy in Denver.<br />

Jack says Syd and his family are in<br />

good health and Syd .sent a big "hello" to<br />

all his friends on Fllmrow and in the territory.<br />

Also at NSS. Ruby Stone, Lou Patz's<br />

secretary, was trying to ward off the flu by<br />

resting at home. Warren Smith, liead shipper<br />

in the trailer department, was spending<br />

part of liis vacation remodeling the family<br />

kitchen—and hoped to squeeze in a .short<br />

trip or two before returning to work. NSS<br />

porter George Grayson and his wife have a<br />

brand new baby daughter.<br />

Missouri exhibitors on the Row recently included<br />

Gene Michael of Braymer, Paul Neal<br />

of the Starlitc Drive-In at Higginsville, Mr.<br />

and Mrs. E. L. FoUmer of the Roxy in Warsaw,<br />

Mrs. Harold Porta of Osceola, John Medlock<br />

of Appleton City, Komp Jarrett of Nevada,<br />

Ed Harris of Neosho, Harley Fryer of<br />

Lamar, Jim and Doc Cook of Mai-yville,<br />

Frank Weary jr. of Henrietta, Bob Klinge of<br />

Mount Vernon, Elmer Bills of Salisbury and<br />

J. Leo Hayob of Marshall.<br />

Kansas theatre folk making Filmrow stops<br />

included Hank Doering of Garnett, Bill Flynn<br />

of Emporia, Mr. and Mi-s. Don Burnett of<br />

Larned, Clark Payne who formerly was with<br />

the Starlight Theatre at Newton as a projectionist,<br />

and Bud Broun of Phillipsburg.<br />

Mr. and Mrs. Nat Hechtman of<br />

(Continued on next news page)<br />

the Capitol<br />

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C-4 BOXOFFICE :: May 5, 1958


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BOXOFFICE May 5, 1958 C-5


. . Hank<br />

. . MPA<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

KANSAS CITY<br />

I Continued from preceding news pnRei<br />

Flag & Banner Company spent several days in<br />

St. Louis and on the return journey stopped<br />

In Columbia to visit with son Elliott and his<br />

wife Beverly. Hechtman's business barometer<br />

shows these titles running high in popularity:<br />

Saddle the Wind, Teacher's Pet, The<br />

Bridge on the River Kwai. Pai-is Holiday. The<br />

Long, Hot Summer and Lafayett* EscadrlUe.<br />

Chris Bean of Hollywood Servemaster will<br />

be on hand in Booth C-245 at the National<br />

Restaurant Show on Navy Pier in Chicago,<br />

May 5-9. The display will include the new<br />

Pop-Up Fri, the only patented automatic<br />

French fryer on the market, and the Roto-<br />

Grille which has several new features Just<br />

being introduced to the trade. Among these<br />

features is a new barbecue spit for chickens.<br />

A move to collect admission for children<br />

under 12 at drive-in theatres here, launched<br />

several weeks ago by the Dickinson circuit,<br />

has been abandoned at least for the time<br />

being. Other drive-ins were expected to follow<br />

the Dickin.son lead, but no others put it<br />

into operation. Going it alone was not effecti\-e.<br />

circuit officials said. The Shawnee<br />

and Leawood drive-ins, where the policy was<br />

tried, are first runs, but most other local<br />

drive-ins are in the sub-run category—a factor<br />

in the decision to follow the old policy.<br />

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The Crest and Riverside drive-ins, which have<br />

Hn elastic policy, switching back and forth<br />

from first to sub-run, had given no consideration<br />

to the admission charge for children.<br />

Commonwealth circuit officials said.<br />

Kliss BoFK, WB manager, has been busy on<br />

"The Left Handed Gun" which will have a<br />

big saturation in the southwest, including the<br />

Kansas City, Oklahoma City and Dallas territories<br />

starting June 4. Some 125 bookings<br />

already have been set in this territory, Borg<br />

.^aid . . . Eric Green, 20th-Fox head booker,<br />

reports "A Man Called Peter" is being brought<br />

back in this territory. Woody Sherrill, 20th-<br />

Fox sales manager, says exhibitors are giving<br />

splendid support to the Morton Levy 40th<br />

Anniversary drive, many booking solid 20th-<br />

Fox playing time. The drive extends from<br />

July 18 through August 30 . . . Ralph<br />

Amacher. UA manager, went to Chicago for<br />

a company sales meeting . . . Don Walker, WB<br />

publicity man. spent a week of his vacation<br />

in Pineville, Mo.<br />

The latest change in the National Theatre<br />

Supply offices is the "new" seafoam gi-een<br />

floor. Actually, it's the old concrete floor<br />

with a coat of Apoxic concrete paint—but it<br />

looks brand new and adds a great deal of<br />

light to the office . Wiggam, Heart<br />

Drive-In Theatre manager, brought reinforcements<br />

on a recent visit to the UA exchange<br />

In the form of his huge and awe-inspiring<br />

police dog—a maneuver to get a better<br />

price break? . President Dick<br />

Orear has called a meeting of all the board<br />

of directors and committee members at<br />

Regan's private dining room at 12:15 today<br />

(51.<br />

seruiinG<br />

Eric Johnston to Speak<br />

ST. LOUTS— Eric Johnston, president of the<br />

Motion Picture Ass'n of America, will address<br />

the St. Louis chapter of the American<br />

Ass'n for the United Nations at its annual<br />

dinner meeting in the Tiara room in the Park<br />

Plaza Hotel here May 12. Johnston also is<br />

chairman of President Eisenhower's International<br />

Development Advisory Board.<br />

Airer Opens Tenth Season<br />

LA CROSSE, WIS.—James McKilllp, manager<br />

of the Star-Lite Drive-In, featured Bozo<br />

the clown and gifts for children and adults<br />

as the theatre inaugurated its tenth anniversary<br />

season.<br />

U 2 years for $5 D<br />

D Remiffonce Enclosed D Send Invoice<br />

THEATRE<br />

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1 year for $3 3 yeors for $7<br />

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825 Van Brunt Blvd., Konsos City 24, Mo.<br />

Nice Chicago Start<br />

For 'Search' at 235<br />

CHICAGO — While there were no flash<br />

bulletins to announce outstanding grosses, it<br />

was contended among the Loop theatres that<br />

business maintained a nice level, particularly<br />

since the film fare primarily comprised holdovers.<br />

"Search for Paradise" got off to a nice<br />

start and group business booked for the future<br />

promises a fairly substantial upturn.<br />

(Average Is 100)<br />

Cornegic Miss Julie (Janus), 3rd wk 135<br />

Chicago ^Pcyfon Plocc (20th-Fox), 8th wk 195<br />

Esquire Desire Under the Elms (Pora) 1 75<br />

Gorrick Snow White (BV), reissue, 5th wk 170<br />

Loop Merry Andrew (M(3M), 3rd wk 175<br />

McVickers South Pacific (Mogno), 4th wk 315<br />

Monroe Return o» Droculo (UA), Flome Borrier<br />

lUA) 160<br />

Orientol The Long, Hot Summer (20th-Fox),<br />

4th wk<br />

I 90<br />

Palace Search for Paradise (Cinerama) 235<br />

Roosevelt The Young Lions (20th-Fox), 3rd wk. 200<br />

State Loke The Bridge on the River Kwai (Col),<br />

6th wk 210<br />

Surf Nights of Cobirio (Lopert), 3rd wk ! 1 30<br />

Todd's Cinestage Around the World in 80 Days<br />

(UA), 55th wk 295<br />

United Artists Run Silent, Run Deep (UA), 5th<br />

wk 185<br />

World Ployhouse Smiles of o Summer Night<br />

(Ronk), 2nd wk 1 80<br />

"Paris<br />

Holiday' Brightens<br />

Poor Kansas Cit'y Week<br />

KANSAS CITY—Only two bright patches<br />

appeared in an otherwise gloom-laden week<br />

here— the opening of "Search for Paradise,"<br />

fourth Cinerama attraction, which did wonderfully<br />

well, and "Paris Holiday," which<br />

opened strong at the Roxy. Otherwise, least<br />

said soonest mended.<br />

Glen, Dickinson and Shawnee and Leowood<br />

drive-ins Ride Out for Revenge (UA); Steel<br />

Boyonet (UA) 100<br />

Kimo And God Created Woman (Kingsley)<br />

12th wk 100<br />

Midland Merry Andrew (MGM); The World Was<br />

His Jury (Col) 85<br />

Missouri Seorch for Paradise (Cinerama) 300<br />

Paramount Chase a Crooked Shadow (WB).... 85<br />

Tower, Fairway and Granada The Female<br />

Animal (U-l), Damn Citizen! (U-l) 75<br />

Uptown The Young Lions (20th-Fox), 4th wk. 90<br />

"South Pacific' 250 Opening<br />

Heralds Long Indianapolis Stay<br />

INDIANAPOLIS — A successful Indiana<br />

opening launched "South Pacific" on what is<br />

expected to be a long run at the Lyric.<br />

"Teacher's Pet," at the Circle, and "The Long,<br />

Hot Summer," at Keith's, also opened big and<br />

appeared headed for extra playing time.<br />

Circle Teocher's Pet (Para)<br />

Esquire And God Created Woman (Kingsley),<br />

200<br />

I 6th wk 80<br />

Indiana Motorcycle Gang (AlP); Sorority Girl<br />

(AlP) 90<br />

Keith's The Long, Hot Summer (20th-Fox) . . . . 1 75<br />

Loew's Merry Andrew (MGM); The Safecracker<br />

(MGM) 85<br />

South Pocific (Magna) 250<br />

Lyric<br />

Don Mott New Assistant<br />

To Maurice J. DeSwert<br />

INDIANAPOLIS—Don Mott has been ap-<br />

{Xjinted assistant manager of the Indiana<br />

Theatre of the Greater Indianapolis Amusement<br />

Co., according to Maurice J. DeSwert,<br />

manager of the Indiana.<br />

Mott, 22, has been associated with the Esquire<br />

Theatre and the Shadeland Drive-In,<br />

He has served as promotion director for<br />

WAJC and studied radio and television at<br />

Butler University. He recently returned from<br />

active duty tour with the Air Force Reserve.<br />

C-6 BOXOFFICE May 5, 1958


I<br />

!<br />

THEATRE<br />

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each<br />

. . . Kenneth<br />

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to receive information regularly, as released, on<br />

the follov/ing subjects for Theatre Planning:<br />

n Acoustics<br />

Lighting Fixtures<br />

n Air Conditioning Plumbing Fixtures<br />

n Architectural Service Q Projectors<br />

n<br />

n "Black" Lighting [-|<br />

D Building Material<br />

LJ Carpets<br />

n Coin Machines<br />

Complete Remodeling -^<br />

Decorating<br />

D Drink Dispensers<br />

Drive-In Equipment<br />

D Other Subjects<br />

Theatre<br />

lJ<br />

D<br />

D<br />

Projection Lamps<br />

Seating<br />

Signs and Marquees<br />

Sound Equipment<br />

Television<br />

Theatre Fronts<br />

Vending Equipment<br />

CHICAGO<br />

Mat King Cole, here a day to pluH "SI.<br />

Loui.s Blue.s," had a busy schedule with<br />

visits to the di.sc jockeys and appearances on<br />

TV shows. From here he went to Washington<br />

to meet his wife Marie . Katz,<br />

Universal pre.ss chief, was in New York for<br />

home office conferences . Belman,<br />

head of Midwest Poster Co., went to Omaha<br />

for a visit with his mother.<br />

"Another Time, Another Place" is scheduled<br />

to follow "Desire Under the Elms" at the<br />

Esquire. The "Elms" censorship litigation<br />

was reported to have hurt at the boxoffice.<br />

The theatre is popular with young adults and<br />

college groups and these usually steady patrons<br />

were not allowed in the Esquire during<br />

the "Desire Under the Elms" run. The Chicago<br />

critics denied the obscene implication<br />

placed on the film by the police censor board.<br />

"Teacher's Pet" attendance at the Woods<br />

Theatre has bolstered the opinion that personal<br />

appearances of major personalities<br />

boost business at the boxoffice. The "Pet"<br />

visitors were Clark Gable and Doris Day . . .<br />

Gus Marches! of the Marches! circuit was on<br />

Irving Mack flew to New York<br />

FUmi'ow . . .<br />

to check interests there.<br />

Sam Gorelick, head of Rank Film Distributors<br />

in this area, returned from Milwaukee<br />

Hargreaves, Rank president,<br />

and Manager Sam Gorelick, St. Louis, visited<br />

situations in Minneapolis, Milwaukee and<br />

Chicago . Raymer, general manager for<br />

the Schoenstadt circuit, is going to miss his<br />

father, mother and brother, who left May 1,<br />

to become Miami Beach residents. Brother M.<br />

M. Raymer has been chief deputy recorder<br />

for Cook County for over 30 years . . . MGM<br />

publicist Norman Pyle is already deeply<br />

engrossed in fanfare plans for the opening<br />

of "Gigi" at the Woods Theatre July 1 . . .<br />

Sally Nagel, MGM head booker, has moved<br />

into a new apartment.<br />

Herb Wheeler of Stanley Warner Theatres<br />

vacationed in Florida . . . Abbott Theatre<br />

Equipment Co. installed a pair of new RCA<br />

Brenkert projectors in Sylvan Goldfinger's<br />

Loop Theatre . Bluemenfeld of MGM<br />

is enjoying a three-week vacation at Miami<br />

Beach.<br />

Ira Kutok is returning to Bethany Methodist<br />

Hospital for another session in connection<br />

with a hip injury. Kutok made an<br />

amazing recovery following an automobile<br />

accident some two years ago but the hip has<br />

been a constant source of pain and trouble.<br />

.<br />

age the western territory in addition to the<br />

midwestern area he has handled during his<br />

14 months with the company .<br />

Adele<br />

Wolk of Edward H. Wolk, Inc., attended the<br />

Variety convention in London. She will tour<br />

various European countries for the next<br />

three months . Blumenthal has returned<br />

to Michael Reece Ho.spital . . . The<br />

Variety Club of Illinois Is presenting Its<br />

Mother's Day party Saturday (10). Francois<br />

Pope, whose famous cuisine is known<br />

coast-to-coast, is chairman. Nat Nathan.son<br />

of Allied Artists is co-chairman<br />

Helman of United Artists,<br />

.<br />

recently<br />

. Morris<br />

ho.spitalized<br />

in Plymouth, Ind., because of an automobile<br />

accident, is back on the job, but is<br />

finding that moving about is painful.<br />

Bob Hope took time out from a hectic<br />

opening at the Oriental of "Paris Holiday"<br />

to film an appeal for the Variety Club on<br />

behalf of LaRabida Sanitarium. The filming<br />

was done with a Filmack crew .<br />

A.<br />

Niles Film Productions will conduct a film<br />

seminar May 5-9. A similar seminar was held<br />

at the Niles studios last year, drawing a total<br />

audience of 800 person involved in film production.<br />

Lawrence Goodwin Dies<br />

KANSAS CITY — Services for Lawrence<br />

Merry Goodwin, 56, formerly of Kansas City,<br />

were held at St. Paul's Episcopal Church here<br />

Tuesday (29). Goodwin died Saturday of a<br />

heart attack. He had been Detroit resident<br />

vice-president of United Film Service since<br />

1945. Goodwin was a native of Kansas City.<br />

Burial was in Mount Washington cemetery.<br />

W. Hardy Hendren, president of United Film<br />

Service, was one of the pallbearers.<br />

CANDY-POPCORN<br />

SEASONING — BOXES — BAGS<br />

For Theatres and Drive-ins<br />

— SEND FOR —<br />

NEW LOW PRICE LIST<br />

Distributors For<br />

LORRAINE<br />

CARBONS<br />

(ASSIGN ORANGE<br />

Freight Paid en Ordtra of $100.00 or Mora<br />

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Seating Capacity.,<br />

Address<br />

City<br />

State<br />

Signed ....<br />

Postage-paid reply cards for your further conveaience<br />

in obtaining information are provided in The MODERN<br />

Section, published with the first issue of<br />

month.<br />

Producers of "God's Little Acre" agreed to<br />

make several cuts and got a Legion of Decency<br />

"B" rating. The picture opens at the<br />

United Artists Theatre May 15. Author Erskine<br />

Caldwell arrived here Monday (5) to<br />

talk about the film and the censorship involved,<br />

and Tina Louise of the picture is to<br />

arrive Wednesday . Rackmil, president<br />

of U-I Studios and Decca Records, conferred<br />

with the local staff . . . S. I. Hutchinson<br />

arrived here to take over the management<br />

of the Pantheon Theatre. He was formerly<br />

an exhibitor in Boston and Kansas<br />

City.<br />

Kermit Russell of DCA is receiving congratulations<br />

on his promotion as western sales<br />

manager. He will headquarter here and man-<br />

RCA SERVICE COMPANY, INC.<br />

1315 So. Wabash Avenue<br />

Chicago S, Illinois WAbosh 2-0679<br />

theSstre equipment<br />

442 N. ILLINOIS ST., INDIANAPOLIS, INO.<br />

"Everything for the Theatre"<br />

BOXOFFICE May 5, 1958 C-7


Minier, IIL, Keeps Its Theatre Going,<br />

Thanks to Cafe Man, Other Leaders<br />

MINIB:R. ill— This Tazewell County town<br />

of 800 persons wouldn't let its motion picture<br />

theatre die— television or no television.<br />

Jean BeMent, who operates a restaurant<br />

here, offered proof.<br />

He also is the unpaid manager of Minier's<br />

only theatre. The movie house— it's called<br />

the Minier—closed in 1956. unable to stand<br />

the competition of the magic boxes which<br />

moved entertainment into the living room.<br />

Sixteen months ago BeMent and more than<br />

20 other Minier business leaders decided<br />

they couldn't let the community be without<br />

a movie. And since it was BeMenfs idea, he<br />

was assigned the manager's job. He still has<br />

it. a somewhat wiser man than when he<br />

started.<br />

The theatre has survived thus far. and<br />

now screens its films on Saturday nights and<br />

Sunday afternoons. It wasn't able to manage<br />

the six-day-a-week program attempted at<br />

first.<br />

BeMent and the other community leaders<br />

formed the Minier Community Theatre, Inc.,<br />

and each put up $25 to get it started. After<br />

the idea caught on, more money came in from<br />

a number of other citizens who didn't want<br />

to see the town's only movie die. The theatre<br />

still has a small loss on its operations.<br />

"We set our sights too high at first," Be-<br />

Ment said. "None of us knew anything about<br />

rurming a theatre. The programming was one<br />

of the hardest things to figure."<br />

When the community project got started<br />

BeMent attempted to show films aimed at<br />

.specified age groups—adult movie.s. children's<br />

movies and so on.<br />

"Now we stick to family type picturesmovies<br />

everyone likes to see," he said.<br />

In recent weeks 'Cinderella" was probably<br />

the most popular. The family audiences also<br />

liked a film starring Hvis Presley.<br />

BeMent al.so has learned quite a bit about<br />

quibbling over film rental prices. The rental<br />

fees can be reduced with good arguments.<br />

"I told them our life was at stake, and<br />

they've gone along with us," he .said, referring<br />

to film salesmen.<br />

A projectionist, a ticket gii-1 and two high<br />

school students are tJie only employes. They<br />

are paid modestly. The theatre building owner<br />

cooperates by renting the premises for what<br />

its taxes and maintenance add up to.<br />

Movie prices are 25 cents for children and<br />

50 cents for adults. A good weekend draws<br />

at)0ut 500 patrons.<br />

"I'm the cheapest babysitter in town," Be-<br />

Ment said. "I keep them from 1 :30 to 4 o'-<br />

clock for a quarter."<br />

John DeLand Is Manager<br />

LOGANSPORT, IND.—John DeLand has<br />

assumed the duties of manager of the Times<br />

Theatre here from John Crum, who has been<br />

in the post the last six months.<br />

Many New Uses Planned<br />

For Indianapolis House<br />

INDIANAPOLIS — "Hie Indiana Theatre,<br />

the city's largest film house, and the building<br />

of which it is a part will be used for conventions<br />

and similar purposes starting next fall<br />

without abandoning the motion picture policy.<br />

The announcement was made jointly<br />

by Dale McFarland, general manager of the<br />

Greater Indiana|X)lis Amusement Co., which<br />

operates the house, and Leo M. Rappaport,<br />

president of the Circle Theatre Co.. which<br />

owns it.<br />

The roof ballroom, which occupies the fifth<br />

floor and accommodates 2.500 guests at banquet.s,<br />

also will be involved. Plans call for converting<br />

the bowling alleys in the basement<br />

of the building into 25.000 square feet of exposition<br />

space. The theatre, which has closed<br />

circuit television equipment, will be available<br />

for concerts, lectures and legitimate stage<br />

events as well as for conventions, McFarland<br />

said. They will be coordinated with the<br />

theatre's regular film engagements.<br />

Plans for the city and county to build a<br />

civic auditorium jointly have been stymied<br />

by legal difficulties that depend on a further<br />

enabling act by the legislature. Availability<br />

of the Indiana Theatre Building is expected<br />

take up the slack by making further con-<br />

to<br />

vention facilities available immediately.<br />

'80 Days' at Anderson<br />

ANDERSON, IND. — Following renovation<br />

and re-equipping, the Riviera Theatre here<br />

was reopened by Alliance Theatre Corp. for<br />

showing of "Around the World in 80 Days."<br />

If It's Good Promotion<br />

someone<br />

BOXOFFICE<br />

will<br />

report it in • • • •<br />

/" Fresh from the scenes of the activities each "week come constant "^<br />

reports of merchandising of films. Most of these are ideas vou<br />

can use for -your o-wn promotion. All of them are interesting and<br />

most of them are profitable in other similar circumstances.<br />

Make<br />

full use of these practical ideas hy practical sho"wmen, man'y of<br />

whom 'you ma'y know.<br />

Motion pictures lend themselves ideall'y to good advertising. The public interest is<br />

high.<br />

Capitalize on the interest that already exists and increase your attendance<br />

'with proved ideas.<br />

C-8 BOXOFFICE :: May 5, 1958


Alabama-Georgia Assns<br />

Meet in Atlanta May 20<br />

ATLANTA—The oft'iceis and directors of<br />

the Alabama Theatres Ass'n and Motion Picture<br />

Theatre Owners & Operators of Georgia,<br />

at a meeting here, decided to hold their joint<br />

annual convention, but It will be an abbreviated,<br />

strictly business "dividend convention."<br />

so-called because the cost of the<br />

convention will be borne out of the treasuries<br />

of the two organizations. Tliere will be no<br />

registration fees required of the members.<br />

The gathering will be held Tuesday and<br />

Wednesday, May 20. 21. at the Dinkier Plaza<br />

Hotel here.<br />

In keeping with the necessity of bringing<br />

the greatest amount of information and assistance<br />

to exhibitors in the shortest time<br />

possible, the program will be streamlined and<br />

stripped for action. Opening with a luncheon<br />

on Tuesday, at 12;30 p.m.. hosted by the<br />

Nehi Coi-p.. the meeting will immediately<br />

slip into high gear. To be heard in the afterflorida's<br />

FIRST Supply House<br />

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NEW PHONE . . . 8-5189<br />

NEW CONVENIENT PARKING<br />

for Our Customers<br />

Visit us at our new building<br />

UNITED THEATRE SUPPLY CORP.<br />

206 Memorial Highway<br />

lompo, Florida Phone 8-S189<br />

Moil Address: Box J75, Tampo 1, Flo.<br />

I<br />

Sno Cone Machines<br />

Popcorn Machines<br />

Hot Dog Machines<br />

ALSO<br />

Complete Line of Concession Supplies<br />

THE QUEEN FEATURE SERVICE,<br />

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Complete Theatre & Drive-ln Equipment<br />

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wograms<br />

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WRITE FOR SAMPLESWO.1 11^8<br />

noon se.s,sion will be Ernest Stelling.s. pre.sicient<br />

of TOA.<br />

Al.'-o on the afternoon agenda will be que.stion<br />

and answer forums, a panel di.scus.sion,<br />

report.s on product and outlook and the annual<br />

reports of officers and directors and<br />

election of officers. Thus, an even more comprehensive<br />

agenda will have been presented<br />

in one afternoon than thai formerly requiring-<br />

the batter part of two days<br />

The two organizations have booked Sindlinger<br />

& Co.'s Ticket-selling workshop for<br />

all of Wednesday (21). This, too, will be free<br />

to the member-ship. Nonmembers are welcomed<br />

but they will pay the standard fee of<br />

$15, which will include the luncheon on Wednesday,<br />

to be hosted by Coca-Cola. Exhibitors<br />

from all the southeastern states have been<br />

invited to avail themselves of this opportunity<br />

to attend the work.'ihop.<br />

The Tuesday luncheon and afternoon meeting<br />

will be a "dividend," absolutely free, to<br />

all. including nonmember exhibitors.<br />

JohnB.DumestreDies;<br />

Equipment Firm Head<br />

ATLANTA—Funeral services were held<br />

Tuesday i22) at the St. Thomas More Church<br />

for John B. "Jack" Dumestre, president of<br />

Southeastern Theatre Equipment Co., who<br />

died Sunday night (20) here. Msgr. Thomas<br />

I. Sheehan officiated and entombment was in<br />

Westview Abbey.<br />

Dumestre had long been a leader on Filmrow<br />

in Atlanta and New Orleans, belonging<br />

to the Variety Club and taking an active<br />

part in Mardi Gras affaii-s in the Louisiana<br />

city. He was a native of Gretna. La.<br />

Dumestre started his industry career in<br />

Louisiana with Pathe. following up as a territory<br />

representative for RCA, then came to<br />

Atlanta to open the equipment firm. He established<br />

branch offices for the equipment<br />

firm in New Orleans, Charlotte and Jacksonville.<br />

MEMPHIS „<br />

. . C. N. Eudy,<br />

P"rank Cianoiola of Memphis has purchased<br />

the Grove Theatre at Holly Grove, Ark.,<br />

from Mrs. George Young .<br />

Ackerman. Ackerman: Mrs. Henley Smith,<br />

Skylark Drive-In, Clarksdale. and Lawrence<br />

Foley, Palace, Tunica, were among visiting<br />

Mississippi exhibitors . . E. L. Boggs, Joy,<br />

.<br />

Havti, Mo., was in town.<br />

. . .<br />

From Tennessee came N. B. Fair. Fair.<br />

Somerville; W. F. Ruffin jr.. Ruff in Amusements<br />

Co.. Covington; Robert Lax. Skj-vue<br />

Drive-In. Paris: Guy Amis. Pi-incess, Lexington,<br />

and Amelia Ellis. Ellis Drive-In. Millington<br />

. . . J. C. Tunstill. United Theatres Coi-p-.<br />

announced that the Ark-Air- Drive-In, Clarendon.<br />

Ark., and Dixie Drive-In, Hope. Axk..<br />

Rockwood<br />

were open for the season<br />

Amusement Co. opened the Skyway Drive-In.<br />

Humboldt, and the Carroll. Huntingdon.<br />

ROSKELLEY IS<br />

After illness,<br />

BACK!<br />

the 'Old<br />

Hot Dog Barker" is<br />

with FINEST TAPES<br />

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Same Quality! Same Price!<br />

LESS<br />

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Personalized<br />

TAPE<br />

RECORDED<br />

PROGRAMS<br />

to<br />

bcLL concessions<br />

before the show and<br />

during intermission.<br />

Expertly produced by a former<br />

CBS announcer-producer, who<br />

has been a guest panelist at<br />

MGM Ticket Selling Workshops—we<br />

know that our programs<br />

will sell concessions.<br />

Exnertly done to sound—and<br />

they sound as though the announcer<br />

were present in your<br />

own projection booth.<br />

Expertly tailored to your theatre's<br />

needs, or to each theatre<br />

in<br />

your group.<br />

Expertly being done currently<br />

for theatres in 14 States.<br />

The cost! Yes, less than a<br />

dollar a night—S6.50 per week<br />

—for a complete new recorded<br />

program each week.<br />

send us make and model<br />

lust<br />

of your recorder and complete<br />

details of your theatre. We'll<br />

produce for you tape recorded<br />

programs that will SELL your<br />

concessions.<br />

"Have Tapes<br />

Will<br />

Mail<br />

Everywhere."<br />

^ EDWARD L.<br />

KOSKELLEY producer<br />

Box 2228<br />

Custom-Made Tape Recordings<br />

Phone EMerson 6-2802<br />

Odessa, Texas.<br />

"The HOT DOG BARKER"<br />

BOXOFFICE :: May 5, 1958 SE-1


. RIGHT<br />

. . . Leo<br />

. .<br />

Sympathy<br />

. . Out-of-town<br />

. . Don<br />

. . John<br />

Wf IV<br />

ORLEANS<br />

Uollywood celebrities here to participHte in<br />

prc.show activities for "South Pacific" at<br />

the Panorama Theatre included Frances<br />

Nuyen, French-Chinese actress who plays the<br />

role of a native Rtrl In the film; Linda Darnell<br />

and her husband, Robert Robertson;<br />

BUSINESS<br />

OFF?<br />

B receipts show the results, but never<br />

the CAUSE! Frequently, it's merely o<br />

matter ot improved seating comfort that<br />

spells the difference Check your seots.<br />

Moybe it'll take only a bit of repairing,<br />

replacing some parts or some torn coverings.<br />

No matter how small, we do every<br />

job thoroughly, quickly ond very economically.<br />

Not an hour of show time will<br />

be lost And you hove everything to<br />

gain by asking for our ideas and estimate<br />

NOW!<br />

WRITE, WIRE or PHONE ALPINE S-8459<br />

Manufacturers<br />

Foam Rubber &<br />

Spnr>g Cushiora<br />

bock and<br />

covers.<br />

Distributars<br />

:|::;i:j Uptiolstery fabrics<br />

:^§;S ond general seating<br />

supplies.<br />

Maureen O'Hara and Cleo Moore. The premiere<br />

was at 8 pjn. Tuesday. April 29, with<br />

tickets costing $10 each. Proceeds were for<br />

the benefit of Boys Towns of Italy. Miss<br />

Darnell's appearance here was prompted by<br />

her Interest in the national humanitarian<br />

program for the underprivileged boys of Italy.<br />

New Filmrow babies: Daniel Anderson<br />

Bevelo. second son and third child of Andy<br />

and Maxinc Bevelo. born April 19; father<br />

books for E:xhibltors' Cooperative Service . . .<br />

A son for the Freddie Felger household, the<br />

first boy and fourth child; father is head<br />

shipper for Harold F. Cohen Enterprises.<br />

Judson Moses, MGM, was here to promote<br />

the Friday (2) opening of "Saddle the Wind"<br />

at Loew''s State exhibitors<br />

.<br />

on Filmrow were Tom Watson, EUisville,<br />

Miss.; Ed Jenner, Laurel, Miss.; E. Couch,<br />

Gulf, Pensacola, Fla., and George Wiltse,<br />

Dallas, owner of the St. Bernard Drive-In.<br />

.'\rabi, accompanied by his manager, Robert<br />

Ricouard .<br />

is extended to C. C.<br />

and Henry Meyers, Biloxi, Miss., on the death<br />

of their brother. He was associated with them<br />

in operation of their theatres.<br />

Betty Moore, Richard Center and co-editor<br />

of the WOMPI Whoopee, was honored Friday<br />

night, April 25. by co-workers and friends<br />

at a surprise bridal shower buffet supper at<br />

the home of Jane Ellen Moriarity . . . William<br />

Murphy jr., manager of the Southeastern<br />

Equipment Co., planed to Atlanta for the<br />

funeral of his uncle. John B. "Jack" Dumestre<br />

Seicshnaydre. manager of Republic<br />

Pictures, was on a week's business trek in<br />

northern Louisiana. Republic salesman Bill<br />

Thomas returned from a two weeks trip<br />

through Mississippi.<br />

. . Charley<br />

AI Silvers of the Film Inspection shipping<br />

department was vacationing leisurely at<br />

home, with several fishing trips planned to<br />

nearby lakes and bayous . Yarborough,<br />

20th-Fox publicity representative, was here<br />

from his home base in Atlanta to confer with<br />

local manager William Briant<br />

Jones is one of two bookers<br />

.<br />

slated to come<br />

here from Warner Bros, booking department<br />

at Memphis. The exchange there is being<br />

Barney Woolner of Warner Bros.<br />

closed . . .<br />

Pictures returned to Hollywood after a brief<br />

stay here. His big present in productions is<br />

a series of television pictures.<br />

Xong Summer' Draws<br />

Big 150 in Memphis<br />

MEMPHIS—Two local first runs had better<br />

than average attendance for the week.<br />

All others hit average.<br />

(Average Is 100)<br />

Maico—The Long, Hot Summer (20th-Fox)<br />

3rd wk 150<br />

Palace—Run Silent, Run Deep (UA), 3rd wk 100<br />

State—Touch of Evil (U-l) 100<br />

Strond—St. Louis Blues (Para) 100<br />

Warner—The Bridge on the River Kwoi<br />

(Col), 4th wk<br />

1 20<br />

CHARLOTTE<br />

niice Craver, Universal, was elected president<br />

of the WOMPI Club at the Delmonico<br />

restaurant. Others elected: Betty Beatty,<br />

MGM, fir.st vice-president; Mildred Hoover,<br />

Paramount, second vice-president; Mack<br />

Wess. Allied Artists, treasurer; Viola Wlster,<br />

Howeo, corresponding secretary, and Jo Williams,<br />

Standard, recording secretary. Irene<br />

Monahan, Howco; Mildred Warren. Fox. and<br />

Nancy Wise. United Artists, were elected to<br />

serve two years on the board of directors.<br />

Nancy Wilson, MGM, presided at the meeting,<br />

Rebecca Miller, NSS. was guessed to be<br />

WOMPI OF THE MONTH by Hazel Miller<br />

of Universal.<br />

Effective Sunday, April 27, C. E. Myers took<br />

over operation of the Meyers Theatre, Ayden.<br />

previously operated by Stewart-Everett Theatres<br />

. . . Bill Harris, son of Mack Harris,<br />

Center Theatre. Maiden, has been released<br />

from a Charlotte hospital and is recuperating<br />

at home from injuries received in an<br />

automobile accident . W. Giddens jr.<br />

took over operation of the Circle G Drive-In,<br />

Burlington, April 11. Mr. and Mrs. Giddens<br />

were in town conferring with the Charlotte<br />

Booking Service.<br />

Tommy Shaw of Charlotte Booking Service<br />

became father of a fourth child, named<br />

Jim Wallace of the<br />

Bennie Thomas jr. . . .<br />

Sky-Vue Drive-In. Sumter, S. C, is now doing<br />

his own booking and buying.<br />

SERVICE<br />

and<br />

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for over 20 years<br />

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When you're providing "good times" for your customers,<br />

include the good taste of Dr Pepper! It's<br />

just plain good business<br />

to heighten their enjoyment by making available the pure, distinctive<br />

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a product in demand every month in the<br />

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BOXOFTICE :: May 5, 1958 SE-3


ATLANTA<br />

F, has taken<br />

HoUey. operator of the<br />

•Pony Lombardo of Harriman, Tenn. has<br />

taken over and reopened<br />

Dunnway<br />

the Fox at<br />

Kingston. Tenn. .<br />

over the Rex at<br />

. . C.<br />

Alexander City. Ala., from<br />

J. L. Denny . . . J. R.<br />

drive-In at Wetunipka, Ala., has changed the<br />

name from Encore to Dixie Drive-In .<br />

Robert Rainey. son of UA cashier Beatrice<br />

Finch, recently won the Southside Safe Driving<br />

Road-E-O. This was a contest designated<br />

to test the skill, alertness and attitude of<br />

younR drivers. Twenty-four students from<br />

four Atlanta high schools competed. Robert<br />

received an engraved plaque.<br />

Two cancer films, sponsored jointly by the<br />

auxiliary of the Fulton County Medical Society<br />

and local units of the American Cancer<br />

Society, were shown Thursday ilt at the<br />

following theatres: Empire. Peachtree Art.<br />

East Point. E>ecatur. Gordon. Buckhead,<br />

Plaza. Glenn and Madison. Negro theatres<br />

showing the films were the Ritz. Ashby and<br />

Royal. A physician was present at each theatre<br />

to answer questions. The theatres were<br />

flLfH<br />

BOOHIOG OfflCt<br />

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$175,000 Fire Ruins<br />

Ardmore Tivoli<br />

ARDMORE, OKLA. — Fire engulfed the<br />

Tivoli Theatre in the center of Ardmore's<br />

business district early Saturday, resulting in<br />

a loss estimated at $175,000. No cause of the<br />

fire was determined.<br />

The entire Ardmore fire department and<br />

three trucks from the Ardmore Air Force base<br />

were called into action to confine the blaze<br />

to the theatre. Additional loss resulted from<br />

smoke and water damage to Eden's restaurant<br />

and Campbell's clothiers, in adjoining buildings.<br />

A barber shop, in the theatre building,<br />

was also lost.<br />

The fire was discovered by a city patrolman<br />

in a cruiser who called the fire department<br />

at 6:10 a.m.<br />

The theatre building was owned by L. T.<br />

Love, and a partner, who lives in Arkansas.<br />

Love estimated loss to the building at $125,000.<br />

Allen B. Dean, manager of the Video Independent<br />

Theatre, estimated loss to fixtures<br />

and equipment at $50,000. The theatre was<br />

currently showing "The Bridge on the River<br />

Kwai."<br />

Wideman Back Home<br />

Tro'y<br />

PONCA CITY. OKLA.—Troy Wideman, for<br />

many years projectionist at the Poncan Theatre,<br />

is back home after an operation at<br />

Temple, Tex. He expects to be back on the<br />

job in about two months.<br />

• PRACTICAL


. . Erskine<br />

. . Douglas<br />

DALLAS<br />

The five-day heavy rains which hit north<br />

central Texas, Including Dallas and Port<br />

Wortii. last week put a crimp In drive-In attendance,<br />

particularly. On Saturday i26i<br />

three and one-half inches of rain deluRod<br />

the city and blocked traffic on a number of<br />

streets. On Tuesday, another storm before<br />

noon, which included heavy rain, hail and<br />

60-mile-an-hour winds, caused havoc among<br />

commercial firms, but no drive-ins reported<br />

blowdowns and all were in operation during<br />

the siege of rain and a pair of tornado<br />

alerts. Of course, business was away off. but<br />

no ozoner had to close. Even Robert Hartgrove's<br />

Twin Hiways Drive-In, on the Port<br />

Worth highway, was able to continue nightly<br />

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following sizes. 24/1') ounce and 6/10<br />

(6 pounds, 8 ounces per can).<br />

Alamo Concession Supply Company<br />

Associated Popcorn Distributors<br />

Cohen Candy Company<br />

Houston Popcorn & Supply Company<br />

San Antonio<br />

Dallas and Houston<br />

Dallas<br />

Houston<br />

Corpus Christ! Concession Supply Company Corpus Christ!<br />

Logan Concession Supply Company<br />

Tulsa<br />

Modern Sales & Service Company Dallas<br />

Panhandle Popcorn Company<br />

Plainvlew<br />

H. G. Townsend Company Shreveport<br />

SW-2<br />

ATCO FOOD COMPANY<br />

2921 Commerce<br />

• Dallas<br />

showings, though the area was water-covered.<br />

The Corral Drlve-ln at Breckenrldge,<br />

owned by Bill Creagh, suffered a blowdown<br />

of it,s 55-foot higli screen and other damage<br />

when a windstorm and rain hit the west<br />

Texas city early Sunday (20i. Smashed were<br />

three cabins that were used for storage space.<br />

A fourth cabin, housing brother John<br />

Creagh. his wife and two children. al.so was<br />

struck by the storm, but fortunately all occupants<br />

were safe. The severe damage was<br />

shown in a three-column picture on the<br />

front page of the Breckenrldge daily paijer,<br />

abetted by a two-column story. Tlie Corral<br />

had been open since June 1949. Creagh purchased<br />

the Tiail Drive-In, also in Breckenrldge.<br />

in 1954. but it isn't being operated and<br />

Creagh said he wouldn't reopen it while the<br />

Corral is being rebuilt.<br />

. . .<br />

Fred Beiersdorf, manager for DCA here,<br />

was back at his office after a hospital stay<br />

Andy Sisk. booker, is "sweating" the<br />

Southwest Conference baseball race, since<br />

his son Billy is a pitcher on the Texas Tech<br />

College team at Lubbock .<br />

Pairbanks<br />

jr.. producer, and Anne Baxter, star of<br />

"Chase a Crooked Shadow," appeared at the<br />

Palace Friday i25), where the film is playing<br />

. . Cinerama's "Search for Paradise,"<br />

.<br />

now in five weekend showings only at the<br />

midtown Melba, is due to close May 18 . . .<br />

Mr. and Mrs. Herman Beiersdorf, on a<br />

three-week vacation, have been in Acapulco,<br />

Mexico, and are now in Los Angeles. He's<br />

with Empire Pictures here.<br />

Bob Hope and local girl Martha Hyer, starring<br />

In Hope's latest picture. "Paris Holiday,"<br />

made a 45-mmute stage appearance at the<br />

Palace Friday night, to assist a special charity<br />

benefit showing of the film for the Boys<br />

Camp sponsored by the Salesmanship Club.<br />

Miss Hyer. daughter of Judge Julien C. Hyer,<br />

came in earlier in the week for a visit with<br />

her parents. On Thursday she spent an hour<br />

in the Palace boxoffice, selling tickets to<br />

the charity show.<br />

Al Hughes, United Artists booker, and a<br />

playwright in his spare time, will have his<br />

one-act comedy, "The Wildest Woe," staged<br />

by an acting group, the Entertainers, at the<br />

USO buildings in this area and also at the<br />

Veterans hospitals in Dallas, McKinney and<br />

Waco .<br />

Caldwell, the author, and<br />

Tina Louise, the star of "God's Little Acre,"<br />

will visit here May 6, 7 for a round of interviews<br />

heralding the film, which will open at<br />

the Palace May 22.<br />

Wayne Long Suit Against<br />

Frontier Is Dismissed<br />

EL PASO—The United States district court<br />

has dismissed an antitrust action brought by<br />

Wayne Long against Frontier Theatres. The<br />

action came on a motion to dismiss the case<br />

and was heard by Judge R. E. Thomason.<br />

Long entered a complaint of over-bidding by<br />

Frontier Theatres, thereby depriving his theatres<br />

of important product.<br />

The court held that there was no conspiracy,<br />

and there could be none between a<br />

corporation and its officers and employes in<br />

performance of their ordinary task. There<br />

was, therefore, Judge Thomason said, no<br />

violation of the Sherman Act, even if high<br />

bidding was involved. The motion picture<br />

distributors were not named as defendants.<br />

SAN ANTONIO<br />

. . . Maurice<br />

T awrence Bernard, former Interstate employe.<br />

Is undergoing treatment at Brooke<br />

General Army Hospital at Fort Sam Houston.<br />

Lawrence was treasurer at the State Theatre<br />

for many years. He is now employed at<br />

Perry-Shankle Distributors, distributor of<br />

RCA radios and television<br />

Gleaves. also a former Interstate theatres<br />

manager, is now manager of a new Don &<br />

Ben's liquor store. Maurice formerly was<br />

manager of the Texas Theatre.<br />

. . . Lt. Harris, a<br />

Raymond Rodriguez, former chief of service<br />

at the Majestic Theatre, is home on leave<br />

from the Navy prior to leaving<br />

WUliam<br />

for his next<br />

station in Alaska<br />

graduate of Trinity University and once a<br />

big help to Interstate theatres on college<br />

activities and tieups, was in town for a short<br />

visit. Harris, with the Army Motion Picture<br />

Service of the Signal Corps, is stationed in<br />

New York and his duties are supervising<br />

filming of training films for all branches of<br />

the service. He hopes to enter theatre advertising<br />

and public relations work when he<br />

completes his Army tour.<br />

The Aztec Theatre will show "The Bolshoi<br />

Ballet" for one performance only May 7 at<br />

8:30 p.m.. with all seats reserved.<br />

Kevin Genther, Warner Bros, press agent,<br />

was in town arranging for the personal appearances<br />

of Anne Baxter and Douglas Fairbanks<br />

Jr., at the Aztec Theatre. The press<br />

and radio met Miss Baxter and Fairbanks<br />

at a special breakfast at the Menger Hotel . . .<br />

Eric Brendler. manager of the Broadway<br />

Theatre, is offering free bus transportation<br />

for the showing of "Peyton Place." The local<br />

transit company has a large open-air party<br />

bus and this was used during the Fiesta<br />

celebration. It cruised up and down main<br />

streets three hours before the big parade,<br />

ballyhooing the attraction and picking up<br />

customers for "Peyton Place."<br />

Count on<br />

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2029


OKLAHOMA CITY<br />

p B. "Red" Leathers, who owns and operates<br />

two theatres and one drive-in in Paducah,<br />

Tex., was a recent patient for a checkup<br />

at Mayo's in Rochester, Minn. Red said<br />

the doctors told him that he has nothing to<br />

worry about. Red says he may not open his<br />

drive-in until fall, depending on crop conditions.<br />

Wheat never looked better, and the<br />

land is in fine shape for a big cotton crop<br />

next fall . . . Richard L. Griffith & Co.,<br />

Tulia. Tex., were to reopen the Tulia Drlve-<br />

In last week. They will close the Royal for<br />

extensive remodeling and renovation, including<br />

a complete repainting job, both inside<br />

and out. a new marquee, up-to-date lighting<br />

and sign effects.<br />

Watt Long and his manager, Raymond Patton,<br />

of Hollis, Okla.. are renovating and<br />

painting the Hollis Drive-In, which will open<br />

between May 15 and June 1, depending upon<br />

the weather. Much work al.so will be done<br />

on the Lavista Theatre, which may be closed<br />

for some time while the drive-in is operating.<br />

Mrs. Long is ill and has been confined<br />

to her home for several months, and Long<br />

does not venture far from home.<br />

R. Tom Lewis, who operates the Max Theatre,<br />

Cherokee, has finally taken up fishing.<br />

Tom, who weighs about 250 pounds, says that<br />

if he can get a fishing line strong enough to<br />

hold a small whale, he feels that he has the<br />

courage and strength to try and pull him out<br />

of the water. He is now assembling his fishing<br />

tackle. It is said that in order to be a<br />

good fisherman, one must have at least 57<br />

different pieces of tackle. Prom the looks of<br />

what Tom bought, he's going to be a good<br />

a good number<br />

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85 Van Broom St., Pittsburgh 19, Po.<br />

fisherman. His main fishing .spot will be the<br />

Great Salt Plaiiis Lake Just a few miles east<br />

of Cherokee.<br />

Mrs. Tom McKean, wife of the Paramount<br />

salesman, flew to Pittsburgh, Pa., Friday<br />

(18) to visit her new grandson Tom McKean<br />

III. The father is Tom McKean Jr. The local<br />

McKeans have two granddaughters and this<br />

is the first grandson. It is said here that the<br />

excess baggage cost on the plane was unusually<br />

high, due to all the presents and trinkets<br />

that the McKeans had been buying for<br />

the new arrival. Tom, in his wife's absence,<br />

spent Saturday and Sunday fishing on Lake<br />

Lawtonka, near Lawton, Okla. He reports<br />

a fine catch of fi.sh.<br />

Exhibitors recently seen on Filmrow were<br />

Virby Conley, Ellis and Ranger Drive-In,<br />

Perryton, Tex.; Lay ton Carter, Seminole,<br />

Seminole; Clint Applewhite, Liberty, Carnegie;<br />

John Sanders, Melba and Cleveland<br />

Drive-In, Cleveland: W. E. Gamer, Madlll<br />

Drive-In, Madill, opened on April 20; W. T.<br />

Kerr, Arbuckle Drive-In. Sulphur; H. D. Cox,<br />

Caddo, Binger: B. J. McKenna Jr., Oklahoma,<br />

Norman; H. T. Bums, Opera House, Apache,<br />

and V. E. Hamm, Mount Scott and Hankins<br />

Drive-In, Lawton.<br />

Mr. and Mrs. W. J. Nelson, V. A. Drive-In,<br />

Velma, were recent visitors. They have turned<br />

their buying and booking over to Athel Boyter<br />

of Boyter Booking Agency. Nelson is in the<br />

trucking business and they do not have time<br />

to make trips to Oklahoma City and feel<br />

that someone on the Job here can do a much<br />

better Job . . . Henry Simpson, Princess and<br />

Pirate Drive-In, Bristow, is far too busy to<br />

make frequent trips to Oklahoma City and<br />

has turned over his buying and booking to<br />

the Hull Bros., Jack and Jimmy. Henry is a<br />

deputy sheriff of Creek County and is kept<br />

busy chasing criminals, bootleggers, etc., so<br />

his trips to Oklahoma City will have to be<br />

curtailed. There is a persistent rumor floating<br />

around that he may run for sheriff at<br />

the next election.<br />

Athel Boyter, Boyter Booking Agency here,<br />

has taken on the booking of Wesley Reynolds<br />

and his House Rockers, a rock and roll combination<br />

of five young musicians. Boyter reports<br />

business is excellent and the combo<br />

should help to bring patrons In and augment<br />

the motion picture receipts . . . Bob Busch.<br />

who operates the Villa Theatre here for<br />

Charley Ferris, spent a few days recently on<br />

Lake Ouichita in the Ouichita mountains of<br />

eastern Arkansas. He reports a fine catch.<br />

Gerald Walje, who has leased the El Rancho<br />

Theatre at Ringling for the last several<br />

months, gave up on April 30 and turned it<br />

back to owner Cliff Lance, who closed the<br />

theatre as of May 1 . . . Verol Johnson, right<br />

hand man of R. Lewis Barton, who operates<br />

several theatres and drive-ins in and around<br />

Oklahoma City, is in St. Anthony's Hospital<br />

recuperating from a minor operation. He<br />

hopes to be back on the Job very soon. Barton<br />

says it is rather hard to get along without<br />

him, as he fills in just any place there<br />

happens to be someone else ill or on vacation.<br />

B. J. McKenna jr.. Allied Theatres, has<br />

taken over the operation of the Pettit Theatre,<br />

Hominy, from Video Independent Theatres.<br />

Transfer of this operation was made<br />

on Sunday (26). Allied Theatres now has<br />

theatres in the following towns: Paola and<br />

Osawatomie, Kas., and Perry, Norman, Fairfax<br />

and Hominy, Okla.<br />

Mrs. Roy Shield Improves<br />

After Operation at Enid<br />

ENID. OKLA — Mr.s. Boy Shield, wife of<br />

the owner of the Sooner Theatre, is convalescing<br />

after a gall bladder operation at<br />

St. Mary's Hospital. Virginia Shield, daughter,<br />

residing in New York, flew here to visit<br />

her mother for .several weeks, but had to<br />

return because of theatrical commitments.<br />

She may tour Europe with a large troupe<br />

this .summer for 14 weeks.<br />

Gilbert Fry has been employed as as.slstant<br />

manager to Paul Shipley at Video Independent<br />

Theatres.<br />

George Jones is in charge of the Trail<br />

Drive-In. which opened recently. The Enid<br />

Drive-In is slated to reopen soon.<br />

INSPKCTlill)<br />

every deelish' can Is<br />

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JIM-BO'S BARBECUED BEEF<br />

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beef is actually far lower in price<br />

thayi other available Federally-Inspected<br />

barbecues!<br />

Let us help you merchandise your barbecue.<br />

Write to Ateo Food Company, 2921 Commerce<br />

Street, Dallas, for banners, point-ofsale<br />

material, film trailer and general merchandising<br />

assistance. And today order<br />

Jim-Bo's Barbecued Beef from these fine<br />

distributors. Available in following sizes:<br />

24/15 ounce, 12/29 ounce and (wlO (6<br />

pounds, 8 ounces per can).<br />

Alamo Concession Supply Company<br />

San Antonio<br />

Associated Popcorn Distributors Dallas and Houston<br />

Cohen Candy Company<br />

Dallas<br />

Houston Popcorn & Supply Company<br />

Houston<br />

Corpus Christ! Concession Supply Company Corpus Christi<br />

Logan Concession Supply Company Tulsa<br />

Modern Sales & Service Company Dallas<br />

Panhandle Popcorn Company<br />

Plainview<br />

H. G. Townsend Company Shreveport<br />

ATCO FOOD COMPANY<br />

i921 Commerce<br />

Dallas<br />

BOXOFFICE May 5, 1958 SW-3


I<br />

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wrr<br />

When you're providing "good times" for your customers,<br />

include the good taste of Dr Pepper! It's<br />

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to heighten their enjoyment by making available the pure, distinctive<br />

flavor that has helped make friends for theater operators for more than<br />

70 years. Dr Pepper is repeat trade . . .<br />

a product in demand every month in the<br />

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SW-4 BOXOFTICE :: May 5, 1958


Berger Says No to NCA<br />

Even If He's Drafted<br />

MINNEAPOLIS—Under no circumstances<br />

will Ben Berger accept the presidency of the<br />

North Central Allied Ass'n, which will open<br />

its arrnual convention here May 13.<br />

Back from a visit to his son in Los Angeles<br />

and to his Laramie, Wyo.. television station,<br />

Berger met talk of drafting him for the post<br />

he formerly held many years by saying: "I<br />

feel I've done my bit in that direction.<br />

Moreover, I have so many other interests that<br />

I haven't time to devote to the position."<br />

Ted Mann, who occupied the post the past<br />

year, will not accept re-election, he says.<br />

Convention chairman Prank Mantzke has<br />

announced that the matter of whether<br />

"forced advanced admissions" is keeping<br />

many potential customers away from the<br />

theatres will be one of the principal discussion<br />

topics.<br />

Members also will be asked "how many<br />

theatres are going to close in this territory<br />

this year and will yours be one of them," he<br />

says.<br />

Up for discussion, too, will be what can<br />

be done about 50 and 60 per cent terms for<br />

pictures and whether such deals should be<br />

passed up entirely and what can be done to<br />

avert the possible loss of film exchanges<br />

here.<br />

Mantzke was the Universal manager here<br />

for years, and now heads a buying-booking<br />

and exhibition-distribution group.<br />

Girl 8, Walks 73 Blocks<br />

To See Western (Free)<br />

OMAHA—Jim Schlater, manager of the<br />

Sky View Drive-In, has found his most avid<br />

fan.<br />

After closing at 2 a.m., he found Ginger<br />

Joann Pendley, 8, sitting alone in the patio of<br />

the empty theatre, with only a wool sweater<br />

and the night decidedly cool.<br />

She was 73 blocks from home. She told<br />

detectives she had walked all the way.<br />

Neighborhood children said they last saw her<br />

at 5 p.m. playing in her backyard.<br />

Her parents waited until 7 p.m. for her to<br />

show up, then called police. Playmates and<br />

Cub Scouts searched the neighborhood.<br />

How did she get into the theatre without<br />

money and unnoticed? This remains a<br />

mystery. Ginger wasn't talking. Of one thing<br />

she's<br />

sure.<br />

"It was a cowboy picture," she said.<br />

Bryon Rowley Appointed<br />

MARSHALLTO'WN, IOWA—Bryon Rowley<br />

is the new manager of the Strand here, succeeding<br />

Neal Houtz who has resigned to go<br />

to New Hampton where he has bought a theatre.<br />

Rowley comes from Savannah, Ga.,<br />

where he has been managing a theatre for the<br />

past year. Prior to that he had been in theatre<br />

work in the Kansas City area.<br />

Confections Brcmch Moves<br />

MONTREAL—The local branch of Theatre<br />

Confections, Ltd., now is located in new offices.<br />

New address is Theatre Confections,<br />

Ltd., 25 Monk St., Longueuil, Que. New telephone<br />

numbers are ORleans 4-6206 and ORleans<br />

4-2607.<br />

Kenneth Shipley Advances<br />

To Fremont City Manager<br />

FREMONT, NEB.—Kenneth Shipley, former<br />

city manager of the Sun Theatre and<br />

Pines Drive-In, York, became city manager<br />

of the three Central States theatres here,<br />

home of the circuit's district office as of May<br />

1. He succeeded Ed Schoenthal, who resigned<br />

to accept a Job as private pilot for an industrial<br />

concern.<br />

Shipley had been city manager of the York<br />

theatres since July 13, 1956, and took a prominent<br />

part in civic: activities. He and Dr.<br />

Harold Nordlund coached the York Swim<br />

Ass'n team to a conference championship.<br />

Shipley recently served as fund drive chairman<br />

of the York County Red Cross, is a new<br />

board member of the Rotary Club; chairman<br />

of the Community Improvement project<br />

recreation committee: board member of the<br />

York Chamber of Commerce; menxber of the<br />

Harvest of Stars committee for the 1958<br />

York County 4-H Fair, and a member of<br />

the York Legion, Elks and Masonic lodges.<br />

His family, including his wife and two daughters,<br />

Judy and Christine, will remain in<br />

York until the present school term ends.<br />

Succeeding Shipley in the York position<br />

is Jerry Darner, who had been managing a<br />

Central States theatre at Clarion, Iowa.<br />

'Prostitute' Is Censored<br />

From Minneapolis Ads<br />

MINNEAPOLIS—The Morning Tribune and<br />

Evening Star, both with the same ownership,<br />

refused to publish ads for the W. R.<br />

Frank Avalon Theatre here carrying the<br />

correct title for its cuiTent attraction, "The<br />

Respectful Prostitute," a screen adaptation<br />

of the French play of that name. Prank had<br />

to rename the picture for advertising purposes,<br />

calling it "The Respectful Tramp."<br />

The newspapers have their own committee<br />

which passes on all theatre advertising. It<br />

turned thumbs down on the word "prostitute,"<br />

although the play and movie have<br />

been shown and advertised in many other<br />

cities by its right name. Prank was permitted<br />

to describe the picture as "the shocker of the<br />

year" and to state it was "for adults only."<br />

Allied Artists Combining<br />

Omaha, Des Moines Offices<br />

OMAHA—Both the Des Moines and Omaha<br />

exchanges of Allied Artists will be managed<br />

out of the Omaha office by Sol Francis under<br />

a change in the company's set-up. This is<br />

direct contrast to many recent moves which<br />

have seen Omaha management shifting to<br />

Des Moines.<br />

The booking office and shipping operations<br />

will be maintained in Des Moines. Accounting<br />

will be handled in the Omaha exchange.<br />

Reopen at Stanton, Neb.<br />

STANTON, NEB.—The Rialto Theatre here,<br />

closed since last Febniarj', has been reopened<br />

by Paul Cavenee, who operated the theatre<br />

until about one year ago. Mrs. Mary Kremer,<br />

owner of the house, leased the business to<br />

Charlton Beatty last year and Beatty closed<br />

the house in February. Cavenee said he would<br />

offer two program changes per week, with<br />

shows on Wednesday and Saturday and on<br />

Sunday and Monday.<br />

Back to Movies Push<br />

Tied to Better Films<br />

ST. PAUL- BUI Diehl, in his St. Paul Dispatch<br />

"Look 'n' Listen" column, notes that<br />

theatre attendance for the first time Is "showing<br />

a continued march back to the plush old<br />

days," and devotes much .space to the fact<br />

that the principal explanation for the up-<br />

.surge is the large amount of quality product<br />

being turned out by Hollywood.<br />

'INSIDE-OUT BUSINESS'<br />

"The movies seem to be an 'Inslde-out'<br />

business," wrote Diehl. "They thrived during<br />

the depression, then faltered after World<br />

War II when other businesses grew fat and<br />

sleek. Now, with a recession or whatever it Is<br />

upon the land, moviegoing has taken a decided<br />

upturn.<br />

"In fact, the trend is so definite that the<br />

Wall Street Journal took note of it in a<br />

lengthy article. It pointed to a statistical report<br />

showing that a perkup in moviegoing<br />

has continued into spring. While theatre attendance<br />

is still much below that of ten<br />

years ago, it nevertheless for the first time<br />

shows a continued march back to the plush<br />

old days.<br />

"Why? Theatremen are quoted as being<br />

pleased with what Hollywood has given them<br />

to show. They like the multimillion-dollar<br />

productions, and the public does, too. A look<br />

around our Loop confirms this—holdovers<br />

have become the rule rather than the exception.<br />

Even the vast Paramount Theatre<br />

with 2,500 seats, many more than a lot of<br />

New York theatres, has had two four-week<br />

attractions recently, 'Sayonara' and 'River<br />

Kwai.'<br />

"There's another factor at w'ork as well.<br />

Theatres are starting to dress themselves up<br />

across the nation. One chain of 40 theatres<br />

bars youngsters on Thursday nights so adults<br />

can enjoy films in peace and quiet. The same<br />

chain installed love seats so that couples<br />

can be comfortable without an arm rest between<br />

them. (To my knowledge, only the<br />

Highland in St. Paul has this type of chair.)<br />

And it built glass-enclosed party rooms in<br />

the rear of four theatres so a group of 12<br />

persons can sit in private in plush chairs,<br />

smoke and relax while viewing. Soimd Is<br />

piped into the rooms via amplifiers . , .<br />

ATTENTION TO KIDDIES<br />

"And in the back-to-the-movies push, the<br />

kids aren't being forgotten. Some theatres<br />

issue .special money-saving junior ticket books.<br />

Others stage special shows at which the kids<br />

get free popcorn or prizes or fan photos . . .<br />

"Unfortunately, it's not all peaches and<br />

cream. I have gone to theatres in this area<br />

where screens are pocked, where the curtain<br />

pulleys squeak, where kids run up and down<br />

the aisles unchecked, where projection is<br />

fuzzy, w'here seats are uncomfortable, w^here<br />

pop>corn grease permeates the air. And sometimes<br />

the managers of these theatres wonder<br />

why business is slow.<br />

"There's a nationwide pattern forming, one<br />

of attractive and well-run theatres cleverly<br />

selling a quality product. These will survive<br />

and keep movie glamor alive. It's inevitable<br />

that the rest will have to move with the times<br />

just as supermarkets, auto dealers and other<br />

businesses have, or time will pass them by."<br />

Actor Burt Lancaster will direct "Take a<br />

Giant Step" for United Artists.<br />

BOXOFFICE May 5, 1958 NC-1


. . George<br />

. . The<br />

D E S<br />

MOINES<br />

Dryon Rowley, mnnnRer of the Strand in<br />

Marshalltown. had 4.407 theatre patrons<br />

sign a giant postcard when they came to see<br />

"Bonjour Tristcsse." At the conclusion of the<br />

run. the card was mailed to Jean Sebei-g.<br />

Marshalltown actress, who played a leading<br />

NATIONAL THEATRE SUPPLY^^^<br />

SuppIlM • Corpatt • ConcMtlen Suppllw<br />

W. R. DAVIS<br />

1130 High Street Dcf Moincf 9, Iowa<br />

role in the film. Attendance for the film exceeded<br />

that for "Peyton Place," one of the<br />

top drawing movie.s of recent years, according<br />

to Rowley.<br />

The Women's Committee of Variety held a<br />

luncheon last week nt the Standard Club<br />

with Mrs. Virginia Piggott. interior designer,<br />

,is the .speaker. Mrs. Frank Rubel, chairman,<br />

has announced the following committee<br />

chainnen: mesdames M. E. Lee, corresponding<br />

secretary; Charles lies, recording secretary.<br />

Jay Barmish, trea.surer; Ralph Olson,<br />

contributions; L. E. Day, historian; Dave<br />

Gold, hostess; Lou Levy, house; Robert Sand-<br />

ler. membership; Carl Olson, program; Don<br />

West, publicity; Calo Mann, telephone, and<br />

Woodrow R. Pi-aught. ways and means.<br />

VV'OMPI held a .social meeting recently at<br />

the parly room of Polk County Federal Savings<br />

and Loan A.ss'n. Hostesses were Margaret<br />

Shields, Nola Bishop, Alice Weaver, Joyce<br />

Brain, Margaret McGaffee and Betty Hemstock.<br />

New officers of the group are Florence<br />

Work, president; Nola Bishop, first vicepresident;<br />

Leone Matthews, .second vice-president;<br />

Margaret Shields, recording secretai-y;<br />

Mary Akers, corresponding secretary, and<br />

Camilla Nealley, trea-surer. On the board of<br />

directors are Giovanna Ries, Florence Bundy,<br />

Helen Wallace. Margaret McGaffee,<br />

Pauline Mo.sler. Joyce Brain and Betty Hemstock.<br />

Lloyd M. Hirstine, chief barker of Variety,<br />

reports the annual golf tournament will be<br />

held May 19 at Hyperion Golf Club . . . Clayton<br />

Boston, manager of the Hilltop Drive-In<br />

in Muscatine, is adding 36 feet to the screen<br />

to make it a 90x40-foot screen when completed<br />

. Mart has opened the Grinnell<br />

Drive-In Theatre . Skylark Drive-<br />

In in Creston opened last week, as did the<br />

Starlite Drive-In in Algona. James Buscher<br />

and Merlin Mertz will be in charge at the<br />

latter theatre again this year. David Long<br />

will be projectionist and Mrs. Long, cashier.<br />

*<br />

*<br />

•<br />

• Our Modem Repair Shop will repair<br />

your Standard and Super Simplex,<br />

Century and Motiograph Projectors.<br />

John McCallum in charge<br />

• Our Sales Department is xmder the<br />

NC-2<br />

direction of Dick Sutton.<br />

OWNER<br />

A. E. THIELE<br />

DES MOINES THEATRE SUPPLY CO<br />

1121-23 High Stnet Des Moines, Iowa Phone CHeny 3-6520<br />

Sioux City, Iowa, Uptown<br />

Closes; to Be Converted<br />

SIOUX CITY. IOWA—The Uptown Theatre<br />

here ha-s closed after ten years of operation<br />

and will be converted to other uses. The<br />

theatre had its last show April 6. It has been<br />

open weekends only for the last several<br />

months.<br />

A representative of the Almar Building<br />

Co., which owns the building, said that the<br />

rear of the theatre will be used for expansion<br />

of the adjacent Soo Thrifty drugstore. The<br />

expansion will add 3. 500 square feet to the<br />

drugstore. The front part of the building<br />

will be rented as store or office space.<br />

The Uptown started showing films ten<br />

years ago in a building formerly occupied<br />

by the old Cleveland Bros, garage. The interior<br />

of the building was rebuilt in the<br />

conversion. The theatre's closing leaves just<br />

two motion picture houses in the city, besides<br />

drive-in theatres, showing second-run<br />

films. The others, both of which operate<br />

weekends, are the Iowa and the West. One<br />

other neighborhood theatre, the Empire, in<br />

Morningside, and two downtown theatres,<br />

the Victory and State, also have closed in<br />

recent years.<br />

To Reopen at North Bend<br />

NORTH BEND. NEB.—Irvin Senders of<br />

Verdigre has taken over operation of the Joy<br />

Theatre here, which has been closed several<br />

months. The Joy formerly was owned by<br />

Nicky Wackel.<br />

To Convert for Bowling<br />

TRIPOLI, IOWA—Lavern Tegtmeier has<br />

purchased the former Tripoli Theatre here<br />

from George Lindsley and plans to convert<br />

it to a bowling alley.<br />

"Ice Palace," purchased by Warner Bros.,<br />

wUl be based on Edna Ferber's novel of<br />

Alaska.<br />

BOXOFFICE :: May 5, 1958


—<br />

—<br />

. . Weather<br />

'Bridge' Omaha Debut<br />

Scores 240 Per Cent<br />

OMAHA—The boxoffice gates became flood<br />

gates at the Oipheum as "The Bridge on the<br />

River Kwai" opened with a 240 mark. Manager<br />

Don Shane said indications pointed<br />

to a fat second week. Two otlier holdovers<br />

did fair in third weeks, "Tlie Young Lions"<br />

at the Omaha and "Marjorie Morningstar"<br />

at the Brandeis.<br />

(Average Is 100)<br />

Brandeis Marjorie Morningstar (WB),<br />

3rd wk,, A days 95<br />

Omaha The Young Lions {20fh-Fox), 3rd wk. . . 90<br />

Orpheum The Bridge on the River Kwoi (Col) 240<br />

State The Brothers Koromazov (MGM) 120<br />

Milwaukee Grosses Even<br />

Except for Big Ones<br />

MILWAUKEE — Except for "Around the<br />

World in 80 Days," in its 45th week at the<br />

Strand, and still racking up strong grosses,<br />

and "The Bridge on the River Kwai," in its<br />

sixth week at the Warner, business at the<br />

downtown theatres held grimly to about an<br />

even break.<br />

Alhambra Screaming Mimi (Col); High Flight<br />

(Col) 95<br />

Poloce Run Silent, Run Deep (UA); Ride Out<br />

for Revenge (UA), 2nd wk 100<br />

Riversrde The Golden Age of Comedy (DCA). ... 100<br />

Strand Around the World in 80 Doys (UA),<br />

45th wk 250<br />

Towne Cry Terror! (MGM) 90<br />

Warner The Bridge on the River Kwoi (Col),<br />

6th wk 1 50<br />

Wisconsin The Young Lions (20th-Fox), 3rd wk. 100<br />

New Bills<br />

Make No<br />

Minneapolis Splash<br />

MINNEAPOLIS — There were only<br />

three<br />

new bills, including two duals of inconsequential<br />

pictures, and none made much headway.<br />

But most of the holdovers came<br />

through respectably, or better.<br />

Academy Around the World in 80 Days<br />

(UA), 42nd wk 200<br />

Century Search for Paradise (Cinerama), 9th wk. 175<br />

Gopher Saddle the Wind (MGM) 90<br />

Lyric The Long, Hot Summer (20th-Fox), 2nd wk 125<br />

Orpheum The Hired Gun (MGM); The Safeerocker<br />

(MGM) 80<br />

Pan—The Girl Most Likely (U-l); Flood Tide (U-l) 75<br />

Rodio City The Bridge on the River Kwoi (Col),<br />

7th wk 125<br />

Stote—Marjorie Morningstar (WB), 2nd wk 100<br />

World The Young Lions (20th-Fox), 4th wk 150<br />

Minnesota Amusement<br />

Abandons Huron Project<br />

HURON, S. D.—Minnesota Amusement Co.<br />

officials have abandoned the building of a<br />

new theatre on the site of the old Huron<br />

Theatre, which was destroyed by fire in<br />

January 1957.<br />

Charles Winchell. president of tlie circuit,<br />

said the decision was reached after conferences<br />

with Donald J. Harris, Highmore, who<br />

owned the old theatre building and planned<br />

the new building to replace it. Rising construction<br />

costs which sent figures far over<br />

earlier estimates were given by Winchell as<br />

the reason for abandoning the Huron project.<br />

"Huron is deserving of a Class A theatre,"<br />

Winchell said, "and I hope some other operator<br />

will see fit to give the city a new showhouse."<br />

Reopens for Summer<br />

LOHRVILLE, IOWA—The Royal Theatre,<br />

closed dui-ing the winter, opened April 18 for<br />

summer operation on Friday, Saturday, Sunday<br />

and Wednesday.<br />

OMAHA<br />

Uowell Robert.s, exhibitor at Wahoo, was<br />

one of seven business men in the town<br />

victimized by burglars in one night. Tliieves<br />

broke open a door, pried open the safe and<br />

stole $314 . . . Lillian Danielson, former Para-<br />

.<br />

mount manager's secretary, has joined the<br />

Allied Artists staff, replacing Helen Elder<br />

Mae Westerman, Pox inspector,<br />

. .<br />

retired<br />

May 3 after 15 years with the company.<br />

Mort Ives, United Artists salesman, said<br />

the calendar read late April but the weather<br />

was midwinter in the Sand Hills. He left<br />

Broken Bow heading for Lexington, ran into<br />

a blizzard and barely made it, taking nearly<br />

three hours to go 48 miles . has<br />

been throwing cui-ves at early drlve-in openings,<br />

not only with cold and snow in the<br />

north but hard w'eekend rains that knocked<br />

thousands of dollars off potential grosses.<br />

One of the last two airers open will be the<br />

Broken Bow Drive-In. Howard Kennedy will<br />

close the Bow indoor theatre for the summer,<br />

except to play "The Ten Commandments."<br />

Joe Jacobs, manager of the consolidated<br />

Des Moines-Omaha exchange, was here<br />

supervising the cleaning out of the local<br />

exchange equipment. Film Transport will<br />

handle the shipping but Jacobs said quarters<br />

would be arranged for salesmen Ed Cohen<br />

and Noi-m Nielsen. A pie company is taking<br />

over the location . . . Don McLucas, United<br />

Artists manager, went to Chicago to discuss<br />

releases on "Around the World in 80 Days."<br />

. . .<br />

Jack Gelfand, operator of the local Muse<br />

Theatre, has turned to an art picture policy<br />

Jim Schlatter, manager of the Sky View<br />

Drive-In, reported "beautiful results" with<br />

the new special drive-in print from UA for<br />

"Run Silent, Run Deep," which threw a<br />

Mary Frangenburg, Fox<br />

lighter picture . . .<br />

cashier, and her sister were on the team<br />

finishing third in the Omaha women's bowling<br />

tournament. Dorothy finished second in<br />

singles, second in all events, rolling her first<br />

200 game (222) and 500 series (520) . . .A<br />

%mM of<br />

Trl-States advertising huddle was held here<br />

with Don Knight of the Des Moines home<br />

office. Present were Don Shane, Omaha<br />

city manager; Carl Hoffman, manager of the<br />

Omaha Theatre; Leon Doherty, Hastings,<br />

and Bill Rudolph, Des Moines.<br />

Al Blakkolb, exhibitor at Bonesteel, S. D.,<br />

and Butte, said his country has plenty of<br />

moisture as .shown by full ponds and roadside<br />

ditches on his trip here. He said what<br />

the farmers want is more .sunshine, what he<br />

wants is less television. Booster stations<br />

throughout the area have his gro.sses . . .<br />

Tony Goodman. Fox .salesman, is still working<br />

out of the Des Moines exchanges during<br />

the continued illness of Larry Dunn of Des<br />

Moines.<br />

Close at Montezuma, Iowa<br />

MONTEZUMA, IOWA— Mrs. Joe Thurber<br />

closed the Montezuma Theatre recently. Mrs.<br />

Thurber said business has been steadily decreasing<br />

for the last three years and that it<br />

is impossible to continue operation. No plans<br />

are in the offing for the theatre, but the<br />

owners would like to sell.<br />

Dustie Martin Manager<br />

PORT WASHINGTON. WIS.—With the retirement<br />

of Bill Roob, the Ozaukee Theatre<br />

now is managed by Dustie Martin of Milwaukee,<br />

who said the theatre would be open<br />

seven nights a week with matinees on Satiu--<br />

days and Sundays.<br />

NATIONAL THEATRE SUPPLY<br />

W. M. "BILL" ALLISON<br />

307 No. 16th St. Omaha, Neb.<br />

iRWW^WvXwlWWe*. >rf»0»v*'Avw«viA«-^>#> w •. vMmi, .MUKVXfjWrjKf. ^"v<br />

the<br />

POPCORN INDUSTRYNEWS<br />

K-O-R-N Inc., always one of the most modern popcorn processing plants<br />

in the nation (7,000,000 lbs. capacity), is now adding NEW PATENTED<br />

PROCESSING EQUIPMENT HERETOFORE UNAVAILABLE.<br />

The K-O-R-N plant, located in the rich irrigated section of the Platte<br />

Valley, is being readied for early shipment of 1958 crop premium quality<br />

hybrid popcorn. The new equipment will also enable the K-O-R-N plant<br />

to substantially increase production capacity to keep up with the everincreasing<br />

demand for top-quality hybrid popcorn.<br />

WRITE<br />

Mmn Inc.<br />

NORTH BEND, NEBRASKA<br />

for<br />

Quotations<br />

or Information on<br />

1958 Crop.<br />

Ui^<br />

BOXOFFICE :: May 5, 1958 NC-3


. . New<br />

. . March<br />

M ILW AU KE E Us Always Movies MINNEAPOLIS<br />

T ouie Orlove. who joined National Screen<br />

Senice. was with MGM as field publicist<br />

for over 20 years. As a salesman out in the<br />

territory for NSS. he will be able to assist exhibitors<br />

in their exploitations. And Manager<br />

Johnny Mednikow is encouraging tliis added<br />

service . officers of the Milwaukee<br />

County Better Films Council: Mrs. Irving J.<br />

Haus. president: Mrs. S. V. Abramson. vicepresident:<br />

Mrs. Richard Loreck, recording<br />

secretary: Mrs. Roy J. Moe. corresponding<br />

secretary: Mrs. F^-ed Kaplan, treasurer. The<br />

Council now holds regular meetings at the<br />

Milwaukee Public Library.<br />

Wayne Berkley. LaCrosse. has replaced Bud<br />

Owens at Marcus' new Vie and Time theatres<br />

at Green Bay. Got right into the harness<br />

the first day, by screening "The Song<br />

of Bernadette" for nuns in Green Bay area,<br />

giving them a little talk prior to the program,<br />

concluding by inviting them to pass the good<br />

word along to the school children. Owens,<br />

after more than 20 years in the show business,<br />

will represent radio station WDUZ in<br />

the Green Bay area.<br />

Gentle reminder—Allied convention at Pewaukee's<br />

swanky Oakton Manor. June 16, 17,<br />

18. American plan, special rates for showmen!<br />

. . . Attending the Variety International convention<br />

in London were Hugo Vogel and wife,<br />

Sam Kaufman and wife and Ollie Tiampe<br />

and wife.<br />

Negotiate on 'Hustler'<br />

HOLLYWOOD—Henry King and 20th-Fox<br />

are negotiating a deal for King to produce<br />

and direct "The Flying Hustler," an original<br />

written by Beirne Lay jr. Cim-ently directing<br />

the company's "The Bravados," PCing has<br />

postponed until next year his independent<br />

production of Paul Kes.sler's novel, "His<br />

Home Country."<br />

C. E. Mosher to Clarion, Iowa<br />

CLARION. IOWA—C. E. Mother, former<br />

manager of the Lake at Clear Lake, has taken<br />

over management of the Clarion Theatre<br />

following the transfer of Gerald Darner to<br />

York, Neb. Mosher recently managed the theatre<br />

at New Hampton for a short period, following<br />

a 14-year term of service in Clear<br />

Lake.<br />

Count on I<br />

NCW YORK<br />

630 Ninth<br />

When you are in need of<br />

A Speciol Announcement<br />

TRAILER<br />

Vm'II Be OilichM With OHr<br />

Hn Qiality Aid Qaiek Service.<br />

For Entertainment<br />

MINNEAPOLIS — Television Is largely<br />

mediocrity, and pay TV Is remotely in the<br />

future and likely never will be successful—<br />

these are the opinions of Bosley Crowther,<br />

motion picture critic of the New York Times,<br />

one of the most influential men in his profession.<br />

In a talk on "What You Don't Know About<br />

Movies" at a University of Minnesota convocation,<br />

Crowther declared for the most part<br />

people who are discriminating in their entertainment<br />

demands (and their number increases)<br />

still are faithful to the theatre.<br />

TV A TIME-KILLER<br />

"Video watching is for those persons more<br />

concerned with killing time—having something<br />

to do," he said. "And drive-in theatres<br />

are places of recreation and stomachfilling<br />

rather than places of entertainment."<br />

He said he has no sympathy with those<br />

exhibitors who have permitted their theatres<br />

to become obsolescent and, mainly for that<br />

reason, are faced with extinction.<br />

He slapped at producers who don't keep<br />

abreast of the changed moviegoing times,<br />

and "ridiculously miscast" veteran stars like<br />

Gary Cooper and Fred Astaire as romantic<br />

leads opposite such young beauties as Audrey<br />

Hepburn (witness "Love in the Afternoon"<br />

and "Funny Face) , "especially when we have<br />

so many young talented stars like Brando,<br />

Sinatra, Newman, Douglas, Perkins and<br />

Murray."<br />

Crowther also regrets a tendency by some<br />

producers to use such "used-up" oldtimers<br />

as Joan Crawford "who could retire on their<br />

laurels and millions, giving way to the Doris<br />

Days, the Claire Blooms and Deborah Kerrs,<br />

etc."<br />

TOO MUCH STAR POWER<br />

But he also feels that some of the young<br />

stars have too much power and "go overboard,"<br />

using it to the detriment of the pictures<br />

in which they appear. He believes<br />

Brando, for example, dictated certain changes<br />

in "The Young Lions" and "Sayonara" to<br />

his own ends that detracted from the pictures'<br />

artistic qualities.<br />

In his opinion, the Kim Novaks and Jayne<br />

Mansfields are "passing fancies," but he<br />

expressed a high regard for the acting talents<br />

of Marilyn Monroe and Brigitte Bardot,<br />

had kind words for "And God Created<br />

Woman" and raves for "Windjammer" and<br />

felt that the popularity of foreign films is<br />

encouraging.<br />

Crowther also said he has seen previews<br />

of the upcoming "No Time for Sergeants"<br />

and "Gigi" and considers them outstanding,<br />

that he expects "The Nun's Story" to be an<br />

Academy best picture award contender, and<br />

he anticipates that "God's Little Acre" and<br />

"Auntie Mame" will be notable films.<br />

nil Minneapolis 4,100-seat Radio City and<br />

2,800-seat St. Paul Paramount boxoffice<br />

records have been broken by "The Bridge on<br />

the River Kwai." It's the first picture ever to<br />

run .seven weeks at Radio City and four<br />

weeks at the Paramount, although it,s after-<br />

5 p.m. admission was boosted to $1.50 from<br />

90 cents. Previously, the Radio City record<br />

was held by "The Robe" . building<br />

permits in Minnesota citie.s were up approximately<br />

27 per cent over the corresponding<br />

month a year ago.<br />

Robert B. Mantzke. dii-ector of the Minneaf)olis<br />

Choraliers, local singing group which<br />

will attend the International Musical Festival<br />

in Llangollen, Wales, is the son of FVank<br />

Mantzke, Universal branch manger here and<br />

in Milwukee many years, and now head of<br />

a buying-booking group. The Choraliers<br />

have won many singing honors under<br />

Mantzke's direction. Incidentally, the father<br />

is the chairman for the forthcoming North<br />

Central Allied convention here.<br />

Bob Murphy, Minneapolis Sunday Ti-ibune<br />

critic, named "The Safecracker," playing at<br />

the lower end of an RKO Orpheum twin<br />

bill here, as his Picture of the Week. "It's one<br />

of those films that probably will be picked up<br />

by the art houses for long runs," he wrote<br />

... In the later sub-run houses here the admission<br />

is being raised to 90 cents for "Raintree<br />

County" from 65 and 75 . . . Paramount<br />

Manager Jess McBride is curious to learn<br />

what the stellar presence in a picture of<br />

Lana Turner now means hereabouts after<br />

all the newspaper publicity she has been receiving.<br />

Her "Another Time, Another Place,"<br />

opens day and date at the Minneapolis and<br />

St. Paul RKO Orpheums May 14.<br />

. . Laura<br />

Two United Artists pictures for which great<br />

boxoffice things are expected have been<br />

booked locally. "God's Little Acre" goes to<br />

the Minneapolis and St. Paul RKO Orpheums<br />

day and date May 28, and "The Vikings," was<br />

landed by the Minnesota Amusement Co. for<br />

its Radio City Theatre June 20 and a week<br />

later at the St. Paul Paramount .<br />

McGuire, secretary at Paramount, was home<br />

20th-Fox shipper Fred Haley vaca-<br />

Ul . . .<br />

tioned.<br />

The RKO Orpheum here will interrupt its<br />

straight movie policy during the ensuing fallwinter<br />

season to play whatever Broadway<br />

touring shows may be available for Minneapolis.<br />

The city was left without any home<br />

for such attractions when Ben Berger declined<br />

to exercise his option for renewal of<br />

the Lyceum Theatre at a substantial rental<br />

advance. The Lyceum, where such shows have<br />

been playing for many years, then was sold<br />

to an evangelical group.<br />

Leases Atwoo


S2,500 in ATM Funds<br />

Marked for COMPO<br />

DETROIT—Renewed liaison with COMPO<br />

and legal actions highlighted the board meeting<br />

of Allied Theatres of Michigan Wednesday<br />


Julius Lamm, 72, Dies;<br />

Long at Cleveland<br />

CLEVELAND—Julius Lamm. 72, who In<br />

1954 celebrated 50 years in the show business,<br />

died Saturday t26> In Mount Sinai Hospital<br />

Crowds Prefer Good Films<br />

To Bargain Admissions<br />

CLEVELAND—Whatever medicine is<br />

needed<br />

to bolster theatre attendance, lower admission<br />

prices are definitely not the answer.<br />

This was proved here when patrons flocked to<br />

theatres charging advanced admission for<br />

"Peyton Place" and stayed away in droves<br />

from the Circle Theatre where E. J. Stutz<br />

introduced a 29-cent matinee and 39-cenl<br />

evening "discount" scale. Stutz introduced<br />

the cut price scale at the Circle two weeks<br />

ago in an effort to appeal to those with depressed<br />

incomes due to unemployment. He<br />

got so little response that he discontinued it<br />

and again closed the hou.se.<br />

On the other hand, patrons who wanted to<br />

see "Peyton Place" weren't shopping for<br />

price. While some theatres charged their<br />

regular 90-cent scale, others upped theirs to<br />

SI. 10. Nobody registered an objection, according<br />

to exhibitor statements. Tills was<br />

after the picture had played eight weeks<br />

downtown at $1.50.<br />

JULIUS LAMM<br />

where he had been a patient eight weeks.<br />

With him at death were his wife Elsa, to<br />

whom he had been maiTied 43 years; two sons,<br />

Ii'ving of Los Aiigeles and Jerome of Cleveland;<br />

two daughters. Mis. Theresa Handler<br />

and Mrs. Judy Korman of Cleveland, and<br />

six grandchildren.<br />

Lamm began his career in Chicago selling<br />

opera glasses and candy in a legitimate theatre.<br />

In 1904, he pioneered in the new motion<br />

picture businesss, opening a nickelodeon, the<br />

Palace on Milwaukee avenue, in direct competition<br />

to Carl Laemmle, founder of Universal<br />

Pictures. With profits at the Palace, he<br />

bought the Esthena Theatre, Chicago, but<br />

soon sold this and ventured forth to Waukeegan,<br />

111., acquiring first a vaudeville house,<br />

and then building the Elite where he followed<br />

a combination vaudeville-motion picture policy.<br />

Eventually he became general manager<br />

for Balaban & Katz. When he sold his interest<br />

to B&K, he moved briefly to Milwaukee<br />

to open a new theatre for William Fox.<br />

Lamm came to Cleveland for Warner Bros,<br />

in 1930, an association that thereafter remained<br />

unbroken. For one year, he managed<br />

the Variety Theatre on the west side, but for<br />

the following 23 years he managed the circuit's<br />

Uptown Theatre on the east side.<br />

When the latter was sold he moved to the<br />

Colony in Shaker Heights.<br />

Lamm was not only a showman's showman,<br />

he was also an exponent of the value of public<br />

relations. Wherever he was, he was right in<br />

the center of community activity. In the Uptown<br />

area he was president of the Glenville<br />

Business Men's Ass'n. He always made a<br />

point of knowing as many of his patrons as<br />

possible, and did this by always being on the<br />

floor at opening and closing time.<br />

Tent 27 Raises $30,919.36<br />

On 'Old Newsboys Day'<br />

GRAND RAPIDS. MICH.—When all the<br />

sales were counted after Old Newsboys Day<br />

here, it was found that $30,919.36 had been<br />

raised for Variety Tent 27's main charity,<br />

Youth Commonwealth. Variety members, the<br />

police and fire departments and volunteers,<br />

making up a sales force of more than 800<br />

"newsboys," sold a special edition of the<br />

Grand Rapids Press on the streets for a twohour<br />

period.<br />

This year's receipts represented an increase<br />

of about $800 above the amount raised<br />

in 1957. The Variety co-chairmen for the<br />

event held in connection with the local<br />

12th annual Youth Day were Fred J. Barr jr.<br />

and Clive R. Waxman.


—<br />

. . Jim<br />

. . May<br />

. . Word<br />

. . Also<br />

. . The<br />

. .<br />

. . Joseph<br />

I<br />

Six-Point Krass Program<br />

For Better Business Drive<br />

DETROIT—"You've got to hit them in<br />

every possible point—get them out of the<br />

house and into the theatre," Maj-vin Krass<br />

of the Krass Theatre circuit said in commending<br />

the extensive cooperative promotional<br />

program being launched by local theatres<br />

to build business.<br />

"I think the interest in pictures can and<br />

will be revived." he added, making six specific<br />

suggestions for broadening the scope of the<br />

campaign:<br />

1. Place suitable bamiers and posters in<br />

the individual theatres, telling people at the<br />

point of sale when radio and television programs<br />

sponsored by the theatres are on the<br />

air so patrons can listen for them to learn<br />

about cun-ent or coming product.<br />

2. Give the cashier adequate data on each<br />

picture—is it comedy or drama, in color,<br />

and other good points, to do a good selling<br />

job.<br />

"When a man calls up a theatre," Krass<br />

commented, "that's a potential customer. It<br />

costs you a lot of money to get that man to<br />

call—you should make it interesting enough<br />

to sell him."<br />

3. Use the great advertising medium of the<br />

screen to tell people about product—crossplugging,<br />

for instance, by telling people in<br />

the neighborhoods about good attractions<br />

coming to the first runs.<br />

"Tell them what the good pictures are<br />

get the people back to the movies," Krass<br />

said.<br />

4. Use lobby posters—another strong advertising<br />

medium—in the same way.<br />

5. Take a lesson from advertising in other<br />

fields of business and use special media, such<br />

as "table tents," announcing forthcoming<br />

product being cooperatively promoted, on<br />

restaurant tables and similar places.<br />

6. Most important but often forgotten<br />

keep the theatres themselves clean and in<br />

good housekeeping order.<br />

Coming Attractions 'Deal'<br />

Offered by Advonads<br />

CLEVELAND—Al Sunshine of the<br />

Advanads<br />

Co.. whose firm has been manufacturing<br />

and distributing a black light shadowbox for<br />

coming attractions, has announced a plan<br />

whereby exhibitors may obtain this lobby display<br />

piece without cost. Provision has now<br />

been made for a special top frame which can<br />

be sold to a local merchant. This advertising<br />

strip, said Sunshine, pays for the entire<br />

cost of the display. Previously, there was a<br />

weekly service charge for the attraction box.<br />

Under the new deal, Advanads will provide<br />

the display box and the coming attractions<br />

service, and sell the top frame advertising<br />

space—a method by which the theatreman<br />

gets the service without cost or effort. However,<br />

should the exhibitor prefer to sell the<br />

ad frame himself, he can do so. Sunshine said,<br />

and retain everything over an amount set<br />

in the service contract.<br />

Fly to Variety Meeting<br />

DFTROIT—The Motor City Rialto sent a<br />

flying delegation of 11 to the Variety Clubs<br />

International convention in London. Plying<br />

from New York via chartered plane were<br />

Mr. and Mrs. Jack Zide, Ben Rosen. Mr. and<br />

Mrs, Edward Rosenberg, Mr. and Mrs. Sol<br />

Adler and Dr. and Mrs. Peter Shifrin.<br />

CINCINNATI<br />

•The Corbin (Ky.) Drive-In has been sold by<br />

Ray Mullins. who is moving to Phoenix.<br />

Ariz., to Richard Johnson and Gene Combs,<br />

who operate drive-ins in Hazard. Lexington<br />

and Georgetown, Ky., and another in Sheridan,<br />

Ohio . . . Roscoe E. Purdue of Roanoke,<br />

Va., took over operation of the drive-in theatre<br />

in Raven.swood, W. Va., which was completed<br />

Lester Rosenfeld.<br />

late last sea.son , . . St. Albans, w. Va. exhibitor, returned from a<br />

winter stay in Florida.<br />

Julian Silberstein of Huntington was in<br />

town several days prior to spending a few<br />

Despite the<br />

days in Martinsville, Ind. . . .<br />

fact that a fire destroyed the concession<br />

booth in the Elk Drive-In, Gassaway, W. Va.,<br />

Saturday. April 12, James Rose, operator, did<br />

not suspend concession sales that night. The<br />

booth has now been rebuilt . . . Elugene<br />

Chambers is resigning as manager of the<br />

North Star Drive-In, Dayton, to join one of<br />

Dayton newspaper's cuxulation department.<br />

Ed Parker, the owner, will manage operation.<br />

Irene Marks, switchboard operator at WB,<br />

was vacationing<br />

. was received on<br />

the Row of the closing of the Seale Theatre<br />

in Booneville, Ky., by Charles Seale . . . Frank<br />

Yassenoft, Columbus, made the rounds of the<br />

exchanges with his new general manager,<br />

Lee Heidingsfeld . in the city Monday<br />

were Charles Scott. Vevay. Ind.; Jack<br />

Needham and Harley Bennett. Columbus;<br />

Lou Marcks, who operates drive-in theatres<br />

in Cynthiana and Paris. Ky.; Manny Marcus.<br />

Indianapolis; Johnny Goodno, Huntington,<br />

and William Settos, Springfield.<br />

Donald R. Hicks, manager at Paramount,<br />

attended a division sales meeting in Philadelphia<br />

. and Pat Quigley have a new<br />

baby daughter, their f.rst. Jim is a States<br />

Film shipper, and Pat is a former secretary<br />

at UA.<br />

William Borack of Tristate Theatre Service<br />

has added the Tiail Drive-In, Rand, W. Va.,<br />

recently taken over by Albert Aaron, to his<br />

accounts<br />

. Scholle, bookkeeper for<br />

States Film, was on a week's vacation, which<br />

she is spending in Dillsboro. Ind.. and in<br />

Lexington, Ky., where her daughter lives .<br />

Pat Cross, a former States Film employe, has<br />

a baby boy born April 15.<br />

Larry Lahmann, film trucker, is now delivering<br />

film to theatres in greater Cincinnati.<br />

Sol Winkler is assisting him. Film Service<br />

will continue hauling in Dayton and<br />

. . .<br />

vicinity, depot and bus stations, and air dispatch,<br />

according to Pete Gerhardt, general<br />

manager Sheldon Ti'omberg. manager<br />

for Rank Film Distributors, returned from a<br />

two-week trip in Kentucky . combo<br />

of "Robbery Under Arms" and "Hell Drivers"<br />

is being given a saturation booking in approximately<br />

20 drive-ins in Kentucky.<br />

Art Breider, MGM-TV central division<br />

sales manager, who headquarters in Cincinnati,<br />

is going to Los Angeles to attend the<br />

NAB convention.<br />

. . . Bill<br />

Mrs. Roy Letsinger, wife of the exhibitor at<br />

Amherstdale, W, Va., accompanied her<br />

daughter and son-in-law, Mr. and Mrs.<br />

Kukhstil, to Florida for a vacation<br />

Stepp and Calvin York have taken over operation<br />

of the Main Theatre, Kermit, W. Va.,<br />

. . . L. O. Davis of<br />

. . .<br />

from G. C. Richmond<br />

Hazard. Ky.. has returned from his winter<br />

home in Florida. Construction is continuing<br />

on the fabulous motel resort Davis Ls building<br />

in Hazard and it Is estimated it will be<br />

ready for opening this coming July<br />

Warner Bros, salesmen Ralph Salyer of Kentucky<br />

and Bob Burns. Ohio, are adding West<br />

Virginia theatres to their territories.<br />

. . . 20th-<br />

.<br />

Roy White of Midstates theatres has returned<br />

from his Florida vacation<br />

Fox has a new student booker, Fred Blair.<br />

He is receiving training in the local office for<br />

service in any exchange in the country that<br />

requires him Alexander, city<br />

manager of RKO Theatres, is co-chairman<br />

with Robert MacNabb of Variety's annual<br />

Old Newsboys Day to be held here May 19<br />

in conjunction with the Cincinnati Enquirer.<br />

James A. McDonald, general manager of TOO<br />

will be in charge of downtown sales, and Mrs.<br />

Virginia Wolfson, who is president of the<br />

Variety auxiliary, will be in charge of sales<br />

in the suburbs. Nat Kaplan of the Woodlawn<br />

Drive-In, Glendale, is in charge of transportation,<br />

and trailers in theatres.<br />

Albert Aaron, who operates the West Theatre<br />

in Charleston, W. Va., and the Elkview<br />

Drive-In, Elkview, W. Va., has purchased the<br />

Trail Drive-In, Belle, W. Va., from Ray<br />

Phelan . . . Maurice Chase has notified exchanges<br />

of the closing of his Ritz Theatre on<br />

Woodburn avenue in Cincinnati. Chase also<br />

owns the Vogue Theatre in the city . . . Bill<br />

Miller, Miller Bros., who operates the Millers<br />

Grove Drive-In, Millers Grove, Ohio, has returned<br />

from New York, where he had been<br />

a patient in Memorial Hospital for some<br />

weeks.<br />

Important Columbia Production<br />

"Let No Man Write My Epitaph" has been<br />

acquired by Columbia and will be one of the<br />

studio's most important productions of the<br />

year.<br />

DRIVE-IN<br />

Practically<br />

Yearly<br />

THEATRES!<br />

DOUBLE<br />

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Low-Coft, Small, Light,<br />

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EASY TERMS!<br />

THEATRE EQUIPMENT CO.<br />

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BOXOFFICE :<br />

: May<br />

5, 1958 ME-3


. Tim<br />

. . Ted<br />

. . George<br />

. . . Owen<br />

. . Dan<br />

. . IiTing<br />

. . Joe<br />

. . FYank<br />

DETROIT<br />

.<br />

Tim- KariiiKhaiis of Warner Bros, was spear-<br />

' heading a spring cleanup drive, while Syd<br />

Bowman. UA manager, was making it UA<br />

Week Cleary. Fox salesman, reported<br />

Uie opening of the Port Austin Tlieatre at<br />

Port Austin by Mr. and Mrs. John E. Upthegrove<br />

Rene German! of the Majestic<br />

Jr. . . . In Monroe was back in town on his regular<br />

Monday beat . Krass of the Krass circuit<br />

made a 169-yard hole in one at Glen<br />

Oaks golf course.<br />

Anne Baxter and Douglas Fairbanks were<br />

here for a personal appearance May 1 at<br />

the Palms in connection with "Chase a<br />

Crooked Shadow." with Marie D. Meyer handling<br />

arrangement-s . Clancy, longtime<br />

.secretary of the Detroit Musicians Federation<br />

and now treasurer of the Interna-<br />

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Everything<br />

. .<br />

tional. was in town from Newark to attend<br />

the stai« convention . Paul La.sko, operator<br />

at the National for years, is back from a<br />

seven-week trip to Europe . Karo of<br />

the Broadway-Capitol is heading home from<br />

the hospital to recuperate for .several weeks<br />

Bloiigh returned to the Music Hall<br />

aft.er three months in Florida.<br />

. . .<br />

. . Bill<br />

Theatre change reports—Doris and Edwin<br />

Langley arc taking over and reopening the<br />

Glen-Aiah at White Cloud, formerly operated<br />

by Mrs. Glen W. Beach, and booking<br />

independently Almond Sears and Ruth<br />

Mayfield will book the Silver Drive-In at<br />

Fenton independently this summer .<br />

Chu'k turned in a nice list of 16 drive-ins he<br />

is now buying product for . . . Mrs. Ruth<br />

Blumenthal La.sk. former secretary for the<br />

local BOXOFFICE correspondent, is back in<br />

. . .<br />

the Fox Theatre building with our old friend<br />

Dr. Ira Altshuler Edward L. Hyman,<br />

AB-PT vice-president, was in for a visit with<br />

local film people .<br />

. . Daniel<br />

J. Lewis, head<br />

film booker for Cooperative Theatres, has received<br />

inquiries from Pretoria, Union of<br />

South Africa, about procedure in organizing<br />

a similar setup there,<br />

. Carroll F.<br />

. . .<br />

Harry Braiker, formerly of the Booker T.,<br />

and Russell Ritzer are now at the Dearborn<br />

Drive-In, succeeding Nate Kaufman, who<br />

went to the Highland Park<br />

Kemp and Bill<br />

. .<br />

Napier are switching to full<br />

week operation at the Holiday Drive-In,<br />

which has been open weekends only<br />

Cedric Hardy, on the sick list over a year,<br />

is getting along okay and will soon return to<br />

For All<br />

the New Screen Projection<br />

• Motiograph Sound Systems<br />

• Strong Projection Arc Lamps<br />

Techniques<br />

• Raytone and Radiant Screens<br />

• Kollmorgen and B&L Lenses<br />

• Motiograph In-Car Speakers<br />

• Strong Rectifiers<br />

• Cretors and Star Popcorn<br />

Machines<br />

£.!^€.<br />

""^-"'''f^fcf<br />

-safS^AN<br />

the Jolly Roger, where Julius Pi.scher has<br />

been pinch-hitting for him.<br />

Projection booth news—George Juckett has<br />

moved from the Dearborn Drive-In to the<br />

Algiers Drive-In, joining George Ledward<br />

who came from the Ecorse Drive-In . . . William<br />

Martin left the Algiers to go on the<br />

drive-in swing shift . Foresta. many<br />

years at the Regent, is also joining the swing<br />

shift, with Cliff Vericker of the Lincoln<br />

Square temporarily replacing him.<br />

Irving Abramson, formerly manager of the<br />

De.xter Theatre, is the new manager of the<br />

Jolly Roger Drive-In, succeeding the late<br />

Bernard V. Samuels, for the Nick George circuit<br />

Jack Smukler, his wife Gladys and<br />

. . . young son Dwight are putting on a series of<br />

their famed clown shows for various benevolent<br />

Andy Granger of<br />

organizations . . . Butterfield and Ralph Forman of Cooperative<br />

Theatres received the $100 and $75 bond<br />

prizes re.spectively in AIP drive. Mickey<br />

Zide of Allied Films announced the winners<br />

in the absence of his father Jack Zide, who<br />

was in London.<br />

. . . Ei'nie and<br />

Joe Sullivaji is back in the Film building<br />

after many weeks at the Bel-Air Drive-In,<br />

with Ed Gibson back from vacation at Clearwater,<br />

Fla. . . . Bill Flemion and Bert Holmes<br />

enjoyed an exchange of reminiscences in the<br />

sun on Filmrow . and Adolph Goldberg<br />

are installing new Jet Arc Lamps in the<br />

Bel-Air Drive-In . . . John McMahon, UA<br />

salesman, says the new Mackinac bridge Is<br />

well worth the trip upstate<br />

Floyd Chrysler of Allied Artists and the Lakeview<br />

Theatre respectively are getting their<br />

mail mixed.<br />

. .<br />

. . Robert<br />

. . .<br />

. . . S. and<br />

Theatre change notes—^the Conant, operated<br />

by William and Thaddeus Szypulski in<br />

Hamtramck will reopen with Polish films,<br />

The Affiliated<br />

booking independently . . .<br />

circuit is switching the Lakewood from three<br />

to two changes a week . Ernie Ziegler, U-I<br />

salesman, reported Mrs. Ethel Kilmark reopening<br />

the Loma at Coloma .<br />

Page is now general manager for the Michigan<br />

and Nortown Theatre companies at Flint<br />

. . . Earl H. Evans and Ray Engle jr.. are<br />

switching the Strand at Lowell to a twochange,<br />

single bill policy A. Kleaver<br />

is closing the<br />

.<br />

Uptown at Grand Rapids<br />

Tuesdays through Fridays Don Garey<br />

will close the Hastings at Hastings for the<br />

summer . . . The Joseph B. Krul estate<br />

A<br />

Is<br />

closing the King in Detroit<br />

Richard Montgomery will close the Sun at<br />

Williamston on Wednesdays.<br />

Ernie Conlon, Film Truck secretary, is<br />

progressing favorably following a kidney removal<br />

at Grand Rapids and expects to leave<br />

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BOXOFFICE :: May 5, 1958


, . Bernadette<br />

. . Adalyn<br />

. . Helen<br />

. .<br />

the hospital soon . Bower reports<br />

two Detroiters connected with the forthcoming<br />

"Pork Chop Hill." Actor Georpe Peppard<br />

will have a principal role, while the<br />

original story is by S. L. A. Marshall, who<br />

spoke at a Variety Club gathering several<br />

years ago . Sohneider, who runs<br />

the Stratford Theatre with her sister Gertrude,<br />

has taken up house-painting at their<br />

cottage in Canada, while Gert handles the<br />

domestic duties.<br />

Wayne Roberts, Stratford operator, had<br />

the unwelcome experience of a flat tire on<br />

the expressway . Werner of the<br />

UDT publicity staff headed for Miami Shores<br />

to enjoy a two-week Florida vacation .<br />

Mrs. Bill Clark reports the newly organized<br />

ladies of Variety— the Barkerettes—are meeting<br />

regularly the second Tuesday of each<br />

month and looking for more of the distaff<br />

side of the industry t


. . Laura<br />

. . Ted<br />

. . Bill<br />

. . Leo<br />

. .<br />

. . Leo<br />

. . Eddie<br />

CLEVELAND<br />

IwriUoii A. Mooney. president of Cooperative<br />

Theatres of Ohio, fell in love with the<br />

west on his last winter's vacation and bouRht<br />

a home in Phoenix, Ariz. This does not presage<br />

his retirement but only removes the hazards<br />

of winter travel In the future. He and<br />

Mrs. Mooney plan to spend the summers in<br />

Cleveland. In his absence, his son Blalr will<br />

mind tJie store.<br />

. . . Howard<br />

Health reports: M. B Horwitz, a heart<br />

attack victim, had been back at his desk<br />

several hours a day but Thursday (1> he<br />

ducked out of Cleveland to complete his convalescence<br />

in Miami Beach where he will<br />

team up with his former gin rummy partner.<br />

Izzy Schmertz. retired 20th-Fox manager,<br />

now an enthusiastic Ploridian<br />

Reif of Modern Theatres, still in Lakeside<br />

Hospital, is feeling better and receiving<br />

visitors.<br />

Opening and closings: Jack Gutilla reopened<br />

his Roxy Theatre in DeGraff . . . Edward<br />

J. Modi will follow his usual policy patterns<br />

Monday i5i when he closes the State<br />

Theatre. Barnesville, for the summer ... In<br />

Steubenville. Arthur Diannaballe closed the<br />

Ohio Theatre indefinitely . . In Mansfield,<br />

the Park, a unit of the Skirball Bros, circuit,<br />

reduces summer playing time to four days<br />

starting May 7 according to notification to<br />

exchanges . . . E. L. Staup of the Capitol<br />

Theatre. Delphos. foreseeing a silver lining<br />

in the movie clouds, is restoring a fulltime<br />

THE<br />

BIG COMBINATIONS<br />

COME FROM<br />

Allied Film Exchange Imperial Pictures<br />

2310 Cass Ave.<br />

Detroit, Mich.<br />

2108 Payne Ave.<br />

Cleveland, Ohio<br />

p.>licy at the theatre with two changes a<br />

week. He had been open only three days a<br />

week.<br />

Leonard Mishkind of General Theatres operating<br />

a chain of theatres in Cleveland, Orr-<br />

. . . Bill<br />

.<br />

ville and Cadiz, has been vacationing in<br />

Exchanges received word that<br />

Florida . . .<br />

Park Belden, owner of the Thornton Theatre,<br />

Akron, suffered a heart attack . Wei.ss,<br />

Columbia manager, was out in the territory<br />

making personal calls on exhibitors<br />

Onie. Cincinnati theatre circuit owner, was<br />

here combining business and pleasure . . . Don<br />

and Marv Marcus have moved their Marcus<br />

Advertising Agency out of the Film building<br />

and into a new office building on Euclid<br />

avenue near 30th street Levy. Buenii<br />

Vista district manager, and his wife, attending<br />

the International Variety Clubs convention<br />

in London, are due back in the States<br />

May 12.<br />

. . .<br />

Louis Krenitz, 70, brother of Joe Krenitz.<br />

former MGM salesman currently handling<br />

the sale of "Dr. Sikini's Scream Show" died<br />

Nat Barach. NSS manager, was back on<br />

the job having .successfully overcome whatever<br />

it was that laid him low the early part<br />

of the week . Kovach, secretary to<br />

U-I district manager Peter Rosian. returned<br />

to her typewriter after a week's vacation . . .<br />

HaiTy Buxbaum, Paramount manager, attended<br />

a district meeting in Philadelphia.<br />

. . .<br />

.<br />

.<br />

George Wakely is back at the old stand,<br />

the Limelite Theatre in Woodville, and he<br />

also re.sumed as golf pro at the Chippewa<br />

golf course near Toledo Wanna sell a<br />

boat? Jack Armstrong, circuit owner sold<br />

his large one and is in the market for a<br />

smaller one . . . Mr. and Mrs. Steve Rheno,<br />

Elm Road Drive-In. Warren, staged a gala<br />

wedding last week for theii- daughter<br />

Word has been passed along that the Willow<br />

Theatre at Clyde, operated since July 1957 by<br />

Charles Livingston, has closed Jones'<br />

Indian Trail Drive-In on Route 25 near<br />

Sandusky will not open this year on account<br />

of road building that blocks off the entrance<br />

to the airer.<br />

Mrs. Hazel Lenz, wife of the manager of<br />

the Miracle Mile Drive-In, Toledo, has taken<br />

up a new hobby, the study of hatidwriting.<br />

D 2 years for $5 D 1 yeor for $3 3 years for $7<br />

D Remittance Enclosed D Send Invoice<br />

THEATRE,.<br />

STREET ADDRESS<br />

TOWN ZONE STATE<br />

NAME<br />

^^^<br />

POSITION..<br />

THE NATIONAL FILM WEEKLY S2 issues a year<br />

825 Van Brunt Blvd., Konsas City 24, Mo.<br />

She hopes to become an expert in this field<br />

and use it to good punrose . Bergman<br />

has declined an offer to become manager<br />

of the Variety Club . Greenberger<br />

of the Community circuit is in Florida.<br />

Velma West Sykes. BOXOPFICE Blue Ribbon<br />

Awards chairman, was besieged for information<br />

atxjut pictures from members of<br />

the Federation of Motion Picture Councils<br />

whom she addre.ssed Wednesday (16 1 night<br />

on "Spon.sorship vs. Censor.ship," in which<br />

she stressed the responsibility of council<br />

members to support family type pictures in<br />

order to maintain freedom of cen.sorship for<br />

Adrian Awon is currently handling<br />

films . . .<br />

20th-Fox publicity in this area. He succeeds<br />

Steve Pirozzi.<br />

Detroit Avon Art Theatre<br />

Nears Gala Opening Date<br />

DETROIT—Albert Dezel,<br />

independent film<br />

distributor and art theatre operator here, is<br />

moving into tristate operation with the opening<br />

of the Avon Art Theatre at South Bend,<br />

Ind.. which he will operate in partnership<br />

with Sam H. Kaplan of Chicago, who is also<br />

a partner with Dezel in independent film distribution<br />

in the Windy City. Dezel operates<br />

the Coronet Theatre here and Mrs. Dezel operates<br />

the Surf Theatre.<br />

The Avon is a 1,000-seat downtown house,<br />

formerly a first run. closed about three<br />

months ago. It is being extensively remodeled<br />

for the opening, which features "How<br />

to Murder a Rich Uncle" and "The Lady Killers."<br />

Dale Edmonds, formerly manager of the<br />

Emsee Art Theatre in Mount Clemens, operated<br />

by R&H Theatres under the direction<br />

of Robert H. Vickrey, was appointed house<br />

manager of the Avon.<br />

"Foreign films seem to be gaining in popularity<br />

mostly because Americans have been<br />

traveling more and enjoy seeing places they<br />

have seen in films." Dezel said in announcing<br />

the expansion of his art house investments.<br />

''Men who have been in service also<br />

aid the market because of their wide travels."<br />

Albert Kinzeler Dies;<br />

Retired Ohio Exhibitor<br />

DAYTON—Albert F. Kinzeler, 73, retired<br />

operator of the Elite Theatre and former<br />

president of the North Dayton Amusement<br />

Co., died recently. Three daughters, Mrs,<br />

Ruth Solot, Columbus; Dorothy M. Kinzeler,<br />

Dayton, and Mrs. Elsie Beatty, Cincinnati,<br />

and two sons, C. William and Charles G.,<br />

both of Cincinnati, survive.<br />

Hosts Paul Newman Relatives<br />

CLEVELAND—A special family screening<br />

of "The Long. Hot Summer" was held Thursday<br />

(24) evening in the 20th-Fox screening<br />

room for 62 Cleveland relatives of Paul Newman,<br />

including his mother, Mrs. Arthur<br />

Newman of Shaker Heights. This was also<br />

the occasion of the vicarious introduction of<br />

the aunts, uncles and cousins to Joanne<br />

Woodward, who costars with her husband in<br />

the picture. The screening was arranged by<br />

Adrian Awon, 20th-Fox field publicist.<br />

Rep. to Release 'Place to Land'<br />

LOS ANGELES — Albert Gannaway has<br />

closed a deal with Republic to release his<br />

forthcoming picture, "No Place to Land,"<br />

starring Jackie Coogan, as well as one other<br />

future film.<br />

ME-6 BOXOFFICE May 5, 1958


. . Majeske<br />

. . Bud<br />

. .<br />

Reassign Republic Films<br />

Cleveland<br />

In Detroit,<br />

DETROIT—Allied Film Exchange will<br />

tiUce<br />

over distribution of Republic product here<br />

after the local exchange, long under the direction<br />

of Moe Dudelson, closes May 9. The<br />

details were confirmed by Mickey Zide, son<br />

of Jack Zide, exchange owner, who was in<br />

London for the Variety International convention.<br />

Zide's Imperial Pictures, under the management<br />

of Rudy Norton, will also take over<br />

Republic distribution for the Cleveland territory.<br />

The Republic exchange here was an outgrowth<br />

of the independent exchange, operated<br />

under Monogram and other titles, established<br />

years ago by the late Jack Saxe,<br />

William Hurlbut and Jack Berkowitz of Buffalo.<br />

BOWLING<br />

DETROIT—Altec lost<br />

four points and first<br />

place to National Carbon, while National<br />

Theatre took four points from Local 199 and<br />

Amusement Supply took four from Ernie<br />

Forbes in the Nightingale Club Bowling<br />

League. New standings are:<br />

Team Won Lost Teom Won Lost<br />

Not'l Corbon 64... 40.. Ams't Sply 50... 54..<br />

Altec 62... 42.. Local 199 47... 57..<br />

NTS 61... 43.. Ernie Forbes 28 ...76..<br />

High scorers were: Ralph Haskin, 190-212-<br />

226, 628: Jack Lang, 198-230-195, 623: Francis<br />

Light, 227, 599; Jack Colwell, 191-205. 577:<br />

Jack Lindenthal, 232, 570; Robert Armstrong,<br />

215. 551; Tommy Tliompson, 193, 501; Richard<br />

Connell. 519: Bud Gates, 197; Robert Bloch.<br />

197; Frank Quiiilan, 190.<br />

Bowling Notes—Roy Thompson was missing,<br />

so the high single and high three rolled<br />

by National Theatre Supply didn't count . . .<br />

Robert Armstrong was back on the Altec<br />

team, feeling pretty good . Gates is<br />

getting better by the week, as is Phil Majeske,<br />

.<br />

who rolled 171 after a big first game .<br />

Robert Bloch folded up like a book, with Joe<br />

Pickering helping him fold . . Eddie Waddell's<br />

.<br />

502 was his biggest game of the sea-<br />

son made the 5-6-10 split, Carl<br />

Mingione the 5-7 and 5-6, Edgar Douville the<br />

5-7, and Richard Connell the 6-7-10 . . .<br />

Floyd Akins reports it was Mrs. Richard Connell's<br />

clan rather than her own gang she had<br />

with her last week.<br />

Romm Gives Up Columbia<br />

Post for Production<br />

NEW YORK—Harry Romm, for five years<br />

an executive in the Columbia home office,<br />

has resigned to return to independent film<br />

production. His first new property, to go into<br />

production July 1, is "Senior Prom." Columbia<br />

may release it.<br />

Romm has produced "Swing Parade" with<br />

Gale Storm and "Ladies of the Chorus," a<br />

Columbia release, with Marilyn Monroe. He<br />

also has produced for television.<br />

Ken Carter to CSI<br />

HOLLYWOOD—Kenneth Carter, former director<br />

of public relations of Skiatron TV, has<br />

joined the public relations firm of Cleary-<br />

Strauss & Irwin. Skiatron's public relations<br />

will now be handled by CSI, with Carter as<br />

account executive. Prior to his association<br />

with Skiatron. Carter was for many years<br />

with U-I publicity department.<br />

Ohio Teenagers Crave Better Films,<br />

Regard Horror Shows as Comedies<br />

YOUNGSTOWN, OHIO—The younger generation<br />

appreciates the better pictures, no<br />

matter what Hollywood .surveys show to the<br />

contrary, concludes Fred Childress, motion<br />

picture editor of the Vindicator.<br />

"After reading several surveys about what<br />

teenagers like—Elvis Presley, rock 'n' roll and<br />

all kinds of repulsive stuff," writes Childress,<br />

"I decided to make a survey of my own."<br />

ASKS TEENAGE COUNCIL<br />

He went to the Teenage Motion Picture<br />

Council, which is composed of a representative<br />

from each of the local junior and senior<br />

high schools. Childress' report follows:<br />

Well, now, industry surveys have it that<br />

moviegoers of this age are exclusively devoted<br />

to space antics, rockabilly singers, teenage<br />

Frankensteins and the like. Horror outweighs<br />

rock 'n' roll, since space pictures also<br />

fall into this category—they don't do well<br />

unless there's something horrible about them.<br />

So I asked how many students, out of 20<br />

or so, had seen 'Rodan!'<br />

There were two.<br />

Riecovering from this piece of news, I<br />

suggested feebly that teenagers were supposed<br />

to like horror films and attend them<br />

in droves.<br />

"Sure," the girls said, "We're crazy about<br />

them."<br />

"There's nothing like a horror film for<br />

laughs," one of the boys agreed. "We go for<br />

the comedy."<br />

"But it's no good unless you're with a date,"<br />

another one said. "It's the psychology of the<br />

thing."<br />

"Psychology?" I said.<br />

"You know," he explained. "The girls<br />

scream and the boys hold them. All very<br />

psychological."<br />

At this point it seemed best to change the<br />

subject. "How many of you saw "The Bridge<br />

on the River Kwai'?"<br />

All but two.<br />

"Did you like it?"<br />

The girls were crazy about it, substantiating<br />

a column I wrote earlier this week calling<br />

"The River Kwai" a "woman's picture."<br />

Oh, the boys thought it was all right, but<br />

maybe a little slowmoving. They preferred<br />

"Witness for the Prosecution."<br />

GIRLS SEE TWICE AS MANY<br />

The girls, it turned out, had seen about<br />

twice as many pictures as the boys. There<br />

was some quibbling over the mathematics of<br />

this, since they also said they rarely went to<br />

the movies alone, but usually with a date.<br />

When I pointed out the discrepancy, they<br />

looked at me strangely, as though wondering<br />

whether I was as old as I looked.<br />

"It's not our math that's off," one of them<br />

said, leading me into what I gather is a common<br />

trap. "It's your geometi-y."<br />

They all laughed and then turned to me<br />

expectantly.<br />

"Geometi-y?" I said, feeling helpless. "I<br />

don't get it."<br />

"The eternal triangle!" the girls chorused<br />

triumphantly.<br />

The survey seemed to be getting out of<br />

hand, so I made it more definite. What pictures<br />

did the girls like best? "The Bridge on<br />

the River Kwai," "Sayonara" and "Raintree<br />

County." Not a single mention of Elvis,<br />

Pat Boone or Tommy Sands. "Peyton Place"<br />

wius the best picture of the year.<br />

The boys also liked "Peyton Place," but they<br />

admired "The Enemy Below," "Witness for<br />

the Prosecution" and "The Young Lions"<br />

more.<br />

Now. I a.sk you. What's the younger generation<br />

coming to?<br />

It's coming to better and better pictures,<br />

that's what. No matter what the Hollywood<br />

surveys show.<br />

Cadmus. Golden Panelists<br />

DETROIT—Two managers of northwestern<br />

suburban houses spoke at the annual lunchton<br />

meeting of the Greater Detroit Motion<br />

Picture Council Friday i2) at the Women's<br />

City Club.<br />

Industry public relations were discussed by<br />

William Cadmus, manager of the Redford<br />

Theatre, operated by Community Theatres,<br />

and by Irving Golden, operator of the Irving<br />

Theatre, under the panel title, "Cooperating<br />

with the Community."<br />

Youngslown Bargain Matinee<br />

YOUNGSTOWN. OHIO — The<br />

fii'st-run<br />

Paramount featured a noon to 2 p.m. bargain<br />

Friday il8i with all seats for 25 cents, "because,"<br />

Paramount ads read, "we want<br />

thousands talking about this great show."<br />

The program consisted of "Saddle the Wind"<br />

and "Underwater Warrior." Regular prices<br />

are 50 cents until 2 p.m., 60 cents until 6<br />

p.m. and 80 cents in the evening.<br />

HERE'S YOUR CHANCE<br />

to get in Ihe<br />

BIG MONEY<br />

o screen game,<br />

HOLLYWOOD fakes top<br />

honors. As a box-office attraction,<br />

it is without equal. It has<br />

been o favorite with theatre goers for<br />

over 15 years. Write today for complete details.<br />

Be sure to give seating or cor capacity.<br />

HOLLYWOOD AMUSEMENT CO.<br />

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CHICAGO<br />

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When you ore in need of<br />

Announcement<br />

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BOXOFFICE May 5, 1958 ME-7


COLUMBUS<br />

•The tables were turned on Manager Walter<br />

Kessler of Loew"s Ohio, who makes a<br />

specialty of awarding trophies from film<br />

stars, by members of Phi Sigma Delta fraternity<br />

at Ohio State University. Kessler<br />

went to the movie costume ball at the fraternity<br />

to awai-d a trophy In the name of<br />

Clark Gable, star of "Run Silent. Run Deep."<br />

It happened to be Kessler's birthday. The<br />

fraternity members learned of it and surprised<br />

tlie Ohio manager with a big birthday<br />

cake.<br />

Norman Nadel, Columbus Citizen theatre<br />

editor who appears in "Teacher's Pet" starring<br />

Clark Gable and Doris Day, will be given<br />

the star treatment in advance of the picture's<br />

playdate at Loew's Ohio. Manager Walter<br />

Kessler is plaiining radio and television interviews,<br />

press reception and photo coverage . . .<br />

Mary Jose of the Columbus Star editorial<br />

staff has been named tempoi-ary theatre editor<br />

of the weekly. Brock Jones, theatre editor<br />

for the past year, has resigned.<br />

Showing of "Wasted Lives" and "The Birth<br />

of Twins" at the Hudson and Russell neighborhoods<br />

was attacked by Paul J. Lynch.<br />

Democratic candidate for the Ohio House of<br />

Representatives, in a speech here. Lynch accused<br />

the Republican-dominated Ohio legislature<br />

"of failing to protect youths against<br />

unwholesome pictures." He said Senator<br />

Charles Mosher, chairman of the Senate education<br />

committee, stopped enactment of a<br />

new, stronger censorship law "in the name<br />

of civil liberties and all that trash that goes<br />

with it" He said "Wa,sted Lives" is "Just<br />

.smut" and "The Birlh of Twins" "exploits<br />

one of the most beautiful events In the history<br />

of society, the birth of twins."<br />

a fourth and final week at Loew's Ohio,<br />

"Snow White and the Seven Dwarfs" three<br />

weeks at RKO Grand, "The Young Lions"<br />

two weeks at RKO Palace and "And God<br />

Cieated Woman" 16 weeks at the Drexel.<br />

Manager Bob Little of the Bexley art house<br />

will play host to the Columbus Community<br />

Theatre, local amateur group, .sponsor of two<br />

.showings May 1 of "The Golden Age of<br />

Comedy." Receipts from advance sale of<br />

tickets will go to the theatre group.<br />

No Wooster DST<br />

WOOSTER, OHIO—The city council defeated<br />

by a 4-3 vote an ordinance aimed at<br />

putting Wooster on daylight saving time for<br />

the<br />

summer.<br />

Leaving soon for Alaska, Art and Jo<br />

Napoleon, husband and wife writing team,<br />

will do research work for the Warner picture,<br />

"Ice Palace."<br />

Sidney Brant Group Buys<br />

Fairborn, Ohio, Airer<br />

FAIRBORN, OHIO—The Skyborn<br />

. . . Business<br />

Herninn Hunt, operator of Hunt's Cine-<br />

Stage, said 'Around the World in 80 Days"<br />

would close April 29. The Todd-AO attraction<br />

opened last September 12. This is the longest<br />

run of a film in Columbus<br />

continued excellent in several theatres with<br />

"The Bridge on the River Kwai" completing<br />

Cruise-<br />

In has been sold by the estate of D. E. Kinsel<br />

to a Cincinnati firm for $110,000. The firm<br />

is Sidney C. Brant and Associates, headed<br />

by Brant, a Cincinnati lawyer. The transaction<br />

included the lands, buildings, and theatre<br />

equipment, but not a nearby roller skating<br />

rink also owned by the estate. Kinsel,<br />

who founded the drive-in in 1951, was killed<br />

in an automobile accident last summer.<br />

The new owners plan to improve the property<br />

by adding 350 car speakers to<br />

bring the capacity to 1,000 automobiles. They<br />

also plan a new snack bar and service facilities,<br />

said Ed Lange, of the Huffman Realty<br />

Co.. Dayton, who represented both parties.<br />

Film Councils President<br />

Thanks Cleveland Club<br />

CLEVELAND—Mrs. Frederick Chapman,<br />

president, and Mrs. William G. Sullivan,<br />

secretary of the Motion Picture Council of<br />

Cleveland, were on constant duty as hosts to<br />

delegates and members attending the National<br />

Federation of Motion Picture Councils<br />

convention here. All of the local council<br />

members shouldered their tasks to make the<br />

entire conference "run silent, run fast," with<br />

nary a dull moment. Except tor the special<br />

screening, there was no opportunity to leave<br />

the Carter Hotel, so closely knit was the<br />

two-day program. National President Mrs.<br />

Dean Gray Edwards expressed public thanks<br />

for the efficiency of the local council in its<br />

preparation and conduct of the conference.<br />

•;o'«


—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

'Macabre' 160 Tops<br />

Grosses in Boston<br />

BOSTON—A balmy weekend bringing the<br />

first signs of spring took the spurt out of<br />

the new product but three new films drew<br />

excellent patronage despite the good weather.<br />

"The Brothers Karamazov" at the State and<br />

"Macabre" at the Paramount and Fenway<br />

vied with each other for top honors. "The<br />

Goddess" in a world premiere did excellent<br />

evening business. "The Bridge on the River<br />

Kwai" moved over to the Capri after 18<br />

weeks at the Gary.<br />

(Average Is 100)<br />

Astor Moriorie Morningstar (WB), 3rd wk 90<br />

Beocon Hill The Goddess (Col) 140<br />

Boston Search for Porodise (SW), 22nd wk 85<br />

Capri Stage Struck (BV), 3rd wk 85<br />

Exeter Street Lucky Jim (Kingsley), 2nd wk. . .<br />

.100<br />

Gory The Bridge on the River Kwai (Col),<br />

17th wk 115<br />

Kenmore Henry V (Rank), 5th wk 80<br />

Memorial The Long, Hot Summer (20th-Fox),<br />

3rd wk 110<br />

Orpheum Run Silent, Run Deep (UA);<br />

The Quiet American (UA), 4th wk 100<br />

Poramount and Fenway Macabre (AA);<br />

Hell's Five Hours ( AA) 1 60<br />

Saxon South Pacific (Magna), 2nd wk 300<br />

Stote -The Brothers Koramaiov (MGM) 1 55<br />

'River Kwai' Still Strong<br />

As Hartford Holdover<br />

downtown holdover<br />

HARTFORD—The sole<br />

was "The Bridge on the River Kwai," doing<br />

healthy business at $1.50 top.<br />

Allyn Mirocle of Marcelino (UMPO);<br />

The Red Balloon (Lopert), revivals 85<br />

Art Nana (Times); Wee Geordie (Times),<br />

revivals 75<br />

Cine Webb Smiles of a Summer Night (Rank). .105<br />

E. M. Loew The Bridge on the River Kwai (Col),<br />

4th wk 220<br />

Polace The Gift of Love (20th-Fox);<br />

Ambush at Cimarron Pass (20t"h-Fox) 95<br />

Poli The Young Lions (20th-Fox) 150<br />

Strand Attilo (Embassy);<br />

Lady of Vengeance (UA) 110<br />

'Bridge' and "Lions'<br />

Strong in New Haven<br />

NEW HAVEN—"The Bridge on the River<br />

Kwai" followed the national pattern here,<br />

chalking up a handsome 220 at Loew's Poli.<br />

"The Young Lions" did nicely in holdover<br />

status at the sister house. Loew's College.<br />

College The Young Lions (20th-Fox); 3rd wk. 165<br />

Crown ^Wells Forgo (Pora); Union Pacific<br />

(Para), revivals 85<br />

Lincoln So Little Time (SR) 100<br />

Paramount Attilo (Embassy); Oklahoma Woman<br />

(AlP) 105<br />

Poli—The Bridge on the River Kwai (Col) 220<br />

Roger Sherman Morjorie Morningstar (WB);<br />

Fort Bowie (UA) 110<br />

Wholley The Golden Age of Comedy (DCA);<br />

Panic in the Parlor (SR) 1 00<br />

Ernest T. Kimball Dies;<br />

Former N. H. Showman<br />

MANCHESTER. N. H.—Ernest T. Kimball,<br />

67, at one time a well-known film exhibitor<br />

here, died in Sacred Heart Hospital April 23<br />

after being stricken with a heart attack while<br />

driving his car on Lowell street.<br />

Early in his career, he had managed the<br />

Modern and Queen theatres and was owner<br />

of the Granite State Theatre. He was a past<br />

president of the Motion Picture Exhibitors<br />

League of New Hampshire.<br />

In addition to engaging in the film business,<br />

Kimball had been a purchasing agent<br />

for the Amoskeag Mills, owner of the City<br />

Construction Co., co-owner of the New Hampshii-e<br />

Frozen Food Locker Service and president<br />

of the Amoskeag Machine Co.<br />

Youthful Enthusiasm, Firm Policy<br />

Make Windsor Sub-Run Pay Off<br />

By ALLEN M. WIDEM<br />

HARTFORD—Tlie suburban theatre, a matter<br />

of much concern in the face of dwindling<br />

revenue reported by some independent circuits,<br />

can be made to pay in these times and<br />

right handsomely at that!<br />

Current case in point is the Plaza Theatre,<br />

situated in Windsor, just over the Hartford<br />

town line. Tlie 800-seater, operated by Lockwood<br />

& Gordon Enterprises, is the sole film<br />

situation in a town with an admittedly burgeoning<br />

population. At last count, Windsor<br />

had upwards of 10,000 population and the<br />

end isn't in sight yet.<br />

Reginald Pelletier, assigned to the Plaza<br />

about a year ago from the Opera House,<br />

Waterville, Me., has instituted a number of<br />

firm, resolute policies that are proceeding to<br />

chalk up encouragement for even the opposition—theatres<br />

in towns not too remote from<br />

Windsor.<br />

The theatre, heretofore on a 14-day availability<br />

as regards product after downtown<br />

Hartford, had been following such a schedule<br />

more or less haphazardly. The Plaza<br />

now is running films right smack on the 14-<br />

day clearance; moreover, a single-feature<br />

policy has replaced a sometimes double-bill<br />

booking. The price scale, boosted from 70<br />

cents to 90 cents for such caliber releases as<br />

"Sayonara" and "Peyton Place," currently<br />

stands at 75 cents and is, of course, subject to<br />

upward revision in event of similar releases.<br />

But beyond the booking practice, the<br />

Plaza has taken on new zestfulness, employe<br />

morale, and interior spirit. Pelletier, a youngish<br />

New Englander with boundless enthusiasm<br />

for the motion picture theatre, has<br />

Sam Badamo Manager<br />

Of New Seekonk Drive-In<br />

SEEKONK, MASS. — Sam Badamo, well<br />

known in New England management circles,<br />

has been appointed<br />

manager of the Family<br />

Drive-In, being completed<br />

here for a May<br />

14 opening by owners<br />

Norman Zalkind and<br />

Hyman Lepes. Badamo's<br />

assistant will be<br />

John Holahan of Tiverton,<br />

R. I., formerly<br />

with the Zalkind-<br />

Lepes Ponta Delgada<br />

Drive-In which was<br />

opened in North Tiverton,<br />

R. I., a year ago.<br />

Joseph Mathias, Fall River, is managing the<br />

Ponta Delgada for the Zalkind-Lepes cu--<br />

cuit.<br />

Badamo is organizing opening activities<br />

that will be marked by presence of town and<br />

state officials while construction workers<br />

put finishing touches on the 1,700-car drivein.<br />

Sam Badamo<br />

"I started up in this business as a bell boy,<br />

then as an usher," Badamo recounted, "and<br />

came up the hard way until I became assistant<br />

to Matt Saunders in Bridgeport, Conn.<br />

Matt, who in my estimation is one of the<br />

finest showmen in the business, was then<br />

and still is manager of the Loew-PoU Theatre."<br />

Badamo later became manager of the Globe<br />

dressed up the house physically, and says,<br />

"We want people to walk into the Plaza and<br />

feel comfortable."<br />

At the same time, the theatre has resumed<br />

its Saturday matinee show for youngsters.<br />

starting the day's regular film program at<br />

6 p.m.<br />

As for patrons aides, Pelletier has arranged<br />

with the progressive-minded management of<br />

the nearby First National supermarket to allow<br />

free, evening parking for 100 automobiles.<br />

An admirable amount of space is also discernible<br />

on the street level.<br />

Pelletier recently pulled off his master<br />

coup—he began going through the metropolitan<br />

Hartford phone book, systematically writing<br />

off addresses in Windsor, Wilson and surrounding<br />

towns, mailing invitation cards<br />

(good for bearer and party) as an introductory<br />

promotion.<br />

He reasoned that new population seeks out<br />

new entertainment, and in the rough-andtumble<br />

atmosphere of competition for potential<br />

customers, the motion picture theatre<br />

can chalk up its share.<br />

The cards read simply: "An invitation to<br />

be the guest of the management at the<br />

Plaza Theatre at Windsor. So that we may<br />

become better acquainted. This invitation<br />

will admit you and a guest to any performance<br />

at our theatre free of charge!"<br />

Working with Douglass N. Amos, general<br />

manager, and William F. Daugherty, district<br />

manager, of the foi-waxd-looking L&G interests,<br />

Pelletier is convinced that constant<br />

public contact, on the field level, daily, will<br />

eventually build up a healthy parade of<br />

steady clientele.<br />

Theatre, Bridgeport, then a vaudeville house,<br />

where he stayed three years. Later management<br />

experience included the College, New<br />

Haven, a Loew-Poli house: the Hope, f>rovidence.<br />

Lockwood & Gordon, and the Pike<br />

Drive-In, Johnston, R. I.. Rifkin circuit. When<br />

the latter circuit built the ultramodern Shipyard<br />

Drive-In, Badamo was named manager<br />

to open it and get it operating smoothly. His<br />

success with the big Shipyard operation was<br />

instrumental in Zalkind and Lepes seeking<br />

him as manager for their new Seekonk unit.<br />

Interstate Corp. Reopens<br />

Milford, Mass., Drive-In<br />

MILFORD. MASS. — The New Milford<br />

Drive-In theatre on Route 16. Mendon, has<br />

been opened for its first full year's operation<br />

by Interstate Theatre Corp., with Carl Baird<br />

as manager. Interstate took over the drivein<br />

late last year and this spring has completed<br />

an extensive renovation project.<br />

Modernization included new projectors,<br />

new screen surface, renovated concessions<br />

stand with new equipment, remodeled offices<br />

and a much-enlai-ged playground.<br />

Baii'd, with Interstate for 13 years, has had<br />

wide experience in drive-in operation and<br />

last was with the Scenic Drive-In, Rochester,<br />

N. H.<br />

Locale for "John Paul Jones'<br />

Warner Bros.' "John Paul Jones" will be<br />

filmed in Scotland, France, the United States<br />

and Spain.<br />

BOXOFFICE May 5, 1958 NE-1


BOSTON<br />

TA/hilr Bob I1i>|m- was hcri' for his two-day<br />

visit to plug "Purls Holiday." he told<br />

the press some anecdotes about making the<br />

picture with Pernandel. the French comic.<br />

"How did we get along? Well. I wanted all<br />

the laughs and Fernaiidel wanted all the<br />

laughs. But I knew the director better. However,<br />

we had such a great time that we are<br />

costarring In another film to start this fall<br />

called 'Hollywood Holiday.' " Hope said that<br />

the reaction to his TV show on the Russian<br />

films was so great that It will be repeated in<br />

June. He said, howe\'er, that there Is so<br />

much film left over from his Russian jaunt<br />

that he is planning to make it Into a 40-<br />

minute documentai-y short for showing in<br />

theatres.<br />

After two world premieres In one week In<br />

this city, plus the first-run showings of<br />

sewn other films, the exchange publicists<br />

should be able to catch their breaths for a<br />

brief spell. This reporter approached Jack<br />

Markle. Columbia's publicist who had just<br />

launched the world premiere of "The Goddess"<br />

at the Beacon Hill Theatre. For this<br />

film, Paddy Chayefsky, author, came to the


. . . George<br />

. . Doug<br />

. . Playing<br />

. .<br />

meeting here last week setting detailed territorial<br />

plans for UA's spaced release progiam.<br />

Gene Tunick, eastern district manager, presided<br />

with Velde. Exchange managers participating<br />

were Harry Segal of Boston and<br />

Irving Mendelson, New Haven. Velde and<br />

Tunick also met with area circuit officials<br />

and theatre owners to plan spring and summer<br />

release of UA product.<br />

Boston Circuit Units Gain<br />

With Separate Film Policy<br />

BOSTON—The management of Loew's<br />

Boston Theatres, headed by Charles E. Kurtzman,<br />

division manager, has decided to make<br />

permanent the new policy established a few<br />

months ago. Heretofore, the two Loew's theatres,<br />

the uptown State and the downtown<br />

Orpheum, have always played day and date.<br />

Starting early in February, the two theatres<br />

were separated productwise. with the<br />

Orpheum playing "Don't Go Near the 'Water"<br />

(which ran for six weeks) and the State<br />

showing •'Witness for the Pi-osecution"<br />

(which ran for eiglit happy weeks).<br />

"It has been years and years since the<br />

State Theatre has taken in $7,000 or $8,000<br />

on a weekend," Kurtzman said. "The State<br />

has always been our problem. Heretofore,<br />

when the two theatres played day and date,<br />

the State would have an excellent first week<br />

but would be apt to drop off badly the<br />

second or<br />

third week. Under the new policy,<br />

the second and third week problems are<br />

eliminated. The State has 3,500 seats and<br />

the Orpheum 3,000. To fill 6,500 seats with<br />

one bill for two or three weeks is a feat,<br />

believe me.<br />

"But we have struck the correct policy<br />

now, we are convinced. The product is better,<br />

stronger and more plentiful. For instance,<br />

'The Brothers Karamazov,' now in its second<br />

stanza at the State, is doing so well that it<br />

will probably go five weeks, while the Orpheum<br />

is now in its fifth week of 'Run Silent,<br />

Run Deep,' and all this despite the first<br />

warm weather aiTiving. In other words, with<br />

each new film we only have to worry about<br />

3,000 seats instead of 6,500."<br />

Jack Mercer, manager of the State for<br />

many years before he was transferred to<br />

Loew's Uptown in Toronto, has been called<br />

back to take over the reins at the State.<br />

During his absence in Canada, Karl Fasick<br />

had been assuming the managerial duties<br />

of the State as well as the publicity duties<br />

of both theatres. But with Mercer's return,<br />

Fasick is now putting his full time into the<br />

publicizing of the two houses.<br />

New England Dates Set<br />

NE'W YORK—"Wanier Bros, has set 150<br />

playdates for the combination show, "Stakeout<br />

on Dope Street" and "'Violent Road," in<br />

Massachusetts and Connecticut for a threeweek<br />

period beginning May 7.<br />

Screen Actor Dies<br />

NE'W HA'VBN—Albert Tovell Smith, 81, who<br />

played the role of Christ in the motion picture,<br />

"Ben Hur," died April 14 at the Norwalk<br />

Hospital after a long illness. Smith, a<br />

native of St. Louis, had been a vaudeville<br />

performer, stage actor and appeared in numerous<br />

silent motion pictures. For the past<br />

ten years, he had served as professional Santa<br />

Claus at Lord and Taylor's New York store.<br />

He had been compiling anecdotes about the<br />

Santa Claus era for a book. There are no<br />

survivors.<br />

HARTFORD<br />

'Day McNamara, Allyn, .sent wires to local<br />

. . .<br />

film critics ahead of the regional bow of<br />

"The Miracle of Marcelino" . Joe<br />

Levine's import, "Attila," which costars Anthony<br />

Quinn and Sophia Loren, Jack Sanson,<br />

the Stanley 'Warner Strand, used nothing<br />

le.ss than full-page newspaper ads, an<br />

activity not seen here since the early days of<br />

Paramount's "The Ten Commandments" a<br />

year ago Jack Keppner and Ed Miller,<br />

Loew's Palace, took a giant step forward with<br />

their booking of UA's "The Quiet American."<br />

They assigned an aide, in Oriental costume,<br />

to walk through the downtown sector, caiTying<br />

a sandwich sign with the legend, "Read<br />

the book—See the picture." They al.so had<br />

the same aide stationed in the lobby and set<br />

up displays in downtown branches of the<br />

public library.<br />

Tom Grace, Perakos Theatre Associates,<br />

and Mi's. Grace are marking their 20th wedding<br />

amiiversaiy. Their daughter is a college<br />

freshman with an eye towards a journalism<br />

career . Amos, Lockwood &<br />

Gordon Entei-prises' general manager, came<br />

through on one of his periodic visits from<br />

Boston, conferring with Bill Murphy, Cine<br />

Webb. 'Wethersfield. and Reginald Pelletier.<br />

Plaza, 'Windsor.<br />

Danbury beauty Pat Crawley has been<br />

signed to a seven-year contract by MGM<br />

E. Landers, division manager of<br />

E. M. Loew's Theatres, discernibly pleased<br />

over audience reaction to Columbia's "The<br />

Bridge on the River Kwai." holding over at<br />

E. M. Loew's here, was talking in terms of an<br />

alltime record holdover for the attraction.<br />

A 15-week stay (Michael Todd's "Ai'ound the<br />

World in 80 Days"i holds the title. The Todd<br />

picture chalked up an unprecedented $150,-<br />

000 gross. "Bridge" is charging $1.50 here on<br />

weekends. This town normally pays only 90<br />

cents for downtown first-run product.<br />

Mickey Daly, Blue Hills Drive-In Theatre<br />

. . .<br />

Coi-p., was a New York business visitor . , .<br />

Robert E. Sternburg, district manager, New<br />

England Theatres lAB-PT affiliate), came<br />

Sam<br />

in to see Ray McNamara, Allyn<br />

Safenovitz, Yale. Noi-wich, started a new<br />

. . .<br />

Saturday .serial feature, "The Batman" .<br />

Lana Turner's starring status in "Peyton<br />

Place" received top billing in regional advertising;<br />

the Croton Drive-In hailed the<br />

Jerry Wald attraction with these words,<br />

"Starring Lana Turner at Her Best!"<br />

Paramount booked "Teacher's Pet" day-anddate<br />

into the Perakos State. Jewett City, and<br />

the Menschell Plainfield. Plainfield. Companion<br />

feature was "The Spanish Affair."<br />

Beat the Rain—<br />

with the one-piece, snap-on<br />

MOV-E-VUE Rain Visor<br />

Eliminates windshield wiping<br />

Clips on and off in 20 seconds<br />

Fits all cars— Roils up for storage<br />

96% of all Connecticut Drive-In<br />

Theatres Sell 'em with Great Success.<br />

Write:<br />

We Supply FREE Trailer<br />

PIONEER SALES CO.<br />

P.O. Box 899 Waterbury, Conn.<br />

Attention-Drive-Ins!<br />

miRmC PROMOTION<br />

ENGLISH-TYPE<br />

BICYCLES<br />

AT<br />

FREE<br />

NO COST TO YOU<br />

ALSO LIVE MAGIC ACT or PUNCH & JUDY SHOW<br />

AVAILABLE WITH DEAL<br />

}Nnie - or Phone ASpinwall 7-9283<br />

I. H. BLOOM 48 Williams St. Brookline, Mass.<br />

25 yEARS OF SATISFACTORY SERVICE<br />

BOXOFFICE May 5, 1958 NE-3


I Loew's<br />

would<br />

. . When<br />

NEW HAVEN<br />

T eonard Sampson. Robert Spodlck and Norman<br />

Biaiek of the Nulmeg Theatre circuit<br />

played a Warner revival bill, consisting of<br />

"Springfield Rifle" and "Drumbeat." and<br />

advertised the fact that Gary Cooper plays<br />

tlie major in the former and Alan Ladd of<br />

"Shane" fame appears in the latter . . , The<br />

territory's drive-ins are back in full strength,<br />

all underskyers accompanying their reopening<br />

shows with praiseworthy display of advertising<br />

in newspapers. A number of these<br />

units. Incidentally, turned to highway advertising<br />

during the winter as appropriate audience<br />

reminders.<br />

The Bowl Drive-In. West Haven, played no<br />

less than three major features, U-I's "The<br />

Lady Takes a Flyer" and "Flood Tide" and<br />

Paramount's "Reap the Wild Wind." on one<br />

program, at no additional admission charge.<br />

This practice is becoming increasingly popular<br />

of late, particularly on weekend nights at<br />

drive-ins both inland and along the Connecticut<br />

shoreline. Exhibitors rea.son the activity<br />

will continue through the summer season<br />

at any rate . . . Floyd Fita.simmons and<br />

Jack Goldstein, formerly with L.oew's and<br />

CBS. respectively, were in the territory ahead<br />

of Joe Levine's "AttUa."<br />

Harr)- Shaw, division manager, and Lou<br />

Brown, ad-publicity chief for Loew's Poli-<br />

New England Theatres, were very much enthused<br />

over initial circuit reaction to "The<br />

Young Uons" openings. Tiade sentiment was<br />

strong indeed for this filmization of the<br />

Ii-win Shaw bestseller, final production under<br />

the distinguished Al Lichtman's banner. Shep<br />

Bloom, 20t.h-Fox manager, got sizable comment<br />

from bookers on this release . . . Irving<br />

Hillman, Stanley Warner's ebullient Roger<br />

Sherman manager, made downtowners sit up<br />

and take notice with his showing of UA's<br />

"Paris Holiday." Irv not only blanketed downtown<br />

streets with "PH" reminders but also<br />

made merchant and school tie-ups.<br />

There's no word as yet from George Le-<br />

Witt. industry pioneer, concerning plans disclosed<br />

several years ago for a drive-in theatre<br />

at Berlin, New Britain suburb. Property<br />

owners have long been protesting the LeWitt<br />

idea, contending that such a facility would<br />

decrease zoning values and also bring in too<br />

much noise for the area. At the same time.<br />

FILMACK<br />

When you are in need of<br />

Announcement<br />

A Speciol<br />

TRAILER<br />

Ym'II B* OtilchM With Oar<br />

Hm Qialily Aid Qiiek SeniM.<br />

Producers for Life, Times, American Con, Pepsi-<br />

Colo Shorts. Edited Features, "CODE of the Underworld,"<br />

"Operotion Manhunt," Billy Grahom's<br />

Crusade "Times Square Story."<br />

Spot News Coverage by our cameraman.<br />

Will Produce any Subject 16mm, 35mm.<br />

Technicians formerly with March of Time.<br />

David J. Cazalet, Inc.<br />

333 W, 52nd St., N. Y., N. Y., Tele. Ploio 7-7847<br />

•KING' WELCOMKU—iMorris Simms,<br />

left, manager of the Olympia Theatre,<br />

Fall River, Mass.. welcomes to Boston<br />

Nat "King" Cole, star of Paramount's "St.<br />

Louis Blues," who was there on behalf of<br />

the picture biography of VV. C. Handy.<br />

The two are seen at a press reception at<br />

the Sheraton Plaza Hotel.<br />

New Britain interests<br />

are talking of building<br />

a Disneyland type amusement park in Berlin.<br />

The .^uburb has no amusement facilities at<br />

the moment . . . Julia Smith, Stanley Warner<br />

State, Waterbury, reported admirable public<br />

response to her Wednesday night teenage<br />

dance competitions. Grand finale winners<br />

will get various prizes.<br />

Judge Orders New Trial<br />

In Loew's Damage Case<br />

HARTFORD—A letter that went astray has<br />

resulted in the ordering by Superior Court<br />

Judge John M. Comley of a new trial of a<br />

negligence action.<br />

Roxie Surabian of Hartford brought a<br />

$25,000 damage suit against E. M. Loew's Enterprises<br />

on the grounds that he had been<br />

injured in a fall at E. M. Loew's Theatre here.<br />

He won a final judgment of $5,000 by default<br />

because the suit was not defended.<br />

Judge Comley said that papers in the suit<br />

were sent to the Loew's home office in Boston.<br />

Then Loew forwarded them by regular<br />

mail to the Southern New' England Adjustment<br />

Bureau of Hartford for handling. The<br />

papers were never received, the judge said.<br />

"Had this process been received," Judge<br />

Comley said, 'it Is inconceivable that an appearance<br />

would not have been entered in behalf<br />

of (Loew's), in an action claiming damages<br />

of $25,000.<br />

"Had such an appearance been entered, no<br />

default judgment would have followed and<br />

1 have had an opportunity to<br />

present its defense.<br />

"An apparent injustice has resulted. The<br />

mere fact that (Loew's) mailed the process<br />

by ordinary mail and not by registered mail<br />

does not constitute such negligence or inattention<br />

as to deprive it of its remedy (a new<br />

trial)."<br />

Greenways Move to L.A.<br />

HARTFORD—Fred R. Greenway. retired<br />

Loew's Palace manager, and Mrs. Greenway<br />

have moved to Los Angeles, where the former<br />

showman will be associated with his brotherin-law<br />

in a restaurant chain.<br />

NEW HAMPSHIRE<br />

The Pine Island Drive-In in Manchester Inaugurated<br />

weekly Bumper Strip nights<br />

April 20. E>very Monday night, except holidays<br />

and preholidays, the management said,<br />

a driver will be admitted free if accompanied<br />

by at least one adult. The ozoner Is<br />

located in the Goffs Falls section, adjacent<br />

lo Pine Island Park . "Around the<br />

World in 80 Days" opened at the State In<br />

Manchester, the first 100 women to appear<br />

at the boxoffice were given a free $2.50 bottle<br />

of "My Sin" perfume through the courtesy<br />

of Leavitt's. the largest depai-tment store in<br />

New Hamp.shire.<br />

The r2th annual Mi.ss New Hampshire Pageant,<br />

sponsored by the Union-Leader Fund,<br />

will be held at the Palace Theatre in Manchester<br />

May 13 and May 21. This will be the<br />

first time in the long history of the colorful<br />

event that it has taken place in a theatre.<br />

The previous pageants have been held either<br />

in the State Armory in Manchester or the<br />

Carousel ballroom at Bedford Grove. The<br />

May 13 event will feature the crowning of<br />

Junior Miss New Hampshire, a high school<br />

girl 16 or 17 years old, while the May 21<br />

pageant will feature the selection of Miss<br />

New Hampshire of 1958.<br />

Orton H. Hicks, a director of Loew's International,<br />

has been named vice-president<br />

of Dartmouth College in Hanover, where he<br />

was graduated in 1921 and received a master's<br />

degree from the Amos Tuck school of business<br />

administration the following year.<br />

Two more summer drive-ins started their<br />

new season. The Plaistow Drive-In reopened<br />

April 11. when the copy of a newspaper<br />

advertisement admitted motorists free,<br />

and the Concord Drive-In resumed operation<br />

April 17.<br />

Mario K. Dedo, owner of the Park Theatre<br />

in Jaffrey, has been named to the campaign<br />

committee for Stuart V. Nlms, Keene insurance<br />

broker, who is seeking the Democratic<br />

nomination for congressman from the<br />

Second New Hampshire District.<br />

Stafford Springs Palace<br />

Continues Student Plan<br />

NEW HAVEN—The Markoff Bros.<br />

Palace,<br />

Stafford Springs, is continuing its student<br />

ticket discount plan, under which high schoolers<br />

in that northeastern Connecticut town<br />

are admitted at lower prices with presentation<br />

of cards distributed through the high school<br />

principal. Teenage reaction is described as<br />

lukewarm by Manager Hal Bogue.<br />

Similar plans, approached in past years by<br />

other smalltown Connecticut situations, have<br />

been dropped shortly after their start, theatre<br />

managers attributing such a move to public<br />

apathy. It is felt in filmrow quarters that<br />

any reduced-price idea, even if extensively<br />

promoted, cannot draw continually because of<br />

a variety of reasons, including the regional<br />

outdoor theatre offer of free admission to<br />

youngsters under 12.<br />

Another family approach—the Yale Theatre,<br />

Norwich, offer of free admission to<br />

youngsters under 12 accompanied by parents<br />

on weekday evenings—is reported encountering<br />

only fair public response.<br />

Gene Barry and Beverly Tyler are starred<br />

in United Ai-tists' adventure film, "Hong<br />

Kong Confidential."<br />

NE-4 BOXOFFICE May 5, 1958


. . The<br />

. . For<br />

. , The<br />

Toronto-Made Film<br />

In June Premiere<br />

TORONTO—"Now That. April's Here," the<br />

first English-language feature produced entirely<br />

in Toronto with an all-Canadian cast<br />

by Klennian-Davidson Productions, Toronto,<br />

will be world-premiered in June at the Towne<br />

Cinema, a unit of Twinex Century Theatres<br />

Corp. The 90-minute picture is based on<br />

four short stories by Canadian Morley Callaghan.<br />

William Davidson is co-producer and<br />

director.<br />

Davidson said this feature is the forerunner<br />

of a new development for the film industry<br />

in Canada, pointing out that its production<br />

was independent of government a-<br />

gencies. such as the National Film Board and<br />

the Canadian Broadcasting Corp. The picture<br />

was designed for theatrical markets in<br />

other countries but arrangements had been<br />

made for its world premiere in the city where<br />

it was made.<br />

Distribution of "Now That April's Here"<br />

will be handled, it was stated, by David<br />

Griesdorf. executive vice-president of International<br />

Film Distributors, of which Nat A.<br />

Taylor is president. Griesdorf is the former<br />

head of the Canadian Odeon circuit, Taylor<br />

is also the president and managing director<br />

of the Twinex Corp., popularly known as<br />

20th Century Theatres in its operation of<br />

60 theatres in Ontario,<br />

Louis St.<br />

Laurent Elected<br />

To Directorate of FPC<br />

TORONTO—At the annual stockholders<br />

meeting Monday (28> in the head office of<br />

Famous Players Canadian Corp. here, Louis<br />

St. Laurent, former Liberal prime minister<br />

of Canada, was elected a new director of the<br />

company.<br />

No longer a member of the Canadian<br />

Parliament, he recently turned down a suggestion<br />

that he be appointed to represent<br />

Queen Elizabeth as governor-general of the<br />

Dominion. St. Laurent lives in retirement at<br />

Quebec City.<br />

President J. J. Fitzgibbons presided at the<br />

meeting.<br />

Young Ontario Exhibitor<br />

Robbed by Hitchhiker<br />

TORONTO — Shortly after he had left<br />

Niagara Falls, where he had been with the<br />

Odeon Capitol, Sigardjak Jakovics, 20, was<br />

attacked and robbed by a hitchhiker whom he<br />

had picked up on the Queen Elizabeth highway.<br />

The victim was found unconscious beside<br />

the road and was inished to the hospital<br />

in Hamilton. His condition was reported only<br />

fair. He told police he picked up the stranger<br />

outside St. Catharines.<br />

Toronto Film Officials<br />

See Cinemiracle Film<br />

TORONTO—Cinemiracle and its first production<br />

"Windjammer" were demonstrated<br />

in a Toronto screening room by a group of<br />

theatre and distribution executives and newspaper<br />

reviewers. Among those present were<br />

Canadian Odeon officials but they had no<br />

definite information as to the prospects for<br />

the new process for a Toronto house.<br />

Oil AW A<br />

•The historic ItCRent at Brockville. 974 seats,<br />

closed its doors for the last time April 24<br />

when Famous Players started to remove the<br />

equipment from the building owned by the<br />

eastern Ontario city. R. J. McLennan, who<br />

directed Regent operations, is also manager<br />

of the Brockville Capitol ... In commemoration<br />

of Puccini, the Towne, operated by Umberto<br />

Pusco, featured three operatic singers<br />

in person in a presentation of various arias.<br />

The theatre specializes in foreign-language<br />

films.<br />

After five weeks at the Main Elgin, 1,211<br />

seats, "The Bridge on the River Kwai" was<br />

transferred by Manager Ernie Warren to the<br />

Little Elgin, 410 seats, for a continuing engagement.<br />

Both theatres are under the one<br />

roof. "Paris Holiday" was on the .screen of<br />

the larger Elgin . the third time recently<br />

the five local Foto-Nite theatres paid<br />

a $500 award donated by the Pare Spring<br />

Beverage Co. when Oscar Ladiu-antaye qualified<br />

with a signed attendance card. Pi-eviously<br />

the same amount was paid Theresa<br />

Bellefeuille at the Francais and M. G. Brown<br />

at the Mayfair. A total of $78,550 has been<br />

awarded to date.<br />

Ground has been broken on Riverside Drive<br />

for the construction of the clubhouse for the<br />

Civil Service Recreation Ass'n. Tlie facilities<br />

include a 450-seat theatre, ten bowling<br />

alleys, gymnasium and lounge . Lions<br />

Club of Ottawa South is arranging for an-<br />

. . . Six<br />

other series of open-air bingo games this<br />

season at the Star-Top Drive-In<br />

vaudeville acts were added to the film program<br />

for the last half of the week at the<br />

Francais by R. E. Maynard, proprietor, general<br />

admission being 60 cents.<br />

Betty Zimmerman was re-elected president<br />

of the Ottawa Film Society and Gordon<br />

Stoneham is secretary. The organization has<br />

700 members . Canadian government<br />

travel bureau is distributing 7,000 prints of<br />

200 films throughout the United States for<br />

the promotion of the tourist trade.<br />

AIP Dual Release in June<br />

LOS ANGELES — American International<br />

Pictures has chosen June 18 as the national<br />

release date of "Attack of the Puppet People"<br />

and "Terror From the Year 5000."<br />

Film Qualily Higher,<br />

Say Ontario Censors<br />

TORONTO Ili'li'!- I;i]i(l;u(l . ol<br />

motion<br />

picture produciinii v.iri .ulin vid in the government<br />

fiscal year t'lidiiig Miuch 31, 1958,<br />

according to the annual report of the Ontario<br />

Board of Moving Picture Censors.<br />

"A study of films produced during the 1957-<br />

58 period indicates that the aim of higher<br />

production standards was attained in every<br />

field of production." said O. J. Silverthome,<br />

chairman of the provincial board.<br />

During the 12 months, the board examined<br />

580 feature length pictures from all sources.<br />

Of the U. S. product, 70 per cent of 366 features<br />

were approved by the board without<br />

change. Alterations were ordered in 23 of the<br />

79 British pictures inspected by the cen.sors.<br />

Thirteen of the 137 pictures from other countries<br />

required scissoring.<br />

the board made 198 deletions involv-<br />

In all,<br />

seneftn^<br />

ing elements of realism, dialog, sex, violence<br />

or matters definitely distasteful, and.<br />

in the opinion of the board. po.sse.ssing dangerous<br />

.social influence.<br />

The production of an increasing number of<br />

horror pictures in the period was pointed to<br />

by the board as main reason for an increase<br />

in the number of films classified as Adult<br />

Entertainment.<br />

Rock and Roll Is Losing<br />

Canadian Drawing Power<br />

OTTAWA—Indications are evident that<br />

r.ick and roll is on the wane here and in<br />

Toronto, judging by the dwindling attendance<br />

at performances by rock specialists. For the<br />

"Show of Stars" here at the Auditorium,<br />

2,000 turned up instead of an expected 5,000<br />

and there was jeering for some of the performers,<br />

including Ottawa's own Paul Anka.<br />

At Toronto only 3,500 fans attended a<br />

similar show in the big Maple Leaf Gardens<br />

where Presley at his peak once had been<br />

greeted by a screaming crowd of 12,000 teenagers.<br />

The Toronto Telegram commented:<br />

"Rock seems to be drifting on to the rocks."<br />

One Ontario County Resists DST<br />

TORONTO— Daylight saving time has gone<br />

into effect throughout Ontario—almost. The<br />

people of Essex County refuse to have anything<br />

to do with "summer time."<br />

n 2 years for $5 D<br />

n Remittance Enclosed D Send Invoice<br />

THEATRE..<br />

STREET ADDRESS<br />

TOWN ZONE STATE<br />

NAME<br />

1 year for $3 3 yeors for $7<br />

POSITION<br />

^^^QtHE national film weekly 52 \ssue% a year<br />

825 Van Brunt Blvd., Kansas City 24, Mo<br />

BOXOFFICE May 5, 1958 K-1


. . Max<br />

. . Harland<br />

. . New<br />

. .<br />

. .<br />

. . "Around<br />

VANCOUVER<br />

T ucal film exchanges are busy .streninlining<br />

local operations in an economy move<br />

Some distributors will close out their B. C.<br />

branches and ship and book from the Calgary<br />

offices . Chechik. owner of Myers aiterprises.<br />

is the father of a baby boy. Benny<br />

Chechik. his brother who has been in Australia<br />

for the last seven years. Ls returning<br />

to Canada. Benny built the first drive-in in<br />

Australia and sold it to MGM . . . Tom Moran,<br />

head of Odeon concession units in Canada,<br />

was a local visitor.<br />

Hymie Singer, former operator of B. C.<br />

theatres, is building a $750,000 office building<br />

.<br />

and shopping center in his home town of<br />

Calgary . Fairbanks, head of the<br />

HP popcorn and soft drinks outfit, was here<br />

from Seattle visiting his local branch<br />

Frank Soltice. manager of the Pines Drivein.<br />

Penticton. was here on a booking-buying<br />

Wally Hamilton, owner of Trans-<br />

trip . . .<br />

Canada Films who has been operating Olympia<br />

Film Studios in Seattle, is returning to<br />

Vancouver to take over operation of his<br />

Trans-Canada film studios. He closed out his<br />

Seattle interests on doctors orders.<br />

Earl Haytor, Odeon supervisor for the last<br />

seven years. Ls taking over management of<br />

the Plaza dowiitown. replacing Roy McLeod,<br />

who moves to the Odeon. West Vancouver.<br />

succeeding Johnny Bernard, who takes over<br />

as manager of the Odeon Olympia here .<br />

Harold Wan-en. who operates three theatres<br />

in the Alberni area of Vancouver Island in<br />

partnership with Famous Players and who<br />

built and operated CJAV radio station in that<br />

district, has sold his interest to Kenneth<br />

Huteheson . members of the Vancouver<br />

branch of Canadian Picture Pioneers<br />

are Adrienne Caze of New Westminster and<br />

Cecil Steele of Kitimat.<br />

Two downtown Famous Players theatres.<br />

the Orpheum and Cinema, interrupted their<br />

FOR SALE<br />

THEATRE CHAIRS<br />

$16.50 value for as low as $6.50 ea. Full<br />

Upholstered backs—spring to edge bottoms.<br />

Get our low prices on Foxhole CinemaScope<br />

sprockets. We sell them at U. S. prices in<br />

Canada.<br />

Adler cast oluminum 10" letters while they<br />

last SI.25 ea. Excellent for either indoor or<br />

outdoor sign boards.<br />

DOMINION THEATRE EQUIPMENT CO.<br />

LTD.<br />

847 Davie Street Vancouver, B. C.<br />

film showing for stage shows . the<br />

World in 80 Days" Is now In its tenth month<br />

at the l.OOO-.seat Stanley. It broke all longrun<br />

records for Vancouver. Previous record<br />

was held by "The King and I," which ran<br />

14 weeks. "80 Days" is still playing to 65<br />

per cent of capacity and will exit in three<br />

weeks. "South Pacific" is expected to play<br />

the Stanley in the near future ... An ozoner<br />

on the North Shore took in a record low of<br />

.<br />

$20 one night recently. Ozoner business is<br />

down around 60 per cent from last year, interior<br />

exhibitors report .<br />

Steve Donnelly replaced<br />

. Bill<br />

Bob<br />

Clayton and<br />

McEwan and<br />

Cliff Kerr on the Cinerama crew at the<br />

Strand.<br />

Twin Cities Exhibitors<br />

Challenge DST Claim<br />

MINNEAPOLIS—Exhibitors here are prepared<br />

to challenge the contention of Richard<br />

O. Hanson. Hennepin County (Minneapolis)<br />

commissioner, contained in a letter published<br />

by the Sunday Minneapolis Tribune, that the<br />

local city council and park board in unanimou.sly<br />

supporting the fast time are "representing<br />

the official expression of the will of<br />

the constituency."<br />

Such exhibitor leaders as Harold Field and<br />

Gilbert Nathanson, who are leading the battle<br />

to have DST eliminated when the state legislature<br />

meets next in 1959. feel the majority<br />

of voters in Hennepin County is opposed to<br />

it.<br />

Hanson, who has protested against a decree<br />

by Gov. A. O. Freeman ending of DST this<br />

fall a month earlier than in 1957, suggests a<br />

"county option plan" that would permit this<br />

county to be on the same time "as the other<br />

populous areas of the country" and, at the<br />

same time, "allow rural Minnesota to be on<br />

standard time, if that was determined preferable."<br />

Exhibitor leaders have made known they'd<br />

be glad to have the proposition put to a vote.<br />

They point out that not only are ruralites,<br />

but al.so "most parents of small children,<br />

PTA and working men," opposed to the DST.<br />

They also emphasize that no other state as<br />

far north and west as Minnesota, where<br />

spring and summer daylight is of long duration,<br />

has DST. They dispute the Hanson<br />

claims in the letter that "other populous<br />

areas of the country" (outside of the east)<br />

embrace fast time and that it exists elsewhere<br />

generally. As a matter of fact, they<br />

point out that it is prevalent in only a comparatively<br />

few states.<br />

Buys Davenport House<br />

DAVENPORT. IOWA — Ambrose Hinman<br />

has taken over operation of the Sunset Theatre<br />

here. Hinman, who for the last four<br />

years operated the Uptown confectionery<br />

store, is remodeling the theatre and plans a<br />

late spring opening. The theatre will continue<br />

its operation as a second-ran neighborhood<br />

theatre. The former operator was J.<br />

Robert Williams, Bettendorf, who operated<br />

the theatre the last eight years.<br />

COMPLETE<br />

BUYING


RESEARCH BUREAU<br />

for<br />

MODERN THEATRE PLANNERS<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

The MODERN THEATRE<br />

PLANNING INSTITUTE<br />

825 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

5-5-58<br />

Gentlemen:<br />

Please enroll us in your RESEARCH BUREAU<br />

to receive iniormation regularly, as released, on<br />

the following subjects for Theatre Planning:<br />

Q Acoustics


. . The<br />

. . . Joan<br />

. . . "Peyton<br />

. . Kenneth<br />

. . Exhibitors<br />

MONTREAL<br />

Allaire, Victoria, Victoriaville; J. L. St.<br />

Pierre. Bryson. Bry.son, the brothers Uamothe<br />

of the Royal, Di-ummondville.<br />

The Royal Theatre, a new film theatre<br />

with seating t-npiicity for about 350<br />

and fully equipped for Cinemascope projection,<br />

has been opened at Chapais in AbitibI<br />

region of northern Quebec by owner F. Laflamme<br />

. Belmont Theatre, situated<br />

on West Mount Royal street, a United Amusement<br />

Corp. theatre, has been leased for several<br />

years to Louis Soccio, formerly of the<br />

Venezia Theatre. The latter is now known<br />

as the National Theatre. Under the new<br />

management, the Belmont will feature Italian<br />

films. The National, leased by Jean Grimaldi,<br />

features Prench-dubbed pictures as<br />

well as vaudeville turns.<br />

Consolidated Theatres has completed a deal<br />

BEST features<br />

the complete line of<br />

dependable<br />

internationally<br />

and<br />

famous<br />

BflLLflnrvnc<br />

SOUND MASTER<br />

EQUIPMENT<br />

PROJECTORS<br />

LAMPHOUSES<br />

SOUND SYSTEMS<br />

RECTIFIERS<br />

IN-A-CAR<br />

JUNCTION<br />

WILLIAMS<br />

SPEAKERS<br />

BOXES<br />

SCREENS<br />

ANAMORPHIC LENSES<br />

You can always depend on BEST<br />

for PARTS and SERVICE<br />

for ALL types of theatre equipment.<br />

BEST<br />

THEATRE SUPPLY REG'D.<br />

ARMAND BESSE, Prop.<br />

9370 St Hubert Street Montreal, Que.<br />

Phone: DUpont 7-7818<br />

lo .sell Mil' Her Majesty's Theatre for $3.')5,000<br />

10 a Montreal group. The puicha.se was handled<br />

by Allan Toichin and Charles Ei.senstad<br />

of Southern Holding Coi-p. on a 5 'l- -year<br />

lease-back basis. According to Elsenstad,<br />

when the lca.se expires the famous old theatre<br />

will be demolished and a 14-.slory office<br />

building will be erected. The names of the<br />

new owners were not revealed. The passing<br />

of Her Majesty's Theatre, when and if, will<br />

put an end to one of Montreal's best known<br />

places of entertainment.<br />

F. E. Peters has been elected president of<br />

Dominion Sound Equipments Co., succeeding<br />

D. M. Parish, who is retiring. Peters has been<br />

general manager of<br />

the company since<br />

1937, a director since<br />

1939 and a vice-president<br />

since 1947 . . .<br />

Annual report for the<br />

year 1957 of Eastern<br />

Theatres showed a net<br />

profit of $73,268,<br />

equal to $2.29 a share,<br />

compai'ed with $93,221<br />

or $2.91 a share in<br />

1956. Working capital<br />

F. E. Peters<br />

stood at $161,095, down<br />

from $227,551 . . .Directors<br />

of Consolidated Theatres, have declaj-ed<br />

a regular quai'terly dividend of 12<br />

cents per share on class A and the regular<br />

semiannual dividend of ten cents per share<br />

on Class B, both payable June 2, to shareholders<br />

of record May 1.<br />

.<br />

Montreal film people joined in welcoming<br />

Les Canadiens on their return from Boston<br />

where the Plying Pi'enchmen won hockey's<br />

Stanley Cup for the third successive year<br />

Odell is an addition at Warner<br />

Bros. Rosenberg, head booker<br />

at United Artists, was ill a day or so . . .<br />

David Caplan. film carrier, lost several days<br />

John Levitt, Columbia<br />

due to illness . . .<br />

salesman, returned from a trip through the<br />

province, and left for Quebec City and district<br />

Paul Vanier, Warner 16mm. toured<br />

. . . the Lake St. John district . . . Jack Roher,<br />

president of Peerless Films, left for his Toronto<br />

offices.<br />

Astral Films released a double bill for the<br />

Princess featuring two chillers, "I Was a<br />

Teenage Frankenstein" and "Blood of Demon"<br />

.<br />

. . .<br />

Place" is having good success<br />

here and was in its tenth week at two United<br />

Amusement theatres, the Kent and Avon .<br />

The National is<br />

.<br />

presenting "Mains Criminelles"<br />

and "Cap Horn" The Cinema de<br />

Paj-is was presenting for the third week "Les<br />

Louves." starring Micheline Pi-esle . . . The<br />

Palace was in the fifth week of "The Bridge<br />

on the River Kwai," while the St. Denis and<br />

Bijou theatres were showing "Les Esclaves de<br />

Carthage" and "Coup Dur Chez Les Mous."<br />

. . Gratien<br />

Sam Pearlman, Cinerama eastern division<br />

manager, was here to help plan the June 3<br />

opening campaign of "This Is Cinerama,"<br />

which will be brought back in French at the<br />

Imperial for a limited engagement .<br />

Gelinas, Montreal's motion picture, the-<br />

atre and radio and television star, was honored<br />

by being elected to the Societe Royale<br />

du Canada . in town included<br />

Father Despins of the Salle Paroissiale,<br />

Charlemagne: Gonzalgue Tremblay. Capitol,<br />

Chicoutimi: C. Langevin, Tracy, Tracy; Dick<br />

Film Review Board<br />

Named in Waterloo<br />

WATERLOO. IOWA—A citizens committee<br />

for reviewing printed matter and entertainment<br />

was named here last week by Mayor<br />

Edward A. Jochumsen. As an advisory group,<br />

it will review motion pictures and literature<br />

sold on newsstand.s.<br />

The committee was named after the<br />

Knights of Columbus complained to the city<br />

council about the literature and motion pictures<br />

in Waterloo.<br />

Members of the council are Edward Miller,<br />

manager of a wholesale magazine distributing<br />

agency; the Rev. M.sgr. E. J. O'Hagen,<br />

pastor of Sacred Heart Cathohc Church;<br />

Glenda Mabrey, a public school visiting<br />

teacher: the Rev. Fred Graham, president of<br />

the Waterloo Ministerial Ass'n; John W.<br />

Koch, businessman: Marvin Graybeal, manager<br />

of tw'o theatres; attorneys K. L. Kober<br />

and Earl E. Fosselman. and Russell D. Lamson,<br />

real estate dealer.<br />

Special Matinee Combo<br />

Clicks in UDT Theatre<br />

DETROIT—A flexibility of policy that allows<br />

a switch to matinees when the screenfare<br />

justifies it, is drawing exceptional business<br />

to the suburban Norwest Theatre, operated<br />

by United Detroit Theatres, for the<br />

combination of "Old Yeller" and "Escapade<br />

in Japan." The combo was booked for ten<br />

days in this fourth-run house, and drew<br />

about 2,500 persons on a midweek opening<br />

day, Wednesday, with lineups going clear<br />

around the next comer. The policy was three<br />

complete shows, including matinees starting<br />

at 1 p.m. on the first three days, coinciding<br />

with Easter school vacation. 10 a.m. show on<br />

Saturday and 11 a.m. on Sunday, and afterschool<br />

matinees at 4:00 p.m. for the next<br />

five days. The house is managed by Miss<br />

Dale Young.<br />

Louis Feiler Firm Named<br />

To Handle Soft Ice Cream<br />

DETROIT—The Louis Feiler Co. of Detroit<br />

has been named distributor of the Electro-Freeze<br />

soft ice cream and shake machines<br />

in the Detroit area by the Port Morris<br />

Machine & Tool Works of New York. The<br />

Feiler firm, owned and operated by Jess R.<br />

and Paul R. Feiler, was established in 1929.<br />

Associated with the company in the sales<br />

department are Larry M. Feiler, son of Jess<br />

Feiler, and Ed J. Martens, who through owning<br />

and operating soft ice cream stores, is well<br />

qualified for the succesful operation of this<br />

type business.<br />

Tickets Announce Birth<br />

PROVIDENCE — William J. Trambukis,<br />

manager of Loew's State here, and his wife<br />

Betty sent out novel birth announcements,<br />

in the form of theatre tickets, upon the arrival<br />

recently of a new baby daughter, named<br />

Beth.<br />

Leonard Bell, exfootball pro, will portray a<br />

California hoodlum in UA's "The Barbara<br />

Graham Story."<br />

K-4 BOXOFFICE May 5, 1958


taiujtmant • C^ncedltattA, • /rftinttKauncc<br />

MAY 5, 1958<br />

SECTION OF BOXOFFICE<br />

There's just something about the movies that makes everyone hungry and thirsty, especially the small fry, and the modern<br />

theatre concessions in both indoor and outdoor situations offers variety a-plenty in food and drink to satisfy everyone's appetite.<br />

featuring:<br />

Kefredltmentd<br />

an<br />

d ^.y^utiomauc til<br />

Uendin<br />

'9


and<br />

WHY MORE THEATRES INSTALL WAGNER<br />

ATTRACTION PANELS<br />

f-f'U^,>frt40*'««^<br />

«^ •-"•-ww^ makes..<br />

^ir^ en everywhef*<br />

.-,,J is the most effect.^^ ^^^^ ^^^^^^ ,hort board<br />

—the frames which can be installed before the glass.<br />

Accordingly, they can be furnished without limitation<br />

of size, large enough for plenty of powerful<br />

sales copy. This is especially important with driveins,<br />

which must have BIG displays so as to attract<br />

the attention of fast-moving traffic. Wagner boards<br />

can be most readily and economically serviced without<br />

the necessity of removing frames.<br />

For those who wont a<br />

low cost, effective and<br />

durable background,<br />

and letter mounting<br />

arrangement. Consist<br />

of a series of 1 8-<br />

gauge, stamped steel panels. Finished in chip-proof,<br />

shock-proof, alkali-resistant and salt-spray resistant<br />

baked enamel. May be illuminated by flood lights,<br />

spotlomps, gooseneck reflectors or fluorescent tubes.<br />

MAN FROM COLORADO-,J«°^<br />

*S RELENTLESS BOBT routto^'^s"<br />

MECHANICAL "HAND-<br />

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VJagtter changeable letters<br />

PERMIT MORE ATTRACTIVE<br />

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w<br />

Makes<br />

EXCLUSIVE FEATURES: Topered slot "rocks" Ihem on the mounting bar, makes<br />

Ihem immovabte by wind or vibration. Yet they are eoiier to change. There<br />

ore no ipring lock clipi to lose their tension and break oflF. • Cannot "freeze"<br />

to the sign as do those which employ channel mounting.<br />

• Afford maximum readability by day ond moximum trontlucence<br />

by night. • Can be stacked in storage without donger<br />

of warping and require less thon one-half the space token by<br />

letters which employ dips. • The non-reflecting face presents<br />

no annoying gtore to make them unreadoble. • The stippled<br />

jeweled foce does nol ocquire the unsightly scratches as those<br />

letters with glossy finish and clips. • Can be mounted so close<br />

to the face of the sign os lo proctically eliminate objectionable<br />

shadows. Letters which employ clips must be mounted so for<br />

from the face of the sign as lo cause shadows which by daytime<br />

frequently moke the entire sign unreodoble.<br />

Wagner Plastic Letters are available in 4", 6 , 8 ', 10' and 17 " sizes in gorgeous<br />

red, green blue, amber and black Wagner has the only full line of injection<br />

molded letters. The non-fading, jewel-like colors go all the way through<br />

the letters, hence cannot chip or scale. These strong, durable letters never<br />

require pointing or other maintenance.<br />

Wagner Aluminum Letters ore slotted with uniform spacing to that ANY and<br />

ALL sizes can be used on Wagner Frames An exclusive, patented feature.<br />

Solid color, cove letters and colored or aluminum cove-edge letters are mode<br />

in 4", 8", 10", 12",<br />

'<br />

16 , 24 30 sixes. Gothic letters in 6", 8", 10" and<br />

12 sizes, and poster letters in 8" and 10 sizes.<br />

copy chonging fast and safe. ..<br />

avoids falls. Can be used only with<br />

Wagner letters, facilitates the servicing<br />

of high panels, particularly those<br />

which heretofore could nol be chonged<br />

without the use of ladders. This<br />

"hand" firmly grasps the letter, places<br />

it straight on the sign face, or removes<br />

it by use of a tensioning lever at the<br />

end of the handle. 6-ft. length (for<br />

signs with top row up to 12 ft.) and<br />

various lengths to 20 ft. (for signs<br />

with top row up to 26 ft.)<br />

Mount on Wagner Frames and provide<br />

for the easy forming of less important<br />

words with 4-inch letters. Permit bet><br />

X^j use of space and moke word-plates<br />

unnecessary. Letters con be staggered<br />

in 3 lines, or 2 straight lines con be<br />

used in o space that ordinarily accommodates<br />

one ro^M of 10" letters.<br />

Available for either straight or curved<br />

attraction boards, ond in horizontal<br />

lengths of 8\ 12", 16", 20" and 24".<br />

Send now for liUralvre on the largest and moit complete line in the world.<br />

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Chicago 12, Illinois<br />

The MODERN THEATRE SECTION


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MAY 5, 1958<br />

m THBATRB<br />

o n t n I<br />

W,:nSE EXHIBITORS and concessionaires<br />

realize that they must hold<br />

the line on prices wherever possible,<br />

because they must not antagonize the<br />

patron by adding even further to the<br />

cost of going to the movies; otherv/ise,<br />

they may find themselves without<br />

customers.<br />

This does not mean that the concessions<br />

opieration cannot still be highly<br />

lucrative, for there are many items<br />

which can be sold at a reasonable<br />

price that have a high profit margin.<br />

Popcorn and soft drinks are first<br />

thought of in this category, but there<br />

are comparative newcomers, added to<br />

the theatre concessions in recent years,<br />

which produce profits of 86 per cent<br />

(snow cones) and around 70<br />

per cent<br />

(soft ice cream). Yet, in spite of this<br />

profit, the snow cone can be sold for<br />

ten cents and the soft ice cream for<br />

from ten to<br />

size of the serving.<br />

45 cents depending on the<br />

In previous issues of this publication,<br />

the story of successful snow cone operation<br />

in both indoor theatres and driveins<br />

has been told. On the following<br />

pages the successful merchandising of<br />

soft ice cream in a drive-in theatre and<br />

several indoor houses is detailed for<br />

the benefit of exhibitors who have not<br />

yet tried this item which is growing<br />

rapidly in popularity.<br />

It is interesting to note that extra<br />

sales are obtained in one of the hardtops<br />

by a streetside portion of the concessions<br />

stand, and in the drive-m<br />

theatre by setting up the fountain<br />

equipment in a separate part of the<br />

concessions building which has a passthrough<br />

window for<br />

service.<br />

70 Per Cent Up, Normal Profit in Soft Ice Cream 6<br />

Plan Big for TESMA-TEDA-Allied Trodeshow 14<br />

Automatic Coin-Operated Cafeteria Offers<br />

New Sales Opportunities Charles H. Brinkmann 16<br />

Is Your "Quality" Showing? Newton Wylie 20<br />

Profits From Popcorn Phyllis Haeger 24<br />

On the Level With Lobby and Lounge 28<br />

Dance Patio Fun Haven for Young Parents 32<br />

Drive-ln Manager Holds Key to Maintenance Costs 33<br />

Micronic Detector Controls Projection<br />

Light Level Clarence S. Asbcraft 36<br />

Top Quality Sound Reproduction Possible Only When Equipment<br />

Is Properly Serviced Wesley Trout 40<br />

DEPARTMENTS:<br />

^<br />

Drive-ln Theatres 32 About People and Product 50<br />

Projection and Sound 36 „ , , ^ •<br />

d ^ en<br />

'<br />

Readers Service Bureau at 50<br />

New Equipment and<br />

Developments 48 Advertisers' Index at 50<br />

I. L. THATCHER, Monoging Editor<br />

The MODERN THEATRE Section of BOXOFFICE is included in the first issue of each month.<br />

Editorial or general business corresoondence snould be aadressea to Associated Publications,<br />

825 Van Brunt Blvd., Kansas Citv 24, Mo. Eastern Reoresentative: Carl Mos, 45 Rockefeller<br />

Plaza, New York 20, N. Y.: Central Representative: Ewing Hutchison Organization,<br />

35 East Wocker Drive, Chicago 1, III.; Western Representative: Bob Wettstein & Associates,<br />

672 South Lofayette Pork Place, Los Angeles 5, Calif.


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BOXOFFICE<br />

;<br />

;<br />

May<br />

5, 1958


70% UP, NORMAL<br />

Fountain Department Alone<br />

Takes in $100 a Night,<br />

Adds 25% to Total Gross<br />

Leon Frickberg, operator of the Park View Drive In Theatre, Salt Lake City, is shown<br />

drawing a milk shake from his automatic Milkshake dispenser. Note syrup containers<br />

mounted handily on cabinet while others ore immediately to the right.<br />

cided he must keep labor in his fountain<br />

department at a minimum, and at the same<br />

time give the fastest service possible, if he<br />

were to make a profit. Toward that end,<br />

he installed an automatic soft-serve ice<br />

cream fountain system consisting of two<br />

Sweden dispensers. One is a milk shake dispenser<br />

which turns out a shake ready to<br />

serve except for adding flavoring and .spinning<br />

for a few .seconds. The second is an<br />

automatic soft-serve ice cream dispenser<br />

which turns out a soft-served product for<br />

sundaes, splits and cones.<br />

These two dispensers comprise the automatic<br />

fountain system, and because of their<br />

speed of operation, according to F^-ickberg,<br />

have increased his nightly take by 25 per<br />

cent. An added attraction is the fact they<br />

If Leon Prickberg's operation depended<br />

only upon his films and a conventional<br />

snack bar. he would have just another<br />

drive-in theatre, be as busy as the<br />

rest and no further ahead, but with a little<br />

imagination he has lifted his Park View<br />

Drive-In, Salt Lake City, out of the ordinary<br />

and made his snack bar turn in an<br />

unexpected profit. An extra piece of change<br />

that means success for a happy man.<br />

True enough, he has a snack bar, a very<br />

modern and attractive one, where hamburgers<br />

are sold for 30 cents and hot dogs<br />

for 25 cents, along with popcorn, pizza pie.<br />

soft drinks and candy. But what make.s<br />

this operation stand apart from others is<br />

a fountain department in a smaller room<br />

adjoining the snack bar. Here, is the<br />

profit-making department, for here is a<br />

This modern structure at the Park View<br />

houses the projection booth, left, while<br />

double doors at center open to snack bar<br />

At far right is fountain department, with<br />

pass-out windows for service direct to<br />

patrons in the field. They also can purchase<br />

the soft ice cream products within<br />

the concessions.<br />

streamlined operation that not only tm-ns<br />

out milk shakes, sundaes, banana splits and<br />

cones, but novelties on which the net profit<br />

is 50 per cent—items which are the product<br />

of Fi'ickberg's imagination and extra effort.<br />

To start at the beginning. Frickberg desave<br />

time and labor by eliminating laborious<br />

hand-dipping.<br />

"My servings average three and threequarter<br />

ounces, and I get 384 of them to<br />

Continued on page 10<br />

The Noveify Touch Adds Up to Exfra Income<br />

First step in making a hlutty Buddy<br />

cone is drawing the soft-served product<br />

from an automatic soft-service ice<br />

cream dispenser. It is then dipped in<br />

a special ice cream chocolate coating<br />

and rolled into chipped peanuts<br />

as shown here.<br />

The last step is to sack the Nutty<br />

Buddy and place it in the holding<br />

cabinet until intermission time. Frickberg<br />

says his profit on this item is<br />

50 per cent, for food costs and packaging<br />

of this<br />

no more than five cents.<br />

ten-cent novelty come to<br />

Frickberg estimates that installation<br />

of soft-served ice cream dispensers<br />

increased his nightly take by 25 per<br />

cent. Here he is drawing soft-served<br />

ice cream onto a wafer from an automatic<br />

continuous fountain freezer making<br />

a Big Wheel sandwich.<br />

After pressing the top wafer on his<br />

Big Wheel sandwich, Frickberg sacks<br />

it and places it in holding cabinet.<br />

He estimates his profit on each sandwich<br />

at 64.7 per cent. The Park View<br />

concessions, including fountain, grosses<br />

more than S500 nightly.<br />

The MODERN THEATRE SECTION


PROFIT ON SOFT ICE CREAM<br />

Circuit Plans to Extend<br />

Soft Ice Cream Service<br />

a«;<br />

(s«n^: asMi<br />

^<br />

To All Its Theatres<br />

W iTH ALL THE I'ules to follow and<br />

the necessary sanitation laws to observe.<br />

one may wonder why many theatres indulge<br />

in dispensing soft ice cream. The<br />

answer is quite simple. The margin of<br />

profit is greater than can be realized from<br />

the sales of hard cream.<br />

One circuit which has had profitable experiences<br />

with soft ice cream is Centui-y<br />

Theatres of New York. Four of Century's<br />

theatres sell soft cream, but only the Plainview<br />

in Hicksville, L. I., has a streetside<br />

stand. The success of this has not been<br />

fully determined because it has been open<br />

only since December. As of now the streetside<br />

stand is open only dui'ing show hours,<br />

but it is the intention of the circuit, when<br />

warmer days are here, to operate the stand<br />

continuously from 10 o'clock in the morning<br />

until closing time at night. This stand<br />

also sells the usual concessions items.<br />

A FAVORITE WITH PATRONS<br />

Soft ice cream rapidly is becoming a<br />

popular favorite, said Harold Newman, secretary-treasurer<br />

of the circuit, and its<br />

handling will be extended eventually<br />

throughout the circuit.<br />

There are plenty of rules that must be<br />

followed in selling soft cream, according<br />

to Newman. The operation comes under the<br />

jurisdiction of New York City's Department<br />

of Health, Bureau of Pood and Drugs,<br />

as well as the state's Department of Agriculture<br />

and Markets. County regulations<br />

also must be observed. Although all are<br />

basically similar, each must be met. And<br />

there are permits, too, which must be obtained.<br />

Ceilings must be of specified<br />

heights and facilities must be provided for<br />

drainage.<br />

Century uses the Taylor freezers and the<br />

Punxtawney can refrigerated storage box<br />

which holds 40 quarts, as well as a storage<br />

box at the counter. A hardening cabinet<br />

also is required, as well as stainless steel<br />

accessories, such as pails. Newman said<br />

that the cost of a one-machine operation<br />

is about $2,000 plus an installation cost,<br />

including drainage and hot water heaters<br />

of about $1,000.<br />

Ixtro sales of soft ice cream are derived from this streetside stand in the new Century Ploinview Theatre,<br />

hiicksvitle, Long Island. Three Taylor freezers are installed here. Other Century theatres have two each<br />

At the Plainview, the soft ice cream<br />

menu has variety. Sundaes and shakes sell<br />

for 25 cents and 35 cents. The shakes are<br />

in a 24-ounce cup. Also on sale are cups<br />

and cones. In the hard cream there are<br />

novelties such as tarts, cakes, sandwiches,<br />

giant Dixie cups. Cream in pints and quarts<br />

also is available. At the other theatres.<br />

Century sells 15-cent cones and cups in<br />

.soft ice cream plus giant cups in the hard.<br />

Sundaes will be added in the warmer<br />

months.<br />

Whether soft ice cream is equally saleable<br />

in indoor theatres and drive-ins has<br />

not been determined by Century as yet,<br />

inasmuch as the product will not be introduced<br />

into the circuit's sole outdoor theatre,<br />

the 110 on Long Island, until this<br />

summer. However. Newman said that soft<br />

cream sales should be under the direct<br />

supervision of the management because the<br />

handling must be under "sanitary scrutiny"<br />

at all times. It is planned to install<br />

four Taylor freezers at the 110 where a<br />

building will be erected on the terrace.<br />

The machines must be cleaned every<br />

day. All mix must be removed and none of<br />

it can be stored. The parts must be removed<br />

and cleaned in double sinks in<br />

water of 180° temperature. The parts cannot<br />

be wiped dry—they must be air dried.<br />

A behind-thecounter view of the soft ice cream<br />

equipment in the Queens Theatre, Queens Village,<br />

Long Island.<br />

The machines themselves must be steamsterilized<br />

and treated with a germicide 20<br />

minutes before using. The pails for pouring<br />

Continued on page 10<br />

VARIED PROMOTIONS<br />

Promotional ideas are varied and there<br />

are many ways to attract the customers.<br />

One is the "Flavor of the 'Week" plan<br />

whereby one flavor is played up and given<br />

dominance over the others in displays. Also<br />

a stick is frozen into a vortex cup of ice<br />

cream. The cup is then torn off from the<br />

frozen cream and this item is given a name<br />

to fit an occasion or a locale.<br />

Twin soft ice cream<br />

freezers with serving<br />

counter between and<br />

b a c k b a r displays<br />

dominate the concessions<br />

area at the<br />

Queens, a Century<br />

theatre.<br />

BOXOFFICE May 5, 1958


•i*^'^<br />

they GO people bring their thirst for CANADA DRY tvith them<br />

their pleasure<br />

Canada Dry is<br />

the only national quality brand with a<br />

flavor for every taste . . . your patrons can get them in<br />

a multi-drink cup machine.<br />

Canada Dry Ginger Ale, famous for over 50 years is<br />

the original pale dry, refreshing ginger drink. NOW you<br />

can serve this same delectable flavor from a cup machine<br />

. . . it's a profit maker and sales leader everywhere.<br />

Canada Dry beverage syrups are available in a variety<br />

of flavors at the lift of your phone.<br />

There's a Canada Dry salesman in your area with<br />

profit stories that will leave you pop-eyed.<br />

Call today and ask him ... or write Canada Dry Ginger<br />

Ale, Inc., 100 Park Avenue, New York. N. Y.


"':Vr"'r':*r*:T'':^'':T'r*tt^*f*^"^^<br />

Volume Sales of<br />

Lower-Priced<br />

Soft Ice Cream Delicacies<br />

Can Mean Higher Profits<br />

\I Miark liur iiiMTalor? art'


Novelties in Automatic Vendors<br />

Or Offered Over the Counter<br />

Produce Additional<br />

Income<br />

Novelty items can be an additional source<br />

of revenue to theatremen as well as a service<br />

to patrons.<br />

RKO Theatres, according to Lee Koken,<br />

obtained samples of six different shades of<br />

lipstick and asked employes to try them<br />

out. The girls said tliey liked the quality,<br />

which they felt was better than what they<br />

paid 75 cents to $1 for. RKO installed<br />

vendors in the ladies' rooms offering the<br />

six-shades at 25 cents each, and is grossing<br />

from $20 to $90 a month per theatre.<br />

VENDS VIAL OF PERFUME<br />

This circuit also has installed a vendor<br />

selling a 25-cent vial of perfume, and has<br />

experienced gross sales three times as great<br />

in one month as it had with a ten-cent<br />

plunger vendor of perfume in three months.<br />

Alfred Olander of Montebello Theatres,<br />

Montebello, Calif., has reported excellent<br />

sales selling miscellaneous personal items,<br />

such as combs and handkerchiefs, from<br />

the Mechanical Servants vendors, placed<br />

in both men's and women's restrooms. He<br />

is getting from $10 to $15 a week from each<br />

machine. He says the equipment and merchandise<br />

are good and there has been no<br />

vandalism.<br />

A picture-novelty item tieup was made<br />

by Koken which might be adapted to other<br />

pictures. He promoted 40,000 plastic rain<br />

hats imprinted with "Hatful of Rain," and<br />

sold them at the concessions for 15 to 25<br />

cents. Then he lined up plastic raincoats,<br />

a cape effect with hood encased in a bag,<br />

in all sizes to fit either men or women.<br />

These are being sold at 49 cents in half of<br />

the RKO theatres in the United States.<br />

A special rack near the concessions, with a<br />

sign, "RKO SKRVICE, 49(i:," displays the<br />

raincoats.<br />

A SPECIAL SERVICE<br />

On a rainy day, theatres have sold from<br />

two to 20, but Koken says the circuit was<br />

not so much interested in making a profit,<br />

as in giving a service. "If we sold only<br />

one or 50. we felt that patrons would realize<br />

that we were giving them a special service<br />

because it is certainly cheaper to puixhase<br />

a 49-cent raincoat than have to send a cloth<br />

coat or suit to the cleaners.<br />

All of these novelty items are practical<br />

and could sell at any time. However, in<br />

venturing into the novelty field, theatremen<br />

might heed Van Myers of Wometco<br />

who cautions that it is a good idea to offer<br />

seasonal items, and to try to get them on a<br />

consignment basis.<br />

Push Those Pickles May 22-31, National Pickle Week<br />

A chance to capitalize on a national promotion<br />

is offered to exhibitors by National<br />

Pickle Week, May 22-31.<br />

According to Harold F. Chesler, second<br />

vice-president of the National Ass'n of Concessionaires,<br />

pickles will provide plus profits<br />

for twice as many theatre concessions<br />

this year as in 1957.<br />

Chesler cited the experience of his own<br />

company. Theatre Candy Distributing Co.,<br />

Salt Lake City, Utah: the firm now sells<br />

pickles to 50 theatres and expects this figure<br />

to double when drive-ins are added.<br />

About 20 pickles are sold each day by the<br />

use<br />

this<br />

opening<br />

for more sales on<br />

tlie<br />

most profitable<br />

concession<br />

*<br />

average theatre, with smaller theatres accounting<br />

for the bulk of sales.<br />

Two methods of display are used. Pickles<br />

are either placed in individual bags, illustrated<br />

with a color cartoon of a pickle and<br />

the name Chilly Dilly," and then displayed<br />

in one-gallon open-top jars, or are<br />

placed on an open ice bed. When pickles<br />

are sold from an ice bed, a stick is in.serted<br />

through each pickle, so that the customer<br />

may help himself.<br />

In merchandising the dill pickle, an attention-compelling<br />

name and display are<br />

desirable, according to Chesler.<br />

m your<br />

theatre!<br />

*popcorn of course<br />

\<br />

To sell more of the item that gives you more profit, pour on Popsit Plus<br />

— America's finest popcorn seasoning. Your popcorn takes on a rich<br />

BUTTER-LIKE FLAVOR, an appetizing aroma that brings customers<br />

back for more — and more!<br />

The difference in cost between Popsit Plus and lesser products is negligible<br />

on any size box of popcorn — but the difference in taste and<br />

eye-appeal is really enormous.<br />

Put Popsit Plus to work for you and notice the big difference in your<br />

profits. Your Popsit Plus distributor will be happy to supply you with<br />

the rest of the details. Call him today!<br />

In filling a popcorn box. hold it firmly<br />

on the broad sides, not on the narrow ends.<br />

If you do not, you will give the patron<br />

much more corn than he is entitled to.<br />

popping specialists to the nation<br />

SIMONIN • PHILADELPHIA 34, PA.<br />

BOXOFFICE May 5, 1958 11


for modern theatergoers, intermission calls for


I<br />

i<br />

the light refreshment...<br />

for modern theatre owners, Pepsi means greater profits.<br />

You'll get more drinks per gallon—more profit per drink.<br />

For details, write Pepsi-Cola Company, S West S7th Street, New York 19, N. Y.


PLAN BIG FOR TESMA-TEDA-ALLIED TRADESHOW<br />

2 .<br />

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Pizza stand operators across the U.S.A. are switching to "ORIGINAL CRISPY" because of this new<br />

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ORIGINAL CRISPY PIZZA will work out a good business<br />

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BOXOFFICE May 5. 1958 15


1<br />

Vendors Serve Everything From Soup to<br />

Nuts<br />

Automatic<br />

Coin-Operated Cafeteria<br />

Offers New Sales Opportunities<br />

^ J^ ^u<br />

/^i 1 1<br />

^1 mm<br />

By CHARLES H. BRINKMANN*<br />

J UST AS THE drive-in theatre has<br />

been broadening its operation to include<br />

every member of the<br />

family, we in vending<br />

have been in the<br />

process of broadening<br />

our equipment<br />

base to provide the<br />

machines to vend<br />

every conceivable<br />

Chortei H. Brinkmann<br />

tj'pe of product that<br />

will be in the public<br />

interest.<br />

We have come a<br />

long way toward that<br />

goal. Today we have machines that will<br />

vend hot coffee, chocolate, tea and soup.<br />

Hot meals in cans, such as meat stews,<br />

spaghetti and meat balls, chili con carne,<br />

etc.. supplied by the finest food manufacturers<br />

in the nation. Sandwiches, pastries.<br />

desserts, ice cream, candy and gum. in<br />

addition to the well-known and accepted<br />

cigaret, milk and beverage vendors.<br />

VEND COMPLETE PLATE MEALS<br />

In the near future we will have machines<br />

that will vend hot sandwiches and complete<br />

hot meals on a plate. Even the possibility<br />

of an outdoor grocery store as part<br />

of a drive-in. such as is being tested in<br />

New Jersey, is not beyond the realm of<br />

possibility. Your patrons can shop for<br />

many needed items for "take home" on<br />

departing.<br />

Today we have vending equipment<br />

which delivers everything from soup to<br />

nuts. With the availability of this equipment<br />

a trend has developed in our industry<br />

which has a great deal of significance<br />

to you as drive-in theatre people. And<br />

that is the booming acceptance of the<br />

automatic, coin-operated cafeteria.<br />

We at Rowe anticipated years ago that<br />

eventually there would be a definite need<br />

for multiple vending installations. That is<br />

why we have concentrated our efforts in<br />

recent years to create a line of equipment<br />

which would lend itself to such use—with<br />

each new vendor designed to carry a family<br />

resemblance to the others. There are<br />

now available very flexible combinations of<br />

vending machines which can easily be set<br />

up in multiple units of two or more to<br />

present a uniform, attractive front for<br />

vending hot and cold beverages, hot foods,<br />

pastries, des.serts, candy and cigarets—in<br />

other words, an automatic cafeteria.<br />

Industry, schools, transportation terminals<br />

and institution.s. among others, have<br />

already hopped the automatic cafeteria<br />

band wagon. They have discovered that<br />

such installations can be invaluable as a<br />

supplement to the regular manual cafeteria<br />

during hectic rush periods, and that<br />

people welcome the opportunity to serve<br />

themselves to avoid the pressures at the<br />

counters. Also, that where it is not practical<br />

to have a manual setup the automatic<br />

installation is like manna from heaven.<br />

No wonder drive-in theatres everywhere<br />

are showing such a keen interest in vending.<br />

It offers a quick, convenient and welcome<br />

service for your customers and can<br />

add considerable profits to your overall<br />

operation.<br />

With the wealth of vendors available to<br />

you today, and the transition of the drivein<br />

theatre to where it is catering to the<br />

entire family, over a large area—in daylight<br />

hours as well as night—you have a<br />

wide latitude in the placement of equipment.<br />

Diversified vending units can be set<br />

up in the concessions building to relieve<br />

the pressure at the counters. Also, these<br />

vending setups can be located at various<br />

other places throughout the drive-in.<br />

Vendors can be installed in a shed at the<br />

play areas to stimulate sales which otherwise<br />

might not be made while Mother and<br />

Dad are relaxing while their children are<br />

at play. And vendors can be placed profitably<br />

to dispense such items as cigarets and<br />

candy in the areas where cars are at such<br />

a distance from the concessions building<br />

that sales might otherwise be lost, because<br />

the people in these cars are too lazy or<br />

unwilling to walk until the picture is over.<br />

These types of vending machine installations<br />

can be very profitable for you. How-


-<br />

!<br />

Now you can have<br />

FROM ONE MACHINE • •<br />

AND DOUBLE YOUR PROFITS TOO!<br />

DOUBLE YOUR PROFITS with the New Scotsman combination<br />

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eliminates unnecessary handling or purchasing of ice.<br />

. . EFFICIENT . . . Simple to use. Ideal for<br />

NOTHING BEATS ICE for merchandising drinks! Add<br />

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IT'S COMPACT .<br />

small or large fountains. Installs at either front or back<br />

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Send Jor Full Details Today!<br />

Mounts any combinotion of dispensing<br />

heads you wish at convenient operating<br />

height.<br />

Cold water and carbonated water<br />

faucets guarantee an ever ready supply<br />

of cold and carbonated water.<br />

Handy space for storage of holders.<br />

Built-in drain tray for volume serving —<br />

line up two or more glasses for each<br />

dispenser head.<br />

Makes and stores its own ice supply.<br />

Ice storage opening at correct height<br />

for maximum efFicient operation with<br />

dispensers.<br />

Bulk storage compartment for storing<br />

syrups, paper cups, etc.<br />

Convenient on-and-ofF switch. Makes it<br />

possible to turn machine off over holiday<br />

close-ups, etc. While in operation, machine<br />

turns itself on and off automatically.<br />

Removable panels provide easy access<br />

to ice machine and carbonator mechanism.<br />

i€®irSli^^lNI<br />

Automatic Ice Machines<br />

Offering the most complete line of ice machines on the market.<br />

SCOTSMAN in 1958 brings you 50 Golden Models to<br />

Super Cubers, Super Flakers. Super Bins.<br />

choose from . . .<br />

Combination Dispensers, etc. Your local SCOTSMAN ice<br />

specialist can help you select the machine best suited to<br />

your needs. Ask him today!<br />

/^ y Hush new literature and<br />

C/_i' complete details on the<br />

Scotsman combination ice machine and<br />

drink dispenser<br />

ADDRESS<br />

CITY<br />

NAME-<br />

-STATE-<br />

Muil ro SCOTSMAN — Queen Pfoducti, Inc.. 25 Front St., Albert Lea, Minnesota.<br />

Subi.d.or, al KINCSCeilr Corporol.on.<br />

BOXOFFICE :: May 5, 1958<br />

17


.<br />

;<br />

Bigger-Value Hot Dog, Hamburger for Nickel More<br />

As a follow-up to the Modern Theatre<br />

report to the industry on concessions prices<br />

in the April issue. It is Interesting to note<br />

that one circuit did increase prices last<br />

year from 20 to 25 cents for frankfurters<br />

and from 30 to 35 cents for hamburgers.<br />

There was no adverse customer reaction<br />

because the customer benefited, as the increase<br />

permitted the circuit to Klve the<br />

customer a little more product for his<br />

money. Prior to the increase, the circuit<br />

was using ten to the pwund hot dogs, but<br />

with the nickel Increase went to eight to<br />

the pound. Hamburgers had been eight to<br />

the pound; at the new price they were figured<br />

at six to the pound.<br />

An executive of this eastern circuit expressed<br />

the belief that as far as his theatres<br />

and other concessionaires in the area<br />

are concerned, they have gone as high as<br />

they can go. There isn't any room for increases<br />

with the exception, perhaps, of<br />

new items which could afford a little<br />

higher price, since the public would not<br />

have any medium of comparison as it does<br />

with a frankfurter or hamburger.<br />

Candy Wrapper Is<br />

Redesigned,<br />

Bars Available in Six-Packs<br />

The wrapper of the five-cenl Mars Coconut<br />

Bar has been redesigned and the bar<br />

Mars. Inc.. now has a six-<br />

for the first time i.s being sold in a sixpaclc<br />

container.<br />

pack for all five of its five-cent bars and<br />

each of these bars is available in 120-count<br />

boxes.<br />

B. A. Bouchard, vice-president and director<br />

of sales, in announcing the new<br />

wrapper and packs for the coconut bar,<br />

said that the candy company is confident<br />

the new six-pack will be a good seller.<br />

No other coconut bar on the five-cent level<br />

has national distribution, according to<br />

Bouchard.<br />

The company also offers a popular "Family<br />

Choice" assortment in addition to the<br />

six-packs and 120-count boxes of individual<br />

bars.<br />

NAC Adds Six New Members<br />

Six additions to the membership roster<br />

of the National Ass'n of Concessionaires<br />

have been announced by Philip L. Lowe,<br />

Lowe Merchandising Service, NAC general<br />

chairman of the membership drive.<br />

The new members are Philip Brown,<br />

Green River Corp., Chicago; Edward S.<br />

Redstone, Northeast Drive-In Theatre<br />

Corp., Boston: E. I. Rubin, E. I. Rubin Co.,<br />

San Pj-ancisco; Glenn Mercer, Popcorn,<br />

Inc., Denver: Joe P. Pipher, Theatre Candy<br />

Concessions Co., Indianapolis, and John C.<br />

Keyes, Variety Vending Co., Dayton, Ohio.<br />

I<br />

WHEREVER CARBONATED BEVERAGES ARE SERVED.<br />

SERVES THEM BETTER FOR LESS<br />

Wherever people gather ... in corner diners, cocktail lounges, ballparks,<br />

drive-in restaurants, drugstores, taverns, hospitals, clubs or luxury liners . .<br />

beverages are dispensed faster, with better quality, and at less cost by<br />

SODAMASTER. It's the modern, refreshing, sanitary method of serving.<br />

• The identical beverages obtained from bottles—with carbonation equal or higher.<br />

• As much as Ct^Cc savings on bottled flavors. 96*^- savings on club soda.<br />

• Choice of models to serve 2. 3 or -4 high carbonated flavors plus jet and normal<br />

soda stream, or can be installed to serve still drinks as well as carbonated,<br />

including plain drinking water.<br />

• Variety of flavors, instantaneously, at the finger lips.<br />

• Unmatched service speed, avoiding dissatisfaction and "walkouts' of rush periods.<br />

• Elimination of costly, troublesome, time-consuming bottle handling.<br />

• Uniform coldness and perfect proportions of beverages automatically.<br />

Self-Contalned Sodamaster Models Include Refrigerating System, Carbonator,<br />

Syrup Tanks, Automatic Controls, Everything In a Single<br />

Cabinet. Sodamaster Remote Models May Be Installed In Separate Room<br />

or Basement With Only the Faucets In the Service Area.<br />

MAIL THIS COUPON TODAY<br />

Pleose send me full focts on the H Sodamaster<br />

Q Mix Monitor Faucet 100 gallon-per-hour<br />

Supercharger corbonotors.<br />

Firm_<br />

Address-<br />

Nome<br />

West Coast Plant: 16028 S. Marquordt Ave., P.O. Box 142, Norwalk, Calif.<br />

IN CANADA GENERAL EQUIPMENT CORP., LTD.. TORONTO, ONT.<br />

Cost of Sputnik Buttons<br />

A successful sputnik button tie-in promotion<br />

between Theatre Confections, Ltd.,<br />

and the Pepsi-Cola Co., was described in<br />

the April issue of Modern Theatre. Price<br />

of the buttons was quoted at $4.50 per<br />

thousand. This is the individual theatre<br />

share price, the Canadian price to Theatre<br />

Confections was $12.50 per 1,000. The buttons<br />

were obtained from the Green Duck<br />

Co., Chicago, 111.<br />

MORE MEAT ... BY ACTUAL TEST . . .<br />

|<br />

and That Only from SmifhField Flavor!<br />

JAMES RIVER<br />

BRAND<br />

BARBECUES<br />

PORK<br />

and<br />

BEEF<br />

J<br />

18 The MODERN THEATRE SECTION


Result: Colorful cup designs created especially for<br />

For vending machines or over-the.<br />

counter service, Lily has the cup that<br />

puts new sparkle in your beverage<br />

and popcorn sales.<br />

Turninjj to the wonders of electronics<br />

helps The Man With The Lily Flan turn<br />

up exciting new cup designs. Here he<br />

studies figures from an electronic calculator—figures<br />

that show the important<br />

part design plays in impulse sales of<br />

popcorn and beverages.<br />

Probing of this type led to the development<br />

of these three proven profit<br />

makers:<br />

Trouble-free vending cup<br />

The Lilv" ven


I<br />

—<br />

v<br />

IS<br />

By<br />

YOUR QUALITY' SHOWING?<br />

Other Things Being Equal, Patrons Will Favor<br />

Theatre Known for Excellence of Concessions<br />

NEWTON WYLIE*<br />

The concessions stand today Is<br />

accepted and taken for granted by the public,<br />

and is a most necessary part of any<br />

theatre operation no matter what the size.<br />

It is important to realize that the competition<br />

of television to the motion picture<br />

industry today directly involves tlie concessionaire,<br />

because the people must enter<br />

the theatre to gain access to the concessions<br />

stand. People, when watching their<br />

television at home, have acquired the habit<br />

of eating or nibbling during some stage of<br />

the program. This has become such a way<br />

of life that although many homes stock<br />

special foods to serve when viewing television,<br />

a great many viewers simply raid<br />

their refrigerators. The result is, that they<br />

are becoming accustomed to eating quality<br />

foods and drinking quality beverages commensurate<br />

loith their staridard of living.<br />

This is an observation that should be of<br />

the greatest importance to every concessions<br />

operator, because these are the same<br />

people who will frequent the local theatres.<br />

and they have come to expect, and justly<br />

so, to receive quality comparable to that<br />

which they have become accustomed during<br />

the television program in their homes.<br />

Since it is evident that the concessions<br />

is an integral part of the theatre business<br />

if we are to compete with television not<br />

only must the films be inviting, but also<br />

•Sales Deportment, Cramore Fruit Products, Inc.<br />

Hw Are rM^ ^5^^Fi//Mfvn^<br />

the refreshments served at the concessions<br />

stand. The time, money and effort expended<br />

by the motion picture industry in<br />

promoting specific films has been the basis<br />

of successful advertising, and to build up<br />

your attendance it is now important to<br />

advertise and promote your concessions<br />

stand in the same manner. It is imperative,<br />

when describing refreshments, that<br />

you are honest with your patrons; stating<br />

only that which is true, and serving foods<br />

and beverages of the same high quality<br />

that they are accustomed to receiving in<br />

tlit'ir own homes.<br />

There have been many instances over<br />

the years in some theatres of selling inferior<br />

merchandise to the moviegoers, because<br />

they have worked on the basis that<br />

they held a monopoly on all refreshments<br />

served. The American public is patient and<br />

hopeful by nature, however there is a limit<br />

to how much it will stand. As the American<br />

way of life continues to prosper and<br />

the standard of living improves, the public<br />

will spend more money than in the past,<br />

but will want more value. Clear indication<br />

of this is the overwhelming success of the<br />

discount markets and supermarkets which<br />

have flourished in the past 15 years.<br />

SO-CALLED SAVING IS EXPENSIVE<br />

The concessions industry is fortunate in<br />

that it enjoys substantial profits from the<br />

merchandise itself, but there are many<br />

employed in this industry who for lack of<br />

foresight do themselves a great injury by<br />

serving inferior products just to save a<br />

penny or a half a penny a portion. All<br />

humans are creatures of habit and although<br />

habits are easy to acquire, they are<br />

most difficult to break, (ask any smoker).<br />

If the food or beverages are inferior or<br />

overpriced, and your patrons acquire the<br />

habit of taking their own refreshments in<br />

their automobiles with them (in one of the<br />

many inexpensive thermo jugs presently<br />

available on the market) the habit may be<br />

hai-d to break, and in fact spell ruin to<br />

the concessionaire.<br />

F^'om this it is apparent that the selection<br />

of the products merchandised on your<br />

concessions stand, deserves the same attention<br />

and consideration as given in the<br />

selection of the picture and short subjects.<br />

How important is the concessions stand<br />

DOUBLE PROFITS PLUS WITH BUTTER-MAT<br />

Users say this automatic butter<br />

dispenser will step up profits 250%.<br />

Handsome in stainless steel and<br />

enamel, thermostatically controlled,<br />

BUTTER-MAT dispenses 75 servings per<br />

minute and counts them. Write for low<br />

price and specifications.<br />

,A<br />

BUTTERCUP-MORE SERVINGS PER POUND<br />

You qet 80 servings per pound of<br />

butter — a $4.00 return — when<br />

you serve buttered popcorn in<br />

these trademarked, drip-proof<br />

BUTTERCUP cup. Ten sales aid<br />

accessories: Happy Apron, Super<br />

Sparkler 30" Buttercup replica. Butter Pusher<br />

plastic wall or counter sign, Buttercup<br />

replica 18" high. Miss Buttercup mobile.<br />

Buttercup balloons, and Buttercup screen trailer.<br />

' V^<br />

OTHER "BEST SELLERS": HOTRAY- BUTTERMATIC WARMER— BUTTER SERVER— COLDISPLAY—<br />

JUNIOR COLDISPLAY— FRONT & REAR SERVICE CANDY CASES— BUTTER CONSOLE— DISPLAY STAGE<br />

SUPURDISPLAY/ INC» 1324 W. Wisconsin Avenue, Milwaukee 3, Wis.<br />

Where /; the i'/frfrftr Pf^FiT<br />

to you? The reason we ask this question is<br />

that there are many drive-in operations<br />

in this country wholly dependent on their<br />

concessions business if they are to operate<br />

at a profit. The concessions industry has<br />

become so large and important a part of<br />

the theatre business that there are now<br />

Continued on page 22<br />

20 The MODERN THEATRE SECTION


For Cooler, Cleaner, More Efficient<br />

and More Profitable Food Service!<br />

MAKE "INTERMISSION TIME" PROFIT TIME!<br />

TOASTMASTER HOT-FOOD SERVERS<br />

Cooked foods keep piping-hot and oven-fresh for hours . . .<br />

electrically! Here is the famous stainless-steel "food keeper"<br />

that permits preparation of complete meals well in advance<br />

of serving time. The Toastmaster Hot-Food Server makes<br />

possible immediate service during peak-load periods . . . puts<br />

an end to costly food waste due to shrinkage, loss of flavor,<br />

color and texture. The secret? Perfect heat and moisture<br />

control through Toastmaster's unique six-side warm-air circulation<br />

system, humidity controls, and precision Robertshaw<br />

thermostat. No installation expense— plugs into standard<br />

115-volt circuit. Gain a new economy of labor plun a<br />

greater margin of profit!<br />

•ADD-ON" VERSATILITY! CUSTOM-DESIGN COUNTER LINE<br />

r^ iti< It looks good— it cooks good, elccirically! Combines<br />

"Add-On" versatility with "Perfect-Profile" design.<br />

Requires only 17" of counter depth. Individual<br />

units match perfectly— pieces can be added as<br />

needed. Finished in gleaming stainless steel. Choose<br />

from a full line of "Up-Front" cooking equipment—<br />

big-capacity Fry Kettle, 18" & 30" Griddles, flexible<br />

Food-Warmer, one and two-unit Hot Plates ... all<br />

automatic ... all electric. Faster heating . . . faster<br />

service— greater profits!<br />

Perfect toast every time . . . and fast! That's the famous Toastmaster<br />

"Powermatic" toaster. It thinks for you . . . electrically! No levers to press<br />

. . . reliable electric motors lower the bread — take slices right out of your<br />

hand — serve them up when toasted I Exclusive Toastmaster Superflex Timer<br />

makes each tempting slice uniformly golden brown, regardless of normal<br />

voltage fluctuations. Faster service, better toast, more profit in every slice!<br />

The Complete Line of Electric Cooking Equipment<br />

TOfl^TiWfl^TER<br />

"Toastmaster" is a registered trademark of McGraw-Edison Company, Elgin. Illinoi>i<br />

TOASTERS • BUN TOASTERS • SANDWICH GRILLS • BROILERS • FRY KETTLES GRIDDLES • GRILLS<br />

HOT-FOOD SERVERS • HOT PLATES OVENS • • RANGES WAFFLE BAKERS FOOD WARMERS<br />

•<br />

BOXOFFICE :: May 5, 1958 21


IS YOUR QUALITY SHOWING?<br />

Continued from page 20<br />

many tradppapers and periodicals wluch<br />

are cither devoted entirely to the concessions<br />

industry or devote major sections to<br />

it. Some of these tradepapers have pone<br />

to great lengths to break down the profit<br />

relation and spending relation to the food<br />

and beverage products in the Indoor and<br />

outdoor theatres, and their findings although<br />

they vai-y slightly are sufficient<br />

to stimulate the thought and consideration<br />

of the concessions stand owner. The relation<br />

in indoor theatres runs approximately<br />

20 to 25 per cent of the admission price<br />

spent at the concessions stand. However, in<br />

the drive-in it runs as high as 100 per<br />

cent because, on some inducement plans,<br />

moi-e than one person is admitted per<br />

admission charge,<br />

A TERRIFIC POTENTIAL<br />

There are many elaborate conce-ssions<br />

stands in drive-in theatres accommodating<br />

approximately 2,500 cars. These concessions<br />

stands can handle 2,000 customers<br />

in a 15-minute period, and frequently sell<br />

5,000 ice-cold, still water beverages during<br />

the evening. The prices of their beverages<br />

range from ten cents, 20 cents to 30 cents.<br />

This is an indication of the terrific potential<br />

of every concessions stand in every<br />

drive-in theatre.<br />

To achieve this potential it is necessary<br />

to get people into the theatre. There are<br />

today many inducements put forward by<br />

the modern drive-in theatre to lure families<br />

away from their television sets and<br />

other activities. One approach has been to<br />

select and promote a particular moving<br />

picture in the famous Hollywood manner,<br />

creating such a strong desire to view the<br />

film that the public can scarcely resist. In<br />

an effort to acquire the attendance of the<br />

entire family, including small children,<br />

many successful installations include an<br />

elaborate kiddyland and also put on a<br />

special family night in which children<br />

under 12 are admitted free. This is a<br />

particularly interesting inducement becau.se<br />

only the very young go to the kiddyhind,<br />

and these children under 12 who gain<br />

free admis.sion on these nights more than<br />

compensate, because like all growing children<br />

they have an unbelievable capacity<br />

for both food and beverage.<br />

FAVORS THEATRE WITH QUALITY STAND<br />

Modern theatre concessions stands, as<br />

we have mentioned before, have become an<br />

American way of life. The appeal of the<br />

picture, the kiddyland and the .specially<br />

promoted family nights, may be lost if the<br />

quality of food and beverage sold at the<br />

concessions booth is inferior. There was a<br />

time when these problems did not concern<br />

the concessionaire because of the scarcity<br />

of drive-in theatres; however, with the<br />

vast building program and the American<br />

habit of driving, drive-in theatres within<br />

ten or 15 miles are taken into consideration<br />

by families selecting a motion picture.<br />

You may be sure that in making their<br />

selection there is weight thrown in favor<br />

of the theatre with the quality, reasonably<br />

priced concessions stand.<br />

Concessionaires whose business has been<br />

dropping off might well be advised to conduct<br />

a survey on the quality of their merchandise,<br />

because it must be remembered<br />

that the concessions is the result of the<br />

American public habit and way of life,<br />

which indicates refreshments and motion<br />

pictures going hand in hand. Patrons when<br />

Leader in its field!<br />

ADCO<br />

DRINK DISPENSERS<br />

Just as certain makes of cars are first choices of successful<br />

people, so also the Adco Drink Dispenser is an overwhelming<br />

favorite with successful individuals in the food and beverage<br />

Q<br />

field.<br />

Possibly the preference of men of discrimination for Adco<br />

Dispensers may be traced to the fact that such men are thinking<br />

first and foremost of maximum sales. And they know that<br />

Adco, in addition to its mechanical perfection, is always selling.<br />

Its handsome appearance and animated beverage display, consistently<br />

compels your customers to stop . . . look . . . and buy.<br />

Would you like this silent salesman to go to work for you?<br />

Would you like to know more about his qualifications?<br />

Write for full information<br />

A. DALKIN COMPANY • 3232 N. Kilpatrick Ave. • Chicago 41, Illinois<br />

a division of AMERICAN MACHINE & FOUNDRY COMPANY<br />

ADCO<br />

0>INK DISPENSEIS<br />

22 The MODERN THEATRE SECTION


attending a movie, will be naturally disappointed<br />

if the picture does not meet<br />

their expectations, but they will leave the<br />

theatre firmly believing that the next time<br />

they attend, the picture will be of better<br />

quality. However, and this is important,<br />

they can have no such reassurance about<br />

the concessions .stand because they know<br />

that concessionaires do not change their<br />

quality two or three times a week.<br />

Build up concessions sales! The same ingenious<br />

thinking that has resulted in the<br />

motion picture business attaining its present<br />

height, if applied to the concessions<br />

outlet, will result in an unbeatable combination.<br />

Some of the imaginative operators<br />

have been successful in putting on<br />

a real production in presenting their concessions<br />

products. Their basis is quality<br />

merchandise, promoted in an enticing<br />

manner to appeal to those who have the<br />

greatest consumption — namely, children<br />

and teenagers.<br />

The American soda pop business, which<br />

has grown into a flourishing, stable industry,<br />

was born in conjunction with the carbonated<br />

waters. Carbonated beverages have<br />

attained their success through quality<br />

products and extensive advertising, and for<br />

many years have been challenged only by<br />

the hot drinks, such as coffee and chocolate.<br />

However, there has been a trend for<br />

parents to limit the amount of carbonated<br />

drinks consumed at one time by the young,<br />

and there is every indication that this is<br />

resulting in a greater demand for the still<br />

water, noncai-bonated type of beverage in<br />

the family theatres.<br />

TASTE<br />

FOR QUALITY<br />

There is a great selection of low-quality<br />

still water beverages and syrups in many<br />

flavors both dry and wet available to the<br />

concessions owner today. The price of these<br />

products varies greatly, partially because<br />

many are local operations which are not<br />

subject to federal supervision, but some are<br />

nationally advertised brands, therefore<br />

every concessions operator must be alert<br />

and aware of the product which he serves.<br />

Many of these products are made up primarily<br />

of sugar, acids and coloring. Here<br />

/^^'-^ /^<br />

^<br />

po f*^ti ptfitfKi WJJ TWf Ttirf<br />

Ls a suggested test: Take any of the beverages<br />

which you .serve and .subject them<br />

to a blindfold test. It will be found that<br />

the majority of these products of inferior<br />

quality will have flavors so insipid that, if<br />

you can not see the color or read the label,<br />

you will be at a loss to name the product.<br />

It would be best to submit the blindfold<br />

test to an individual who is not accustomed<br />

to consuming great quantities of these<br />

specific flavors in the course of his duties.<br />

After each test the taster should rin.se out<br />

his mouth in fresh water, so that his flavor<br />

buds are not influenced. The entire flavor<br />

sensation comes from smell and mouth<br />

taste. Once the beverage has entered the<br />

throat there is no further taste .sensation.<br />

BACK PROMOTIONS WITH QUALITY<br />

Some concessionaires have been successful<br />

in stimulating the desire for their beverages<br />

by creating new names which they<br />

have printed in multicolor on their cups.<br />

Some add a slice of orange with a miniature<br />

parasol stuck to the side. Other concessionaires<br />

dress their employes in promotional-type<br />

unifonns with unusual hats<br />

which has a definite influence on the<br />

younger generation. Many installations<br />

cater to the "rock and roll" set. giving<br />

imaginative names to such common, everyday<br />

items as hot dogs and hamburgers. All<br />

these promotions are destined to be more<br />

successful if the product which they are<br />

pushing contains good quality and flavor.<br />

Some indoor theatres, to stimulate Saturday<br />

matinees, have presented each patron<br />

with a doughnut and a four-ounce cup of<br />

beverage. This creates an interest to the<br />

children, and at the same time whets their<br />

appetite for additional treats at the concessions<br />

counter.<br />

For 20 years our company has been manufacturing<br />

and nationally distributing<br />

many flavors of quality flavor bases for<br />

making noncarbonated still water beverages.<br />

The beverage phase of our business<br />

WEis a by-product of our Lemon Crystals<br />

which are used in industry in place of true<br />

lemon juice.<br />

NEW KIND OF SYRUP<br />

Three years ago. after much research,<br />

Cramore came out with a brand new<br />

product to the beverage business. It packed<br />

what it calls Dri-Syrup, which is made up<br />

in a similar way to wet syrup, except there<br />

is no water added. This was most acceptable<br />

because it required less storage space<br />

and was also convenient and had a longer<br />

shelf life. The product costs a little more<br />

than most syrups but contains the true<br />

fruit flavor. The product was developed<br />

primarily for the convenience of one customer:<br />

however, the idea caught on and<br />

grasped the imagination of the concessionaires<br />

over most of the United States. The<br />

result was that we had to double plant and<br />

production facilities to meet the challenge<br />

of the first year. This product is so successful,<br />

that today it comprises over 25<br />

per cent of our total business. It is sold in<br />

national ball parks, theatres, amusement<br />

Continued on page 27<br />

Are you inferested in<br />

increasing profits ?<br />

If your answer is yes, then you must<br />

try<br />

DELL'S PERFECT BLEND seosonings<br />

and flavors.<br />

• PIZZA SEASONING is the newest<br />

and most desired. PIZZA flavored<br />

popcorn is sensational . . . and<br />

it's<br />

easy to make with DELL'S PIZZA<br />

SEASONING. Your customers will<br />

love<br />

• DELL'S<br />

DELL'S<br />

it!<br />

RICHBO BRAND SEASONING<br />

(the butter flavored salt) is<br />

another outstanding seasoning.<br />

It's easy to use and saves tin-.e<br />

and money.<br />

PERFECT BLEND SEASON-<br />

INGS INCLUDE BAR-B-Q, PIZZA,<br />

CHEESE AND MANY OTHERS<br />

Find wore out about all<br />

of the sensational<br />

Dell flavors and bases.<br />

Samples will<br />

DELL<br />

be sent on request.<br />

FOODS<br />

Sfiecialtiei. Co-., 9nc.<br />

Nationally<br />

Advertised<br />

Beloit, Wisconsin<br />

HENRY HEIDE, INC NEW YORK, N. Y.<br />

PROFITS with<br />

:7, No Pulleys!<br />

No<br />

Oiling!<br />

.'VII BqulpRient Fattnted, HilarjntecJ<br />

and B.icked by 37 Years'<br />

Experience<br />

SAMUEL BERT MFG. CO.<br />

Fiir Park Station<br />

Box 7803, DALLAS, TEXAS<br />

SNOW<br />

MAGIC"<br />

THE NEW SNOW<br />

CONE MACHINE<br />

Cipacity; 50 cones<br />

every 30 seconds.<br />

The Bert's "SNOW<br />

MAGIC" machine<br />

combines eye-appealino<br />

beauty with perfect<br />

mechanical performance<br />

and larqe<br />

capacity. "Snow<br />

Magic" Is easy to<br />

operate and is Fully<br />

Automatic. A Sn»w<br />

Cone costs V,\ to<br />

1I/2C and usually<br />

sells (Of lOc . . .<br />

Ih.it's<br />

FOB.<br />

profit!<br />

Dallai<br />

only S270.00<br />

BOXOFFICE May 5, 1958 23


. . PERMANENTLY.<br />

. Offer<br />

nmm um<br />

fommi<br />

-By PHYLLIS HAEGERv<br />

Last week I saw a sign near the<br />

popcorn machine in a theatre lobby which<br />

riaci: TRY OUR POPCORN. IT ISN'T<br />

VERY GOOD. BUT IT SURE IS NOISY!<br />

It just happened to be a Saturday matinee<br />

and. of course, the theatre was crowded<br />

witli youngsters. The popcorn machine<br />

was jammed.<br />

Obviously the popcorn slogan was meant<br />

to appeal to the kids, and was based on<br />

the theory that young people enjoy being<br />

in on a "joke" which they consider fairly<br />

PIT-COOKED<br />

BARBECUE<br />

CALL YOUR DISTRIBUTOR TODAY-OR WRITE DIRECT TO<br />

adult. In this case, at least, the theory was<br />

.sub.stantiated. The theatre manager told<br />

me that he had sold more popcorn that<br />

day than he had tlie three preceding Saturdays<br />

put togellier.<br />

This approach works equally well with<br />

adults. In recent years, a good many national<br />

advertisers have found that one<br />

can often sell more of a product by poking<br />

fun at it than by usnvA the customary loud<br />

praise and extravagant claims. Many of us<br />

liave seen stores and restaurants use this<br />

technique to excellent advantage. I myself<br />

have witnessed mobs of people around<br />

counters of goods which have been advertised<br />

as "of little use to anyone, but it's<br />

fun to throw money away now and then."<br />

In selling pop>corn. there are many examples<br />

of silly slogans, such as:<br />

• UNDERNOURISHED? ONE BOX OF<br />

OUR POPCORN AND YOU'LL BE FED<br />

UP!<br />

• OUR POPCORN CURES ALL AIL-<br />

MENTS . PLEASE<br />

PAY IN ADVANCE.<br />

CASTLEBERRY'S FOOD CO. Box 1010 AUGUSTA, GEORGIA<br />

The NEW Patented SPEED-SCOOP<br />

Three times more efficient. Scoop and pour o<br />

bagful of popcorn in one single easy motion.<br />

Made of light, stainless oluminum. Cool hardwood<br />

handle. Perfectly balanced for maximum<br />

efficiency ond speed. Only 52.50 at your Theatre<br />

Supply or Popcorn Supply Deoler.<br />

SPEED-SCOOP<br />

109 Thornton Ave., Son Francisco 24, Colif.<br />

The New Imperial<br />

H-D "SODAMAKER'<br />

WITH 2 OR 3 FLAVORS<br />

Complete, Self-Contained Unit<br />

SUPERIOR REFRIGERATOR MFG. CO., INC.<br />

822-24 Hodiomont Ave. St Louis 12, Mo.<br />

• THE POPCORN WE SERVE IS UN-<br />

TOUCHED BY HUMAN HANDS (Insmall<br />

print: It's packed by monkeys.)<br />

Ridiculous and corny? You said it. But<br />

.something in us humans seems to respond<br />

to foolishne.ss like this. Apparently it issues<br />

a challenge we find hard to resist.<br />

WARNING: Of cour.se, when you undertake<br />

to spoof your popcorn, it goes without<br />

saying that it must be the best that<br />

money can buy. If it isn't, a silly slogan<br />

becomes a grim reality<br />

RESPOND TO FOOLISHNESS<br />

The concessions man who knows the<br />

habits and characteristics of the patrons<br />

of his theatre is the only one who can<br />

judge whether or not the occasional use of<br />

"backward advertising" will go in his theatre.<br />

If he decides to use it, he can let his<br />

imagination run riot 'being careful to<br />

keep it within the limits of good taste).<br />

There is no end to the ridiculous promotions<br />

that can be thought up by almost<br />

any concessionaire. This is probably because<br />

we all yearn to be corny at times,<br />

and it's such fun to let loose.<br />

Such "corn" need not be limited to written<br />

slogans. It can be incorporated in theatre<br />

advertising in newspapers and even<br />

on the streets. As an example of this last,<br />

visualize someone dressed as a spook with<br />

a sign that reads; I JUST ATE SOME<br />

YUMMY POPCORN AT THE RITZ THE-<br />

ATRE.<br />

You could use this form of advertising<br />

as an occasional change from your usual<br />

type or you cruld establish it as a consistent<br />

thing which people will watch for with<br />

interest. If you consider doing the latter,<br />

keep your eyes open for the reactions from<br />

your first few attempts to tell whether or<br />

not you should keep it up.<br />

PROMOTION OF THE MONTH-n<br />

you<br />

like the idea of silly slogans but are hard<br />

put to think of some really good ones, why<br />

don't you hold a contest among your patrons<br />

for silly popcorn slogans? Grownups<br />

and kids both would love it.<br />

Have some inexpensive entry blanks<br />

made up and put one in each box of popcorn.<br />

Make up lobby signs plugging the<br />

contest and provide a box for entries iput<br />

the box on a table with several pencils<br />

handy<br />

i<br />

a year's free pass to each of<br />

the five (or however many you chcosei<br />

top winners.<br />

The result will be plenty of slogans, and<br />

many of these will be surprisingly useful.<br />

Slogans should be limited to 15 words at<br />

the most, for your convenience.<br />

The choice of prizes is solely up to your<br />

knowledge of what will appeal to your<br />

customers. However, one thing which is<br />

sure to make them happy is the use of<br />

many of the slogans with credit given to<br />

the persons who made them up.<br />

The type of contest that uses the phrase<br />

"I like popcorn because" is so commonplace<br />

today that I'd be willing to bet that<br />

your patrons will welcome the chance to<br />

be corny!<br />

*The Popcorn Institute.<br />

24 The MODERN THEATRE SECTION


Presenting the TC 500 "FUTURA". .<br />

.from every angle<br />

a new concept in theatre chair styling<br />

(Potent Pend>f>q<br />

The Futura's modern. strcamliiK'd appcaraiiro is a new diitarliirc in<br />

theatre chair styhng. The graceful, sloping standards arc made of<br />

lieavv gauge, ovali/.ed steel. F,\ee|)li(>iiall\ strong, llic) are narrow and<br />

open for ease of cleaning and unrestricted ingress and egress.<br />

Maximum


vr<br />

Heywood seating<br />

is<br />

a profitable<br />

investment in comfort<br />

lc(i.<br />

lo. I.iiii;;. iic|>cii(lal)lc scr\ ice with<br />

low maiiilciiaiu'c costs is llt'\\\ooil s sci'-<br />

onil hiur jirolit |iictiiru.<br />

TC 706 AIRFLO ROCKING CHAIR LOGE<br />

s\ilh exclusive reclining spring base niechanisni<br />

TC 700 ENCORE<br />

Choice of Formed Knhhci or (loil<br />

Spring Cushion<br />

For ncn- ailaloii of<br />

Aiiditoi iiiin<br />

and Theatre Sealing, tvrite:<br />

.1<br />

HEYWOOD-<br />

WAKEFIELD<br />

>V<br />

THEATRE SEATING DIVISION<br />

Menominee, Michigan


Executive<br />

Advancements<br />

At Seating Company<br />

James M. VerMeulen has been elected<br />

president of American Seating Co. by a<br />

newly elected board of directors. Former<br />

president H. M. Taliaferro was named<br />

chairman of the board. Prior to these<br />

changes, stockholders had re-elected the<br />

IS YOUR QUALITY SHOWING?<br />

Continued from page 2i<br />

centers, kiddylands, etc., resulting in an<br />

increased volume which more than compensates<br />

the concessionaire for the fractional<br />

increa.se in unit drink. Lemon flavor<br />

Dri-Syrup has been successfully used in<br />

some irLstallation.s which heretofore served<br />

nothing but lemonade made from fresh<br />

squeezed lemons.<br />

The conccssio7is stajid is big business<br />

and, if given proper attention, supervision<br />

and selection, can result in unthought-of<br />

profits. In every resort town there are concessions<br />

operators who operate on a<br />

two to three-month ba-sis, and make<br />

enough profit to retire for the other<br />

months of the year. These people are becoming<br />

more quality conscious each year,<br />

and are making more money. Exhibitors<br />

have the advantage of capitalizing on this<br />

lucrative field of endeavor in conjunction<br />

with their successful motion picture operation.<br />

H. M. Taliaferro J. M. VerMeulen<br />

seven present members of the board and<br />

added two new board positions.<br />

VerMeulen. who had been serving as executive<br />

vice-president, is only the third<br />

president in the firm's history. He joined<br />

American Seating in 1927. following graduation<br />

from college, his first assignment being<br />

as inspector of box spring seats in the<br />

upholstery department. Now 53, VerMeulen<br />

has been trained in every area of the company's<br />

operation.<br />

Taliaferro, president for 29 years, had<br />

asked the board to be relieved of administrative<br />

duties in order to concentrate on<br />

the corporation's long range planning activities.<br />

The manner in which you keep your<br />

machines or warmers clean is actually one<br />

of the best indirect methods of merchandising<br />

yom- popcorn sales.<br />

Make Your Own<br />

SYRUPS<br />

for<br />

only<br />

70c gallon<br />

WITH FLAVORS FROM HURTY-PECK.<br />

FINEST SYRUPS FOR . . .<br />

if BEVERAGES * SNO-CONES<br />

if<br />

TOPPINGS<br />

Order from Hurty-Peck & Co., America's<br />

largest independent flavor house. For full<br />

information, samples, and booklets on syrupmoking,<br />

write today.<br />

HURTY- PECK & COMPANY<br />

Fine Flavors Since 1903<br />

n era's a complete line of top-quality bars in the<br />

10'' class ... the big, balanced line to satisfy every<br />

taste. No matter where you display them (in candy<br />

case or vending machine) these famous Hollywood<br />

bars ore top sellers, priced to give you a margin<br />

that assures top profits, too. Many bars also<br />

available in the 5'' class. Investigate!<br />

^oi<br />

MAKERS OF / Thc BolanceJ Line of "Best Sellers"<br />

0//ULUOOCl C A fADY DIVISION<br />

HOLLYWOOD BRANDS, I N C —<br />

. C E N T R A 1 1 A , ILLINOIS<br />

1423 Noomi St. Indianapolis, Indiana<br />

BOXOFFICE :: May 5, 1958 27


ON THE LEVEL WITH LOBBY AND LOUNGE<br />

Elimination of two steps down to the lounge<br />

by raising the floor level to that of the lobby creates<br />

a spacious continuous area in the St. Louis<br />

Pork Theotre, Minneapolis. The area was further<br />

opened up by lowering the ceiling and taking niches<br />

out of the walls (which may be seen below in the<br />

lower right) making room for the large concessions<br />

stond which is equipped with o Cretors popcorn machine<br />

and Supurdisploy ice cream cabinets. Lobby<br />

lighting is subdued but builds up in the lounge to<br />

peak brilliance. In the view ot left, taken from the<br />

concessions stond and looking into the lounge, the<br />

simple elegance of smart furnishings contrasted<br />

against white walls moy be seen. The lounge offers<br />

patrons free coffee and coffee cappuccino (o blend<br />

of coffee and chocolate) although the theatre is<br />

not on art house. There is also an RCA color television<br />

set. The davenports were custom-designed for<br />

the theatre. Doors to restrooms are at center left<br />

in the rear, and the foyer is at left out of the picture.<br />

Photograph at lower left is of the lounge before<br />

redecorating, an attractive enough area but<br />

lacking the smartness of the new lounge.


To GIVE THE theatre a new personality,<br />

was the purpose in remodeling the<br />

St. Louis Park Theatre, an outlying de<br />

luxe house in Minneapolis. The theatre is<br />

17 years old, has good sized spaces for<br />

foyer, lounge, lobby and auditorium. It<br />

has excellent parking facilities and is in a<br />

growing suburb. However, it was so thoroughly<br />

dated that over the years, new<br />

rugs, new paint, latest sound equipment<br />

and screen, and even new seats had not<br />

changed its character.<br />

John Field, a recent Yale architectural<br />

graduate, associated with Knorr. Elliott &<br />

Associates in San Pi-ancisco, was given the<br />

challenging order of giving the Park Theatre<br />

a new look, a glamorous look. It was<br />

understood that the owners would approve<br />

the project and the price, but that they<br />

would not interfere with the execution or<br />

the philosophy of the remodeling.<br />

EXCITEMENT INSIDE THE THEATRE<br />

"A theatre, to me, is like a circus." says<br />

John Field. "It should have simple primary<br />

colors and give people the feeling with<br />

lighting that the excitement is on the inside<br />

of the theatre, not the outside."<br />

Consequently, the lobby lighting is subdued<br />

like a night club. The boxoffice was<br />

moved inside and is a long open bar. The<br />

ceiling was lowered. The walls of the lobby<br />

had always been aluminum but they were<br />

pointed up by the shining black Amtico<br />

tile floor laid in an old Mexican pattern<br />

with occasional silver squares to match the<br />

walls. New glass doors with narrow aluminum<br />

frames replaced the old wood doors.<br />

The lighting builds up in the lounge to<br />

peak brilliance. Walls are white, with one<br />

bright blue wall up over the candy counter.<br />

The new candy counter is walnut Formica,<br />

The black Amtico tile floor and white walls<br />

extend through into the lounge. Two steps<br />

down were eliminated by raising the floor<br />

level and the lounge and foyer are now one<br />

continuous area. It is here that coffee cappuccino<br />

is served to patrons coming in or<br />

going out. The lounge is a pleasant space<br />

with new furnitiu'e. Simple elegance is the<br />

keynote of the whole theatre.<br />

A JAPANESE GARDEN<br />

Inner foyer lighting is subdued to make<br />

an entrance for the auditorium. In the<br />

foyer, the same white walls are used with<br />

evenly spaced panels of clear green mosaic<br />

tile around the photoframes, drinking<br />

fountains and drink machine. New. bright<br />

blue carpet with big green circles is used<br />

in this part of the foyer and throughout<br />

the rest of the theatre. The furniture<br />

echoes the lounge furniture. At the end<br />

of the foyer is a Japanese garden to replace<br />

the old curved seat. The garden has<br />

a fountain of green mosiac tile, white<br />

marble chips and an old piece of Japanese<br />

stone sculpture.<br />

Auditorium walls were rubbed down and<br />

cleaned. Modern Danish, white light fixtures<br />

were added on the side walls. A new<br />

close-in curtain in striking sections of blue.<br />

r\ DRAMATIC satellite ceiling installed in the<br />

St. Louis Park lobby antedated the sputniks (the<br />

theatre was reopened last November 8) and illustrates<br />

the forward thinking of Harold D. Field,<br />

owner, and sons, Manager Martin Field and Architect<br />

John Field. The lighting fixtures are of glass<br />

fabric and metal. The view above, taken from the<br />

street, shows the cashier's open bar which replaces<br />

the former outside boxoffice, and the impressive<br />

poster coses. Cutout letters on the panel behind<br />

the cashier also feature coming attractions, including<br />

a live band. Walls are aluminum and floors are<br />

black tile with occasional silver squares to complement<br />

the wolls. Off to the right of the lobby is the<br />

lounge. A view of the old ceiling treatment and the<br />

old-style cashier's cage is shown at right. The St.<br />

Louis Park provides a lighted free parking area for<br />

750 cars, and personalized service through owner<br />

operation.<br />

green and beige was hung over the screen.<br />

The ladies' room had always been off the<br />

lounge, but the size of the powder room was<br />

greatly enlarged. The men's room which<br />

had been in the basement was brought up<br />

on the main floor. Both rooms were tiled.<br />

The ladies' powder room was lined on all<br />

w-alls with striped Naugahyde and the<br />

chairs were upholstered in matching<br />

Naugahyde.<br />

Through the architectural changes of<br />

making the floor all one level, moving the<br />

boxoffice. the men's room and the candy<br />

counter, replacing all the exterior doors,<br />

closing up the stairway to the basement,<br />

and with new lighting throughout the<br />

theatre, new furniture and repainting, the<br />

theatre has a new look and a new personality.<br />

It is young, fresh and exciting,<br />

like its designer and a pleasant, comfortable<br />

place to see a motion picture in a suburban<br />

area.<br />

The manager of the St. Louis Park Theatre<br />

is Martin Field, a third generation<br />

showman with as keen an interest in movies<br />

as his father and his grandfather. He<br />

is constantly experimenting to learn what<br />

people want and how to make his patrons<br />

welcome and enjoy their evening out.<br />

The San FYancisco architect for the St.<br />

Louis Park Theatre is a brother of the<br />

manager.<br />

BOXOFTICE May 5, 1958 29


ST. LOUIS PARK THEATRE . . . Cont'd.<br />

I<br />

A delightful touch in the theatre foyer is<br />

this Japanese rock garden with a pond,<br />

lantern and an artificial plant in St. Louis<br />

Pork blue and green with a purple blossom.<br />

The leaves ol the plant match the carpet.<br />

AFTER:<br />

Green Italian mosaic panels, white walls and a custom-run carpet by American in the theatre's own<br />

shades of blue and green moke the foyer an attractive place. Upholstered benches complete the modern setting.<br />

A Japanese garden is at the far end near the stairway.<br />

BEFORE:<br />

The foyer in the St. Louis Park before remodeling. Comparison with the photo above will show how the<br />

foyer lighting was subdued for a better approach to the auditorium.<br />

White walls of the foyer are broken by<br />

evenly spaced panels of clear green mosaic<br />

tile around the drinking fountains, display<br />

frames and drink machine. Each mosaic<br />

panel is lighted from above.<br />

^<br />

Patrons enjoy the convenience of this attractive<br />

telephone booth and chair. The<br />

chair is chrome plated. Booth was placed<br />

low on the wall for it is intended to be used<br />

while sitting down.<br />

The 960-seat auditorium is highlighted by the velour prcsccnium curtain in stripes of blue, green and beige.<br />

Danish white light fixtures alternate with stereophonic sound speakers on the auditorium walls.<br />

30 The MODERN THEATRE SECTION


CINEX<br />

The<br />

WORLD'S<br />

FINEST<br />

and most<br />

POWERFUL<br />

PROJECTION<br />

LAMP<br />

You have only to read the reviews<br />

in the molion picture trade<br />

journals regarding the opening<br />

of the newest and finest Driveins<br />

and Theatres— you will note<br />

that invariably 100% of these<br />

state<br />

"Equipped with<br />

Ashcraft Super Cinex"<br />

WORLD WIDE<br />

SUPREMACY<br />

SUPER CINEX has become THE<br />

STANDARD of projection excellence<br />

in the finest Drive-ins and<br />

Theatres throughout the world —<br />

in England, in Australia, France,<br />

South Africa, West Germany<br />

and other countries.<br />

We are proud of our twenty<br />

years association with<br />

Westrex<br />

At last a truly precision light control<br />

has been developed.<br />

It does not employ cycling thermostats<br />

but a light beam moving five times<br />

faster than the light source itself.<br />

The MICRONIC CONTROt maintains<br />

the correct crater position within a few<br />

thousands of on inch continuously,<br />

while maintaining an exact arc gap.<br />

Forty years of experience have been<br />

condensed into the design of the<br />

MICRONIC CONTROL-the ultimate in<br />

precision light and screen color control<br />

whereby screen illumination is always<br />

maintained at a maximum light and<br />

distribution level.<br />

ROXY<br />

Theatre<br />

NEW YORK<br />

N.Y.<br />

ASHCRAFT SUPER CINEX<br />

Selected for its superior<br />

performance by<br />

CINEMIRACLE<br />

CHINESE<br />

Theatre<br />

HOLLYWOOD<br />

California


This attractive dine and dance patio fronting the concessions building at the<br />

Star Drive-ln, Btosdcll, N. Y., is an oasis of fun and refreshment for many a<br />

young couple at the end of a tense, busy summer day. On this breeze-swept<br />

patio, sheltered from the final hour of sunshine by white-fringed beach umbrellas,<br />

young parents can relax to jukebox or live band music while their<br />

youngsters play in a supervised Kiddies Korral at the end of the building. The<br />

projection equipment for the 610-foot throw to the mammoth screen is housed<br />

in the small extension directly above the snack bar. The concessions building,<br />

like the boxoffices, is 0/ Roman brick. The 1 ,250-car drive-in is the eighth for<br />

the Blatt Bros circuit which operates theatres in Pennsylvania and New York.<br />

DANCE PATIO FUN HAVEN FOR YOUNG PARENTS<br />

Children Play Under Theatre Supervision While Parents Relax Before Show<br />

^/ne of the most popular dance<br />

spots on the Niagara F^-ontier is the cool<br />

patio across the front of the cafeteria concessions<br />

building at the Star Drive-In, a<br />

Blatt Bros, unit within the city limits of<br />

Blasdell. N. Y. Here, tired parents can relax<br />

and dance before showtime, knowing<br />

their youngsters are playing under watchful<br />

supervisors in the Kiddies Korral immediately<br />

at the rear of the 70x70-foot<br />

Roman brick building.<br />

The dance patio also is 70 feet long, wide<br />

enough for dancing under the extended roof<br />

of the concessions building and for a row of<br />

six restaurant tables and chairs, each table<br />

sheltered by a fringed beach umbrella.<br />

Limiting the front and two shorter sides of<br />

the patio is an attractive 30-inch Roman<br />

brick wall. The front of the low wall is<br />

decorated by 16, dark green planter boxes<br />

with blooming flowers, and each side wall<br />

by seven planters.<br />

In this pleasant, easy atmosphere young<br />

parents and younger couples can en.ioy<br />

themselves before showtime and again at<br />

intermission, dancing to jukebox tunes or<br />

to the music of local bands. Many patrons<br />

also prefer to watch the screen program<br />

from chairs on the patio, which faces the<br />

mammoth screen.<br />

The Star capitalizes on this screen as another<br />

of its major exploitable features, the<br />

85':;xl52-foot screen being advertised as<br />

"the world's largest screen" on the airer's<br />

flower-bordered attractions board. The big<br />

screen rests on a footing of more than 250<br />

yards of poured concrete, the aluminum<br />

facing painted with a highly reflective<br />

coating that assures patrons a clear, perfect<br />

vision from all angles in the 1,250-car<br />

ramp area. The screen, its back closely<br />

paralleling South Park Avenue, is 610 feet<br />

from the projection booth, which is housed<br />

directly above the snack bar area. Light,<br />

Four entrance lanes facilitate the handling of big<br />

crowds by cashiers in three canopy -connected boxoffices.<br />

The two outer boxoffices of gloss, aluminum<br />

and Roman brick serve lanes one and four, while a<br />

matching boxoffice with two windows serves lanes<br />

two and three.<br />

brilliant enough for the long throw, is provided<br />

by 165-ampere equipment.<br />

The Star, which was opened June 12,<br />

1957 with J. R. Stefanon as manager, has<br />

been operated continually with the policy<br />

of providing a clean, pleasant, wholesome<br />

place for family recreation. Children under<br />

12 are admitted free at all times. Also free<br />

to the youngsters is the playground area,<br />

variously referred to as the Kiddies Korral<br />

and Candy Land. It is decorated with a<br />

candy stick motif and offers the kiddies all<br />

the delights of merry-go-rounds, swings,<br />

slides, climbers, teeters and sand boxes,<br />

along with benches for Mom and Dad.<br />

In keeping with the popular Blatt policy<br />

of catering to the family patronage, constant<br />

supervision of the entire theatre area<br />

is maintained throughout show hours; only<br />

pictures recognized as suitable for family<br />

patronage are booked and rest rooms are<br />

kept spic and span daily. Special bottle<br />

warmer service with do-it-yourself equipment<br />

is appreciated by the many young<br />

mothers among the Star's patronage.<br />

The Star advertises this screen on its attractions board as "the world's largest." The 85' 2x1 52-foot screen<br />

rests on a footing of more than 250 yards of poured concrete and the facing was given a special highly reflective<br />

coating. Combined with ?65 ampere lamp lighting, this screen reflectivity gives every patron<br />

in the 33-acre grounds a clearly defined view of the picture.<br />

CREDITS: Concessionaire: Niagara Vending •<br />

Equipment distributors: Buffalo Theatre Equipment<br />

and Seating • Lamps: Ashcraft • Playground:<br />

Miracle • Projection: Century • Screen tower:<br />

Cartright and Morrison * Sound and speakers:<br />

Ballantyne.<br />

32 The MODERN THEATRE SECTION


.47<br />

Drive-ln Manager Holds Key<br />

To Maintenance Costs in<br />

Keeping Up His Theatre<br />

Tone Quality<br />

r ROPER PROCEDURES foi' ClOSillg<br />

down and pioventive maintenance in the<br />

fall will save drive-in opeiatois many dollars<br />

at reopening time. Edward Stokes of<br />

Lippert Theatres of San Francisco told<br />

those attending the Theatre Owners of<br />

America Drive-In Conventionette in San<br />

F^-ancLsco<br />

recently.<br />

Pointing out that quality and availability<br />

of product are often beyond the drive-in<br />

manager's power, Stokes declared the manager<br />

holds the key to labor costs in properly<br />

maintaining his theatre.<br />

'A STITCH IN TIME'<br />

"The preventive inspections and daily<br />

checks which are made for cleanliness will<br />

show up parts of the theatre that are deteriorating<br />

and where a small expenditure<br />

for a gallon of paint or a piece of lumber<br />

will avoid a costly replacement later on.<br />

There are still some capable maintenance<br />

people around who can swing a brush and<br />

can hammer a nail, who don't cost $4 an<br />

hour.<br />

"One of the greatest faults I have found<br />

with drive-in theatres is what transpires<br />

when a theatre is ready to close down for<br />

the winter. I have seen managers as well<br />

as owners close their gates and bid the<br />

place farewell until spring. This I can't<br />

accept. If these same managers and owners<br />

would just take a few more hours to see<br />

that certain things are done to preserve<br />

equipment, they would find that when reopening<br />

time comes along all that is necessary<br />

is to wipe off preserving oil and start<br />

operating.<br />

"I have seen snack bars that were left<br />

with syrups in their machines, freezers not<br />

defrosted and equipment left out uncovered<br />

in the weather. I have seen projection<br />

booth equipment left unattended and without<br />

a protective coat of light oil. And for<br />

only a little investment of about six cents<br />

per ix>st, a speaker can be protected from<br />

the winter elements by a plastic bag.<br />

GET THINGS DONE IN<br />

WINTER<br />

"Even though your theatre is closed for<br />

the winter, it should still be inspected periodically<br />

just in case something happens<br />

which needs immediate fixing. The winter<br />

is also a good time to get all the big and<br />

little things fixed up, so when you open<br />

you can start immediately to promote your<br />

business instead of repairing the premises.<br />

And, I insist, it is a lot cheaper."<br />

On keeping areas painted. Stokes recommended<br />

the maintenance man be given a<br />

roller instead of an old fashioned paint<br />

brush. "We found they can do just as good<br />

a job in half the time, and with lots less<br />

paint," he said.<br />

"Use lots of paint and change the color."<br />

Continued on following page<br />

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ERA VEL Y<br />

MANAGER HOLDS KEY TO COSTS<br />

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QUANTITY PRICES on Orders Over SO^J-'<br />

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F.O.B. Scranton, Pa., prepaid on 100 or more.<br />

Prices slightly higher West of the Mississippi.<br />

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"In other word.s," he declared, "If it's<br />

green, make it pink, or whatever color you<br />

might think fit.s best. But paint makes<br />

your place look clean, and a change makes<br />

it<br />

interesting."<br />

Speaking of screen maintenance. Stokes<br />

said that in his circuit they had been paying<br />

from $500 to $800 to repaint a screen<br />

annually. "But in tightening our belts," he<br />

said, "we shopped around and came up<br />

with union painters who are now doing our<br />

screen.? for $200. In other words, when<br />

and if<br />

planning any major work, get bids,<br />

they seem too high, get more bids.<br />

"We have found," he said, "that in painting<br />

the back oi the screen, an aluminum<br />

paint seems to be much cheaper to apply<br />

and seems to last longer. The same holds<br />

true for our playgrounds and speaker posts.<br />

However, if you are one who likes color,<br />

you'll have to pay for it. But if you do like<br />

color, you will find colors can be applied to<br />

more accessible spots like the snack bar or<br />

outside cf your buildings much more easily<br />

cheaply than to the back of the screen,<br />

and will still give you a good color effect.<br />

NEW KIND OF<br />

LANDSCAPING<br />

"I have just come back from a trip to<br />

Palm Springs, and was impressed by the<br />

economical type of landscaping employed<br />

by the new Desi Ai-naz Motel there. They<br />

used large boulders and decorated with<br />

white gravel, colored stepping stones, indirect<br />

lighting, and a few cactus plants. There<br />

was no grass, and almost no shrubs, to<br />

maintain. They have figured out a beautiful<br />

outdoor effect that is simple, effective<br />

and practical. I feel this same type of planning<br />

should be applied to a drive-in theatre."<br />

Weeding will be a problem, Stokes said,<br />

if it is not handled systematically. "As soon<br />

as the weeds start appearing in the early<br />

spring, have youi- maintenance man chop<br />

them out and spray the area with your favorite<br />

weed killer. Your problem in season<br />

will then be practically nil. However, if<br />

you let them get away from you, it's going<br />

to cost you money all through the season<br />

to have someone constantly battling the<br />

weeds."<br />

Photographic Exhibit at World's Fair<br />

The role of photography in the service<br />

of mankind will be the theme of Kodak's<br />

gleaming glass, steel, aluminum and wood<br />

building at the Brussels Universal and International<br />

Exposition April 17-October 19.<br />

Six photographic experts able to answer<br />

questions in Flemish. Fi-ench and English<br />

will be on duty every hour to help amateur<br />

photographers among the 35,000,000 visitors<br />

expected at the fair. Kodak's 100x40-<br />

foot pavilion near the Esplanade Gate in<br />

the 500-acre fairgrounds in Hysel Park<br />

will display latest Kodak products for<br />

amateur photography but nothing will be<br />

offered for sale in the building.<br />

The MODERN THEATRE SECTION


.<br />

rpl0Ve-<br />

^y


I<br />

'T<br />

MICRONIC DETECTOR CONTROLS<br />

PROJECTION LIGHT LEVEL<br />

By<br />

CLARENCE ASHCRAFT'<br />

I HE MicRONic Light Control is an<br />

extremely precise device for exact maintenance<br />

of the carbon crater, which is the<br />

source of light, at a predetermined position<br />

from the ellipticiil reflector used in<br />

the Super Cinex projection lamp. It maintains<br />

light level and the distribution of<br />

light over the screen surface with unvarying<br />

accuracy, yet the values may be changed<br />

immediately by the operator.<br />

The electric arc has heretofore been an<br />

erratic light source for motion picture projection,<br />

varying in intensity and color from<br />

minute to minute, which is not conducive<br />

to good projection. Nothing is more distracting<br />

to the audience than browii or<br />

blue color appearing on the screen, whicli<br />

has been characteristic of the light produced<br />

by the average projection lamp.<br />

While the Ashcraft Super Cinex lamp has<br />

eliminated color and light variation to a<br />

great extent, complete automation which<br />

•President, C. S. Ashcraff Monufacturing Co.<br />

The pioneer in Coil Form Repellent<br />

introduces to you . . .<br />

In NON-CRUSHABLE<br />

CUSHION PACKED<br />

BOXES With ALUM-<br />

INUM LINED BOX TOP<br />

ASH TRAY of no extro<br />

cost!<br />

1^ 2 flat coils lasting minimum<br />

14 hours<br />

^ Coils are separated individually<br />

for easy handling<br />

1^ Metal holder secured to box<br />

top<br />

[^ Aluminum lined box top ash<br />

would relieve the projectionist from the<br />

responsibility of any defects in light<br />

variations<br />

seemed impossible before the discovery<br />

of the entirely new principle employed,<br />

and which makes the Micronic<br />

control as near perfection as is possible.<br />

The thermostatic method of light control,<br />

which has been used for years for the<br />

control of searchlight arcs and from time<br />

to time applied to motion picture projection<br />

lamps, is far from satisfactory for the<br />

reason that the image of the arc had to<br />

be necessarily reduced to about one-half<br />

its actual size to create sufficient heat to<br />

operate the bimetal leaves of the thermostat<br />

which operated the controls. The basic<br />

fault of the thermostat as a controlling<br />

means is that the periods of heating and<br />

cooling created "cycling" which resulted in<br />

periodic changes in picture brightness and<br />

color.<br />

The Micronic control employs no thermostats.<br />

It controls light and not heat, therefore<br />

it uses light as a medium for its operation<br />

but in an entirely different way<br />

from any previous methods. When 70mm<br />

wide film projectors were introduced, which<br />

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The new Ashcralt Micronic detector unit.<br />

were also convertible for 35mm film projection,<br />

the Super Cinex lamp was designed<br />

so that either 35 or 70nun film projection<br />

was possible with equal efficiency for<br />

either size. To eliminate the necessity of<br />

the use of light expanding or contracting<br />

lenses, sometimes referred to as relay<br />

lenses which create a substantial light loss,<br />

an entirely new method was discovered<br />

whereby the angles of the light beam or<br />

cone of light from reflector to aperture<br />

could be varied to more perfectly cover the<br />

film area of either 35 or 70min film, with<br />

equal efficiency for both, than was possible<br />

by any existing methods.<br />

NEW PRINCIPLES<br />

DISCOVERED<br />

The new method discovered, was made<br />

possible by reducing the distance from the<br />

large elliptical reflector to the film plane<br />

or aperture far more than had ever been<br />

attempted before. The result was that not<br />

only was the light coverage over the film<br />

area more perfect but. paradoxically, the<br />

projected light was increased to an amazing<br />

extent. All existing theories regarding<br />

magnification and optical speed which determines<br />

the efficiency were completely<br />

disregarded, new and sound optical principles<br />

applying to motion picture projection<br />

were discovered and applied. The phenomenal<br />

result was that it was possible to vary<br />

the size of the intense film-covering light<br />

circle from approximately one and one-half<br />

inch in diameter, necessary for 35mm film,<br />

to approximately three and three-quarter<br />

inches for 70mm film by moving the carbon<br />

crater ithe light source) only .237<br />

inch (7/32 of an inch). This meant that<br />

the area of the light circle was multiplied<br />

six times by a movement of the arc crater<br />

toward the reflector of less than one-fourth<br />

inch. Simultaneous with this light area<br />

increase was an increase in projected light<br />

efficiency of over 25 per cent. This was<br />

Continued on page 38<br />

36<br />

The MODERN THEATRE SECTION


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BOXOFFICE :: May 5. 1958 37


!<br />

MICRONIC LIGHT CONTROL<br />

1<br />

Continued from page 36<br />

considered Impossible before the discovery<br />

of rt new principle which has made the<br />

Super Cinex lamp possible. Its operating<br />

cost has also been reduced to an almost unbelievable<br />

low amount.<br />

The rapid expansion of the light beam<br />

with a very small movement of the carbon<br />

crater characteristic of the new lamp forms<br />

the basic principle of the Micronic light<br />

control.<br />

Extending into the rapidly expanding<br />

light cone of the lamp, close to its perimeter<br />

at the front of the lamphousing and as<br />

near the aperture or film plane as is possible<br />

and practical, is placed a small piano<br />

reflector which deflects a light beam at<br />

right angles to the optical axis of the main<br />

reflector and projection lens onto a small<br />

screen five-eighth inches in diameter. In<br />

this screen is a narrow slit through which<br />

is projected the full intensity of the reflected<br />

beam onto the light detector unit.<br />

Only an incredibly small amount of the<br />

total light reflected by the small auxiliary<br />

mirror is required for the operation of the<br />

controlling unit. The diameter of the aperture<br />

in the detector unit scanner is only<br />

forty thousandtlis of an inch.<br />

The image of the light source which is<br />

projected onto the detector screen is six<br />

times as large and moves six<br />

times as fast<br />

2^ 4. 2^ 2^<br />

A Four-Star Feature<br />

for ANY Drive-In Screen<br />

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The actuating case enclosing timer, unit operating<br />

rectifier and relay.<br />

as the light source itself. This indicates<br />

the increased precision of the Micronic<br />

method over the thermostatic system. In<br />

the latter the movement of the controlling<br />

image is one-half as fast as the light source<br />

movement. Since the Micronic image<br />

moves twelve times as fast as that used<br />

with thermostatic devices therefore the<br />

Micronic control is twelve times as accurate.<br />

A simple analogy of the operation of the<br />

Micronic control is the functioning of the<br />

nervous system and brain of the human<br />

body. If a hot object comes into contact<br />

with the human hand there is an immediate<br />

transmission through the nerves to the<br />

brain which results in a rapid and involuntary<br />

withdrawal of the hand from the hot<br />

object. It is human nature, if a person is<br />

aware that an object might be heated beyond<br />

the point where it is comfortable or<br />

safe to grasp, to test by repeatedly touching<br />

the object with the fingers lightly in<br />

this manner of the nervous system and, in<br />

the brain we determine what should be<br />

done about it, whether to keep our hands<br />

off of it or otherwise.<br />

CRUSADER<br />

FOR SAFER<br />

. DRIVING<br />

-<br />

^ so/'- -<br />

The Micronic light control unit is located at lower<br />

right on the lamp.<br />

The analogy of the heated object, hand,<br />

nerves and human brain and the sequence<br />

of action have been applied, in principle,<br />

to the Micronic control, the action and sequence<br />

is similar to that of the deflected<br />

light beam detector unit, analyser and actuator<br />

of the Micronic system. The rwsition<br />

and intensity of the light beam projected<br />

onto the screen of the detector unit<br />

is checked eight times per minute or every<br />

seven and one-half seconds by the Micronic<br />

detector. This information is immediately<br />

transmitted to the Micronic analyser which<br />

determines if the light source is in the exact<br />

correct predetermined position relative<br />

to the reflector, or whether a slight change<br />

is necessary. It also determines in which<br />

direction the change should be made, toward<br />

or away from the reflector. This information<br />

is in turn transmitted to the<br />

Micronic actuator which controls the rate<br />

of forward movement of the positive carbon<br />

where at its forward end, facing the<br />

reflector, the crater Uight source) is located.<br />

If the crater position is exactly correct,<br />

the actuator makes no correction; if<br />

a slight movement in either direction is<br />

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38 The MODERN THEATRE SECTION


necessary the actuator acts accordingly<br />

with unfailing accuracy. The result is a<br />

projected light of uniform intensity and<br />

color, the degree of which is immediately<br />

controllable by means of a slight movement,<br />

in either direction, of the detector scanning<br />

plate in the center of which the small light<br />

entrance hole is located.<br />

Pi-om the foregoing description of the<br />

sequence of oi>eration of the Micronic control,<br />

the reader might assume that to accomplish<br />

these astonishing results, the<br />

mechanism must necessarily be extremely<br />

complicated and subject to the possible<br />

failure of some one or other of its components.<br />

This is not true. We have had<br />

forty years of experience in carbon arcs<br />

behind us. Tliis experience, for which<br />

there is no substitute, has taught us that<br />

simplicity and complete elimination of any<br />

questionable units as far as is humanly<br />

possible are the first requisites of good design.<br />

the aperture. The deflecting reflector, approximately<br />

three-quarter-inch square, is<br />

mounted on a heavy frame adjustable to<br />

the correct distance into the light cone,<br />

and also adjustable, swivel-mounted so that<br />

the deflected beam may be directed to the<br />

exact required position on the small detector<br />

screen.<br />

Due to the heavy construction and the<br />

fact that the frame is located in the air<br />

stream which blows over the 18-inch reflector<br />

surface, heat has no effect, which<br />

might alter the direction of the deflector<br />

light beam once it is adjusted and secured.<br />

The highly magnified, deflected light beam<br />

is adju-sted at the factory so that the image<br />

extends to a center line marked on<br />

the detector screen.<br />

This small Micronic detector or analyser<br />

unit is located on the front of the operating<br />

side of the lamphou.se, in the most convenient<br />

ixjsition. On the rear of this unit is<br />

the scanning plate from which extends upward<br />

a movable arm and Indicating<br />

pointer, the position of which relative to<br />

the image center line, is .shown on a graduated<br />

scale. The scanning plate indicator,<br />

in the center position of the scale, places<br />

the small light entrance hole on the center<br />

line of the image screen.<br />

The detector unit is located directly behind<br />

and close to the .scanning plate. The<br />

analysing unit is located in the same case<br />

as the detector unit. The case is hinged in<br />

Continued on page 47<br />

AN ACCURATE CONTROL<br />

F^'ojection lamps are not, as a rule, operated<br />

by electrical or mechanical engineers<br />

but by projectionists who are<br />

trained in the specialized field of presenting<br />

a motion picture to the best of their<br />

ability. This not only applies to those in<br />

the United States, where information and<br />

replacement parts can be transmitted<br />

within a few hours at the most, but in far<br />

away places where our lamps are used in<br />

great numbers. A properly designed projection<br />

lamp, of course, must be installed<br />

correctly and supplied with the proper<br />

electrical energy and carbons recommended<br />

by the manufacturer. Accompanying the<br />

lamp must also be supplied adequate and<br />

clearly written instructions. Pi-om there<br />

on the lamp and its controls should require<br />

no further attention other than placing<br />

the carbons in the lamp and striking the<br />

arc. This is exactly what the Super Cinex<br />

lamp and the Micronic control are designed<br />

and constructed to do, and do with surprising<br />

accuracy.<br />

Naturally, if the manufacturer supplies<br />

detailed instructions he expects them to be<br />

read and followed by the projectionists.<br />

Operating any mechanism without knowledge<br />

or care until, entirely due to indifference<br />

or inattention, it fails to operate<br />

can be a very expensive matter. An automobile,<br />

a projector mechanism or a projection<br />

lamp will operate in exact proportion<br />

to the care it receives.<br />

COMPONENTS OF<br />

UNIT<br />

The component units of the Micronic<br />

control are:<br />

1. The plane beam reflector and adjustable<br />

mounting base and frame.<br />

2. The detector unit; mounting frame including<br />

the image screen.<br />

3. The actuating case enclosing timer,<br />

unit operating rectifier and relay.<br />

The light beam deflecting mirror and<br />

maintaining frame is bolted to the inside<br />

of the front of the lamphou.se with the<br />

mirror extending to the edge of the cone<br />

of light from the main 18-inch reflector to<br />

^^Jjsis<br />

More and more Drive-Ins are demanding<br />

these fine lenses. The Super<br />

Snaplites are guaranteed to give you<br />

Sharper Pictures, More Light on the Screen, Greater Contrast, and Greater<br />

Definition. ..and this under the most trying outdoor operating conditions.<br />

Actually 7 out of<br />

10 new Drive-Ins install Super Snaplite Lenses. ..and<br />

more and more established Drive-Ins are turning to Super Snaplites. Ask<br />

for Bulletin No. 222, it gives you complete information on these lenses.<br />

Northampton,<br />

OKPOKATIOK<br />

Massachusetts<br />

BOXOFFICE :: May 5, 1958 39


:<br />

1^<br />

How to Locate and Correct Trouble in Sound Systems • Part 2<br />

TOP QUALITY SOUND REPRODUCTION<br />

POSSIBLE<br />

ONLY WHEN EQUIPMENT IS PROPERLY SERVICED<br />

Simplified, Practical Servicing Instructions Pertaining to Theatre Sound Systems<br />

By<br />

WESLEY TROUT<br />

WONSIOER-<br />

ABLE WATER has passed<br />

under the bridge<br />

since the introducf^^^<br />


I NAME<br />

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The Most Powerful Controlled Light Source in the World!<br />

Delivers double the light projected by ony 16' 2" reflector lamp. Projects all film widths<br />

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door, is of the cold glass type, 21 inches in diameter — the largest ever put into regular<br />

production. Delivers up to 65,000 lumens with wide apertures.<br />

A TOTALLY DIFFBRBNT SYSTEM! Three dimensional, cylindrical shaped light source, rather<br />

than the flat, disc-like face of the arc of conventionol lamps, increases the available<br />

pickup angle to more thon 260'. An auxiliary 4-inch spherical reflector is located behind<br />

the positive carbon. A 10 mm. x 25" non-rotating Ultrex positive and rotating 7/16" x 12"<br />

solid Graphite negative burn ot 140 to 160 omperes and 70 to 78 volts.<br />

THE POWERFUL STRONG U-H-l ULTRA HIGH INTENSITY<br />

PROJECTION ARC LAMP<br />

Beam shaper lens provided for use with the 13.6 mm. trim lamps patterns the spot to the<br />

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"cold" reflector. Exclusive automatic crater positioning system maintains the tip of the burning<br />

carbon at the focal point of the reflector. Eliminates change of light color at the screen,<br />

caused by variation in carbon burning rates. Optical system quickly adaptable to the various<br />

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THE STRONG<br />

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Burns a choice of four carbon trims (9,<br />

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attain the correct light requirements for<br />

ony presentation technique. 18" f 1.7 or<br />

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BOXOFFICE May 5, 1958 41


this<br />

—<br />

'.<br />

SOUND TROUBLE EASILY CORRECTED<br />

Continued from page 40<br />

system is In tip-top condition, will be very<br />

acceptable to the public.<br />

Before proceedinn further in tlie discussion<br />

of amplifiers and speakers, let us discuss<br />

some important points pertaininp; to<br />

servicinR the general run of sound heads<br />

and penthouse reproducers. High quality<br />

sound repi-oduction is not obtainable unless<br />

these units are in good repair and carefully<br />

adjusted for quality sound output.<br />

Sometimes this part of the sound system is<br />

sadly neglected and little understood.<br />

FUNCTION OF<br />

SOUND HEAD<br />

Basis of Sound Reproduction—Briefly,<br />

the optical sound head is mounted under<br />

the pix)jector mechanism, the distance between<br />

the scene at the aperture and the<br />

light beam of the sound lens is approximately<br />

14 '2 inches in advance of the<br />

scene. Its major function is to translate<br />

the sound track's photographic record of<br />

the original sound into a varying electrical<br />

current. Now. by means of the sound<br />

system's amplification equipment (pre-amplif<br />

ier and power amplifier<br />

1<br />

current<br />

is used to control much stronger currents,<br />

which are then converted into faithful<br />

copies, if the system is correctly adjusted,<br />

of the original sound via amplifiers and<br />

loudspeakers.<br />

We think you understand the action produced<br />

by the sound track passing the very<br />

small light slit produced by exciter lamp<br />

in conjunction with a slit in the sound<br />

lens. The light slit from the sound lens<br />

must be accurately focused on the sound<br />

track, guided by correctly adjusted lateral<br />

guide rollers, of course. The beam of light<br />

projected to the photocell is varied in intensity<br />

by alternating light and dark areas<br />

ccmprising the sound track (either variable<br />

density or variable area 1<br />

. For general<br />

information, either type of recording produces<br />

about the sarjie result, the writer favoring<br />

the variable area type in. most cases.<br />

"We present a picture on page 44 of both<br />

types of recordings.<br />

Moreover, it is still necessary to convert<br />

these light variations in electrical currents,<br />

and then convert these current variations<br />

into sound waves by means of loudspeakers<br />

before you can actually hear sound. Of<br />

course, the very weak currents from the<br />

photocell are amplified many times via the<br />

pre-amplifier and power amplifier before<br />

being sent into the loudspeaker networks.<br />

function of the photocell. We do want to<br />

point out that correct voltage is absolutely<br />

necessary for the operation of the photocell,<br />

and the cell must be in<br />

first-class con-<br />

times<br />

dition and make firm contact at all<br />

in its .socket or container. We say container<br />

twcause some manufacturers place<br />

the photocell in a housing, firmly held in<br />

place by packing material, and pigtails<br />

from the cell are connected to a small terminal<br />

block. We have always favored a<br />

socket for best mounting of the cell, because<br />

a socket holds the cell more rigid.<br />

The current is very weak, in the order of<br />

a few millionths of an ampere, therefore<br />

it has to be greatly amplified before it can<br />

reproduce the sound waves. The circuits<br />

carrying the current from the photocell to<br />

the pre-amplifier. or direct to the input<br />

of some power amplifier setups, must be<br />

very carefully shielded and insulated to<br />

prevent lo.ss of current or the pickup of<br />

noise or hum from other electrical circuits<br />

and apparatus in the projection room. Special<br />

cable is used from the photocell to the<br />

pre-amplifier; the cable is run in flexible<br />

tubing. The exciter lamp supply is always<br />

run in a separate flexible tubing.<br />

It is important that you clean the sound<br />

lens, photocell, and also check the adjustment<br />

of the exciter lamp for uniform illumination<br />

of the light beam, in order to<br />

obtain sharp, clear sound reproduction of<br />

the entire frequency range of the system.<br />

This beam of light must be correctly adjusted<br />

and the lateral guide rollers adjusted<br />

with a "buzz" track test loop so<br />

that the beam does not enter side of picture<br />

or into the sprocket holes of the film.<br />

Guide rollers must turn freely or a groove<br />

will develop and cause trouble.<br />

The setting of the sound lens should not<br />

be disturbed if you find the focus is correct<br />

by using a standard 7,000 cps test loop and<br />

an output meter. We do suggest, however,<br />

checking the focus of the sound lens at<br />

least every three to six months.<br />

CAREFUL ADJUSTMENT VITAL<br />

In the foregoing discussion many important<br />

details regarding the function and<br />

operation have been covered and one should<br />

have a clear overall picture of the device.<br />

It should be clearly understood that the<br />

.sound head is a very important unit In<br />

your sound system and good .sound reproduction<br />

depends upon it functioning correctly.<br />

The adjustment outlined should be<br />

followed very carefully for maximum performance<br />

from this component.<br />

One should know that the pitch or frequency<br />

of the reproduced sound depends<br />

upon the rate at which the .sound track<br />

varies the intensity of the .steady beam of<br />

light from the exciter lamp, via the sound<br />

lens. It should be quite evident that the<br />

film motion at the point where this beam<br />

passes through the sound track must be as<br />

nearly uniform as possible if the reproduced<br />

sound is to be exactly like the original.<br />

Any film speed variation at this<br />

point will cause the pitch to be unsteady<br />

let us say rapid variations such as might<br />

be caused by film .sticking to worn sprocket<br />

teeth, rotary stabilizer not working right,<br />

etc. This will cause a "flutter" in the<br />

sound reproduction which should be immediately<br />

corrected. Moreover, worn and<br />

rough sprocket teeth will cause the sound<br />

reproduction to be vei-y poor quality and<br />

"gargly." Slower variations such as those<br />

resulting from drive motor speed variations,<br />

or, in some instances, defects in mechanical<br />

filtering devices, or too slow motor<br />

speed, cause "drift" or "wow." since they<br />

occur at a slow-enough rate for the ear to<br />

quickly detect the departures from a steady<br />

pitch.<br />

FILM-MOVING MECHANISM<br />

In the early days of motion picture<br />

sound, large flywheels attached to the<br />

sound sprocket were employed for smoothing<br />

or filtering action, and the film was<br />

pulled over either a curved or straight polished<br />

metal housing, or sometimes over a<br />

curved surface with a gate and springs;<br />

the photocell placed inside of this component.<br />

While the performance obtained<br />

with these various arrangements for film<br />

travel was very good in some instances, the<br />

components had to be ruggedly built and a<br />

rather heavy flywheel for smooth film<br />

travel was absolutely necessary. Moreover,<br />

good sound reproduction depended on correct<br />

adjustment of the components and<br />

good sprocket teeth. Today, modern reproducers<br />

have an improved film-moving<br />

^SiSS^<br />

*»<br />

FUNCTION OF PHOTOCELL<br />

To be brief, the exact processes through<br />

which the photocell brings about these results<br />

are somewhat complex and would require<br />

the reader to have a fair knowledge<br />

of advanced principles of electrical physics,<br />

therefore no attempt will be made to go<br />

into such highly technical discussion which<br />

would serve no particular purpose in this<br />

article. What we have already discussed<br />

about photocell action should give the<br />

reader some helpful understanding of the<br />

^<br />

DHMITE<br />

(very projectionist and repairman should know about the various components used in theatre and PA amplifiers.<br />

Shown are photos of three, five and ten-watt axial-lead, vitreous enameled resistors extensively used<br />

in many audio amplifiers; left, the very popular one-half, one and two-watt composition resistors. In general,<br />

resistors give less trouble than capacitors, provided they are the right size (value) to carry the<br />

load. Follow manufacturer's recommendations when making replacement of a defective or burned-out<br />

resistor. The Ohmite brand is an excellent product when making replacement, when the manufacturer's<br />

brand is not available. Keep this in mind, too, many manufacturers of theatre and audio amplifiers<br />

do not manufacture some of the components but use various standard brands like these. Never use<br />

a component that is not manufactured by a well-known and reliable electronic manufacturing company<br />

— Photos, courtesy Ohmite Mfg. Co.<br />

42 The MODERN THEATRE SECTION


mechanism and a superior filtcriiiq<br />

for high qnalit!/ sound.<br />

xystcrn<br />

In modern makes of optical sound heads,<br />

namely. Simplex. Century. Westrex. Motiograpli<br />

and Ballantyne reproducers, tlie film<br />

is supported at the scanning point by a<br />

smooth-faced drum affixed to a freely rotating<br />

shaft carrying on its opposite end a<br />

medium-size flywheel. Generally, the flywheel,<br />

except Ballantyne. is hollow, and inside<br />

it. supported by ball bearings, is a<br />

heavy inner flywheel coupled to the outer<br />

shell only by means of a special liquid.<br />

This arrangement assures a smooth film<br />

travel. Ballantyne uses a little different<br />

arrangement employing a medium-size flywheel<br />

and a spring arrangement in connection<br />

which assures exceptionally fine<br />

sound and smooth film travel past the<br />

scanning beam.<br />

SMOOTH FILM TRAVEL<br />

We think most projectionists, and exhibitors<br />

with some projection and sound<br />

reproduction knowledge, are familiar with<br />

the makeup of various rotary stabilizers<br />

and their fine performance for constant<br />

and smooth film travel past the scanning,<br />

which is absolutely necessai-y for high<br />

quality sound reproduction and reproduction<br />

of all the frequencies, etc. Therefore,<br />

we think the above explanation should suffice.<br />

We would like to add this information,<br />

however. The whole assembly, including<br />

the auxiliary roller with its lateral guide<br />

rollers, is rotated by the film itself, and<br />

thus no mechanical connection to other<br />

moving parts of the reproducer except by<br />

way of the film. Now. in threading film<br />

into the sound head, sufficient slack is allowed<br />

to permit a slight looseness on either<br />

side of the drum can-ying the film, to isolate<br />

the film at the scanning beam point<br />

from nearly all of the disturbances caused<br />

by sprocket teeth entering and leaving the<br />

film perforations. This permissible amount<br />

of slack is taken care of when the projector<br />

is turned on and starts to gather speed.<br />

Not too much slack here, but just enough<br />

so that the film will not be tight when you<br />

release the lateral guide roller bracket.<br />

Correct threading is very important and<br />

should be done as instructed in the booklet<br />

sent with youi- equipment, or as discussed<br />

here.<br />

LaVEZZI this year celebrates 50 YEARS of SERVICE to the motion picture<br />

industry in<br />

the production of highest quality PROJECTOR PARTS.<br />

MACHINE WORKS<br />

4635 WEST LAKE ST., CHICAGO, ILLINOIS<br />

GET MORE OUT OF LIFE ... GO OUT TO A MOVIE!<br />

Frequent change of reflectors is<br />

practicing real economy.<br />

i<br />

CARE OF GUIDE ROLLERS<br />

Be sure that the guide roller assembly is<br />

left open w-hen there is no film in the projector.<br />

If left closed, flat spots will develop<br />

on equipment using felt roller that holds<br />

the film against the di-um, and if flat<br />

spots do develop it will cause flutter and<br />

make replacement necessary. Lateral guide<br />

rollers should always turn freely and should<br />

not have any grooves. One drop of oil at<br />

each end of the shaft is all that is necessary.<br />

Be sure to keep this assembly clean.<br />

It is a good idea to keep a set of felt rollers<br />

and lateral guide roller in your parts cabinet,<br />

in addition to spare photocell and exciter<br />

lamps.<br />

One should fully understand this im-<br />

PRECISION<br />

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Continued on following page<br />

BOXOFFICE ;<br />

; May<br />

5, 1958 43


SOUND TROUBLE EASILY CORRECTED<br />

Q<br />

Continued from preceding page<br />

portant feature of the modt-ni type ot<br />

sound head, equipped with rotary stabilizer<br />

mtx-hanism. that the absence of direct<br />

mechanical connection effectively isolates<br />

the rotation of the film carrying drum from<br />

disturbances originating in other parts of<br />

the sound head<br />

i<br />

optical and magnetic reproducers*.<br />

This. pliLs very smooth running<br />

of the film past the scanning beam,<br />

pi'oduces all the frequencies clear and<br />

sharp. Briefly . this type of film moving<br />

system is knoion as "rotary stabilizer" or<br />

"kiiietic scanner." This type of film moving<br />

system has been in operation several<br />

years and no particular changes or improvement<br />

have been made because this<br />

lias proved very exceptional in performance.<br />

If kept cleaned and correctly adjusted,<br />

it will give practically trouble-free<br />

operation for many years of continuous<br />

service.<br />

Elsewhere in this article we briefly dis-<br />

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sometimes overheating of some component<br />

in the amplifier. Therefore, top quaUty<br />

sound reproduction, and practically<br />

trouble-free operation, can be expected<br />

only when the equipment is kept properly<br />

serviced.<br />

Please let me inject a feu' important<br />

points about servicing sound equipments<br />

before going into furtlier discussion on liow<br />

to service amplifiers. The point we want to<br />

bring out strongly is the importance of<br />

maintaining sound systems in tip-top condition<br />

and not try to do too much economizing<br />

I "cutting corners"! which will<br />

cause, in time, inferior sound reproduction.<br />

Frankly, I am a nickel pinchcr, but if I<br />

need repairs to keep a car in first-class<br />

running condition, I do not hesitate to<br />

spend. The same rule, in my opinion,<br />

should apply to servicing and making repairs<br />

(new parts replacement) when it is<br />

necessary and not waiting until a part is almost<br />

worn out, or some coviponent in the<br />

aiiipUfier becomes defective.<br />

OLD SYSTEMS LIMITED<br />

In the early days of talking pictui-es,<br />

there were distinct limitations that prevented<br />

the sound system from fulfilling<br />

many desirable sound reproductions of voice<br />

and music. In other words, the range of<br />

frequencies, both in recording and reproduction<br />

in the theatre, were very limited<br />

and, naturally, quality was unsatisfactory.<br />

Moreover, volume (loudness) was limited<br />

to prevent undesirable distortion due to<br />

components and the limited frequency<br />

range of the system. To be brief, from an<br />

engineering standpoint, shall we say, the<br />

old sound systems were termed "restrictedrange<br />

sound systems."<br />

Today, the modern sound system, if correctly<br />

adjusted and installed, is capable<br />

of bringing out inflections and qualities of<br />

the human voice with complete "naturalness"<br />

in reproduction never before achieved<br />

in an old system, even with modification of<br />

the circuits and added speakers. Also, fine<br />

reproduction of music makes one feel he is<br />

listening to a "live" orchestra or vocal<br />

group.<br />

ROUTINE MAINTENANCE A 'MUST'<br />

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Really rufiged — wet<br />

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But we want to emphasize the importance<br />

of routine maintenance of even<br />

modern sound equipment. It is absolutely<br />

necessary in order to keep the equipment<br />

in tip-top condition. One should thoroughly<br />

learn how to keep the equipment<br />

functioning so it will deliver high quality<br />

sound. In these articles we shall endeavor<br />

to tell you how to do this. Even if you have<br />

regular sound service, you should know howto<br />

do many adjustments and make parts<br />

replacement when necessai^y. If you don't<br />

have regular checkup service, you will find<br />

the data helpful in doing your own servicing,<br />

even with a limited amount of test<br />

equipment.<br />

We think you should know that a further<br />

requirement of any modern theatre<br />

sound system is that there be no nonlinear<br />

distortion, whicli distortion is evi-<br />

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SOUND TROUBLE EASILY CORRECTED<br />

Continued from preceding page<br />

denced by the introduction of components<br />

that are not present in the oriKinal sound.<br />

To state this more clearly, there must be a<br />

linear relationship between the amplitude<br />

of the input and that of the output in all<br />

parts of<br />

the sound system.<br />

In the modern theatre amplifier, careful<br />

consideration has been siven to the power<br />

output, and distortion, so that there is ample<br />

power, without audible distortion, to fit<br />

any size auditorium. Due to research and<br />

considerable amount of work by ensineering<br />

staffs, it is possible to set the amplifier<br />

requirements rather definitely — power,<br />

gain, frequency response, etc. This makes<br />

it possible to install equipment which will<br />

reproduce very high quality sound in any<br />

auditorium.<br />

CAUSES OF HUM<br />

Before we proceed further in the discussion<br />

of some other very important aspects<br />

to be considered when servicing various<br />

sound systems, let us talk about things<br />

which will cause hum in the sound system.<br />

We do know, of course, filter condensers,<br />

chokes, transformers and rectifier tubes<br />

are some of the simple causes to be first<br />

checked, but often we have found some<br />

rare cases of "loop grounds" which .set up<br />

considerable hum in the system, very hard<br />

to track down. Moreover, we want to<br />

emphasize the importance of properly<br />

grounding the system, etc.<br />

In a number of instances we have found<br />

that the AC power supply can be the source<br />

of a bad hum. and in some cases rather difficult<br />

to clear up. This condition usually<br />

comes about in old theatres where there<br />

have been changes in. or additions to. the<br />

original wiring; or where the wiring has<br />

deteriorated so that there are multiple<br />

grounds, the condition resulting, of course,<br />

is a multitude of loop grounds. The only<br />

answer to this problem is to wire in a complete<br />

new circuit to the sound system from<br />

the power supply furnished to the theatre.<br />

As a matter of fact, if the wiring is old, we<br />

strongly recommend a new wiring job for<br />

the sound system to avoid future headaches.<br />

In cases where the wiring is good and the<br />

power supply is well filtered, one should<br />

not have any audible hum. unless a loop<br />

ground suddenly develops, or one of the<br />

components in the power supply becomes<br />

defective. Most modern sound systems<br />

have a well-filtered power supply for the<br />

exciter lamps, using only filtered AC supply<br />

in case of emergency. In other words,<br />

modern theatre sound systems now use DC<br />

power supply for exciter lamps and only AC<br />

changeover in case of IX; failure.<br />

In most instances, if hum develops in the<br />

exciter lamp .supply, firet check the rectifier<br />

tube via meter or tube checker; next,<br />

check the electrolytic condensers and replace<br />

if necessary. You will find these two<br />

items, particularly if the hum is traced to<br />

the power supply, are causing your trouble.<br />

They can easily and quickly be replaced,<br />

provided ,vou keep a .spare set of capacitors<br />

and rectifier tubes on hand.<br />

We would also like to pass this suggestion<br />

along in cases where the system has developed<br />

hum: Make adequate tests to determine,<br />

if not in the exciter lamp supply,<br />

at what stage in the sound system<br />

i<br />

amplifiers)<br />

the hum enters. We find, using a set<br />

of headphones is the best procedure for<br />

checking each stage. Now, knowing the<br />

point of entry, will eliminate any stages beyond<br />

that point. This is a very simple but<br />

effective method for checking hum and distortion.<br />

Use only a very high quality headset<br />

which will draw practically no current.<br />

Briefly we would like to point out that<br />

hum in stereosound systems can often be<br />

traced to the power supply unit in one of<br />

the amplifiers, or power supply furnished<br />

for the pre-amplifiers. Again, the best procedure<br />

is to track it down with a headset.<br />

Once you pin-point the trouble, the quicker<br />

you can generally eliminate it.<br />

SHOULD CHECK GROUND WIRE<br />

Another thing to carefully check is the<br />

grounding of the magnetic pickup head.<br />

The ground wire provides a low resistance<br />

circuit to each of the four heads in the<br />

cluster. We have known, and personally<br />

found, this wire to be broken where it<br />

comes through the plastic or even within<br />

the plastic block. The cure is replacement<br />

of this component, but be sure to check<br />

carefully before making replacement as<br />

there are other places which will cause<br />

hum and you might think it comes from<br />

here.<br />

Sometimes hum is picked up from a hum<br />

field or as a hum voltage due to a loop<br />

ground. Now this takes a little time, some<br />

ingenuity and logic, to locate and eliminate,<br />

in rare cases. Generally, hum will<br />

not develop if the system is properly<br />

grounded and correctly shielded, but despite<br />

all these precautions, we have been<br />

called upon to locate hum trouble which<br />

suddenly developed out of the clear sky.<br />

Other causes of hum are changeover devices,<br />

framing lights, arc generator, rectifiers,<br />

defective rectifier in changeover cabinet,<br />

defective wire supplying power to the<br />

equipment, etc. If AC is supplied to the<br />

changeover cabinet, try disconnecting it<br />

fii-st, then check the circuit and ground<br />

wires, etc. Be sure no loop ground is present,<br />

of course. We could go on and on<br />

naming things that will cause hum in stereo.sound<br />

or optical sound systems, but we<br />

think this listing should prove most helpful,<br />

and covers the ones most prevalent in<br />

the field.<br />

We have discussed the subject of hum in<br />

sound systems because we have received so<br />

many letters, and have been called to clear<br />

up hum in the field. We have listed most<br />

all the common causes of hum trouble and<br />

one should be able, from the information<br />

presented, to track down and cure most<br />

hum trouble by carefully following the suggestions<br />

given above.<br />

VARIOUS STAGES OF AMPLIFICATION<br />

The modern amplifier consists of a number<br />

of stages of amplification. Each stage<br />

has a particular function and special arrangement<br />

of circuit and components to<br />

meet the requirements of the system. The<br />

combination of all these stages, the values,<br />

circuit arrangement, etc., all add up to la)<br />

Overall gain of the amplifier; ibi Frequency<br />

response; (c) quality of sound reproduction,<br />

and (d) distortion elimination.<br />

(In a well designed amplifier, distortion is<br />

inaudible.)<br />

When checking amplifier, while it is<br />

turned on, use extreme caution on account<br />

of high voltages at various points, particularly<br />

at the power supply. If you are<br />

checking the connections for a defective<br />

connection, again be cautious and use an<br />

orange stick for probing for loose connection.<br />

If you check voltages, in some<br />

cases the manufacturer recommends using<br />

1,000 ohms/voltmeter and in late equipment,<br />

use only a 20,000 ohms/volt multimeter.<br />

You will then obtain accurate readings<br />

and not damage the circuit. F^-ankly,<br />

to correctly measure, let us say grid voltage,<br />

use a 20,000 ohms/voltmeter or a high<br />

quality vacuum tube volt-ohm milliammeter.<br />

For the projectionist, we suggest<br />

using the 20,000 ohm/volt multimeter for<br />

checking voltages, resistance, etc.<br />

One should carefully check all<br />

the vacuum<br />

tubes at least every two months, even<br />

though the amplifier may be equipped with<br />

1<br />

YOU CAN BE SURE IF ITS<br />

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46 The MODERN THEATRE SECTION


a test meter. There are not so many tubes<br />

when using optical sound, but there are<br />

many important vacuum tubes in a stereosound<br />

equipment. All push-pull stages<br />

should be checked and the tubes matched.<br />

When you have removed the tubes, be sure<br />

to clean the prongs and sockets and make<br />

sure the tubes fit snugly so that they will<br />

make good electrical contact: a loose fitting<br />

tube can cause trouble and noise.<br />

At least once a week, carefully brush, using<br />

a medium-size, stiff-bristle paint brush,<br />

all the dust and carbon soot off the wiring<br />

and the components. Don't go about this<br />

too roughly as you might break a connection<br />

or disturb position of some component.<br />

If carbon dust collects on the wiring<br />

and components, it will undoubtly cause<br />

trouble, sooner or later; sometimes accumulation<br />

of dirt and carbon dust have caused<br />

"shorts," and if let get into the volume<br />

controls, you will really have trouble. No<br />

matter how well- ventilated the projection<br />

lamphouses may be. some carbon dust always<br />

gets into the projection room and into<br />

the equipment. Therefore, trouble can be<br />

avoided by occasional cleaning of the equipment,<br />

including the projector mechanism.<br />

Remember, poorly soldered connections at<br />

resistors, capacitors, output and power<br />

transformers, and particularly loose connections<br />

at each pin on sockets, are a few<br />

of the most frequent causes of noise, loss<br />

of sound, low volume and distortion. Of<br />

course, there are many other places in the<br />

sound system which will cause noise, low<br />

volume and distortion, but these are the<br />

most obvious things to look into for clearing<br />

trouble. A good headset is most excellent<br />

for checking each amplifier stage for<br />

loss of volume, hum. noise and distortion.<br />

In another article we will tell you how to<br />

track down trouble with a multimeter and<br />

headphones.<br />

MICRONIC LIGHT CONTROL<br />

Continued from page 39<br />

order that it may be swung to the right<br />

exposing the image screen. If the image<br />

of the light source moves a minute distance<br />

either side of the indicator line on<br />

the screen an immediate change in the<br />

electric current which operates the analyser<br />

occurs. For instance, if the image<br />

lags to the left of the indicator line, no<br />

matter how slight a distance, the current<br />

is decreased rapidly, opening the analyser<br />

contacts which in turn open the contacts<br />

of the actuator unit which result in a<br />

speeding up of the control motor which<br />

moves the light source toward the reflector.<br />

These slight distances are a matter of<br />

thousandths of an inch. Since the control<br />

motor is at all times moving the positive<br />

carbon forward, the periods of speeding up<br />

or slowing down of the motor are short;<br />

therefore do not have a cycling effect which<br />

might make a noticeable change in screen<br />

light or color.<br />

Conversely any attempt of the detector<br />

screen image to crawl ahead of the line is<br />

immediately counteracted by the closing of<br />

the analyser contacts, decreasing the motor<br />

speed. In this manner the image cannot<br />

move away from tlio line; since the image<br />

is six times the size of the light .source the<br />

latter is maintained within a very few<br />

thousandths of its correct position. On the<br />

front plate of the detector and analyser<br />

unit is a signal lamp which indicates, when<br />

lighted, tlie periods of increasing motor<br />

speed. When not increasing the motor<br />

speed there will always be one-half-second<br />

flashes every 7 ',2 seconds. Motor speed-up<br />

periods may be up to five seconds or longer<br />

depending upon the requirements of the<br />

arc.<br />

This unit, which needs no observation by<br />

the projectionist, is located on the left side<br />

of the lamphouse at the rear. It contains<br />

the small fullwave diode rectifier which is<br />

connected to 115V AC and has an output<br />

voltage of 6V DC for the operation of the<br />

various units requiring that voltage. The<br />

timing device which detects any required<br />

light source position changes every 71/2<br />

seconds, and is operated by a Telechron<br />

motor, is also mounted in this case as is<br />

the small relay which alters the control<br />

motor speed. This relay is operated by the<br />

opening or closing of the analyser contacts.<br />

The negative carbon used in the Super<br />

Cinex lamp has a normal burning rate of<br />

2! 8 inches per hour; its forward motion is<br />

uniform. So slow is its burning rate that<br />

only two oscillations per minute of the<br />

Micronic control unit partly open, showing detector<br />

screen.<br />

feeding clutch are required.<br />

Since the rate<br />

of consumption is uniform the most dependable<br />

source of power is a small synchronous<br />

motor operating on 115V AC current.<br />

The oscillation of the clutch is performed<br />

by the rotation of two, ball-bearingmounted<br />

rollers mounted on a short bar<br />

which is rotated by the motor shaft. The<br />

movement of the clutch arm is adjustable,<br />

the adjusting screw and knob direction being<br />

indicated by an "Increase Feed" arrow.<br />

The normal throw of the arm is only .240<br />

inch.<br />

Since some of the components of the Micronic<br />

control are operated by alternating<br />

current, such as the timer—small rectifier<br />

and negative feed motor, when the burning<br />

of the arc is not required the.se units are<br />

automatically disconnected by meaas of a<br />

IX; relay, connected across the arc DC<br />

terminals. This relay can be operated on<br />

any DC power supply up to 130 volts.<br />

In the small disconnect box, which is<br />

usually mounted on the left hand side of<br />

tlic projector base, is also the unit fu.se and<br />

a switch which connects the automatic control<br />

or, in its "off" position, allows the lamp<br />

to be operated in the normal "manually adjustable"<br />

position.<br />

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For Every Theatre Need!<br />

NATIONAL THEATRE SUPPLY COMPANY<br />

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RCA MI-9030 SOUNDHEADS<br />

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BRENKERT BX-80 HEADS<br />

BRENKERT ENARC LAMPS<br />

BRENKERT<br />

SUPER-SIMPLEX<br />

STANDS<br />

$450 Pr.<br />

$350 Pr.<br />

$195 Pr.<br />

MECHANISMS<br />

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RCA PG-230 SOUND SYSTEM<br />

$1,125.00<br />

These Are Government Surplus<br />

Most Are Brand New<br />

Others Same As New<br />

Sound Screens, New and Used<br />

Lenses at Rock-Bottom Prices:<br />

Write us your requirements<br />

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WORLD'S— First in Quality<br />

Used by Thousands of Theatres<br />

ASK YOUR THEATRE SUPPLY DEALER<br />

BOXOFFICE May 5, 1958 47


.<br />

BT<br />

EQUIPMENT Sr<br />

DEVELOPMENTS<br />

Power Machine Picks Up, Shreds P-1708<br />

All Kinds of Drive-ln Trash<br />

FOR MORE<br />

INFORMATION<br />

Four-Flavor Drink Dispenser<br />

For Patron Self-Servicc<br />

P-1711<br />

USE Convenient<br />

Readers' Bureau Coupons<br />

The Tarco Litter-Shark, a two-wheeled.<br />

gasoline motor-operated pickup machine,<br />

is being introduced to drive-in theatre operators<br />

by the Tarrant Manufacturing Co.<br />

as a fast, efficient way for one man to perform<br />

daily clean-up chores. The Litter-<br />

Shark, equipped with a large, rack-supported,<br />

cloth litter bag. will pick up such<br />

varied items as paper cups and plates, serving<br />

boxes, ticket stubs, programs, popcorn<br />

boxes, milk cartons, straws, cigarets. newspapers,<br />

and even cans. Since this litter is<br />

collected in the bag. there is no chance for<br />

it to be scattered by wind, and is easily<br />

disposed of for quick burning in the drivein<br />

incinerator. The Litter-Shark, equipped<br />

with 30-inch wide suction snout of all<br />

welded steel, operates on ten-inch rubbertired<br />

wheels, moving as rapidly as the operator<br />

can walk over ramps, drives, paths,<br />

sidewalks, along gutters and across lawn<br />

areas. The four-cycle, 2'/2 h.p. engine is<br />

air-cooled, equipped with recoil starter,<br />

hand throttle and low tone muffler.<br />

Sturdy Quarter Midget Racer<br />

With Roller Chain Drive<br />

As quarter midget race tracks are<br />

P-1709<br />

being<br />

installed at drive-in theatres in all parts<br />

of the country, the Rocket Manufacturing<br />

Co. has placed the Rassey Rocket in full<br />

scale production. The Rocket, for drivers<br />

48<br />

from the ages of 5-15, features special worm<br />

gear steering mounted in true center steering<br />

fashion, tubular steel frame construction.<br />

51-inch wheelbase and realistic styling<br />

in every detail. The steering is adjustable<br />

to maintain minimum backlash, the<br />

height of the steering<br />

wheel adjustable to<br />

suit each driver. Power is supplied by a<br />

Continental Red Seal 3 h.p. four-cycle, reduction<br />

type engine in the tail of the car.<br />

The racer has roller chain drive from engine<br />

to axle, front and rear bumpers, pneumatic<br />

tires and foot-operated brakes. The<br />

entire cockpit is upholstered in the customer's<br />

choice of red, blue, black or white,<br />

with aircraft type safety belt. Exterior<br />

colors also are available to order.<br />

Pattern Added to Dinnerware<br />

Used as Business Builder<br />

Dwarf Pink Pine has been added to<br />

P-1710<br />

the<br />

line of more than a dozen dinnerware patterns<br />

which De Luxe Theatre Pi-emiums<br />

makes available to theatres needing a promotion<br />

plan that will re-establish regular<br />

theatregoing habits among women patrons.<br />

The sets, including the Dwarf Pink Pine<br />

pattern, come in 50 to 76 pieces, making<br />

possible the giving away of one dish a week<br />

through a 50-week promotion or two giveaway<br />

nights a week for a 25-week period.<br />

The dinnerware giveaway is said to be especially<br />

efficient as a plan for building a<br />

theatre's weakest night into its strongest<br />

night each week. Media aids for promoting<br />

such an attendance-building plan may also<br />

be arranged for through De Luxe, such aids<br />

including circulars, trailers, display cases,<br />

mats and cuts. Operation of regional offices<br />

by the firm enable it to supply<br />

promptly theatres in all parts of the<br />

country.<br />

Claims made for products described editorially<br />

on this and other pages ore taken from the<br />

manufacturers' statements.<br />

A 1,000-cup capacity, four-flavor, cold<br />

drink dispenser featuring a dial-a-size cup<br />

unit capable of handling 7I4. nine and tenounce<br />

paper cups, has been placed in production<br />

by Lyon Industries, Inc. Pour fivegallon<br />

syrup tanks have a combined drink<br />

capacity of 2.400 accurately measured<br />

drinks and carbonation may be regulated<br />

to any desired percentage on three of the<br />

flavors. Each of the four syrup pumps is<br />

operated by an individual motor. All drinks<br />

are served pleasingly cold; a Tecumseh Vb<br />

h.p. unit, coupled with a Lyon exclusive<br />

ice bank reserve system controlling the cold<br />

temperature, holds the top temperature to<br />

40°. The dispenser is easily serviced, the<br />

front swinging open on piano-type hinges<br />

and all operating parts are designed for<br />

easy removal and replacement. Colors are<br />

Coca-Cola red, Pepsi-Cola blue and hammertone<br />

green, with special colors on arrangement.<br />

Automatic Popcorn Machine<br />

Can Vend to Sidewalk Traffic<br />

P-1712<br />

An automatic popcorn vendor which can<br />

double sales volume by being rolled outside<br />

a theatre to take advantage of sidewalk<br />

traffic has been developed by Popcorn,<br />

Inc. The Automatic Popcorn Concession,<br />

cased in a brilliant golden and<br />

white cabinet that makes popcorn more<br />

inviting, rolls easily for stationing where<br />

traffic is heaviest. Although easily maneuverable<br />

to capitalize on different traffic<br />

situations, the vendor has a capacity of<br />

The MODERN THEATRE SECTION


200 24-ounce popcorn cups and a popped<br />

corn capacity of 250 cups. A positive thermostat<br />

control keeps the popcorn and cups<br />

hot,<br />

^.^'VOPCORM<br />

yet the machine has only two moving<br />

parts, indicating years of troublefree service.<br />

Visible through a glass panel, the hot<br />

popcorn itself is a powerful sales stimulus.<br />

An added sales aid is a two-color flasher<br />

sign, "Fresh 'n Hot Popcorn." on top of<br />

the case.<br />

Bulk Syrup Drink Dispenser<br />

With High Profit Margin<br />

P-1713<br />

An electrically refrigerated, self-contained<br />

dispenser of four bulk syrup flavors<br />

said to yield 70 to 250 per cent profits on<br />

cold drinks has been developed by Triple<br />

"AAA" Co. for theatres with a steady flow<br />

of concessions business. The profit percentage<br />

depends on the size of the serving<br />

and the amount charged per drink—five or<br />

ten cents, but the refrigerating system also<br />

contributes to the operating profits by<br />

saving 75 cents to $3.25 a day on ice bills.<br />

Pour one-gallon syrup jugs, inserted upside<br />

down into syrup wells, create an effective<br />

point of purchase visual display<br />

across the top of the stainless steel cabinet<br />

and provide the attendant with a continuous<br />

means of checking the syrup supply in<br />

each well. The four flavors can be dispensed<br />

in any desired combination from the<br />

quartet of continuous flow, mixing type<br />

faucets.<br />

Prefabricated Golf Courses<br />

For Building Airer Income<br />

P-1714<br />

Two prefabricated miniature golf courses<br />

have been developed for building drive-in<br />

theatre patronage and income by Taylor<br />

Bros., designers and builders of commercial<br />

courses for two decades. One is an inexpensive<br />

nine or 18-hole course for installation<br />

inside a drive-in. designed to interest<br />

both children and adults and for use free<br />

by patrons before show time. The second<br />

course is a de luxe layouo for operation outside<br />

the drive-in as a big grosser in its<br />

own right. The 18-hole courses cover a<br />

minimum area of 12,500 square feet. Each<br />

hole has a cleverly designed obstacle representing<br />

a challenge to a skilled golfer as<br />

well as to children and adult novices. The<br />

prefabricated course is delivered within two<br />

weeks, Taylor Bros, staking out the course<br />

for the theatre. They advise the operator,<br />

too, on suitability of location for the course,<br />

adaptability of terrain, parking facilities,<br />

ways to attract the public and keep it coming<br />

back, as well as ways to keep installation<br />

and maintenance costs to a minimum.<br />

stein, Inc., exclusive worldwide distributor.<br />

Automatic clutch permits hand starting,<br />

allows the car to be stopped without hav-<br />

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i<br />

or<br />

'<br />

,<br />

I<br />

FOR MORE INFORMATION<br />

USE THE FREE RETURN CARD<br />

The postcard at the bottom of this page is designed to help you get more informa-<br />

I tion on products and services advertised in this issue of The Modern Theatre Section,<br />

listed in the "New Equipment and Development" and "Literature" departments.<br />

An alphabetical Index of Advertisers appears below; on the bock of this cord is a<br />

Condensed Index of Products, in both, FIGURES in the Key Number shown for each<br />

advertiser indicate the page on which the firm's advertisement appears. The postcard<br />

below carries numbers corresponding to the page numbers—with letters added.<br />

Circle the Whole Key Number, including the letter, corresponding to the page numbers<br />

! lof the advertisements on which you want more information. Then: Fill in your name,<br />

address, etc., in the space provided, tear out card and mail. For more information<br />

on listings in "New Equipment and Developments" and "Literature" departments,<br />

I<br />

circle number corresponding to Key Numbers published with each item below.<br />

ND BUSINE SS-BUILDING<br />

n and Fun in Sputnuck<br />

^aths of Glory<br />

Opening<br />

ALPHABETICAL INDEX OF<br />

American Trampoline Co 34b<br />

C. S. Ashcraft Mfg. Co 31a<br />

Bollontyne Co<br />

33a, 44c<br />

Samuel Bert Mfg. Co<br />

23c<br />

Cali Products Co 44a<br />

Canada Dry Corp<br />

8a, 9a<br />

Corbonic Dispenser 18a<br />

Costlebarry's Food Co 2ia<br />

A. DolkinCo 22a<br />

Del! Food Specialties, Inc .23a<br />

Diamond Carbons<br />

45b<br />

Drive-ln Thea. Mfg. Co 38b<br />

Dura Engraving Corp 50b<br />

EPRAD<br />

37o<br />

Fisher Mfg. Co<br />

46a<br />

Game-Time, Inc<br />

50c<br />

Gravely Tractors, Inc 34a<br />

Henry Heide, Inc 23b<br />

Heywood-Wokefield Co .25a, 26a<br />

Hollywood Brands, Inc .27a<br />

Hurty-Peck & Co<br />

27b<br />

Inernotionol Projector Corp 35a<br />

King Amusement Co 34d<br />

Kollmorgen Optical Co 39a<br />

LaVezzi Machine Works 43o<br />

PLEASE PRINT<br />

Nome<br />

Position<br />

Theofre or Circuit..<br />

Street<br />

No<br />

ADVERTISERS' KEY NUMBERS<br />

Liberty Display Fireworks Co 50d<br />

Lily-Tulip Cup Corp 19a<br />

National Carbon Co 5a<br />

National Excelite 3a<br />

National Super Service Co 45a<br />

National Theatre Supply 47a<br />

Original Crispy Pizza Crust Co 15a<br />

Pepsi-Cola Co<br />

1 2a, 1 3a<br />

Phillips Electro Extensions 47c<br />

Pic Corporation 36a<br />

PowerCor Co<br />

38a<br />

Scotsman-Queens Products, Inc 17a<br />

C. F. Simonin's Sons, Inc Ho<br />

Smithfield Ham & Products Co 18b<br />

S.O.S. Cinema Supply Corp<br />

Soundcrafters of Scranton<br />

44b<br />

34c<br />

Speed Scoop 24b<br />

Star Cinema Supply Co<br />

47b<br />

Stevens-Burt Co 50a<br />

Strong Electric Corp 41a, 43b<br />

Supurdisplay, Inc .20a<br />

Superior Refrigerofor Mfg. Co .24c<br />

Toastmosfer Products Div .21a<br />

Wagner Sign Service 2a<br />

No<br />

Poctaje Stamp<br />

Necessary<br />

L If Mailed In the<br />

k United States<br />

the top of<br />

., assured<br />

le county,<br />

the openi<br />

Sputnik<br />

Dft by the<br />

L. King,<br />

were tied<br />

ctions atn<br />

on their<br />

iisic<br />

;nger and<br />

;le carried<br />

(and one<br />

ten in a<br />

erald<br />

playise<br />

of the<br />

10 Satur-<br />

retal<br />

misrroup<br />

of<br />

to reach<br />

County<br />

lorts the<br />

it a flaw<br />

when it<br />

hanging<br />

lOVfE GOEIS!<br />

CGOOD TIME.<br />

SMART, AND<br />

)UR FRtENOS!•(<br />

PRE SHOW<br />

U%<br />

/ OMLl OMU;<br />

-c4-tn _,4-tn to^iN<br />

;, ' - - ,«i* ^<br />

. _ _^!^^^ * "*» "iJ*<br />

On Thur.sday following the launching<br />

the Wise County Messenger reported: "No<br />

word has been received from anyone having<br />

found either of the 'Sputnuck' balloons.<br />

Whether they are en route to Moscow, the<br />

Philippines or Alaska remains unknown so<br />

far."<br />

Interest in the Sputnuck was heightened<br />

by prizes, six in all, by three stores and<br />

the theatre. The stores offered a platform<br />

rocker, an outdoor barbecue grill and $15<br />

worth of groceries to the persons guessing<br />

nearest to distance, direction and length<br />

of time of flight.<br />

The launching and prize offering were<br />

publicized via screen trailer, lobby displays,<br />

newspaper ads and 1,000 "Official Flight<br />

Plan for Sputnuck" heralds. The heralds<br />

and ads contained coupons for wTiting<br />

guesses on distance, place of landing, etc.<br />

The filled-out blanks were deposited at one<br />

of the stores offering prizes.<br />

King reports the Sputnuck idea can be<br />

used by any exhibitor on most any picture.<br />

He didn't use radio in the promotion because<br />

Decatur has no station, but he comments<br />

this is a top medium for such a<br />

stiuit.<br />

Two Belles in Buckboord<br />

On Streets for 'Raintree'<br />

M. A. Elklns, manager of the Colbert<br />

Theatre in Florence. Ala., who twice has<br />

been awarded BOXOFFICE Showmandiser<br />

Citations for the excellence of his theatre<br />

displays, borrowed a horse from one of his<br />

patrons and a buckboard from another,<br />

outfitted two usherettes in costume proper<br />

to the period and had an outstanding<br />

ballyhoo for "Raintree County." The local<br />

Muscle Morning Sun published two photos<br />

of the unusual getup.<br />

City<br />

..Stote..<br />

BUSINESS REPLY CARD<br />

First Closs Permit No. 874 - Section 34.9 PL&R - Koruos City, Mo.<br />

MODERN THEATRE Section of BOXOFFICE<br />

825 Van Brunt Blvd.<br />

'''°'^' Mo^'Tsf °""- KANSAS CITY 24, MO.<br />

lOSE OLD UNUSED<br />

00 MIGHT WANT!<br />

in Toledo,<br />

ery Friday<br />

ipaper ads<br />

ced above.<br />

Ebony Feature on 'Blues'<br />

"St. Louis Blues." Paramounts film biography<br />

of the late W. C. Handy, receives<br />

major attention in the May issue of Ebony<br />

magazine. Fifteen stills from the picture<br />

in which Nat King Cole plays Handy are<br />

included in the multi-page feature.<br />

1


!<br />

CONDENSED INDEX OF PRODUCTS<br />

POWERFUL NEW PLUNGER CLEARS<br />

CLOCCED TOILETS<br />

in<br />

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6. The<br />

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ADMISSION SIGNS<br />

Kty<br />

Number<br />

Dura Engravlno Corp. ..... .50b<br />

ATTRACTION BOARDS AND<br />

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Balhntynt Co 44t<br />

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BARBECUED<br />

MEATS<br />

Ca!tltb«rry's rood Co 24a<br />

Smilhfield Ham & Products<br />

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BUTTER<br />

MAT<br />

Supurdlsplay, Inc 20a<br />

CANDY<br />

Henry Heide. Inc 23b<br />

Hollywood Brands, Inc 27a<br />

CARBON<br />

SAVERS<br />

Cali Products Co 44a<br />

Phillips Electro Extensions .... 47c<br />

CONCESSIONS EQUIPMENT,<br />

DRIVE-IN<br />

Samuel Bert Mfo. Co 23c<br />

Supurdisplay, Inc 20a<br />

Toastmasler Products Di» 21a<br />

Key<br />

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Scotsman-Quecfl Products. Inc. 17a<br />

Superior Refrigerator Mfg. Co. 24c<br />

FILM<br />

CEMENT<br />

Fisher M(g. Co 46a<br />

FIREWORKS<br />

DISPLAY<br />

Liberty Display Fireworks Co. 50d<br />

FLOOR CLEANING MACHINES<br />

National Super Service Co. ..45a<br />

FOOD<br />

SEASONINGS<br />

Dell Foods Specialties Co. ..23a<br />

GROUND MAINTENANCE<br />

EQUIPMENT<br />

ICE<br />

Gravely Tractor, Inc 34a<br />

MACHINE<br />

Scotsman- Queen Products, Inc. 17a<br />

KIDDIE RIDES FOR DRIVE-INS<br />

Game-Time, Inc 50c<br />

King Amusement Co 34d<br />

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Cut Maintenance Costs with<br />

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Castleherry's Food Co 24a<br />

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Smithfield Ham & Products<br />

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CUPS, PAPER<br />

Lily-Tulip Cup Corp 19a<br />

DRINKS,<br />

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Canada Dry Corp 8a, 9a<br />

Pepsi-Cola Co 12a, 13a<br />

Ordinary plungers just don't seat properly.<br />

They permit compressed air and water to<br />

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Positive insurance e£ainst sluffed toilet.<br />

$065 fully<br />

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adverti:<br />

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A. Dalkin Co 22a<br />

Order from your Supplier of<br />

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THE STEVENS-BURT CO.<br />

NEW BRUNSWICK, N. J.<br />

Division of The Wafer Masler Co.<br />

With<br />

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Just<br />

5<br />

• ALPHABETICAL INDEX<br />

• ADLINES & EXPLOITIPS<br />

• BOXOFFICE BAROMETER<br />

• EXHIBITOR HAS HIS SAY<br />

• FEATURE RELEASE CHART<br />

• FEATURE REVIEW DIGEST<br />

~« REVIEWS OF FEATURES<br />

• SHORTS RELEASE CHART<br />

• SHORT SUBJECT REVIEWS<br />

• SHOWMANDISING IDEAS<br />

1<br />

THE GUIDE TO i BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />

1<br />

^)<br />

Here's Old-Time Stunt:<br />

Mail Out Postcards<br />

One little message on a two-penny postcard<br />

speaks loudly if there are enough of<br />

them. Stan Farnsworth, manager of Academy<br />

Theatre in New Glasgow, N. S., sandwiches<br />

in a few cards frequently among<br />

the numerous duties of a theatre manager,<br />

which he mails out to selected addresses.<br />

The message:<br />

"This is an invitation to get more out<br />

of life by going to a movie. We have the<br />

pleasure of extending to you this invitation<br />

for two to attend the Academy Theatre.<br />

Any matinee or evening show (except<br />

Fotonite) up to and including (specific<br />

date or anytime) . present this card<br />

to the theatre doorman.<br />

"You only live once so why not enjoy<br />

it. Get the Moviegoing habit."<br />

On the other side (the address side) are<br />

these words: "Visit Our Candy Bar" and<br />

"Odeon Presents the Best in Movie Entertainment."<br />

Wrong Scene for Break;<br />

No Hamburger Sales!<br />

GKsrdon Spradley, manager of Wometco's<br />

27th Avenue Drive-In in Miami, happily<br />

counted admission noses as patrons flocked<br />

in to view "I Was a Teenage Frankenstein."<br />

Then he went out to check on the concession<br />

business and got a shock—it had<br />

dropped way down below average.<br />

After considerable research, Spradley all<br />

of a sudden got the message. Final scenes<br />

of the picture showed arms and legs disappearing<br />

down an alligator's gullet, while<br />

blood trickled out the creature's mouth.<br />

As this faded from the screen it was replaced<br />

by an intermission trailer urging one<br />

and all to "Try our delicious concession<br />

snacks."<br />

The unappetizing juxtaposition didn't<br />

hardly sell no hamburgers at all, mourned<br />

Spradley. He altered his program.<br />

Huge 'Bridge' Contest<br />

For its campaign on behalf of "The<br />

Bridge on the River Kwai," the State Theatre<br />

in Austin. Tex., conducted a model<br />

bridge building contest. With the aid of<br />

big space in the local press, the contest<br />

was run off in three divisions, for elementary<br />

and junior high students, for high<br />

school students and for adults. The major<br />

prize was a $50 bond, with a three-month<br />

I>ass to the State as prize in each division.<br />

High Promotion and Fun in<br />

Launched for<br />

A "Sputnuck" launching from the top of<br />

Plaza Theatre at Decatur, Tex., assured<br />

some fun for people all over the county,<br />

and three weeks of publicity for the opening<br />

of "Paths of Glory."<br />

This takeoff on the Russian Sputnik<br />

and the missiles sent soaring aloft by the<br />

U. S. was engineered by Albert L. King.<br />

Two six-foot weather balloons were tied<br />

together, with a letter of instructions attached<br />

offering $5 for information on their<br />

descent, etc.<br />

With tape-recorded march music playing,<br />

hundreds watched the release of the<br />

balloons from the Plaza roof at 10 Saturday<br />

morning (April 12).<br />

The local Wise County Messenger and<br />

the Denton, Tex.. Record Chronicle carried<br />

advance, current, etc., stories (and one<br />

photo) on the Sputnuck, written In a<br />

humerous vein. The Record-Herald reported<br />

:<br />

DECATUK—The intercontinental missile,<br />

launched Saturday by a group of<br />

Decatur businessmen, is expected to reach<br />

either Moscow or Chico (a Wise County<br />

town) by the end of the week.<br />

Chief designer A. L. King reports the<br />

"Sputnuck" was launched without a flaw<br />

but tracking became difficult when it<br />

went into orbit behind a low-hanging<br />

cloud.<br />

H*« II BMlia Of fUffi UIE IT UP . . WITH rOOII FEUW «0V1E OOEKS!<br />

.'--.'VJ<br />

'^8-^<br />

Sputnuck<br />

Paths of Glory' Opening<br />

pHAVE A SWAPPING GOOD TIME.^<br />

TRYING IKG TO OUrSHART. AND<br />

BARTER EB WrTH YOUR fHIENOS!<br />

(Ut. a »ov arrVH. »TI »»"<br />

THIS IS VOUI orPODTUIIITV 10 XirtN UP" AMD TItlll THOSE OLD UNUSED<br />

HEMS WTO PIOFIT 01 EXCHAHCE THEM FOI SOMETHJNC TOO HIOHT WAHT!<br />

MIRACLE MILE DRIVE-IN Theatre<br />

The Miracle Mile Drive-ln Theatre in Toledo,<br />

Ohio, is promoting a Swop Shop every Friday<br />

night at its theatre, using both newspaper ads<br />

and handbills such as the one reproduced above.<br />

On Thursday following the launching<br />

the Wise County Messenger reported: "No<br />

word has been received from anyone having<br />

found either of the 'Sputnuck' balloons.<br />

Whether they are en route to Moscow, the<br />

Philippines or Ala.ska remains unknown so<br />

far."<br />

Interest in the Sputnuck was heightened<br />

by prizes, six in all. by three stores and<br />

the theatre. The stores offered a platform<br />

rocker, an outdoor barbecue giull and $15<br />

worth of groceries to the persons guessing<br />

nearest to distance, direction and length<br />

of time of flight.<br />

The launching and prize offering were<br />

publicized via screen trailer, lobby displays,<br />

newspaper ads and 1,000 "Official Flight<br />

Plan for Sputnuck" heralds. The heralds<br />

and ads contained coupons for writing<br />

guesses on distance, place of landing, etc.<br />

The filled-out blanks were deposited at one<br />

of the stores offering prizes.<br />

King reports the Sputnuck idea can be<br />

used by any exhibitor on most any picture.<br />

He didn't use radio in the promotion because<br />

Decatur has no station, but he comments<br />

this is a top medium for such a<br />

stunt.<br />

Two Belles in Buckboord<br />

On Streets for 'Raintree'<br />

M. A. Elkins. manager of the Colbert<br />

Theatre in norence, Ala., who twice has<br />

been awarded BOXOFFTCE Showmandiser<br />

Citations for the excellence of his theatre<br />

displays, borrowed a horse from one of his<br />

patrons and a buckboard from another,<br />

outfitted two usherettes in costume proper<br />

to the period and had an outstanding<br />

ballyhoo for "Raintree County." The local<br />

Muscle Morning Sun published two photos<br />

of the unusual getup.<br />

Ebony Feature on 'Blues'<br />

"St. Louis Blues," Paramount's film biography<br />

of the late W. C. Handy, receives<br />

major attention in the May issue of Ebony<br />

magazine. Fifteen stills from the picture<br />

in which Nat King Cole plays Handy are<br />

included in the multi-page feature.<br />

BOXOFFICE Showmandiser May 5, 1958 — 103 — 1


Skindiver Girls Romance With Frogmen<br />

In Tanks for Underwater Warrior'<br />

Fine cooperation from a Navy school provided<br />

an outstanding promotion for "Underwater<br />

Warrior" at the Paramount Theatre<br />

in Miami. Howard PettengUl, Florida<br />

State Theatres ad-publicity man and his<br />

aides, and Robert Kunce. Paramount manager,<br />

and assistant Leo Hooper arranged<br />

the stunt and got plenty of mileage from it.<br />

SEND ITNDERWATER TEAM<br />

Rrst contacts were made with the Navy's<br />

recruiting station officers in Miami. As a<br />

result, the Navy's underwater swimming<br />

training school at Key West sent five "underwater<br />

warriors" to Miami for the threeday<br />

campaign, under the command of Lt.<br />

Cmdr. Charles Hinman. The first event<br />

was a swim up the Miami River by the<br />

underwater men to the dock of the new Dur>ont<br />

Tarleton Hotel, where they were welcomed<br />

by city officials and presented the<br />

keys to the city, with newspaper and TV<br />

cameras covering the event, nares were<br />

shot off and a demolition charge shot a<br />

huge Jet of water 100 feet into the air.<br />

The following day the group gave underwater<br />

demonstrations at several of the big<br />

swimming jwols for which the area is<br />

noted and appeared on TV and at a club<br />

luncheon demonstrating their equipment.<br />

On the third day the men gave a twohour<br />

show at the Seaquarium, inside the<br />

large tank with sharks, porpoises and other<br />

sea creatures, and in the smaller reef tank.<br />

Two local girl skindivers assisted, doing<br />

some romancing with the boys underwater.<br />

VISIT HOTEL POOLS<br />

The Navy men were guests at a Hmcheon<br />

at the Yankee Clipper Hotel in Fort Lauderdale,<br />

and later gave a demonstration In<br />

the hotel swimming pool. This promotion<br />

was handled by Hal Stanton, manager of<br />

the Warner Theatre, who saw to it that<br />

the show received excellent press and radio<br />

coverage.<br />

On the evening that the film opened at<br />

the Paramoimt the Navy swimmers and the<br />

girl skindivers performed in a 1,000 gallon<br />

water tank in front of the theatre, loaned<br />

by a local underwater sporta concern. The<br />

swimmers amused their audiences with<br />

such stunts as removing their air tanks<br />

and drinking bottles of Coca-Cola, playing<br />

cards and checkers and "romancing" with<br />

the girls a la scenes from the picture. The<br />

theatre lobby was packed the entire evening,<br />

200 or 300 persons crowding around<br />

the performing swimmers.<br />

Color Contest Sells<br />

Tennessee 'Yeller'<br />

A coloring contest conducted through the<br />

county grade schools around Manchester,<br />

Tenn., brought in 1,500 entries and accounted<br />

for four days of packed houses for<br />

"Old Yeller" at the Lyric Theatre there,<br />

managed by Clyde Jacobs jr.<br />

Jacobs obtained permission from the superintendent<br />

of county schools to conduct<br />

the coloring contest. Each teacher in the<br />

county was mailed a bulletin about the<br />

showing of the film, giving a short summary,<br />

playdates, admission price and starting<br />

times, plus information about the coloring<br />

contest. The bulletin ended with an<br />

invitation to the teacher to attend the theatre<br />

as guest of Jacobs.<br />

Each school was given enough entry<br />

blanks for each chUd to enter the contest.<br />

As prizes, Jacobs promoted three craft<br />

painting sets from a local variety store for<br />

the three best entries. As a grand prize for<br />

the best entry, the classmates of the winner<br />

were guests of the theatre for the final<br />

day matinee.<br />

Total cost of the promotion, Jacobs said,<br />

was less than $40, including entry forms,<br />

newspaper and postage expense.<br />

Balloons for 'Andrew'<br />

As part of the New York promotion campaign<br />

for "Merry Andrew," MGM hired an<br />

eight-foot clowri to walk through the<br />

Broadway area and distribute specially designed<br />

"Merry Andrew" balloons during<br />

all of Easter week.<br />

Sponsored Kiddy Show<br />

Shopping Day Feature<br />

Merchants, banking officials and the<br />

local newspaper in Jefferson, Ohio, alert<br />

to the problem of keeping local residents<br />

at home to shop, were quick to fall in with<br />

the free Easter cartoon show for kiddies<br />

proposed by Manager M. E. Ames of the<br />

Ames Theatre, and all participants were<br />

well pleased with the results.<br />

The Jefferson Building & Loan Ass'n<br />

sponsored the free show, consisting of nine<br />

cartoons and two special attractions, a live<br />

elephant named Burma and a circus clown<br />

acquired at a nominal cost from the Mills<br />

Bros. Circus, which wintered at Jefferson.<br />

The show was held on Saturday afternoon,<br />

March 29, and the building and loan<br />

firm ran a 5-col, 17-inch ad to announce it.<br />

The show was tied Ln with other local merchants<br />

on the idea that if the kids attended<br />

the theatre it would leave parents<br />

free to shop and take advantage of the<br />

spring value days sales which were being<br />

conducted that Friday and Saturday. This<br />

tie-in resulted in another 5-col, 15-inch ad<br />

by the Jefferson Banking Co. on behalf of<br />

the local merchants. The ad was headed;<br />

"Spring Shopping Begins at Home . . . Jefferson<br />

Has Everything . . . Jefferson Stores<br />

Are Prepared to Supply the Needs of Your<br />

Hey, KIDS!<br />

TeQ Mother And Dad Now That You Want To Attend<br />

The Gila Eaeter Cvtoon Pestiral At Th»<br />

AMES THEATRE<br />

Saturday Afternoon, March 29lh<br />

FREE MOVIES<br />

COME EAILY<br />

"burmT<br />

Cimfl Clown<br />

_0l£ DOC KAMIT SEZ:-<br />

NINE CARTOON SPECIALS<br />

It Tta nn Jj< Tta<br />

?!15?.'?!.Ji!*A'^ffA?.^9N<br />

-REE PAIKINC IN JOFEBON-<br />

'^f^<br />

"• Jefferson Building *^ Loan Ass'n<br />

FamUy Now," and included a bold face<br />

type insert, "Don't Forget Free Cartoon<br />

Festival for the Kiddies at Ames Theatres,<br />

etc."<br />

On P^iday, the day before the show, the<br />

Jefferson Gazette ran a streamer head<br />

across the top of the front page, reading:<br />

"Kiddies! Free Movies at the Ames 2 p.m.<br />

Saturday," then a story with a two-column<br />

head, also on the front page. The day after<br />

the show, the newspaper ran six-column<br />

photos on the front page showing the clown<br />

and the elephant in front of the theatre<br />

surrounded by youngsters.<br />

"Needless to say," Ames said, "the theatre<br />

was jammed and the concession sales<br />

were terrific."<br />

i<br />

i<br />

— 104 BOXOFFICE Showmandiier May 5, 1958


Letters to 400 Teachers<br />

Get 'Perri' Dates to Kids<br />

The Port Wayne Drive-In on the southern<br />

outskirts of the Indiana city of that<br />

name is being established right in the<br />

front rank of community activities under<br />

the management of Glen Allen.<br />

Allen's promotions frequently have a<br />

broad community impact: for example, his<br />

campaign for "The Story of Perri." He<br />

had neatly printed notes mailed to more<br />

than 400 grade school teachers in the<br />

Fort Wayne area, outlining the story briefly,<br />

asking the teachers to mention the<br />

playdates to their classes and inviting them<br />

to see the film, using the printed letters<br />

as passes.<br />

Allen has obtained much coopei-ation<br />

from the editor of the suburban newspaper,<br />

the Waynedaler, so to show his appreciation<br />

he recently began writing a weekly<br />

column which the paper publishes under<br />

Allen's name. It's subject matter is sports,<br />

on which Allen is well informed, or other<br />

matters he chooses.<br />

For "Seven Brides for Seven Brothers,"<br />

Allen promoted a convertible and drove<br />

seven girls around the area with the sign<br />

wording, "We Aie the Seven Brides for the<br />

Seven Brothers."<br />

'Snow White' Time Table<br />

Gets Heralds in Schools<br />

A good idea comes from Lou Hart at the<br />

Auburn Theatre, Aubm-n, N. Y. When he<br />

had the heralds on "Snow White and the<br />

Seven Dwarfs" made up for distribution<br />

in all local and county grade schools, he<br />

incorporated the following copy:<br />

"Dear Teacher:<br />

"We have been besieged with questions<br />

about the showing of this film from youngsters<br />

and their parents. We shall be very<br />

grateful if you will be kind enough to pass<br />

on this information: (Then followed complete<br />

show times for 'Snow White' during<br />

the entire engagement.)"<br />

In the upper lefthand corner was a bit<br />

of copy reading: "Teachers may use this as<br />

a Guest Ticket for admission to any performance."<br />

Some 250 of these heralds were sent out<br />

by the Board of Education.<br />

No Stars? Local Drama Clubs Supply<br />

18 for' 80 Days' Hollywood Premiere<br />

Showmanship and ingenuity at Its best<br />

flourished in Cuyahoga Palls, Ohio, for the<br />

premiere of "Around the World in 80 Days"<br />

at the State Theatre, de luxe unit of the<br />

Washington circuit of Cleveland headed by<br />

M. B. Horwitz. The campaign originated<br />

and was executed jointly by Sanford Leavitt<br />

and Lewis Horwitz of the Washington<br />

circuit, in association with Ed Smart,<br />

manager of the State Theatre.<br />

They planned a Hollywood premiere for<br />

the April 1 opening of the picture, but were<br />

stymied, so they thought, by the total absence<br />

of Hollywood stars. But not for long,<br />

for the idea presented Itself to enlist the<br />

aid of Little Theatre members, the Palls<br />

Masquers, the Stow Players and the Hudson<br />

Players—who were made up to look<br />

like Hollywood stars.<br />

On opening night, with kleig lights and<br />

the usual Hollywood fanfare. 18 "Hollywood<br />

stars" arrived in shiny new automobiles,<br />

supplied by cooperating dealers. The<br />

"stars" included David Niven, Marlene<br />

Dietrich, Shirley MacLaine, Ronald Colman,<br />

Prank Sinatra, Beatrice Lillie, Cantinflas,<br />

Evelyn Keyes, Joe E. Brown, Edward<br />

R. Murrow, John Carradine, Buster Keaton,<br />

Martha Raye, Clara Bow, Edmund<br />

Lowe and Charlotte Greenwood!<br />

ATTIRE FROM LOCAL SHOPS<br />

The stars were dressed in proper style<br />

through participation of local specialty<br />

shops who supplied the dresses, furs, jewelry<br />

and other accessories. All received ad<br />

credits. Just as a real de luxe premiere,<br />

"the stars" were interviewed as they arrived<br />

at the theatre, signed autographs for<br />

high school students and were deluged<br />

with flowers, courtesy of local florists.<br />

The Palls News devoted most of its<br />

March 27 edition to stories about "Around<br />

the World in 80 Days," stories about the<br />

"stars" headed Life With Louella, and<br />

merchant cooperative ads. Almost the entire<br />

front page of the second section was<br />

given over to a paid theatre ad. half of<br />

which was devoted to the famous balloon.<br />

Co-op ads completed the page. In fact,<br />

the entire edition carried 31 cooperative<br />

ads beside two feature stories.<br />

Several of the co-op advertisers went so<br />

far as to offer free tickets to see "Around<br />

the World." One, Jean Frocks, pasted ten<br />

names in the store window on April 1,<br />

opening day. Persons whose names appeared<br />

were lucky winners. No one was<br />

notified. It was necessary to look Into the<br />

store window to identify the name. A food<br />

chain introduced a new store by offering<br />

free tickets to the show to a family presenting<br />

cash register receipts for $60 worth<br />

of merchandise.<br />

PICTURES ON FRONT PAGE<br />

Front page of the April 3<br />

edition of the<br />

Palls News featured photos of the "stars"<br />

who participated in the premiere, all wellknown<br />

citizens of the area.<br />

In addition, the Akron Beacon Journal<br />

carried a story with art on March 23 and<br />

the Youngstown Vindicator gave it space<br />

on March 30.<br />

For the theatre, Leavitt built a big balloon,<br />

complete with hanging basket, and<br />

suspended It In a strategic place in the<br />

lobby.<br />

Promotes 'Sing Boy* Albums<br />

Allan Heatley, manager of the Avon Theatre<br />

In Watertown, N. Y., promoted five<br />

albums for prizes in a mystery voice identification<br />

contest on the local radio station<br />

in behalf of "Sing Boy Sing."<br />

o<br />

Fisticuff Experts Boost<br />

Patronage for Fightcast<br />

The Ftadio City Theatre in Minneapolis,<br />

Mimi., borrowed an entire live discussion<br />

panel from TV to swell theatre patronage<br />

for the recent Robinson-Basilio fight<br />

telecast, when it had WTCN-TV's "Ringside<br />

Roundtable" panel of three local<br />

fight experts on stage a half-hour before<br />

the fightcast. The panel members discussed<br />

the fight, analyzed it and predicted<br />

the bout's outcome, then answered questions<br />

from the audience.<br />

The panel<br />

appears on WTCN-TV after<br />

the Wednesday night fights and has built<br />

up a considerable TV following. Its appearance<br />

at the theatre was well publicized<br />

over TV and in the theatre ads.<br />

BOXOFTICE Showmandiser : : May<br />

A large window of the Jenkins Music Co., leading musical instrument, television, radio ond sheet<br />

music store in Kansas City, was devoted to "St. Louis Blues," showing at the Paramount Theatre.<br />

Manager Harold Lyons of the Paramount assisted In the arrangement.<br />

5, 1958 — 105 —


,<br />

"<br />

Tested Promotions That Build Family Trade at Drive-ins<br />

By PAUL. KRUEGER<br />

We are a firm believer that drlve-in theatres<br />

should be family theatres and we try<br />

to make our theatres<br />

family theatres, and<br />

we do not cater to<br />

the reputation that<br />

some theatres have<br />

that have been called<br />

passion pits. W e<br />

^ j<br />

think it is very im- H. /<br />

portant that every<br />

drive-in operator, U<br />

he wishes to continue<br />

^^^^<br />

in business, run his ^^^V/.<br />

theatre as a family<br />

theatre.<br />

''»»'<br />

^*e"<br />

We have very elaborate playgrounds in<br />

each of my theatres consisting of ferris<br />

wheels, merry-go-rounds and all other<br />

equipment that you might find in public<br />

school playgrounds, and this is all free to<br />

my p>atrons. We try to have special programs<br />

that apE)eal to families and children.<br />

We have amateur nights on our<br />

playground sponsored by dancing schools<br />

at which we give cash prizes and trophies<br />

for the winners. We have dancing one<br />

night put on by a radio announcer sponsored<br />

by a merchant with no cost to the<br />

theatre operator. We also have square<br />

dancing also sponsored by a merchant for<br />

one hour with no expense to the drive-in.<br />

FAMILIES SPEND MOST<br />

You must operate family theatres where<br />

mom and dad with the children will want<br />

to come, because again it is the family who<br />

spends the largest amount of money at<br />

your concession stand.<br />

Now for some of the ideas that we have<br />

used and that have been successful. We<br />

always have a special Mothers Day program<br />

whereby we give corsages to the mothers,<br />

or orchids, which we are doing again this<br />

The Author<br />

Paul Krueger. co-owner of Wehrenberg<br />

Theatres of St. Louis, delivered<br />

the following address on "Promotions<br />

That Paid Off at the <strong>Boxoffice</strong>" at<br />

the ticket-selling forum held during<br />

the Theatre Owners of America drivein<br />

conventionette at San Francisco the<br />

latter part of March.<br />

year. We promote a giveaway for the oldest<br />

mother and for the mother with the<br />

most cliildren and for the mother who has<br />

lived the closest to our theatre with the<br />

largest family for the longest time.<br />

We also observe Fathers Day on which<br />

our fathers receive cigars and another promotional<br />

deal similar to Mothers Day.<br />

On the 4th of July we also have a promotional<br />

deal of either fireworks or some<br />

outstanding acts or entertainment for our<br />

clients. We have also several group nights,<br />

which operate similarly to each other, one<br />

being license group night, and a bumper<br />

strip night whereby we give membership<br />

cards to all attending on license plate night<br />

and on certain other nights. These license<br />

plate numbers are posted in our concession<br />

stands stating the owners who are entitled<br />

to guest passes if the license number owner<br />

is a member of the drive-in group.<br />

We have also had car nights where you<br />

have a dealer of a certain make display his<br />

car in front of your theatre and award<br />

passes to the drivers of that make of car<br />

attending your theatre. With this same<br />

gimmick we give the person who has the<br />

oldest car a special prize on these nights.<br />

When you have competition as we do, we<br />

have promoted a merchant's deal in which<br />

some 25 merchants participate. They, in<br />

turn, print tickets good for my theatre for<br />

drivers only, for which the merchant pays<br />

half of the admission cost. We know it is<br />

very seldom that anyone attends our theatres<br />

by himself, so in turn we are receiving<br />

additional admission from the passenger<br />

who is with this driver.<br />

For years, we have had Easter Sunrise ^,<br />

Service at our theatres which, we think, is f<br />

very important. We have broadcast by<br />

radio from three of our drlve-lns every<br />

Easter, this service being sponsored again<br />

by some merchant, and we received numerous<br />

suggestions and compliments for this<br />

service to the shut-in people of our city.<br />

CHURCH SERVICES LAST YEAR<br />

Last season we had services every Sunday<br />

morning, at one of our drive-ins, sponsored<br />

by a church in the neighborhood of<br />

the theatre, which is a very good way to<br />

establish goodwill among your patrons and<br />

make them realize you are trying to operate<br />

your theatre for the family.<br />

and one<br />

We have made two firetrucks<br />

train for our drive-ins. The firetrucks are<br />

built on jeeps and our train engine is buUt<br />

on a Fordson tractor with a coach that will<br />

hold 32 children. These rides are used at<br />

the drive-ins each night, and are booked<br />

for school picnics and parades from May<br />

15 until June 15 every day. This gives our<br />

theatres much publicity and lets the children<br />

ride on our equipment, which in turn<br />

prompts them to ask father and mother<br />

to take them out to our theatre to ride on<br />

them again.<br />

We are working on some new ideas and<br />

some new rides for this year to try to con-<br />

tinue to get mother and dad at our theatre<br />

and operate the theatre where mother and<br />

dad wiU want to bring their children. If<br />

we all do this, I am sure we will not have<br />

to worry about competition and will continue<br />

with a nice business as we are now<br />

doing.<br />

These ideas, I am sure have been used<br />

by some of you and they are definitely not<br />

new, but they are very successful.<br />

f<br />

i<br />

f<br />

Says Most Businesses Allied in TV Battle<br />

Motion picture theatres have an effective<br />

ally in most fields of business in<br />

their battle<br />

with television, in the view of Emmett F.<br />

Roche, Hart. Mich., exhibitor, who Is distributing<br />

a pamphlet, "The Homesitter"<br />

presenting his views to Chambers of Commerce,<br />

service clubs, editors, merchants and<br />

other groups.<br />

"The whole story is to move people," he<br />

points out. "The only effective advertising<br />

Is the kind that gets people into your place<br />

of business . . . Money spent to keep people<br />

at home in front of a TV is<br />

not going to<br />

get them into anybody's place of business.<br />

Sitting, they don't even create an appetite,<br />

and the food business suffers."<br />

Roche develops his thesis at length, with<br />

a history of experience in the film business,<br />

and contends that TV sponsors are "inviting<br />

the public ... to sit themselves right<br />

out of jobs." a point tieing in neatly with<br />

the cun-ent recession.<br />

"Don't let the FCC sell the free air to<br />

anyone," he concludes, "to any broadcasting<br />

group or groups for pay TV, whether<br />

sports or entertainment programs. Keep<br />

the airways free. You'll never get the free<br />

airways back once they are sold. This will<br />

Just add to homesitting."<br />

All List First-Run Bills<br />

The Toledo (Ohio) Theatre Managers<br />

Ass'n downtown group, consisting of the<br />

four first-run houses, decided It doesn't<br />

hurt to help your opposition as long as it<br />

is another film house. In the lobbies of<br />

the Loew's Valentine, Paramount, Rivoli<br />

and Princess, there are easy-to-read signs<br />

announcing the attractions currently playing<br />

in each of the other theatres. Toledo<br />

is believed to be the first city in the U. S.<br />

to adopt such a good neighbor policy.<br />

lOG —<br />

Pepsi Tieup on 'Andrew'<br />

Is Called to Attention<br />

The Pepsi-Cola national tieup on "Merry<br />

Andrew" was called to the attention of<br />

Schine circuit managers recently by Zone<br />

Manager Lou Hart in a letter suggesting<br />

that they take advantage of the promotion.<br />

"One of the sequences in the picture,"<br />

Hart's letter read, "has Danny Kaye giving<br />

an oral plug for Pepsi-Cola In one of his<br />

songs. You might lay out a co-op ad which<br />

would feature Danny Kaye and carry copy<br />

such as, 'Danny Kaye sings about Pepsi-<br />

Cola in his newest and greatest musical<br />

comedy adventure, etc'<br />

The Schine circuit also suggested that<br />

managers contact Pepsi-Cola on holding<br />

after-school matinees for the kids, with<br />

Pepsi to furnish the free drinks.<br />

Victor Mature, Elaine Stewart and F^ith<br />

Domergue are starred in United Artists'<br />

"Escort West," off-beat western drama.<br />

BOXOFFICE Showmandiaer May 5, 1958


J<br />

')<br />

Crescent Suggests<br />

Some Bally Ideas<br />

The Crescent Amusement Co. of Nashville,<br />

Tenn., in launching its current Mr.<br />

Showman campaign for circuit managers<br />

came up with a number of ballyhoo suggestions<br />

in its "She' Stuff" House organ.<br />

The ideas follow:<br />

Set a bench or chair in front of the<br />

theatre with a sign reading, "I'm waiting<br />

for (name of attraction) starting at this<br />

theatre (date)." Get an attractive girl to<br />

sit on the bench.<br />

In any idle store window whiten the<br />

windows on the inside, leaving peepholes<br />

at eye level. Use curiosity-teasing lines,<br />

such as "Warning! Don't Look in This<br />

Window!" "Remember What Curiosity<br />

Did!" "Not to Be Read by Inquisitive<br />

People" or "Men Only," any catchline designed<br />

to whet curiosity. Inside the window<br />

place an attractive display or, if the<br />

window is in a choice location, have a<br />

pretty girl changing title cards of aU pictures<br />

for the week. Be sure to use correct<br />

playdates with each attraction. For<br />

the theatre lobby, place a mirror in back of<br />

a piece of beaver board with a peephole<br />

cut into the board and lettering, "For Good<br />

Looking Ladies Only," then print on the<br />

mirror the coming attraction. For another<br />

window display, have two girls in<br />

bathing suits or other brief costume playing<br />

checkers or other games. Have a sign<br />

in the window reading, "The Loser Buys the<br />

Tickets to See (attraction)."<br />

Using either a live donkey or a cutout,<br />

have a sign made to hang over the animal<br />

with copy, "I'm the only one in town that<br />

doesn't want to see (attraction) and you<br />

know what I am."<br />

Have a dart game in your lobby. Use a<br />

cutout of a coming attraction. Place small<br />

stars beside the names of the cast. Invite<br />

people to throw a dart at the board. If they<br />

hit one of the small stars on the board they<br />

receive a free pass.<br />

TV Promotion Is Slated<br />

For 'The Lineup' Film<br />

Columbia Pictures, CBS network and<br />

Young & Rubicam ad agency have worked<br />

out a TV plug promotion for "The Lineup,"<br />

upcoming Columbia theatrical release, to<br />

follow the TV Lineup show on the alternate<br />

weeks when Proctor & Gamble sponsors<br />

the show.<br />

The plugs for the motion picture wiU<br />

take the form of ten-second film clips added<br />

to the end of the TV show. The CBS<br />

program promotion department has asked<br />

its affiliates who use the Lineup show to<br />

work out tie-ins with exhibitors, involving<br />

the stations plugging the local playdate<br />

in return for lobby displays boosting<br />

the TV show.<br />

James E. LeweUen, manager of the Rialto,<br />

a Trans-Texas Theatre in Dallas, displayed<br />

a new Triumph motorcycle at the<br />

boxoffice during the run of "Motorcycle<br />

Gang" and "Sorority Girl."<br />

"Rgn (Ulmt. Hud Dwp'<br />

It a motioa plclur<br />

fulhhiUyuuJ hiUy nuds<br />

tram • b«M wllcr. Book-<br />

•etlara UU na that<br />

tit Uw p«op1o who bought<br />

Uia book wera women.<br />

Why? W«a it aacmt that<br />

ygagirlaaioiplylilianolhini<br />

niurs than a ffooil. alrui<br />

«lUltlOD«lt(«pLIl|{ advcQli<br />

-aapKriitlly abuut men u<br />

•van la your noat iatl-<br />

80 now It la on tba aeraao,<br />

mof dtaply louchlag<br />

tvtr bdfara, atanrinK<br />

two all-Uma<br />

llollywvod<br />

'xraaU', CUrk GabU and<br />

Burt Laocaatcr<br />

Maka your maa talca yoo to<br />

M "Kun Sili-at, tlita Dorp'1<br />

Why<br />

Teoser ads appealing to women were run on the women's pages of the seven New York dally newspapers<br />

by United Artists tor the premiere engagement of "Run Silent, Run Deep" at the Victoria<br />

Theatre The "sell-the-ladies" campaign also was used to spotlight the 312 Easter holiday dates The<br />

program features five different teasers, each capped by a headline aimed squarely at the women, and<br />

the displays range from 240 lines to 112 lines. Three examples are shown here.<br />

Movie Section Alerts City to Spring<br />

And Thrills in New Screen Hits<br />

Accolades for one of the slickest jobs of<br />

general promotion to come to the attention<br />

of Showmandiser this spring go to Harry<br />

F. Wilson, manager of the Capitol Theatre<br />

in Chatham, Ont., and Ralph W. Cole<br />

of the Centre there.<br />

Together they designed, wrote the copy<br />

and sold the ads in a 12-page tabloid-size<br />

(12x16 ','2 inches) movie section published<br />

in the Chatham Daily News.<br />

The section contains 30 star cuts and<br />

scene m^ats, copy throughout on the motion<br />

picture industry and current films,<br />

and 33 ads in excellent layout and style in<br />

aU the dozen pages.<br />

Major headlines proclaimed: "Golden<br />

Anniversary of the Silver Screen . . . Theatres<br />

Announce Top Attractions (this<br />

across the front page in large type) .<br />

. .<br />

Get More Out of Life—SPRING FESTIVAL<br />

OP HITS—Go Out to a Movie (across the<br />

. .<br />

Widely Discussed 'Raintree<br />

Draw<br />

center spread) . . .<br />

County' Opens Tomorrow . Business to Chatham Stores. Movies Prove<br />

Easter Films at Capitol."<br />

Assets . . .<br />

Reproduced on the front page, along with<br />

pictures of eight stars of current films and<br />

of Wilson and Cole, was a reproduction of<br />

a proclamation by Garnet R. Newkirk,<br />

z ><br />

- K<br />

> o<br />

,.<br />

<<br />

U) O<br />

X U<br />

GET MORB<br />

OUT OF LIFI_<br />

28th STREET DRIVE-IN THEATRE<br />

GO OUT TO A DRIVE-IN<br />

mayor of Chatham, setting aside March<br />

24-29 as Movie Week in Chatham in commemoration<br />

of the Golden Anniversary of<br />

the Silver Screen.<br />

Scene mats through the section featured<br />

Old Yeller, Peyton Place, 'Ai-ound the World<br />

in 80 Days. Paris Holiday. The Quiet American,<br />

Raintree County, And God Created<br />

Woman, Kiss Them for Me, The Tall<br />

Stranger, Paths of Glory and Up in Smoke.<br />

The only cost to the theatres was for<br />

their regular display ads on the center<br />

spread.<br />

The cover sheet was printed in yellow in<br />

keeping with Easter and spring. The section<br />

was dated March 25. and truly it<br />

alerted aU Chatham to new season thrills<br />

coming at the Capitol and Centre.<br />

A Bridge-Building Contest<br />

Fi-ank Weatherford, Interstate city manager<br />

at Fort Worth, Tex., and the Press<br />

offered prizes of a hi-fi portable, $30 cash<br />

and a $20 record album, $20 cash and another<br />

$20 album to the warmers of a model<br />

bridge-building contest in connection with<br />

a campaign for "The Bridge on the River<br />

Kwai."<br />

Tampa. Flobio*.<br />

MO\aE<br />

No. 2255<br />

- - AT ONE OF THE ABOVE THEATRES ENJOYMENT<br />

SMOKE IF YOU WISH. DONT HAVE TO DRESS UP<br />

NO PARKINS PROBLEMS NO PARKING TICKETS<br />

FUN FOB ALL<br />

_7a«26ti !Sau _7/i£afT£d, Unc<br />

This novel "fake check" idea is employed by Tampa Boy Theofres, Inc., to promote both its 28th Street<br />

Drive-ln Theatre, Tampa, Flo., and the "Get More Out of Life . .<br />

." industry slogan.<br />

BOXOFFICE Showmandiser May 5, 1958 — 107-^


ERA g^<br />

BOXOFFICE<br />

BAROMETER<br />

n<br />

300\<br />

This chart recordi the performanci of current attractions in the opening week of their first runs In<br />

the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />

are reported, ratings are added and averages revised. Compulation is in terms of percentage in<br />

relation to normol grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />

the figures show the gross rating above or below that mark.<br />

(Asterisk * denotes combination billi.)<br />

^.^i^^S^<br />

^ f^<br />

All at Sea (MGM)


An Inlerprciotlve onolvili of toy and trodapreii review!. The plui end tnlnui ilgni Indicate<br />

deqree of merit. Listlnqs cover current revlcwi, updated reqularly. Thli department lervei<br />

also as an ALPHABETICAL INDEX to feature relcaiet. Symbol IJ denotes BOXOFFICE<br />

Blue Ribbon Aword Winner. Photography: ffl<br />

Color; © ClnemoScope; V VlitoVlilon; 8, Super-<br />

Scope; >Kt Noturama. For listings by company, in the order of release, see Feature Chort.<br />

Review digest<br />

AND ALPHABETICAL INDEX<br />

Very Good; + Good; ^ Fair; - p


^<br />

REVIEW DIGEST Very Good; ' Good, " fait; - Poor; Very Poor. In the jummory<br />

s<br />

£<br />

1<br />

m<br />

*t is rated 2 pluses, - oi 2 minuses.


F«otur« productions by company In order of release. Number In square is notionol release dote. Running<br />

time Is In porcntheses. (£) Is tor ClncmaScope; (Vj VistoVision; (.S' Supcrscope; )tj Naturamo; A Rogolscopo;<br />

ti) Techniramo. Symbol O denotes BOXOFFICE Blue Ribbon Award; O color photography. Letters and combinations<br />

thereof indicate story type—(Complete key on next page.) For review dotoi and Picture Guide<br />

page numbers, see Review Digest.<br />

^EATURE CHART


FEATURE CHART<br />

Th« key to Uttart and comblnatloni thtr*of Indlcoting itory type: (Ad) Adv«ntur* Dromo; (Ac) Action<br />

Oramo; (An) Animotcd-Action; (C) Comedy; (CD) Comody-Dramo; (Cr) Crlm« Drama; (DM) Dramo<br />

with Music; (Doc) Documentary; (D) Drama; (F) Fantosy; (FC) Forca-Comody ; (Ho) Horror Dramo; (HI)<br />

Hlitorical Dromo; (M) Musical: (My) Myittry; (OD) Outdoor Dromo; (SF) Scltnce-Flctlon; (W) Westarn.<br />

n


. D<br />

. May<br />

.<br />

.,<br />

3<br />

1)<br />

oe.<br />

UJ<br />

CO<br />

CO<br />

a:<br />

OQ<br />

><br />

o<br />

UJ<br />

CQ<br />

UJ<br />

Of<br />

<<br />

Th« k«y to lafttra and combination! thtraof Indicating story type: (Ad) Advontur* Drama; (Ac) Action<br />

Drama; (An) Anlmotsd-Action; (C) Comedy; (CD) Comady-Dromo; (Cr) Crime Drama; (DM) Dromo<br />

with Music; (Doc) Documentor^ (D) Drama; (F) Fontosy; (FC) Force-Comedy; (Ho) Horror Dromo; (Hi)<br />

Historical Drama; (M) Muslcol; (My) Mystery; (OD) Outdoor Dromo; (SF) Science-Fiction; (W) Western.<br />

WARNER BROS.<br />

[ilOBand of Angcll (127) 0..621<br />

Clarii Gable, VvoDiie lie<br />

@ Rising of the Moon (SI)<br />

Carlo<br />

D..622<br />

Fraiiit Uiwlon, Denis O'Det<br />

gj) The James Dean Story<br />

(82) Doc. .623<br />

James Dean<br />

UOThe Palama Game<br />

(101) M..701<br />

Doris Oaf, John Rattt, CistA<br />

SS<br />

IlaJiey<br />

Blaci( Patch (83) W..702<br />

George MoDtgomery, Diaae Brewster<br />

UJ Johnny Trouble (80) D..703<br />

KLhel Barrymore, Carolyn Jooes<br />

(S The Helen Morgan Story<br />

(118) © D..704<br />

Ann Blytb, Paul Newmao<br />

Si The Blacli Scorpion (88) Ho. .705<br />

Richard Denning, Mara Corday<br />

g] QThe Story of Mankind<br />

(100) D..706<br />

Ronald Colman, Hedy Lailarr, 40<br />

other stars<br />

g| Woman in a Dressini<br />

Gown (93) D..707<br />

Yvonne Mltcbell. Anthony Quayle<br />

ga ©Bombers B-52 (106) © D. .708<br />

Karl Maiden, Natalie Wood<br />

IB Jamboree (86) R/M..709<br />

Count Basle, Fats Domino, Kay<br />

Medford, Robert Pastlne<br />

Bl Green-Eyed Blonde (73) . . D . .710<br />

Susan ()llver, Tota Greenway<br />

Forbidden Desert (45) Fealurettc<br />

©Sayonara (147) ® ..D..711<br />

Marlon Brando, Patricia Owens,<br />

Martha Scott, James Garner<br />

ESThe Deep Six (105) . .D. .712<br />

Alan Ladd, DUume Faster, William<br />

Bendk<br />

g] Fort Dobbs (90) W. .713<br />

Clint Walker, Vlrglnli Mayo<br />

O Darby's Rangers (121) . . D. .714<br />

James Garner, Etcbika C:houreau<br />

O Lafayette Escadrille (93) D..716<br />

Tab Hunter, Etchlia Choureau<br />

g] ©Marjorie Morningstar<br />

(125) D..717<br />

NaUlle Wood, Oene Kelly, Ed<br />

Wynn, Carolyn Jones<br />

31 Chase a Crooked Shadow<br />

(87) My.. 715<br />

Richard Todd. Anne Baiter<br />

[i] Stakeout on Dope Street<br />

(83) Cr..718<br />

g Violent Road (86) Ac. .719<br />

Brian Keith. Merry Anders<br />

Left Handed Gun (102) W. .720<br />

Paul Newm-in. Llta Milan<br />

H ©Manhunt In the Jungle<br />

(79) Ad.. 721<br />

EI Too Much, Too Soon<br />

(121) D..722<br />

Dorothy Malone, Ena\ Flynn<br />

ASTOR<br />

Stranger In Town (74) . . D . . May 57<br />

Alex Nlcol, CoUn Tapley, Anne<br />

I'aliie<br />

Black Tide (79) D..Jun57<br />

John Ireland. Maureen Clotuell<br />

Time Without Pity (88) . .D. .Jan 58<br />

Michael Redgraie, Ann Todd<br />

Date With Disaster (61) D.. Feb 58<br />

Tom Drake, Shirley Eaton<br />

BUENA VISTA<br />

If All the Guys in the World<br />

(95) *d..Jun57<br />

Andre Valmy, Jean Oaren. Georgea<br />

I'oujoulj', (Francb-lanjuage; ^.<br />

MISCELLANEOUS<br />

titlea)<br />

©Johnny Tremain (80) . .Ad. .Jul 57<br />

Hal SUImaster, Luana Patten<br />

©Perri (75) Nature Fantasy Nov 57<br />

yOOId Yeller (83). . . .OD. .Dee 57<br />

Dorothy McGulre, Feas Parker<br />

©The Story of Vickie<br />

(108) CD.. Feb 58<br />

Romy Schneider, Adrian Hoven<br />

©The Missouri Traveler<br />

(103) WD.. Mar 58<br />

Brandon de WUde, Gary Merrill<br />

BURSTYN<br />

Stella (93) D.. Oct 57<br />

Mellna Mercourl, Georges Founda.-!<br />

(Oreek-lanRuage; Eng. titles)<br />

CONTINENTAL<br />

©The Love Lottery (82) C. Feb 57<br />

iiavld Nlven. i'eggy Cummins<br />

©Raising a Riot (91) . .C. . May 57<br />

Kenneth More, Mandy MlUer<br />

The French They Are a Funny<br />

Race (83) C..Jun57<br />

Marline Carol, Jack Buchanan,<br />

Noel-Noel (English-language)<br />

Maid in Paris (88) C. • Aug 57<br />

Danny Eobhi, Daniel Qelin<br />

(French-language; Biig. titles)<br />

©A Novel Affair (83) ..D.. Sep 57<br />

Ralph Richardson, Margaret<br />

Leitbton<br />

Brothers in Law (95) C. .Oct 57<br />

itlcliard Attenborough, Ian Carmicbael<br />

Deadlier than the Male<br />

(100) D.. Nov 57<br />

Jean Cabin, Danielle Delormc<br />

Genaise (116) D.. Jan 58<br />

Maria ScheU, Francois Perler<br />

DCA<br />

©Don Giovani<br />

(157) Opera Film Apr 57<br />

Cesare Siepi, Usa Delia Casa<br />

Battle Hell (112) D.. May 57<br />

(Formerly "Yangtze Incident")<br />

Richard Todd, Akim Tamlrotf<br />

Monster From Green Hell<br />

(71) Ac. May 57<br />

Jim Davis, Barbara Turner<br />

Half Human (63) Ho.. May 57<br />

John Carradlne, Robert Karnes<br />

©The Miller's Beautiful Wife<br />

(92) C..May57<br />

Vlttorlo de Sica, Sophia Loren<br />

The Green Man (SO) . . M/C. .Jun 57<br />

Alaslalr Sim, George Cole, Jll<br />

Adams<br />

©Scandal in Sorrento<br />

(92) © C.Jun 57<br />

Vlitorio de Sica. Sophia Loren<br />

(Dubbed in English)<br />

The Devil's General (120) D.. Aug 57<br />

Curt Jurgens. Marianne Cook<br />

(German-language; Eng. titles)<br />

The Silken Affair (96) . .C. .Sep 57<br />

David Nlven, Beatrice Straight<br />

Escapade (87) CD. .Sep 57<br />

John Mills. Aiastalr Sjm<br />

Hell in Korea (82) D.. Oct 57<br />

St.-inlpv Baker, George Baker<br />

Please! Mr. Balzac (99) C.. Oct 57<br />

Brlgllte Bardot, Daniel Oelhi<br />

(Krencb-ianguage; Eng. titles)<br />

End of the Road (76) .<br />

. D .<br />

. Oct 57<br />

Ftnlay Curric, Edward CSapntan<br />

©Rodan! (70) SF..Nov57<br />

(English-dubbed; Japanese ca-st)<br />

Cast a Dark Shadow (84) 0.. Nov 57<br />

Dirk Bogarde. Marearet Lockwood<br />

Panic in the Parlor (90) C. Nov 57<br />

Peggy M[>unt. Shirley Eaton<br />

Every Second Counts<br />

(94) © Ac. .Nov 57<br />

Barbara Laage, Jean-Mare Tbibault<br />

(Kronch-langunge; English titles)<br />

The Flesh Is Weak (90) D, Nov 57<br />

John Derek. Mllly Vltale<br />

Blond In Bondage (92) D . . . . Nov. 57<br />

Mark Miller, Anita Thallsug<br />

(Diiblied in English)<br />

The Blue Peter (93) .<br />

. . Dec. 57<br />

Kleron Moore. Greta (Tynt<br />

Teenage Bad Girl (100) D.. Dec 57<br />

Anna Neagle. Sylvia Syms<br />

Teenage Wolf Pack (89) D.. Dec 57<br />

Henry Bookhnlt. Karen Baal<br />

(German-made: Eng. dubbed)<br />

The Golden Age of Comedy<br />

(78) C..Jtn58<br />

WiU Rogers. Laurel k Eardy.<br />

Carole Ix>mbard, other comediana<br />

of the past<br />

The Confessions of Felix Krull<br />

(103) CD..Mar58<br />

Henry Rookbolt, Lisa Puirer<br />

(German-language; Eng. titles)<br />

Of Life and Love (103) D.. Mar 58<br />

Anna .Magnaiil, Aldo Kabrlzl<br />

E^ tltlee)<br />

(lullan-lancuage;<br />

©Three Men in a Boat<br />

(..) © FC.AprSS<br />

Laurence Harvey, Jimmy Edwards<br />

©The Red and the Black<br />

(145) 0.. Apr 58<br />

Gerard Pblllpe, DanlcUe Darrleux<br />

(French-language; Eng. tltlee)<br />

Time Lock (74) D.. Apr 58<br />

Robert Realty, Lee Patterson<br />

The Secret (79) D.. Apr 58<br />

Sam Wanomaker. Mandy<br />

LOUIS deROCHEMONT<br />

©Albert Schweitzer<br />

(SO) Doe Mar 57<br />

(Produced by HIU and Aodersonl<br />

MAGNA<br />

©South Pacific<br />

(170) Todd-AO Apr 58<br />

Rossano Braml, &llt£i Oaynor,<br />

John Kerr, Juanlta Hall<br />

(Fiim version of the Rodgers k<br />

Hammersteln stage show)<br />

TRANS-LUX<br />

La Strada (107) D. .Apr 57<br />

Anthony Qulnn, Oiulletta Maslna<br />

(Italian wtlk Eng. Uties and<br />

English-language versions available)<br />

Danger Flight 931<br />

(78) D.. Apr 57<br />

Danny Robin, Dieter Borche<br />

(Fr. language^Eng. titles)<br />

Bed of Grass (80) D.. Jul 57<br />

Anna Brazzou, Mike Nichols<br />

(Greek language—Eng. titles)<br />

Four Bags Full (85) ..C. Sep 57<br />

Jean Gabln, Bourvil<br />

(Fr. language—Eng. titles)<br />

©Melbourne Rendezvous<br />

(90) Documentary Oct 57<br />

The 1956 Oij-nmlc games<br />

REISSUES<br />

BUENA VISTA<br />

©Snow White and the Seven<br />

Dwarfs (83) An.. Apr 58<br />

COLUMBIA<br />

The Harlem Globetrotters<br />

(80) CO.. Oct 57<br />

Thoma:! Gomez, Dorothy Dandridge,<br />

and the original Harlem Olobetrotterfl<br />

Paratrooper (87) . . . . Ac. .Hay 58<br />

Alan L.add, Leo Genn<br />

Hell Below Zero (91) Ac. May 58<br />

Alan Ladd, Joan Tetiel<br />

MGM<br />

The Bride Goes Wild (98) C. .Jun 57<br />

June Ailyson, Van Johnson<br />

Our Vines Have Tender Grapes<br />

(105) D,. Jun 57<br />

Edward G. Robinson, Margaret<br />

O'Brien<br />

PARAMOUNT<br />

Sailor Beware (96) C. .Sep 57<br />

Dean Martin, Jerry Lewis<br />

Jumping Jacks (103) C. Sep 57<br />

Dean Martin. Jerry Lewis<br />

©Northwest Mounted Police<br />

(125) 0D..May58<br />

Gary Cooper, Paulette Goddard,<br />

Robert Preston<br />

Blaze of Noon (91) D.. May 58<br />

William llolden, Anne Baxter,<br />

Slerling Hayden<br />

REPUBLIC<br />

©The Quiet Man (129) CD.. May 57<br />

John Wiivne. Maureen O'Hara<br />

20TH<br />

CENTURY-FOX<br />

The Song of Bernadette<br />

(156) D..Mar58<br />

Jennifer Jonee, Vincent Price,<br />

Ovaries BIckford<br />

UNIVERSAL-INT'L<br />

Winchester 73 (92) W.. May 58<br />

James Stewart, Shelley Winters<br />

Criss Cross (88) D.. May 58<br />

Burt l,ancaster, Y. De Carlo<br />

WARNER BROS.<br />

Jim Thorpe—All American<br />

(105) D.. May 57<br />

Burt Ijutcaster. Oi.lrles BIckford<br />

The Winning Team (98) . . D . 57<br />

Doris Day, R. Reagan. F. Lovejoy<br />

Bright Leaf (110) D.. May 57<br />

Gary Ovoper, Lauren Bacall<br />

The West Point Story<br />

(107) D.. May 57<br />

James (^gney, V. Mayo, Doris Day<br />

Strangers on a Train<br />

(101) D.. May 57<br />

Farley Granger, Ruth Roman<br />

Young Man with a Horn<br />

(112) D..May 57<br />

Kirk Douglas, Launa Baeall,<br />

fioris<br />

Day<br />

FEATURE CHART<br />

COMING<br />

ALLIED ARTISTS<br />

Joy Ride igi Ac<br />

Gene Evans, Scott Marlowe<br />

The Pagans D.<br />

I'lerre Cressoy, Helene Remy<br />

Cry Baby Killer D..<br />

Jack Nicholson, (^rolyn Mitchell<br />

©Queen of the Universe (g) . . . . D .<br />

tsh Zsa Gabor<br />

Attack of the 50 Foot Woman SF..<br />

Allison Haves, WllUam Hudson<br />

Frankenslein-1970 © Ho..<br />

Korls Karioff, Jana Lund<br />

©Tucson © W.<br />

Mark Stevens, Forrest Tucker<br />

Unwed Mother D.<br />

Norma Moore, Robert Vaughn<br />

Gang Girl D,<br />

Richard Bakalyan, June Kenney<br />

Legion of the Damned Ac.<br />

Hill Williams, Dawn Richard<br />

AMERICAN INTERNATIONAL<br />

Fantastic Puppet People ...Ho..<br />

John Agar, John Huyt, June Kenney<br />

BUENA VISTA<br />

©The Light in the Forest 00..<br />

Fesf Parker, Wendell Corey,<br />

Joanne Dru, James MacArtbur<br />

©The Young Land OD..<br />

Patrick Wayne, Dennis Hopper<br />

©Stage Struck D..<br />

Ilenrv Fonda. Susan Strasberg<br />

©The Proud Rebel OD.'.<br />

Al.m Ladd. Olivia De Havllland<br />

COLUMBIA<br />

She Played With Fire D..<br />

Arlene Dahl. Jack Hawkins<br />

©The 7th Voyage of Sinbad Ad .<br />

Kerwin Mathews, Kathryn Grant<br />

Best of Enemies D..<br />

Danny Kaye. Curt Jurgens<br />

©Gideon of Scotland Yard D..<br />

Jack Hawkins, Dianne Foster<br />

Let's Rock M..<br />

Julius LaRosa, Phyllis Newman<br />

The Lineup Ac.<br />

Eli Wallach, Warner Anderson<br />

©Tank Force © D..<br />

Victor Mature. Leo Genn<br />

The Whole Truth D..<br />

Stewart Granger, Donna Reed<br />

©Revcnne of Frankenstein Ho..<br />

Peter Cii.shlng, Eunice Gayson<br />

The Case Against Brooklyn. .. .Ac .<br />

Macgie H.ayes, Darren McGavin<br />

©Gunman's Walk © OD .<br />

Van Hefiln. Tab Hunter<br />

©Forbidden Island Ac.<br />

Jon Hall. Nan .\dain3<br />

©Apache Territory W.<br />

Rory Calhoun, Barbara Bales<br />

The Key © D.<br />

William Ilolden. Sophia Loren<br />

The Camp on Blood Island. .. .Ac .<br />

Carl Mohner, Andre Morrell<br />

©The Name's Buchanan W.<br />

Randolph Scott, Craig Stevens<br />

The Snorkel D.<br />

Peter Van Eyck, Betta St. John<br />

MGM<br />

©Raintree County 65 D..<br />

Elizabeth Taylor, Montgomery Clilt<br />

©Gigi<br />

C/M..<br />

Leslie Caron, .Maurice Chevalier<br />

©The Sheepman © CD..<br />

Glenn Ford, Shirley MacLalne<br />

Tunnel of Love MC.<br />

Doris Day, Glenn Ford<br />

©Tom Thumb<br />

M..<br />

liuss Tamblyn. Alan Young<br />

Imitation General D..<br />

Glenn Ford. Red Buttons, Talna<br />

Klg<br />

High School Confidential D..<br />

Ru.ss Tamblyn, Jan Sterling<br />

©The Reluctant Debutante ©..C.<br />

Rex Harrison, Kay Kendall, John<br />

Sa-xon, Sandra Dee<br />

©Tarzan's Fight for Life ©..Ad..<br />

Gordon Scott. Eve Brent<br />

The Haunted Strangler Ho..<br />

Boris Karioff, Jean Kent<br />

Fiend Without a Face Ho..<br />

.Marshall Thompson, Kim Parker<br />

PARAMOUNT<br />

The Matchmaker (J) C<br />

Shirley Booth, Anthony Perkhis,<br />

Slilrlry<br />

MacLalne<br />

©Vertigo ® D..<br />

Jame.s Stewart, Kim Novak<br />

©Houseboat (g CD--<br />

Cary Grant. Sophia Loren<br />

King Creole ® M..<br />

Kills Presley. Dolores Hart<br />

©Rock-a-bye Baby (8 C.<br />

Jerry Lewis. Marilyn Maxwell<br />

The Black Orchid ® D.<br />

Anthony Qulnn. Sophia Loren<br />

©The Buccaneer ® O/M..<br />

Yul Bryruier. Charlton Heslon,<br />

Oalre Bloom. Inger Stevens<br />

.<br />

.<br />

.<br />

•<br />

Onionhead C .<br />

Showdown at Gun Hill ® W..<br />

Kirk DouglBS, Anthony Qulnn,<br />

Carolyn Junes, Earl Uolllman<br />

Space Children SF .<br />

AiUra WlllUun, Jllchcl Kay<br />

Too Young (or Love D..<br />

Kolierl Yurgalls, Phllllpa Bcolt<br />

REPUBLIC<br />

Held on Suspicion D..<br />

PlivllLs Kirk, Dan O'HerlUiy<br />

The Man Who Died Twice Ac.<br />

Rud Cameron, Vera Ralston<br />

Maybe Smith Ac .<br />

.Macdonald Carey, Audrey Totter<br />

RANK FILM DIST'RS OF AMER.<br />

©Dangerous Exile ® D..<br />

Louis Jourd,in, Belinda Lee<br />

Night Ambush D..<br />

Dirk Bogarde, Marlus Goring<br />

Seven Thunders D..<br />

Stephen Boyd, Kathleen Harrlico<br />

©The Gypsy and ihe Gentleman D..<br />

Meluu Mercourl, Keith MIchell<br />

20th-FOX<br />

QFraulein © D..<br />

Mel Ferrer, Dana Wyoter<br />

©From Hell to Texas © D..<br />

lion .Murray, Diane VarsI<br />

©The Barbarian © D .<br />

John Wajue, Elko Ando<br />

A Nice Little Bank That<br />

Should Be Robbed ® C.<br />

Tom Ewell, .Mickey Rooney<br />

©Sierra Baron © W..<br />

Brian Keith, Rick Jason, RIU Gam<br />

Blood Arrow W..<br />

Scott Brady. Phyllis Coatee<br />

The Naked Earth © D..<br />

Richard Todd, JuUetU Greco<br />

©The Bravados © OD..<br />

Gregory Peck. Joan Clolllns<br />

©A Certain Smile © 0..<br />

Itobsano Brazzi, Christine Carere,<br />

Joan Fontaine<br />

Villa! ©<br />

OD..<br />

Brian Keith, Cesar Romero<br />

UNITED ARTISTS<br />

Calypso Island Ac.<br />

Maile Windsor, Vlnce Edwards<br />

Bury the Living Cr..<br />

I<br />

itidiard Boone, Peggy Maurer<br />

They Can't Hang Me...^ Ac.<br />

Yolinde Donlan, Terence Morgan<br />

©The Vikings ®<br />

*d- •<br />

Kirk Douglas, Tony Curtis,<br />

Ernest Borgnlne, Janet Leigb<br />

©The Big CounUy ® OD..<br />

Gregory Peck, Jean Simmons<br />

Operation Murder<br />

Tom Conw.iy. Sandra Dome<br />

•<br />

The Defiant Ones D--<br />

Tuny Dirtls, Sidney Poiller<br />

The Extra Edge D..<br />

Jeff Chandler, Jack Palance<br />

The Gun Runners D..<br />

Audie Murpliy, Eddie Albert<br />

UNIVERSAL-INT'L<br />

The Voice in the Mirror D.<br />

Julie London, Richard Bgan<br />

©The Western Story OD..<br />

Jock .Malioiiey. Limla CrIsUl<br />

The Wonderful Years © D..<br />

John Saxon. &indra Dee<br />

©Never Steal Anything Small © D..<br />

James Cagney, Slilrley Jones<br />

And Ride a Tiger © D--<br />

June Ailyson. Jeff Chandler<br />

Once Upon a Horse C.<br />

llan Roll an. Dick Martin<br />

©The Mark of the Hawk D..<br />

Sidney Poltler. Eartha Kltt<br />

Horror of Dracula Ho..<br />

Peter Cushing, Melissa Stribllng<br />

The Thing That Couldn't Die.. Ho..<br />

William Reynolds, Andra Martin<br />

©This Happy Feeling © CO..<br />

Debbie Reynolds, Curt Jurgens<br />

QA Time to Love and a Time<br />

to Die © D--<br />

John Gavin. LLsa Pulver<br />

©Twilight for the Gods D..<br />

Rock Hudson, C>d Charljse<br />

VYARNER BROS.<br />

No Time for Sergeants C.<br />

Andy Griffith. »l>ron McCoroIck<br />

Dangerous Youth D--<br />

George Baker. FranUe Vaughan<br />

©Westbound<br />

OD..<br />

Randolph Scott. Virginia Mayo<br />

Aiuly Griffith, Felicia Farr<br />

©Indiscreet "..<br />

Cary Grant. Iiigrld Bergman<br />

©The Naked and the Dead<br />

©<br />

D •<br />

Aldo Ray. Cliff Robertson<br />

©Across the Everglades D .<br />

Hurl Ives. Ovrlsiopber Plummer,<br />

G>T)sy Rose Lee<br />

©Auntie Mame ® C..<br />

Rinnlliid Riissiell, Forrest Tucker<br />

©The Nun's Story D •<br />

•<br />

Audrey Hepbim. Peter Finch<br />

Island of Lost Women Ac.<br />

Jeff Richards, Diane Jergene<br />

BOXOFFICE BookinGviide May 5, 1958 11


—<br />

"1<br />

"S.<br />

XHIBITOR HAS HIS SAY<br />

ALLIED ARTISTS<br />

Junclo Cients i AA>— Reissue.<br />

Leo Gorcey, Huntz Hall, Lauiette<br />

Luez. Tried a five-unit comedy<br />

show with "Abbott and Costello<br />

Meet the Mummy." a Three<br />

Stooges comedy. Woody Woodpecker<br />

and Droopy cartoons and<br />

"Jungle Gents." It<br />

at the boxoffice. about 35 per cent<br />

above averaee. WiUi the year's<br />

coldest weather and biggest<br />

snowstorm to buck. I consider It<br />

a job well done. All but the Stooge<br />

comedy had played here before,<br />

but were much enjoyed again.<br />

The five-unit deal sounds big.<br />

did Just great<br />

and as far as cost, it's not half<br />

as big as it sounds—just the two<br />

extra short.s if you normally play<br />

double bills, which, as a rule. I<br />

don't. But it was money well<br />

used. I'm all set to try it again<br />

soon on westerns, horror, rock<br />

'n' roll or whatever I can think<br />

up. Without that awful weather<br />

it would have been really wonderful.<br />

But no complaints, as is.<br />

Played FYi., Sat.—Victor Weber,<br />

Center Theatre, Kensett, Ark.<br />

Pop. 1,000.<br />

BUENA VISTA<br />

(BV1—Dorothy Mc-<br />

Old Yeller<br />

Guire. Fe.ss Parker. Tommy Kirk.<br />

This is. no doubt, the finest family<br />

picture that we have ever<br />

played in our theatre. It is my<br />

suggestion that Disney start a<br />

school in "movieland" and teach<br />

our many other producers how<br />

to make family pictures without<br />

all the crime and corruption that<br />

has plagued so many of our pictures.<br />

Give us more. Walt. We're<br />

proud of you and "Old Yeiler."<br />

W. R. Woody. Texas Drive-In.<br />

Fairfield. Tex. Pop. 1,800.<br />

Best Since TV<br />

A boxoffice champion, "Old<br />

Yeller," showed to more patrons<br />

than any other picture since<br />

TV. Was enjo.ved by kids and<br />

adults. An excellent production.<br />

Business way above average.<br />

Admission 25 and 50 cents.<br />

MEL BANNER<br />

Circle Theatre<br />

Waynoka, Okla.<br />

COLUMBIA<br />

Operation Mad Ball (Col) —<br />

Jack Lemmon. Kathryn Grant,<br />

Ernie Kovacs. Plenty of humor,<br />

but not enough audience. Played<br />

Sun.. Mon.. Tues. Weather: Okay.<br />

—D. W. Tiisko. Runge Tlieatre,<br />

Runge, Tex. Pop. 1,055.<br />

Operation Madball (Col)—Jack<br />

Lemmon, Kathryn Grant, Ei-nie<br />

Kovacs. A fine picture that I,<br />

and the few who saw it with me,<br />

really enjoyed. That is, I enjoyed<br />

it until I checked the boxoffice<br />

receipts. This is a picture that<br />

the trailer completely ruined.<br />

Why in the heU they have to<br />

make a lousy ti-ailer like this<br />

completely baffles me. If we had<br />

been smart we'd have jerked the<br />

trailer after the first time it went<br />

on the screen. On Sunday we<br />

12<br />

lABOUT<br />

PICTURESI<br />

ground through four complete<br />

show,


—<br />

Opinions on Current Productions<br />

Feature reviews<br />

Symbol O denotss color photography; ® CInemoScopo; ^ VbtoVUion; ^ Saperteop*; 1)) Neturomo. For story synopsis on ooch picture, sec reverse side.<br />

)<br />

"J<br />

Ten Noith Frederick F ^ °T<br />

20th-Fox (819-3) 102 Minutes Ke\. May 29, '58<br />

Whether showmen and their respective customers seek<br />

motion pictures starring solidly established names or are of<br />

the school that advocates new faces for the screen, they<br />

must find complete satisfaction in this slick celluloid version<br />

of John O'Hara's best selling novel. For here is a blending<br />

of the old and the new in which the performances are<br />

so universally excellent that it remains a matter of personal<br />

preference as to which contingent rates the deepest<br />

bow. Nor is its trouping superiority the only asset upon<br />

which the picture must depend for the ceilingless business<br />

it is certain to enjoy. Bolstering such acting magnificences<br />

are innumerable other patronage guaranteeing qualities<br />

the vast merchandising potential of Gary Cooper and Diane<br />

Varsi, the former of whom is the more potent and who<br />

garners what slight edge there is in histrionic honors; Cinemascope:<br />

the good taste and impressiveness with which producer<br />

Charles Brackett characteristically mounted the<br />

photoplay; and the uncompromising frankness and mastery<br />

with which Philip Dunne—who also directed with paralleling<br />

consummate skill—adapted the O'Hara tome, most especially<br />

the more delicate situations thereof, which, if entrusted to<br />

less expert treatment, might have been subject to censure.<br />

Gary Cooper, Diane Varsi, Suzy Parker, Geraldine<br />

Fitzgerald, Tom Tully. Ray Stricklyn, Phillip Ober.<br />

Blood Arrow F<br />

Ratio: Western<br />

2.55-1 (fi)<br />

20th-Fox (811-0) 75 Minutes Rel. Apr. '58<br />

Hazardous at best are efforts to substitute moods and<br />

character analyzing for the standard action ingredients that<br />

have been part and parcel of westerns for five decades and<br />

have come to be expected by patrons who fancy outdoor adventure<br />

fare. Many are the substantially budgeted, impressively-cast<br />

photoplays that have come a cropper because of<br />

such hazards which are increased automatically in gallopers<br />

geared to supporting bookings. And they are the hurdles that<br />

obviously tripped up Charles Marquis Warren—who is<br />

credited as both executive producer and director—and kept<br />

this photoplay from being as good as it might have been<br />

in view- of the photographic process and the proven acting<br />

abilities of several of the toplining troupers. Regalscope and<br />

talent to the contrary, the finished product falls considerably<br />

short of expectation, largely because the screenplay takes<br />

off too often on the above-listed tangents. What few spots<br />

of action and suspense the film boasts sacrifice much of<br />

their possible effectiveness because of the manner in which<br />

they are interpolated. But with Scott Brady's name at the<br />

head of the cast, the feature will nonetheless serve satisfactorily<br />

at the bottom of the bill. Robert W. Stabler produced.<br />

Scott Brady, Paul Richards, Phyllis Coates, Don Haggerty,<br />

Diana Darrin, Jeanne Bates, Rocky Shaban.<br />

Gang War<br />

20th-Fox (823-5)<br />

F<br />

Ratio:<br />

2.55-1<br />

74 Minutes Rel. June '58<br />

Since the days of "Little Caesar" when there were no limits<br />

on the quantities of blood, belly, bellicosity and bravado<br />

that could be tossed into hardboiled photoplays dealing<br />

with mobsters and their molls, few, if any, pictures of its ilk<br />

have surpassed this for action, suspense, excitement and<br />

many of the other qualities that rank and file theatre<br />

patrons consider good entertainment. True, the offering is<br />

destined for the supporting niche on double bills—that's the<br />

booking sfxjt for which it was created—but it's a cinch that<br />

in many situations it will take the play away from its topside<br />

running mate, which in most instances will have cost<br />

many times more to produce. While there are no marqueemighty<br />

names in the cast, performances without exception<br />

are excellent. For this surprising superiority in every department,<br />

much credit is due scrivener Louis Vittes for a<br />

solid, jet-paced screenplay; producer Harold E. Knox for<br />

the film's impressive mountings and, above all, to director<br />

Gene Fowler jr. for the tempo and above-mentioned praiseworthy<br />

delineations. Regalscope photography, expertly applied,<br />

endows the photoplay with an air of expensiveness<br />

that should aid in merchandising.<br />

Charles Bronson, Gloria Henry, George Eldredge, John<br />

Doucelte, Jack Reynolds, Ralph Manza, Larrj' Gelbmann.<br />

.Meat'<br />

The Light in the Forest F<br />

"^^»^Adv.ntur.^or..a<br />

Buena Vista 93 Minutes Rel. July '58<br />

Walt Disney again turns to an early American theme, the<br />

Indians vs. the settlers in pre-Revo!utionary days, in this<br />

SDlendidly cast, handsomely produced adventure film which<br />

should appeal to youngsters and adults alike. Like the<br />

enormously popular "Old Yeller," this has Fess Parker, Indian<br />

fights and wild life for the kiddies, plus two attractive<br />

newcomers, James MacArthur and Carol Lynley, in romantic<br />

roles to draw the teenage trade, and Joanne Dru<br />

and Wendell Corey as marquee names for adults. Directed<br />

by Herschel Daugherty from the novel by Conrad Richter.<br />

the picture captures the spirit of the American frontier days<br />

so well that most of the actors seem like the real-life characters<br />

and the Tennessee mountains locale, beautifully photographed<br />

in Technicolor, has a truly primeval appearance. As<br />

brought out in both the action and dialog, whites as well<br />

as Indians, exhibit good or evil traits. Young MacArthur,<br />

who made his screen debut in "The Young Stranger." wins<br />

sympathy and credibility as the teenaged hero torn between<br />

conflicting modes of life and the pretty Miss Lynley is appealing<br />

as the shy bondservant who loves him. Outstanding<br />

in support are Jessica Tandy as the boy's white mother,<br />

and Joseph Calleia, as the wise old Indian chief.<br />

Fess Parker. Joanne Dm, Wendell Corey, James Mac-<br />

Arthur. Jessica Tandy. John Mclntire. Carol Lynley.<br />

The Lineup<br />

Columbia (244)<br />

86 Minutes<br />

F[<br />

85-1<br />

Rel. June '58<br />

Derived as this theatrical offering is from the popular<br />

cops and crooks television series of the same name, comparison<br />

between the two will be inevitable. So let it be said<br />

at the outset that the film feature hews to the realistic,<br />

action-laden format established by its TV counteiTiart. with<br />

Warner Anderson recreating his role of Lt. Ben Guthrie<br />

and Jaime Del Valle, producer of the video series, also guiding<br />

the movie production. All of this would indicate that<br />

exhibitors booking the crime drama should expect strong<br />

business wherever TV cables reach—and that takes in practically<br />

the entire U. S. For prospective ticket-buyers unfamiliar<br />

with TV's "Lineup," there is the name of Eli Wallach,<br />

whose thespian ability won him plaudits in the widely publicized<br />

"Baby Doll," and who herein gives an expectedly believable<br />

performance as the brutal narcotics smuggler and<br />

eventual murderer. The story's grim, factual aspects are enhanced<br />

by Don Siegel's tight direction of Stirling Siliphant's<br />

script, and the fine musical score and authentic San Francisco<br />

backgrounds add weight.<br />

Eli Wallach, Robert Keith, Warner .Anderson, Richard<br />

Jaeckel, Mary La Roche, William Leslie, Emile Meyer.<br />

Night Ambush<br />

F Ratio:<br />

War Drama<br />

21<br />

Rank 93 Minutes Rel. July '58<br />

Once again the British filmmakers have exercised their<br />

special talents for turning out realistic and exciting melodramas<br />

docimienting a World War II episode. With Dirk<br />

Bogarde, star of the British "Doctor" comedies, as the<br />

sole marquee name heading an all-male cast, the picture Is<br />

best suited to art spots or action houses. Michael Powell<br />

and Emeric Pressbiu-ger collaborated on the wTiting, producing<br />

and directing (as they did in the recent "The Pursxut<br />

of the Graf Spee") and their story, based on the novel "111<br />

Met By Moonlight," by W. Stanley Moss, was largely filmed<br />

In the rocky mountainous island of Crete, where the camera<br />

captured some striking black-and-white shots. The entire<br />

footage is occupied with the daring capture of a Nazi general<br />

by two British commando officers and their long trek<br />

across Crete until they smuggle him by boat to Cairo. The<br />

only lighter moments are supplied by the helpful Cretan<br />

partisans, who occasionally burst into song, and by some<br />

"stout fellow" English badinage, which is not amusing.<br />

Bogarde is convincing and Marius Goring is an appropriately<br />

pompous Nazi general but the outstanding performance is<br />

that of little Demitri Andreas, as a wily Cretan youngster.<br />

Dirk Bogarde, Marius Goring. David Oxley, Cyril Cusack,<br />

Michael Gough, Rowland Barlrop. Demitri .Andreas.<br />

The reviews on these pogej moy be filed for future reforonce in ony of the following woyj: (1) In ony sloiuJord th'*«-''"9<br />

loose-leaf binder; (2) individuolly, by compony. In ony stondord 3x5 cord index file; or (3) m the BOXOFFICE PICTURE<br />

GUIDE three-ring, pocket-siie binder. The lottcr. Including o yeor'. supply of booking and dorly business record sheeH,<br />

moy be obtained from Associofed PublieoMons, 825 Van Brunt Blvd., Konsos City 24, Mo., for $100, postage poid.<br />

2224 BOXOFFICE BooldnGuide May 5, 1958 2223


FEATURE REVIEWS Story Synopsis; Exploitips; Adlines for Newspaper and Programs<br />

THE STOKY: "The Light In the Forest" (BV)<br />

In 1764, the British negotiate a treaty with the Delaware<br />

Indians and persuade them to give up their white captives,<br />

among them the chiefs son, James MacArthur, who had<br />

been raised as an Indian. MacArthur shows hostility toward<br />

Fess Parlcer. the scout who leads him back to his white<br />

parents, John Mclntire and Jessica Tandy, but he graduallyith .<br />

learns to understand civilized ways and people, except for ha-<br />

Wendell Corey, who hates all Indians. MacArthur fails in<br />

love with Carol LjTiley. Corey's shy bondservant and plans<br />

when Corey shoots one of his Indian friends, MacArthur<br />

nms back to his former people. Eventually, Parker persuades<br />

MacArthur to return to his white parents, settle the score<br />

with Corey and become an established member of the<br />

community.<br />

EXPLOITIPS:<br />

Play up Fes.« Parker as the star of "Davy Crockett" and the<br />

recent "Old Yeller," and James MacArthur. young son of<br />

Helen Hayes, who made his screen debut in RKO's "The<br />

Young Stranger" in 1957. Use romantic stills of MacArthur<br />

with lovely Carol Lynley. Arrange toy store tieups.<br />

CATCHLI>fES:<br />

Torn Between Loyalty for His White Parents and Love<br />

for the Indians Who Raised Him . . . Two Young People<br />

Caught in a Wild Twist of Fate.


1<br />

—<br />

Opinions on Current Productions<br />

^EATURE REVIEWS<br />

Symbol O denotes color photography; O CinemoScop«; ® VbtaVUIon; C> Svpencope; (S><br />

Noturomo. For itory tynopsh on Mch picture, we reverse side.<br />

iia(»#<br />

F Ratio: Action Drama<br />

1.85-1<br />

United Artists (5820) 92 Minutes Rel. May '58<br />

Robert Mitchum, who wrote the original story for his<br />

own DRM Production, has the marquee draw to attract<br />

both action-minded and regular patrons. This topical melodrama<br />

should do good business generally, aided by two^ni i<br />

additional exploitable angles—the fact that Jim Mitchum,''']-<br />

Robert's look-alike teenage son, makes his acting debut as<br />

the star's younger brother and that Keely Smith, popular<br />

recording .star and wife of Louis Prima, is featured and<br />

Thunder Road<br />

sings two tunes, one with music by the star—making it an<br />

all-Mitchum production. His story, with screenplay by<br />

James Atlee Phillips and 'Walter 'Wise, deals with<br />

moonshiners and their constant battles with the tax<br />

division of the U. S. Treasury Department. The action is<br />

replete with wild auto chases and the subsequent spectacular<br />

accidents which result in several deaths, including the star's<br />

violent end. The romantic interludes are singularly pallid,<br />

mainly because of Miss Smith's colorless portrayal of a cafe<br />

singer, but Sandra Knight shows promise as a teenage<br />

mountain girl. The older Mitchum contributes one of his<br />

more taciturn performances and his son seems to have the<br />

same acting quality—but patrons will be intrigued. Gene<br />

Barry is forceful as a federal agent. Arthur Ripley directed.<br />

Robert Mitchum, Gene Barry, Keely Smith, Jacques<br />

Aubuchon. Jim Mitchum, Sandra Knight, Mitch Ryan.<br />

tlieat'<br />

iL. ii.sk><br />


. .<br />

FEATURE REVIEWS Story Synopsis; Exploitips, Adiines for Newspaper and Programs<br />

THE STORY: •QuanlrlH's Raiders" (AA)<br />

Into Lawrence. Kas., rides Steve Cochran, captain in<br />

the Confederate Army, on spy duty and assigned to contact<br />

outlaw Quantrill iLeo Gordons to have him blow up the<br />

Union .\rniy arsenal located tJiere. He tries to impress on the<br />

border raider that there must be no unnecessary killing and<br />

no looting. To cairy out his duties. Cochran poses as a '^ •<br />

"^'<br />

horse trader but is .subsequently suspected and arrested because<br />

of Quantrill's murderous tendencies. Escaping jail<br />

he again contacts the bandit and learns the latter plans<br />

to ravish Lawrence de.spite military orders. He helps save<br />

the town and then gives him.self up as a Southern .spy. is<br />

sentenced to pri.'^on for the duration, but knows the love he<br />

has found. Diane Brewster, will be awaiting his return.<br />

EXPLOITIPS:<br />

Drape Confederate and Union colors around marquee, this<br />

will dre.ss up front of theatre and supply Civil War motif.<br />

Make up teaser snipes for posting around town. Copy migrlit<br />

read: 'W.'VRNING! QUANTRILL'S RAIDERS ARE HEAD-<br />

ING THIS WAY. T.'VKE UTMOST PRECAUTIONS TO<br />

PROTECT LIFE AND PROPERTY!"<br />

C.ATCHLINES:<br />

Tlie Hell-Horde They Called the Butcher's Battalion .<br />

"QuantrUI's Raiders "—A Hundred Renegades Who Scorched<br />

the Land With a Thousand Crimes—Filmed in Cinema-<br />

Scope and De Luxe Color.


BATES: 15c per word, minimum $1.50. cash with copy. Four consecutive insertions lor price<br />

oi three. CLOSING DATE: Monday noon preceding publication dale. Send copy and<br />

• answers to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd., Kansas City 24, Mo. •<br />

cifeRinG Houst<br />

POSITIONS WANTED<br />

Couple; Operation and maDagemcnt. Handle all<br />

phases. Oivn repairs, malnlenanee. Exiiluilatliin.<br />

26 years experience. $120 for both. Bu.\ufrke,<br />

T743.<br />

(<br />

Maiiaoer available two weeks notice. Fnlly experlencwl.<br />

rapable, references, married. Boxofttce,<br />

7749.<br />

Projectionist: Yotme. reliable, sober. E.\perienced<br />

all makes (iinipmcnl. Privo-in ami hard top.<br />

locate anyuheie. ("lay Wayne, Turbevllle. S. C.<br />

I'hone 2441.<br />

Here's a switch! Manager now employed in<br />

Florida first-run theatre desires posiliim in<br />

Soiltlieni California. Fully exi>iTleiu-eil. Bnxoflicc.<br />

7752.<br />

Experienced projectionist and manager wants<br />

permanent position. Cjni furni.sh referoitces. Rt.<br />

3, Bo.x 688, Janet Lane. Ijilieside. California.<br />

HELP WANTED<br />

For better movie positions: M;inagers. cashiers,<br />

ushers phone Miss lleines, Wisconsin 7-3806.<br />

Smith I'ersunnel, 251 West 42nd Street. New<br />

York City.<br />

Wanted: Experienced drlvc-in theatre manager,<br />

must be honest, sober and reliable. Contact Jesse<br />

Wellons. Fayetteville. N. C.<br />

THEATRE TICKETS<br />

Prompt Service. Special printed roll tickets.<br />

100.000. $31.05; lO.OOO. $9.90: 2,000, $5.70.<br />

Bach change in admission price, including change<br />

in color, $4.00 extra. Double numhering extra.<br />

F.O.B. Kansas City, Mo. Cash with order. Kansas<br />

City Ticket Co., Pept. 11, 109 W. ISth St.<br />

Kansas City, Mo.<br />

DHIVE-IN THEATRE EQUIPMENT<br />

Price reduced on our .\nti-Theft Speaker Cable!<br />

Now you can protect your speakers for only 59<br />

cents per speaker! Leading theatre chains and<br />

Individual exhibitors report complete satisfaction.<br />

Write: Speaker Security Company. Ilept. 58.<br />

Willow .\ve. at 17tb St., Hoboken, X. .1.<br />

Take your pick! Century "C", Motiograph<br />

"A.\" or Super Simplex complete drlve-in projection<br />

and sound equipment, excellent condition,<br />

$3,495. Available on time. Strong 85A single<br />

phase, 6 tube rectifiers, like new, $695; new<br />

100/200 amp. generator w.^panel and ihcostats,<br />

$995. Peiit. cc, S.O.S. Cinema Supply Corp., 602<br />

W. 52nd St., New York 19.<br />

Speakers! Brand new replacements, 4-inch PM<br />

ItCA powered by new super magnets. Sacrifice,<br />

$1.09 each. Mack Enterprises. Centralia, III.<br />

GENERAL EQUIPMENT—USED<br />

r^eed a spare? Slni|)lex rear shutter, double<br />

healing mreh.iiiNm. $!i.j: Super Simplex B-7.<br />

Century ('", excellent, $225 each. New Intermlttcnls;<br />

Holmes. $24.50: HeVry, $51): Simplex,<br />

$611.50. Depl. cc. S.O.S. Cinema Supply Corp.,<br />

602 W. 52nd St., New York 19.<br />

Pair RCA M 1-9030 soundheads, used 30 days,<br />

$500. Pair Sutler Simplex mechanisms, excellent<br />

condiiion, $425. Ilegular Simplex KS. BB, mechaiiLsms.<br />

$75. Hebullt. $150. fair UC.\ 0001 soundheads,<br />

excellent condition, $150. Harold .Moore,<br />

Box 782. Charleston 23. West Virgini.i.<br />

Pair Super Panatar wiriahle auamnrphic lens.<br />

Like ne«. $l!i.'). W. W. liinson. I'. (I. Box 07,<br />

Crawford. Texas<br />

GENERAL EQUIPMENT—NEW<br />

Masonite marquee letters, fit Wagner, Adler,<br />

Bevelite signs. 4", 40c: 8". 60c: lO", 75c: 12".<br />

$1.00; 14", $1.50: 16", $1.75: 17". $2.00; 24",<br />

$3.00. Dept. cc, S.O.S. Cinema Supply Corp. 602<br />

W. 52nd St.. New York 19.<br />

Eguippeil for CinemaScope? Met.illic seamless<br />

screens, 00c sq. ft.; anamorphic and piimc lenses,<br />

combination price, $495 pr.: wide angle lenses<br />

from $125 pr. Send projection distance, picture<br />

size, we'll figure lens foctis. Depl. cc, S.O.S.<br />

anema Supply Corp., 602 W. 52nd St., New York<br />

19.<br />

THEATRES FOR SALE<br />

375.car drive-in; diieiailng the year round In<br />

one of best towns In North Central Texas, 14,000<br />

population. Only drlvc-ln In county and only one<br />

theatre In opposition. Boxofflce, 7734.<br />

Theatre for sale, county seat town, fully<br />

equipped. Wisconsin. Boxofncc, 7738.<br />

Colored theatre, Sebihig, Florida. Heart of<br />

nnuige belt, .xsking $7,500. Vi original cost Includes<br />

land, building. Hi and 35mm eiiulpmenl.<br />

snark liar, everything. Write I'.O. Box 108, Fort<br />

Lauderdale, FUirlda.<br />

Retire on Beautiful PuQet Sound: New 850-scat<br />

profitable theatre in center of terrific suburban<br />

growth area. Sale or lc;ise. Boxofflce, 7742.<br />

Out of state business forces quick sale of modern<br />

3fl0-cjir drive-in. (loud size Texas town. Only drlvein.<br />

$12,000 down ajid lake over balance, ten years,<br />

priced right. Investigate . . . you'U want it. <strong>Boxoffice</strong>.<br />

7744.<br />

New 600-car drive-in theatre. Western Kcnttick.v.<br />

IMease check write up In Boxofflce April 7.<br />

195S edition. Tremendous industrial expansion<br />

being developed. Other interests force sale.<br />

I'hone or wrlle owner; Clark Smith, LaCcnter.<br />

Kentucky.<br />

Texas Theatre, Bishop. Texas, $7,500, $2,500<br />

cash, balance 5%. Fine equipment, air conditioned,<br />

etc. Population 4,000. Large industrial<br />

liayroll. Tex.ls best farming. T. L. Harville, Alice,<br />

Tcxa.s.<br />

STUDIO AND PRODUCTION<br />

For sale; Four south Texas closed towns, suitable<br />

family operation. L. Cla.sscock. Box 1266,<br />

Latest Model Arri 35. 3 lenses, mattebox, case,<br />

$2,500 value, $2,095: like new Belhowell 16mm San Antonio, Tex,is, CA 7-5233.<br />

70PA w/3 lenses, case, $395: Mitchell 35mm<br />

tracking camera. $995: ItCA Photophone 35mm<br />

recording outfits, from $2,995: Houston 35mm<br />

processors, $8,000 value, from $1,495; 35mm<br />

Moviolas. $189. Dept. cc. S.O.S. Cinema Suplily<br />

Corp., 602 W. 52nd St., New York 19.<br />

BUSINESS STIMULATORS<br />

Bingo, more action! $4.50M cards. Other games For sale or trade. Approximately 300-car<br />

available, on-off screen. Novelty Games Co.. 106 drive-in. Oilfield and industrial payrolls. Illness.<br />

lingers Ave., Brookbn. N. \.<br />

Box 780, Sweetwater 1, Texas.<br />

Build attendance with real Hawaiian orchids. Drive-in on main highway, no competition, 25 ^r<br />

Few cents each. Write Flowers of Hawaii. 670 ipturn, reasonable. Write Box 86, (ieenville, Vir<br />

ginia.<br />

S. Lafayette Place. Los Angeles o, Calif.<br />

Bingo Cards, Die Cut! 1, 75-500 combinations.<br />

1. 100-200 combination. Can be used for KBNO.<br />

$4.50 per .M. Premium Products, 346 West 44th THEATRES WANTED<br />

Day-Glo Bumper Signs direct from manufacturer,<br />

save 50*^^1 Stimulate your attendance with D.iy-<br />

Glo bum;)er signs on Kleen-Flexslik. Rubber impregnalerl<br />

.stock. Leave no residue on bumpers.<br />

100. $17; 250. $32.50: 500, $60: 1,000, $90<br />

Prepaid t^sh with order, otherwise COD. Send<br />

self addre.ssed envelope for sample. 4"xl8" only.<br />

Ozark Screen Process, Golden City, Mo.<br />

84" Cash Discount Cards, Territic business<br />

builder tor drive-ins. indoors. Working wonders<br />

at m.v drive-in. many others. Really keeps them<br />

coming back. Not lottery. Pays discount for each<br />

$25 spent by patron in admission or snack bar.<br />

New low prices: 5.000 cards (seals mounted).<br />

$75: 5,000 cards (yo(i mount seals), $55;<br />

special punches, $6 each: posters, 15c each;<br />

trailers, Filmack copy, $23.50. Instructions<br />

manual. No shipping cltarges if check accompanies<br />

order. Write today! Watch hiislness boom. E. F.<br />

l!ay. .«! Prive-In. PO Box 397. Amherst. Texas.<br />

Texas Theatre for Sale; Air-conditioned brick<br />

building. 300 upholstered ch.iirs. machines In gooil<br />

condition. Phone 42 or write Box 13, Evant.<br />

Texas.<br />

Drive-in, central Pennsylvania. 225 cars, room<br />

for 450. Good business. Easy terms. Boxofflce.<br />

7751.<br />

Chicago, Illinois theatre wanted. Sixteen hundred<br />

to four thousand seaLs for commercial use.<br />

Will buy or lease. Submit full particulars. Martin<br />

F. Owens, Realtor, 1761 National B.mk<br />

"Secret Panel Treasure Cards." Increases boxoffice<br />

ami cMcrssiDO receipts Oiilslanding super<br />

punch c.inls. Tlieatre Enterprises. 85 Van Braam<br />

street, Pittsburgh, Pa.<br />

Building, Detroit 26. Michigan.<br />

THEATRE SEATING<br />

Chair supj.lies, iiaiis for all chalrn. Fenjla<br />

Seating, Cllieugo 6,<br />

Repairing ano reupholsttring In your tliettrc,<br />

l''ensln Seating, Chicago 5.<br />

New spring seats for all dialri, Fensin Seitlni,<br />

Chicago 5.<br />

Patch. o-Seat cement, permastone anchor cement.<br />

Feusin Sealing. Chicago 5.<br />

Seat coverings, sewed combination, all ityles,<br />

Fensin Sealing, Chicago 5.<br />

Plastic leatherette, all colors, send sample.<br />

Fensin Sealing. Ollcago 5.<br />

Upiiolstery fabrics, all types, send sample.<br />

Fensin Sealing, Chicago 5.<br />

Cash for your old theatre chairs, Fensin Beatin,<br />

ChiiM',.'n 5.<br />

We rebuild chairs in your theatre, flood used<br />

chairs available at lowest prices. 25"l25"<br />

leatheielte, 55c each. 27"x27", 65c each. Chicago<br />

I'sed Chair Mart, 829 So. Slate St., Chicago<br />

5, Hi.<br />

For sale: 1.200 veneer chairs.<br />

POPCORN MACHINES<br />

Popcorn machines. ;ill makes Snow ball and<br />

floss machines. Keplacement kettles all machines.<br />

120 So. Ilalsted, Chicago. III.<br />

I ABOUT<br />

'We Warned You—<br />

NOT USING A BOX<br />

NUMBER ON THAT AD YOU<br />

RAN IN<br />

BOXOFFICE!'


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