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The topological notion of influence regarded as homeomorphism by Hugh Kenner and<br />

James Joyce’s topology of literature are penetrating our contemporary communication via<br />

the phenomenon of social network as twitter and facebook.<br />

Here is some interesting topological exploration written by Joe Linker on his blog “The<br />

Coming of the Toads” – “What’s Happening?”; or, the Faux Social Finish of Verb People,<br />

posted on February 9, 2011/54/:<br />

To twitter is indeed to sound off like a bird. “No full sentence really completes a thought,”<br />

said Hugh Kenner, in The Pound Era (1971), throwing a rock into several generations of<br />

roosting English grammar teachers: “And though we may string never so many clauses into<br />

a single compound sentence, motion leaks everywhere, like electricity from an exposed wire.<br />

All processes in nature are inter-related”. This from the “Knot and Vortex” chapter, where<br />

Kenner introduces the “self-interfering pattern,” using Buckminster Fuller’s sliding knot<br />

illustration: “The knot is a patterned integrity. The rope renders it visible”.<br />

Social networking as experienced via Twitter or Facebook allows for no stillness. One is<br />

always in flight. One is not a noun; as Buckminster Fuller said, “I seem to be a verb.” Nouns<br />

represent dead flight, the verb at rest in its grammatical nest: “The eye sees noun and verb as<br />

one, things in motion, motion in things,” explains Kenner (157).<br />

Verbs have no permanency. What’s happening must constantly change. Twitter is a rush of<br />

tweets each jolting the flock to flight, while posts on Facebook fall down the page like<br />

crumbs from a plate at a reception. Nothing is saved because in the social network world<br />

there are no nouns. The text is a mirage, the words constantly falling, falling down, down<br />

feathers falling through the electric light.<br />

Ezra Pound’s short poem “In a Station of the Metro” is a perfect tweet: “The apparition of<br />

these faces in the crowd; / Petals on a wet, black bough.” The short poem with title fills the<br />

tweet space with 40 characters to spare, fixes the stare of twitterers but momentarily, as the<br />

faces can only pause in apparition not even of ink, but of light, and the social connection is a<br />

faux finish. People are verbs, constantly changing tense.<br />

I couldn't resist to include here the image posted on Joe Linker wonderful blog. These cups<br />

are such a great artifact illustrating our everyday topological expression.<br />

And one more post from Joe Linker’s blog entitled “James Joyce Occupies Wall Street” /55/:<br />

Borislav G. Dimitrov 157

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