- Page 1 and 2: evision: THE REVOLUTIONARY INDUSTR
- Page 5: "TELEVISION: THE REVOLUTION"
- Page 8 and 9: COPYRIGHT, 1944, BY ROBERT E. LEE P
- Page 10 and 11: vi FOREWORD He also handles convinc
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- Page 19: CONTENTS PAGE FOREWORD BY DR. LEE D
- Page 23 and 24: IP "THE BLOCK-BUSTER" JL EOPLE who
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- Page 27 and 28: "THE BLOCK-BUSTER" your box-office
- Page 29 and 30: "THE BLOCK-BUSTER" Television prese
- Page 31: "THE BLOCK-BUSTER" n This book is a
- Page 35 and 36: "THE MOVING FINGER WRITES " 15 be f
- Page 37 and 38: "THE MOVING FINGER WRITES " 17 fore
- Page 39 and 40: "THE MOVING FINGER WRITES " 19 mill
- Page 41 and 42: "THE MOVING FINGER WRITES -" 21 clo
- Page 43 and 44: "THE MOVING FINGER WRITES vision sc
- Page 45 and 46: "THE MOVING FINGER WRITES " 25 dist
- Page 47 and 48: "THE MOVING FINGER WRITES " 27 pick
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- Page 51 and 52: "WHAT DO YOU EXPECT IN TELEVISION"
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- Page 61 and 62: U WHAT DO YOU EXPECT IN TELEVISION"
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- Page 65 and 66: "WHO'S GOING TO PAY THE BILLS?" 45
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"WHO'S GOING TO PAY THE BILLS?" 63
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5 "TELEVISION TIME-TABLE* ROM where
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"TELEVISION TIME-TABLE" 67 edge whi
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"TELEVISION TIME-TABLE" 69 which cr
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"TELEVISION TIME-TABLE" 71 should c
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"TELEVISION TIME-TABLE" 73 Each rep
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sustaining types "TELEVISION TIME-T
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"TELEVISION TIME-TABLE" 77 the war
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"TELEVISION TIME-TABLE" 79 Televisi
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"TELEVISION TIME-TABLE" 81 medium,
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"TELEVISION TIME-TABLE" 83 visual t
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'WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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"WHAT'S GOING TO HAPPEN TO THE MOVI
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7 "PREVIEW OF COMING ATTRACTIONS" J
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"ENTER THE NEW ART " 141 almost bee
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"ENTER THE NEW ART " 143 "What do y
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"ENTER THE NEW ART " 145 merit, the
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"ENTER THE NEW ART " 147 located in
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"ENTER THE NEW ART " 149 the boom-m
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"ENTER THE NEW ART " 151 through hi
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"ENTER THE NEW ART " 153 there's a
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"ENTER THE NEW ART " 155 watch the
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"ENTER THE NEW ART " 157 markings o
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"ENTER THE NEW ART " 159 with coach
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"ENTER THE NEW ART " 161 time is sh
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"ENTER THE NEW ART " 163 We step ov
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"ENTER THE NEW ART " 165 "This is t
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"ENTER THE NEW ART " 167 and we hap
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"ENTER THE NEW ART " 169 time ouf p
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"ENTER THE NEW ART " 171 tically no
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"ENTER THE NEW ART " 173 "Only the
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"ENTER THE NEW ART " 175 picture in
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"ENTER THE NEW ART " 177 Now our fr
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"ENTER THE NEW ART " 179 cast and t
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"ENTER THE NEW ART " 181 All-in-all
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"TELEVISION COMMERCIALS" 183 will b
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"TELEVISION COMMERCIALS" 185 glad s
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"TELEVISION COMMERCIALS" 187 is a b
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"TELEVISION COMMERCIALS" 189 must b
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"TELEVISION COMMERCIALS" 191 broadc
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"TELEVISION COMMERCIALS" 193 natura
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"MONKEY WRENCHES" 195 mean to be sa
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"MONKEY WRENCHES" 197 acceptance of
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Road" "MONKEY WRENCHES" 199 being b
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"MONKEY WRENCHES" 201 and see featu
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"MONKEY WRENCHES" 203 policy a frui
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"MONKEY WRENCHES'* 205 some tight l
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"MONKEY WRENCHES" 207 of American m
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"MONKEY WRENCHES" 209 therefore the
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"MONKEY WRENCHES" 211 ship will be
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214 TELEVISION: THE REVOLUTION Some
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"TELEVISION AS A FORCE FOR FREEDOM"
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