POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

Utah on the cellular, Pappas behind the wheel as they
slide to a stop half a block from the stucco house.
UTAH
... Felony B and E, three months in
juvey. Better. Felony assault.
Postgraduate work at Chino.
Excellent. I'm lovin' it. What
about the brother?
(Utah is grinning)
Great! Another model citizen.
These guys really fit the profile.
PAPPAS
Remember, all bank robbers are
losers, but not all losers are bank
robbers.
LONG LENS POV of Razorheads house. Through the windows we
see the four moving inside. Tone throws Archbold and
Bunker a Coors from the fridge. Archbold shakes his and
opens it in Warchild's face. Warchild, in no mood, slams
him against the wall. We feel the revved-up, chaotic
energy of the group in silent pantomime.
Bunker is met by a GIRL coming from the back of the house.
She is wearing only panties and a black leather vest.
Short black hair and tattoos stark on her white skin.
Bunker puts one arm around her neck in a head lock embrace
and slides his other hand under her vest. Tone pulls the
curtains.
UTAH
These are the guys. I can feel it.
I say we lay it on Harp.
EXT. STREET NEAR HOUSE - NIGHT
CUT TO:
TELEPHOTO VIEW of house.
Bunker and Archbold have partially disassembled the engine
of a Kawasaki 1100 parked in the living room. They are
drinking beer and arguing about the carburetors, lit by
the blue glow of the TV. Warchild is watching a livingdead
movie on tape.
He replays the gory parts. Not a happening night at the
Razorheads.
REVERSE, as binoculars are lowered, revealing Cole.
WIDER, to show the dynamic team of Cole and Munoz
glowering in a plain sedan, Utah leaning in the side
window.
MUNOZ
This is bullshit. This is a
bullshit lead. This is totally
bullshit. Harp must be fucking
desperate if he's listening to you
two flakes.