POINT BREAK by James Cameron & Kathryn ... - Whoa is (Not)

ECU JOHNNY as he cracks one eye open, registering the dawn
light.
He bolts up, looking around. Tyler is asleep beside him,
with the quilt from the car pulled up tight to her chin.
She looks radiant in sleep.
He grabs his watch out of the sand and looks at it.
Holy shit.
UTAH
CUT TO:
EXT. ALLEY BEHIND RAZORHEAD HOUSE
LONG LENS on UTAH'S SEDAN fishtailing through the alley,
narrowly missing dumpsters and parked cars.
He pulls up next to several unmarked FBI sedans. No one
in sight.
UTAH jumps out tucking in yesterday's shirt, stuffing his
Beretta into his waistband. He also shoves a small
leather case into his belt.
Utah pulls open the door to one of the unmarked cars and
rips a walkie-talkie out of the charging rack on the front
seat.
Running, he passes a gate. Goes back. Looks.
HIS POV -- FOUR MEN huddled behind a garage. COLE, MUNOZ,
AND TWO OTHER AGENTS. All with guns and walkie-talkies.
UTAH
(whispering)
You guys need any help?
COLE
(not amused)
You're late.
We hear Pappas' voice over the radio.
PAPPAS (V.O.)
Did that worthless punk partner of
mine ever show up?
UTAH
(grinning)
Right here, partner.
EXT. STREET - NEARBY
Pappas has his shirt hiked up as another agent, BABBIT,
tapes a microphone transmitter to his stomach. Pappas
talks into his top button.
PAPPAS
Good of you to join us, hotshot.
(to Babbit)
Watch it. I told you, not on the